Podcasts about Sensorium

Kali ini kita akan ngobrol bareng William Salim dari Sensorium Bali, restoran yang hampir selalu penuh dan jadi favorit banyak orang. William bakal cerita tentang perjalanan membangun Sensorium dari nol, visi di balik konsepnya, sampai kisah-kisah lucu dan absurd saat menghadapi tamu-tamu expat yang datang dengan ekspektasi macam-macam. Tonton video selengkapnya di #RayJansonRadioOTP #29 BITTER SWEET CANGGU LIFE WITH WILLIAM SALIM | RAY JANSON RADIOEnjoy the show!Instagram:William Salim: www.instagram.com/will_lim99DON'T FORGET TO LIKE AND SUBSCRIBE !On The Pas is available on:Spotify: https://spoti.fi/2lEDF01Apple Podcast: https://apple.co/2nhtizqGoogle Podcast: https://bit.ly/2laege8iAnchor App: https://anchor.fm/ray-janson-radioInstagran: https://www.instagram.com/onthepasbali/TikTok: https://www.tiktok.com/@onthepasLet's talk some more:https://www.instagram.com/renaldykhttps://www.instagram.com/backdraft_projecthttps://www.instagram.com/mariojreynaldi#OnThePasPodcast #BaliPodcast #RayJansonRadio #FnBPodcast #PodcastAfterService

Vernissage „AST & AST“ mit 
Alix Stadtbäumer und Angela Stauber - Galerie PingRodach(Hördauer 57 Minuten)Der Frühling ist da – zart und doch unübersehbar. In dieser Atmosphäre, in der Licht, Farbe und Stille neu ineinandergreifen, öffnet sich in der Galerie PINGRODACH eine Ausstellung, die dem Moment entspricht: „AST & AST“ vereint Arbeiten von Angela Stauber und Alix Stadtbäumer und lädt uns ein zur stillen Betrachtung und zur Entdeckung vielschichtiger Verbindungen.Beide Künstlerinnen wurden in diesem Jahr mit dem renommierten Stipendium der Stiftung Kunstfonds 2025 ausgezeichnet – ein Zeichen für die besondere Qualität ihrer Arbeit und ein schöner Moment, um diesen künstlerischen „Zweig“ gemeinsam wachsen zu lassen.Alix Stadtbäumer  entwickelt skulpturale Arbeiten, die sich zwischen Bildhauerei, Rauminstallation und Kunst am Bau entfalten. – alltägliche Formen werden transformiert, neu lesbar, neu erlebbar.Angela Stauber hingegen malt mit einem außergewöhnlich feinen Sensorium für Licht, Stille und Wahrnehmung.Im Verlauf der Sendung werde ich nicht nur die beiden Künstlerinnen, sondern auch den Kurator Johannes Rodach seine neue Mitarbeiterin und einige Besucherinnen und Besucher zu Wort kommen lassen. Ich lade sie ein, uns einige der ausgestellten Bilder und Skulpturen zu beschreiben – damit wir den Zuhörenden vor allem auch den sehbehinderten und blinden Menschen, über unser Radio, einen Eindruck von dieser wunderbaren und interessanten Ausstellung vermitteln können.Freuen Sie sich auf persönliche Gespräche, spannende Einblicke in die künstlerischen Prozesse und auf einen konzentrierten, inspirierenden Abend mit „AST & AST“.

Tibor Werzl ist mehr als ein Sommelier. Er ist ein absolutes Multitalent. Was ihn auszeichnet, ist nicht bloß seine exzellente sensorische Präzision, sondern die Fähigkeit, Sinneseindrücke in größere kulturelle, historische und emotionale Zusammenhänge einzuordnen. Er bewegt sich mit derselben Selbstverständlichkeit durch das Vokabular eines großen Weines, wie durch das kreative Chaos einer Küchenidee oder das ästhetische Feingefühl eines Restaurateurs. Tibor Werzl ist nicht einfach nur vielseitig – er ist kohärent in seiner Komplexität. In einer Welt, die sich immer weiter spezialisiert, wirken Multitalente wie er es ist, wie Anachronismen – oder wie Leuchttürme. Menschen, die scheinbar mühelos zwischen Disziplinen wechseln, finden sich oft an den Rändern unserer Vorstellungen von Expertise. Doch gerade dort, wo Grenzen verschwimmen, entsteht Fortschritt. Tibor ist jemand, der nicht nur verschiedene Bereiche kennt, sondern sie miteinander verwebt. Er besitzt ein Sensorium für Synergien, das anderen verborgen bleibt. einer Zeit, die mit Komplexität nicht nur konfrontiert, sondern davon durchdrungen ist, erleben wir eine stille Renaissance der Vielseitigkeit. Interdisziplinäre Teams sind längst kein Trend mehr, sondern Notwendigkeit. Und mit ihnen wächst auch das Bewusstsein für Menschen, die diese Brücken von Natur aus bauen. Eigentlich ist Tibor Werzl kein Ausreißer, sondern eine evolutionäre Antwort auf die Herausforderungen einer Welt im Wandel. Und vielleicht ist es an der Zeit, nicht länger zu fragen, worauf sich jemand spezialisiert hat – sondern wie viele Sprachen er spricht, auch wenn keine davon wörtlich ist. Tibor ist nicht nur ein Sommelier mit außerordentlichem Gespür – er ist ein kultureller Übersetzer. Ein Seismograph für Qualität in all ihren Dimensionen. Und vielleicht gerade deshalb eine der spannendsten Persönlichkeiten seiner Generation. Tibor Werzl Restaurant FIVE Hellweg 28-30 44787 Bochum E-Mail: info@five‑bochum.de Tel.: 02 34 953 56 85 Mit herzlichen Grußworten von: Theresa Breuer, Weingut Georg Breuer Winzerin, Wegbegleiterin Antonios „askToni“ Askitis, Pelican Fly – Pommes & Wein Sommelier, Weinkommunikator, Freund ------------------------------------- Diese Folge von SOMMELIER – Die interessantesten Mundschenke unserer Zeit wird begleitet von durch Silvio Nitzsche ausgewählte Weine aus dem Programm der Schlumberger Gruppe, zu der die Handelshäuser Schlumberger, Segnitz, Consigliovini und das Privatkundenportal Bremer Weinkolleg gehören. ------------------------------------- Nach der Episode verkosten wir folgende Weine: Alma Assemblage 1, Bellavista, Lombardei, Italien Link für Geschäftskunden: https://is.gd/4SYqJy Link für Privatkunden: https://is.gd/Lukbps Sehr gerne empfehle ich die folgenden Weine: 2019 Shiraz Y-Series, Yalumba, Südaustralien, Australien Link für Geschäftskunden: https://is.gd/4SYqJy Link für Privatkunden: https://is.gd/s7rAMS _____ 2024 Progetto 62 Torre di Giano, Lungarotti, Umbrien, Italien Link für Geschäftskunden: https://is.gd/4SYqJy Link für Privatkunden: https://is.gd/gQHf7M _____ 2021 Pinot Grigio Gris Lis Neris Friaul Italien Link für Geschäftskunden: https://is.gd/4SYqJy Link für Privatkunden: https://is.gd/j9smAU ------------------------------------- Bitte folgen Sie uns auf Webpage: sommelier.website Instagram: sommelier.der.podcast Facebook: sommelier.der.podcast Wir freuen uns über jede Bewertung, Anregung und Empfehlung. Das Format: SOMMELIER – Die interessantesten Mundschenke unserer Zeit. wird produziert und verantwortet von der: Weinklang GmbH, Silvio Nitzsche, Bergahornweg 10, 01328 Dresden, silvio@sommelier.website

Audioporn heißt ein blühendes Genre, das durch Stimmen und Geräusche sexuell stimuliert. Im Medium des Podcast erlebt die sonische Vereinigung Hochkonjunktur. Mit ihr vielleicht auch eine neue Intimität? Klang, Stimme, Sound sind Meister des Intimen. Das Ohr ist offen, es hat kein Lid, wie das Auge, um sich vor Einfluss zu schützen. Geräusche, Töne, Lärm nimmt es auf, lässt sich im besten Falle darauf ein. Dann dringen Töne ein, berührt Klang, kommen Stimmen nahe. Auch wenn kein Geruch, kein Geschmack, keine Berührung das Sensorium anstacheln. Oder gerade deshalb? Der akustische Essay folgt den Spielarten eines hörenden Begehrens und fragt dabei auch nach seinem politischen Versprechen. Nach dem, was im Lärm und in der Bilderflut unserer Gegenwart vergessen zu werden droht.

