Podcast appearances and mentions of Antonio Banderas

Jess here! A while back, Sarina and KJ talked about how much they enjoyed Tess Gerritsen's novel, The Spy Coast, and Sarina reassured KJ she'd enjoy book two of the series even more. I had never read a Tess Gerritsen novel, and while I'd heard her name before and vaguely understood she wrote thrillers, I was starting from square one when I downloaded the audio version of The Spy Coast. Now, I'm not an international spy thriller kind of gal. In the abstract, I understand the allure of books like Tinker Tailor Soldier Spy or Six Days of the Condor. Spies! Intrigue! International [almost exclusively men] of mystery! But they have never really floated my proverbial boat. That said, I loved Tess Gerritsen's spies and the world they inhabit. There's a sense of place - nay, a downright LOVE of place - and a retiring, rural New England domesticity that spoke to this retiring, rural New England reader. Book two, The Summer Guests, is even more rooted in Maine, on its history and the social dynamics of its natives and its summer people. Once I tore through those first two books, I went back to Gerritsen's first book, The Surgeon, one of Time Magazine's top 100 thriller/mystery books of all time and the first in the Rizzoli & Isles series, consequently made into a long-running television series. Gerritsen has a fascinating career trajectory, lots to talk about regarding pantsing and plotting, where the ideas come from, and lots of other geeky details about the writing life. I hope you enjoy it as much as we did. Find Tess at Tessgerritsen.com, or on Bluesky, @TessGerritsen Transcript below!EPISODE 462 - TRANSCRIPTJennie NashHey everyone, it's Jennie Nash, founder and CEO of Author Accelerator, the company I started more than 10 years ago to lead the emerging book coaching industry. In October, we'll be enrolling a new cohort of certification students who will be going through programs in either fiction, nonfiction, or memoir, and learning the editorial, emotional, and entrepreneurial skills that you need to be a successful book coach. If you've been curious about book coaching and thinking that it might be something you want to do for your next career move, I'd love to teach you more about it, you can go to bookcoaches.com/waitlist to check out the free training I have—that's bookcoaches.com/waitlist. The training is all about how to make money, meaning, and joy out of serving writers. Fall is always a great time to start something new. So if you're feeling called to do this, go check out our training and see if this might be right for you. We'd love to have you join us.Multiple SpeakersIs it recording? Now it's recording, yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now—one, two, three.Jess LaheyHey, this is Jess Lahey, and this is the Hashtag AmWriting Podcast. This is the podcast about writing all the things—short things, long things, poetry, prose, narrative nonfiction, fiction, creative nonfiction, queries, proposals. This is the podcast about writing all the things. More than anything else, this is the podcast about the writing life and about getting the work done. I am Jess Lahey. I'm the author of The Gift of Failure and The Addiction Inoculation. And you can find my journalism at The Atlantic and The Washington Post, and my bi-weekly (formerly bi-weekly) column at The New York Times, The Parent-Teacher Conference, ran for about three years I am joined today by Sarina Bowen, who has written 50-odd books. She has written lots and lots of romance, and her most recent addition to the world of publishing has been her thrillers, Dying to Meet You and The Five Year Lie. And she has a book coming out this fall called Thrown for a Loop. The reason I am recording this intro on my own—which, as you may know if you've been listening, is highly unusual for us—is because I know myself. And I know when I'm really excited to talk to someone on the podcast; I'm going to flub the intro. I'm going to forget something. I'm going to forget to introduce them altogether. So today, I'm doing that first, so I don't mess it up. A while ago on the podcast, you may have heard Sarina and KJ read some books by an author named Tess Gerritsen. I had heard of Tess Gerritsen, but I had never read any of her books. I just hadn't yet. I haven't read Nora Roberts yet. I haven't read—there are lots of authors I haven't read yet. And sometimes you don't even know where to start. So when Sarina and KJ recommended Tess Gerritsen's new series set in Maine—the first one being The Spy Coast and the second one being The Summer Guests—I figured I had a good place to start. And you know, as a New Englander, I love a good book about New England, and that was the start of my interest in Tess Gerritsen's work. I have gone back to the beginning and started with her book The Surgeon, which was her first book in the series that became the Rizzoli and Isles Series, as well as a television show. Tess Gerritsen has a—she's written through 33 books at this point. And as I now know, she has also directed a documentary called Magnificent Beast about pigs, which I listened to this morning while I was vacuuming the house. I loved it. She also—she has a lot to say about genre, about publishing, about second careers, about a writing place, and about process. So let's just jump right into it. I am so excited to introduce to you today, Tess Gerritsen. So from the perspective of what our listeners love—this podcast, the Hashtag AmWriting Podcast —is super geek. People who love the nuts and bolts and the dorky details of the writing life. Sarina has a past life in finance, and so she tends to be, like, our “no, but let's talk about the numbers” kind of person. I'm just the research super dork, which is why I spent my morning watching your documentary about pigs.Tess GerritsenOh my god! (Laughing)Jess LaheyMagnificent Beast. I—I've joked in the past that if I could, I would probably just research things in—in, you know, maybe there'll be a book out there, maybe there won't, but I would research things and—and just learn as much as I could. And so I loved—loved—your Magnificent Beast documentary. I thought it was fantastic. But one of the reasons that we wanted to talk to you, just from the very beginning, is that we feel like you do some pretty incredible world-building and relationship-building with your places and your characters. And so I just—I would love to start there, mainly with the idea of starting with the real nuts and bolts stuff, which is, like, what does an average writing day look like for you? And how do you, sort of—how do you set that up? What does it look like, if you have an average writing day? Maybe you don't.Tess GerritsenWell, it's hard to describe an average writing day, because every day is—there are days when you sit at your desk and you just, you know, pull your hair. And there are days when you get distracted by the news. And there are many days when I just do not want to write. But when I'm writing, the good days are when my characters are alive and talking to me. And it's—it's—you talked about world-building and character-building. That is really key to me. What are they saying to me? Can I hear their voices? And it sounds a little—a little crazy, because I am hearing voices. But it's those voices that really make characters come alive.Jess LaheyI—You have said in other interviews that you are very much—sorry to those of you who hate the terms—that you are very much a pantser. And you are sitting on this interview with a consummate plotter. Sarina is our consummate plotter. So could you talk a little bit about how those character—how those voices—influence, you know, the pantsing of the—of the book, and—and how that works for you?Tess GerritsenWell, I mean, it is weird that I am a pantser. And it's funny—I think that people who are plotters tend to be people who are in finance or in law, because they're used to having their ducks lined up, you know. They—they want everything set up ahead of time, and it makes them feel comfortable. And I think a large part of becoming a pantser is learning to be comfortable with unpredictability. Learning to just let things happen, and know you're going to take wrong turns, know you're going to end up in blind alleys—and yet just keep on forging ahead and change direction. So I suppose that what helps me become a pantser, as I said, is hearing a character's voice. If, for instance, when I wrote The Spy Coast, the first thing I heard about that book was Maggie Bird's voice. And she just said, “I'm not the woman I used to be.” And that's an opening there, right? Because you want to find out, Maggie, who did you used to be? And why do you sound so sad? So a lot of it was just—just getting into her head and letting her talk about what a day-to-day life is, which is, you know, raising chickens and collecting eggs and becoming—and being—a farmer. And then she does something surprising in that very first chapter. There's a fox that's killing her chickens, so she grabs her rifle and kills it with one shot. And that opens up another thing, like—how are you, a 62-year-old woman, able to take out a rifle and kill a fox with one shot? So it's—it's those things. It's those revelations of character. When they come out and they tell you something, or they show you they—they have a skill that you weren't aware of, you want to dig deeper and find out, you know, where did they get that skill?Sarina BowenAnd that is a really fun way to show it. I mean, you're talking today with two people who have also kept chickens.Multiple Speakers(All laughing)Jess LaheyAnd had foxes take their chickens, actually.Sarina BowenOh yes, because the two go together.Tess GerritsenYes.Sarina BowenBut yes, I admit I have never shot a fox, and maybe wouldn't.Jess LaheyI have yelled very loudly at a fox, and he actually—I have to say—really mad respect for the fox, because he took one look at me—he did drop the chicken that I was yelling at him for grabbing—and then he went across the street, around the neighbor's house, around the back of the other neighbor's house, and came at the exact same chicken from the other side of the house, where I couldn't see him out the window.Tess GerritsenOh, they are so smart. They are so smart.Jess LaheySo smart. Sarina, it sounded like you had something— you had something you wanted to add, and I interrupted you when we were talking about pantsing and we were talking about world-building and characters speaking to you.Sarina BowenWell, I just had thought that it was a lovely moment to explain why I was so excited to read this book after I heard Tess speak at Thriller Fest 2024, in a packed room where there was nowhere to sit except on the floor. You told the audience a little bit of a story from your real life that—that made you want to write that book. And I wonder if you could tell us what that was, because for me—I mean, we were only five minutes into your talk, and I'm like, oh, I'm—I'm going to download that tonight.Tess GerritsenWell, yes, it was. A lot of my books come from ideas that I've been stewing over for years. I have a folder called the ideas folder. It's an actual physical manila folder. And if I see something in an article or a newspaper or a magazine, I'll just rip it out and stick it in there, and it sometimes takes a long time before I know how to turn this into a book. So the idea for The Spy Coast is a little bit of obscure knowledge that I learned 35 years ago, when I first moved to Maine. My husband is a medical doctor. He opened up a practice, and when he would bring in new patients, he would always get an occupational history. And he used to get this answer—this very strange answer—from his new patients. They would say, “I used to work for the government, but I can't talk about it.” And after he heard that three times, he thought, what town did we land in? And who are these people? And we later found out that on our very short street, on one side of us was a retired OSS person, and on the other side was retired CIA. A realtor told us that