Podcasts about Ovid

In this episode of Crack the Book, we take a look at Week Fourteen of Ted Gioia's Humanities Course, covering Virgil's The Aeneid (Books 1–2), Ovid's Metamorphoses (Book 1), and selections from The Portable Roman Reader. The focus is on key texts from Roman literature, their historical context, and their connections to earlier Greek works, providing an overview of their content and significance.Key Discussion Points: Virgil's The Aeneid (Robert Fagles' Translation): Written between 29–19 BCE, The Aeneid serves as Rome's foundational epic, modeled on Homer's Iliad and Odyssey. Book 1 opens with Aeneas, a Trojan survivor, shipwrecked on Carthage's shore due to Juno's interference, meeting Queen Dido, an exile from Tyre. Book 2 recounts Troy's fall, including the Trojan Horse stratagem and Aeneas' escape with his father Anchises and son Ascanius, losing his wife Creusa. The text emphasizes Aeneas' pietas (duty to gods, family, state). Divine rivalries, notably Juno's grudge from the Judgment of Paris and Venus' protection of Aeneas, drive the narrative. The Fagles translation includes maps and a glossary for accessibility. Ovid's Metamorphoses (David Raeburn's Translation): Composed around 8 CE, Metamorphoses is a 15-book poem chronicling transformations from creation to Ovid's era. Book 1 covers the creation of the cosmos from Chaos, the division into four elements (fire, water, earth, air), and humanity's decline from the Golden to Iron Age. It includes a flood narrative with Deucalion and Pyrrha and the story of Io, transformed into a cow by Jupiter to evade Juno. The Raeburn edition organizes vignettes with titled sections for clarity. The Portable Roman Reader (Basil Davenport, Ed.): Published in 1951, this anthology includes poetry from Rome's Republic, Augustan, and later Empire periods. Catullus (c. 60s–50s BCE) offers direct, personal verses, translated by Byron. Horace (65–8 BCE) writes complex, philosophical odes, less accessible due to style. Martial (c. 38–104 CE) provides epigrams on public life, including two elegies for a deceased young girl. Davenport's notes contextualize each era, and the anthology features prose by Livy, Caesar, and Tacitus for future study. Contextual Notes: The texts reflect Rome's engagement with Greek literary traditions, adapting gods' names (e.g., Hera to Juno) and themes. The course's schedule prioritizes rapid coverage to identify key works and connections.Takeaways:I loved this week so much! It felt great to come "home" to Rome. I've got specific ideas about how to approach each of these books, but in my opinion they are all worth the time for certain people. The music was gorgeous, arias and overtures from Puccini and Verdi! You must listen...check out my link below. And the cave paintings were worth examining as well, especially the handprints from Indonesia. See that link below, too.This is a year-long challenge! Join me next week for WHATEVER IS NEXTLINKSTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)Spotify Play List of Puccini and Verdi without wordsCave...

Ovids „Metamorphosen“ zählen zu den bekanntesten Werken der Welt­lite­ra­tur und zugleich zu den rätsel­haf­tes­ten. Es ist keine durch­­gän­­gige Helden­erzäh­lung, die das Publikum seit zweitausend Jahren in ihren Bann zieht, sondern Geschichte auf Geschichte in sich immer neu entwickelnden Verflech­tun­gen, mit wechselnden Perspektiven und komplexen, mehr­strän­gi­gen Strukturen. Auch der Autor gibt uns bis heute Rätsel auf – wer war Ovid, warum wurde er verbannt? – Oder ist all das Fiktion? Schließlich ist auch das Lesepublikum Metamorphosen unterworfen, indem sich die gesellschaftliche Perspektive auf das Erzähl­te bis heute ständig verändert. Ein Vortrag von Alt­philo­lo­gin Katharina Wesselmann (Universität Potsdam). Den Originalbeitrag und mehr finden Sie bitte hier: https://lisa.gerda-henkel-stiftung.de/salon_sc_2025_carmen_perpetuum_ovids_ununterbrochene_metamorphosen

Ovids „Metamorphosen“ zählen zu den bekanntesten Werken der Welt­lite­ra­tur und zugleich zu den rätsel­haf­tes­ten. Es ist keine durch­­gän­­gige Helden­erzäh­lung, die das Publikum seit zweitausend Jahren in ihren Bann zieht, sondern Geschichte auf Geschichte in sich immer neu entwickelnden Verflech­tun­gen, mit wechselnden Perspektiven und komplexen, mehr­strän­gi­gen Strukturen. Auch der Autor gibt uns bis heute Rätsel auf – wer war Ovid, warum wurde er verbannt? – Oder ist all das Fiktion? Schließlich ist auch das Lesepublikum Metamorphosen unterworfen, indem sich die gesellschaftliche Perspektive auf das Erzähl­te bis heute ständig verändert. Ein Vortrag von Alt­philo­lo­gin Katharina Wesselmann (Universität Potsdam). Den Originalbeitrag und mehr finden Sie bitte hier: https://lisa.gerda-henkel-stiftung.de/salon_sc_2025_carmen_perpetuum_ovids_ununterbrochene_metamorphosen

Dante now walks with the skeletal gluttons who have God's writing on their faces.Along the way, there are increasingly complex and almost gaming literary references that litter the text until Dante the pilgrim suddenly is recognized by a fellow, contemporary, vernacular poet who is not known for any high style but is instead a champion of a low, vulgar poetry in this hip, new form of the sonnet.Join me, Mark Scarbrough, as we look into the mirror of an increasingly complex meta reality in COMEDY as Dante the pilgrim meets his friend and rival Forese Donati on the sixth terrace of Mount Purgatory.Here are the segments for this episode of WALKING WITH DANTE:[01:22] My English translation of the passage: PURGATORIO, Canto XXIII, lines 28 - 48. If you'd like to read along or continue the conversation with me in the comment section at the bottom of the page, please find the entry for this episode on my website, markscarbrough.com.[03:23] Internal thoughts--less revelatory than just rehearsed--about the siege of Jerusalem in 70 CE.[09:27] The potential blasphemy of the pelican in her piety.[12:50] Three references to other texts in increasing opacity: from Dante's VITA NUOVA, from Ovid's METAMORPHOSES, and from Josephus' history (sort of).[15:30] Starved enough to see God's writing in the human face: a felix culpa?[21:31] A misplaced tercet in COMEDY?[22:52] Forese Donati and Dante v. Statius and Virgil.[31:18] Rereading the passage: PURGATORIO, Canto XXIII, lines 28 - 48.