Es gibt rund um die Weihnachtszeit gewisse Gebäcke, die Hagelzucker auf sich haben: Teigmänner, die wir im Dialekt Grättimänner oder Grittibänzen nennen und Drei-Königs-Kuchen. Weil dieser Zucker vor dem Backen im Ofen auf die Teiglinge gestreut wird, ist unterschiedlich viel auf einem solchen Backgut. Aber etwas ist immer drauf. Es gehört wie dazu, visuell und geschmacklich. Sieht man den Zucker nicht, dann fehlt etwas, auch wenn man dann davon isst. So, als sei das Produkt unvollkommen oder fehlerhaft oder nicht das Echte. Dabei ist es nichts weiter als Dekoration. Wir sind gut in der Wahrnehmung, wenn etwas fehlt, vor allem bei Vertrautem, Gewohntem. Es muss nicht mal sehr sichtbar sein - wir haben ein Sensorium dafür. Manchmal nehmen wir auch wahr, dass unserem Geist etwas fehlt - doch häufig wird das dann übertönt mit Ablenkung, Zerstreuung, Konsum und anderem. Die Leere aber bleibt. Lässt Du sie zu und gehst ihr nach bis Du das Echte findest? Ich wünsche Dir einen aussergewöhnlichen Tag!

The Asylum Sensorium Asen 60 from C.L.E. Cigar Company is ranked 11th on the 2024 Cigar of the Year Countdown. Asylum Sensorium is a limited edition super premium offering from C.L.E Cigar Company, which was founded byChristian Eiroa. Notably, the blend is highlighted by tobacco grown by Christian's father,Julio R. Eiroa, known as Piñareno. Piñareno is a low-yield tobacco that is challenging to grow. If you know something about Julio R. Eiroa, you will realize he is no stranger to taking on the challenge of cultivating tobacco. Most notably, he overcame the significant challenge of bringing Authentic Corojo back to the market. Despite the difficulties associated with growing Piñareno, the Eiroas firmly believe it is worth the effort due to its exceptional flavor. Therefore, with the release of Asylum Sensorium, Christian decided to feature Piñareno in a super-premium cigar. Fittingly, he incorporated it into the Asylum brand, which is recognized for pushing boundaries—not just in terms of large ring gauges. In addition to its unique qualities, the premium nature of this cigar is evident, as the Asylum 60 comes with a price tag of $60.00. Full Details: https://wp.me/p6h1n1-uAA  

The Asylum Sensorium Asen 60 from C.L.E. Cigar Company is ranked 11th on the 2024 Cigar of the Year Countdown. Asylum Sensorium is a limited edition super premium offering from C.L.E Cigar Company, which was founded by Christian Eiroa. Notably, the blend is highlighted by tobacco grown by Christian's father,Julio R. Eiroa, known as Piñareno. Piñareno is a low-yield tobacco that is challenging to grow. If you know something about Julio R. Eiroa, you will realize he is no stranger to taking on the challenge of cultivating tobacco. Most notably, he overcame the significant challenge of bringing Authentic Corojo back to the market. Despite the difficulties associated with growing Piñareno, the Eiroas firmly believe it is worth the effort due to its exceptional flavor. Therefore, with the release of Asylum Sensorium, Christian decided to feature Piñareno in a super-premium cigar. Fittingly, he incorporated it into the Asylum brand, which is recognized for pushing boundaries—not just in terms of large ring gauges. In addition to its unique qualities, the premium nature of this cigar is evident, as the Asylum 60 comes with a price tag of $60.00. Full Details: https://wp.me/p6h1n1-uAA  

This week the Filipina artist Goldie Poblador who works in scent and glass interactive instillation art.  Goldie specializes in glass flameworking combined with performance, video, installation, and scent embodying themes of feminism, the environment, and decolonization as it relates to the body.  Goldie was born in Manila, The Philippines in 1987. Her parents; Napoleon Poblador, a lawyer and painter and Gizela Poblador, a home-maker who had earlier studied dentistry. Goldie is the eldest of four children; she has three younger brothers. She was, she says, an imaginative child who enjoyed creating worlds and performing. Her parents exposed her to art and music; she visited art shows, galleries and museums, learned the piano, and performed in a drama club. By the age of 18 Goldie was performing in a Punk band; something she likes to recreate today for fun. But it was her fascination with glass and painting that would steer her through college. She graduated from the University of The Philippines in 2009 with a BFA in Studio Art and later with an MFA Glass from the Rhode Island School of Design. Between colleges Goldie was introduced to the Scuola Abate Zanetti in Murano, Italy. She also worked as an artist and attended the Pilchuck Glass School in Seattle, co-founded by the renown glass sculptor Dale Chihuly.  Goldie has been exhibited internationally at such institutions as the Yangon Secretariat Building Knockdown Center, Cemeti Art House, Singapore Art Museum, Bangkok Art and Culture Center, Fine Art Museum of Hanoi and The Cultural Center of the Philippines. She is currently working on a show for the Art Fair in The Philippines in 2025. Goldie will be a featured artist in the Sensorium, Stories of Glass and Fragrance; an exhibition that will explore the millennia-long relationships between glass, perfumery, and the storage of scent, at the Corning Museum of Glass (CMoG) from September 7, 2024 - February 1, 2025.  Goldie is married to Joseph Sousa and the couple live in New York City. https://goldiepoblador.com/InformationInstagram: @_goldieland https://www.instagram.com/_goldieland Goldie's favorite female artists:Janine AntoniAgnes ArellanoJoan JonasCamille ClaudelKiki SmithHost: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

This week the Filipina artist Goldie Poblador who works in scent and glass interactive instillation art.  Goldie specializes in glass flameworking combined with performance, video, installation, and scent embodying themes of feminism, the environment, and decolonization as it relates to the body.  Goldie was born in Manila, The Philippines in 1987. Her parents; Napoleon Poblador, a lawyer and painter and Gizela Poblador, a home-maker who had earlier studied dentistry. Goldie is the eldest of four children; she has three younger brothers. She was, she says, an imaginative child who enjoyed creating worlds and performing. Her parents exposed her to art and music; she visited art shows, galleries and museums, learned the piano, and performed in a drama club. By the age of 18 Goldie was performing in a Punk band; something she likes to recreate today for fun. But it was her fascination with glass and painting that would steer her through college. She graduated from the University of The Philippines in 2009 with a BFA in Studio Art and later with an MFA Glass from the Rhode Island School of Design. Between colleges Goldie was introduced to the Scuola Abate Zanetti in Murano, Italy. She also worked as an artist and attended the Pilchuck Glass School in Seattle, co-founded by the renown glass sculptor Dale Chihuly.  Goldie has been exhibited internationally at such institutions as the Yangon Secretariat Building Knockdown Center, Cemeti Art House, Singapore Art Museum, Bangkok Art and Culture Center, Fine Art Museum of Hanoi and The Cultural Center of the Philippines. She is currently working on a show for the Art Fair in The Philippines in 2025. Goldie will be a featured artist in the Sensorium, Stories of Glass and Fragrance; an exhibition that will explore the millennia-long relationships between glass, perfumery, and the storage of scent, at the Corning Museum of Glass (CMoG) from September 7, 2024 - February 1, 2025.  Goldie is married to Joseph Sousa and the couple live in New York City.  https://goldiepoblador.com/InformationInstagram: @_goldieland https://www.instagram.com/_goldieland Goldie's favorite female artists:Janine AntoniAgnes ArellanoJoan JonasCamille ClaudelKiki SmithHost: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