our town was full of CIA retirees. So, I mean, of course you want to ask, why did they get here? What are they doing here? What are their lives like? I knew there was a book in there, but I didn't know what that book was. I needed 35 years to come up with the idea. And what I really needed to do was become old and—and realize that as you get older, especially women, we become invisible. People don't pay attention to us. We are over the hill. You know, everybody looks at the young, pretty chicks, but once you start getting gray hair, you fade into the background. And with that experience myself; I began to think more and more about what it's like to be retired. What is it like to be retired from a job that was maybe dangerous, or exciting, or something that you really risked your life to—to achieve? So that was—that was the beginning of The Spy Coast. What happens to CIA retirees—especially women—who are now invisible? But that makes them the best spies of all.Jess LaheyYeah, and we have—we did this really cool thing, this really fun thing for us on the Hashtag AmWriting Podcast. It's like a supporter-only thing, where we call First Pages, where very brave authors—very brave writers—submit their first page to us, and we talk about it and decide whether or not we'd want to turn the page. And you have an incredible skill on your first pages. You're very, very good at first pages. And I was thinking about The Summer Guests, that you had this wonderful line that I'm going to read now:Purity, Maine, 1972. On the last day of his life, Purity police officer Randy Pelletier ordered a blueberry muffin and a cup of coffee at the Marigold Café,Which immediately reminded me of my very, very favorite line from all of literature—my very favorite first line—which is Irving's first line from A Prayer for Owen Meany, in which he ruins the story for you right there in the first line:I am doomed to remember a boy with a wrecked voice—not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother's death, but because he is the reason I believe in God.There is this incredible power to first lines. And I'm sort of wondering where—how first lines happen for you. Do they happen first? Do they happen last? Do they happen along the way?Tess GerritsenFirst lines usually happen last. I—it's—I will write the whole book, and I'll think, something's missing in that first chapter. How do I open this up? And, you know, there are things that make lines immediately hypnotic, and one of those things is an inherent contradiction—something that makes you think, wait, okay, you start off this way, but then all of a sudden, the meaning of that line switches. So, yeah, it starts off with, you know, this guy's going to die. But on that last day of his life, he does something very ordinary. He just orders coffee at the local café. So I think it's that contradiction that makes us want to read more. It's also a way to end chapters. I think that—that if you leave your reader with a sense of unease—something is about to go wrong, but they don't know what it is yet—or leave them with an unanswered question, or leave them with, as I said, a contradiction—that is what's page-turning. I think that a lot of thriller writers in particular mistake action for—for being—for being interesting. A car chase on the page is really very boring. But what's interesting is something that—you could feel that tension building, but you don't know why.Sarina BowenI have joked sometimes that when I get stuck on a plot, sometimes I will talk at my husband and—and say, “you know, I'm stuck here.” And he always says, “And then a giant squid attacked.” And it—of course I don't write books that take place where this is possible, so—but it never fails to remind me that, like, external action can sometimes be just, you know, totally pointless. And that if you're stuck, it's because one of your dominoes isn't leaning, you know, in the right spot. So...Tess GerritsenYeah, it's—it's not as much fun seeing that domino fall as seeing it go slowly tilting over. You know, I really learned this when I was watching a James Bond movie. And it starts off—you know, the usual James Bonds have their cold open to those action and chasing and death-defying acts. I found that—I find that really, in that movie anyway—I was like, Ho hum. Can we get to the story? And I found the time when I was leaning forward in my theater seat, watching every moment, was really a very quiet conversation aboard a train between him and this woman who was going to become his lover. That was fascinating to me. So I think that that transfers to book writing as well. Action is boring.Jess LaheyYou and Sarina do something that I feel, as a writer; I would probably not be very good at, which is creating that unease. I—Sarina in particular does this thing... I've read every one of Sarina's books, as a good friend is supposed to do. And I text her, and I say, Why don't they just talk about it and just deal? Get it out in the open! And she's like, you know, we just got to make these people uncomfortable. And you both have this incredible talent for helping—keeping the reader, uh, along with you, simply because there is this sense of unease. We're slightly off-kilter the whole time. And yet in me, as a people pleaser, that makes me very uncomfortable. I want people to be happy with each other. So how do you—if you get to a place where you feel like maybe things aren't off-kilter enough, or things aren't off-balance enough—how do you introduce a little bit of unease into your—into your story?Tess GerritsenWell, I think it comes down to very small points of conflict—little bits of tension. Like, we call it micro-tension. And I think those occur in everyday life all the time. For instance, you know, things that happen that really don't have any big consequence, but are still irritating. We will stew about those for—for a while. And, you know, I used to write romance as well, so I understand entirely what Sarina is doing, because romance is really about courtship and conflict. And it's the conflict that makes us keep reading. We just—we know this is the courtship. So there's always that sense of it's not quite there, because once the characters are happy, the story is over, right?Sarina BowenYeah.Multiple Speakers(All laughing)Sarina BowenAlso, writing the ends of romance novels is the least interesting part. Like, what...? Once the conflict is resolved, like, I cannot wait to get out of there.Tess GerritsenRight, exactly. You know, I—I pay attention to my feelings when I'm reading a book, and I've noticed that the books that I remember are not the books with happy endings, because happiness is so fleeting. You know, you can be happy one second, and then something terrible will happen. You'll be unhappy. What lasts for us is sadness, or the sense of bittersweet. So when I read a book that ends with a bittersweet ending—such as, you know, Larry McMurtry Lonesome Dove—I ended up crying at the end of that book, and I have never forgotten that ending. Now, if everybody had been happy and there had been nobody to drag all those miles at the end, I would have forgotten that book very quickly. So I think—I try—I always try to leave the end of the book either bittersweet—I mean, you want to resolve all the major plot points—but also leave that sense of unease, because people remember that. And it also helps you, if you have a sequel.Sarina BowenThat's so interesting you've just brought up a couple of really interesting points, because there is a thriller—I actually write suspense now—and one of the books that so captured my attention about five years ago was killing it on the charts. And I thought it was actually a terrible book, but it nailed the bittersweet ending. Like, the premise was solid, and then the bittersweet ending was perfect, and the everything between the first chapter and the last chapter was a hot mess, but—but—um, that ending really stuck with me. And I remember carrying it around with me, like, Wow, they really nailed that ending. You know, and—and maybe that has, like, legs in terms of, like, talking about it. And, you know, if it—if—if it's irritating enough, like, the tension is still there—enough to, like, make people talk about it—it could actually affect the performance of that book. But also, um, one thing that I really love about this series—you have—what is the series title for the...?Tess GerritsenMartini—The Martini Club.Sarina BowenThe Martini Club, right? So The Martini Club is two books now. I inhaled the first one last summer, and I inhaled the second one this summer. And The Martini Club refers to this group of friends—these retired spies. And of course, there are two completely different mysteries in book one and book two. And I noticed a couple of things about the difference between those mysteries that was really fun. So in the first case—or in one of the two cases, let's see—in one of them, the thing that happens in their town is actually, like, related to them. And in the other one, it's kind of not. So to me, that felt like a boundary expansion of your world and your system. But also, I just love the way you leaned into the relationship of these people and their town in such a way. And how did you know to do that? Like, how—what does your toolbox say about how to get that expansiveness in your character set? Like, you know, to—to find all the limits of it?Tess GerritsenThat—you know, so much is like—it's like asking a pole-vaulter how they do it. They just—they have just—I guess its muscle memory. You don't really know how you're doing it, but what I did know was—with age, and because I love these characters so much—it really became about them and about what is going to deepen their friendship? What kind of a challenge is going to make them lean into each other—lean on each other? That's really what I was writing about, I think, was this circle of friends, and—and what you will do, how much you will sacrifice, to make sure your friends are safe. No, you're right—the second book is much more of a classic mystery. Yeah—a girl disappears. I mean, there was—there were—there were CIA undertones in that, because that becomes an important part of the book. But I think that what people are—when people say they love this book—they really talk about the characters and that friendship. And we all want friends like this, where we can go and—and—and have martinis together, and then if we—one of us needs to—we'll go help them bury a body.Multiple Speakers(All laughing)Tess GerritsenThat's—they all have shovels, and they're willing to do it. That's the kind of friendship—friends—we want.Jess LaheyWell, and that's funny you mention that—I had an entire question—it wasn't even a question, it was a statement—in here about friendships and being grateful to you for the reminder about the importance of relationships. And this entire podcast was born out of the fact that we were talking writing all the time, and we just wanted an official way to sit down once a week and actually talk about the work. And your work is suffused with just these incredible relationships—whether that's the Rizzoli and Isles—you know, in your first—in the one of your other series—and I'm just—I'm very grateful for that, because we—especially—I think I re—I really crave books about female relationships, especially about older female relationships. And I have been loving your books, and I've—like, as I may have mentioned to you in my initial email—I had—I'm so sorry—never read your books before. And I admitted in the introduction that there are lots of very, very famous authors whose books I have never read. And it's always so exciting to me to dive into someone's series and realize, oh, this person really touches on themes that mean a lot to me, and I can already tell that I'm going to be enjoying a lot of their books to come forward. So thank you for all of the great descriptions of relationships and how we do rely on each other for various aspects of just how we get through all of this stuff.Tess GerritsenYeah—get through life. But you know what's funny