POPULARITY
6 episodes with Sensorium
2 episodes with Sensorium
2 episodes with Sensorium
2 episodes with Sensorium
3 episodes with Sensorium
2 episodes with Sensorium
4 episodes with Sensorium
2 episodes with Sensorium
2 episodes with Sensorium
Vernissage „AST & AST“ mit Alix Stadtbäumer und Angela Stauber - Galerie PingRodach(Hördauer 57 Minuten)Der Frühling ist da – zart und doch unübersehbar. In dieser Atmosphäre, in der Licht, Farbe und Stille neu ineinandergreifen, öffnet sich in der Galerie PINGRODACH eine Ausstellung, die dem Moment entspricht: „AST & AST“ vereint Arbeiten von Angela Stauber und Alix Stadtbäumer und lädt uns ein zur stillen Betrachtung und zur Entdeckung vielschichtiger Verbindungen.Beide Künstlerinnen wurden in diesem Jahr mit dem renommierten Stipendium der Stiftung Kunstfonds 2025 ausgezeichnet – ein Zeichen für die besondere Qualität ihrer Arbeit und ein schöner Moment, um diesen künstlerischen „Zweig“ gemeinsam wachsen zu lassen.Alix Stadtbäumer entwickelt skulpturale Arbeiten, die sich zwischen Bildhauerei, Rauminstallation und Kunst am Bau entfalten. – alltägliche Formen werden transformiert, neu lesbar, neu erlebbar.Angela Stauber hingegen malt mit einem außergewöhnlich feinen Sensorium für Licht, Stille und Wahrnehmung.Im Verlauf der Sendung werde ich nicht nur die beiden Künstlerinnen, sondern auch den Kurator Johannes Rodach seine neue Mitarbeiterin und einige Besucherinnen und Besucher zu Wort kommen lassen. Ich lade sie ein, uns einige der ausgestellten Bilder und Skulpturen zu beschreiben – damit wir den Zuhörenden vor allem auch den sehbehinderten und blinden Menschen, über unser Radio, einen Eindruck von dieser wunderbaren und interessanten Ausstellung vermitteln können.Freuen Sie sich auf persönliche Gespräche, spannende Einblicke in die künstlerischen Prozesse und auf einen konzentrierten, inspirierenden Abend mit „AST & AST“.
Tibor Werzl ist mehr als ein Sommelier. Er ist ein absolutes Multitalent. Was ihn auszeichnet, ist nicht bloß seine exzellente sensorische Präzision, sondern die Fähigkeit, Sinneseindrücke in größere kulturelle, historische und emotionale Zusammenhänge einzuordnen. Er bewegt sich mit derselben Selbstverständlichkeit durch das Vokabular eines großen Weines, wie durch das kreative Chaos einer Küchenidee oder das ästhetische Feingefühl eines Restaurateurs. Tibor Werzl ist nicht einfach nur vielseitig – er ist kohärent in seiner Komplexität. In einer Welt, die sich immer weiter spezialisiert, wirken Multitalente wie er es ist, wie Anachronismen – oder wie Leuchttürme. Menschen, die scheinbar mühelos zwischen Disziplinen wechseln, finden sich oft an den Rändern unserer Vorstellungen von Expertise. Doch gerade dort, wo Grenzen verschwimmen, entsteht Fortschritt. Tibor ist jemand, der nicht nur verschiedene Bereiche kennt, sondern sie miteinander verwebt. Er besitzt ein Sensorium für Synergien, das anderen verborgen bleibt. einer Zeit, die mit Komplexität nicht nur konfrontiert, sondern davon durchdrungen ist, erleben wir eine stille Renaissance der Vielseitigkeit. Interdisziplinäre Teams sind längst kein Trend mehr, sondern Notwendigkeit. Und mit ihnen wächst auch das Bewusstsein für Menschen, die diese Brücken von Natur aus bauen. Eigentlich ist Tibor Werzl kein Ausreißer, sondern eine evolutionäre Antwort auf die Herausforderungen einer Welt im Wandel. Und vielleicht ist es an der Zeit, nicht länger zu fragen, worauf sich jemand spezialisiert hat – sondern wie viele Sprachen er spricht, auch wenn keine davon wörtlich ist. Tibor ist nicht nur ein Sommelier mit außerordentlichem Gespür – er ist ein kultureller Übersetzer. Ein Seismograph für Qualität in all ihren Dimensionen. Und vielleicht gerade deshalb eine der spannendsten Persönlichkeiten seiner Generation. Tibor Werzl Restaurant FIVE Hellweg 28-30 44787 Bochum E-Mail: info@five‑bochum.de Tel.: 02 34 953 56 85 Mit herzlichen Grußworten von: Theresa Breuer, Weingut Georg Breuer Winzerin, Wegbegleiterin Antonios „askToni“ Askitis, Pelican Fly – Pommes & Wein Sommelier, Weinkommunikator, Freund ------------------------------------- Diese Folge von SOMMELIER – Die interessantesten Mundschenke unserer Zeit wird begleitet von durch Silvio Nitzsche ausgewählte Weine aus dem Programm der Schlumberger Gruppe, zu der die Handelshäuser Schlumberger, Segnitz, Consigliovini und das Privatkundenportal Bremer Weinkolleg gehören. ------------------------------------- Nach der Episode verkosten wir folgende Weine: Alma Assemblage 1, Bellavista, Lombardei, Italien Link für Geschäftskunden: https://is.gd/4SYqJy Link für Privatkunden: https://is.gd/Lukbps Sehr gerne empfehle ich die folgenden Weine: 2019 Shiraz Y-Series, Yalumba, Südaustralien, Australien Link für Geschäftskunden: https://is.gd/4SYqJy Link für Privatkunden: https://is.gd/s7rAMS _____ 2024 Progetto 62 Torre di Giano, Lungarotti, Umbrien, Italien Link für Geschäftskunden: https://is.gd/4SYqJy Link für Privatkunden: https://is.gd/gQHf7M _____ 2021 Pinot Grigio Gris Lis Neris Friaul Italien Link für Geschäftskunden: https://is.gd/4SYqJy Link für Privatkunden: https://is.gd/j9smAU ------------------------------------- Bitte folgen Sie uns auf Webpage: sommelier.website Instagram: sommelier.der.podcast Facebook: sommelier.der.podcast Wir freuen uns über jede Bewertung, Anregung und Empfehlung. Das Format: SOMMELIER – Die interessantesten Mundschenke unserer Zeit. wird produziert und verantwortet von der: Weinklang GmbH, Silvio Nitzsche, Bergahornweg 10, 01328 Dresden, silvio@sommelier.website
Audioporn heißt ein blühendes Genre, das durch Stimmen und Geräusche sexuell stimuliert. Im Medium des Podcast erlebt die sonische Vereinigung Hochkonjunktur. Mit ihr vielleicht auch eine neue Intimität? Klang, Stimme, Sound sind Meister des Intimen. Das Ohr ist offen, es hat kein Lid, wie das Auge, um sich vor Einfluss zu schützen. Geräusche, Töne, Lärm nimmt es auf, lässt sich im besten Falle darauf ein. Dann dringen Töne ein, berührt Klang, kommen Stimmen nahe. Auch wenn kein Geruch, kein Geschmack, keine Berührung das Sensorium anstacheln. Oder gerade deshalb? Der akustische Essay folgt den Spielarten eines hörenden Begehrens und fragt dabei auch nach seinem politischen Versprechen. Nach dem, was im Lärm und in der Bilderflut unserer Gegenwart vergessen zu werden droht.
Es gibt rund um die Weihnachtszeit gewisse Gebäcke, die Hagelzucker auf sich haben: Teigmänner, die wir im Dialekt Grättimänner oder Grittibänzen nennen und Drei-Königs-Kuchen. Weil dieser Zucker vor dem Backen im Ofen auf die Teiglinge gestreut wird, ist unterschiedlich viel auf einem solchen Backgut. Aber etwas ist immer drauf. Es gehört wie dazu, visuell und geschmacklich. Sieht man den Zucker nicht, dann fehlt etwas, auch wenn man dann davon isst. So, als sei das Produkt unvollkommen oder fehlerhaft oder nicht das Echte. Dabei ist es nichts weiter als Dekoration. Wir sind gut in der Wahrnehmung, wenn etwas fehlt, vor allem bei Vertrautem, Gewohntem. Es muss nicht mal sehr sichtbar sein - wir haben ein Sensorium dafür. Manchmal nehmen wir auch wahr, dass unserem Geist etwas fehlt - doch häufig wird das dann übertönt mit Ablenkung, Zerstreuung, Konsum und anderem. Die Leere aber bleibt. Lässt Du sie zu und gehst ihr nach bis Du das Echte findest? Ich wünsche Dir einen aussergewöhnlichen Tag!
The Asylum Sensorium Asen 60 from C.L.E. Cigar Company is ranked 11th on the 2024 Cigar of the Year Countdown. Asylum Sensorium is a limited edition super premium offering from C.L.E Cigar Company, which was founded byChristian Eiroa. Notably, the blend is highlighted by tobacco grown by Christian's father,Julio R. Eiroa, known as Piñareno. Piñareno is a low-yield tobacco that is challenging to grow. If you know something about Julio R. Eiroa, you will realize he is no stranger to taking on the challenge of cultivating tobacco. Most notably, he overcame the significant challenge of bringing Authentic Corojo back to the market. Despite the difficulties associated with growing Piñareno, the Eiroas firmly believe it is worth the effort due to its exceptional flavor. Therefore, with the release of Asylum Sensorium, Christian decided to feature Piñareno in a super-premium cigar. Fittingly, he incorporated it into the Asylum brand, which is recognized for pushing boundaries—not just in terms of large ring gauges. In addition to its unique qualities, the premium nature of this cigar is evident, as the Asylum 60 comes with a price tag of $60.00. Full Details: https://wp.me/p6h1n1-uAA
The Asylum Sensorium Asen 60 from C.L.E. Cigar Company is ranked 11th on the 2024 Cigar of the Year Countdown. Asylum Sensorium is a limited edition super premium offering from C.L.E Cigar Company, which was founded by Christian Eiroa. Notably, the blend is highlighted by tobacco grown by Christian's father,Julio R. Eiroa, known as Piñareno. Piñareno is a low-yield tobacco that is challenging to grow. If you know something about Julio R. Eiroa, you will realize he is no stranger to taking on the challenge of cultivating tobacco. Most notably, he overcame the significant challenge of bringing Authentic Corojo back to the market. Despite the difficulties associated with growing Piñareno, the Eiroas firmly believe it is worth the effort due to its exceptional flavor. Therefore, with the release of Asylum Sensorium, Christian decided to feature Piñareno in a super-premium cigar. Fittingly, he incorporated it into the Asylum brand, which is recognized for pushing boundaries—not just in terms of large ring gauges. In addition to its unique qualities, the premium nature of this cigar is evident, as the Asylum 60 comes with a price tag of $60.00. Full Details: https://wp.me/p6h1n1-uAA
This week the Filipina artist Goldie Poblador who works in scent and glass interactive instillation art. Goldie specializes in glass flameworking combined with performance, video, installation, and scent embodying themes of feminism, the environment, and decolonization as it relates to the body. Goldie was born in Manila, The Philippines in 1987. Her parents; Napoleon Poblador, a lawyer and painter and Gizela Poblador, a home-maker who had earlier studied dentistry. Goldie is the eldest of four children; she has three younger brothers. She was, she says, an imaginative child who enjoyed creating worlds and performing. Her parents exposed her to art and music; she visited art shows, galleries and museums, learned the piano, and performed in a drama club. By the age of 18 Goldie was performing in a Punk band; something she likes to recreate today for fun. But it was her fascination with glass and painting that would steer her through college. She graduated from the University of The Philippines in 2009 with a BFA in Studio Art and later with an MFA Glass from the Rhode Island School of Design. Between colleges Goldie was introduced to the Scuola Abate Zanetti in Murano, Italy. She also worked as an artist and attended the Pilchuck Glass School in Seattle, co-founded by the renown glass sculptor Dale Chihuly. Goldie has been exhibited internationally at such institutions as the Yangon Secretariat Building Knockdown Center, Cemeti Art House, Singapore Art Museum, Bangkok Art and Culture Center, Fine Art Museum of Hanoi and The Cultural Center of the Philippines. She is currently working on a show for the Art Fair in The Philippines in 2025. Goldie will be a featured artist in the Sensorium, Stories of Glass and Fragrance; an exhibition that will explore the millennia-long relationships between glass, perfumery, and the storage of scent, at the Corning Museum of Glass (CMoG) from September 7, 2024 - February 1, 2025. Goldie is married to Joseph Sousa and the couple live in New York City. https://goldiepoblador.com/InformationInstagram: @_goldieland https://www.instagram.com/_goldieland Goldie's favorite female artists:Janine AntoniAgnes ArellanoJoan JonasCamille ClaudelKiki SmithHost: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.
This week the Filipina artist Goldie Poblador who works in scent and glass interactive instillation art. Goldie specializes in glass flameworking combined with performance, video, installation, and scent embodying themes of feminism, the environment, and decolonization as it relates to the body. Goldie was born in Manila, The Philippines in 1987. Her parents; Napoleon Poblador, a lawyer and painter and Gizela Poblador, a home-maker who had earlier studied dentistry. Goldie is the eldest of four children; she has three younger brothers. She was, she says, an imaginative child who enjoyed creating worlds and performing. Her parents exposed her to art and music; she visited art shows, galleries and museums, learned the piano, and performed in a drama club. By the age of 18 Goldie was performing in a Punk band; something she likes to recreate today for fun. But it was her fascination with glass and painting that would steer her through college. She graduated from the University of The Philippines in 2009 with a BFA in Studio Art and later with an MFA Glass from the Rhode Island School of Design. Between colleges Goldie was introduced to the Scuola Abate Zanetti in Murano, Italy. She also worked as an artist and attended the Pilchuck Glass School in Seattle, co-founded by the renown glass sculptor Dale Chihuly. Goldie has been exhibited internationally at such institutions as the Yangon Secretariat Building Knockdown Center, Cemeti Art House, Singapore Art Museum, Bangkok Art and Culture Center, Fine Art Museum of Hanoi and The Cultural Center of the Philippines. She is currently working on a show for the Art Fair in The Philippines in 2025. Goldie will be a featured artist in the Sensorium, Stories of Glass and Fragrance; an exhibition that will explore the millennia-long relationships between glass, perfumery, and the storage of scent, at the Corning Museum of Glass (CMoG) from September 7, 2024 - February 1, 2025. Goldie is married to Joseph Sousa and the couple live in New York City. https://goldiepoblador.com/InformationInstagram: @_goldieland https://www.instagram.com/_goldieland Goldie's favorite female artists:Janine AntoniAgnes ArellanoJoan JonasCamille ClaudelKiki SmithHost: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.
