Podcasts about huntington sept

From September 17th, 2018 - Dr. Huntington is the author of Work's New Age, and his blog: http://worksnewage.blogspot.com/

Jessica Keating from Carleton College delivers a talk titled “Hidden in Plain Sight: The ‘Kunstkammer’ of Holy Roman Emperor Rudolf II.” This talk was included in the session titled “Hiding.” Part of “Early Modern Collections in Use,” a conference held at The Huntington Sept. 15–16, 2017.

Arnold Hunt, Miles Ogborn, Kim Sloan, and Mary Terrall take part in a concluding roundtable discussion. Part of “Early Modern Collections in Use,” a conference held at The Huntington Sept. 15–16, 2017.

Alice Marples from The John Rylands Research Institute, University of Manchester, delivers a talk titled “‘Raised to High Eminence By the Excitement’: Collections and the Creation of ‘Provincial’ Medical Education.” This talk was included in the session titled “Disseminating.” Part of “Early Modern Collections in Use,” a conference held at The Huntington Sept. 15–16, 2017.

Felicity Roberts from King’s College Londondelivers a talk titled “Sir Hans Sloane’s Museum and Animal Encounters.” This talk was included in the session titled “Visiting.” Part of “Early Modern Collections in Use,” a conference held at The Huntington Sept. 15–16, 2017.

Elizabeth Eger from King’s College London delivers a talk titled “Collecting People.” This talk was included in the session titled “Visiting.” Part of “Early Modern Collections in Use,” a conference held at The Huntington Sept. 15–16, 2017.

Victoria Pickering from The British Museum delivers a talk titled “Sealed and Concealed: The Visible and Not-so-Visible Uses of a Botanical Collection.” This talk was included in the session titled “Hiding.” Part of “Early Modern Collections in Use,” a conference held at The Huntington Sept. 15–16, 2017.

Daniela Bleichmar from University of Southern California delivers a talk titled “The Interpretation of Mexican Indigenous Objects in Collections in Early Modern Europe and New Spain.” This talk was included in the session titled “Disseminating.” Part of “Early Modern Collections in Use,” a conference held at The Huntington Sept. 15–16, 2017.

Anne Goldgar from King’s College London delivers a talk titled “How to Seem a Connoisseur: Learning to Perform in Early Modern Art Collections.” This talk was included in the session titled “Performing.” Part of “Early Modern Collections in Use,” a conference held at The Huntington Sept. 15–16, 2017.

Vera Keller from University of Oregon delivers a talk titled “Johann Daniel Major (1634-1693) and the Experimental Museum.” This talk was included in the session titled “Displaying.” Part of “Early Modern Collections in Use,” a conference held at The Huntington Sept. 15–16, 2017.

Peter Mancall from University of Southern California and The USC-Huntington Early Modern Studies Institute delivers a talk titled “Birds of (Early) America.” This talk was included in the session titled “Conceptualizing.” Part of “Early Modern Collections in Use,” a conference held at The Huntington Sept. 15–16, 2017.

Paula Findlen from Stanford University delivers a talk titled “Why Put a Museum in a Book? Ferrante Imperato and Natural History in Sixteenth-Century Naples.” This talk was included in the session titled “Conceptualizing.” Part of “Early Modern Collections in Use,” a conference held at The Huntington Sept. 15–16, 2017.

Elizabeth Eger and Anne Goldgar from King’s College London deliver remarks for “Early Modern Collections in Use,” a conference held at The Huntington Sept. 15–16, 2017.

Steve Hindle from The Huntington welcomes participants and attendees to “Early Modern Collections in Use,” a conference held at The Huntington Sept. 15–16, 2017.

Mark Meadow from University of California, Santa Barbara, delivers a talk titled “Quiccheberg, Prudence, and the Display of Techne in the Brueghel/Rubens Allegories of the Senses.” This talk was included in the session titled “Displaying.” Part of “Early Modern Collections in Use,” a conference held at The Huntington Sept. 15–16, 2017.