about it is that it didn't start that way. For instance, let's go back to Rizzoli and Isles. The very first time they both appear in a book is in The Apprentice. And they don't start off being friends. They start off being—they're so different. As the TV producer once said, “you've really written about Captain Kirk and Mr. Spock.” That's okay—they are—in the books. They are not natural friends. But like real-life friendships, sometimes—just kind of develop slowly, and—and they have their ups and downs. So there are times when—when Jane and Maura are barely speaking to each other because of conflicts they have. But by the time book twelve comes around—or maybe book seven comes around—you know that they would risk their lives for each other. So I think that if you're writing a series like Rizzoli and Isles, or like The Martini Club, it really helps to develop the friendship on the fly and see how they react to certain stresses. The next book, which I just turned in, called The Shadow Friends—it even put—pushes them even further, and it really—it really strains a marriage, because it's—it's more about Ingrid, and an old lover comes back into her life. She used to—they were both spies—and he is, like, hot, hot, hot—Antonio Banderas kind of guy. And here's Ingrid, married to Lloyd, you know, who's just a sweet analyst who cooks dinner for her every night. And I—when I was coming up with that story, I thought, I want to write a book about their marriage. So it wasn't—the plot wasn't about, oh, you know, international assassinations, even though that does occur in the book. It's really about the story of a marriage.Jess LaheyAnd it gives you, it gives you added unease. You know, if you have your two characters not speaking to each other, and you know your readers love those characters and crave those characters to be getting along at some point, then that's just another reason that we're following along. I was just thinking about, uh, Michael Connelly, uh, book the other day, because I really, really like the series he did with Renée Ballard and her relationship with the Bosch character, and how that series is totally about crime, but yet it's also very much about the relationship. And I think I follow—I continue to read those because of the relationship between those two human beings, and less so because of the murder mystery sort of stuff.Tess GerritsenI think it really becomes important if you're dealing also with Hollywood television series. I still remember what the producer first said when he called me up about Rizzoli and Isles. He said, "I love your girls, and I think they belong on TV.” He didn't say, I love your plots. He didn't say, I love your mysteries, you know, all your intricate ups and downs. It was really about the girls. So if you hope to sell to a television series, really, it's about characters again.Jess LaheyAbsolutely.Sarina BowenI was going to ask about longevity, because you have so many books, and you're so obviously still invigorated by the process, or there wouldn't be a book three that you just turned in. So how have you been able to avoid just being sick to death of—of writing suspense novel after suspense novel?Tess GerritsenI refused. That's what it is. You know, I—I don't—I guess I could say that I have a little bit of ADHD when it comes to—to the books I write. I cannot—after 13 books of Rizzoli and Isles, I just had a different idea. And it takes—it takes a certain amount of backbone to say no to your publisher, to your editor, to people who are going, well, when's the next one in this series coming out? And to be able to say, I need a break. I need to do something completely different. So over—how many years I've been a writer—almost 40 now—I've written science fiction and historicals and a ghost story and romantic suspense and spy novels and medical thrillers and crime novels. I've been all over the place, but each one of those books that took me out of what I was expected to do was so invigorating. It was a book that I needed to write. As an example, I wrote a book called Playing with Fire. Nobody wanted that book. Nobody expected that book. It was a historical about World War II, and about music—about the power of music—and having to do with the death camps. I remember my publisher going, "What are you doing?" And, you know, it's—it's true—they're—they—they are marketers, and they understood that that book would not sell as well, and it didn't. But it still remains one of my favorite books. And when you want to write a book, you need to write that book. That's all—even—even if nobody wants it.Jess LaheyI actually was—I'm so pleased that this came up, because that was actually going to be my question, because both you and Sarina have done this—done, you know, 90 degrees—whether it's out of, you know, one genre into another—and that, to me, requires an enormous amount of courage. Because you know you have people expecting things from you. And you in particular, Tess, have people saying, "No, I want the next one. I love this relationship. I want the next one." And—and dealing—you're not just dealing with the disappointment of whether it's an agent or an editor, but the disappointment of fans. And that's a pressure as well. So when I used to do journalism, I remember a question I asked of another journalist was, "How do you continue to write without fear of the comment section?" And essentially, for us, that's our—you know, those are our readers. So how do you find that thing within yourself to say, no, this really is the thing that I need to be writing now?Tess GerritsenWell, that is a really—it's a really tough decision to buck the trend or buck what everybody's expecting, because there's a thing in publishing called the death spiral. And if your book does not sell well, they will print fewer copies for the next one. And then that won't sell well. So you start—your career starts to go down the drain. And that is a danger every time you step out of your tried and true series and do something out of—you know, completely out of the ordinary. I think the reason I did it was that I really didn't give a damn. It was—it was like, Okay, maybe this will kill my career, but I've got to write this book. And it was always with the idea that if my publisher did not want that, I would just self-publish. I would just, you know, find another way to get it out there. And I—I was warned, rightly so, that your sales will not be good for this book, and that will—it will hurt the next contract. And I understood that. But it was the only way I could keep my career going. Once you get bored, and you're—you're trapped in a drawer, I think it shows up in your writing.Jess LaheyI had this very conversation with my agent. The—my first book did well. And so then, you know, the expectation is, I'll write like part two of that, or I'll write something for that exact same audience again. And when I told my agent—I said, "You know, this book on substance use prevention and kids—I—it's—I have to write it. And I'm going to write it even, you know, if I have to go out there and sell it out of the trunk of my car." And she said, "Okay, then I guess we're doing this." And yes...Tess Gerritsen(Laughing) They had their best wishes at heart.Jess LaheyAnd honestly, I love—I loved my book that did well. But The Addiction Inoculation is the book I'm most proud of. And, you know, that's—yeah, that's been very important to me.Tess GerritsenI often hear from writers that the book that sold the fewest copies was one that was—were their favorites. Those are the ones that they took a risk on, that they—I mean, they put their heart and soul into it. And maybe those hurt their careers, but those are the ones that we end up being proud of.Jess LaheyI like to remind Sarina of that, because I do remember we text each other constantly. We have a little group, the three of us, a little group text all day long. And there was—I remember when she first wrote a male-male romance, she was scared. She was really scared that this was going to be too different for her readers. And it ended up being, I think, my favorite book that she's ever written, and also a very important book for her in terms of her career development and growth, and what she loves about the work that she does. And so I like to remind her every once in a while, remember when you said that really scared you and you weren't sure how your readers were going to handle it?Sarina BowenRight? Well, I also did that in the middle of a series, and I went looking for confirmation that that is a thing that people did sometimes, and it was not findable. You know, that was...Jess LaheyWhat? Change things up in terms of—change things up in the middle of a series?Sarina BowenIn the middle of a series. And anyway, that book still sells.Tess GerritsenThat is a great act of courage, but it's also an act of confidence in yourself as a writer. There are ways to do it. I think some writers will just adopt a different pen name for something that's way out there.Jess LaheyIt's funny you should say... it's funny you should say that.Sarina BowenWell, no, and I never have done that, but, um—but anyway, yeah, that's hard. I, uh...Jess LaheyYeah.Sarina BowenIt's hard to know. Sometimes...Jess LaheyWe entertain it all the time. We do talk about that as an option all the time. Shouldn't we just pick up and do something completely different? One of the things that I also—I mentioned at the top of the podcast about, you know, you went off—not only have you done lots of different things in terms of your writing—but you went off and you did an entire documentary about pigs. I have—I have to ask you where on earth that came from and why. And it is a total delight, as I mentioned, and I have already recommended it to two people that I know also love the topic. But, you know, to go off—and especially when you usually, as some of us have experienced—our agents saying, so when am I going to see more pages? or when am I going to see the next book? And you say, I'm really sorry, but I have to go off and film this documentary about pigs.Tess GerritsenYes. Well, you know, I was an anthropology major in college, and I've always been interested in the pig taboo. You know, back then, everybody just assumed it was because, yeah, it was disease or they're dirty animals—that's why they're forbidden food. It never quite convinced me, because I'm Chinese-American. Asia—you know, Asia loves pork. Why aren't they worried about all that? So I was in Istanbul for a book tour once, and I remember I really wanted bacon, and, you know, I couldn't get bacon. And then I thought, okay, I really need to find out why pork is forbidden. This is a—this is a cultural and historical mystery that never made sense to me. The explanations just never made sense to me. It cannot be trichinosis. So I told my son that—my son is—he does—he's a filmmaker as well. And he just said, "Well, let's do it. Let's—we will pose it as a mystery," because it is a mystery. So it took us probably two years to go and—you know, we interviewed anthropologists and pet pig owners and archaeologists, actually, just to find out, what do they say? What is the answer to this? And to us, the answer really just came down to this cultural desire for every—every tribe—to define us versus them. You know, they eat pigs. They're not us, so therefore they're the enemy. And it was fascinating because we—we ended up finding out more about pigs than I was expecting, and also finding out that people who have pet pigs can sometimes be a little unusual.Jess LaheyAnd the people who purchase the clothes for the pigs are also crazy.Tess GerritsenYes. Sew outfits for their pigs and sleep with their pigs. And there was—there was one woman who had—she slept on the second floor of her house, so she had an elevator for her pig who couldn't make it up the stairs, and, you know, ramps to get up onto the bed because they've gotten so fat—they've been overfed. But it was—for me, at the heart of it was a mystery.Jess LaheyAs a nonfiction author whose whole entire reason for being is, "I don't