Caroline A. Jones is Professor in the History, Theory, and Criticism section, Department of Architecture, MIT. She studies modern and contemporary art, focusing on its technological modes of production, distribution, and reception, and on its interface with science. She has also worked as a curator, including three exhibitions at MIT's List Visual Arts Center: Hans Haaken, Video Trajectories, and Sensorium. Her exhibitions and/or films have been shown at NY MoMA, SF MoMA, the Hirshhorn DC, and the Hara Museum Tokyo, among other venues. Publications include Machine in the Studio (1996/98), Picturing Science, Producing Art (co-editor, 1998), Sensorium (editor2006), Eyesight Alone (2005/08), Experience (co-editor, 2016) and The Global Work of Art(2016).Caroline is currently working on the most important and radically original project on Symbiontics. Caroline's faculty page: https://architecture.mit.edu/people/caroline-jonesMore on Symbiontics: https://brooklynrail.org/2020/07/criticspage/Symbiontics-a-view-of-present-conditions-from-a-place-of-entanglementhttps://listart.mit.edu/exhibitions/symbionts-contemporary-artists-biospherehttps://mitpress.mit.edu/9780262544481/symbionts/The Cluster F Theory Podcast is edited by Julian Mayers at Yada Yada https://www.yada-yada.net/. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit theclusterftheory.substack.com

Ohne Gott scheint es sich ganz gut zu leben. Es gibt andere Wege mit Ängsten fertig zu werden. Wer fühlt sich noch erlösungsbedürftig? Kommt dem Christentum sein Kern abhanden? Der Theologe Jan-Heiner Tück sagt dazu: Die Theologie werde nicht „arbeitslos“, denn das Phänomen des Leidens, der Erlösungsbedürftigkeit gibt es auch dann, wenn sich viele von Religion emanzipieren. Es brauche nur ein waches Sensorium für die Situation des modernen Menschen und eine zeitgemäße Sprache, um ihn zu erreichen. „Die österliche Hoffnung kann gerade in Zeiten der Resignation und Krisenwahrnehmung helfen, und zu einer Grundgelassenheit und Zuversicht führen.“ Wir sprechen mit Jan-Heiner Tück, Professor für Dogmatik an der Universität Wien, über das Lebensförderliche der christlichen Botschaft, über die Symbolik des Kreuzes, und über die Frage, warum Jesus sterben „musste“ und was das mit dem Schicksal des russischen Regime-Kritikers Alexej Nawalny zu tun hat. Mittwoch, 27. März 2024, 17.30 – 17.55 UhrGestaltung: Stefanie Jeller. radio klassik Stephansdom braucht Sie jetzt dringend!Mit nur 1 Euro am Tag retten Sie das Überleben Ihres Klassiksenders.Sowie den Arbeitsplatz von Menschen, die täglich für Sie Radio machen - mit höchster Qualität und Begeisterung.Spenden Sie bitte jetzt! Jeder Betrag zählt. www.radioklassik.at/spenden

Aufzeichnung der Predigt des Gottesdienstes am 10.03.2024. Thema: Gott redet – Ist mein Sensorium auf Empfang ausgerichtet? Predigtreihe: Lifestyle Jüngerschaft Prediger:in: Ekkehard Vetter, Mülheim Bibelstelle: 1. Sam. 3 u.a. ℹ️ Erfahre mehr über uns: ℹ️ Du bist herzlich zu unseren Gottesdiensten eingeladen. Jeden Sonntag ab 10:30 Uhr bis 12:00 Uhr. Besuche uns und lerne uns kennen! Weitere Informationen zu unseren Gottesdiensten erhältst Du hier: https://pg-bielefeld.de/sonntags

In this Episode, Dr. David Puder, Dr. Adam Borecky, and Joanie Burns discuss the 5-factor approach to holistic, patient-centered psychiatric care. This approach takes into account that each individual who seeks care is unique in their physiological and psychological make-up and that multiple factors influence both physical and mental health (for better or worse).  The 5-factor approach to treatment is based on the importance of sensorium and its pivotal role in regulating thoughts, feelings, and overall mental health. Sensorium is a lens to understand how we focus on various things. Sensorium is total brain function, which fluctuates throughout the day and depends on a number of factors, including sleep, stress levels, and more.

Schlidt is the cofounder and managing partner at Palo Santo, a venture capital fund focused exclusively on the advancement of psychedelic therapies for the treatment of mental health disorders and beyond. Based on his own experience with severe depression as a teenager, Schlidt's goal is to steward the most efficacious psychedelic therapies towards FDA approval so that patients may safely, legally, and affordably access these medicines. He has deployed $25 million into 20 companies including Gilgamesh, Journey Clinical and Sensorium.Show Highlights:-The potential of psychedelics for mental health treatment.-Tim's story leading to investment in psychedelics.-Why to practice safe and supervised use of psychedelics in treatment.-Legal and ethical considerations around the use of psychedelics.-What are challenges in developing psychedelics?-Predicitons for psychedelics in mainstream medicine.-Psychedelics for therapeutic and personal growth.

The Suakhet'u Program Support Article --- Support this podcast: https://podcasters.spotify.com/pod/show/mark-hatmaker/support

Koni Schafroth hat mit seiner Firma XCTracer die technischen Grundlagen von Varios deutlich erweitert und verfeinert. Ein Gespräch +++ Das wichtigste Instrument für einen Gleitschirmflieger ist sein Variometer. Mit Piepstönen zeigt es einem, ob man gerade steigt und wo man kreisen sollte, um wertvolle Höhe zu gewinnen. Allerdings machen es klassische Varios den Piloten nicht gerade leicht, die Luft exakt zu lesen. Denn zwischen einem Auf und Ab, das man mit seinem körperlichen Sensorium, sprich: Popometer, schon spürt, und dem entsprechenden Piepsen des Varios, gibt es typischerweise einen technisch bedingten Zeitversatz. In großen, konstanten Thermiken stört der wenig. Aber wenn es darum geht, enge, zerrissene Schläuche zu zentrieren, ist der verzögerte Höreindruck des Luftgeschehens kontraproduktiv. Der Schweizer Koni Schafroth hat sich Zeit seiner schon mehr als 30-jährigen Flugkarriere an diesem Manko gestört. 2015 hatte mit einem Mal die Lösung dieses Problems vor Augen. Anstatt nur einen Luftdrucksensor zur Erfassung der Flughöhen zu verwenden, baute er in seine Vario-Variante namens XCTracer zusätzlich eine ganze Reihe weiterer Sensoren mit ein: Beschleunigungmesser, Gyroskop, Magnetometer, GPS. All deren Daten führt er in komplexen mathematischen Formeln zusammen, um jede Lage- und Höhenänderung des Gleitschirms gewissermaßen in Echtzeit zu erfassen. Vario- und Popometer stimmen so überein. In dieser Folge 117 von Podz-Glidz gibt Koni Schafroth nicht nur Einblicke in das Entwickeln und Testen neuer Variofunktionen. Ich spreche mit dem 58-jährigen unter anderem auch über seine früheren Zeiten als Gleitschirmkonstrukteur, ein spezielles Flugzeugprojekt namens Smartfish und warum die Gleitschirmszene gut daran täte, weniger leistungs- und dafür mehr erlebnisorientiert in die Lüfte zu gehen. +++ Wenn Du Podz-Glidz und den Blog Lu-Glidz fördern möchtest, so findest Du alle zugehörigen Infos unter: https://lu-glidz.blogspot.com/p/fordern.html +++ Musik dieser Folge: Track: Jellyfish in Space | Künstler: Kevin MacLeod CC 4.0, https://creativecommons.org/licenses/by/4.0/ Quelle: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1500030

Artist: Phortah (Australia) Name: Sensorium Live Set, 2023 Genre: Electronic Release Date: 08.09.2023 Exclusive: Deep House Moscow Phortah: https://soundcloud.com/phortah Home: https://www.phortah.com photo by: https://www.instagram.com/dericm.creative CONTACT (DHM): Email — deephousemoscow@hotmail.com Follow us: www.facebook.com/deephousemsk/ www.instagram.com/deephousemoscow/ vk.com/deephousemsk/

Matthew Niederhauser and John Fitzgerald are both co-founders Sensorium as well technical directors at ONX Studio. They both have been working on a number of different immersive XR projects that are including the latest generative AI and large language model technologies. It's a rapidly developing field, and they talk about their strategy of keeping up to date through the practice of making different creative technology and immersive storytelling projects. Niederhauser spoke a bit about Tulpamancer, which has subsequently been announced as one of the 28 immersive stories in competition at Venice Immersive 2023. It uses AI to take input from each users based upon their questions exploring their memories, and then uses generative AI to create a unique immersive VR experience that is specific to that person. "Ultimately, every interaction produces a unique work that is deleted at the conclusion of its viewing, left only to resonate in the minds of each participant." I'll be on site in Venice, and I'm really looking forward to checking out this experience and following up with Niederhauser and co-director Marc Da Costa. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

Der US-amerikanische Schriftsteller Teju Cole will unser Sensorium für die Zumutungen und Ungeheuerlichkeiten der Existenz schärfen. In dem faszinierenden Essayband "Black Paper. Schreiben in dunkler Zeit" befragt er Literatur, Malerei und Musik danach, was sie über die dunklen Seiten des Lebens wissen. Eine Rezension von Holger Heimann. Von Holger Heimann.