Caroline A. Jones is Professor in the History, Theory, and Criticism section, Department of Architecture, MIT. She studies modern and contemporary art, focusing on its technological modes of production, distribution, and reception, and on its interface with science. She has also worked as a curator, including three exhibitions at MIT's List Visual Arts Center: Hans Haaken, Video Trajectories, and Sensorium. Her exhibitions and/or films have been shown at NY MoMA, SF MoMA, the Hirshhorn DC, and the Hara Museum Tokyo, among other venues. Publications include Machine in the Studio (1996/98), Picturing Science, Producing Art (co-editor, 1998), Sensorium (editor2006), Eyesight Alone (2005/08), Experience (co-editor, 2016) and The Global Work of Art(2016).Caroline is currently working on the most important and radically original project on Symbiontics. Caroline's faculty page: https://architecture.mit.edu/people/caroline-jonesMore on Symbiontics: https://brooklynrail.org/2020/07/criticspage/Symbiontics-a-view-of-present-conditions-from-a-place-of-entanglementhttps://listart.mit.edu/exhibitions/symbionts-contemporary-artists-biospherehttps://mitpress.mit.edu/9780262544481/symbionts/The Cluster F Theory Podcast is edited by Julian Mayers at Yada Yada https://www.yada-yada.net/. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit theclusterftheory.substack.com
Ohne Gott scheint es sich ganz gut zu leben. Es gibt andere Wege mit Ängsten fertig zu werden. Wer fühlt sich noch erlösungsbedürftig? Kommt dem Christentum sein Kern abhanden? Der Theologe Jan-Heiner Tück sagt dazu: Die Theologie werde nicht „arbeitslos“, denn das Phänomen des Leidens, der Erlösungsbedürftigkeit gibt es auch dann, wenn sich viele von Religion emanzipieren. Es brauche nur ein waches Sensorium für die Situation des modernen Menschen und eine zeitgemäße Sprache, um ihn zu erreichen. „Die österliche Hoffnung kann gerade in Zeiten der Resignation und Krisenwahrnehmung helfen, und zu einer Grundgelassenheit und Zuversicht führen.“ Wir sprechen mit Jan-Heiner Tück, Professor für Dogmatik an der Universität Wien, über das Lebensförderliche der christlichen Botschaft, über die Symbolik des Kreuzes, und über die Frage, warum Jesus sterben „musste“ und was das mit dem Schicksal des russischen Regime-Kritikers Alexej Nawalny zu tun hat. Mittwoch, 27. März 2024, 17.30 – 17.55 UhrGestaltung: Stefanie Jeller. radio klassik Stephansdom braucht Sie jetzt dringend!Mit nur 1 Euro am Tag retten Sie das Überleben Ihres Klassiksenders.Sowie den Arbeitsplatz von Menschen, die täglich für Sie Radio machen - mit höchster Qualität und Begeisterung.Spenden Sie bitte jetzt! Jeder Betrag zählt. www.radioklassik.at/spenden
Aufzeichnung der Predigt des Gottesdienstes am 10.03.2024. Thema: Gott redet – Ist mein Sensorium auf Empfang ausgerichtet? Predigtreihe: Lifestyle Jüngerschaft Prediger:in: Ekkehard Vetter, Mülheim Bibelstelle: 1. Sam. 3 u.a. ℹ️ Erfahre mehr über uns: ℹ️ Du bist herzlich zu unseren Gottesdiensten eingeladen. Jeden Sonntag ab 10:30 Uhr bis 12:00 Uhr. Besuche uns und lerne uns kennen! Weitere Informationen zu unseren Gottesdiensten erhältst Du hier: https://pg-bielefeld.de/sonntags
In this Episode, Dr. David Puder, Dr. Adam Borecky, and Joanie Burns discuss the 5-factor approach to holistic, patient-centered psychiatric care. This approach takes into account that each individual who seeks care is unique in their physiological and psychological make-up and that multiple factors influence both physical and mental health (for better or worse). The 5-factor approach to treatment is based on the importance of sensorium and its pivotal role in regulating thoughts, feelings, and overall mental health. Sensorium is a lens to understand how we focus on various things. Sensorium is total brain function, which fluctuates throughout the day and depends on a number of factors, including sleep, stress levels, and more.
Schlidt is the cofounder and managing partner at Palo Santo, a venture capital fund focused exclusively on the advancement of psychedelic therapies for the treatment of mental health disorders and beyond. Based on his own experience with severe depression as a teenager, Schlidt's goal is to steward the most efficacious psychedelic therapies towards FDA approval so that patients may safely, legally, and affordably access these medicines. He has deployed $25 million into 20 companies including Gilgamesh, Journey Clinical and Sensorium.Show Highlights:-The potential of psychedelics for mental health treatment.-Tim's story leading to investment in psychedelics.-Why to practice safe and supervised use of psychedelics in treatment.-Legal and ethical considerations around the use of psychedelics.-What are challenges in developing psychedelics?-Predicitons for psychedelics in mainstream medicine.-Psychedelics for therapeutic and personal growth.
The Suakhet'u Program Support Article --- Support this podcast: https://podcasters.spotify.com/pod/show/mark-hatmaker/support
Koni Schafroth hat mit seiner Firma XCTracer die technischen Grundlagen von Varios deutlich erweitert und verfeinert. Ein Gespräch +++ Das wichtigste Instrument für einen Gleitschirmflieger ist sein Variometer. Mit Piepstönen zeigt es einem, ob man gerade steigt und wo man kreisen sollte, um wertvolle Höhe zu gewinnen. Allerdings machen es klassische Varios den Piloten nicht gerade leicht, die Luft exakt zu lesen. Denn zwischen einem Auf und Ab, das man mit seinem körperlichen Sensorium, sprich: Popometer, schon spürt, und dem entsprechenden Piepsen des Varios, gibt es typischerweise einen technisch bedingten Zeitversatz. In großen, konstanten Thermiken stört der wenig. Aber wenn es darum geht, enge, zerrissene Schläuche zu zentrieren, ist der verzögerte Höreindruck des Luftgeschehens kontraproduktiv. Der Schweizer Koni Schafroth hat sich Zeit seiner schon mehr als 30-jährigen Flugkarriere an diesem Manko gestört. 2015 hatte mit einem Mal die Lösung dieses Problems vor Augen. Anstatt nur einen Luftdrucksensor zur Erfassung der Flughöhen zu verwenden, baute er in seine Vario-Variante namens XCTracer zusätzlich eine ganze Reihe weiterer Sensoren mit ein: Beschleunigungmesser, Gyroskop, Magnetometer, GPS. All deren Daten führt er in komplexen mathematischen Formeln zusammen, um jede Lage- und Höhenänderung des Gleitschirms gewissermaßen in Echtzeit zu erfassen. Vario- und Popometer stimmen so überein. In dieser Folge 117 von Podz-Glidz gibt Koni Schafroth nicht nur Einblicke in das Entwickeln und Testen neuer Variofunktionen. Ich spreche mit dem 58-jährigen unter anderem auch über seine früheren Zeiten als Gleitschirmkonstrukteur, ein spezielles Flugzeugprojekt namens Smartfish und warum die Gleitschirmszene gut daran täte, weniger leistungs- und dafür mehr erlebnisorientiert in die Lüfte zu gehen. +++ Wenn Du Podz-Glidz und den Blog Lu-Glidz fördern möchtest, so findest Du alle zugehörigen Infos unter: https://lu-glidz.blogspot.com/p/fordern.html +++ Musik dieser Folge: Track: Jellyfish in Space | Künstler: Kevin MacLeod CC 4.0, https://creativecommons.org/licenses/by/4.0/ Quelle: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1500030
Artist: Phortah (Australia) Name: Sensorium Live Set, 2023 Genre: Electronic Release Date: 08.09.2023 Exclusive: Deep House Moscow Phortah: https://soundcloud.com/phortah Home: https://www.phortah.com photo by: https://www.instagram.com/dericm.creative CONTACT (DHM): Email — deephousemoscow@hotmail.com Follow us: www.facebook.com/deephousemsk/ www.instagram.com/deephousemoscow/ vk.com/deephousemsk/
Matthew Niederhauser and John Fitzgerald are both co-founders Sensorium as well technical directors at ONX Studio. They both have been working on a number of different immersive XR projects that are including the latest generative AI and large language model technologies. It's a rapidly developing field, and they talk about their strategy of keeping up to date through the practice of making different creative technology and immersive storytelling projects. Niederhauser spoke a bit about Tulpamancer, which has subsequently been announced as one of the 28 immersive stories in competition at Venice Immersive 2023. It uses AI to take input from each users based upon their questions exploring their memories, and then uses generative AI to create a unique immersive VR experience that is specific to that person. "Ultimately, every interaction produces a unique work that is deleted at the conclusion of its viewing, left only to resonate in the minds of each participant." I'll be on site in Venice, and I'm really looking forward to checking out this experience and following up with Niederhauser and co-director Marc Da Costa. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality
Der US-amerikanische Schriftsteller Teju Cole will unser Sensorium für die Zumutungen und Ungeheuerlichkeiten der Existenz schärfen. In dem faszinierenden Essayband "Black Paper. Schreiben in dunkler Zeit" befragt er Literatur, Malerei und Musik danach, was sie über die dunklen Seiten des Lebens wissen. Eine Rezension von Holger Heimann. Von Holger Heimann.
We have Ryan Newman back in the garage with something special for Christian Eiroa's birthday. We are smoking the Asylum Sensorium which is a limited edition new cigar that is planned to be an annual release. This one comes with a surprising price tag for Asylum! We are also cracking a bottle that was picked by Ohio Liquor Agency at Peerless. It is a Single Barrel of their Straight Rye Whiskey. Pour one more...light up another...we'll figure it out together. Please Drink Responsibly byjack.com/bourbonandbs to buy some shirts! Thanks to our sponsors: All of you that have been supporting us! Join our patrons at patreon.com/bourbonandbspodcast to help support the continuing growth of the show and the community. Tinder Box at Easton for the weekly featured cigar and check them out for their current featured cigar at eastontinderbox@gmail.com Altadis USA for the weekly second cigar and the continued support BS Cigar Company for the continued support! Check them out at bscigarcompany@gmail.com for ordering the BS Gold and BS Silver
Dick Simon, a serial entrepreneur and leader in advancing psychedelic-assisted therapies, is the co-founder and CEO of Sensorium Therapeutics. The company identifies new, promising drug leads for therapeutics inspired by psychoactive plants and fungi to address mental health issues such as anxiety. Dick talks about the business, how it's grown, and its recent fundraising, which brought a $30 million Series A into the business in 2022.
What do David Guetta, Carl Cox, Steve Aoki and Armin Van Buuren all have in common? Apart from being the biggest DJs in the world, they have all joined AAA metaverse - Sensorium Galaxy. These are some of the highest quality virtual music experiences available that also include AI driven humans who converse and attend gigs with you. In time they will learn, remember your previous conversations and begin to build relationships with you and other attendees. Sasha Tityanko is our guest this week - CEO and Creative Director of Sensorium Galaxy. You can check out the 24/7 AI virtual DJ stream here and also download on Steam for VR on the link below Thank you as always for your support, if you're not already following the show, do hit that follow button, which is always so appreciated. Also drop me a message on Twitter - I always love to hear from you. ======================= I always love to hear from you, say hello on the following links! : Twitter : https://twitter.com/luke_franks LinkedIn : https://www.linkedin.com/in/luke-franks-b8b509118/ Speaker Bookings : https://londonspeakerbureau.com/speaker-profile/luke-franks/ ======================= Links : Sasha Tityanko LinkedIn : https://www.linkedin.com/in/sasha-tityanko-ba58621b8/ Sensorium Galaxy Website : https://sensoriumgalaxy.com/metaverse Twitter : https://twitter.com/SensoriumGalaxy Youtube : https://www.youtube.com/@SensoriumGalaxy/ Instagram : https://www.instagram.com/sensorium_galaxy Steam : https://store.steampowered.com/app/1803610/Sensorium_Galaxy/
Sasha Tityanko serves as Deputy CEO and Art Director at Sensorium. With over 15 years of experience in the international entertainment industry, Sasha is behind the virtual creations and product marketing campaigns of Sensorium Galaxy — a next-generation social metaverse developed in collaboration with the world's top artists, producers, and media partners. Before joining the company, Sasha represented global music superstars, including Eurovision winner Dima Bilan and internationally-acclaimed duo t.A.T.u. She's also worked with top music labels EMI Music and Interscope / Universal Music to collaborate with performers from the United States, the United Kingdom, Japan, and Latin America. Sasha also has extensive experience in marketing and PR, having led major international projects in Russia and abroad, including the Mikhail Gorbachev Prize and the Gorby 80 in the United Kingdom.In this conversation, we discuss:- Concept of virtual beings- The next iteration of the internet- Social AI - AI-powered functionalities- Unique traits- Moving from traditional art to web3- Virtual artists- Photorealism SensoriumWebsite: sensoriumxr.comTwitter: @SensoriumGalaxyInstagram: @sensorium_galaxySasha TityankoTwitter: @santasasha5Instagram: @santasashaLinkedIn: Sasha Tityanko --------------------------------------------------------------------------------- This episode is brought to you by PrimeXBT. PrimeXBT offers a robust trading system for both beginners and professional traders that demand highly reliable market data and performance. Traders of all experience levels can easily design and customize layouts and widgets to best fit their trading style. PrimeXBT is always offering innovative products and professional trading conditions to all customers. PrimeXBT is running an exclusive promotion for listeners of the podcast. After making your first deposit, 50% of that first deposit will be credited to your account as a bonus that can be used as additional collateral to open positions. Code: CRYPTONEWS50 This promotion is available for a month after activation. Click the link below: PrimeXBT x CRYPTONEWS50
The ONX + DocLab MoCap Stage at IDFA DocLab 2022 featured a number of experimental XR performances using a high-end OptiTrack – Motion Capture System within a theatrical stage with a screen that was projecting the virtual representations. Each of these projects are exploring how to blend aspects of the virtual and physical in the context of a live performance. I had a chance to get the backstory and more details on all of the featured projects from Matthew Niederhauser and John Fitzgerald, who are both from Sensorium & ONX Studio.
In der "stillsten" und "dunkelsten" Zeit des Jahres ist unser Sensorium für Düfte und Geschmack auf Hochtouren. Natürlich spielt neben der Vorfreude auf das Weihnachtsfest die Kulinarik eine wesentliche Rolle. Stefan Hauser hat für die Sendung einen Adventmarkt in St. Gotthard im Mühlkreis in Oberösterreich besucht und sich bei Keksbäckerin Monika Schietz akustisch kulinarische Tipps geholt. Er trifft auch Klaus Dürrschmid vom Institut für Lebensmittelwissenschaften der Universität für Bodenkultur.