know—let's find out," I think that's just the most delightful thing. And I loved your framing as, "I don't know, we have this question, let's go out there and just ask people about it and find the experts." And that's—oh, I could just live on that stuff. So...Tess GerritsenSo could I. You know, research is so enticing. It's enticing. It is—it can get you into trouble because you never write your book. Some of us just love to do the research.Jess LaheySarina actually has taken skating lessons, done glass blowing—what else have you done? Yoga classes and all—all kinds of things in the pursuit of knowledge for her characters. And I think that's a delight.Sarina BowenYes. If you can sign up for a class as part of your research, like, that is just the best day. Like, you know, oh, I must take these ice skating lessons twice a day for five months, because—yeah—or twice a week, but still.Tess GerritsenYou must be a good ice skater then.Sarina BowenI'm getting better.Tess GerritsenSo you never gave them up, I see.Jess LaheyWell, it's fun because she usually writes about hockey, but she has a figure skater coming up in this book that's coming out this fall. And she's like, "Well, I guess I'm just going to have to learn how to figure skate."Tess GerritsenYeah.Sarina BowenI also—one time I went to see Rebecca Skloot speak about her big nonfiction The Immortal Life of Henrietta Lacks.Tess GerritsenOh, okay.Sarina BowenAnd she said that all her best ideas had come from moments in her life when she went, "Wait, what?!"Tess GerritsenYes. Yep.Sarina BowenIncluding for The Immortal Life of Henrietta Lacks. Like, she learned about the cells in high school—she was in high school biology class—and the teacher said, like, "This woman died in the '60s, but we're still using her cells," and she said, "Wait, what?!" And that's—that's what you made me think of with the pigs. Like, I think...Jess LaheyWell, and also your folder of ideas. I mean, I immediately texted Sarina after listening to a podcast where I heard an ad, and the ad made me go, "Oh that could be creepy." And then I'm like, "Okay, this is—this is a plot. This is going in the folder somewhere." And so you have to just think about how those things could unfold over time. And I love the idea of—and even in journalism—there are articles that I've written where I said, this just isn't their time. And then, like, five years later, I'll hear something out there, and I'm like, okay, finally, it's the time for this thing. And there's a reason you put that article in your idea—in your paper—manila folder of ideas.Tess GerritsenWell, I think writers are—we have to be curious. We have to be engaged in what's going on around us, because the ideas are everywhere. And I have this—I like to say I have a formula. It's called "two plus two equals five." And what that means is, sometimes you'll have a—you'll have a piece of information that, you know, there's a book here, but you haven't figured out what to do with it. And you wait for another piece of information from some completely different source, and you put them together, and they end up being like nuclear fusion—bigger than the…Sarina BowenYes!Jess LaheyYes!Tess GerritsenSome of the parts.Sarina BowenMost every book I've ever written works like that. Like, I have one idea that I drag around for, like, five years, and then I have this other idea, and one day I'm like, oh, those two things go together.Tess GerritsenYep.Jess LaheyYeah, absolutely. I think Stephen King mentioned that about Carrie. I think it was like, telekinesis, and that usually starts about the time of menstruation, and it was like, boom, there was Carrie. You know, those two things came together. I love that so much. So you mentioned that you have just handed in your next book, and we don't—we do not, as a rule, ask about what's next for an author, because I find that to be an incredibly intimidating and horrifying question to be asked. But I would love to hear; you know, is this—is this series one that you hope to continue working on? The main series, mainly because we have quite fallen in love with your little town in Maine—in Purity, Maine. Fantastic name for your town, by the way. It's really lovely. It creates such a nice dichotomy for these people who have seen and heard things during their careers that maybe are quite dark, and then they retire to a place called Purity. Is this a place where we can hopefully spend a little bit of time?Tess GerritsenWell, I am thinking about book number four now. I have an idea. You know, it always starts with—it starts with an idea and doodling around and trying to figure out what—you know, you start with this horrible situation, and then you have to explain it. So that's where I am now. I have this horrible situation, I have to explain it. So, yeah, I'm thinking about book four. I don't know how—you never know how long a series is going to go. It's a little tough because I have my characters who are internationally based—I mean, they've been around the world—but then I can't leave behind my local cop who is also a part of this group as well. So I have to keep an eye out on Maine being the center of most of the action.Sarina BowenRight, because how many international plots can you give Purity, Maine?Tess GerritsenThat's right, exactly. Well, luckily…Jess LaheyLook, Murder, She Wrote—how many things happened to that woman in that small town?Tess GerritsenExactly, exactly. Well, luckily, because I have so many CIA retirees up here, the international world comes to us. Like the next book, The Shadow Friends, is about a global security conference where one of the speakers gets murdered. And it turns out we have a global security conference right here in our town that was started by CIA 40 years ago. So I'm just—I'm just piggybacking on reality here. And—not that the spies up here think that's very amusing.Sarina BowenThat is fantastic, because, you know, the essential problem of writing a suspense novel is that you have to ground it in a reality that everyone is super familiar with, and you have to bring in this explosive bit of action that is unlikely to happen near any of us. And those two things have to fit together correctly. So by, um, by putting your retired spies in this tiny town, you have sort of, like, gifted yourself with that, you know, precise problem solver.Tess GerritsenYeah, reminding us.Sarina BowenYeah.Tess GerritsenBut there's only so far I can take that. I'm not sure what the limits... I think book four is going to take them all overseas, because my local cop, Jo, she's never been out of the country—except for Canada—and it's time for her dad to drag her over to Italy and say, "Your dead mom wanted to come to Italy, so I'm taking you." And, of course, things go wrong in Italy for Jo.Jess LaheyOf course, of course. Well, we're going to keep just banging on about how much we love these books. I think we've already mentioned it in three podcast episodes so far in our “What have you been reading lately that you've really loved?” So we're—we're big fans. And thank you so much for sitting down to talk with us and to—you know, one of the whole points of our podcast is to flatten the learning curve for other authors, so we hope that that's done a little bit of that for our listeners. And again, thank you so much. Where can people find you and your work if they want to learn a little bit more about Tess Gerritsen—her work?Tess GerritsenYou can go to TessGerritsen.com, and I try to post as much information there as I can. But I'm also at Bluesky, @TessGerritsen, and what is now called “X”—a legacy person on X—@TessGerritsen, yes.Jess LaheyThank you so, so much again. And for everyone out there listening, keep your butt in the chair and your head in the game.The Hashtag AmWriting Podcast is produced by Andrew Perella. Our intro music—aptly titled Unemployed Monday—was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Anthony Brandon Wong is an award winning actor, who has worked for 40 years in movies, TV and theatre all over the world, a singer-songwriter and one of Australia's most sought- after acting teachers and coaches. His numerous film and TV credits include: the role of Ghost in “The Matrix Reloaded”, “The Matrix Revolutions” and the “Enter the Matrix” video game, opposite Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Jada Pinkett Smith and Hugo Weaving, Steven Soderbergh's “Haywire” opposite Channing Tatum and Antonio Banderas, “Guns, Girls and Gambling” opposite Gary Oldman and Christian Slater, “Hemingway and Gellhorn” opposite Nicole Kidman and Clive Owen, “Queen of Oz” opposite Catherine Tate, “Godzilla x Kong: The New Empire”, “Glee”, “NCIS”, “Hawaii Five-0”, “Flight of the Phoenix”, “Harrow”, “Upright” and “The Twelve” Season 2 as series regular Winston Hang.  Anthony played the role of Danny Law in “The Family Law” and he and his fellow cast won 3 consecutive Equity Ensemble Awards for Outstanding Performance by an Ensemble in a Comedy Series. On stage, Anthony has played lead and major roles for Sydney Theatre Company, Melbourne Theatre Company, The Malthouse and State Theatre Company of South Australia and he won The Victorian Green Room Award for Best Actor in “Sex Diary of an Infidel”. Anthony played the role of the outrageous maid/butler Jacob in the stage musical "La Cage Aux Folles".  As an acting teacher, Anthony has taught at the National Institute of Dramatic Art (NIDA), Actors Centre Australia, Screenwise and the Q Theatre in Sydney, Western Australian Academy of Performing Arts (WAAPA), Melbourne's 16th Street Studios, Queensland University of Technology (QUT), Australian Theatre for Young People (ATYP), as well as in Los Angeles at TVI Studios, in Brisbane at the Australian Acting Academy, on the Gold Coast at The Warehouse Workshop Screen Acting Studio and in Byron Bay at the Actors Room.  Anthony's thousands of acting students over his 30 year teaching and coaching career include Magda Szubanski, Delta Goodrem, Angus McLaren (Packed to the Rafters), Aaron Glenane (Snowpiercer), Shareena Clanton (Wentworth), Natalie Mendoza (Moulin Rouge) and Stef Dawson (The Hunger Games). Anthony is the most senior Certified Teacher of the Ivana Chubbuck Technique in Australia. Ivana Chubbuck is the world renowned coach of Oscar winners Halle Berry, Charlize Theron and Jared Leto, and Oscar nominated actors Brad Pitt, Jake Gyllenhaal, Catherine Keener, Djimon Hounsou, Kate Hudson, America Ferrera, Elisabeth Shue, Terrence Howard and Sylvester Stallone. Ivana personally trained Anthony over a period of 14 years in Los Angeles and in Australia. Anthony has also worked extensively with master teacher Larry Moss, who is the coach of Leonardo di Caprio, Hilary Swank, Tobey Maguire, Helen Hunt and Austin Butler. In addition, Anthony has studied with Eric Morris (Jack Nicholson's coach), Elisabeth Kemp (Bradley Cooper, Hugh Jackman and Lady Gaga's coach), Margie Haber (coach of Vince Vaughan and Tea Leoni), Rowena Balos (voice trainer to Judy Davis), the Steppenwolf Company and in the Meisner and Strasberg Techniques.  As a singer-songwriter, Anthony released a dance pop single "Emancipate", which can be played on all music platforms. The music video can be seen on YouTube and Vevo. We chat about the Matrix, not working for periods, handling rejection, his amazing acting classes, food, mindset, his win spreadsheet, being who you are, learning new things, gratitude plus plenty more!   Check Anthony out on: Instagram: https://www.instagram.com/anthony_brandon_wong/ Facebook: https://www.facebook.com/p/Anthony-Brandon-Wong-100063593643833/ Actors Room Byron Bay (Masterclass workshop): https://www.actorsroombyronbay.com/august-23rd-24th-chubbuck-with-anthony-brandon-wong?fbclid=IwY2xjawMJULdleHRuA2FlbQIxMABicmlkETE4TGVRTVNCTWtvaGJYdGRPAR71_DVmVHvzhlfXPlx0j1JXiY8X1iq8r_RfnXTwUtqk33bc0b__lK5KtZcKJg_aem_xD0UJ0YlVdDoP6P_N5gFuQ Anthony Brandon Wong's Acting Troupe: https://www.facebook.com/groups/55344248581 Food Blog: https://www.instagram.com/universe_of_taste/ ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan

Our exit today has us stopping an international counterfeit money scheme. This week, we are talking about Rush Hour 2, written by Ross LaManna and Jeff Nathanson and directed by Brett Ratner.In preparation, Tripp watched Rush Hour, so there is a lot of comparing between the two movies. There is also discussion about bloopers (of course), Jackie Chan, Chris Tucker, Zhang Ziyi, Ocean's Eleven, some cultural insensitivity, 90s action films, Quebecois cinema, Hong Kong, Jeremy Piven, Billy Crystal, erotic Antonio Banderas films, and a surprisingly long conversation comparing the different cuts of Apocalypse Now!Thememusic by Jonworthymusic.Powered by RiversideFM.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

Lethal Mullet Podcast: Episode #288: The 13th Warrior On tonight's episode, The Mullet checks out the classic John McTiernan film The 13th Warrior (1999), and covering the course novel, Eaters of the Dead. A classic retelling of the Beowulf myth, with a grounded, tough action film filled with Vikings starring Antonio Banderas. Contact: Site: fpnet.podbean.com Twitter: @fanpodnetwork Facebook & Instagram: Fandom Podcast Network Adam: @thelethalmullet (Twitter/Facebook/Instagram) Check out the Video Show on YouTube: www.youtube.com/@fandompodcastnetwork FPN Master Feed: fpnet.podbean.com Catch the flagship show: Culture Clash, Blood of Kings, and the host of amazing podcasts covering all of Lethal Mullet Podcast  Tee public: Grab all kinds of LM merchandise @ teepublic.com #the13thwarrior #lethalmulletpodcast #adamobrien #australia

National S'more day.  Entertainment from 2020.  Missouri became 24th state, Asperin was invented, England found out about the American Declaration of Independence.  Todays birthdays - Herbert Hoover, Jack Haley, Eddie Fisher, Jimmy Dean, Bobby Hatfield, Ronnie Spector, Ian Anderson, Rosanna Arquette, Antonio Banderas, Angie Harmon.  Isaac Hayes died.Intro - God did good - Dianna Corcoran     https://www.diannacorcoran.com/S'mores - Buck HowdyWatermelon sugar - Harry StyleI hope - Gabby BarrettHappy birthday - The BeatlesBirthdays - In da club - 50 Cent    https://www.50cent.com/ Tell me why - Eddie FisherBig John - Jimmy DeanUnchained melody - The Righteous BrothersBe my baby - The RonettesAqua lung - Jethro TullChocolate salty balls - Isaac HayesExit - Wherever you are tonight (downtown dancin) - Blue Honey  http://www.bluehoneymusic.com/countryundergroundradio.comHistory & Factoids webpage

Your voice is 50 percent of your instrument, but many performers don't realize they're not using it to its full potential. On this episode of the SAG-AFTRA podcast, voice coach and dialect expert Bob Corff—who's worked with stars like Antonio Banderas and Gwyneth Paltrow—explains what it really means to have a strong speaking voice. He shares simple but powerful breathing exercises and reveals why some vocal habits can sabotage your work without you even knowing it. He also offers practical tips for preparing your voice before a big audition and how to develop vocal muscle memory that holds up under pressure. *The views expressed by guests are their own and do not necessarily reflect the views of their organization or SAG-AFTRA. Any mention of products or services does not imply endorsement.

This week we're diving into Desperado (1995), Robert Rodriguez's bullet ballet of blood, guitars, and grit. Antonio Banderas is the slickest mariachi with a mission, Salma Hayek sets the screen on fire, and every shootout feels like a rock concert with a body count. It's tequila-soaked mayhem, slow-mo carnage, and enough style to make your sunglasses sweat. Lock the case. Load the guns. Let's blow the roof off. Did you enjoy the episode? Don't forget to hit that subscribe button and join us for more retro movie discussions! Want even more? Get bonus content and connect with us directly by supporting the show on Patreon. For additional episodes and exclusive insights, head to www.30podcast.com. And if you love what you hear, leave us a glowing review on your favorite podcast app—especially Apple Podcasts. Your support keeps the show going!

El #242 Tripulante18 Podcast lo titulamos ‘Una Copa de bandera'. A las puertas de una nueva Copa del Rey Mapfre, entrevistamos al armador del Teatro del Soho San Miguel, Javier Banderas, que nos hablará de la vela, la Copa del Rey y anécdotas de su hermano el actor Antonio Banderas. Cerraremos podcast y temporada con la música del regatista y cantautor Jaume Anglada. Dirige y presenta Jaume Soler Albertí. SÍGUENOS Web: http://tripulante18.com​​ Twitter: https://twitter.com/SolerAlberti https://twitter.com/18Tripulante Instragram: https://www.instagram.com/jaume.soler/?hl=es Facebook: https://bit.ly/3eB3dDP

We talk about today's "La Bamba" anniversary, whether Chavez shows up in "Young Guns 3," and his latest film, "Et Tu."

Welcome back to The Movie Draft House! We're cruising with our year-long theme of "one degree of separation" here in the month of July 2025 with our review of the 2011 animated hit "Puss in Boots" starring the voices of Antonio Banderas, Selma Hayek, and Zach Galifianakis. Tune in to find out what we thought of this one!Here's the rundown of how we got here...We finished 2024 with "A Simple Favor" starring Anna KendrickAnna Kendrick was also in "Life After Beth" which starred Paul ReiserPaul Reiser was also in the film "Whiplash" which starred Miles TellerMiles Teller was also in "Top Gun: Maverick" which was written by Peter CraigPeter Craig also wrote "Gladiator II" starring Pedro PascalPedro Pascal was also in "Drive-Away Dolls" starring Margaret QualleyMargaret Qualley was also in "The Substance" which starred Demi MooreDemi Moore starred in "Indecent Proposal" which also starred Billy Bob ThortonBilly Bob Thorton was in "Armageddon" which also starred Steve BuscemiSteve Buscemi was in "Fargo" which also starred Frances McDormandFrances McDormand was in "Three Billboards Outside Ebbing, Missouri" which also starred Sam RockwellSam Rockwell was in "Seven Psychopaths" which also starred Collin FarrellCollin Farrell was in "Saving Mr. Banks" which also starred Tom HanksTom Hanks was in the film "Dragnet" which also starred Christopher PlummerChristopher Plummer was in the film "Inside Man" which also starred Denzel WashingtonDenzel Washington was in the film "Training Day" which was written by David AyerDavid Ayer directed the film "Fury" which starred Shia LaBeouf Shia LaBeouf was in the film "Disturbia" which also starred Matt CravenMatt Craven was in the film "Public Enemies" which also starred Stephen DorffStephen Dorff was in the film "Blade" which was written by David S. GoyerDavid S. Goyer also wrote the film "Man of Steel" which also starred Diane LaneDiane Lane was in "Judge Dredd", which also starred Sylvester StalloneSylvester Stallone was in "Cop Land", which also starred Michael RappoportMichael Rappoport was in "The 6th Day", which also starred Tony GoldwynTony Goldwyn was in "The Last Samurai" which also starred Tom CruiseTom Cruise was in "Interview with the Vampire", which also starred Antonio BanderasAntonio Banderas was in "Puss in Boots"...Follow the podcast across all social media!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

This week on No Dribble the breakdown of the Suncorp Super Netball finals continues - who lost, who won and who still has another chance. Join netball aficionados (and let's face it, tragics) Sue Gaudion and Carolyn Swindell as they talk players, contracts and coaches - plus find out whose dog wears actual human clothes and how Antonio Banderas fits in to all of this.It's a podcast about netball, sort of.If you enjoyed this episode - FOLLOW and SUBSCRIBE to No Dribble, share with a fellow 'Netty nut' and shoot us a 5 star review ⭐️⭐️⭐️⭐️⭐️BUY Carolyn's book 'We Only Want What's Best' HEREJoin the conversation with Cath, Liz and Carolyn on Instagram HEREJoin the No Dribble Facebook Group HERE (it's a hoot!)If you enjoyed this episode - FOLLOW and SUBSCRIBE to No Dribble, share with a fellow 'Netty nut' and shoot us a 5 star review ⭐️⭐️⭐️⭐️⭐️BUY Carolyn's book 'We Only Want What's Best' HERE (and please, give it a good review when you're done!)Join the conversation with Cath, Liz and Carolyn and nominate your 'Wind Beneath My Wings' hero on Instagram HEREJoin the No Dribble Facebook Group HERE Hosted on Acast. See acast.com/privacy for more information.