Jean Howard from Columbia University delivers a talk titled “Jonson and the Urban Sensorium.” This talk was included in the session titled “Jonson and Urban Comedy.” Part of “Ben Jonson, 1616–2016,” a conference held at The Huntington Sept. 16–17, 2016.

Helen Ostovich from McMaster University delivers a talk titled “The Material World of Ben Jonson’s Theater: Staging Windows and Doors in the Comedies of the 1616 Folio” This talk was included in the session titled “Reading and Staging Jonson in the 21st Century.” Part of “Ben Jonson, 1616–2016,” a conference held at The Huntington Sept. 16–17, 2016.

Stephen Orgel from Stanford University delivers a talk titled “Jonson’s Ghost: Creating an Afterlife from Tonson to Beardsley” This talk was included in the session titled “Jonson’s Later Reception and Influence.” Part of “Ben Jonson, 1616–2016,” a conference held at The Huntington Sept. 16–17, 2016.

Tom Lockwood from University of Birmingham delivers a talk titled “Jonson and the Friends of Liberty.” This talk was included in the session titled “Jonson’s Later Reception and Influence.” Part of “Ben Jonson, 1616–2016,” a conference held at The Huntington Sept. 16–17, 2016.

Martin Butler from University of Leeds delivers a talk titled “20th Century Ben Jonson.” This talk was included in the session titled “Jonson and Urban Comedy.” Part of “Ben Jonson, 1616–2016,” a conference held at The Huntington Sept. 16–17, 2016.

Michael Cordner from University of York delivers a talk titled “‘Speak that I may see thee’: Performing Jonson in the 21st Century” This talk was included in the session titled “Reading and Staging Jonson in the 21st Century.” Part of “Ben Jonson, 1616–2016,” a conference held at The Huntington Sept. 16–17, 2016.

Lucy Munro from King’s College London delivers a talk titled “London, 1616: Reading ‘The Devil is an Ass’ in the Blackfriars and Beyond.” This talk was included in the session titled “Jonson and His Intertextual Relations.” Part of “Ben Jonson, 1616–2016,” a conference held at The Huntington Sept. 16–17, 2016.

Suzanne Gossett from Loyola University Chicago delivers a talk titled “Ben Jonson, Competitive Freelancer.” This talk was included in the session titled “Jonson and His Intertextual Relations.” Part of “Ben Jonson, 1616–2016,” a conference held at The Huntington Sept. 16–17, 2016.

Heather James from University of Southern California delivers a talk titled “The Trials of Ovid: Ben Jonson’s ‘Poetaster, or the Arraignment.’” This talk was included in the session titled “Jonson, Learning, and the Enemies of Learning.” Part of “Ben Jonson, 1616–2016,” a conference held at The Huntington Sept. 16–17, 2016.

Paul Menzer from Mary Baldwin University delivers a talk titled “Anecdotal Jonson.” This talk was included in the session titled “Jonson and Celebrity.” Part of “Ben Jonson, 1616–2016,” a conference held at The Huntington Sept. 16–17, 2016.

James Loxley from University of Edinburgh delivers a talk titled “Ben Jonson’s Literary Celebrity.” This talk was included in the session titled “Jonson and Celebrity.” This is a recording of the second half of the delivered talk. Part of “Ben Jonson, 1616–2016,” a conference held at The Huntington Sept. 16–17, 2016.

Adam Zucker from University of Massachusetts, Amherst, delivers a talk titled “Pedantic Ben Jonson.” This talk was included in the session titled “Jonson, Learning, and the Enemies of Learning.” Part of “Ben Jonson, 1616–2016,” a conference held at The Huntington Sept. 16–17, 2016.

Hal Nelson discusses the close bond between artist and client in a lecture about a double music stand and musician’s chair crafted in 1972 by woodworker Sam Maloof for musician Jan Hlinka. Nelson’s talk took place during the planning of the exhibition “The House That Sam Built: Sam Maloof and Art in the Pomona Valley, 1945-1985,” on view at The Huntington Sept. 24, 2011, through Jan. 30, 2012.