The Honest Broker's Humanities Course shifts to the Middle East and Persia, exploring the Quran (circa 800 A.D.) and the 13th-century poet Rumi, before returning to Rome next week. The reading, kept under 250 pages, includes 14 of the Quran's 114 surahs (1-5, 12, 17, 18, 32, 36, 55, 67, 103, 112) and self-selected Rumi poems. New to both texts, I approached them with curiosity, trusting the curator's selection after prior Bible readings, but found the experience underwhelming.The Quran portrays Allah as focused on division between believers and unbelievers, with frequent mentions of hell for those lacking faith. Submission to Allah's will is paramount, and praying toward Mecca symbolizes spiritual alignment and community unity. The text excludes Jews from Abraham's promise if they do wrong, though some verses suggest salvation for believers, possibly including Jews and Christians. Jesus is depicted as a prophet, not divine, contrasting Christian beliefs. Allah seems to emphasize punishing unbelievers, with hell referenced often, and fasting is highlighted as a path to righteousness, noted during Ramadan.Familiar Biblical stories—Cain and Abel, Joseph, Moses—appear but differ from their older Genesis versions. Joseph, for example, is nearly perfect in the Quran, unlike the flawed figure in the Bible. The origins of these variations remain unclear after online research. Some Quranic verses, like “God does not burden any soul beyond its capacity” (Surah 2:286), contrast with Christian teachings, such as Galatians 6:2's call to “bear one another's burdens.”Rumi's poetry feels modern and dreamlike but elusive compared to upcoming Roman poets. Plans are in place to revisit Rumi when studying Dante, a contemporary. The Quran was read on a Kindle (Clear Quran translation), which hindered the experience due to reliance on spatial memory for physical books, making note-taking and recall difficult. Nusrat Fateh Ali Khan's music and Islamic architecture were briefly explored but felt overwhelming. Next week's reading covers Virgil's Aeneid (Books 1 and 2), Ovid's Metamorphoses (Book 1), and selections from Horace, Catullus, and Sulpicia in Davenport's Portable Roman Reader, with Verdi and Puccini arias and cave art.LINKSTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)Rumi's PoemsCONNECTTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm

Our pilgrim must move beyond the mystical tree on the sixth terrace of Mount Purgatory. So he sets off behind Virgil and Statius, only to overtaken by a group of cadaverous, skeletal penitents, whose hollow eyes watch the pilgrim's slower journey.This passage is an interesting set of problems: low stylists which end up with Ovidian references, all tied up in the very real medieval problem of starvation.Join me, Mark Scarbrough, as we work through this passage of camaraderie, mentorship, and growing affection on the terrace of gluttony.Here are the segments for this episode of WALKING WITH DANTE:[01:13] My English translation of the passage: PURGATORIO, Canto XXIII, lines 1 - 27. If you'd like to read along or start a conversation with me and others about this passage, please find the entry for this episode on my website, markscarbrough.com.[03:19] Camaraderie and mentorship in a lower style with a final salvo at avarice.[11:34] A psalm fragment in Latin and a possible quibble about Virgil's character.[16:26] Pensive pilgrims, right out of the VITA NUOVA, Dante's earlier work.[20:05] Ovid's METAMORPHOSES as a source for hunger: cited thoroughly and then overwritten beyond its ending.[25:04] Rereading the passage: PURGATORIO, Canto XXIII, lines 1 - 27.

Did Dante think that the characters in Virgil's and Statius's poems were real? Did he believe that the characters who changed shape, being, and even substance in Ovid's METAMORPHOSES were actual and historical?This complicated questioning has no final answer . . . which means it can drive most of us modern, post-scientific-revolution people nuts?But it all goes back to Dante's relationship with his own primary text, the Bible? He didn't doubt its stories. Perhaps he didn't doubt other texts as quickly as we might.But he also didn't assign meaning quite as quickly as we do.Let's explore some answers to this thorny question: Did Dante think Aeneas, Dido, and other classical characters were real?

* Check out the new Thinker's Tavern discussion series athttps://www.instituteforfemininemyth.org/thinkers-tavern  *This week's podcast looks at the figure of Hermaphroditus, son of Hermes (Mercury) and Aphrodite (Venus), and his encounter with the aggressive nymph Salmacis, her prayer turning them into a single being that is both male and female and neither at the same time. While Salmacis is often viewed as an aggressive woman attacking an innocent boy, an inscription at Salmacis' pool in Halicarnassus suggests a very different view of the myth. We explore the idea of the Hermaphrodite as representing the bonds of marriage and ideas about marriage, as well as its connection to Plato's myth of the proto-human in the Symposium. The articles referenced in the podcast were:Kelly, Peter. "Intersex and Intertext: Ovid's Hermaphroditus and the Early Universe," Exploring Gender Diversity in the Ancient World, Allison Surtees and Jennifer Dyer, eds. Edinburgh University Press, 2020. Romano, Allen T. "The Invention of Marriage: Hermaphroditus and Salmacis at Halicarnassus and in Ovid," The Classical Quarterly, Vol. 59, No. 2 (Dec. 2009), pp. 543-561.

One of my areas of study in my undergraduate degree was the religions and cults in the Mediterranean—from Ancient Greek religion to Roman to Judaism and into early Christianity. Through this work, you can see the commonalities in these moral and cultural norms as well as the religious similarities, and of course, I continue to feel frustrated at seeing the talk, through the world, about immigrants. Whether they are illegal, how do we treat them, how do we “protect” our land, resources. It always makes me wonder if the laws of hospitality that were SO incredibly important to the religions and governments in the Bible and Ancient Greek religion and culture (the “basis for our own constitution”) matter to those in charge. Do they understand the root of the messages they seem to preach? So, rather than get on a soap box and condemn the hypocrite I wanted to talk about stranger and hospitality in Greek Myth and in the Bible that you might think you know. We will discuss Xenia (Greek: ξενία [kse'ni.a]) and Theoxeny.References and SourcesMythology of Hospitality, by Alilia Athena, Aug 10,2024:  https://paleothea.com/cultural-myths/mythology-of-hospitality/The Stranger from Bible Hub: https://biblehub.com/topical/t/the_stranger.htm  A Brief Biblical Case for LGBTQ inclusion, The ReformationProject: https://reformationproject.org/case/sodom-and-gomorrah/  The Story Of Sodom And Gomorrah Asks Us To Consider Our OwnInhospitality. Grant Hartley,  December11, 2022. https://outreach.faith/2022/12/the-story-of-sodom-and-gomorrah-asks-us-to-consider-our-own-inhospitality/  Embracing the Stranger: Hospitality in the Bible, PastorFari Maghami: https://coastalchurch.org/embracing-the-stranger-hospitality-in-the-bible/   Philoxenia – Greek Hospitality – The Myth of Baucis andPhilemon https://greekerthanthegreeks.com/philoxenia-greek-hospitality-the-myth-of-baucis-and-philemon/  Xeniahttps://en.wikipedia.org/wiki/Xenia_(Greek)On Meeting Gods in Disguise: The Myths of Ovid and theMessage of Paul by Noah Huismanhttps://noahhuisman.substack.com/p/on-meeting-gods-in-disguiseReferencesBiblical & Roman/Greek References:Genesis 18–19Judges 19Ezekiel 16:49-50Isaiah 1:10-17Jeremiah 23:14Amos 4:1-11Zephaniah 2:8-11Sirach 16:8Wisdom 19:15Matthew 25:35Luke 10:25-37Hebrews 13:2Acts 14 (Paul and the gods Zeus and Hermes)Ovid, MetamorphosesPhilo of Alexandria, writings on SodomAugustine's interpretations (early 5th century)Here are some New Testament biblical passages that directlyinstruct and command  to show hospitalityas a people who are called to follow Christ:Romans 12:13 – “Share with the Lord's people whoare in need. Practice hospitality.”1 Peter 4:9 – “Offer hospitality to one anotherwithout grumbling.”Hebrews 13:2 – “Do not forget to showhospitality to strangers, for by so doing some people have shown hospitality toangels without knowing it.”Titus 1:8 – “Rather, he must be hospitable, onewho loves what is good, who is self-controlled, upright, holy and disciplined.”Matthew 25:35 – “For I was hungry and you gaveme something to eat, I was thirsty and you gave me something to drink, I was astranger and you invited me in.”3 John 1:5-8 – “Dear friend, you are faithful in what you are doing for the brothers and sisters, even though they are strangers to you. They have told the church about your love. Please send them on their way in a manner that honors God. It was for the sake of the Name that they went out, receiving no help from the pagans. We ought therefore to show hospitality to such people so that we may work together for the truth.”

In this episode, we once again return to the Christ myth, in our search for the devil in Science Fiction with The Matrix. The Christ Myth is usually the story of a chosen one, a demi god, not exactly god but more than human with supernatural powers coming to rescue us all from evil. I would argue, Matrix is the most blatant and obvious of our Christ myth stories.  Special guest stars include Keanu Reeves, Thomas Anderson, Neo, Kung Fu, Trinity, John the Baptist, Morpheus, Jesus, River Jordan, red pill, Roman, Ovid, Metamorphoses, Cypher, Rolling Stones, Beatles, Oasis, Blur, Niki Minaj, Lil' Kim, Agent Smith, Wachowskis, Geocites, Sydney, 2000 Olympics, Australia, Melbourne, Athens, Greeks, Olympic Games, Sydney Opera House, Sydney Harbour Bridge, George Lucas, Star Wars, The Phantom Menace, September 11, 2001,   #666 #SketchComedy #Sketch #Comedy #Sketch Comedy #Atheist #Science #History #Atheism #Antitheist #ConspiracyTheory #Conspiracy #Conspiracies #Sceptical #Scepticism #Mythology #Religion #Devil #Satan #Satanism #Satanist #Skeptic #Debunk #Illuminati #Podcast #funny #sketch #skit #comedy #comedyshow #comedyskits #HeavyMetal #weird #leftist #SatanIsMySuperhero #ScienceFiction #SciFiSend us a text

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Today, we delve into how Medieval Christians depicted ants and their predator, the sometimes legendary antlion, in Medieval bestiaries. Subscribe to my YouTube channel https://www.youtube.com/@imightbelieveinfaeries7563I Might Believe in Faeries is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Resources: “The Aberdeen Bestiary | the University of Aberdeen.” Abdn.ac.uk, 2019, www.abdn.ac.uk/bestiary/. Aesop. “Library of Congress Aesop Fables.” Read.gov, read.gov/aesop/052.html. Badke, David. “Medieval Bestiary : Animals in the Middle Ages.” Bestiary.ca, 1 Oct. 2024, bestiary.ca/index.html. Accessed 10 May 2025. Druce, George C. “An Account of the Mυρμηκολέων or Ant-Lion.” The Antiquaries Journal, vol. 3, no. 4, Oct. 1923, pp. 347–364, bestiary.ca/etexts/druce-account-of-the-ant-lion.pdf, https://doi.org/10.1017/s0003581500015031. Accessed 9 May 2025. The Etymologies of Isidore of Seville. Cambridge University Press, 8 June 2006. “Gregory the Great - Moralia in Job (Morals on the Book of Job) - Book v (Book 5) - Online.” Lectionarycentral.com, 2025, www.lectionarycentral.com/GregoryMoralia/Book05.html. Accessed 9 May 2025. Heck, Christian, and Rémy Cordonnier. The Grand Medieval Bestiary : Animals in Illuminated Manuscripts. New York, Ny, Abbeville Press, 2018. von Bingen, Hildegard, and Priscilla Throop. Hildegard von Bingen's Physica : The Complete Translation of Her Classic Work on Health and Healing. Rochester, Vt., Healing Arts Press, C, 1998. Hope, Louise, and Steve Schulze. “The Project Gutenberg EBook of Metamorphoses, by Ovid.” Gutenberg.org, 2021, www.gutenberg.org/files/21765/21765-h/21765-h.htm#bookVII_fableVI. Accessed 9 May 2025. Get full access to I Might Believe in Faeries at aaronirber.substack.com/subscribe

The Gospel Manifesto in the Book of Romans Pt. 2: The Bad News, Romans 1:18-3:20 By Louie Marsh, 5-4-2025 3 Cartoons,   And Finally…   Doctor: "I have good news and bad news."  Patient: "Go with the good news first."  Doctor: "You have 24 hours to live."  Patient: "What?! How about the bad news?"  Doctor: Um... I forgot to tell you yesterday."   1) God wrath (anger) is stirred when I REPRESS the truth.   18  For the wrath of God is revealed from heaven against all ungodliness and unrighteousness of men, who by their unrighteousness suppress the truth. 19  For what can be known about God is plain to them, because God has shown it to them. 20  For his invisible attributes, namely, his eternal power and divine nature, have been clearly perceived, ever since the creation of the world, in the things that have been made. So they are without excuse. 21  For although they knew God, they did not honor him as God or give thanks to him, but they became futile in their thinking, and their foolish hearts were darkened. 22  Claiming to be wise, they became fools, 23  and exchanged the glory of the immortal God for images resembling mortal man and birds and animals and creeping things. Romans 1:18-23 (ESV)   2) God honors my free will by allowing me to SIN.   24  Therefore God gave them up in the lusts of their hearts to impurity, to the dishonoring of their bodies among themselves, 25  because they exchanged the truth about God for a lie and worshiped and served the creature rather than the Creator, who is blessed forever! Amen. Romans 1:24-25 (ESV)   26  For this reason God gave them up to dishonorable passions. For their women exchanged natural relations for those that are contrary to nature; Romans 1:26 (ESV)   HOMOSEXUALITY IN ANCIENT ROME: The primary dichotomy of ancient Roman sexuality was active/dominant/masculine and passive/submissive/"feminized". In Roman society the freeborn male citizen possessed political liberty and the right to rule both himself and his household. "Virtue" was seen as an active quality through which a man defined himself. The conquest mentality and "cult of virility" shaped same-sex relations. Roman men were free to enjoy sex with other males without a perceived loss of masculinity or social status, as long as they took the dominant role. Acceptable male partners were slaves, prostitutes, and entertainers, Although Roman men in general seem to have preferred youths between the ages of 12 and 20 as sexual partners, freeborn male minors were strictly off-limits, and professional prostitutes and entertainers might be considerably older.   Same-sex relations among women are less documented. The Augustan poet Ovid takes an exceptionally keen interest, but advocates for a heterosexual lifestyle contrary to Roman sexual norms.   28  And since they did not see fit to acknowledge God, God gave them up to a debased mind to do what ought not to be done. 29  They were filled with all manner of unrighteousness, evil, covetousness, malice. They are full of envy, murder, strife, deceit, maliciousness. They are gossips, 30  slanderers, haters of God, insolent, haughty, boastful, inventors of evil, disobedient to parents, 31  foolish, faithless, heartless, ruthless. 32  Though they know God's righteous decree that those who practice such things deserve to die, they not only do them but give approval to those who practice them. Romans 1:28-32 (ESV)   Ways We Suppress the Truth:   ·  DENIAL · No one's PERFECT · I was BORN that way.   Dear Dr. Roach: I read your recent column regarding identical twins where one of the two was balding while his twin was not. Within my family, there are identical twin brothers, who also were almost impossible for family members to differentiate. If their DNA genes are “identical,” now that they are adults, how can one be homosexual, while his twin is married with children?   Studies have shown that in identical twins, if one twin is gay (the term “homosexual” is used in clinical studies but is considered offensive, so I won't use it further), then 30 per cent to 66 per cent of the identical twins also will be gay. As this is much higher than the overall rate in the population, this suggests some, but not absolute, genetic influence.   However, an adopted sibling of a gay person is also more likely to be gay (11 per cent in one study), suggesting that the familial environment also plays a significant role.   Some people who are attracted to the same gender can be so afraid of, or put off by, the social stigma against same-sex couples that they marry and have children with a person of the opposite sex despite being primarily or uniquely attracted to those of the same gender.   Some people have found that they may be attracted to a person of either gender; their choice of life partner depends more on the partner's personality and their unique situation than on his or her biological sex.   Sexual identity is not a choice. We cannot choose to whom we will be attracted. I'm afraid many people fundamentally misunderstand this point. *** Dramatic confirmation that the sea ice in the Arctic has been stable for nearly two decades is contained in a recently published science paper from a team led by Dr Mark England from the University of Exeter. The finding is of course obvious to anyone who studies the data but it will inconvenience the activist cranks who continue to promote supposed reductions in Arctic sea ice as an important sign of their imaginary ‘tipping points' and their fake climate crisis. Despite the data showing the ice has been stable over every month in the year since around 2007. ************ Living together before marriage increasing the changes of getting a divorce.   3) When I condemn others I'm really just condemning MYSELF.   1  Therefore you have no excuse, O man, every one of you who judges. For in passing judgment on another you condemn yourself, because you, the judge, practice the very same things… 3  Do you suppose, O man—you who judge those who practice such things and yet do them yourself—that you will escape the judgment of God? 4  Or do you presume on the riches of his kindness and forbearance and patience, not knowing that God's kindness is meant to lead you to repentance? Romans 2:1, 3-4 (ESV)   4) I must be PERFECT to be good enough for heaven.   12  For all who have sinned without the law will also perish without the law, and all who have sinned under the law will be judged by the law. 13  For it is not the hearers of the law who are righteous before God, but the doers of the law who will be justified. Romans 2:12-13 (ESV)   5) I'm just as much a sinner as EVERYONE ELSE.   9  What then? Are we Jews any better off? No, not at all. For we have already charged that all, both Jews and Greeks, are under sin, 10  as it is written: “None is righteous, no, not one; 11  no one understands; no one seeks for God…20  For by works of the law no human being will be justified in his sight, since through the law comes knowledge of sin. Romans 3:9-11, 20 (ESV)   6) God's answer to sin is FAITH in Jesus.   16  yet we know that a person is not justified by works of the law but through faith in Jesus Christ, so we also have believed in Christ Jesus, in order to be justified by faith in Christ and not by works of the law, because by works of the law no one will be justified. Galatians 2:16 (ESV)   11  Now it is evident that no one is justified before God by the law, for “The righteous shall live by faith.” 12  But the law is not of faith, rather “The one who does them shall live by them.” 13  Christ redeemed us from the curse of the law by becoming a curse for us—for it is written, “Cursed is everyone who is hanged on a tree”— 14  so that in Christ Jesus the blessing of Abraham might come to the Gentiles, so that we might receive the promised Spirit through faith. Galatians 3:11-14 (ESV)                  

If a story reveals something about its characters, it also reveals something about the storyteller. The story you're about to hear is no exception. But what could a story tell about the one who is telling it? You might ask. Well, what if, in this story, the storyteller was the Prince of them all? What if, thousands of years ago, he understood better than anyone what makes a story an invisible thread connecting humanity together? What if he told a tale you could still connect with today? His name was Ovid. And this podcast episode is about Daphne, who became a tree; Apollo, whom she fled; and Ovid, who told their story.⭐ If you liked the episode, please share it and rate it 5 stars on your favorite platform.Sources:The Metamorphoses by Ovid, translation by Mary M. InnesThe Epic of Gilgamesh, translation by Andrew GeorgeThe Masks of God, Volume 1: Primitive Mythology by Joseph Campbellhttps://www.worldhistory.org/Melusine/#:~:text=According%20to%20the%20legend%2C%20and,accept%20her%20as%20she%20wasCover: Apollo and Daphne by Giovanni Battista Tiepolo, 1743Hosted by Ausha. See ausha.co/privacy-policy for more information.

Poet Jehanne Dubrow has written much about life in the military community. Her latest poetry collection Civilians delves into the profound transition from military to civilian life, reflecting her personal journey as a Navy spouse alongside her husband, LCDR Jeremy Schaub. This work serves as the concluding volume in her trilogy exploring the military spouse experience, following Stateside (2010) and Dots & Dashes (2017). We welcome Jehanne and Jeremy to talk about their life together with Daria Sommers.  In Civilians, Dubrow examines the complexities that arise when a service member retires after decades of military service. The collection addresses the challenges both partners face as they navigate the shift from structured military roles to the uncharted territory of civilian life. Dubrow's poems candidly explore questions such as: What becomes of a sailor removed from a world of uniforms and uniformity? How is his language changed? His geography? And what happens to a wife once physical and emotional distances are erased, and she is reunited with her husband, a man made strange and foreign by his contact with war? Drawing inspiration from classical literature, Dubrow intertwines themes from works like Ovid's Metamorphoses, Homer's Odyssey, Euripides's The Trojan Women, and Sophocles's Philoctetes. This intertextuality enriches her exploration of transformation, displacement, and the search for identity post-service. For instance, she reflects on Penelope's role in The Odyssey as a parallel to her own experience, contemplating the challenges of loyalty and autonomy during her husband's deployments. ​ The collection also addresses the emotional landscape of reintegration, highlighting the subtle yet profound shifts in marital dynamics. Dubrow's poetry captures the tension between longing for reunion and the reality of change, as both partners must reconcile their evolved identities within the marriage. Her work offers readers a candid look at the experience of watching a loved one adjust to home life after a career of military service, blending formal and free verse with materials ranging from the historical to the personal. ​ Through Civilians, Dubrow provides a nuanced perspective on the often-overlooked experiences of military spouses, shedding light on the intricate process of redefining relationships and selfhood beyond the military sphere. Her poetry not only personalizes the broader narrative of military families but also invites readers to empathize with the universal themes of change, resilience, and love amidst uncertainty.​ We're grateful to UPMC for Life for sponsoring this event!

When a little boy isn't listening to his grown-ups, Nanny decides to tell him a story about what happens if you don't listen and remember instructions that have been given to you… Inspired by Virgil, Georgics, 4.453-527 and Ovid, Metamorphoses, 10.1-85, this is a re-telling of the classic Greek myth, followed by a discussion of ancient Greek weddings, funerals, and frogs.Buy Creepy Classics: Ghost Stories from Ancient Rome (paperback): https://amzn.eu/d/aV7C9MyBuy Creepy Classics: Ghost Stories from Ancient Rome (ebook): https://books2read.com/u/b6XGkMCreepy Classics music composed and performed by Ed Harrisson © with vocals by Olivia Knops This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit julietteharrisson.substack.com

Send us a textHello! Our theme for the next two episodes is "mythology", and Janey is kicking us off with the Greek story of Jason and Medea. We're going to learn about the Argonaut-Boy Trip, how the gods screwed Medea over, and also discuss why we support women's wrongs. Hope you enjoy!Sources:The Voyage of Argo, Apollonius of Rhodes  Medea by Euripedes (Full play)  Ovid's Metamorphoses  Medea and Jason: The Backstory, from the Metropolitan Opera  The Golden Fleece, from World History Encyclopedia Support the showCheck out our books (and support local bookstores!) on our Bookshop.org affiliate account!Starting your own podcast with your very cool best friend? Try hosting on Buzzsprout (and get a $20 Amazon gift card!)Want more??Visit our website!Join our Patreon!Shop the merch at TeePublic!If you liked these stories, let us know on our various socials!InstagramTiktokGoodreadsAnd email us at sortofthestory@gmail.com

A revised version of an earlier episode, now with historical commentary following the story!The Greek myth of the Great Flood ends with Deucalion and Pyrrha, the last mortals left alive, who struggle to survive as Zeus looks on. How was humanity created again after the deluge?A story from Greek mythology, based on Ovid's Metamorphoses (Book 1), featuring: Deucalion, Pyrrha, Zeus, Themis- - -CREDITSMusic by Kevin MacLeodThumbnail Image:Deucalion and Pyrrha (Baldassare Peruzzi, 16th century)

WARNING! This post and episode both contain spoilers!We are back to discuss Gladiator II, the sequel to Ridley Scott's smash hit Gladiator (2000). Gladiator II is set in the joint reign of Caracalla and Geta. These emperors were brothers in real life, but not the creepy twins shown in the movie. However, let's not get caught up in historical detail! After all, Lucilla should have been executed by Commodus in the first film if we were sticking to the facts.In Gladiator II, we learn that Lucilla's precious son, Lucius Verus, was hidden away in the provinces after Commodus' death and became alienated from the imperial family. He clearly inherited the military skills of his real father (Maximus or Russell Crowe), as Lucius is something of a local hero in his new home.But no one can resist the power of Rome forever. After a military defeat, Lucius ends up in the arena and spends the film wrestling with his past, his trauma and the corruption of Rome. Just like his dad!Whilst Lucius Verus is the hero of this film, as is so often the case in movies about Ancient Rome, the villain steals the show. Macrinus (Denzel Washington) is a master manipulator, skilfully playing a dangerous political game. Will the ghost of Maximus past allow Lucius to finally set Rome on a virtuous path? Or is Rome doomed to be dominated by corrupt politicians? And boy, do we have a treat in store for you all! We were privileged to talk to a giant in the field of classical reception, a man who has spent many decades studying Roman history on film.Martin M. Winkler is Distinguished University Professor and Professor of Classics at George Mason University in Northern Virginia. His research interests include classical mythology, Roman history, classical literature, the classical tradition, and classical literature, history and myth on film. Professor Winkler's list of publications is long indeed, but we will cite a few of our favourites. The Roman Salute: Cinema, History and Ideology (2009), Ovid on Screen: A Montage of Attractions (2020) and most recently, Classical Antiquity and the Cinematic Imagination (2024). Professor Winkler has edited and contributed to volumes on the films Troy (from 2004), Kubrick's 1960 Spartacus, and importantly for today, Ridley Scott's original 2000 Gladiator.We hope that you enjoy our conversation with Professor Winkler in which we discuss:The characters of Maximus and Lucius VerusThe aesthetic of Gladiator IIThe representation of the army and praetorian guard in the sequelThe Roman Senate of Gladiator IIHistorical accuracy in Gladiator IIFor our full show notes and transcript, head over to our website: https://partialhistorians.com/2025/04/03/special-episode-gladiator-ii-with-professor-martin-m-winkler/ For our full show notes and edited transcripts, head on over to https://partialhistorians.com/Support the showPatreonKo-FiRead our booksRex: The Seven Kings of RomeYour Cheeky Guide to the Roman Empire Hosted on Acast. See acast.com/privacy for more information.

Deadly Poisons are concealed under sweet honey.  -Ovid   Source Article:  Templeton Times: Ch. 6. How the Manhattan Project Sold Us Fluoride: the fluoride deception by Christopher Bryson from archive.org (templeton01436.blogspot.com)   I found the original book: [PDF] [EPUB] The Fluoride Deception Download (oceanofpdf.com)   The real reason they want Plutonium in our water and […] The post Drinking WATER is how we get cancer – Sugar is what sets it on fire.  How the Manhattan Project was involved in getting Flouride (Plutonium) in our water.  A secret deal was made with Doctors so we now get cancer BY DRINKING WATER.  What a trick. appeared first on Psychopath In Your Life.

On the night of August 14, 1985, twenty-year-old Kristin O'Connell left a party in Ovid, NY to go for a walk. Two days later, her nude body was discovered near a cornfield along a rural county road; she had been stabbed in the chest and her throat was cut. The unsolved murder of Kristin O'Connell has baffled local New York investigators for decades. At the time of her murder, Kristin had traveled from Minnesota to New York to visit a young man she'd met a few months earlier while on Spring Break in Florida. According to witnesses, Kristin wasn't wearing shoes when she left the party and she wasn't carrying a purse. Several witnesses reported having seen Kristin walking that night between 11:30 pm and 12:15 am, when she was seen talking to one or possible two men in a car. Roughly ten minutes later, several people reported hearing a loud scream coming from the area where her body was discovered.In the decades since Kristin's murder, police have interviewed dozens of witnesses and followed up on thousands of leads, yet the case remains no closer to being solved than it was in the days following the discovery of the body.Please sign the Petition to override the decision to not permit 'touch DNA' to potentially solve this cold case! visit https://www.change.org/p/family-demands-dna-testing-by-othram-labs-in-the-kristin-o-connell-cold-caseThank you to the Incredible Dave White of Bring Me the Axe Podcast for research and Writing support!ReferencesAllen, Matha. 1985. "Slain woman's parents seek comfort from her letter." Star Tribune, August 18: 35.Associated Press. 1987. "Psychics seeking slues to 1985 murder in Ovid." Democrat and Chronicle (Rochester, NY), August 22: 12.—. 2009. "DNA may solve '85 slaying." Press and Sun-Bulletin (Binghamton, NY), August 13: 1.Democrat and Chronicle . 1985. "Police ask help in Ovid murder." Democrat and Chronicle (Rochester, NY), August 20: 11.Democrat and Chronicle. 1985. "Lab to test items from slaying." Democrat and Chronicle , August 19: 7.Ebert, Alex. 2009. "A Burnsville mother won't let her daughter's murder case go cold." Star Tribune, August 13.Gillis, Jackie. 2023. What happened to Kristin O'Connell? March 2. Accessed March 2, 2025. https://www.mytwintiers.com/news-cat/local-news/what-happened-to-kristin-oconnell/.Lighty, Todd, and John Hartsock. 1985. "Brutal slaying shakes Seneca town." Democrat and Chronicle (Rochester, NY), August 18: 1.Pfifer, Jim. 1996. "Police suspect imprisoned man for 1985 murder in Ovid." Star-Gazette, January 28: 1.Pittman, Mark. 1985. "Minn. woman found dead in Seneca." Democrat and Chronicle (Rochester, NY), August 17: 1.Ritter, Carol. 1985. "4 deaths, few answers in Seneca." Democrat and Chronicle (Rochester, NY), August 22: 14.—. 1986. "Parents on pilgrimage of grief." Democrat and Chronicle (Rochester, NY), August 16: 1.—. 1985. "Slaying no longer the talk of Ovid, but investigation, reaction continue." Democrat and Chronicle (Rochester, NY), September 25: 11.Shaw, David. 2009. "Police seek help on cold case." Finger Lakes Times, August 13.—. 1986. "Kristin O'Connell's murderer thwarts police." Post-Standard (Syracuse, NY), February 21: 1.—. 1986. "Murder case takes police out of state." Post-Standard (Syracuse, NY), January 8: 14.—. 1985. "Cops place an ad in hunt for killer." Syracuse Herald-Journal, August 29: 1.—. 1985. "Police hope TV reenactment of killing will help solve case." Syracuse Herald-Journal, September 13: 15.—. 1985. "Slaying's legacy: a bounty and fear." Syracuse Herald-Journal, August 30: 95.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The final volume in Dr. Jehanne Dubrow's groundbreaking trilogy about the experience of being a modern military spouse, Civilians (LSU Press, 2025) examines a significant moment of transformation in a military marriage: the shift from active-duty service to civilian life. After twenty years in the U.S. Navy, Dr. Dubrow's husband came to the end of his tenure as an officer. Civilians addresses what it means when someone who has been trained for war returns from the confining, restrictive space of a naval vessel. Set amid America's seemingly endless conflicts, Dr. Dubrow's poems confront pressing questions about the process of transitioning to a new reality as a noncombatant: What happens to the sailor removed from a world of uniforms and uniformity? How is his language changed? His geography? And what happens to a wife once physical and emotional distances are erased and she is reunited with her husband, a man made strange and foreign by his contact with war? Civilians is a book both shadowed by and in conversation with the classics, including Ovid's Metamorphoses, Homer's Odyssey, Euripides's The Trojan Women, and Sophocles's Philoctetes. Blending formal and free verse, with materials ranging from the historical to the personal, Dr. Dubrow offers readers a candid look at the experience of watching a loved one adjust to homelife after a career of military service. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

On Friday, London McDaniel at the Antlers, a Stop Making Sense screening at the State Theatre, and WVBR Celebrates John Rudan’s 50 Years on the Radio at the Hangar Theatre! The Finger Lakes Environmental Film Festival runs through April 13th at Cinemapolis! Don’t miss the free Ithaca Murals screening on Sunday. All weekend, Alice in Wonderland Jr. at the Trumansburg Middle School, and Winter Squabee with music and food at Stonecat Cafe to benefit the Ovid fire relief fund. For your Saturday, the annual Spring Fairy Fest in Downtown Ithaca, a Sea of Green film premiere at the Newfield High School Auditorium, Fiddlehead Frolic at Newfield Elementary School, Terrapin Station at Two Goats Brewing, and José González at the State Theatre. Sunday, Savoyards present the Prodigal Son at the First Congregational Church, Tom Green Comedy at the Hangar Theatre, and Modern Western Square Dancing at the Lansing Community Center. Monday, an Alzheimer’s Association program at the Newfield Public Library. Tuesday, a Southern Old Time String Band Jam at Deep Dive. Next Wednesday, Jazz Night at Brookton's Market, Wednesday open mic night at the Nocturnal Cafe, formerly Sacred Root, and the Canaan Jam Session at the Canaan Institute.  Thursday, Jazz Thursdays [...]

„Metamorphosen“ heißt der neue Ballettabend von Ballettdirektor Roberto Scafati, zu dem er mit Philippe Kratz und Ada Salant zwei Gastchoreografen eingeladen hat. Grandiose Bilder zeigen die Neuerschaffung der Welt mit den Mitteln des Tanzes. Allen drei Choreografien liegen die „Metamorphosen“ von Ovid zugrunde.

On Ezra Pound, tree girls in Ovid, Eric's writing on dance and Sean's three part Circe-Persephone-Eve essay. Recorded on full moon 3.13.25 in the yurt. Bonus: https://www.patreon.com/posts/131-sacred-grove-124605152?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link | Eric: https://substack.com/@ericconroewriting | Referenced essay: https://seanthorconroe.substack.com/p/circe-persephone-eve-part-one

The final volume in Dr. Jehanne Dubrow's groundbreaking trilogy about the experience of being a modern military spouse, Civilians (LSU Press, 2025) examines a significant moment of transformation in a military marriage: the shift from active-duty service to civilian life. After twenty years in the U.S. Navy, Dr. Dubrow's husband came to the end of his tenure as an officer. Civilians addresses what it means when someone who has been trained for war returns from the confining, restrictive space of a naval vessel. Set amid America's seemingly endless conflicts, Dr. Dubrow's poems confront pressing questions about the process of transitioning to a new reality as a noncombatant: What happens to the sailor removed from a world of uniforms and uniformity? How is his language changed? His geography? And what happens to a wife once physical and emotional distances are erased and she is reunited with her husband, a man made strange and foreign by his contact with war? Civilians is a book both shadowed by and in conversation with the classics, including Ovid's Metamorphoses, Homer's Odyssey, Euripides's The Trojan Women, and Sophocles's Philoctetes. Blending formal and free verse, with materials ranging from the historical to the personal, Dr. Dubrow offers readers a candid look at the experience of watching a loved one adjust to homelife after a career of military service. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The final volume in Dr. Jehanne Dubrow's groundbreaking trilogy about the experience of being a modern military spouse, Civilians (LSU Press, 2025) examines a significant moment of transformation in a military marriage: the shift from active-duty service to civilian life. After twenty years in the U.S. Navy, Dr. Dubrow's husband came to the end of his tenure as an officer. Civilians addresses what it means when someone who has been trained for war returns from the confining, restrictive space of a naval vessel. Set amid America's seemingly endless conflicts, Dr. Dubrow's poems confront pressing questions about the process of transitioning to a new reality as a noncombatant: What happens to the sailor removed from a world of uniforms and uniformity? How is his language changed? His geography? And what happens to a wife once physical and emotional distances are erased and she is reunited with her husband, a man made strange and foreign by his contact with war? Civilians is a book both shadowed by and in conversation with the classics, including Ovid's Metamorphoses, Homer's Odyssey, Euripides's The Trojan Women, and Sophocles's Philoctetes. Blending formal and free verse, with materials ranging from the historical to the personal, Dr. Dubrow offers readers a candid look at the experience of watching a loved one adjust to homelife after a career of military service. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

We often do not realize that deep down economics is a battleground of competing anthropologies: implicit or explicit theories of human nature, selfhood and subjectivity, quiet beliefs about how we understand ourselves and our place in the world. In this podcast we bring together researchers from different disciplines that study economic phenomena, systems, agency and behavior, ranging from historians and political philosophers to economic anthropologists and development economists, to scrutinize the protagonist of their discipline: who is the Real Homo Economicus? What kinds of creature are they? What drives their choices and behavior? Are we still talking about the same creature? To get the conversation started we use an experimental method: the Mythlab method. We use stories as a probe into economic thinking and quiet beliefs about the underlying anthropologies. In each episode we give our guest a story and see how they respond to it, and explore assumptions and associations in a playful way. In this third episode we interpret a story about a mythical king who cuts a sacred tree and gets punished with insatiable hunger. The more he eats, the hungrier the king gets. The king turns to devouring his cattle, his estate, everything dear to him—until he ends up eating himself. What does this story mean? What does this story tell us about human nature? I try to make sense of the story with Erik Bähre. Dr. Erik Bähre is an economic anthropologist. He is associate professor at Leiden University with fieldwork experience in South Africa and Brazil. He works among others on money, finance, violence, solidarity, and personhood (https://www.universiteitleiden.nl/en/staffmembers/erik-bahre#tab-1). Hosted by Dr. Tazuko van Berkel [https://www.universiteitleiden.nl/en/staffmembers/tazuko-van-berkel#tab-1] and Connor McMullen. Edited and mixed by Connor McMullen. Mythlab team: Dr. Erik Bähre, Dr. Aiste Celkyte, Prof. dr. Lisa Herzog, Connor McMullen, Dr. Sara Polak The Mythlab-project is funded by the Dutch Young Academy. The Dutch Young Academy (https://www.dejongeakademie.nl/en/default.aspx) is a platform of fifty inspired academics who conduct research, advise, share knowledge and bring people together, and who do all this while taking a special interest in young scientists and scholars. .player5167 .plyr__controls, .player5167 .StampAudioPlayerSkin{ border-radius: 10px; overflow: hidden; } .player5167{ margin: 0 auto; } .player5167 .plyr__controls .plyr__controls { border-radius: none; overflow: visible; } .skin_default .player5167 .plyr__controls { overflow: visible; } Your browser does not support the audio element.   References: The Myth of Erysichthon has come down to us via Callimachus' Hymn to Demeter (3rd century BCE) and Ovid's Metamorphoses (8 AD) (https://www.theoi.com/Heros/Erysikhthon.html).  

The final volume in Dr. Jehanne Dubrow's groundbreaking trilogy about the experience of being a modern military spouse, Civilians (LSU Press, 2025) examines a significant moment of transformation in a military marriage: the shift from active-duty service to civilian life. After twenty years in the U.S. Navy, Dr. Dubrow's husband came to the end of his tenure as an officer. Civilians addresses what it means when someone who has been trained for war returns from the confining, restrictive space of a naval vessel. Set amid America's seemingly endless conflicts, Dr. Dubrow's poems confront pressing questions about the process of transitioning to a new reality as a noncombatant: What happens to the sailor removed from a world of uniforms and uniformity? How is his language changed? His geography? And what happens to a wife once physical and emotional distances are erased and she is reunited with her husband, a man made strange and foreign by his contact with war? Civilians is a book both shadowed by and in conversation with the classics, including Ovid's Metamorphoses, Homer's Odyssey, Euripides's The Trojan Women, and Sophocles's Philoctetes. Blending formal and free verse, with materials ranging from the historical to the personal, Dr. Dubrow offers readers a candid look at the experience of watching a loved one adjust to homelife after a career of military service. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

A revised version of an earlier episode, now with historical commentary following the story!The tale of the Great Flood from Greek mythology continues, as the gods and goddesses of Olympus decide how to end human injustice...and Zeus and Poseidon unleash the great flood that destroys the world.A story from Greek mythology, based on Ovid's Metamorphoses (Book 1), featuring: Zeus, Poseidon- - -CREDITSMusic by Kevin MacLeodSound effects from YouTube Audio LibraryThumbnail Image:Bronze statue of Zeus or Poseidon from Cape Artemision, Greece, 5th century BC (https://commons.wikimedia.org/wiki/File:Zeus_or_Poseidon_bronze_460_BC,_NAMA_X_15161_102617.jpg)https://pixabay.com/photos/ocean-storm-waves-cloudy-weather-7461792/

Radio broadcast on Z92.5 The Castle. D3 District Final Ovid-Elsie 49 Laingsburg 46

Radio broadcast of MHSAA D3 District Semi-Final. Ovid-Elsie 65 New Lothrop 48

Breakdown of the trump good/bad and the best case scenario for Ukraine deal. Other trump stories of healtchare transparency and new Maga hats. Next we've got investing comey and mainstream media more upset then anybody over bidens dementia. Then segment with Steven Our Wonderboy non scientist and owner of CellShotNutrition talking some OVID stuff. SPONSORS: FENIXAMMO YOKRATOM MERCH - Robbernsteinmerch.com PORCHES: robsnewsroom@gmail.com

Breakdown of the trump good/bad and the best case scenario for Ukraine deal. Other trump stories of healtchare transparency and new Maga hats. Next we've got investing comey and mainstream media more upset then anybody over bidens dementia. Then segment with Steven Our Wonderboy non scientist and owner of CellShotNutrition talking some OVID stuff. SPONSORS:FENIXAMMOYOKRATOMMERCH - Robbernsteinmerch.comPORCHES: robsnewsroom@gmail.com

If you're enjoying the Hardcore Literature Show, there are two ways you can show your support and ensure it continues: 1. Please leave a quick review on iTunes. 2. Join in the fun over at the Hardcore Literature Book Club: patreon.com/hardcoreliterature Thank you so much. Happy listening and reading! - Benjamin

Ye Ol' Skeptics Kicking off our discussion on miracles we go back to Ye Ol' Times and see if there are any Ye Ol' Skeptics of miracles claims. Or do we take the Enlightenment unenlightened view that everyone just believed everything and it wasn't until the Smarty Pants Times did we learn to properly scoff at historical claims of miracles. Well, if only someone had written down history during that time. If only. Timeline: 00:00 - Introduction 01:35 - Craig Keener and His Books 02:14 - What The Discussion Will Cover 04:16 - Is Antisupernaturalism The Default View? 10:05 - Historians Use Miracle Claims To Easily Dismiss Historical Accounts - But At What Cost? 11:44 - What Did Ancient Historians Think Of Miracle Claims? 13:01 - Ancient Historians' Skepticism Towards Miracles 13:12 - Galen, 2nd Century Miracle Skeptic - Based On Morality & Reason 17:34 - Ovid, Created Miracle Skeptic Fictional Characters 18:41 - Polybius, Critiquing Over-Sensationalism Of Miracles In Early Historians 20:16 - Summary - There Were Ancient Historians Skeptical Of Miracle Claims 20:51 - Conclusion BOOK LINKS: Main Book - Miracles by Craig Keener: Kindle Hardcover Logos ChristianBook.com     Other Book - Miracles Today by Craig Keener: Kindle Paperback Audible Logos ChristianBook.com All episodes, short clips, & blog - https://www.cavetothecross.com

In this special St. Valentine’s Day episode of The Learning Curve, co-hosts U-Arkansas Prof. Albert Cheng and Alisha Searcy interview renowned Shakespeare scholar Professor Sir Jonathan Bate to discuss the timeless tragedy, Romeo and Juliet. Exploring its enduring greatness, Sir Jonathan delves into Shakespeare's classical influences, particularly Ovid's Metamorphoses, and how Elizabethan literature shaped the portrayal of lovers. He examines the interplay of passion, violence, and fate in Verona's warring streets […]

In this special St. Valentine's Day episode of The Learning Curve, co-hosts U-Arkansas Prof. Albert Cheng and Alisha Searcy interview renowned Shakespeare scholar Professor Sir Jonathan Bate to discuss the timeless tragedy, Romeo and Juliet. Exploring its enduring greatness, Sir Jonathan delves into Shakespeare's classical influences, particularly Ovid's Metamorphoses, and how Elizabethan literature shaped the portrayal of lovers. He examines the interplay of passion, violence, and fate in Verona's warring streets and explains Romeo and Juliet's eternal love—from Romeo's early infatuation with Rosaline to his deep romantic connection with Juliet. Sir Jonathan highlights the poetic brilliance and intimacy of the famous window scene, Mercutio's pivotal role in shifting the play's tone, and the tragic consequences of miscommunication and hasty action. He also reflects on Shakespeare's overarching themes of love and death, and the poetic depth of his love sonnets. Additionally, he shares insights into what Romeo and Juliet and Shakespeare's works teach us about the enduring human desire for love. In closing, Sir Jonathan reads a passage from his book Mad about Shakespeare: From Classroom to Theatre to Emergency Room.

In today's increasingly challenging world, burnout is on the rise everywhere. In part 1 of this episode, Brian shares how burnout negatively affects the good life and teaches powerful ways to control it and move out the other side. YOU WILL LEARN:· The different definitions of burnout.· The various signs of burnout.· His own personal experience with burnout.MENTIONED IN THIS EPISODE: “Burnout,” by Dr. Herbert Freudenberger “Thrilled to Death,” by Dr. Archibald Hart NOTEWORTHY QUOTES FROM THIS EPISODE: “Burnout is not something that's ever conquered. But it is something that can be controlled.” – Brian Buffini “On the other side of burnout is joy. On the other side of burnout is refreshment. On the other side of burnout is hope.” – Brian Buffini “The good life waits on the other side of burnout.” – Brian Buffini “Almost everything will work again if you unplug it for a few minutes, including you.” – Anne Lamott “Take rest; a field that has rested gives a bountiful crop.” – Ovid itsagoodlife.com Hosted on Acast. See acast.com/privacy for more information.

The idea of the "swan song" recurs from Aesop to Ovid to Plato to Tennyson. Ovid described it, "There, she poured out her words of grief, tearfully, in faint tones, in harmony with sadness, just as the swan sings once, in dying, its own funeral song." But it's based on a sweet fallacy – that a swan sings only when it nears death. And calling the sounds that a swan makes a "song" might be a bit off, too!More info and transcript at BirdNote.org. Want more BirdNote? Subscribe to our weekly newsletter. Sign up for BirdNote+ to get ad-free listening and other perks. BirdNote is a nonprofit. Your tax-deductible gift makes these shows possible.

This week Dave and Jeff are back to Ovid for a couple more vignettes! The guys start with the bizarre tale of Erysichthon (the "Earth-Ripper") who lives up to his name by lumberjacking a sacred grove of Ceres. But why? Is this a prescient Lorax pre-boot? A morality play about late-stage capitalism? Or ust a guy who desperately wanted that Rumpus Room house addition? We're starving for answers. Then it's on to Cycnus ("Swany") and his fateful encounter with Achilles on the plains of Troy. Has Achilles met his match with someone as nearly "invincible" as he is, and who talks as much smack? How does this "win" of Achilles set the stage for his own demise? Of the three Cynci known in myth, why is this li'l cygnet the only who gets the full-fledged Metamorphoses treatment? Also, don't miss guest spots by Swan Carlos, Mr. T, and Stuart Little. I pity the fool who doesn't tune in!  

Pieter Bruegel the Elder's Landscape with the Fall of Icarus reimagines Ovid's Metamorphoses, transforming the myth of Icarus into a meditation on human indifference and folly. This episode unpacks how Bruegel intertwines visual storytelling with contemporary Dutch and Flemish proverbs, reframing Icarus' tragic fall as a subtle commentary on the world's disregard for individual suffering. Today's artwork: Pieter Bruegel the Elder, Landscape with the Fall of Icarus (c. 1560). Oil on canvas. Royal Museums of Fine Arts, Brussels. ______ New episodes every month. Let's keep in touch! Instagram: @artofhistorypodcast | @matta_of_fact YouTube | Substack: The Fascinator | TikTok Visit Ireland With Me! Email: artofhistorypod@gmail.com

In Part 2 of our discussion on Ovid's Metamorphoses, translator Charles Martin returns to discuss his first encounter with Ovid, the potential to learn Greek and Roman mythology through reading Metamorphoses, and other scholars' work with the text in the twenty-first century.  Charles Martin was born in New York City in 1942. He earned a Ph.D. in English from the State University of New York at Buffalo. The recipient of numerous awards, Martin has received the Bess Hokin Prize, the Literature Award from the American Academy of Arts and Letters, and fellowships from the National Endowment for the Arts and the Ingram Merrill Foundation. Three of his poetry collections—Steal the Bacon (1987), What the Darkness Proposes (1996), and Starting from Sleep: New and Selected Poems (2002)—have been nominated for the Pulitzer Prize. His translation of Ovid's Metamorphoses won the 2004 Harold Morton Landon Translation Award from the Academy of American Poets.To learn more or purchase a copy of the Norton Library edition of Metamorphoses, go to https://seagull.wwnorton.com/MetamorphosesNL.Learn more about the Norton Library series at https://wwnorton.com/norton-library.Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In Part 1 of our discussion on Ovid's Metamorphoses, we welcome translator Charles Martin to discuss Ovid's well-documented life and his exile, the popularity and subversiveness of Ovid's writings, and the creation of a new epic form through the lack of one epic hero.  Charles Martin was born in New York City in 1942. He earned a Ph.D. in English from the State University of New York at Buffalo. The recipient of numerous awards, Martin has received the Bess Hokin Prize, the Literature Award from the American Academy of Arts and Letters, and fellowships from the National Endowment for the Arts and the Ingram Merrill Foundation. Three of his poetry collections—Steal the Bacon (1987), What the Darkness Proposes (1996), and Starting from Sleep: New and Selected Poems (2002)—have been nominated for the Pulitzer Prize. His translation of Ovid's Metamorphoses won the 2004 Harold Morton Landon Translation Award from the Academy of American Poets.To learn more or purchase a copy of the Norton Library edition of Metamorphoses, go to https://seagull.wwnorton.com/MetamorphosesNL. Learn more about the Norton Library series at https://wwnorton.com/norton-library.Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In this second installment in a 2-part series, Dave and Jeff tackle some additional works that you avid nauserinos may want to add to your own library and reading list. Dave starts things off with some philosophical and theological musings, courtesy of The Justice of Zeus by Sir Hugh-Lloyd Jones (U. of California Press 1971). Then Jeff, in a nearly-Dionysiac frenzy, directs us toward Eric Robertson Dodds' The Greeks and the Irrational (UCP 1951). So, with typical, academic p̷a̷n̷c̷a̷k̷e̷ panache and restraint, the guys spend nearly 48 minutes on the first two titles. As the sand slowly slides through the hourglass, at last they turn to Dave's final choice, a real gem by A. Duane Litfin: St. Paul's Theology of Proclamation: 1 Corinthians 1-4 and Greco-Roman Rhetoric (CUP 1994). Some autobiography ensues as they grapple with the differences between Classical oratory and Christian preaching. Hey, it can't all be Ovid! Hac acroase fruamini, O amici!  

Naturally, as soon as Liv was ready to get settled in Toronto, she came down with a terrible cold and sounds half human half lawnmower, so today we're bringing you a little more ancient Rome, since it's all the rage right now. Liv dives (or perhaps wades into the shallows) of Roman mythology and religion, and tells the story of how the Phrygian goddess Cybele ended up in Italy.  CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Sources: Theoi.com entry on Cybele, Agdistis, and Attis; Ovid's Fasti, translated by James G. Frazer; Roman Mythology by David Stuttard; Wikipedia for sourcing, etc.; the Oxford Dictionary of Classical Myth and Religion. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.

Liv speaks with Stephanie McCarter, whose was last on the show to talk about her recent translation of Ovid's Metamorphoses, this time it's all about ancient women in power, both the historical, the mythical, and the details somewhere in between. CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.

Featuring clips from episodes on Ovid's Medea, Chthonic Cuties, conversations with Antonia Aluko and Dr Ellie Mackin Roberts, and readings of Homer's Odyssey, translated by Samuel Butler. CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Sources: see original episode descriptions for sources. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.

Liv speak with Asrar Mattsson Chaara about female suicides in Ovid's Heroides. Submit your questions to the quarterly Q&A episodes! Sign up for the newsletter here! CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.

Liv reads three letters of Ovid's Heroides: Dido to Aeneas, Deianeira to Hercules, and Phyllis to Demophoon, to prepare for Friday's converSubmit your questions to the quarterly Q&A episodes! Sign up for the Iris' Rainbow newsletter! CW/TW: Today's episode specifically references suicide, though brief. This is not a standard narrative story episode, it's a reading of an ancient source, audiobook style. For regular episodes look for any that don't have "Liv Reads..." in the title! For a list of Roman/Latin names and who they were in the Greek, visit: mythsbaby.com/names Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.