Arrancamos con nuestros “hombres y mujeres del tiempo” repartidos por toda Asturias y proponiendo nuevo tema a nuestros oyentes y opinantes: El feminismo pierde fuelle en la generación Z: "Las redes sociales han potenciado una guerra de los sexos" Nos vamos con Xulio Concepción de paseo por las brañas asturianas. En nuestra sección de prevención hablamos de seguridad alimentaria y se pasa por el estudio la mexicana afincada en Madrid Paloma Pujos conocida como Paloma Freestyle. Dos propuestas el corral de comedias en Cangas del Narcea y el Yeyé de Gijon. Y cerramos hablando con Mario Tardón guionista y actor, asturiano afincado en Los Ángeles, y que acaba de rodar con Antonio Banderas en España.

Welcome back to The Movie Draft House! We're cruising right along with our year-long theme of "one degree of separation" where each film we review has to have some connection to the previous weeks' film. This week we reviewed the 1994 much talked about film "Interview with the Vampire" starring Tom Cruise, Brad Pitt, Antonio Banderas, and Kirsten Dunst. Tune in to find out what we thought of this one!Here's the rundown of how we got here...We finished 2024 with "A Simple Favor" starring Anna KendrickAnna Kendrick was also in "Life After Beth" which starred Paul ReiserPaul Reiser was also in the film "Whiplash" which starred Miles TellerMiles Teller was also in "Top Gun: Maverick" which was written by Peter CraigPeter Craig also wrote "Gladiator II" starring Pedro PascalPedro Pascal was also in "Drive-Away Dolls" starring Margaret QualleyMargaret Qualley was also in "The Substance" which starred Demi MooreDemi Moore starred in "Indecent Proposal" which also starred Billy Bob ThortonBilly Bob Thorton was in "Armageddon" which also starred Steve BuscemiSteve Buscemi was in "Fargo" which also starred Frances McDormandFrances McDormand was in "Three Billboards Outside Ebbing, Missouri" which also starred Sam RockwellSam Rockwell was in "Seven Psychopaths" which also starred Collin FarrellCollin Farrell was in "Saving Mr. Banks" which also starred Tom HanksTom Hanks was in the film "Dragnet" which also starred Christopher PlummerChristopher Plummer was in the film "Inside Man" which also starred Denzel WashingtonDenzel Washington was in the film "Training Day" which was written by David AyerDavid Ayer directed the film "Fury" which starred Shia LaBeouf Shia LaBeouf was in the film "Disturbia" which also starred Matt CravenMatt Craven was in the film "Public Enemies" which also starred Stephen DorffStephen Dorff was in the film "Blade" which was written by David S. GoyerDavid S. Goyer also wrote the film "Man of Steel" which also starred Diane LaneDiane Lane was in "Judge Dredd", which also starred Sylvester StalloneSylvester Stallone was in "Cop Land", which also starred Michael RappoportMichael Rappoport was in "The 6th Day", which also starred Tony GoldwynTony Goldwyn was in "The Last Samurai", which also starred Tom CruiseFollow the podcast across all social media!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Johnny is having a nostalgia month, taking Andrew through his Robert Rodriguez trilogy that feature Antonio Banderas, Cheech Marin and Danny Trejo, just decidedly less blood and guns than the El Mariachi trifecta. Andrew talks From The World Of John Wick Ballerina, Rachel Zegler on stage in Evita and Sondheim's final work Here We Are at the National, high art and low blows, plus plenty of Cumming. THE FERRYMAN UPON THE PLAINS - Andrew's First Novel - Out Now! https://www.amazon.co.uk/Ferryman-Upon-Plains-Andrew-Jones-ebook/dp/B0F39C3WM4/

Min 5: THE BEAR 4: EL OSO QUIERE UNA ESTRELLA (MICHELÍN) La cuarta temporada de The Bear (Disney +) retoma el pulso en la cocina del restaurante The Bear, ahora convertido en un establecimiento de alta gastronomía bajo el mando de Carmy (Jeremy Allen White). Todo parte de una reseña pública del Chicago Tribune que cuestiona su propuesta culinaria, sumiendo al equipo en una crisis financiera y creativa . Los diez episodios muestran cómo Carmy y el resto del personal, especialmente Sydney (AyoEdebiri) y Richie (Ebon Moss-Bachrach), afrontan el reto de salvar el negocio en un plazo límite impuesto por los inversores. NOTA EDC: 3'5 estrellas Min 16: IRONHEART (DISNEY PLUS) Ironheart ofrece una historia íntima y de carácter local dentro del MCU, con un retrato cautivador de una joven genio enfrentada a su dolor, ambición y moral ambigua. Aunque adolece de ritmo y desarrollo en sus antagonistas, la actuación de Thorne, la mezcla de tecnología y magia, y los dilemas éticos planteados, la convierten en una miniserie llamativa para quien busque más que puro espectáculo. Ideal para espectadores interesados en personajes complejos, aunque menos recomendada para quienes esperen el ritmo tradicional de Marvel. NOTA EDC: 3 estrellas Min 20: EL JUEGO DEL CALAMAR 3: EL FINAL DE UNA SAGA UNIVERSAL Tras el fracaso de la rebelión que cerró la segunda temporada, Seong Gi-hun (Lee Jung-jae) regresa a la competición con un único propósito: desmantelar el sistema desde dentro. La temporada 3, que consta de seis intensos episodios, introduce nuevos juegos letales como un brutal “escondite” y una versión extrema del Squid Game en plataformas aéreas. Entre los jugadores destacan una madre embarazada, un vigilante norcoreano convertido en desertor, y viejos y nuevos personajes cuyas historias personales atraviesan dilemas de supervivencia y moralidad. NOTA EDC: 3,5 estrellas Min 26: LOS SIN NOMBRE (MOVISTAR +) Claudia (Miren Ibarguren), una ginecóloga destrozada por la desaparición de su hija Ángela años atrás, recibe una llamada estremecedora: “Mamá, soy yo, Ángela. ¡Ven a buscarme!” Esto la impulsa a reabrir su pasado y retomar la investigación junto al ex-inspector Salazar (Rodrigo de la Serna) y una joven llamada Laura (Milena Smit), a quien Ángela salvó tiempo atrás. Su búsqueda los lleva hasta el corazón de una secta siniestra con tintes sobrenaturales y motivos eugenésicos, ocultos tras símbolos, tatuajes y resurrecciones inexplicables. Conversión a miniserie de la peli de culto para los seguidores del género que dirigió Jaume Balagueró en 1999. NOTA EDC: 3 estrellas Min 32. BSO "PEDRO X JAVIS" Y 5 REGALOS MUSICALES Y en el diván de las series nos proponemos hacer virtud de los regalazos musicales que nos ha dejado el comentadísimo y desigual documental de los Javis sobre Pedro Almodóvar. Le hemos propuesto a Ángel Luque degustar las cinco interpretaciones en directo que han hecho de temas clave de su filmografía artistas como Naty Peluso, Luz Casal, Antonio Banderas o Amaia...Todos con una explicación previa del cineasta manchego.

Just when we thought we was out, they pull us back in. To talk about Michael Crichton movies! This week it's John McTiernan's (director of Die Hard, The Hunt for Red October, Predator) The 13th Warrior. Considered one of the biggest box office bombs of all time this Antonio Banderas action flick is certainly not up there with McTiernan's best but it's certainly not...the worst movie. Mason doesn't like it though if that means anything to you. Thanks for watching our Caravan Of Garbage review!SUBSCRIBE HERE ►► http://goo.gl/pQ39jNHelp support the show and get early episodes ► https://bigsandwich.co/Patreon ► https://patreon.com/mrsundaymoviesJames' Twitter ► http://twitter.coQm/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-movies The Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4 The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.