We have Ryan Newman back in the garage with something special for Christian Eiroa's birthday. We are smoking the Asylum Sensorium which is a limited edition new cigar that is planned to be an annual release. This one comes with a surprising price tag for Asylum! We are also cracking a bottle that was picked by Ohio Liquor Agency at Peerless. It is a Single Barrel of their Straight Rye Whiskey. Pour one more...light up another...we'll figure it out together. Please Drink Responsibly byjack.com/bourbonandbs to buy some shirts! Thanks to our sponsors: All of you that have been supporting us! Join our patrons at patreon.com/bourbonandbspodcast to help support the continuing growth of the show and the community. Tinder Box at Easton for the weekly featured cigar and check them out for their current featured cigar at eastontinderbox@gmail.com Altadis USA for the weekly second cigar and the continued support BS Cigar Company for the continued support! Check them out at bscigarcompany@gmail.com for ordering the BS Gold and BS Silver

Dick Simon, a serial entrepreneur and leader in advancing psychedelic-assisted therapies, is the co-founder and CEO of Sensorium Therapeutics. The company identifies new, promising drug leads for therapeutics inspired by psychoactive plants and fungi to address mental health issues such as anxiety. Dick talks about the business, how it's grown, and its recent fundraising, which brought a $30 million Series A into the business in 2022.

What do David Guetta, Carl Cox, Steve Aoki and Armin Van Buuren all have in common? Apart from being the biggest DJs in the world, they have all joined AAA metaverse - Sensorium Galaxy. These are some of the highest quality virtual music experiences available that also include AI driven humans who converse and attend gigs with you. In time they will learn, remember your previous conversations and begin to build relationships with you and other attendees. Sasha Tityanko is our guest this week - CEO and Creative Director of Sensorium Galaxy. You can check out the 24/7 AI virtual DJ stream here and also download on Steam for VR on the link below Thank you as always for your support, if you're not already following the show, do hit that follow button, which is always so appreciated. Also drop me a message on Twitter - I always love to hear from you. ======================= I always love to hear from you, say hello on the following links! : Twitter : https://twitter.com/luke_franks LinkedIn : https://www.linkedin.com/in/luke-franks-b8b509118/ Speaker Bookings : https://londonspeakerbureau.com/speaker-profile/luke-franks/ ======================= Links : Sasha Tityanko LinkedIn : https://www.linkedin.com/in/sasha-tityanko-ba58621b8/ Sensorium Galaxy Website : https://sensoriumgalaxy.com/metaverse Twitter : https://twitter.com/SensoriumGalaxy Youtube : https://www.youtube.com/@SensoriumGalaxy/ Instagram : https://www.instagram.com/sensorium_galaxy Steam : https://store.steampowered.com/app/1803610/Sensorium_Galaxy/

Sasha Tityanko serves as Deputy CEO and Art Director at Sensorium. With over 15 years of experience in the international entertainment industry, Sasha is behind the virtual creations and product marketing campaigns of Sensorium Galaxy — a next-generation social metaverse developed in collaboration with the world's top artists, producers, and media partners. Before joining the company, Sasha represented global music superstars, including Eurovision winner Dima Bilan and internationally-acclaimed duo t.A.T.u. She's also worked with top music labels EMI Music and Interscope / Universal Music to collaborate with performers from the United States, the United Kingdom, Japan, and Latin America. Sasha also has extensive experience in marketing and PR, having led major international projects in Russia and abroad, including the Mikhail Gorbachev Prize and the Gorby 80 in the United Kingdom.In this conversation, we discuss:- Concept of virtual beings- The next iteration of the internet- Social AI - AI-powered functionalities- Unique traits- Moving from traditional art to web3- Virtual artists- Photorealism SensoriumWebsite: sensoriumxr.comTwitter: @SensoriumGalaxyInstagram: @sensorium_galaxySasha TityankoTwitter: @santasasha5Instagram: @santasashaLinkedIn: Sasha Tityanko   ---------------------------------------------------------------------------------  This episode is brought to you by PrimeXBT.  PrimeXBT offers a robust trading system for both beginners and professional traders that demand highly reliable market data and performance. Traders of all experience levels can easily design and customize layouts and widgets to best fit their trading style. PrimeXBT is always offering innovative products and professional trading conditions to all customers.  PrimeXBT is running an exclusive promotion for listeners of the podcast. After making your first deposit, 50% of that first deposit will be credited to your account as a bonus that can be used as additional collateral to open positions.  Code: CRYPTONEWS50  This promotion is available for a month after activation. Click the link below:  PrimeXBT x CRYPTONEWS50

The ONX + DocLab MoCap Stage at IDFA DocLab 2022 featured a number of experimental XR performances using a high-end OptiTrack – Motion Capture System within a theatrical stage with a screen that was projecting the virtual representations. Each of these projects are exploring how to blend aspects of the virtual and physical in the context of a live performance. I had a chance to get the backstory and more details on all of the featured projects from Matthew Niederhauser and John Fitzgerald, who are both from Sensorium & ONX Studio.

In der "stillsten" und "dunkelsten" Zeit des Jahres ist unser Sensorium für Düfte und Geschmack auf Hochtouren. Natürlich spielt neben der Vorfreude auf das Weihnachtsfest die Kulinarik eine wesentliche Rolle. Stefan Hauser hat für die Sendung einen Adventmarkt in St. Gotthard im Mühlkreis in Oberösterreich besucht und sich bei Keksbäckerin Monika Schietz akustisch kulinarische Tipps geholt. Er trifft auch Klaus Dürrschmid vom Institut für Lebensmittelwissenschaften der Universität für Bodenkultur.

Hey geeks and gamers, get out of here and let some true blue jocks tell you about this year's Fan Expo, Canada's premier nerd rodeo, as well as The Fappening men, Kaizo Ironmon, Helluva Dip ooblick, audiophile island, silent raves, Vaporeon copypasta, Joker actor shortlist, The Rehearsal actors, Tom Holland voice acting, Fan Expo cosplay, Hobbit reunion tour, crop dusting anime girls, Shit-Hulk, Bored Ape nazis, Insidious Bastards, TikTok songs, Lord of the Rings shilling, The Dinkster, first 3D movies, normal price tuesdays, convention haggling, Ribfest, Tom Bombadil, Friendship Onion, Toronto traffic, real life Khajiit, Tattoo Alley, Hobbit feet slippers, kid named finger, meme studying, Mark Zuckerberg on Joe Rogan, and the Meta neighbourhood watch. More nerd crap than you can shake a wizard's stick at. Check out our monkey merch!: https://my-store-c638a6.creator-spring.com

This is episode #20 of the podcast and it's Thursday, the 23rd of June, 2022. Today I sat down, virtually, of course, with Dr. Michael Mopas, Associate Professor in the Department of Sociology and Anthropology at Carleton University in Ottawa, Ontario. He is cross-appointed to the Institute of Criminology and Criminal Justice and the Department of Law and Legal Studies, and serves as a member of the Duncombe Studio for Social and Cultural Research. Most of Michael's work is in the area of science, technology, and law with a focus on 'sound'. In his spare time, he plays upright bass in several jazz bands in the city and participates in long-distance triathlons. He has completed two Ironman races (Lake Placid and Mont-Tremblant) and several other events.In our discussion, we turned to wearable fitness-trackers and mobile apps that allow athletes to measure, monitor, visualize, and record a variety of training metrics. Dr. Mopas and his collaborators have looked into the deeply embodied and sensory dimensions of self-tracking. The overall insight seems to be that the data generated by self-trackers are not only cognitively processed, but also sensed and felt by users. While we do have some understanding of what exactly self-tracking devices measure and quantify, we know less about how/when do their users know these quantitative metrics work for them. How do we mitigate the potential dissonance between these quantitative metrics and the athletes' lived experiences?The second part of the discussion moved toward technology. We talked about the future of wearable self-tracking devices and debated if AI can be employed to better understand the emotional needs of the user.  Here is the show.Show Notes:- Do wearable tracking devices take too much of our ability of ‘being in the moment'?- Should we value quantitative metrics over other ways of knowing and making sense?- Moments of dissonance: self-tracking device's quantitative metrics vs. the athletes' lived experience- Sharing data (e.g., Strava): potential benefits and limitations- Technology: Can we develop AI that learns qualitative data that people input into such devices?Note:Relevant papers:Mopas, Michael S., and Ekaterina Huybregts. "Training by feel: wearable fitness-trackers, endurance athletes, and the sensing of data." The Senses and Society 15.1 (2020): 25-40.Lupton, Deborah, and Sarah Maslen. "The more-than-human sensorium: sensory engagements with digital self-tracking technologies." The Senses and Society 13.2 (2018): 190-202.Link to Dr. Mopas' web page: https://carleton.ca/socanth/people/mopas-michael/

Raz plonge dans le nouveau cerveau de Nick et essaie de ramener des souvenirs à une petite boule blanche lumineuse. Dans un monde psychédélique et plein de musique, il doit ramener sur scène un groupe pour un concert de légende. / Raz jumps into Nick's new brain and tries to bring back memories to a small white ball of light. In a psychedelic musical world, he must bring a whole band back on stage, for a memorable show. Psychonauts 2 est un jeu développé par Double Fine Productions et édité par Xbox Game Studios. / Psychonauts 2 was developed by Double Fine Productions and pudblished by Xbox Game Studios . Le let's play vidéo.  / The video let's play.     Retrouvez le podcast sur Twitter et Facebook. Il est à vocation collaborative, aussi n'hésitez pas à contacter Flavien si vous voulez proposer votre let's play. / Find the podcast on Twitter and Facebook. It was meant as a group effort so feel free to contact Flavien to share your audio let's play.  Listen to the Game est un podcast du label Podcut et vous pouvez contribuer au développement du label sur Patreon. / Listen to the Game is part of the Podcut family, you can support us on Patreon.                  

Do Kwon Cancels Crypto?!? This week has been utter madness, everyone's eyes were locked on the car crash catastrophe that was UST. It's failings that were due to its algorithmic nature, yield cuts and token dumps from big money investors. Do Kwon is watching all of this unfold and really understanding the true definition of karma.   UST and LUNA Crash What was one of the largest stablecoins, TerraUSD (UST), fell from grace after it depegged from its $1 value on Monday and since dropped as much as 70% to $0.2998, when it was never supposed to deviate from the dollar-equivalent value. Recently, the blockchain behind the Luna token stopped processing new transactions for the second time in less than a day.   WWOC: Vatican Museum to open an NFT gallery of its art collection The Vatican Museum will be using launching an NFT gallery to launch great Itallian artists into the metaverse. The partnership between the Vatican's non-profit organization Humanity 2.0 Foundation and Sensorium promises to create the first-ever virtual reality (VR) and non-fungible token (NFT) gallery, hosting the Vatican's art, content and academic initiatives, including manuscripts and masterpieces.   What we cover in this episode Crypto market recap TerraLuna and UST Crash Do Kwan Doh Moments Weird World of Crypto Big Interviews Lined Up Final Thoughts If you or anyone that you know has been affected by this crash and is looking for someone to talk to, local resources can be found here: https://checkpointorg.com/global/   TODAYS SPONSOR: YIELD APP Yield App is an innovative digital asset wealth platform that allows you to earn passive income on the world's leading digital assets. What we really like about Yield App is that it's a licensed fintech company built by a team with a strong background in traditional finance. Yield App offers instant asset conversions, fiat on-ramp, auto compounding, and security features such as activity log, transaction history, and more. Simply deposit your digital assets and click earn to start receiving daily rewards! And if you're a corporate client Yield App offers a secure treasury for your digital assets. Its dedicated relationship management team is on hand 24/7 to facilitate a stress-free experience.   Ways to connect with Cryptopulse  Twitter: https://twitter.com/crypto_pulse    Instagram: https://www.instagram.com/crypto_pulse     LinkedIn: https://www.linkedin.com/company/cryptopulse     Website: http://www.cryptopulse.co.uk     Ways to connect with Kevin and Ben Kevin Twitter: https://twitter.com/KevinBasham    Ben Twitter: https://twitter.com/bdrsquared       Thanks for listening and don't forget to subscribe so you can be notified when we release a new episode.   About Cryptopulse Downloaded & listened to in over 100 countries. Cryptopulse is here to guide you through the crypto universe with thought-provoking topics, in-depth knowledge & information to help you make informed decisions.