Hey geeks and gamers, get out of here and let some true blue jocks tell you about this year's Fan Expo, Canada's premier nerd rodeo, as well as The Fappening men, Kaizo Ironmon, Helluva Dip ooblick, audiophile island, silent raves, Vaporeon copypasta, Joker actor shortlist, The Rehearsal actors, Tom Holland voice acting, Fan Expo cosplay, Hobbit reunion tour, crop dusting anime girls, Shit-Hulk, Bored Ape nazis, Insidious Bastards, TikTok songs, Lord of the Rings shilling, The Dinkster, first 3D movies, normal price tuesdays, convention haggling, Ribfest, Tom Bombadil, Friendship Onion, Toronto traffic, real life Khajiit, Tattoo Alley, Hobbit feet slippers, kid named finger, meme studying, Mark Zuckerberg on Joe Rogan, and the Meta neighbourhood watch. More nerd crap than you can shake a wizard's stick at. Check out our monkey merch!: https://my-store-c638a6.creator-spring.com
This is episode #20 of the podcast and it's Thursday, the 23rd of June, 2022. Today I sat down, virtually, of course, with Dr. Michael Mopas, Associate Professor in the Department of Sociology and Anthropology at Carleton University in Ottawa, Ontario. He is cross-appointed to the Institute of Criminology and Criminal Justice and the Department of Law and Legal Studies, and serves as a member of the Duncombe Studio for Social and Cultural Research. Most of Michael's work is in the area of science, technology, and law with a focus on 'sound'. In his spare time, he plays upright bass in several jazz bands in the city and participates in long-distance triathlons. He has completed two Ironman races (Lake Placid and Mont-Tremblant) and several other events.In our discussion, we turned to wearable fitness-trackers and mobile apps that allow athletes to measure, monitor, visualize, and record a variety of training metrics. Dr. Mopas and his collaborators have looked into the deeply embodied and sensory dimensions of self-tracking. The overall insight seems to be that the data generated by self-trackers are not only cognitively processed, but also sensed and felt by users. While we do have some understanding of what exactly self-tracking devices measure and quantify, we know less about how/when do their users know these quantitative metrics work for them. How do we mitigate the potential dissonance between these quantitative metrics and the athletes' lived experiences?The second part of the discussion moved toward technology. We talked about the future of wearable self-tracking devices and debated if AI can be employed to better understand the emotional needs of the user. Here is the show.Show Notes:- Do wearable tracking devices take too much of our ability of ‘being in the moment'?- Should we value quantitative metrics over other ways of knowing and making sense?- Moments of dissonance: self-tracking device's quantitative metrics vs. the athletes' lived experience- Sharing data (e.g., Strava): potential benefits and limitations- Technology: Can we develop AI that learns qualitative data that people input into such devices?Note:Relevant papers:Mopas, Michael S., and Ekaterina Huybregts. "Training by feel: wearable fitness-trackers, endurance athletes, and the sensing of data." The Senses and Society 15.1 (2020): 25-40.Lupton, Deborah, and Sarah Maslen. "The more-than-human sensorium: sensory engagements with digital self-tracking technologies." The Senses and Society 13.2 (2018): 190-202.Link to Dr. Mopas' web page: https://carleton.ca/socanth/people/mopas-michael/
Raz plonge dans le nouveau cerveau de Nick et essaie de ramener des souvenirs à une petite boule blanche lumineuse. Dans un monde psychédélique et plein de musique, il doit ramener sur scène un groupe pour un concert de légende. / Raz jumps into Nick's new brain and tries to bring back memories to a small white ball of light. In a psychedelic musical world, he must bring a whole band back on stage, for a memorable show. Psychonauts 2 est un jeu développé par Double Fine Productions et édité par Xbox Game Studios. / Psychonauts 2 was developed by Double Fine Productions and pudblished by Xbox Game Studios . Le let's play vidéo. / The video let's play. Retrouvez le podcast sur Twitter et Facebook. Il est à vocation collaborative, aussi n'hésitez pas à contacter Flavien si vous voulez proposer votre let's play. / Find the podcast on Twitter and Facebook. It was meant as a group effort so feel free to contact Flavien to share your audio let's play. Listen to the Game est un podcast du label Podcut et vous pouvez contribuer au développement du label sur Patreon. / Listen to the Game is part of the Podcut family, you can support us on Patreon.
Do Kwon Cancels Crypto?!? This week has been utter madness, everyone's eyes were locked on the car crash catastrophe that was UST. It's failings that were due to its algorithmic nature, yield cuts and token dumps from big money investors. Do Kwon is watching all of this unfold and really understanding the true definition of karma. UST and LUNA Crash What was one of the largest stablecoins, TerraUSD (UST), fell from grace after it depegged from its $1 value on Monday and since dropped as much as 70% to $0.2998, when it was never supposed to deviate from the dollar-equivalent value. Recently, the blockchain behind the Luna token stopped processing new transactions for the second time in less than a day. WWOC: Vatican Museum to open an NFT gallery of its art collection The Vatican Museum will be using launching an NFT gallery to launch great Itallian artists into the metaverse. The partnership between the Vatican's non-profit organization Humanity 2.0 Foundation and Sensorium promises to create the first-ever virtual reality (VR) and non-fungible token (NFT) gallery, hosting the Vatican's art, content and academic initiatives, including manuscripts and masterpieces. What we cover in this episode Crypto market recap TerraLuna and UST Crash Do Kwan Doh Moments Weird World of Crypto Big Interviews Lined Up Final Thoughts If you or anyone that you know has been affected by this crash and is looking for someone to talk to, local resources can be found here: https://checkpointorg.com/global/ TODAYS SPONSOR: YIELD APP Yield App is an innovative digital asset wealth platform that allows you to earn passive income on the world's leading digital assets. What we really like about Yield App is that it's a licensed fintech company built by a team with a strong background in traditional finance. Yield App offers instant asset conversions, fiat on-ramp, auto compounding, and security features such as activity log, transaction history, and more. Simply deposit your digital assets and click earn to start receiving daily rewards! And if you're a corporate client Yield App offers a secure treasury for your digital assets. Its dedicated relationship management team is on hand 24/7 to facilitate a stress-free experience. Ways to connect with Cryptopulse Twitter: https://twitter.com/crypto_pulse Instagram: https://www.instagram.com/crypto_pulse LinkedIn: https://www.linkedin.com/company/cryptopulse Website: http://www.cryptopulse.co.uk Ways to connect with Kevin and Ben Kevin Twitter: https://twitter.com/KevinBasham Ben Twitter: https://twitter.com/bdrsquared Thanks for listening and don't forget to subscribe so you can be notified when we release a new episode. About Cryptopulse Downloaded & listened to in over 100 countries. Cryptopulse is here to guide you through the crypto universe with thought-provoking topics, in-depth knowledge & information to help you make informed decisions.
Le Vatican a annoncé le 5 mai une nouvelle pour le moins surprenante. La fondation Humanity 2.0 du Saint-Siège souhaite se lancer dans le métavers au travers d'un partenariat avec Sensorium. Au programme, une galerie d'œuvre d'art NFT en réalité virtuelle (VR).Lire l'article sur Siècle Digital. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.
Yi's eyes soften as he watches Jiazhi sing a Chinese folk song with subtle, feminine movements in the film, Lust, Caution. The room fills with laughter when Ali Wong unabashedly enacts her vulgar, bodily desires. What is the affect created through these performances? At different localities and temporalities, an actress and a comedian Tang Wei and Ali Wong embody ever-failing meaning of Chineseness, offering themselves for consumption and survival. In Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke UP, 2022), Mila Zuo re-evaluates beauty to understand how it creates a feeling Chineseness, engendering a messy world of relationalities that challenge a stable binary of national identity. Using weidao, which escapes meaning in English as flavor and style of a person, object, or environment, Zuo challenges the Cartesian epistemology dividing mind/body and vision/hearing. Through in-depth analysis of films and shows, Zuo asks how five flavors of Chinese medicine, “bitter, salty, pungent, sweet, and sour” become “modalities of vulgar beauty” (33). Vulgar, often tied to the non-western and working-class bodies, becomes a means to complicate the relations between objecthood and subjecthood embodied in Chinese beauty. This beautifully written and theoretically rich book will be helpful resource for any scholars and public interested in film and media studies, Asian American studies, object studies, and gender studies. Mila Zuo is an assistant professor in the Department of Theatre and Film at UBC. Her first book Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke University Press, 2022) focuses on the affective racialization of Chinese women film stars, demonstrating the ways which vulgar, flavourful beauty disrupts Western and colonial notions of beauty. In addition to scholarship, Zuo directs and writes narrative films, visual essays, documentaries and music videos. Her short films have screened in international film festivals and universities, including Carnal Orient (2016) which premiered at Slamdance Film Festival, and her short narrative film Kin (2021), which was the recipient of the 2019 Oregon Media Arts Fellowship, and screened at HollyShorts Film Festival. Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Yi's eyes soften as he watches Jiazhi sing a Chinese folk song with subtle, feminine movements in the film, Lust, Caution. The room fills with laughter when Ali Wong unabashedly enacts her vulgar, bodily desires. What is the affect created through these performances? At different localities and temporalities, an actress and a comedian Tang Wei and Ali Wong embody ever-failing meaning of Chineseness, offering themselves for consumption and survival. In Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke UP, 2022), Mila Zuo re-evaluates beauty to understand how it creates a feeling Chineseness, engendering a messy world of relationalities that challenge a stable binary of national identity. Using weidao, which escapes meaning in English as flavor and style of a person, object, or environment, Zuo challenges the Cartesian epistemology dividing mind/body and vision/hearing. Through in-depth analysis of films and shows, Zuo asks how five flavors of Chinese medicine, “bitter, salty, pungent, sweet, and sour” become “modalities of vulgar beauty” (33). Vulgar, often tied to the non-western and working-class bodies, becomes a means to complicate the relations between objecthood and subjecthood embodied in Chinese beauty. This beautifully written and theoretically rich book will be helpful resource for any scholars and public interested in film and media studies, Asian American studies, object studies, and gender studies. Mila Zuo is an assistant professor in the Department of Theatre and Film at UBC. Her first book Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke University Press, 2022) focuses on the affective racialization of Chinese women film stars, demonstrating the ways which vulgar, flavourful beauty disrupts Western and colonial notions of beauty. In addition to scholarship, Zuo directs and writes narrative films, visual essays, documentaries and music videos. Her short films have screened in international film festivals and universities, including Carnal Orient (2016) which premiered at Slamdance Film Festival, and her short narrative film Kin (2021), which was the recipient of the 2019 Oregon Media Arts Fellowship, and screened at HollyShorts Film Festival. Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
Yi's eyes soften as he watches Jiazhi sing a Chinese folk song with subtle, feminine movements in the film, Lust, Caution. The room fills with laughter when Ali Wong unabashedly enacts her vulgar, bodily desires. What is the affect created through these performances? At different localities and temporalities, an actress and a comedian Tang Wei and Ali Wong embody ever-failing meaning of Chineseness, offering themselves for consumption and survival. In Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke UP, 2022), Mila Zuo re-evaluates beauty to understand how it creates a feeling Chineseness, engendering a messy world of relationalities that challenge a stable binary of national identity. Using weidao, which escapes meaning in English as flavor and style of a person, object, or environment, Zuo challenges the Cartesian epistemology dividing mind/body and vision/hearing. Through in-depth analysis of films and shows, Zuo asks how five flavors of Chinese medicine, “bitter, salty, pungent, sweet, and sour” become “modalities of vulgar beauty” (33). Vulgar, often tied to the non-western and working-class bodies, becomes a means to complicate the relations between objecthood and subjecthood embodied in Chinese beauty. This beautifully written and theoretically rich book will be helpful resource for any scholars and public interested in film and media studies, Asian American studies, object studies, and gender studies. Mila Zuo is an assistant professor in the Department of Theatre and Film at UBC. Her first book Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke University Press, 2022) focuses on the affective racialization of Chinese women film stars, demonstrating the ways which vulgar, flavourful beauty disrupts Western and colonial notions of beauty. In addition to scholarship, Zuo directs and writes narrative films, visual essays, documentaries and music videos. Her short films have screened in international film festivals and universities, including Carnal Orient (2016) which premiered at Slamdance Film Festival, and her short narrative film Kin (2021), which was the recipient of the 2019 Oregon Media Arts Fellowship, and screened at HollyShorts Film Festival. Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Yi's eyes soften as he watches Jiazhi sing a Chinese folk song with subtle, feminine movements in the film, Lust, Caution. The room fills with laughter when Ali Wong unabashedly enacts her vulgar, bodily desires. What is the affect created through these performances? At different localities and temporalities, an actress and a comedian Tang Wei and Ali Wong embody ever-failing meaning of Chineseness, offering themselves for consumption and survival. In Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke UP, 2022), Mila Zuo re-evaluates beauty to understand how it creates a feeling Chineseness, engendering a messy world of relationalities that challenge a stable binary of national identity. Using weidao, which escapes meaning in English as flavor and style of a person, object, or environment, Zuo challenges the Cartesian epistemology dividing mind/body and vision/hearing. Through in-depth analysis of films and shows, Zuo asks how five flavors of Chinese medicine, “bitter, salty, pungent, sweet, and sour” become “modalities of vulgar beauty” (33). Vulgar, often tied to the non-western and working-class bodies, becomes a means to complicate the relations between objecthood and subjecthood embodied in Chinese beauty. This beautifully written and theoretically rich book will be helpful resource for any scholars and public interested in film and media studies, Asian American studies, object studies, and gender studies. Mila Zuo is an assistant professor in the Department of Theatre and Film at UBC. Her first book Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke University Press, 2022) focuses on the affective racialization of Chinese women film stars, demonstrating the ways which vulgar, flavourful beauty disrupts Western and colonial notions of beauty. In addition to scholarship, Zuo directs and writes narrative films, visual essays, documentaries and music videos. Her short films have screened in international film festivals and universities, including Carnal Orient (2016) which premiered at Slamdance Film Festival, and her short narrative film Kin (2021), which was the recipient of the 2019 Oregon Media Arts Fellowship, and screened at HollyShorts Film Festival. Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
Yi's eyes soften as he watches Jiazhi sing a Chinese folk song with subtle, feminine movements in the film, Lust, Caution. The room fills with laughter when Ali Wong unabashedly enacts her vulgar, bodily desires. What is the affect created through these performances? At different localities and temporalities, an actress and a comedian Tang Wei and Ali Wong embody ever-failing meaning of Chineseness, offering themselves for consumption and survival. In Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke UP, 2022), Mila Zuo re-evaluates beauty to understand how it creates a feeling Chineseness, engendering a messy world of relationalities that challenge a stable binary of national identity. Using weidao, which escapes meaning in English as flavor and style of a person, object, or environment, Zuo challenges the Cartesian epistemology dividing mind/body and vision/hearing. Through in-depth analysis of films and shows, Zuo asks how five flavors of Chinese medicine, “bitter, salty, pungent, sweet, and sour” become “modalities of vulgar beauty” (33). Vulgar, often tied to the non-western and working-class bodies, becomes a means to complicate the relations between objecthood and subjecthood embodied in Chinese beauty. This beautifully written and theoretically rich book will be helpful resource for any scholars and public interested in film and media studies, Asian American studies, object studies, and gender studies. Mila Zuo is an assistant professor in the Department of Theatre and Film at UBC. Her first book Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke University Press, 2022) focuses on the affective racialization of Chinese women film stars, demonstrating the ways which vulgar, flavourful beauty disrupts Western and colonial notions of beauty. In addition to scholarship, Zuo directs and writes narrative films, visual essays, documentaries and music videos. Her short films have screened in international film festivals and universities, including Carnal Orient (2016) which premiered at Slamdance Film Festival, and her short narrative film Kin (2021), which was the recipient of the 2019 Oregon Media Arts Fellowship, and screened at HollyShorts Film Festival. Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Yi's eyes soften as he watches Jiazhi sing a Chinese folk song with subtle, feminine movements in the film, Lust, Caution. The room fills with laughter when Ali Wong unabashedly enacts her vulgar, bodily desires. What is the affect created through these performances? At different localities and temporalities, an actress and a comedian Tang Wei and Ali Wong embody ever-failing meaning of Chineseness, offering themselves for consumption and survival. In Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke UP, 2022), Mila Zuo re-evaluates beauty to understand how it creates a feeling Chineseness, engendering a messy world of relationalities that challenge a stable binary of national identity. Using weidao, which escapes meaning in English as flavor and style of a person, object, or environment, Zuo challenges the Cartesian epistemology dividing mind/body and vision/hearing. Through in-depth analysis of films and shows, Zuo asks how five flavors of Chinese medicine, “bitter, salty, pungent, sweet, and sour” become “modalities of vulgar beauty” (33). Vulgar, often tied to the non-western and working-class bodies, becomes a means to complicate the relations between objecthood and subjecthood embodied in Chinese beauty. This beautifully written and theoretically rich book will be helpful resource for any scholars and public interested in film and media studies, Asian American studies, object studies, and gender studies. Mila Zuo is an assistant professor in the Department of Theatre and Film at UBC. Her first book Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke University Press, 2022) focuses on the affective racialization of Chinese women film stars, demonstrating the ways which vulgar, flavourful beauty disrupts Western and colonial notions of beauty. In addition to scholarship, Zuo directs and writes narrative films, visual essays, documentaries and music videos. Her short films have screened in international film festivals and universities, including Carnal Orient (2016) which premiered at Slamdance Film Festival, and her short narrative film Kin (2021), which was the recipient of the 2019 Oregon Media Arts Fellowship, and screened at HollyShorts Film Festival. Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies
Yi's eyes soften as he watches Jiazhi sing a Chinese folk song with subtle, feminine movements in the film, Lust, Caution. The room fills with laughter when Ali Wong unabashedly enacts her vulgar, bodily desires. What is the affect created through these performances? At different localities and temporalities, an actress and a comedian Tang Wei and Ali Wong embody ever-failing meaning of Chineseness, offering themselves for consumption and survival. In Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke UP, 2022), Mila Zuo re-evaluates beauty to understand how it creates a feeling Chineseness, engendering a messy world of relationalities that challenge a stable binary of national identity. Using weidao, which escapes meaning in English as flavor and style of a person, object, or environment, Zuo challenges the Cartesian epistemology dividing mind/body and vision/hearing. Through in-depth analysis of films and shows, Zuo asks how five flavors of Chinese medicine, “bitter, salty, pungent, sweet, and sour” become “modalities of vulgar beauty” (33). Vulgar, often tied to the non-western and working-class bodies, becomes a means to complicate the relations between objecthood and subjecthood embodied in Chinese beauty. This beautifully written and theoretically rich book will be helpful resource for any scholars and public interested in film and media studies, Asian American studies, object studies, and gender studies. Mila Zuo is an assistant professor in the Department of Theatre and Film at UBC. Her first book Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke University Press, 2022) focuses on the affective racialization of Chinese women film stars, demonstrating the ways which vulgar, flavourful beauty disrupts Western and colonial notions of beauty. In addition to scholarship, Zuo directs and writes narrative films, visual essays, documentaries and music videos. Her short films have screened in international film festivals and universities, including Carnal Orient (2016) which premiered at Slamdance Film Festival, and her short narrative film Kin (2021), which was the recipient of the 2019 Oregon Media Arts Fellowship, and screened at HollyShorts Film Festival. Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices
In der heutigen Generalaudienz setzt Papst Franziskus sein Katechesenreihe, über den Sinn und Wert des Alters, fort. Er spricht über Simeon und Hanna. Sie erkennen in dem Jesuskind als sie es sehen, sofort den kommenden Christus und die Gegenwart des Herrn. Denn obwohl die körperlichen Sinne im Alter nachlassen, so entwickelt sich in anderer Hinsicht oft eine ganz besondere Sensibilität. Wir sind heute vor lauter äußeren Sinnesreizen so benommen oder gar abgestumpft, dass wir nicht einmal mehr spüren, wie unsensibel wir vielfach geworden sind. Mehr denn je braucht unsere Zeit Menschen mit einem lebendigen geistig-geistlichen Sensorium, das in der Lage ist, die Zeichen Gottes zu erkennen, insbesondere das Zeichen seines menschgewordenen Sohnes Jesus Christus. Es übersetzte Mario Galgano
In der Podcastfolge 336 äusserte Gregor Münch sein Vertrauen in die richterliche Unabhängigkeit. Weitere Umstände lassen ihn nun aber zweifeln. Wie frei sind die Richter? Weshalb werden äussere Einflüsse und Motive nicht vermieden, sondern im Gegenteil aus Gründen der Effizienz sogar willentlich befördert? Zumindest lässt das Polizei- und Justizzentrum Zürich (PJZ) darauf schliessen, dass der Politik das diesbezügliche Sensorium fehlt. Was gäbe es für eine bessere Gelegenheit, als den Strafprozess und die Arbeit der Staatsanwaltschaft, der Verteidigung, der Privatkläger und des Gerichts anhand des Vincenz-Prozesses zu besprechen? Duri Bonin und Gregor Münch pausieren deshalb mit ihrer Besprechung der Strafprozessordnung und begleiten den Prozess in der Causa Raiffeisen vor Ort. Links zu diesem Podcast: - Anwaltskanzlei von Duri Bonin: http://www.duribonin.ch - Anwaltskanzlei von Gregor Münch: https://www.d32.ch/personen - Titelbild bydanay: https://www.instagram.com/bydanay/ - Lernhilfen für die Anwaltsprüfung: https://www.duribonin.ch/shop/ Die Podcasts "Auf dem Weg als Anwält:in" sind unter https://www.duribonin.ch/podcast/ oder auf allen üblichen Plattformen zu hören
Alex Blagirev of Sensorium, Hrish Lotlikar of SuperWorld, Christopher Deschenes of Kalamint, Tin Shing Lee of Only1, Euan Macdonald InfiniteWorld of and Joel Dietz of ArtWallet discussing The Future of Human Connection and Experiences in the Metaverse
I have always believed that there are important lessons for prose writers to learn from poetry, and I also think we can always gain something from the joy and discipline of listening to good poetry. To test and prove this belief, in this episode, I am talking to the teacher, poet, and translator Aaron Poochigian. Aaron has a Ph.D. in Classics from the University of Minnesota and an MFA in Poetry from Columbia University. In this episode, we talk about the rise of the prose form over poetry, why anyone might write poetry, why poetry is like music and should be heard as music, how we can push out into the world with our work. We talk about good and bad ambiguity, what novelists can learn from poetry, including the use of rhythm, compression or the economy of language, and using the full range of senses in description and setting. This is an episode of those who love poetry or at least see its potential to teach us something for our craft, I hope you enjoy it, here it is.
I have always believed that there are important lessons for prose writers to learn from poetry, and I also think we can always gain something from the joy and discipline of listening to good poetry. To test and prove this belief, in this episode, I am talking to the teacher, poet, and translator Aaron Poochigian. Aaron has a Ph.D. in Classics from the University of Minnesota and an MFA in Poetry from Columbia University. In this episode, we talk about the rise of the prose form over poetry, why anyone might write poetry, why poetry is like music and should be heard as music, how we can push out into the world with our work. We talk about good and bad ambiguity, what novelists can learn from poetry, including the use of rhythm, compression or the economy of language, and using the full range of senses in description and setting. This is an episode of those who love poetry or at least see its potential to teach us something for our craft, I hope you enjoy it, here it is.
Die Nachrichten sind voll mit den traurigen, dramatischen Ereignissen aus der Ukraine. Viele Eltern sind bedrückt und bewegt, und die Kinder mit ihrem feinen Sensorium merken das. Wie spricht man mit Kindern über den Krieg?, fragen sich Anja und Theresa. Außerdem gibt es ein Interview mit der Schöpferin von Ritter Trenk, Möwenweg und Sommerby: Kirsten Boie, die sich oft mit dem Thema Krieg befasst hat. // Fotos und mehr zu den Folgen auf www.swr2.de/limonadenbaum
We promised a Rane & Jo episode at the end of 2021 and it's finally here! We had a few things we wanted to talk about, so join us for a wide ranging and potentially random discussion. Amongst other things, we discuss medical marijuana, re-opening the studio post lockdown, pop culture and more! We also talked about Greens candidate Celeste Liddle, local gallery and art therapy centre Sensorium. Finally, we ask the question - what is a yoga teacher personality? This episode was recorded 2 weeks ago, and just a note that a lot has changed in the world since then. Links Support us on Patreon: https://patreon.com/flowartists
This is episode #9 of the podcast and it's Thursday, the 13th of January, 2022. Happy New Year, everyone! In today's show, I am talking to Dr. Allan Køster, a philosopher focussing on applied Phenomenology in investigations of human suffering. He has worked broadly in the field of phenomenological psychopathology, but most recently has done research on the existentiality of grief/bereavement and on COVID-19 patients' experiences of isolation during admission to intensive care units.The fascinating topic of discussion today is the felt experience of others, in their absence. Many of us have experienced this. We closed our eyes, relaxed and imagined the loved one's presence as a warm feeling of love and comfort, their smile, laugh, their touch, even their scent — what the French call ‘sillage' — and have an acute sense of awareness, a tender and loving feeling. But what about the case where a loved one leaves the physical world and never comes back? This is Allan's research focus. Our discussion starts with the fundamental definition of phenomenology and how does such a paradigm describe human experience, especially, that of concrete sense of other. Allan believes that this particular kind of felt experience of the other is sensory rather than cognitive — and he calls it “a sensorium of the other”. We discuss the modalities that make out this fundamental sensorium and how these modalities interact to give this sense of embodied felt familiarity. We then shift focus to bereavement and to the abnormal experiences of ICU isolation in COVID patients - discussing how the pandemic has changed the way we interact.In the second part of the show, we tackle, of course, issues related to the role of technology (esp. immersive technologies) helping one re-experience the felt presence of others. And, of course, we had to close with the ethical implications of such technologies. Here is the show.Show Notes:- Definition of Phenomenology; how does it describe human experience- The felt experience of the other as a sensorium (and its modalities)- Phenomenologically structured interview process in research- How the pandemic has changed the way we interact- Bereavement and the abnormal experiences of ICU isolation in COVID patients- Immersive technologies helping one re-experience the felt presence of others- The ethical implication of such technologiesNote: Allan Køster's forthcoming book:https://urldefense.com/v3/__https://www.routledge.com/Cultural-Existential-and-Phenomenological-Dimensions-of-Grief-Experience/Koster-Kofod/p/book/9780367568115__;!!DZ3fjg!s7tf5zuTOw85NVxCRtQe42KstNHaMvR4bPiGU0hbAWP3GaPYomU6Pxa16vZYTnvN$
Critical Zones | Terrestrische Universität [22.07.2020] Wie können uns Insekten helfen, die Klimakrise und Umweltbedrohungen schneller wahrzunehmen und darauf zu reagieren? Sybille Neumeyer, Michael John Gorman und Jessica Ware im Gespräch. Wie wird der Klimawandel von einer Libelle erlebt? Wie können – in einer datengesteuerten Welt - alte Formen der Beziehung von Insekten und Menschen wieder in Erinnerung gerufen werden, um eine Vielfalt an Wissen wiederzuerlangen, als fruchtbaren Boden für neue Verbündete und terrestrische Gemeinschaften? Und: Welche Auswirkungen haben die ökologische Krise und das Artensterben auf die Arbeit von Naturkunde- und Wissenschaftsmuseen? Ausgehend von Sybille Neumeyers Arbeit »souvenirs entomologiques #1: odonata / weathering data« soll in diesem Gespräch untersucht werden, wie Insekten uns dazu einladen können, eine Vielfalt von Beziehungen zwischen Menschlischem und Nicht-Menschlischem neu zu überdenken. Während vielschichtige Identitäten von Insekten durch sich wechselwirkende Praktiken des Kartierens, Beobachtens und Sammelns medial geformt und umgestaltet werden, bieten das verkörperte Umweltwissen, ihr Sensorium und ihre Sinne eine Inspiration für alternative Wege, die Welt wahrzunehmen und mit ihr im Dialog zu sein.
Sensorium describes itself as “building the future of the senses” in the metaverse. Global artists such as David Guetta, Carl Cox and Armin Van Buren have signed up for live and pre-recorded performances in ‘Prism World', a VR and metaverse enabled music entertainment experience described as ‘immersive' and literally “out of this world.” The Sensorium websites features sharp video trailers of what these experiences look like. We were lucky enough to speak with Deputy CEO, Alex Blagirev, on the tech infrastructure and business logic behind Sensorium - we even had a sneak peak demo of a gp3 AI enabled talking avatar, after the episode. So stay tuned to find out more about VR on the blockchain, the ethereum fork and how an experiment in Russian banking tech led to gyrating AI enabled avatars, in the metaverse.
Wenn man wie wir als Sommelier in der ersten Reihe beim Gästekontakt steht, ist man auf seinen Background angewiesen. Tagtäglich werde ich gefragt, wie wir auf all die tollen Weine kommen, die wir servieren oder die unsere Karten schmücken. Dabei sind wir oftmals auf die Trüffelhunde angewiesen, die ganz besondere und unbekannte Schätze entdecken oder für uns in die oftmals knallharten Verhandlungen mit den Winzern und vor allem um Ehrlichkeit, Vertrauen und Beständigkeit. Da dieses natürlich ein hochkommerzieller Markt ist, gibt es auch viele Zulieferer, die dieses nicht so sind und den Wein als Handelsobjekt betrachten. Einer der die Leidenschaft, wie kaum ein anderer lebt ist mein lieber Freund, Jörg Linke, seines Zeichens Weingroßhändler, welchen ich Ihnen und Euch zu gerne vorstellen möchte. Neben seiner Tätigkeit als Punktelieferant für uns, hat er weitere hochinteressante Weinprojekte, die nur bedingt mit seinem Handel zu tun haben. Eines dieser die die mittlerweile legendäre „Blindprobe“. Was es damit auf sich hat erfährt man in der aktuellen Folge von Wein und Weltfrieden, DEM Weingedankenpodcast. http://www.blindprobe.com/ https://www.linke-weine.de/de/
This is episode #4 of the podcast and it's Thursday, the 28th of October 2021. In today's show I am talking to Professor Rabindra (Robby) Ratan about the Metaverse and the Web 3.0. In addition to basic definitions and the etymology of the concepts, we explore various important aspects such as how is this virtual space governed, how are its contents moderated, and what kind of experience does and can the Metaverse give its users.As more and more companies are making their presence known in this so-called ‘embodied space' (just to cite Mark Zuckerburg), we discuss the future of the Metaverse related to storytelling as part of the user's multi-modal and multi-sensory experience, as well as to some of the ethical issues that most likely will arise in this still virgin space. Dr. Ratan is Director of the SPARTIE Lab at Michigan State University, which performs research on the effects of human-technology interaction, examining how the use of media technologies (e.g., avatars, agents, automobiles) influences meaningful outcomes (e.g., education, health/safety, persuasion). SPARTIE stands for Social and Psychological Approaches to Research on Technology-Interaction Effects. At the end of the interview, Robby summarizes his work on reducing toxicity in virtual spaces by employing various design principles and finding ways to make people be more responsible and avoid promoting certain stereotypes online. Here is the show.Interesting fact: It also happens that, as of today, when this episode went live, Facebook becomes Meta, its new corporate name.Note:This episode is being cross-posted with SPARTIE-cast, the SPARTIE lab's own podcast. You can check out their episodes here: https://www.spartielab.comartsci.msu.edu/newsHere are the lab's socials:https://twitter.com/spartiecasthttps://www.facebook.com/spartiecasthttps://www.tiktok.com/@spartiecast_msu?https://www.instagram.com/spartiecast/https://www.linkedin.com/company/spartie-cast-with-dr-robby-ratan/https://www.youtube.com/channel/UCyjTMOMPCm2w0i-yOat1G0A
It's been a big week around these parts--Will helped reveal a new game at E3, and Brad helped launch a new online media property--so we did a potpourri episode touching on a bunch of the technical details of working on these projects, including: Will's embrace of git, how to positively influence Internet behavior, Microsoft's open-source moves, when we might see shipping Unreal Engine 5 games, a search engine that plants trees, and more.Support the Pod! Contribute to the Tech Pod Patreon and get access to our booming Discord, your name in the credits, and other great benefits! You can support the show at: https://patreon.com/techpod
Peter Berkman is a musician, songwriter, and writer. His band Anamanaguchi is a critically acclaimed indie group, but lately Peter has been diving more into thinking about how we experience art and how its relevant to our senses in the digital world. The guys discuss the ideas of Canadian philosopher and communication theorist Marshall McLuhan, and what the future holds for artists and creators in the digital world. Links & Sponsors: BadChristian.com thebcclub.com Marriage Supply: marriagesupply.com use code BCPOD for 10% off Emeryland: emerymusic.com/emeryland
TEMAS: *Mundos Virtuales! *Decentraland, Axie Infinity, Sensorium, *Microsoft y la Realidad Aumentada (AR) *Los dispositivos HoloLens y Mesh. Todo un capítulo dedicado a la Realidad Virtual y Aumentada!
Alexei Blagirev is a deputy CEO at Sensorium Corporation, is a technology company that creates digital simulations of real-world venues and virtual worlds in cooperation with its content partners - globally recognized concert venues, clubs, and festivals. Sensorium Galaxy is the world's first global social VR media platform created in collaboration with acclaimed artists, visionaries, and entertainment entities. Sensorium provides the one-stop destination for multi-user immersion into entertainment experiences and self-discovery through its experiential worlds. Sensorium Galaxy begins its expansion with the Music Planet, the first virtual worlds of which are implemented in collaborations with some of the leading representatives of the international music scene. Alexei has extensive experience in finance, innovations management, and blockchain technology and is often invited as a speaker on popular shows and podcasts. FIND ALEXEI ON SOCIAL MEDIA LinkedIn | Facebook | Instagram ================================ SUPPORT & CONNECT: Support on Patreon: https://www.patreon.com/denofrich Twitter: https://twitter.com/denofrich Facebook: https://www.facebook.com/denofrich YouTube: https://www.youtube.com/denofrich Instagram: https://www.instagram.com/den_of_rich/ Hashtag: #denofrich © Copyright 2022 UHNWI data. All rights reserved.
Alexei Blagirev is a deputy CEO at Sensorium Corporation, is a technology company that creates digital simulations of real-world venues and virtual worlds in cooperation with its content partners - globally recognized concert venues, clubs, and festivals. Sensorium Galaxy is the world's first global social VR media platform created in collaboration with acclaimed artists, visionaries, and entertainment entities. Sensorium provides the one-stop destination for multi-user immersion into entertainment experiences and self-discovery through its experiential worlds. Sensorium Galaxy begins its expansion with the Music Planet, the first virtual worlds of which are implemented in collaborations with some of the leading representatives of the international music scene. Alexei has extensive experience in finance, innovations management, and blockchain technology and is often invited as a speaker on popular shows and podcasts.FIND ALEXEI ON SOCIAL MEDIAFacebook | Instagram
Few would contest the assertion that, of the five senses that we humans use to engage with the physical world, society tends to value sight over all others. We're all familiar with the cliché that “seeing is believing”. And indeed, we tend to regard sight as the most authoritative sense when it comes to determining what we understand to be reality.
Strategist, investor, community builder, and NGO founder Mike Gabour on mindfulness and attention, meditation and dark showers, the multiplier effect, minimizing time in front of the screen, the contents of his backpack, and falling in love with the ocean. Mike Gabour is a first generation immigrant, born on the Mediterranean ocean in Alexandria, Egypt. He is Co-founder and Managing Director for Koinonia, a micro-lending organization which empowers marginalized entrepreneurs in Egypt. Leadership Workshop Facilitator for The Littlest Lamb, an orphanage in Cairo which nurtures underprivileged children. Co-founder of Pequod, an app built with blind sailors for all sailors. Supporting blind sailors ability to autonomously navigate the water, and help the rest of us keep their eyes on the water, and ears on Pequod! Co-founder of the WAVE (Wider Access Virtual Expeditions) project, partnering with Harvard Deep-sea ocean exploration dept. and the Nautilus, a deep sea submarine. Co-inventor of Nezso, a fully immersive ambisonics music pod. Mike is an avid sailor, free-diver, and oceanographic explorer. Favorite quotes "Attention is love." "It's impossible not to fall in love with someone after you've heard their story." "Always be prepared." "You have your normal, I have mine." "Traveling for me is more about understanding and experiencing other cultures than my own personal enjoyment." "Do everything I tell you while we're on the water, but ignore everything I say when we are in land." Links Planet Earth Wave Collaborative Accenture Mindfulness The Sensorium A Physical Paradigm for Bidirectional Brain-Computer Interfaces, Sam Hincks' dissertation on brain-computer interfaces The multiplier effect The Littlest Lamb orphanage started by Mira Riad, run by Mira + Marina Rina Koinonia Ventures, micro-lending NGO Girguis labs, Harvard Maglev (magnetic levitation) Books The Tao of Pooh The Hitchhiker's Guide to the Galaxy by Douglas Adams Get Real, Get Gone: How to Become a Modern Sea Gypsy and Sail Away Forever by Rick Page Principles by Rei Dalio The Four-Hour Body by Tim Ferriss The Mind Illuminated: A Complete Meditation Guide Integrating Buddhist Wisdom and Brain Science for Greater Mindfulness by John Yates, Matthew Immergut & Jeremy Graves Lullaby by Chuck Palahniuk Forest Bathing: How Trees Can Help You Find Health and Happiness by Dr Qing Li Life of Pi by Yann Martel Contents of Mike's backpack Portable battery Liquid Bandaid Kaufman Layer (a concept invented by the great Jonathan Kaufman, a final layer of clothing that is not meant to be worn, having it is knowing you can be warmer) Merino Wool Buff Leatherman - multi-tool with screwdriver, scissors, wire cutters, etc. Headlamp (with redlight) Grave Before Shave "Gentlemen's Blend" Beard Oil Backpack waterproof cover Flask Collapsible metal cup Car and wall phone charger Vibes Hi-Fi earplugs Inflatable camping pillow Mindfold mask Card deck Snacks and granola bars Home-made hand sanitizer with boiled water, tea tree oil, and peppermint and citrus scent Dude flushable wipes Tea tree oil toothpicks Pair of sunglasses Water bottle Moleskine A6 dot-style notebook MUJI pen 0.5 Tile locator device Podcasts RadioLab This American Life Surprisingly Awesome Where Should We Begin? by Esther Perel People mentioned Peter R. Girguis David Bangsberg Naomi Hashimoto Mr Rogers Sam Hincks (Samulus) Jeff Koons Andy Wharhol Bill Gates Arianna Huffington Ray Dalio Jacques Cousteau Bob Ballard Neil deGrasse Tyson Steve Jobs Walt Disney Oprah Winfrey Neil deGrasse Tyson Esther Perel Outline Intro. [0:00] Mike Gabour. [2:28] Your most exciting projects. [3:57] Koinonia. [5:19] Falling in love with the ocean. [13:07] Free diving. [15:41] Sailing. [17:50] Sailing challenges. [19:41] Scary moments on the ocean. [22:06] Travel. [24:38] Traveling with purpose. [25:36] Mindfulness and disconnection. [26:11] Meditation and attention. [28:54] The meditation hammock. [30:22] Dark showers. [30:57] The contents of Mike's backpack. [33:47] Mike's notebook. [40:51] The Sensorium. [44:29] The multiplier effect. [50:31] Getting Simple. [53:19] How does your day-to-day look like? [53:28] What things make your day more complex? [53:53] Daily habits. [54:23] Commute. [55:03] Exercise. [55:14] Media you consume. [55:42] Email. [56:15] Planning and focus. [56:38] Time, attention, and social media [57:14] When do you get your best ideas? [57:59] Disconnection. [58:20] Boredom. [58:38] Minimizing time in front of a screen. [59:09] Success. [1:00:12] What do you say to yourself in the morning? [1:00:33] A successful person. [1:00:38] A message to the world. [1:01:15] What will you tell your 20 or 30 year-old self? [1:01:24] How can people connect with you? [1:01:45] Book recommendations. [1:02:04] The Tao of Pooh. [1:02:10] The Hitchhiker's Guide to The Galaxy by Douglas Adams. [1:02:38] Get Real, Get Gone [1:03:00] The Four-Hour Body by Tim Ferriss. [1:03:08] The Life of Pi. [1:04:38] Lullaby by Chuck Palahniuk. [1:04:48] Forest Bathing. [1:04:58] Principles by Ray Dalio. [1:05:15] Podcast recommendations. [1:05:31] Where Should We Begin? by Esther Perel. [1:05:58] The Mind Illuminated. [1:06:26] Pequod. [1:06:40] Blindfolding: Teaching People How to Sail. [1:07:22] Outro. [1:11:33] Ask a question and I'll try to answer it in future episodes. I'd love to hear from you. Join us on Discord and introduce yourself to the community. If you enjoy the show, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds and really helps. Show notes, transcripts, and past episodes at gettingsimple.com/podcast. Follow Nono Twitter.com/nonoesp Instagram.com/nonoesp Facebook.com/nonomartinezalonso YouTube.com/nonomartinezalonso
Audioporn heißt ein blühendes Genre, das durch Stimmen und Geräusche sexuell stimuliert. Im Medium des Podcast lässt sich anscheinend besonders gut über Sex und Beziehung reden, davon erzählen zumindest die Charts der diversen Podcast-Portalen. Und in Zeiten verordneter Kontaktreduktion erlebt die sonische Vereinigung Hochkonjunktur. Mit ihr vielleicht auch Intimität? Klang, Stimme, Sound sind Meister des Intimen. Denn das Ohr ist offen, es hat kein Lid, wie das Auge, um sich vor Einfluss zu schützen. Geräusche, Töne, Lärm nimmt es auf, lässt sich im besten Falle darauf ein. Dann dringen Töne ein, berührt Klang, kommen Stimmen nahe. Penetrationen, die in Stimmung versetzen, Schwingungen erzeugen, die auf- oder erregen. Auch dann, wenn – wie beim Kopfhörer – der Blick ins Leere geht und kein Geruch, kein Geschmack, keine Berührung das Sensorium anstacheln. Oder gerade deshalb? Philosophisch hatte das Hören keinen guten Stand, Erkenntnis liegt im Auge des Betrachters. Aber auch Kant soll irgendwann gesagt haben: «Nicht sehen können trennt von den Dingen, nicht hören können von den Menschen». Der Essay von Stephanie Metzger folgt den Spielarten eines hörenden Begehrens und fragt dabei auch nach seinem politischen Versprechen. Was im Lärm und in der Bilderflut unserer Gegenwart vergessen zu werden droht, soll hier erklingen: dass Töne sexy sind, Stimmen anturnen und Stille erotisiert. Und dass wir dieser Erotik dringend zuhören sollten.
As NYFW shifts to a mostly virtual calendar and the global fashion system re-calibrates to a COVID-19 world alongside unprecedented societal, economic, cultural and economic shifts - brands are applying ingenuity, and new approaches to presentation. As reflection of brand identity - many designers are choosing to hybridize presentation, editorial, + commerce experiences through digital platforms, integrating a Phygital approach to retail - with sustainability, technology and innovation central to change.Host:Julie Gilhart, President of Tomorrow Projects and Chief Development Officer of Tomorrow Ltd., on behalf of The RealRealGuests:Victor Glemaud, Creative Director of Victor GlemaudHaitian-born designer Victor Glemaud launched his eponymous leisurewear collection of statement knitwear, designed for all people, genders, races, sizes and personalities, marrying comfort and style, in 2006. Victor Glemaud was a finalist in the 2017 CFDA/Vogue Fashion Fund and honored for his achievements by the Ambassador of Haiti to the United States. Raised in Queens, New York, Victor began his career as a design assistant to Patrick Robinson while studying at the Fashion Institute of Technology in New York City. After working as a publicist at KCD for Versace and Marc Jacobs, he returned to design in 2005, first as Womenswear Design Advisor and later as Studio Director at Paco Rabanne, followed by Style Director at Tommy Hilfiger, and over the years has consulted with several brands, including H&M for the Met Gala.The Victor Glemaud collection has been worn by celebrities and influencers including Ashley Graham, Dominique Jackson, Florence Pugh, Hailey Baldwin, Issa Rae, Laura Harrier, Margot Robbie, Michelle Williams, Iman and Selena Gomez, and has garnered press in many outlets from The New York Times to Vogue Italia.Victor Glemaud is currently sold at Glemaud.com, as well as ShopBop and Ssense.Jamie Pallot, Executive Producer at SensoriumJamie Pallot is executive producer at Sensorium, a cutting-edge experiential studio whose latest project is a series of virtual reality videos for the Bloomingdale’s Holiday Window Unveiling. He was formerly the founding editor of Style.com, where he won a National Magazine Award for General Excellence; executive director of digital at Vanity Fair; and a VR pioneer, producing installations shown at the Sundance, Venice, and Tribeca festivals.Beth Buccini, Founder and Owner of Kirna ZabeteBeth is the founder and owner of Kirna Zabête, a multi-brand women’s fashion store. She personally selects every item sold in each of the store's four outposts in Soho, New York; Bryn Mawr, Pennsylvania; East Hampton, New York; and Palm Beach, Florida; and e-commerce site kirnazabete.com, with the intention of inspiring every client who walks through the door. She has also collaborated with Target, Nine West, Gilt, and Birkenstock, to create special collections for the Kirna Zabête customer. Prior to launching Kirna Zabête in the fall of 1999, Beth worked as an Assistant Fashion Editor at Mirabella Magazine and a Fashion Editor at New York Magazine. She was born and raised in Virginia and graduated from the University of Virginia with degrees in Art History and French Literature. She currently resides in Chadds Ford, Pennsylvania, with her husband and four children.Watch the episode on YouTube here: https://www.youtube.com/watch?v=W-foqt3D8Bc See acast.com/privacy for privacy and opt-out information.
There are medications that worsen cognitive function and all mental health providers should be aware, and work on optimizing sensorium. In this episode, we'll cover a spectrum of sensorium disruptions and medications that you need to look out for. Link to Blog. Link to Resource Library.
Sensorium Galaxy: The World's First Entertainment Social VR Media Platform | SENSO Crypto Review --- Send in a voice message: https://anchor.fm/crypto-nation/message Support this podcast: https://anchor.fm/crypto-nation/support
Alex talks about the launch of the incredible Virtual Reality project; the Sensorium Galaxy and how it utilises blockchain technology.This episode is sponsored by the Bitcoin.com Exchange, making cryptocurrency trading accessible to everyone, anywhere in the world. Spot-markets for Bitcoin, Bitcoin Cash, Ripple, Litecoin and many more digital assets.
Meet Francis Italiano, Founder and Co-Artistic Director of West Australia's Sensorium Theatre. .Francis was always being taken to a show of some sort by his mum, but it was a switched-on English teacher who introduced ‘Frankie' to literature, theatre and poetry turning him into an admitted high school drama dag. Frankie would tell his teacher Val years later, that the stone she cast in his life had rippled beyond himself and into the work he now does with Sensorium..With a background in community cultural development in the Arts, Frankie is used to ‘presenting theatre to people who might not have encountered it before'.When serendipity stepped in to inspire Frankie and Co-Artistic Director of Sensorium, wife Michelle Hovane, set off on a journey that has led them to creating Australia's leading multi-sensory theatre for children with disabilities..‘There is an impulse…to share stories that is integral to [the] development of humankind and the continuation of cultures'. .Michelle and Francis are dedicated to bringing the thrill of live performance to special needs and inclusive audiences and subsequently their parents, teachers, and carers through the artform of immersive, interactive and participatory theatre..Winners of the APATA 2020 Social Change Maker Award and the Australian Access Award for Best Not-for-Profit/Community Digital App, Sensorium was fortunate to secure organisational funding well before COVID-19 and as such they may forge ahead with projects addressing the change in delivery of their intimate work and further develop their online presence while they wait for a return to touring next year..‘I'm grateful that we [have been] able to forge our way into the cultural landscape … the fact that we've kind of stuck to our guns and are now at a point where people not only accept what we do but support it and encourage it and we're getting kids into theatre who hadn't accessed that before… that's great!...it's lucky in life to be doing what we love doing.'.www.apata.com.au www.sensoriumtheatre.com.au
NOTE: These episodes were recorded before the COVID-19 situation took hold. Given the rapidly changing situation, it’s jarring to hear us ignore it—and that’s why. Why you should give a “Sensorium Gift” and how to create one, a deep dive into listeners’ suggestions for walking 20 minutes every day in 2020, and a conversation hack. Get in touch: @gretchenrubin; @elizabethcraft; podcast@gretchenrubin.com Get in touch on Instagram: @GretchenRubin & @LizCraft Get the podcast show notes by email every week here: http://gretchenrubin.com/#newsletter Order a copy of Gretchen’s new book OUTER ORDER, INNER CALM here: http://outerorderinnercalmbook.com Get the resources and all links related to this episode here: http://happiercast.com/265 Leave a voicemail message on: 774-277-9336 For information about advertisers and promo codes, go to happiercast.com/sponsors. Happier with Gretchen Rubin is part of ‘The Onward Project,’ a family of podcasts brought together by Gretchen Rubin—all about how to make your life better. Check out the other Onward Project podcasts—Do The Thing, Side Hustle School, and Happier in Hollywood. If you liked this episode, please subscribe, leave a review, and tell your friends! Learn more about your ad choices. Visit megaphone.fm/adchoices
Kep Taiz lets me test drive an incredible sensory therapy device of his own design. I left my body, went into my core and came back to tell y'all about it. The part that I could get at with words, anyway! Join us for a discussion of a modality that could do wonders for damn near anybody in need of sensory immersion, addiction recovery, trauma release, drugless "tripping" and remembering authentic self.
Welcome back to another erotic edition of Kinktra in the raw, today we bring you the phenomenal collaborators as well as romantic partners Genevieve Belleveau and Themba Alleyne . They take us on a beautiful journey into sacred sadism where they are splice ecofetishism and kink elements to performance-based investigations into exploratory forms of kink that not only incorporate plants but also take healing and therapy as their primary objectives. Sacred Sadism, they suggest, encourages explicitly compassionate expressions of power in a sexual practice sometimes understood as cruel or callous.
The Internet of Things trend is creating massive product and service sales opportunities. Businesses are spending billions of dollars acquiring new sensors, infrastructure, and applications to leverage IoT devices and systems to improve operations, create new experiences, and capitalize on emerging models. In the channel, IoT is still an emerging opportunity. Vendors are developing channel programs, and solution providers are beginning to adopt the technologies. The market, though, is still struggling to figure out how to best implement and maximize IoT investments with limited experience and resources. A potential solution is the extension of managed services to the IoT segment. Sensorium, a Carnegie Technologies company specializing in IoT managed services, is helping solution providers and their customers identify opportunities and capture business by providing the means and resources for delivering IoT as a service. Channel chief Amy Luby joins POD2112 to talk about the unfolding opportunities and potential in IoT managed services.
Platiqué con Argelia Flores de la nueva escuela Sensorium, con Ricardo Pérez de la obra de teatro KARKINOS y con Helen Salazar de la obra LA GINECOMAQUIA. Te regalo suscripciones mensuales para BOOKMATE, una plataforma para leer y escuchar todos los libros que quieras, te invito a la obra MUJER SIN VUITTON y a la fiesta de LA MÁS DRAGA, segunda temporada.
You don’t need a ticket to see the Commonwealth Shakespeare Company’s most recent production of Hamlet. You don’t even need to leave your house. All you need is a virtual reality device. Hamlet 360: Thy Father’s Spirit is an hour-long virtual reality adaptation of Shakespeare’s play that puts you in the center of Shakespeare’s tragedy. We asked Commonwealth Shakespeare Company director Steve Maler and cinematographer Matthew Niederhauser of the virtual reality company Sensorium about creating the experience. They talk about the joys, challenges, and opportunities that come with adapting Shakespeare for virtual reality. How can VR augment the experience of watching Hamlet? What makes watching Hamlet in VR different from watching the play onstage or on your TV? Can VR make Shakespeare’s plays more accessible? Maler and Niederhauser are interviewed by Barbara Bogaev. Hamlet 360: Thy Father’s Spirit is a co-production with Google, and was created in partnership with public television station WGBH in Boston. Watch Hamlet 360: Thy Father’s Spirit at WGBH.org/Hamlet-360 or on YouTube. From the Shakespeare Unlimited podcast. Published April 16, 2019. © Folger Shakespeare Library. All rights reserved. This podcast episode, “I Am Thy Father’s Spirit,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. We had technical help from Andrew Feliciano and Evan Marquart at Voice Trax West in Studio City, California, Kevin O'Connell at the PRX Podcast Garage in Boston, and Larry Josephson and Ben Ellman at The Radio Foundation in New York.
Des textes qui se goûtent, se sentent, se touchent au lieu de se seulement se voir : mettre du corps dans la narration, à quoi ça sert et comment fait-on ? Mélanie commence par nous rappeler que nous ne sommes pas des être purement visuels ; ne pas oublier les autres dimensions, c’est se donner d’autres manières fondamentales de donner du relief. Laurent ajoute qu’habiter un personnage, c’est faire percevoir d’abord ses sens, qui viennent avant les émotions, car ils en sont la source. Lionel renchérit sur le fait que la vue est le sens « par défaut » d’explication et de représentation, peut-être le sens le plus intellectualisé et le plus distant. Intégrer du corps est ainsi un puissant « show, don’t tell ». Références citées - Jean-Claude Dunyach - Elisabeth Vonarburg - Dan Simmons, préface aux Contes de la fée verte ; Poppy Z. Brite, « Calcutta, seigneur des nerfs » - Marcel Proust, À la recherche du temps perdu - Silent Hill 2 - Alien - Serge Brussolo - Brigitte Aubert, La mort des bois - George Perec, Je me souviens - Robert E. Howard, Conan le Barbare
*CONTENT WARNING*This episode contains graphic language depicting instances of rape and verbal imagery illustrating acts of sexual violence.On today's episode, Calvin and Ryan sit down with Dr. Stephanie Larson, Assistant Professor of Rhetoric at Carnegie Mellon, to discuss her recent publication in the Quarterly Journal of Speech (QJS), “‘Everything inside me was silenced': (Re)defining rape through visceral counterpublicity.”This article is part of Professor Larson's larger body of work on contemporary rhetorics of rape culture. We discuss two of her case studies: a publicly delivered letter by Emily Doe and a multimodal art piece employed by Emma Sulkowicz, both crafted to call attention to the actions of the men who raped them. In her analysis, Stephanie aims to answer questions such as: How do women discuss acts of sexual violence committed against them after legal discourse fails to recognize these acts as criminal? She theorizes that victims use visceral language to call attention to their physical bodies, specifically their points of violation, thus inciting empathetic and emotional responses from the audience. She goes on to argue that this type of public performativity has the potential to shift public standards of judgment in cases of sexual violence.The episode closes with Stephanie's thoughts on feminist magnitude and how it has shaped the #MeToo movement in online discourse. She also offers her take on why Christine Blasey-Ford's testimony in the Supreme Court confirmation hearing for Brett Kavanaugh did not capture audiences in the same way, suggesting that the use of online platforms and collective sharing of personal testimonies facilitates more affective and effective engagement with audiences.Works & Concepts Referenced in this Episode:Emily Doe's publicly-read letter to Brock TurnerEmma Sulkowicz's Mattress Performance (Carry That Weight) OverviewWikipedia page for Emma Sulkowicz's Ceci N'est Pas Un Viol (“This is not a rape”) performance *Content Warning*: This performance contains an explicit, performative depiction of a rape.Ahmed, S. (2013). The cultural politics of emotion. Routledge.Aristotle. (1898). Poetics. Trans. S.H. Butcher. Macmillan. (discussion of megethos or “magnitude” can be found in Sec. 1, Part VII)Berlant, L. (1999). “The Subject of True Feeling: Pain, Privacy, and Politics,” in Cultural Pluralism, Identity Politics, and the Law, eds. Austin Sarat and Thomas R. Kearns. University of Michigan Press.Butler, J. (2006). Precarious life: The powers of mourning and violence. Verso.Gilmore, L. (2017). Tainted Witness: Why We Doubt What Women Say about Their Lives. Columbia University Press.Hawhee, D. (2015). Rhetoric's Sensorium. Quarterly Journal of Speech, 101(1), 2–17.Johnson, J. (2016). “A man's mouth is his castle”: The midcentury fluoridation controversy and the visceral public. The Quarterly Journal of Speech, 102(1), 1–20.Larson, S. R. (2018). “Everything inside me was silenced”:(Re) defining rape through visceral counterpublicity. Quarterly Journal of Speech, 104(2), 123-144.Larson, S. R. (2018). Survivors, Liars, and Unfit Minds: Rhetorical Impossibility and Rape Trauma Disclosure. Hypatia.Scarry, E. (1987). The body in pain : the making and unmaking of the world (Oxford University Press pbk.). New York: Oxford University Press.Weheliye, A. (2014). Habeas Viscus : Racializing Assemblages, Biopolitics, and Black Feminist Theories of the Human. Durham: Duke University Press.
Sometimes music helps you reach such an elevated state of consciousness, not only can you hear it, but you can see it, feel it and even touch it! The Sensorium by Aures London is the world’s first five sensory event space. The audio alone is like standing in a set of the best headphones you’ve had. Imagine now, the floor sending frequencies surging through your body, whilst visuals are brought to life in hologrammatic likeness and all the while you can smell, or even taste, what you’re looking at. Phase 1: audio, is already complete, before long this could take over your reality. This week Sam Davis, founder of Aures London, talks his journey in business, about his obsession with audio; and of course, takes part in our most ridiculous ‘game of the week’ yet! 00:40 Shout About’s 5th Birthday 01:33 A recap on Draughts 03:05 Since last week 06:00 This week’s episode with Aures London 07:05 Sam Davis in the house 07:40 Being a sommelier for Jamie Oliver’s Fifteen 11:24 Sam’s background, from hospitality to furniture hire and audio 18:34 What is Aures London 22:43 Financials 23:44 The process from inception 24:25 Adding more sense 28:40 What will the site develop to in phase two and three 33:35 Biggest challenges 36:33 Biggest success so far 36:54 The Bugsy Malone confusion 40:22 Game of the week – the audio challenge 46:42 What’s coming up at Aures 48:00 Anything to announce – the next launch 48:34 Three favourite bars in London 51:43 Social Media 52:53 A recap of Aurea London 53:30 The Weekly Shout 01:01:48 Weekly Thanks and our social Media You can reach the guests here Twitter: @aureslondon Instagram: @aureslondon Facebook: @AuresLondon Web: www.aures-london.com/sensorium Mentions Wahaca Draughts 26 Leake Street Assembly House of Vans British Summer Time Festival Aures London The Sensorium Rompus Room Brilliant Corners Foxdog studios Phoenix Artists Club Scooter Café Jay Lambert Gluten Free Festival Give us a Shout on #ShoutAbout Instagram: ShoutAboutLondon Facebook: ShoutAboutLDN Twitter: ShoutAboutLDN Instagram: ShoutaboutStuart Please subscribe and rate us! Want to talk about the show? Got an idea for guests? Want to promote your event? Contact us on any of the above, or: info@shoutabout.london www.shoutabout.london
Nach einer kurzen geführten Meditation spricht Hatlapa Roshi über die Wirkungen eines «subtilen Nichthandeln». Anhand seiner Bienen erläutert er, wie desaströs sich die Fixierung auf enge Profitinteressen auswirken können. Nach Meister Umon können wir aber «Inmitten des Universums einen Schatz» finden, wenn wir dafür eine Antenne und ein Sensorium entwickeln. Dann können wir, wenn wir das Wunderbare für möglich halten, diesen Schatz in unser Leben einladen. Die Verbindung dazu haben wir zwar potentiell schon immer, müssen sie aber selbst entwickeln und kultivieren. Wir freuen uns sehr über eine Spende, um die Kosten für die Erstellung dieses Podcast zu decken. Sie finden die Kontodaten/Paypal auf unserer Website https://choka-sangha.de/kontakt/spenden/ Herzlichen Dank
Kraftbaum - der Podcast auf dem Weg zu mehr Naturverbundenheit und deiner inneren wahren Natur.
Schon als Kind hatte Markus Camenzind die grosse Gabe, mit Energiefeldern zu arbeiten, diese zu klären und zu transformieren. Diese Gabe war ihm zwischenzeitlich jedoch nicht mehr zugänglich. Erst durch eine Erkrankung in seiner Jugend, die Auseinandersetzung mit dieser Krankheit und letztendlich mit sich selbst, wurde er wieder auf diese Gaben aufmerksam. Auf natürliche, einfühlsame und humorvolle Art unterstützt er Menschen, ihr Herz zu öffnen und bereitet den Weg für die kraftvolle Verbindung von Spiritualität und Alltag. Dabei bekräftigt er die Menschen, das Vertrauen in sich, ihre Wahrnehmung, medialen Fähigkeiten und Heil- bzw Selbstheilkräfte wieder zu finden und diese zu festigen. Seine grösste Freude ist es, den Menschen zu zeigen, dass jeder die Möglichkeit hat, durch das Verfeinern der Wahrnehmungskanäle - der Sensitivität und Medialität - in bewusstem Kontakt mit der geistigen Welt, den geistigen Helferebenen, dem Vertrauen und dem eigenen Wesenskern zu sein. Im Fokus stehen das Erkennen der Einzigartigkeit und des eigenen Seelenweges. Heute begleitet er Menschen hauptberuflich in vielfältigen Anliegen und Prozessen als Heiler, Medium und geistiger Lehrer in seiner Praxis, in Naturseminaren, Meditationen und Gruppen. Elevator-Pitch: Eine kurze Begegnung, in der du 10 Sekunden Zeit hast zu beschreiben was Du machst (in Bezug auf die Natur und Deine Arbeit). Ich unterstütze die Menschen, sich durch ihre Wahrnehmung (Intuition) ihrer eigenen Präsenz zu öffnen. Die Natur strahlt diese Präsenz in jedem Aspekt aus und unterstützt das Einschwingen in diese tiefen Seins-Zustand. Was ist Deine ganz persönliche Verbindung mit dem Wald/der Natur? Die Natur ist ein müheloser Lehrmeister. Sie spiegelt mir die Schönheit meines göttlichen Wesens. Was hat Dich dazu bewegt, die Natur/den Wald mit in Dein berufliches Tun einfliessen zu lassen? Meine Liebe zur Natur und die Erfahrungen, die ich im Zusammenhang mit der Natur als unterstützende Heilquelle gemacht habe. Ich habe immer wieder erfahren, wie unterstützend es ist, in natürlicher Umgebung zu sein. Ich spürte, wie sich mein Sensorium, meine Wahrnehmung und mein Wohlbefinden öffnete und veränderte. Ich fühlte mich immer sehr präsent. So war es für mich klar, dass ich diese mühelose Wirkung für die energetischen Prozesse „nutzen“ wollte um die Menschen in ihren Bewusstwerdungsprozessen zusätzlich durch die Umgebung zu unterstützen. Welche Personen möchtest Du mit Deinem Angebot ansprechen? Im Grunde habe ich keine bestimmte Zielgruppe. Es dürfen alle kommen, die sich angesprochen fühlen. Ich glaube, dass die Menschen tief in sich ähnliches spüren, wie ich es erlebe. Sie spüren, wie die Natur eine ausgleichende Wirkung auf sie hat. Die Hoffnungen sind wohl unterschiedlicher Natur. Gemeinsam haben sie jedoch, dass sie sich mehr Klarheit, Verbundenheit mit sich selber und dem Leben, mehr inneren Gelassenheit und Stärke wünschen. Was möchtest Du den Personen, die Dich auf Deinen Natur- und Waldgängen begleiten mitgeben, beziehungsweise worin möchtest Du sie unterstützen? Die Menschen finden zurück in ihre Präsenz und können sich aus manigfaltigen Abhängigkeiten lösen. Sie können dadurch ihr Leben wacher geniessen und gestalten Ich vermittle eine geerdete, authentische Spiritualität welche in jedem Moment erlebt werden kann. Was liegt Dir noch auf dem Herzen, das Du uns mit auf den Weg geben möchtest? Schenke dir Würde. Website www.MarkusCamenzind.ch Kontaktdaten des Interviewpartners Markus Camenzind Eichgutstrasse 1 8400 Winterthur office(at)MarkusCamenzind.ch
Learn: Why to optimize medical issues like hypertension and diabetes Change psychiatric and non-psychiatric medications to optimize brain function Optimize sleep to obtain rest and increase brain function How drugs influence the brain short and long term to change sensorium How viewing yourself without "free will" influences brain function For PDF with citations and full notes go to: https://psychiatrypodcast.com/resource-page Join David on Instagram: dr.davidpuder Twitter: @DavidPuder Facebook: DrDavidPuder IOS Emotion Connection App
Western society faces is the most unhealthy we’ve ever been. It’s reached epidemic proportions: depression, anxiety, poor focus and sensorium issues, chronic stress, and diseases of chronic stress (like diabetes). The solution is simple—exercise and healthy eating. In this episode I will be going through 17 studies on how exercise influences and improves these factors. I will cover how it works, and how to develop an exercise program from the perspective of a doctor, not just for body sculpting. Some things I am covering: Strength training decreases depression Strength training increases cognitive function Fitness decreases risk of dementia Exercise increases BDNF Strength training and exercise in treatment for diabetes For PDF with citations: https://psychiatrypodcast.com/my-resource-library Post questions and comments on Instagram: dr.davidpuder Twitter: @DavidPuder Facebook: DrDavidPuder IOS Emotion Connection App Starting Strength Online Coaching
What are the best diets for the brain and cognitive function? How much does diet influence our sensorium? What particular foods are important? How do we change our genes to optimize our brain? For PDF with citations and detailed notes go to: My Resource Page Ask David questions on Instagram: dr.davidpuder Twitter: @DavidPuder Facebook: DrDavidPuder IOS Emotion Connection App
Wenn es um künstliche Intelligenz geht, stehen gleichzeitig die Fragen im Raum, inwieweit und, falls ja, künstliche Intelligenz dem Menschen ähnlich werden darf, soll oder nicht darf bzw. nicht sollte, in welchem Ausmaß es möglich wäre, künstliche Intelligenz derjenigen des Menschen anzugleichen, und ob künstliche Intelligenz jener des Menschen nicht ohnehin längst überlegen ist. Wenn es um rein mathematisch-logische Intelligenz geht, ist die letzte, die dritte Frage, klar mit „Ja“ zu beantworten. Computer rechnen schneller und haben größere Speicherkapazitäten. Vor allem aber: Sie machen keine Fehler. Die erste Frage betrifft in erster Linie ethisch-moralische Aspekte. Sie könnte gar nicht gestellt werden, wenn die Realisierbarkeit des Mensch-Ähnlichen nicht angestrebt würde. Selbstverständlich wird fieberhaft daran gearbeitet. Die zweite Frage ist – noch – offen, weil sie, siehe Frage 1, die Ansprache der menschlichen Intelligenz beinhaltet. Menschliche Intelligenz geht allerdings über das rein Logisch-Mathematische hinaus. Menschliche Intelligenz beinhaltet immer auch unlogische, weil psycho-logische Dimensionen. Das heißt: Der Mensch ist ohne Emotionen, ohne Gefühle, ohne Irrationalität nicht vorstellbar. Welche Kriterien müsste ein Androiden-Roboter erfüllen, um so zu sein, dass Unvoreingenommene ihn mit einem Menschen verwechseln? Wie müsste ein solcher Apparat aufgebaut sein? Was müsste er können? Von den physischen, mechanischen Äußerlichkeiten, die relativ problemlos modelliert werden können abgesehen, gilt es ganz besonders, dem Androiden eine der menschlichen Psyche möglichst nahe kommende Software einzubauen, die dazu führt, dass der Apparat sich menschlich verhält. Der menschliche Makel Wenn man also einen richtigen Menschen nachbauen wollte, müsste man ihm auch den für das Menschsein unverzichtbaren menschlichen Makel einzuhauchen. Keinesfalls sollte er aalglatt und fehlerfrei sein, anderenfalls er rasch als Maschine enttarnt würde. Der Android müsste also so etwas wie neurotisch sein können. Er müsste Humor besitzen. Mitleid und Vorfreude. Ein menschähnlicher Homunculus muss sprechen, erfinden, situationslogisch reagieren und handeln können. Muss fühlen können. Muss das Leiden und die Freude kennen, das Wünschen und Wollen. Und vieles mehr. Oder ist am Ende solches gar nicht notwendig? Reicht es aus, wenn die Maschine checkt, wie wir funktionieren, damit sie, uns dienend, reagiert – und sich bei allem, was sie tut und berechnet, über ihr Maschinen-Sein bewusst bleibt? Zu den Reaktionen gehören auf der menschlich-psychischen Ebene ja auch Kompensationen und die Verdrängung ungewünschter Inhalte, die auf das Innigste mit der auf frühkindlichen Prägungen basierenden Persönlichkeitsorganisation verkoppelt sind. Man müsste einem solchen Maschinen-Menschenwesen also ein dem Menschlichen entsprechendes Sensorium einpflanzen. Man müsste es so programmieren, dass es sich in eine menschliche Person hineinzuversetzen kann. Das heißt: ein solcher Apparat müsste sich die Gefühlslage seines menschlichen Gegenübers vorstellen können, und zwar ohne dass man sie ihm mitteilt. Er müsste am Verhalten und den Bewegungen, der Mimik sowie austretenden Stress- und andere Hormonen ablesen können, wie der Mensch sich gerade fühlt, was er will – und er müsste darauf menschlich reagieren. Er müsste Empathie und Mitleid empfinden können. Er müsste also den Wunsch des menschlichen Gegenübers gegebenenfalls auch ablehnen oder zurückweisen, anderenfalls er ja nicht menschlich wäre. Eigentlich müsste er sogar Ekel empfinden und Angst haben können. Mit anderen Worten: Roboter müssten spinnen können, müssten durchdrehen, sich sehnen und träumen. Oder zumindest so programmiert werdeSupport the show (https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=2PU5W9H752VZJ&source=url)
Sensorium is the total brain capacity for focusing, processing, and interpreting. It is not a static state—it can fluctuate throughout the day. It can be influenced by sleep, food, stress, exercise, drugs, medications, and long term, through epigenetic phenomenon. If there is damage to the structure of the brain, it can permanently lowered. It is a slope, which we all move up and down on, based on our baseline, but then also influenced by many factors. In your 20s and 30s you are very far on the left side of the line. If you get stressed, sleep deprived, starving, maybe have a small infection, you may still be able to think, but just less clearly. If you did those same things to an elderly person, they would be sent into a full delirium, hallucinating, throwing things, yelling, seeing spiders on the wall, and looking psychotic. In this way it is common for an elderly person with dementia, they can be more confused in the evening then in the morning, they call this “sundowning”. We all have a baseline level of brain function, and this can be optimized by several factors like good sleep, good amounts of exercise, good mental functions (like reading), meaningful relationships, good spiritual practice, and meaningful work. For more notes on this episode go to: psychiatrypodcast.com Join David on Instagram: dr.davidpuder Twitter: @DavidPuder Facebook: DrDavidPuder Personal Website: www.DavidPuder.com IOS Emotion Connection App
next_generation 7.0: SENSORIK | Symposium 14.06.2017 to 18.06.2017 With an exciting lecture program enriched the festival »next_generation 7.0 SENSORIK« Over five days and five nights, next_generation 7.0 offered an exciting and packed program on the latest positions on topics such as »Fixed Media«, »Spatial Music« and »Live-Electronics«, showing off the current creativity of the younger generation of producers in the context of technology and art. /// 14.06.2017 bis 18.06.2017 Mit einem spannenden Vortragsprogramm bereicherte das Festival »next_generation 7.0 SENSORIK« An fünf Tagen und fünf Nächten bot next_generation 7.0 ein spannendes und dichtes Programm über die neuesten Positionen zu den Themen »Fixed Media«, »Raummusik« und »Live-Elektronik«. Damit garantierte next_generation 7.0 eine repräsentative Übersicht über das aktuelle kreative Schaffen der kommenden Komponierendengeneration im Kontext von Technologie und Kunst.
2017 Version By Findike Findike - Sensorium (Original Mix) https://www.facebook.com/findikeOfficial/
“The first time I tasted her was the first time I felt like I could know her.” Rhonda spends their entire day relishing and re-living the sensation of going down on their girl. After they’re down South, face buried between her legs all morning long, they spend the rest of the day rediscovering the lingering scent. This episode is a re-release from the “Sensorium” episode, originally produced in 2013.
Sezer Uysal > www.soundcloud.com/sezeruysal Stay Tuned on Fb > www.facebook.com/8daymtl Follow 8day > @8day-montreal Artists across the creative realm frequently lament the difficulty of putting thoughts onto paper. In electronic dance music, it's the producers who battle the hardships of making the creativity of mind materialize on a computer screen. For Sezer Uysal, finding the right touch is more instinctual than voluntary. With half a dozen remixes and original productions reaching Beatport's coveted Top 100 Progressive House, Tech House, and Deep House charts, his ability in the studio has garnered attention from some of the most renowned titans of the industry.But it's all just the beginning for the young 28 year-old. With upcoming originals and remixes on Suara, Hope Recordings and his own Sensorium Music, combined with festival and club dates across Europe and Asia, Sezer Uysal finds himself on the eve of worldwide ascendancy. In 2010 his successful track “Singing In The Bathtub”, which reached the 1st position of Beatport's Deep House Chart for 3 months and main Beatport's Top 100 chart for weeks. Also his remix for Steve Duda stayed at Beatport's Top Prog 10 for some weeks. His debut `Space & Fears` on Suara reached 35th position at techno charts. Also his collabration track “Cyngus” with The Big Cat Coyu is just reached to 18th position on beatport tech house charts. Labels he works : Suara, Hope Recordings, Manual Music, Chapter 24 Records, Sensorium, Ministry Of Sound, Buddha Bar, Loco Records, Flow Vinyl, Beef and among others. He played at several clubs and festivals in Ibiza, Germany, Mexico, Amsterdam, Canada, Finland, Switzerland, Turkey, Russia, Tunisia, Hong Kong, China, Thailand, Japan, Peru and more ! He shared the decks with : Adam Beyer, Oliver Huntemann, Stephan Bodzin, Max Cooper, David August, Stimming, Hernan Cattaneo, Nick Warren, Sharam, Tiefchwarz, Betoko, M.A.N.D.Y, Sebastien Leger Supported by Pete Tong, John Digweed, Hernan Catteneo, Paul Oakenfold, Mark Knight, Coyu, Nick Warren, Dave Seaman, Karmon, Max Cooper, Microtrauma, 16 Bit Lolitas, Eelke Kleijn and many others. Nowadays, he just released his debut album on Manual Music (NL) and single from Suara Music. He has weekly radio show Radio FG 93.7 every saturday on 9PM www.facebook.com/sezeruysalmusic www.beatport.com/artist/sezer-uysal/93184 www.twitter.com/sezeruysal www.instagram.com/sezer.uysal Download for free on The Artist Union
Jean Howard from Columbia University delivers a talk titled “Jonson and the Urban Sensorium.” This talk was included in the session titled “Jonson and Urban Comedy.” Part of “Ben Jonson, 1616–2016,” a conference held at The Huntington Sept. 16–17, 2016.
Benedict Cumberbatch's Hamlet has been much-anticipated and every ticket was sold out a year in advance; will our critics be dazzled or disappointed? Sensorium at Tate Britain in London is a new exhibition which aims to stimulate all our senses as we view a selection of paintings. Can they enhance or distract us from the gallery experience? Tom Courtenay and Charlotte Rampling star in 45 Years, a British film about a couple celebrating their wedding anniversary when a long-forgotten event disturbs their happiness. Poet Les Murray has been declared by The National Trust of Australia as one of the 100 Australian Living Treasures. Now 76, he has just published his latest collection: Waiting For The Past BBC TV has begun a 4-part series The Ascent of Woman, looking at the history of women from the dawn of civilisation to the modern day. Tom Sutcliffe is joined by Tracy Chevalier, Alice Rawsthorn and Kathryn Hughes. The Producer is Oliver Jones.
Nos vamos de museos, pero estos son diferentes. Hacemos un repaso a museos únicos, curiosos y escalofriantes, como el Sensorium, a 15 km de Berna, en el que se espera que el visitante experimento cómo ve el ojo, cómo oye el oído… o el museo del espionaje en Washington, en el que el visitante puede adquirir una falsa identidad. También conocemos el museo de los instrumentos de tortura medieval en Praga, no apto para sensibles, o los museos de las falsificaciones, uno en París y otro en Austria.
This conference looks at surrealist-infused practice in the field of film - examining the way in which the movement's ideas spread globally, as practitioners experimenting in the field of film, media, and performance returned to the surrealist sensorium
This conference looks at surrealist-infused practice in the field of film - examining the way in which the movement's ideas spread globally, as practitioners experimenting in the field of film, media, and performance returned to the surrealist sensorium
This conference looks at surrealist-infused practice in the field of film - examining the way in which the movement's ideas spread globally, as practitioners experimenting in the field of film, media, and performance returned to the surrealist sensorium
This conference looks at surrealist-infused practice in the field of film - examining the way in which the movement's ideas spread globally, as practitioners experimenting in the field of film, media, and performance returned to the surrealist sensorium
We broadcast live from the Sensorium Pictures film screening! www.sensoriumpictures.com
12/12/13 Cate Carson, Justin Plasse and Alex Gauthier make up Sensorium Pictures. They join us as we talk about their upcoming screening and plethora of other topics. Enjoy! www.sensoriumpictures.com @sensoriump @catecarson @justinplasse @Al_xGauthi_r
OSU professors Robert Ladislas Derr (Art), Heather Inwood (East Asian Languages and Literatures), and Norah Zuniga-Shaw (Dance) come together to consider how corporeal engagement inflects and is inflected by technology and arts practices. Derr stages both a corporeal and a historical encounter with Christopher Columbus, sensing his way through both past and present, Inwood analyses excretory excesses written into contemporary Chinese poetry, especially in the School of Rubbish and the School of Spam, and Zuniga-Shaw and her students offer perspectives on how technologically mediating physical practices such as dance opens up new questions around the body, movement, aesthetics, and decision-making. Discover Columbus In his project, Discovering Columbus, Robert Ladislas Derr utilizes the power of perspective and video technology to explore the convergence of ten towns in the U.S. named after the 15thcentury explorer. Constellations transposed on streets serve as navigation. Transcending time and place, his point of departure is wanderlust and the iconic explorer. Heather Inwood’s presentation will look at Chinese poetry on the internet that deals with the human body, examining avant-garde poems published online in the mid-2000s to consider the connection between the human body and digital technologies. She will explore the changes that occurred when practitioners of “body writing” (shenti xiezuo) moved online and suggest that poems that deal with bodily processes and sensations function as a form of meta-poetry, or poetry about poetry. The School of Rubbish (lajipai), whose writings included a style known as “shit and piss writing,” and the School of Spam (guanshuipai), whose members liked to “spam” internet forums with their crudely written poems, are used as examples. Synchronous Objects Norah Zuniga Shaw will discuss choreographic knowledge as a locus for interdisciplinary and intercultural creativity. Shaw’s most recent project with William Forsythe and Maria Palazzi, Synchronous Objects, was launched online and installed at the Wexner Center for the Arts in 2009. She will discuss how this work has impacted international audiences and connected viewers with the deep structures of a dance and the generative ideas contained within.
OSU professors Robert Ladislas Derr (Art), Heather Inwood (East Asian Languages and Literatures), and Norah Zuniga-Shaw (Dance) come together to consider how corporeal engagement inflects and is inflected by technology and arts practices. Derr stages both a corporeal and a historical encounter with Christopher Columbus, sensing his way through both past and present, Inwood analyses excretory excesses written into contemporary Chinese poetry, especially in the School of Rubbish and the School of Spam, and Zuniga-Shaw and her students offer perspectives on how technologically mediating physical practices such as dance opens up new questions around the body, movement, aesthetics, and decision-making. Discover Columbus In his project, Discovering Columbus, Robert Ladislas Derr utilizes the power of perspective and video technology to explore the convergence of ten towns in the U.S. named after the 15thcentury explorer. Constellations transposed on streets serve as navigation. Transcending time and place, his point of departure is wanderlust and the iconic explorer. Heather Inwood’s presentation will look at Chinese poetry on the internet that deals with the human body, examining avant-garde poems published online in the mid-2000s to consider the connection between the human body and digital technologies. She will explore the changes that occurred when practitioners of “body writing” (shenti xiezuo) moved online and suggest that poems that deal with bodily processes and sensations function as a form of meta-poetry, or poetry about poetry. The School of Rubbish (lajipai), whose writings included a style known as “shit and piss writing,” and the School of Spam (guanshuipai), whose members liked to “spam” internet forums with their crudely written poems, are used as examples. Synchronous Objects Norah Zuniga Shaw will discuss choreographic knowledge as a locus for interdisciplinary and intercultural creativity. Shaw’s most recent project with William Forsythe and Maria Palazzi, Synchronous Objects, was launched online and installed at the Wexner Center for the Arts in 2009. She will discuss how this work has impacted international audiences and connected viewers with the deep structures of a dance and the generative ideas contained within.
OSU professors Robert Ladislas Derr (Art), Heather Inwood (East Asian Languages and Literatures), and Norah Zuniga-Shaw (Dance) come together to consider how corporeal engagement inflects and is inflected by technology and arts practices. Derr stages both a corporeal and a historical encounter with Christopher Columbus, sensing his way through both past and present, Inwood analyses excretory excesses written into contemporary Chinese poetry, especially in the School of Rubbish and the School of Spam, and Zuniga-Shaw and her students offer perspectives on how technologically mediating physical practices such as dance opens up new questions around the body, movement, aesthetics, and decision-making. Discover Columbus In his project, Discovering Columbus, Robert Ladislas Derr utilizes the power of perspective and video technology to explore the convergence of ten towns in the U.S. named after the 15thcentury explorer. Constellations transposed on streets serve as navigation. Transcending time and place, his point of departure is wanderlust and the iconic explorer. Heather Inwood’s presentation will look at Chinese poetry on the internet that deals with the human body, examining avant-garde poems published online in the mid-2000s to consider the connection between the human body and digital technologies. She will explore the changes that occurred when practitioners of “body writing” (shenti xiezuo) moved online and suggest that poems that deal with bodily processes and sensations function as a form of meta-poetry, or poetry about poetry. The School of Rubbish (lajipai), whose writings included a style known as “shit and piss writing,” and the School of Spam (guanshuipai), whose members liked to “spam” internet forums with their crudely written poems, are used as examples. Synchronous Objects Norah Zuniga Shaw will discuss choreographic knowledge as a locus for interdisciplinary and intercultural creativity. Shaw’s most recent project with William Forsythe and Maria Palazzi, Synchronous Objects, was launched online and installed at the Wexner Center for the Arts in 2009. She will discuss how this work has impacted international audiences and connected viewers with the deep structures of a dance and the generative ideas contained within.
OSU professors Robert Ladislas Derr (Art), Heather Inwood (East Asian Languages and Literatures), and Norah Zuniga-Shaw (Dance) come together to consider how corporeal engagement inflects and is inflected by technology and arts practices. Derr stages both a corporeal and a historical encounter with Christopher Columbus, sensing his way through both past and present, Inwood analyses excretory excesses written into contemporary Chinese poetry, especially in the School of Rubbish and the School of Spam, and Zuniga-Shaw and her students offer perspectives on how technologically mediating physical practices such as dance opens up new questions around the body, movement, aesthetics, and decision-making. Discover Columbus In his project, Discovering Columbus, Robert Ladislas Derr utilizes the power of perspective and video technology to explore the convergence of ten towns in the U.S. named after the 15thcentury explorer. Constellations transposed on streets serve as navigation. Transcending time and place, his point of departure is wanderlust and the iconic explorer. Heather Inwood’s presentation will look at Chinese poetry on the internet that deals with the human body, examining avant-garde poems published online in the mid-2000s to consider the connection between the human body and digital technologies. She will explore the changes that occurred when practitioners of “body writing” (shenti xiezuo) moved online and suggest that poems that deal with bodily processes and sensations function as a form of meta-poetry, or poetry about poetry. The School of Rubbish (lajipai), whose writings included a style known as “shit and piss writing,” and the School of Spam (guanshuipai), whose members liked to “spam” internet forums with their crudely written poems, are used as examples. Synchronous Objects Norah Zuniga Shaw will discuss choreographic knowledge as a locus for interdisciplinary and intercultural creativity. Shaw’s most recent project with William Forsythe and Maria Palazzi, Synchronous Objects, was launched online and installed at the Wexner Center for the Arts in 2009. She will discuss how this work has impacted international audiences and connected viewers with the deep structures of a dance and the generative ideas contained within.
OSU professors Robert Ladislas Derr (Art), Heather Inwood (East Asian Languages and Literatures), and Norah Zuniga-Shaw (Dance) come together to consider how corporeal engagement inflects and is inflected by technology and arts practices. Derr stages both a corporeal and a historical encounter with Christopher Columbus, sensing his way through both past and present, Inwood analyses excretory excesses written into contemporary Chinese poetry, especially in the School of Rubbish and the School of Spam, and Zuniga-Shaw and her students offer perspectives on how technologically mediating physical practices such as dance opens up new questions around the body, movement, aesthetics, and decision-making. Discover Columbus In his project, Discovering Columbus, Robert Ladislas Derr utilizes the power of perspective and video technology to explore the convergence of ten towns in the U.S. named after the 15thcentury explorer. Constellations transposed on streets serve as navigation. Transcending time and place, his point of departure is wanderlust and the iconic explorer. Heather Inwood’s presentation will look at Chinese poetry on the internet that deals with the human body, examining avant-garde poems published online in the mid-2000s to consider the connection between the human body and digital technologies. She will explore the changes that occurred when practitioners of “body writing” (shenti xiezuo) moved online and suggest that poems that deal with bodily processes and sensations function as a form of meta-poetry, or poetry about poetry. The School of Rubbish (lajipai), whose writings included a style known as “shit and piss writing,” and the School of Spam (guanshuipai), whose members liked to “spam” internet forums with their crudely written poems, are used as examples. Synchronous Objects Norah Zuniga Shaw will discuss choreographic knowledge as a locus for interdisciplinary and intercultural creativity. Shaw’s most recent project with William Forsythe and Maria Palazzi, Synchronous Objects, was launched online and installed at the Wexner Center for the Arts in 2009. She will discuss how this work has impacted international audiences and connected viewers with the deep structures of a dance and the generative ideas contained within.
OSU professors Robert Ladislas Derr (Art), Heather Inwood (East Asian Languages and Literatures), and Norah Zuniga-Shaw (Dance) come together to consider how corporeal engagement inflects and is inflected by technology and arts practices. Derr stages both a corporeal and a historical encounter with Christopher Columbus, sensing his way through both past and present, Inwood analyses excretory excesses written into contemporary Chinese poetry, especially in the School of Rubbish and the School of Spam, and Zuniga-Shaw and her students offer perspectives on how technologically mediating physical practices such as dance opens up new questions around the body, movement, aesthetics, and decision-making. Discover Columbus In his project, Discovering Columbus, Robert Ladislas Derr utilizes the power of perspective and video technology to explore the convergence of ten towns in the U.S. named after the 15thcentury explorer. Constellations transposed on streets serve as navigation. Transcending time and place, his point of departure is wanderlust and the iconic explorer. Heather Inwood’s presentation will look at Chinese poetry on the internet that deals with the human body, examining avant-garde poems published online in the mid-2000s to consider the connection between the human body and digital technologies. She will explore the changes that occurred when practitioners of “body writing” (shenti xiezuo) moved online and suggest that poems that deal with bodily processes and sensations function as a form of meta-poetry, or poetry about poetry. The School of Rubbish (lajipai), whose writings included a style known as “shit and piss writing,” and the School of Spam (guanshuipai), whose members liked to “spam” internet forums with their crudely written poems, are used as examples. Synchronous Objects Norah Zuniga Shaw will discuss choreographic knowledge as a locus for interdisciplinary and intercultural creativity. Shaw’s most recent project with William Forsythe and Maria Palazzi, Synchronous Objects, was launched online and installed at the Wexner Center for the Arts in 2009. She will discuss how this work has impacted international audiences and connected viewers with the deep structures of a dance and the generative ideas contained within.
Episode One. Experience more than sight, sound, smell, taste, touch. Venture with us beyond the 5-way sense scape.
Choreographer Alastair Marriott introduces his work Sensorium at an Insights event. With contribution from Royal Ballet dancers Gary Avis and Melissa Hamilton.
Tierärztliche Fakultät - Digitale Hochschulschriften der LMU - Teil 05/07
Die meisten chirurgischen Eingriffe beim Kalb werden unter Allgemeinanästhesie durchgeführt. Die Narkoseüberwachung und -steuerung erfolgt in der Regel lediglich anhand klinischer Parameter. In der Humanmedizin werden jedoch zunehmend zusätzlich EEG-Monitore eingesetzt. So handelt es sich auch beim Narcotrendmonitor um ein computergestütztes Auswertungssystem für Elektroenzephalogramme (EEG), welches das Roh-EEG in einen numerischen Index von 0 (sehr tiefe Narkose) bis 100 (wach) umwandelt. Das Gerät wurde für die Humanmedizin entwickelt und soll hier eine verbesserte Narkoseüberwachung und individuelle Anästhetikadosierung ermöglichen. Ziel der vorliegenden Studie war es, die Anwendbarkeit des Narcotrendmonitors (Version 4.7) beim Kalb zu überprüfen. Material und Methodik: Hierfür wurde bei 43 Fleckviehkälbern sowohl während der Operation als auch in der sich anschließenden Aufwach-, oder Vertiefungsphase bei Tieren, die euthanasiert werden mussten, die Narkose überwacht und die Daten erhoben. Somit wurden auch Wachzeitpunkte oder Phasen zu flacher oder zu tiefer Narkosestadien mit erfasst. Des Weiteren wurde vor der Narkoseeinleitung das Allgemeinbefinden sowie das Sensorium der Tiere als ungestört (Gruppe 1) oder gestört (Gruppe 2) eingestuft. Das Alter der Tiere lag zum Zeitpunkt der Operation zwischen 2 Tagen und 4,5 Monaten. Für die Narkose wurde das Standardregime der Klinik für Wiederkäuer verwendet, das heißt Sedation mit Xylazin (0,2 mg/kg i.m.), Einleitung mit Ketamin (2 mg/kg i.v.) und Narkoseerhaltung mit Isofluran (per inhalationem). Die Tiere atmeten während der gesamten Narkose spontan. Die Einschätzung der Narkosetiefe erfolgte anhand der klinischen Parameter Reflexe (Zwischenklauen-, Lid-, Kornealreflex), Bulbusstand und Abwehrbewegungen in vier Stadien: „wach“, „zu flach“, „adäquat“ und „zu tief“. Der Narcotrendindex wurde lediglich miterfasst, hatte jedoch keinen Einfluss auf die Narkosesteuerung. Zu den Zeitpunkten Hautschnitt und bei Manipulation am Peritoneum wurde gesondert auf Schmerzreaktionen geachtet. Das Roh-EEG wurde im Anschluss in einer visuellen Auswertung auf Burst-Suppressionen (Muster, welche in tiefer Narkose auftreten) überprüft. Dies geschah für beide Gruppen, ebenso wie die Auswertung der Vertiefungsphase. Für die restliche Datenauswertung wurden lediglich Tiere mit ungestörtem Allgemeinbefinden und Sensorium herangezogen. Ergebnisse: Zwischen Narcotrendindex und den klinisch ermittelten Narkosestadien „zu flach“, „adäquat“ und „zu tief“ gab es keine erkennbare Beziehung. Auch das Stadium „wach“ konnte nicht abgegrenzt werden. Des Weiteren konnte der Narcotrendindex die analgetische Komponente der Narkose nicht widerspiegeln. Auch hier gab es keinen signifikanten Unterschied zwischen den Tieren, die auf einen chirurgischen Reiz hin eine Reaktion zeigten oder nicht. Zwischen dem Narcotrendindex und der endexspiratorischen Isoflurankonzentration zeigte sich in beiden Gruppen eine schwache signifikante Korrelation nach Spearman (Gruppe 1: r = 0,309, Vertiefungsphase (beide Gruppen): r = 0,317). Hinsichtlich der Klassifizierung von Burst-Suppressionen konnten 83,5 % der EEG-Abschnitte mit und 98,7 % ohne diesem Muster korrekt eingeordnet werden. Hier zeigte sich kein statistisch signifikanter Unterschied zwischen den beiden Gruppen. Sie unterschieden sich jedoch sehr deutlich bezüglich der Häufigkeit von Burst-Suppressions-Mustern. So waren es in Gruppe 1 1,6 %, in Gruppe 2 hingegen 31,3 %. Schlussfolgerung: Eine eins zu eins Anwendung der Algorithmen des Narcotrendindex, der für Menschen entwickelt wurde, auf das Kalb war unter diesen Voraussetzungen nicht möglich. Somit konnte der Narcotrendmonitor unter den gewählten Bedingungen keinen Beitrag zum Narkosemonitoring beim Kalb leisten.
Karen Aqua has created animated films exploring the themes of ritual, journeys, transformation, and the human spirit since 1976 with her 1st animated short, Penetralia. Much of her work reflects an interest in symbols, mythology, and prehistoric and tribal cultures, and includes elements of rhythm, dance, and music.Her award-winning films have been screened nationally and internationally, at film festivals, museums, and universities. Aqua’s animation also appears regularly on Sesame Street.Karen's recent film Sensorium is a hand-drawn experimental animation exploring the relationship between music and image that is inspired by dance gestures and movements found in nature such as water and tide pools, the film is a study of sound/motion synthesis.
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