August 1999's The 13th Warrior was (mostly) directed by legendary Predator and Die Hard director – and occasional felon – John McTiernan, and released just three weeks after his other (far more successful) 1999 film The Thomas Crown Affair. Based on the 1976 novel "Eaters of the Dead" by Michael Crichton (who also took over to direct several scenes), The 13th Warrior stars Antonio Banderas, Vladimir Kulich, Dennis Storhoi, Diane Venora, Richard Bremmer, Tony Curran, and Omar Sharif It took two decades to finally get Crichton's reimagining of "Beowulf" to the screen, and the film is best remembered as a fascinating failure – a $160 million epic that earned about $100 million shy of that globally, making it the biggest flop of the year. But over the years The 13th Warrior has achieved cult status, with many defenders arguing that, while imperfect, what actually winds up on the screen is still very worthwhile. We took that theory to task with writer/critic Peter Raleigh, who you can find on Bluesky at @petreraleigh You can also listen to Graeme Revell's vastly superior original score to The 13th Warrior here, thanks to YouTube user deavonw: The 13th Warrior (Rejected Score)

La Órbita de Endor hoy se enzarza en una película simpática que goza del cariño de muchos seguidores y que más tarde o temprano tenía que pasarse por aquí. Dirigida por el siempre eficaz (y, a veces, magistral) John McTiernan y protagonizada por Antonio Banderas, el film EL GUERRERO Nº 13 nos muestra una historia de vikingos nada convencional, basada en la obra de Michael Crichton «Devoradores de Cadáveres», que se reseñará antes de abordar todo el entresijo de la producción y el análisis de las tramas. Con Jaime Angulo, Lord Pelayo, Abel Rodríguez y Antonio Runa, enrólate a nuestro drakkar y disponte a saquear, matar o morir. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

La Órbita de Endor hoy se enzarza en una película simpática que goza del cariño de muchos seguidores y que más tarde o temprano tenía que pasarse por aquí. Dirigida por el siempre eficaz (y, a veces, magistral) John McTiernan y protagonizada por Antonio Banderas, el film EL GUERRERO Nº 13 nos muestra una historia de vikingos nada convencional, basada en la obra de Michael Crichton «Devoradores de Cadáveres», que se reseñará antes de abordar todo el entresijo de la producción y el análisis de las tramas. Con Jaime Angulo, Lord Pelayo, Abel Rodríguez y Antonio Runa, enrólate a nuestro drakkar y disponte a saquear, matar o morir. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Send us a textThe latest Hey You Guys Podcast is here, and this week, Liam and Rob see if Robert Rodriguez's, 1995 neo-western, Desperado has stood the test of time. Does the action still feel ground breaking? Does the plot actually make sense? Are Salma Hayek and Antonio Banderas still the hottest on-screen couple since, well....ever? Listen in via the link in the bio to find out. Oh, and do download and subscribe and stuff. Or not. It's your call. 

After all the fan fare regarding Baby Girl, we decided WE too wanted to a part of it. This 2024 Erotic Thriller stars Nicole Kidman, Antonio Banderas, Harris Dickinson and Sophie Wilde. The cinematography, the acting A+, 10/10. The storyline? Didn't hit the way we thought it would. At the end of the day, he's STILL AN INTERN and YOU'RE STILL HIS BOSS... Like yeah, he's a snack and half. But... perhaps there were better options out there babes. 

This week on Myopia Movies, Antonio Banderas plays a muslim explorer discovering Vikings...yup. We watched The 13th Warrior, based on the much better titled Michael Crichton book, The Eaters of the Dead.  This is a dusting off of an old, behind the Patreon Paywall episode, so be kind about the fact that my voice has aged terribly.  Make sure to like and subscribe wherever you are getting this! Please leave us a review and follow us everywhere! How will the 13th Warrior hold up? Host: Nic Panel: Matthew, Daniel, Madison   Directed by John McTiernan Starring: Antonio Banderas, Diane Venora, Dennis Storhøi, Vladimir Kulich, Omar Sharif, Anders T. Andersen

The boys are joined by Private military contractor Tysson Ley and talk about drinking spiced rum in Iraq's Green zone, the pitfalls of being called Tysson, joining the Welsh Guards as a teenager, operations in Northern Ireland and getting battered by the RUC. Tysson talks about going for SAS selection, having to learn to walk again after a bad accident, sailing Antonio Banderas yacht, working on the doors in Magaluf and the legend of Mucca. Tysson talks about going into the Private military sector, nearly being involved in toppling an African government, the absolute carnage of Baghdad, having Christmas dinner in Saddam Husseins palace, having to evacuate out of Yemen during the Arab Spring and doing close protection for Holly Valance plus much much more…..@ambitioniscritcal1997 on Instagram @TheAiCPodcast on Twitter

Vizio's WatchFree+ continues to grow with amazing entertainment.  This includes bnlllint hookup's with Vin Diesel, Antonio Banderas, Ethan Hawke and so many others.  It's free TV!Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Vizio's WatchFree+ continues to grow with amazing entertainment.  This includes bnlllint hookup's with Vin Diesel, Antonio Banderas, Ethan Hawke and so many others.  It's free TV!Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

¿Quién es este Mariachi? This week is a three-fer! We're covering Robert Rodriguez's famed trilogy - from the hilarious gags of “El Mariachi” to the vocal prowess of Antonio Banderas and Salma Hayek in “Desperado” to Johnny Depp's turn as composer for his character's theme in “Once Upon a Time in Mexico” - we're discussing all the fictional music from these films.

Aaron Cobos y Marta Ribera hablan de sus papeles en la obra Gypsy, por los que han ganado el galardón a mejor actor y actriz en los premios Talía. Gypsy, dirigida por Antonio Banderas, se podrá disfrutar hasta el 25 de mayo.Escuchar audio

 Wanting someone to want you is a perfectly human foible. SUPPORT THE SHOW: PATREONSHOP THE SHOW: TEE PUBLICFOLLOW THE SHOW: INSTAGRAM // TIKTOK // YOUTUBEEMAIL THE SHOW: abreathoffreshmovie@gmail.com    

This week on the Erotic Thriller Club we jump back into the world of Brian De Palma! We're also giving Antonio Banderas a third and final chance to play a cool guy in an erotic thriller... Can he succeed? Rebecca Romijn-Stamos! Sexy jewel heists! Asexual henchmen!

Dios mio! It's May 5th and you know what that means… It's Cinco de Masko! Join us on a nostalgic, and quite romantic, deviation this week with MASK OF ZORRO. Antonio Banderas and Anthony Hopkins bring a Tornado of swashbuckling action! In this, our highest budget blockbuster yet! Find us online: Instagram: @bmoviebeatFacebook: The B Movie BeatdownEmail: thebmoviebeatdown@gmail.com Letterboxd: @Petedown @SlenderJames  

New month, new theme! It's Cinco de Thoro, and the theme is The Spy Who Loved May.  We know now that Gina Carano is a bad person, but she was sure fun to watch kick ass in 2011. Note from McFly: he waited all episode for Thor to bring up that Gina Carano and Ewan McGregor were both in the extended Star Wars Universe as bad ass characters that faught Mandalorians, but it never happened. Chibi hosts the Unidentified Flying Obsession podcast. The next spy topic is Three Days of the Condor (1975).

Just another day as Nikki and Tracey discuss power dynamics, sexual revelations and extramarital affairs, oh, and the erotic thriller “Babygirl” starring Nicole Kidman, Harris Dickinson, Antonio Banderas, and Sophie Wilde. Available to stream on Max

GYPSY es un musical basado en las memorias de la artista de burlesque Gypsy Rose Lee. La trama gira en torno a su madre, Rose, una mujer implacable que busca convertir a sus hijas en estrellas del vodevil a cualquier precio.

Join Matt and me for Episode 130 as we tango our way into Evita (1996)—where Madonna sings, sashays, and side-eyes her way through Argentina's most glamorous rise to power since… well, ever.It's a popera fever dream with more costumes than plot, Antonio Banderas playing the Greek chorus with zero chill, and Jonathan Pryce just trying to keep up. There's no dialogue, no subtlety, and absolutely no crying allowed—unless it's in falsetto.History? Kinda. Drama? Definitely. Singing? Constant.Support The Conner & Smith Show on Patreon here:https://www.patreon.com/ConnerandSmith?utm_campaign=creatorshare_fan

El célebre actor Antonio Banderas visita Cuarto Milenio para hablar de algunas de las experiencias anómalas que ha tenido a lo largo de su vida, como la que vivió cuando sufrió un infarto, ya en el hospital. Allí pudo hablar con una misteriosa enfermera que le hizo replantearse el sentido de la vida o la que experimentó durante el rodaje de una de sus películas en Estados Unidos. Banderas se hallaba ya en el hotel cuando comenzó a escuchar extraños sonidos que le hicieron levantarse de la cama para ver lo que ocurría. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Robot children assassins! Thumb thumbs! Floops' Fooglies! Submarine car! Make sense? Of course not, but that doesn't matter because this movie is a BLAST. Join Carmen and Junie as they go to save their parents from evil science magic. Will they save Antonio Banderas and Carla Gugino? Will Alan Cumming just get to make his art? Will Tony Shalhoub and Robert Patrick conquer the world? Are we just name-dropping now? Grab your spy gear and instant Big Macs and take an hour and a half to become Spy Kids with us! And we cannot forget, UNCLE MACHETE.

Welcome to “Not Couple Goals” where co-hosts Allie Nelson and Tyler McCarthy do a deep dive into a different ridiculous romantic thriller from the vantage point of their long-term relationship.Allie, a writer/producer and actress, has an affinity for romantic thrillers, the more salacious the better. Tyler, an entertainment reporter and critic, often finds himself drawn in despite his better judgment. Join them as they explore all the ways it's possible to love too hard… like WAY too hard.In this episode, Allie and Tyler veer into the world of nonsense with the 2018 “romantic” drama “Life Itself” starring… way too many people. Join them as they break down the sheer absurd volume of tragedies that befall the characters of this movie, mock what passes for romance within it and, of course, lust over Oscar Isaac and Antonio Banderas. Is there such a thing as a reliable narrator? Not up in here.Special thanks to Mallory Johns for the introduction music.Please don't forget to follow our hosts on social media:Allie Nelson: Instagram, Threads, TikTok, YouTube, and BlueSkyTyler McCarthy: Threads and BlueSky And check out Tyler's writing at USA Insider and Allie's at Parade!