Le Vatican a annoncé le 5 mai une nouvelle pour le moins surprenante. La fondation Humanity 2.0 du Saint-Siège souhaite se lancer dans le métavers au travers d'un partenariat avec Sensorium. Au programme, une galerie d'œuvre d'art NFT en réalité virtuelle (VR).Lire l'article sur Siècle Digital. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Yi's eyes soften as he watches Jiazhi sing a Chinese folk song with subtle, feminine movements in the film, Lust, Caution. The room fills with laughter when Ali Wong unabashedly enacts her vulgar, bodily desires. What is the affect created through these performances? At different localities and temporalities, an actress and a comedian Tang Wei and Ali Wong embody ever-failing meaning of Chineseness, offering themselves for consumption and survival. In Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke UP, 2022), Mila Zuo re-evaluates beauty to understand how it creates a feeling Chineseness, engendering a messy world of relationalities that challenge a stable binary of national identity. Using weidao, which escapes meaning in English as flavor and style of a person, object, or environment, Zuo challenges the Cartesian epistemology dividing mind/body and vision/hearing. Through in-depth analysis of films and shows, Zuo asks how five flavors of Chinese medicine, “bitter, salty, pungent, sweet, and sour” become “modalities of vulgar beauty” (33). Vulgar, often tied to the non-western and working-class bodies, becomes a means to complicate the relations between objecthood and subjecthood embodied in Chinese beauty. This beautifully written and theoretically rich book will be helpful resource for any scholars and public interested in film and media studies, Asian American studies, object studies, and gender studies.  Mila Zuo is an assistant professor in the Department of Theatre and Film at UBC. Her first book Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke University Press, 2022) focuses on the affective racialization of Chinese women film stars, demonstrating the ways which vulgar, flavourful beauty disrupts Western and colonial notions of beauty. In addition to scholarship, Zuo directs and writes narrative films, visual essays, documentaries and music videos. Her short films have screened in international film festivals and universities, including Carnal Orient (2016) which premiered at Slamdance Film Festival, and her short narrative film Kin (2021), which was the recipient of the 2019 Oregon Media Arts Fellowship, and screened at HollyShorts Film Festival. Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Yi's eyes soften as he watches Jiazhi sing a Chinese folk song with subtle, feminine movements in the film, Lust, Caution. The room fills with laughter when Ali Wong unabashedly enacts her vulgar, bodily desires. What is the affect created through these performances? At different localities and temporalities, an actress and a comedian Tang Wei and Ali Wong embody ever-failing meaning of Chineseness, offering themselves for consumption and survival. In Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke UP, 2022), Mila Zuo re-evaluates beauty to understand how it creates a feeling Chineseness, engendering a messy world of relationalities that challenge a stable binary of national identity. Using weidao, which escapes meaning in English as flavor and style of a person, object, or environment, Zuo challenges the Cartesian epistemology dividing mind/body and vision/hearing. Through in-depth analysis of films and shows, Zuo asks how five flavors of Chinese medicine, “bitter, salty, pungent, sweet, and sour” become “modalities of vulgar beauty” (33). Vulgar, often tied to the non-western and working-class bodies, becomes a means to complicate the relations between objecthood and subjecthood embodied in Chinese beauty. This beautifully written and theoretically rich book will be helpful resource for any scholars and public interested in film and media studies, Asian American studies, object studies, and gender studies.  Mila Zuo is an assistant professor in the Department of Theatre and Film at UBC. Her first book Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke University Press, 2022) focuses on the affective racialization of Chinese women film stars, demonstrating the ways which vulgar, flavourful beauty disrupts Western and colonial notions of beauty. In addition to scholarship, Zuo directs and writes narrative films, visual essays, documentaries and music videos. Her short films have screened in international film festivals and universities, including Carnal Orient (2016) which premiered at Slamdance Film Festival, and her short narrative film Kin (2021), which was the recipient of the 2019 Oregon Media Arts Fellowship, and screened at HollyShorts Film Festival. Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Yi's eyes soften as he watches Jiazhi sing a Chinese folk song with subtle, feminine movements in the film, Lust, Caution. The room fills with laughter when Ali Wong unabashedly enacts her vulgar, bodily desires. What is the affect created through these performances? At different localities and temporalities, an actress and a comedian Tang Wei and Ali Wong embody ever-failing meaning of Chineseness, offering themselves for consumption and survival. In Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke UP, 2022), Mila Zuo re-evaluates beauty to understand how it creates a feeling Chineseness, engendering a messy world of relationalities that challenge a stable binary of national identity. Using weidao, which escapes meaning in English as flavor and style of a person, object, or environment, Zuo challenges the Cartesian epistemology dividing mind/body and vision/hearing. Through in-depth analysis of films and shows, Zuo asks how five flavors of Chinese medicine, “bitter, salty, pungent, sweet, and sour” become “modalities of vulgar beauty” (33). Vulgar, often tied to the non-western and working-class bodies, becomes a means to complicate the relations between objecthood and subjecthood embodied in Chinese beauty. This beautifully written and theoretically rich book will be helpful resource for any scholars and public interested in film and media studies, Asian American studies, object studies, and gender studies.  Mila Zuo is an assistant professor in the Department of Theatre and Film at UBC. Her first book Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke University Press, 2022) focuses on the affective racialization of Chinese women film stars, demonstrating the ways which vulgar, flavourful beauty disrupts Western and colonial notions of beauty. In addition to scholarship, Zuo directs and writes narrative films, visual essays, documentaries and music videos. Her short films have screened in international film festivals and universities, including Carnal Orient (2016) which premiered at Slamdance Film Festival, and her short narrative film Kin (2021), which was the recipient of the 2019 Oregon Media Arts Fellowship, and screened at HollyShorts Film Festival. Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Yi's eyes soften as he watches Jiazhi sing a Chinese folk song with subtle, feminine movements in the film, Lust, Caution. The room fills with laughter when Ali Wong unabashedly enacts her vulgar, bodily desires. What is the affect created through these performances? At different localities and temporalities, an actress and a comedian Tang Wei and Ali Wong embody ever-failing meaning of Chineseness, offering themselves for consumption and survival. In Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke UP, 2022), Mila Zuo re-evaluates beauty to understand how it creates a feeling Chineseness, engendering a messy world of relationalities that challenge a stable binary of national identity. Using weidao, which escapes meaning in English as flavor and style of a person, object, or environment, Zuo challenges the Cartesian epistemology dividing mind/body and vision/hearing. Through in-depth analysis of films and shows, Zuo asks how five flavors of Chinese medicine, “bitter, salty, pungent, sweet, and sour” become “modalities of vulgar beauty” (33). Vulgar, often tied to the non-western and working-class bodies, becomes a means to complicate the relations between objecthood and subjecthood embodied in Chinese beauty. This beautifully written and theoretically rich book will be helpful resource for any scholars and public interested in film and media studies, Asian American studies, object studies, and gender studies.  Mila Zuo is an assistant professor in the Department of Theatre and Film at UBC. Her first book Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke University Press, 2022) focuses on the affective racialization of Chinese women film stars, demonstrating the ways which vulgar, flavourful beauty disrupts Western and colonial notions of beauty. In addition to scholarship, Zuo directs and writes narrative films, visual essays, documentaries and music videos. Her short films have screened in international film festivals and universities, including Carnal Orient (2016) which premiered at Slamdance Film Festival, and her short narrative film Kin (2021), which was the recipient of the 2019 Oregon Media Arts Fellowship, and screened at HollyShorts Film Festival. Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Yi's eyes soften as he watches Jiazhi sing a Chinese folk song with subtle, feminine movements in the film, Lust, Caution. The room fills with laughter when Ali Wong unabashedly enacts her vulgar, bodily desires. What is the affect created through these performances? At different localities and temporalities, an actress and a comedian Tang Wei and Ali Wong embody ever-failing meaning of Chineseness, offering themselves for consumption and survival. In Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke UP, 2022), Mila Zuo re-evaluates beauty to understand how it creates a feeling Chineseness, engendering a messy world of relationalities that challenge a stable binary of national identity. Using weidao, which escapes meaning in English as flavor and style of a person, object, or environment, Zuo challenges the Cartesian epistemology dividing mind/body and vision/hearing. Through in-depth analysis of films and shows, Zuo asks how five flavors of Chinese medicine, “bitter, salty, pungent, sweet, and sour” become “modalities of vulgar beauty” (33). Vulgar, often tied to the non-western and working-class bodies, becomes a means to complicate the relations between objecthood and subjecthood embodied in Chinese beauty. This beautifully written and theoretically rich book will be helpful resource for any scholars and public interested in film and media studies, Asian American studies, object studies, and gender studies.  Mila Zuo is an assistant professor in the Department of Theatre and Film at UBC. Her first book Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke University Press, 2022) focuses on the affective racialization of Chinese women film stars, demonstrating the ways which vulgar, flavourful beauty disrupts Western and colonial notions of beauty. In addition to scholarship, Zuo directs and writes narrative films, visual essays, documentaries and music videos. Her short films have screened in international film festivals and universities, including Carnal Orient (2016) which premiered at Slamdance Film Festival, and her short narrative film Kin (2021), which was the recipient of the 2019 Oregon Media Arts Fellowship, and screened at HollyShorts Film Festival. Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Yi's eyes soften as he watches Jiazhi sing a Chinese folk song with subtle, feminine movements in the film, Lust, Caution. The room fills with laughter when Ali Wong unabashedly enacts her vulgar, bodily desires. What is the affect created through these performances? At different localities and temporalities, an actress and a comedian Tang Wei and Ali Wong embody ever-failing meaning of Chineseness, offering themselves for consumption and survival. In Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke UP, 2022), Mila Zuo re-evaluates beauty to understand how it creates a feeling Chineseness, engendering a messy world of relationalities that challenge a stable binary of national identity. Using weidao, which escapes meaning in English as flavor and style of a person, object, or environment, Zuo challenges the Cartesian epistemology dividing mind/body and vision/hearing. Through in-depth analysis of films and shows, Zuo asks how five flavors of Chinese medicine, “bitter, salty, pungent, sweet, and sour” become “modalities of vulgar beauty” (33). Vulgar, often tied to the non-western and working-class bodies, becomes a means to complicate the relations between objecthood and subjecthood embodied in Chinese beauty. This beautifully written and theoretically rich book will be helpful resource for any scholars and public interested in film and media studies, Asian American studies, object studies, and gender studies.  Mila Zuo is an assistant professor in the Department of Theatre and Film at UBC. Her first book Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke University Press, 2022) focuses on the affective racialization of Chinese women film stars, demonstrating the ways which vulgar, flavourful beauty disrupts Western and colonial notions of beauty. In addition to scholarship, Zuo directs and writes narrative films, visual essays, documentaries and music videos. Her short films have screened in international film festivals and universities, including Carnal Orient (2016) which premiered at Slamdance Film Festival, and her short narrative film Kin (2021), which was the recipient of the 2019 Oregon Media Arts Fellowship, and screened at HollyShorts Film Festival. Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Yi's eyes soften as he watches Jiazhi sing a Chinese folk song with subtle, feminine movements in the film, Lust, Caution. The room fills with laughter when Ali Wong unabashedly enacts her vulgar, bodily desires. What is the affect created through these performances? At different localities and temporalities, an actress and a comedian Tang Wei and Ali Wong embody ever-failing meaning of Chineseness, offering themselves for consumption and survival. In Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke UP, 2022), Mila Zuo re-evaluates beauty to understand how it creates a feeling Chineseness, engendering a messy world of relationalities that challenge a stable binary of national identity. Using weidao, which escapes meaning in English as flavor and style of a person, object, or environment, Zuo challenges the Cartesian epistemology dividing mind/body and vision/hearing. Through in-depth analysis of films and shows, Zuo asks how five flavors of Chinese medicine, “bitter, salty, pungent, sweet, and sour” become “modalities of vulgar beauty” (33). Vulgar, often tied to the non-western and working-class bodies, becomes a means to complicate the relations between objecthood and subjecthood embodied in Chinese beauty. This beautifully written and theoretically rich book will be helpful resource for any scholars and public interested in film and media studies, Asian American studies, object studies, and gender studies.  Mila Zuo is an assistant professor in the Department of Theatre and Film at UBC. Her first book Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke University Press, 2022) focuses on the affective racialization of Chinese women film stars, demonstrating the ways which vulgar, flavourful beauty disrupts Western and colonial notions of beauty. In addition to scholarship, Zuo directs and writes narrative films, visual essays, documentaries and music videos. Her short films have screened in international film festivals and universities, including Carnal Orient (2016) which premiered at Slamdance Film Festival, and her short narrative film Kin (2021), which was the recipient of the 2019 Oregon Media Arts Fellowship, and screened at HollyShorts Film Festival. Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

In der heutigen Generalaudienz setzt Papst Franziskus sein Katechesenreihe, über den Sinn und Wert des Alters, fort. Er spricht über Simeon und Hanna. Sie erkennen in dem Jesuskind als sie es sehen, sofort den kommenden Christus und die Gegenwart des Herrn. Denn obwohl die körperlichen Sinne im Alter nachlassen, so entwickelt sich in anderer Hinsicht oft eine ganz besondere Sensibilität. Wir sind heute vor lauter äußeren Sinnesreizen so benommen oder gar abgestumpft, dass wir nicht einmal mehr spüren, wie unsensibel wir vielfach geworden sind. Mehr denn je braucht unsere Zeit Menschen mit einem lebendigen geistig-geistlichen Sensorium, das in der Lage ist, die Zeichen Gottes zu erkennen, insbesondere das Zeichen seines menschgewordenen Sohnes Jesus Christus. Es übersetzte Mario Galgano

In der Podcastfolge 336 äusserte Gregor Münch sein Vertrauen in die richterliche Unabhängigkeit. Weitere Umstände lassen ihn nun aber zweifeln. Wie frei sind die Richter? Weshalb werden äussere Einflüsse und Motive nicht vermieden, sondern im Gegenteil aus Gründen der Effizienz sogar willentlich befördert? Zumindest lässt das Polizei- und Justiz­zentrum Zürich (PJZ) darauf schliessen, dass der Politik das diesbezügliche Sensorium fehlt. Was gäbe es für eine bessere Gelegenheit, als den Strafprozess und die Arbeit der Staatsanwaltschaft, der Verteidigung, der Privatkläger und des Gerichts anhand des Vincenz-Prozesses zu besprechen? Duri Bonin und Gregor Münch pausieren deshalb mit ihrer Besprechung der Strafprozessordnung und begleiten den Prozess in der Causa Raiffeisen vor Ort. Links zu diesem Podcast: - Anwaltskanzlei von Duri Bonin: http://www.duribonin.ch - Anwaltskanzlei von Gregor Münch: https://www.d32.ch/personen - Titelbild bydanay: https://www.instagram.com/bydanay/ - Lernhilfen für die Anwaltsprüfung: https://www.duribonin.ch/shop/ Die Podcasts "Auf dem Weg als Anwält:in" sind unter https://www.duribonin.ch/podcast/ oder auf allen üblichen Plattformen zu hören

Alex Blagirev of Sensorium, Hrish Lotlikar of SuperWorld, Christopher Deschenes of Kalamint, Tin Shing Lee of Only1, Euan Macdonald InfiniteWorld of and Joel Dietz of ArtWallet discussing The Future of Human Connection and Experiences in the Metaverse

I have always believed that there are important lessons for prose writers to learn from poetry, and I also think we can always gain something from the joy and discipline of listening to good poetry. To test and prove this belief, in this episode, I am talking to the teacher, poet, and translator Aaron Poochigian. Aaron has a Ph.D. in Classics from the University of Minnesota and an MFA in Poetry from Columbia University. In this episode, we talk about the rise of the prose form over poetry, why anyone might write poetry, why poetry is like music and should be heard as music, how we can push out into the world with our work. We talk about good and bad ambiguity, what novelists can learn from poetry, including the use of rhythm, compression or the economy of language, and using the full range of senses in description and setting. This is an episode of those who love poetry or at least see its potential to teach us something for our craft, I hope you enjoy it, here it is.

I have always believed that there are important lessons for prose writers to learn from poetry, and I also think we can always gain something from the joy and discipline of listening to good poetry. To test and prove this belief, in this episode, I am talking to the teacher, poet, and translator Aaron Poochigian. Aaron has a Ph.D. in Classics from the University of Minnesota and an MFA in Poetry from Columbia University. In this episode, we talk about the rise of the prose form over poetry, why anyone might write poetry, why poetry is like music and should be heard as music, how we can push out into the world with our work. We talk about good and bad ambiguity, what novelists can learn from poetry, including the use of rhythm, compression or the economy of language, and using the full range of senses in description and setting. This is an episode of those who love poetry or at least see its potential to teach us something for our craft, I hope you enjoy it, here it is.

Die Nachrichten sind voll mit den traurigen, dramatischen Ereignissen aus der Ukraine. Viele Eltern sind bedrückt und bewegt, und die Kinder mit ihrem feinen Sensorium merken das. Wie spricht man mit Kindern über den Krieg?, fragen sich Anja und Theresa. Außerdem gibt es ein Interview mit der Schöpferin von Ritter Trenk, Möwenweg und Sommerby: Kirsten Boie, die sich oft mit dem Thema Krieg befasst hat. // Fotos und mehr zu den Folgen auf www.swr2.de/limonadenbaum

We promised a Rane & Jo episode at the end of 2021 and it's finally here! We had a few things we wanted to talk about, so join us for a wide ranging and potentially random discussion. Amongst other things, we discuss medical marijuana, re-opening the studio post lockdown, pop culture and more! We also talked about Greens candidate Celeste Liddle, local gallery and art therapy centre Sensorium. Finally, we ask the question - what is a yoga teacher personality? This episode was recorded 2 weeks ago, and just a note that a lot has changed in the world since then. Links Support us on Patreon: https://patreon.com/flowartists

This is episode #9 of the podcast and it's Thursday, the 13th of January, 2022.  Happy New Year, everyone! In today's show, I am talking to Dr. Allan Køster, a philosopher focussing on applied Phenomenology in investigations of human suffering. He has worked broadly in the field of phenomenological psychopathology, but most recently has done research on the existentiality of grief/bereavement and on COVID-19 patients' experiences of isolation during admission to intensive care units.The fascinating topic of discussion today is the felt experience of others, in their absence. Many of us have experienced this. We closed our eyes, relaxed and imagined the loved one's presence as a warm feeling of love and comfort, their smile, laugh, their touch, even their scent — what the French call ‘sillage' — and have an acute sense of awareness, a tender and loving feeling. But what about the case where a loved one leaves the physical world and never comes back? This is Allan's research focus. Our discussion starts with the fundamental definition of phenomenology and how does such a paradigm describe human experience, especially, that of concrete sense of other. Allan believes that this particular kind of felt experience of the other is sensory rather than cognitive — and he calls it “a sensorium of the other”. We discuss the modalities that make out this fundamental sensorium and how these modalities interact to give this sense of embodied felt familiarity. We then shift focus to bereavement and to the abnormal experiences of ICU isolation in COVID patients - discussing how the pandemic has changed the way we interact.In the second part of the show, we tackle, of course,  issues related to the role of technology (esp. immersive technologies) helping one re-experience the felt presence of others. And, of course, we had to close with the ethical implications of such technologies. Here is the show.Show Notes:- Definition of Phenomenology; how does it describe human experience- The felt experience of the other as a sensorium (and its modalities)- Phenomenologically structured interview process in research- How the pandemic has changed the way we interact- Bereavement and the abnormal experiences of ICU isolation in COVID patients- Immersive technologies helping one re-experience the felt presence of others- The ethical implication of such technologiesNote: Allan Køster's forthcoming book:https://urldefense.com/v3/__https://www.routledge.com/Cultural-Existential-and-Phenomenological-Dimensions-of-Grief-Experience/Koster-Kofod/p/book/9780367568115__;!!DZ3fjg!s7tf5zuTOw85NVxCRtQe42KstNHaMvR4bPiGU0hbAWP3GaPYomU6Pxa16vZYTnvN$

This is episode #4 of the podcast and it's Thursday, the 28th of October 2021. In today's show I am talking to Professor Rabindra (Robby) Ratan about the Metaverse and the Web 3.0. In addition to basic definitions and the etymology of the concepts, we explore various important aspects such as how is this virtual space governed, how are its contents moderated, and what kind of experience does and can the Metaverse give its users.As more and more companies are making their presence known in this so-called ‘embodied space' (just to cite Mark Zuckerburg), we discuss the future of the Metaverse related to storytelling as part of the user's multi-modal and multi-sensory experience, as well as to some of the ethical issues that most likely will arise in this still virgin space. Dr. Ratan is Director of the SPARTIE Lab at Michigan State University, which performs research on the effects of human-technology interaction, examining how the use of media technologies (e.g., avatars, agents, automobiles) influences meaningful outcomes (e.g., education, health/safety, persuasion). SPARTIE  stands for Social and Psychological Approaches to Research on Technology-Interaction Effects. At the end of the interview, Robby summarizes his work on reducing toxicity in virtual spaces by employing various design principles and finding ways to make people be more responsible and avoid promoting certain stereotypes online. Here is the show.Interesting fact: It also happens that, as of today, when this episode went live, Facebook becomes Meta, its new corporate name.Note:This episode is being cross-posted with SPARTIE-cast, the SPARTIE lab's own podcast. You can check out their episodes here: https://www.spartielab.comartsci.msu.edu/newsHere are the lab's socials:https://twitter.com/spartiecasthttps://www.facebook.com/spartiecasthttps://www.tiktok.com/@spartiecast_msu?https://www.instagram.com/spartiecast/https://www.linkedin.com/company/spartie-cast-with-dr-robby-ratan/https://www.youtube.com/channel/UCyjTMOMPCm2w0i-yOat1G0A

Alexei Blagirev is a deputy CEO at Sensorium Corporation, is a technology company that creates digital simulations of real-world venues and virtual worlds in cooperation with its content partners - globally recognized concert venues, clubs, and festivals. Sensorium Galaxy is the world's first global social VR media platform created in collaboration with acclaimed artists, visionaries, and entertainment entities. Sensorium provides the one-stop destination for multi-user immersion into entertainment experiences and self-discovery through its experiential worlds. Sensorium Galaxy begins its expansion with the Music Planet, the first virtual worlds of which are implemented in collaborations with some of the leading representatives of the international music scene. Alexei has extensive experience in finance, innovations management, and blockchain technology and is often invited as a speaker on popular shows and podcasts. FIND ALEXEI ON SOCIAL MEDIA LinkedIn | Facebook | Instagram ================================ SUPPORT & CONNECT: Support on Patreon: https://www.patreon.com/denofrich Twitter: https://twitter.com/denofrich Facebook: https://www.facebook.com/denofrich YouTube: https://www.youtube.com/denofrich Instagram: https://www.instagram.com/den_of_rich/ Hashtag: #denofrich © Copyright 2022 UHNWI data. All rights reserved.

There are medications that worsen cognitive function and all mental health providers should be aware, and work on optimizing sensorium. In this episode, we'll cover a spectrum of sensorium disruptions and medications that you need to look out for.  Link to Blog. Link to Resource Library. 

The Internet of Things trend is creating massive product and service sales opportunities. Businesses are spending billions of dollars acquiring new sensors, infrastructure, and applications to leverage IoT devices and systems to improve operations, create new experiences, and capitalize on emerging models. In the channel, IoT is still an emerging opportunity. Vendors are developing channel programs, and solution providers are beginning to adopt the technologies.  The market, though, is still struggling to figure out how to best implement and maximize IoT investments with limited experience and resources. A potential solution is the extension of managed services to the IoT segment. Sensorium, a Carnegie Technologies company specializing in IoT managed services, is helping solution providers and their customers identify opportunities and capture business by providing the means and resources for delivering IoT as a service. Channel chief Amy Luby joins POD2112 to talk about the unfolding opportunities and potential in IoT managed services.

*CONTENT WARNING*This episode contains graphic language depicting instances of rape and verbal imagery illustrating acts of sexual violence.On today's episode, Calvin and Ryan sit down with Dr. Stephanie Larson, Assistant Professor of Rhetoric at Carnegie Mellon, to discuss her recent publication in the Quarterly Journal of Speech (QJS), “‘Everything inside me was silenced': (Re)defining rape through visceral counterpublicity.”This article is part of Professor Larson's larger body of work on contemporary rhetorics of rape culture. We discuss two of her case studies: a publicly delivered letter by Emily Doe and a multimodal art piece employed by Emma Sulkowicz, both crafted to call attention to the actions of the men who raped them. In her analysis, Stephanie aims to answer questions such as: How do women discuss acts of sexual violence committed against them after legal discourse fails to recognize these acts as criminal? She theorizes that victims use visceral language to call attention to their physical bodies, specifically their points of violation, thus inciting empathetic and emotional responses from the audience. She goes on to argue that this type of public performativity has the potential to shift public standards of judgment in cases of sexual violence.The episode closes with Stephanie's thoughts on feminist magnitude and how it has shaped the #MeToo movement in online discourse. She also offers her take on why Christine Blasey-Ford's testimony in the Supreme Court confirmation hearing for Brett Kavanaugh did not capture audiences in the same way, suggesting that the use of online platforms and collective sharing of personal testimonies facilitates more affective and effective engagement with audiences.Works & Concepts Referenced in this Episode:Emily Doe's publicly-read letter to Brock TurnerEmma Sulkowicz's Mattress Performance (Carry That Weight) OverviewWikipedia page for Emma Sulkowicz's Ceci N'est Pas Un Viol (“This is not a rape”) performance *Content Warning*: This performance contains an explicit, performative depiction of a rape.Ahmed, S. (2013). The cultural politics of emotion. Routledge.Aristotle. (1898). Poetics. Trans. S.H. Butcher. Macmillan. (discussion of megethos or “magnitude” can be found in Sec. 1, Part VII)Berlant, L. (1999). “The Subject of True Feeling: Pain, Privacy, and Politics,” in Cultural Pluralism, Identity Politics, and the Law, eds. Austin Sarat and Thomas R. Kearns. University of Michigan Press.Butler, J. (2006). Precarious life: The powers of mourning and violence. Verso.Gilmore, L. (2017). Tainted Witness: Why We Doubt What Women Say about Their Lives. Columbia University Press.Hawhee, D. (2015). Rhetoric's Sensorium. Quarterly Journal of Speech, 101(1), 2–17.Johnson, J. (2016). “A man's mouth is his castle”: The midcentury fluoridation controversy and the visceral public. The Quarterly Journal of Speech, 102(1), 1–20.Larson, S. R. (2018). “Everything inside me was silenced”:(Re) defining rape through visceral counterpublicity. Quarterly Journal of Speech, 104(2), 123-144.Larson, S. R. (2018). Survivors, Liars, and Unfit Minds: Rhetorical Impossibility and Rape Trauma Disclosure. Hypatia.Scarry, E. (1987). The body in pain : the making and unmaking of the world (Oxford University Press pbk.). New York: Oxford University Press.Weheliye, A. (2014). Habeas Viscus : Racializing Assemblages, Biopolitics, and Black Feminist Theories of the Human. Durham: Duke University Press.