This week on the Erotic Thriller Club we dive into 15 year old Garrett's dvd collection. Antonio Banderas and Angelina Jolie teach us that not all period pieces are created equal. Sex, lies and a 100 mph horsey ride!

THE DANCE FLOOR PODCAST Season 8 with Host: Anna HarshTake The Lead Guest: Stephani Sosa is a talented latin ballroom dancer that is known for her appearances on So You Think You Can Dance & Dancing with the Stars. In this episode:Stephani tells stories of her studying dance as a young girl as well as gives advice for dancers. She also tells us discusses about her upcoming role in the new musical " Take The Lead." Paper Mill Playhouse in NJMAR 29–APR 27, 2025 - Show datesSet in the pulsating heart of New York City, Take the Lead is a joyful new musical based on the 2006 dance film that starred Antonio Banderas. This electrifying tale is the true story of Pierre Dulaine, a former professional dancer who, against all odds, brought the art of ballroom dance into New York City public schools. This world-premiere musical spotlights a dynamic fusion of ballroom and hip-hop in its music and choreography with a book by Robert Cary and Jonathan Tolins (Schmigadoon!) and a score by Elliah Heifetz and Zeniba Now, Take the Lead will be co-choreographed by Jennifer Weber (& Juliet) and Maria Torres (So You Think You Can Dance) and directed and choreographed by Christopher Gattelli (Newsies, Death Becomes Her).See Stephani perform and get tickets to the show! GET Tickets: https://papermill.org/take-the-lead/Contact Host Anna Harsh: www.AnnaHarsh.com #TAKETHELEAD #BALLROOMDANCE #STEPHANISOSA#TheDanceFloorPodcast

Author and studio animal trainer, Sue Chipperton joined me in this episode to talk about her recently released book, A Famous Dog's Life: The Story of Gidget, America's Most Beloved Chihuahua. While Sue has trained many animals for roles in commercials, television and movies, her book mainly focuses on her life with Gidget the famous "Yo Quiero, Taco Bell" dog and the fascinating world of Hollywood animal training. Sue shared with me what it was like to train such a famous dog, how she selects animals that will be trained for roles in movies, commercials and television, and how Gidget surprised everyone by biting Antonio Banderas on the nose when he got to close. This is truly an inspiring story! More details on this episode MP3 Podcast - What Do You Know About the "Taco Bell" Dog with Tim Link

CineAre you about to experience the most adorable episode of Cinebuds ever? It's hard to say definitively, but considering the podcast has somehow never reviewed a film from the Paddington Cinematic Universe, the cute factor will be pretty high for this one.The latest entry in the series featuring the duffle-coat-wearing ursine, Paddington in Peru, puts the premise right there in the title. Paddington receives some concerning news about his Aunt Lucy from the Home for Retired Bears in and crosses an ocean — with the Brown family in tow — to learn that she's vanished. So, with help from Antonio Banderas, they set out to find her. And maybe discover an ancient treasure.In a very on brand sort of way, both of our cuddly hosts came into this episode as fans of the previous Paddington movies. One of them even listens to the voice of Ben Wishaw (as Paddington, of course) at bedtime because it's “delightful and gentle and kind.”Not to give too much away, but only two of those adjectives apply to Paddington in Peru. Whether it's because the previous films set a very high bar or the latest entry didn't quite coalesce the way those others did, Dori and Kpolly weren't quite as tickled this time around.Cinebuds is sponsored by Joe Wilde Garage Door Company.

This episode features excerpts from the February 8th performance of Dennis Hensley's The MisMatch Game at the Los Angeles LGBT Center's Renberg Theatre. The panelists are Danny Casillas as Reba Areba, Jackie Beat as Bea Arthur, Sherry Vine as Rue McClanahan, Melissa Peterman as Rena Z., Felix Pire as Antonio Banderas and Tom Lenk as Tilda Swinton. The questions cover everyone from Jonathan Bailey to Betty White to Benson Boone. The evening was a bizonkers blast and raised over $4,100 for the Center. After the MisMatch Game clips, there's a super-sized So This Happened...where Dennis talks about the Oscar party he attended where he missed a trivia question about Centerstage, a delightful candle-making class he took at General Wax in North Hollywood, going dancing at the Kylie XCX night at Precinct hosted by past guests Mark Nubar and DJ Shyboy and attending the 25th Anniversary benefit screening of Coyote Ugly with most of the cast in attendance. It was true in 2000 and it's true today: you really can't fight the moonlight. 

Our journey through Paddington Month comes to a close with Paddington in Peru! This time, our favorite marmalade-loving bear sets off on a heartwarming adventure to visit Aunt Lucy at the Home for Retired Bears, with the Brown family in tow. But what starts as a simple trip quickly turns into a thrilling mystery through the Amazon rainforest.We get into the film's heartfelt themes, Antonio Banderas' and Olivia Colman's scene-stealing moments, plus, we talk about the magic of Paddington's kindness, the film's stunning animation, and where we think the franchise should go next.It's hard to follow-up a near perfect movie, but how do you think this sequel live up within the Paddington franchise? Let us know in the comments! Subscribe for more movie reviews and discussions!Follow us on Instagram & TikTok: @SoManySequelsPod#paddingtonbear #PaddingtonInPeru #MovieReview #SoManySequels #AntonioBanderas #OliviaColman #FilmDiscussion

You may know him as Zorro, or as a very Zorro-like cat from the Shrek universe: Puss in Boots. It's Antonio Banderas! He talks with us about reconnecting with, and then portraying his friend and collaborator Pedro Almodóvar. Plus, he talks about how his acting experience in Hollywood did not, for the lack of a better term, translate to acting in Spanish films.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Sean watched two movies the other Film School Janitors will not watch: BABYGIRL and LOVE ME. He makes the other Janitors listen to him talk about the Nicole Kidman and Kristen Stewart films (also starring Antonio Banderas and Steven Yeun, respectively). Enjoy!

ROAR, Kill Donkeys! It's time for FOOD COURT, your favorite podcast, where we brave the malls and the movie halls so you don't have to! Sean and Mampy watched Paddington in Peru, the new comedy adventure movie starring Ben Whishaw. Will the boys chuckle Antonio Banderas? Or will they weep because they just can't follow Paddinton 2? Tune in to find out! So grab your popcorn, sneak in your snacks, and pop your pepto because it's time to have multiple personality disorder! Bon Appétit!

In the new movie Paddington In Peru, Paddington Bear and the Brown family fly across the globe, into the wilds of Peru, in search of Paddington's Aunt Lucy. Along the way, they meet a not-remotely-suspicious singing nun (Olivia Colman) and a boat captain (Antonio Banderas). The adventure that follows involves lost treasure and narrow escapes — and leads to new revelations about Paddington's past, and a new appreciation for what it means to be home.In the run-up to the Oscars, Pop Culture Happy Hour is watching all 10 best picture nominees – and you're invited to join us! Sign up for the NPR Movie Club newsletter series and tell us what you thought of the movies you watched this week. Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopcultureSubscribe to Pop Culture Happy Hour Plus at plus.npr.org/happyhourLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

On today’s episode of The Spill, it’s time to dive deep into the movie that has been consuming our thoughts, conversations, and TikTok feeds, Nicole Kidman’s new erotic drama Babygirl.From some strange on-set stories that will make you see the movie in a different way to the fascinating reason why Antonio Banderas was cast and the hidden details behind particular scenes, there are so many layers to peel back and discuss when it comes to Babygirl.And of course, we need to urgently dissect the movie’s viral sex scenes…but our opinions on them might be a little polarising.And we haven't forgotten about Weekend Watch! Today we have an incredible new TV series starring one of our favourite actresses to recommend to you, and a new Netflix comedy that everyone is talking about. THE END BITSListen:A Brutally Honest Review Of Gladiator llA Brutally Honest Review Of Nobody Wants This Subscribe to The Spill Newsletter by clicking here. Subscribe to Mamamia GET IN TOUCH:The Spill podcast is on Instagram here.Do you have feedback or a topic you want us to discuss on The Spill? Send us a voice message, or send us an email thespill@mamamia.com.au and we'll come back to you ASAP! WANT MORE?If you’re looking for something else to listen to why not check out our hilarious and seriously unhelpful podcast The Baby Bubble hosted by Clare and Jessie Stephens.Or click here to listen to the hosts of Mamamia Out Loud open up about creativity and how they stay inspired. Read all the latest entertainment news on Mamamia... here. CREDITS Hosts: Laura Brodnik & Em VernemExecutive Producer: Kimberley Braddish Audio Producer: Scott Stronach Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures. Support the show: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Sean and Amanda discuss the successes, shortcomings, themes, and performances of Halina Reijn's ‘Babygirl,' an erotic thriller/black comedy starring Nicole Kidman, Harris Dickinson, and Antonio Banderas (1:00). Then, they build the Kidman Hall of Fame, choosing 10 installations in her film career that best represent her full body of work (41:00). Finally, Sean is joined by Reijn to discuss making the movie, building chemistry between the stars, why she was so interested in exploring the sexual themes and power dynamics in the movie, the importance of humor, and more (2:01:00). Hosts: Sean Fennessey and Amanda Dobbins Guest: Halina Reijn Senior Producer: Bobby Wagner Video Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices