Podcasts about Ovid

The griffin pulls the chariot or cart up to the denuded tree--the "widowed" tree--and the tree regenerates into a color reminiscent of other moments in PURGATORIO. But which one exactly?We're descending into the murk of mystery with new songs that can't be defined, with allegories that are becoming increasingly opaque, and even with classical references that seem somehow out of place in the overall arch of the glorious parade.Join me, Mark Scarbrough, as we begin to approach the strange and incomprehensible mysteries that lie at the end of the second canticle of COMEDY.To support this work, consider a one-time donation or a small monthly stipend using this PayPal link right here.Here are the segments for this episode of WALKING WITH DANTE:[01:24] My English translation of PURGATORIO, Canto XXXII, Lines 49 - 69. If you'd like to read along or continue the conversation with me with a comment on this episode, please find its entry on my website, markscarbrough.com.[03:32] A correction perhaps: "Adam" may have been a murmured reassessment of the misogyny in the text.[04:55] The pole, the chariot, and the tree: complicated translation problems.[07:15] The pole as the cross or perhaps the ties of good human governance.[11:49] The changing seasons as the tree regenerates.[13:26] The ambiguous symbolism of purple.[15:41] The unknown new song, a further mystery in the passage.[18:48] A tense and perhaps off-pitch reference to Ovid.[22:27] A knock against representative art before the apocalyptic vision just ahead.[24:18] Rereading the text: PURGATORIO, Canto XXXII, lines 49 - 69.

While our last episode discussed Orpheus through the lens of archetypal creativity, this episode focuses on the grief elements of the story as depicted in Ovid’s version of the story. We share our own grief stories and explore the hazards experienced when people do not allow themselves to grieve. This episode we will be reading from: Metamorphoses – by Ovid⁠⁠⁠ Parables and Portraits – by Stephen Mitchell Orpheus. Euridice. Hermes. – by Rainer Maria Rilke You can listen to El Maleh Rachamim prayer on My Jewish Learning here. This prayer asks God to grant rest to departed souls and is often recited at funerals. Our intro/outro music a sample of Seikilos Epitaph with the Lyre of Apollo, by Lina Palera, under an Attribution-NonCommercial-ShareAlike 3.0 International License. You can find the full version at ⁠⁠⁠⁠⁠FreeMusicArchive.org⁠⁠⁠⁠⁠. Banner Image: Kratzenstein orpheus.jpg – Wikipedia Email: jungianeverafter@gmail.com Twitter: @JEA_Podcast Discord: https://discord.gg/GEdn4TPgHR Ko-fi: https://ko-fi.com/jungianeverafter

For our first episode of the Three Ravens Bestiary for 2026, we're talking all about Centaurs and Pegasus!We begin in Dark Age Greece, way back before Homer, when horse-riding cavalry suddenly became a factor in human life. Representations in art leave us in no doubt - the combination of a horse with a man makes for a terrifying foe, though that's only the start of the story.Starting with Homer, developed by Hesiod, expanded upon by Pindar, then reinterpreted by Ovid, Centaurs graduate from fearful, lusty, xenophobic savages to become something else - a version of human beings, though unable to restrain their animalistic urges. From Cheiron, the wise and noble mentor to many an Ancient Greek hero, on through to C.S. Lewis and J.K. Rowling, we are left in a place where now we have to wonder what ought a Centaur be a symbol for, if anything at all?Then we switch our focus to the primal flying wonder-horse and father of horsekind, Pegasus, who is born out of his mother's neck, has a non-identical twin brother we don't talk about, and who perhaps got a bit carried away himself during escapades with Bellerophon, Prince of Corinth. As always, expect lots of nerdy references to dead people and things, a few digressions to talk about, for example, whether horses are innately shifty, and plenty more besides - so bring your Golden Bridle and let's giddyup!Speak to you again on Saturday for Eleanor's Local Legends interview about Glamorganshire with author, folklorist and storyteller Cath Little!Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcastREGISTER FOR THE TALES OF SOUTHERN ENGLAND TOURVisit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.

When Ovid was exiled from Rome to a border town on the Black Sea, he despaired at his new bleak and barbarous surroundings. Like many Greeks and Romans, Ovid thought the outer reaches of his world was where civilization ceased to exist. Our fascination with the Greek and Roman world, and the abundance of writing that we have from it, means that we usually explore the ancient world from this perspective too. Was Ovid's exile really as bad as he claimed? What was it truly like to live on the edges of these empires, on the boundaries of the known world? Thanks to archaeological excavations, we now know that the borders of the empires we consider the 'heart' of civilization were in fact thriving, vibrant cultures – just not ones we might expect. This is where the boundaries of 'civilized' and 'barbarians' began to dissipate; where the rules didn't always apply; where normally juxtaposed cultures intermarried; and where nomadic tribes built their own cities. In this episode, Owen Rees joins me to discuss his book The Far Edges of the Known World (W.W. Norton & Company, 2025) and his research into what ‘everyday' life looked like beyond the Athenian or Roman heartlands. Covering over 6,000 years of history on three continents, the book encourages readers to interrogate misconceptions about the ancient world and to understand its enormous diversity of lived experiences. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

When Ovid was exiled from Rome to a border town on the Black Sea, he despaired at his new bleak and barbarous surroundings. Like many Greeks and Romans, Ovid thought the outer reaches of his world was where civilization ceased to exist. Our fascination with the Greek and Roman world, and the abundance of writing that we have from it, means that we usually explore the ancient world from this perspective too. Was Ovid's exile really as bad as he claimed? What was it truly like to live on the edges of these empires, on the boundaries of the known world? Thanks to archaeological excavations, we now know that the borders of the empires we consider the 'heart' of civilization were in fact thriving, vibrant cultures – just not ones we might expect. This is where the boundaries of 'civilized' and 'barbarians' began to dissipate; where the rules didn't always apply; where normally juxtaposed cultures intermarried; and where nomadic tribes built their own cities. In this episode, Owen Rees joins me to discuss his book The Far Edges of the Known World (W.W. Norton & Company, 2025) and his research into what ‘everyday' life looked like beyond the Athenian or Roman heartlands. Covering over 6,000 years of history on three continents, the book encourages readers to interrogate misconceptions about the ancient world and to understand its enormous diversity of lived experiences. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

When Ovid was exiled from Rome to a border town on the Black Sea, he despaired at his new bleak and barbarous surroundings. Like many Greeks and Romans, Ovid thought the outer reaches of his world was where civilization ceased to exist. Our fascination with the Greek and Roman world, and the abundance of writing that we have from it, means that we usually explore the ancient world from this perspective too. Was Ovid's exile really as bad as he claimed? What was it truly like to live on the edges of these empires, on the boundaries of the known world? Thanks to archaeological excavations, we now know that the borders of the empires we consider the 'heart' of civilization were in fact thriving, vibrant cultures – just not ones we might expect. This is where the boundaries of 'civilized' and 'barbarians' began to dissipate; where the rules didn't always apply; where normally juxtaposed cultures intermarried; and where nomadic tribes built their own cities. In this episode, Owen Rees joins me to discuss his book The Far Edges of the Known World (W.W. Norton & Company, 2025) and his research into what ‘everyday' life looked like beyond the Athenian or Roman heartlands. Covering over 6,000 years of history on three continents, the book encourages readers to interrogate misconceptions about the ancient world and to understand its enormous diversity of lived experiences. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Ovid was exiled from Rome to a border town on the Black Sea, he despaired at his new bleak and barbarous surroundings. Like many Greeks and Romans, Ovid thought the outer reaches of his world was where civilization ceased to exist. Our fascination with the Greek and Roman world, and the abundance of writing that we have from it, means that we usually explore the ancient world from this perspective too. Was Ovid's exile really as bad as he claimed? What was it truly like to live on the edges of these empires, on the boundaries of the known world? Thanks to archaeological excavations, we now know that the borders of the empires we consider the 'heart' of civilization were in fact thriving, vibrant cultures – just not ones we might expect. This is where the boundaries of 'civilized' and 'barbarians' began to dissipate; where the rules didn't always apply; where normally juxtaposed cultures intermarried; and where nomadic tribes built their own cities. In this episode, Owen Rees joins me to discuss his book The Far Edges of the Known World (W.W. Norton & Company, 2025) and his research into what ‘everyday' life looked like beyond the Athenian or Roman heartlands. Covering over 6,000 years of history on three continents, the book encourages readers to interrogate misconceptions about the ancient world and to understand its enormous diversity of lived experiences. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Ovid was exiled from Rome to a border town on the Black Sea, he despaired at his new bleak and barbarous surroundings. Like many Greeks and Romans, Ovid thought the outer reaches of his world was where civilization ceased to exist. Our fascination with the Greek and Roman world, and the abundance of writing that we have from it, means that we usually explore the ancient world from this perspective too. Was Ovid's exile really as bad as he claimed? What was it truly like to live on the edges of these empires, on the boundaries of the known world? Thanks to archaeological excavations, we now know that the borders of the empires we consider the 'heart' of civilization were in fact thriving, vibrant cultures – just not ones we might expect. This is where the boundaries of 'civilized' and 'barbarians' began to dissipate; where the rules didn't always apply; where normally juxtaposed cultures intermarried; and where nomadic tribes built their own cities. In this episode, Owen Rees joins me to discuss his book The Far Edges of the Known World (W.W. Norton & Company, 2025) and his research into what ‘everyday' life looked like beyond the Athenian or Roman heartlands. Covering over 6,000 years of history on three continents, the book encourages readers to interrogate misconceptions about the ancient world and to understand its enormous diversity of lived experiences. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography

Myths and legends are a massive part of our culture. We have the original versions of them that still stay with us, mostly intact, but because of how important and well known they are we're always getting new versions of them that are changed and added to to reflect our contemporary culture. Big stories like King Arthur, Robin Hood, Beowulf, the Odyssey, The Journey to the West and many other stories keep getting new versions in our modern world. The Greek myths beings quite old, very detailed, and well written get a LOT of different versions, which has been happening since antiquity. Even the Romans like Ovid revised them, his versions were made to reflect his own cultural and political realities. Most recently there's the Nolan version of the Odyssey coming out. Some are annoyed at the various non-white people in certain roles, but that's a trend that's been popular for about 30-40 years or so and simply reflects our modern diverse cultural and ethnic makeup. The only thing that irks me are the stupid costumes and reinterpretation of the armour, but also the silly commentary concerning it- on one hand you have supporters of the crude fantasy styles in the film and on the other supporters of ancient Mycenaean styles. The thing is though that Ancient Greeks ALWAYS depicted their mythological figures armoured like hoplites (or naked), with Corinthian helmets. That wasn't a case of them showing the figures in contemporary fashions either- hundreds of years after those styles were dead they were still used for the characters. So there was never a need to reinterpret them OR imagine them in archaic "historically accurate" styles, they should always be shown as classical Greek warriors. /rant Beowulf shows up in various ways, there are direct and indirect interpretations. One of the interesting aspects is that people use the monster, Grendel, for their indirect interpretations- Everything from Friday the 13th (the first one), to Frankenstein (at least as an inspiration to the various adaptations), Jaws, The 13th Warrior, Split Second (a monster in futuristic flooded London), you could even include Predator and Alien. Journey to the West is a very important story to many cultures in eastern Asia because it's tied closely with Buddhism and the spread of that religion on the continent. It was important to me when I grew up with endless TV repeats of the dubbed Japanese series Monkey Magic, starring Masaaki Sakai, Japanese pop sensation (The Spiders), and perennial charismatic TV personality. It featured comedy, endless fighting with demons and monsters, and the retelling of various stories. This version was so popular that people have remade it rather than just the myth itself, and it's inspired films and TV shows with the costumes it used for the characters. Many others now know the myth through the Dragon Ball anime and Manga, with Goku as the Monkey King. Disney's anthro version of Robin Hood had a gigantic impact on the creation of furry culture. The King Arthur myth, focussing on the heroic journey of a random, scruffy orphan into a prophesied king of a nation shows up everywhere in fantasy and Scifi, examples include Star Wars and the fantasy series The Belgariad and Malloreon by David Eddings and many others, including more direct versions like Monty Python's Quest for the Holy Grail, Disney's Sword in the Stone, and the fantastic Excalibur. The Jewish myth of David and the giant Goliath show up over and over in things too because of the focus on an underdog who triumphs despite huge odds and then goes on to become a famous ruler. What are your fave myths that keep on inspiring popular culture (directly and indirectly), and what is your fave version? This week we have another best off from Gunwallace and this time it's - Ripping off King Arthur - We're all preparing for the big event here with this theme. It's a weird mixture of a Rocky theme, fantasy epic, and 8 bit video game music… as if were were about to see a pixelated, medieval fantasy themed version of Mortal Kombat! The fight showdown to end all fight showdowns! - I chose this because it mentions King Arthur, a mythical figure. Originally from: Quackcast 451, 4th of Nov, 2019. Topics and shownotes Links Featured comic: Exposure - https://www.theduckwebcomics.com/news/2026/feb/03/featured-comic-exposure/ Featured music: Ripping off King Arthur - https://www.theduckwebcomics.com/Ripping_Off_King_Arthur/ - by Arspitzer, rated M. Special thanks to: Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/ Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Banes - https://www.theduckwebcomics.com/user/Banes/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS

A search for the meaning of one of nature's greatest riddles: why do so many creatures transform? “How many creatures walking on this earth / Have their first being in another form?” the Roman poet Ovid asked two thousand years ago. He could not have known the full extent of the truth: today, biologists estimate a stunning three-quarters of all animal species on Earth undergo some form of metamorphosis.But why do tadpoles transform into frogs, caterpillars into butterflies, elvers into eels, immortal jellyfish from sea sprigs to medusae and back again, growing younger and younger in frigid ocean depths? Why must creatures go through massive destruction and remodeling to become who they are? Tracing a path from Aristotle to Darwin to cutting-edge science today, Harman explores that central mystery in Metamorphosis: A Natural and Human History (Basic Books, 2025).Metamorphosis, however, isn't just a biological puzzle: it takes us to the very heart of questions of being and identity, whatever kind of change we humans may undergo. Metamorphosis is a new classic of natural history: a book that, by unveiling a mystery of nature, causes us to relearn ourselves. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

"It may not be Mister Right YouTube, but it is Mister Right Now." — Erika DildayOn Super Bowl Sunday — with America celebrating its 250th anniversary — Erika Dilday joins to discuss the power of documentary film to cut through algorithmic noise and show us who we really are. As executive producer of POV, the longest-running documentary program on American television (now entering its 39th season), Dilday has spent her career championing first-person storytelling that platforms won't surface. She's also co-directing an upcoming series with Ken Burns, Emancipation to Exodus, exploring the period from the Civil War to the Great Migration. We discuss why algorithms limit discovery, whether AI can replicate human nuance, and what she learned from screening films at San Quentin.About the GuestErika Dilday is the Executive Producer of POV, America's longest-running documentary series, now in its 39th season on PBS. She is co-directing Emancipation to Exodus with Ken Burns, a documentary series about the period from the end of the Civil War to the Great Migration, scheduled for PBS in 2027. Her father was the first Black television station manager in the United States.Chapters:00:00:01 OpeningSuper Bowl Sunday, America's 250th, and Erika's prediction ("all Patriots all the way")00:02:28 Emancipation to ExodusHer collaboration with Ken Burns on the period from Civil War to Great Migration (PBS, 2027)00:05:09 Her father's legacyThe first Black TV station manager in the United States; "Those who want change don't have the luxury of being comfortable"00:06:23 Documentary as truth and artWhat distinguishes film from news; Hoop Dreams and the power of immersive storytelling00:08:21 POV's mission39 seasons, Tongues Untied, and stories that wouldn't be told elsewhere00:11:27 PBS and the culture warsPressures on public broadcasting, the need for alternative distribution00:15:47 YouTube: Mister Right NowNot the ideal platform, but the only one for democratic distribution00:17:38 San Quentin Film FestivalIncarcerated audiences engaging deeply with documentary00:20:06 Media consolidationTime Warner, Netflix, Paramount; indie platforms like Mubi and Ovid00:21:49 Algorithms and discoveryPlatforms suggest what they think you want, not what might stretch your thinking00:24:47 AI vs. human nuance"It can be imitated, but it's not going to be replicated"00:27:26 Oscar picksThe Perfect Neighbor (2025) (Netflix) and Cutting Through Rocks (2025) (the sleeper)References:POVHoop Dreams (1994) — documentary about two Chicago high school students dreaming of NBA careersTongues Untied (1989) — Marlon Riggs' documentary on Black gay identity in America (POV Season 4)Salesman (1968) — Maysles Brothers documentary following door-to-door Bible salesmenThe Perfect Neighbor (2025) — Geeta Gandbhir's documentary about a killing in Florida, told through body cam footage (Netflix)Cutting Through Rocks (2025) — Sara Khaki and Mohammad Reza Eyni's documentary about a female elected official and motorcycle rider in IranSan Quentin Film Festival — the first film festival ever held inside a U.S. prison, celebrating incarcerated and formerly incarcerated filmmakersIndependent platforms mentioned: Mubi, Ovid, JoltAbout Keen On AmericaKeen On America is a daily podcast hosted by Andrew Keen, the Anglo-American writer and Silicon Valley insider. Every day, Andrew brings his uniquely transatlantic and eclectic eye to the forces reshaping the United States — interviewing leading thinkers and writers about American politics, technology, culture, and democracy. With nearly 2,800 episodes, Keen On America is the most prolific intellectual interview show in podcasting history.Website: KeenOn.TVSubstack: keenon.substack.comYouTube: youtube.com/@KeenOnShowApple Podcasts: Keen On AmericaSpotify: Keen On America

A search for the meaning of one of nature's greatest riddles: why do so many creatures transform? “How many creatures walking on this earth / Have their first being in another form?” the Roman poet Ovid asked two thousand years ago. He could not have known the full extent of the truth: today, biologists estimate a stunning three-quarters of all animal species on Earth undergo some form of metamorphosis.But why do tadpoles transform into frogs, caterpillars into butterflies, elvers into eels, immortal jellyfish from sea sprigs to medusae and back again, growing younger and younger in frigid ocean depths? Why must creatures go through massive destruction and remodeling to become who they are? Tracing a path from Aristotle to Darwin to cutting-edge science today, Harman explores that central mystery in Metamorphosis: A Natural and Human History (Basic Books, 2025).Metamorphosis, however, isn't just a biological puzzle: it takes us to the very heart of questions of being and identity, whatever kind of change we humans may undergo. Metamorphosis is a new classic of natural history: a book that, by unveiling a mystery of nature, causes us to relearn ourselves. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science

A search for the meaning of one of nature's greatest riddles: why do so many creatures transform? “How many creatures walking on this earth / Have their first being in another form?” the Roman poet Ovid asked two thousand years ago. He could not have known the full extent of the truth: today, biologists estimate a stunning three-quarters of all animal species on Earth undergo some form of metamorphosis.But why do tadpoles transform into frogs, caterpillars into butterflies, elvers into eels, immortal jellyfish from sea sprigs to medusae and back again, growing younger and younger in frigid ocean depths? Why must creatures go through massive destruction and remodeling to become who they are? Tracing a path from Aristotle to Darwin to cutting-edge science today, Harman explores that central mystery in Metamorphosis: A Natural and Human History (Basic Books, 2025).Metamorphosis, however, isn't just a biological puzzle: it takes us to the very heart of questions of being and identity, whatever kind of change we humans may undergo. Metamorphosis is a new classic of natural history: a book that, by unveiling a mystery of nature, causes us to relearn ourselves. Learn more about your ad choices. Visit megaphone.fm/adchoices

A search for the meaning of one of nature's greatest riddles: why do so many creatures transform? “How many creatures walking on this earth / Have their first being in another form?” the Roman poet Ovid asked two thousand years ago. He could not have known the full extent of the truth: today, biologists estimate a stunning three-quarters of all animal species on Earth undergo some form of metamorphosis.But why do tadpoles transform into frogs, caterpillars into butterflies, elvers into eels, immortal jellyfish from sea sprigs to medusae and back again, growing younger and younger in frigid ocean depths? Why must creatures go through massive destruction and remodeling to become who they are? Tracing a path from Aristotle to Darwin to cutting-edge science today, Harman explores that central mystery in Metamorphosis: A Natural and Human History (Basic Books, 2025).Metamorphosis, however, isn't just a biological puzzle: it takes us to the very heart of questions of being and identity, whatever kind of change we humans may undergo. Metamorphosis is a new classic of natural history: a book that, by unveiling a mystery of nature, causes us to relearn ourselves. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/van-leer-institute

A search for the meaning of one of nature's greatest riddles: why do so many creatures transform? “How many creatures walking on this earth / Have their first being in another form?” the Roman poet Ovid asked two thousand years ago. He could not have known the full extent of the truth: today, biologists estimate a stunning three-quarters of all animal species on Earth undergo some form of metamorphosis.But why do tadpoles transform into frogs, caterpillars into butterflies, elvers into eels, immortal jellyfish from sea sprigs to medusae and back again, growing younger and younger in frigid ocean depths? Why must creatures go through massive destruction and remodeling to become who they are? Tracing a path from Aristotle to Darwin to cutting-edge science today, Harman explores that central mystery in Metamorphosis: A Natural and Human History (Basic Books, 2025).Metamorphosis, however, isn't just a biological puzzle: it takes us to the very heart of questions of being and identity, whatever kind of change we humans may undergo. Metamorphosis is a new classic of natural history: a book that, by unveiling a mystery of nature, causes us to relearn ourselves. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/animal-studies

In an AN first, Dave and Jeff take the show on the road to the Michigan state capital. Hosted by the world-class nerds of the Michigan Junior Classical League, the guys slush their way into Lansing to talk Ovid once more—specifically the crushing demise of "gym bro" Acis, who stood zero chance against that hulking, one-eyed colossus, the Cyclops. Here is your opportunity to master the geometry of emotion: do Polyphemus, Acis, and Galatea form a love Dorito, a rectangle of spite, or a dodecahedron of nostalgia? Join us for a unique, live format, featuring crowd participation with sharp questions and comments from bright Classical minds across Michigan. Plus, listen in for a chance to win the collected works of Aristotle from Hackett, edited by C.D.C. Reeve and Pavlos Kontos!

Tonight's reading is drawn from Book X, Fable I of Ovid's Metamorphoses — the story of Orpheus and Eurydice. After Eurydice's death, Orpheus descends into the underworld and is granted a single, fragile mercy: he may lead her back to the living world, provided he does not look back until they have crossed fully into the light. What follows is not a story about disobedience, but about devotion under strain — about love asked to endure silence, uncertainty, and distance without reassurance. This is a soft-spoken, live-ish reading offered as part of our 28 Nights of Dark Devotion — a series exploring love, longing, sacrifice, and return in their quieter, shadowed forms.

'Hero and Leander' was published in 1598, and anyone who came across it in a stationer's shop in Elizabethan London would have known that its author was dead, killed in a brawl in Deptford in 1593. Christopher Marlowe's sensational life as playwright and spy is matched by the wit, sophistication and eroticism of his eccentric retelling of Ovid's myth, based on a 6th-century version by Musaeus. Seamus and Mark begin their new series by looking at the playful but often troubling treatment of desire in a poem that contains one of the most explicit depictions of sex in English poetry. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applesignupnp Other podcast apps: https://lrb.me/scsignupnp Further reading in the LRB: Michael Dobson on the life of Marlowe https://lrb.me/np1marlowe1 Hilary Mantel on the murder of Marlowe: https://lrb.me/np1marlowe2 Charles Nicholl on Faustus: https://lrb.me/np1marlowe3

With the reign of Proca in the rear view mirror, we turn our attention to his two sons- Numitor and Amulius. A murderous plot and a usurpation leads to a young woman being condemned to a life as a Vestal Virgin. However, that doesn't stop her getting pregnant somehow. Oh well, let's put those twin boys in the Tiber...Sources for this episode:Appian (1972), Appian's Roman History in Four Volumes (Volume I). London and Cambridge, Massachusetts: William Heinemann Ltd. and Harvard University Press.Dio (1961), Dio's Roman History (Volume I). Translated by E. Cary. London and Cambridge, Massachusetts: William Heinemann Ltd. and Harvard University Press.Diodorus of Sicily (1993), The Library of History Books IV.59- VIII. Translated by C. H. Oldfather. London and Cambridge, Massachusetts: William Heinemann Ltd. and Harvard University Press.Dionysus of Halicarnassus (1960), The Roman Antiquities of Dionysus of Halicarnassus. Translated by E. Cary. Cambridge, Massachusetts and London: Harvard University Press and William Heinemann Ltd.The Editors, Encyclopedia Britannica (2025), Vestal Virgins (online) (Accessed 15/08/2025).Eutropius (1760), Eutropius; Epitome of the Roman History. London: Printed for W. Johnston et al.Livy (1971), The Early History of Rome. Translated by A. de Sélincourt. Harmondsworth: Penguin Books Ltd.Ovid (1968), The Metamorphoses of Ovid. Translated by M. M. Innes. Harmondsworth: Penguin Books Ltd.Plutarch (1938), Plutarch's Lives (Volume I). London and New York: J. M. Dent & Sons Ltd. And E. P. Dutton & Co. Inc.Sextus Aurelius Victor (2004), Origo Gentis Romanae: The Origin of the Roman Race. Translated by K. Haniszewski, L. Karas, K. Koch, E. Parobek, C. Pratt and B. Serwicki. Canisius College Translated Texts 3. Canisius College, Buffalo, New York.Author unknown (date unknown), Nuremberg Chronicle: being the Liber Chronicarum of Dr. Hartmann translated in English. Morse Library, Beloit College.

What do the classical stories of myths and legends mean to us today? In this episode of Mythmakers, Dr. Lorna Robinson—founder of the Iris Project and director of the Rumble Museum at Cheney School in Oxford—joins Julia Golding to discuss her quest to bring these timeless tales to young people.The conversation explores Lorna’s reinterpretation of Ovid's Metamorphoses in The Birder, a magical realism novel built around the idea that, as in the myths, people don’t die—they transform into other creatures or things.The Birder is available now at https://www.amazon.co.uk/Birder-Dr-Lorna-Robinson/dp/B0DNC7V79X, alternatively you can ask your local bookshop to order a copy for you.(00:05) Introducing Mythmakers and Dr Lorna Robinson(05:40) Widening Access to Myths Through Education(09:30) Young Readers, Modern Media, and Classical Stories(13:40) Cultural Literacy and Why Myths Still Matter(16:10) Writing The Birder and Imagining Metamorphosis(20:10) Ovid, Magical Realism, and Belief in Ancient Stories(23:20) Environmental Themes and Future Writing Projects(25:00) Reading Ovid Today and Modern RetellingsFor more information on the Oxford Centre for Fantasy, our writing courses, and to check out our awesome social media content visit: Website: https://centre4fantasy.com/website Instagram: https://centre4fantasy.com/Instagram Facebook: https://centre4fantasy.com/Facebook TikTok: https://centre4fantasy.com/tiktok

Aventinus and Proca take us all the way down to the 790s BCE. Along the way, we see another hill of a certain famous city gets its name, the city chugs along quietly in the background, and the Herbology teacher from Harry Potter gets a cameo story in Ovid's Metamorphoses. Wait... What was that last part?Sources for this episode:Appian (1972), Appian's Roman History in Four Volumes (Volume I). Translated by H. White. London and Cambridge, Massachusetts: William Heinemann Ld. and Harvard University Press.Dio (1961), Dio's Roman History (Volume I). Translated by E. Cary. London and Cambridge, Massachusetts: William Heinemann Ltd. and Harvard University Press.Diodorus of Sicily (1993), The Library of History Books IV.59- VIII. Translated by C. H. Oldfather. London and Cambridge, Massachusetts: William Heinemann Ltd. and Harvard University Press.Dionysus of Halicarnassus (1960), The Roman Antiquities of Dionysus of Halicarnassus. Translated by E. Cary. Cambridge, Massachusetts and London: Harvard University Press and William Heinemann Ltd.Livy (1971), The Early History of Rome. Translated by A. de Sélincourt. Harmondsworth: Penguin Books Ltd.Ovid (1968), The Metamorphoses of Ovid. Translated by M. M. Innes. Harmondsworth: Penguin Books Ltd.Sextus Aurelius Victor (2004), Origo Gentis Romanae: The Origin of the Roman Race. Translated by K. Haniszewski, L. Karas, K. Koch, E. Parobek, C. Pratt and B. Serwicki. Canisius College Translated Texts 3. Canisius College, Buffalo, New York.Author unknown (date unknown), Nuremberg Chronicle: being the Liber Chronicarum of Dr. Hartmann translated in English. Morse Library, Beloit College.Author unknown, Wikipedia (date unknown), Seven hills of Rome (online) (Accessed 15/08/2025).

Story Prescription: A favourite tale that shows us that after darkness there is light, that after winter there is spring, that after grief, there is hope.   Story Caution: This story contains contains themes of rape within a paradigm of mythic narrative.   A story from Ancient Greece, about a daughter called Persephone's abduction, and her mournful, wrathful and unrelenting search by her mother, Demeter.   To support this podcast, you can '⁠⁠buy me a coffee'. ⁠⁠You can also tell your friends, which costs nothing. Music: Thank you to ⁠⁠In Feathers ⁠⁠for the beautiful music.   Story Sources: Homer; Ovid; Myths of the Sacred Tree

Send us a textShakespeare  Hello Mr. Smith. This is William Shakespeare the action figure, and I would be most remiss if I did not continue my narrative regarding my education in Stratford. You see, like many boys of my station, I probably attended the King's New School in Stratford. It has been so long that I must admit I am a bit foggy. The curriculum would have been heavy on Latin, rhetoric, and the classics. Day after day, I was been drilled in the works of Ovid, Seneca, and Plautus. Later, echoes of those schoolroom authors would resurface in my plays — such as Pyramus and Thisbe in A Midsummer Night's Dream, as well as the Roman senators in Julius Caesar. Night watchmenSo when did you start using the alphabet and language so masterfully?ShakespeareI certainly intend to address that, but for now be patient, my fellow toys, be patient. You see, by 1582, when I was only eighteen, I married a lady by the name of Anne Hathaway,  Some scholars Believe that my wive's name was actually Agnes. In any case, our first daughter, Susanna, was born the following year. Twins, Hamnet and Judith, followed in 1585.  Unfortunately my dear son Hamnet later died as a result of the plague. And then comes the mystery: the so-called “lost years.” Between 1585 and 1592, I completely disappear from the historical record. No plays, no mentions, no documents, but what we do know is that by 1592, I was in the city of London and making a name for myself. A rival playwright, Robert Greene, derided me in print as an “upstart crow.” For all its venom, the insult is proof that I had arrived — I was already challenging the university-trained writers and beginning my rise to the very top of the Elizabethan stage.Support the showThank you for experiencing Celebrate Creativity.

The lady in the forest has come to face the pilgrim and his poets across the stream in the forest.The pilgrim clearly feels a sexual attraction toward her, one that might even make us think of his reactions to Beatrice.She, however, has other ideas, like answering their many questions. Except in so doing, she raises even more questions than she has time to answer.Join me, Mark Scarbrough, as we work through this passage in PURGATORIO in which we first learn we're wandering around in the Garden of Eden.Here are the segments for this episode of WALKING WITH DANTE:[01:37] My English translation of PURGATORIO, Canto XXVIII, lines 67 - 84. If you'd like to read along or continue the conversation with me by dropping a comment on this episode, please find it on my website, markscarbrough.com.[03:38] Upright and flirty: the many contradictions of the lady in the forest.[07:04] A rare misstep in COMEDY.[08:06] A tough tangle of references from Ovid and the Bible: from pride to sexual attraction to (thwarted) redemption.[15:28] The tenuous connections between the lady's laugh and their doubts, as well as her words and Virgil's presence.[21:17] Her purpose: to offer answers (but not to remove sexual tension).[23:39] The Garden of Eden, utterly reimagined by Dante.[28:23] Rereading the passage: PURGATORIO, Canto XXVIII, lines 67 - 84.

Featuring Thea Riofrancos on Extraction: The Frontiers of Green Capitalism. The green energy transition requires a vast array of inputs: copper, cobalt, rare earth elements, and the focus of this discussion, lithium — all of which must be mined from the earth. This is a wide-ranging discussion stretching from Chile to Nevada, and from the dawn of colonialism to the geoeconomic conflict between the US and China — and a lot more. In New York City? See Thea discuss Extraction with David Wallace-Wells tonight, Friday, November 14, at McNally Jackson Seaport. Say hi to Dan if you attend! Tickets here: mcnallyjackson.com/event/thea-riofrancos-david-wallace-wells Support The Dig at Patreon.com/TheDig Buy Black History is for Everyone at Haymarketbooks.org Get your first month free at OVID.tv using promo code DIG25 The Dig goes deep into politics everywhere, from labor struggles and political economy to imperialism and immigration. Hosted by Daniel Denvir.

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Featuring Thea Riofrancos on Extraction: The Frontiers of Green Capitalism. The green energy transition requires a vast array of inputs: copper, cobalt, rare earth elements, and the focus of this discussion, lithium—all of which must be mined from the earth. This is a wide-ranging discussion stretching from Chile to Nevada, and from the dawn of colonialism to the geoeconomic conflict between the US and China—and a lot more. In New York City? See Thea discuss Extraction with David Wallace-Wells. Friday, November 14 at McNally Jackson Seaport. Say hi to Dan if you attend! Tickets here: mcnallyjackson.com/event/thea-riofrancos-david-wallace-wells Support The Dig at Patreon.com/TheDig Buy Black History is for Everyone at Haymarketbooks.org Get your first month free at OVID.tv using promo code DIG25

Long before Kim Cattrall appeared on HBO as the outspoken, sexually confident, “I'll try anything once” Samantha Jones in Sex and the City, she played an Egyptian woman under a spell and reincarnated as a shop-window dummy.  Inspired by Pygmalion, the tale from Ovid's Metamorphoses poem which tells the story of a sculptor who fell in love with a statue he had carved, it's admittedly the kind of storyline that was only plausible in the 1980s.  And we loved every second of it!So hop on your motorcycle, meet us at Prince & Company Department Store, and keep an eye out for vicious guard-dog, Rambo, as Tim Williams and guest co-host, Bethany Wells, discuss “Mannequin” from 1987 on this episode of the 80s Flick Flashback podcast!Here are some additional behind-the-scenes trivia we were unable to cover in this episode:​If "Mannequin" seems a little formulaic to you, that's no accident. It was the first movie produced by Hollywood market research guru Joseph Farrell, who perfected the system of focus groups and test audiences that studios often use to tweak films and make them more commercial.​No one from the original film, except Taylor, returned for the 1991 sequel, "Mannequin 2: On the Move." This time, the dummy-come-to-life was yet another "Pretty in Pink" alum, Kristy Swanson.​Mannequin was written and directed by Michael Gottlieb, who had to wait until 1993 for another go with the Hulk Hogan vehicle "Mr. Nanny".Sources:Wikipedia, IMDB, Box Office Mojohttps://www.moviefone.com/news/mannequin-movie-facts/https://www.fast-rewind.com/trivia_mannequin.htmhttps://www.anothermag.com/fashion-beauty/11080/when-kim-cattrall-played-a-mannequin-come-to-life-in-1987Some sections were composed by ChatGPTWe'd love to hear your thoughts on our podcast! You can share your feedback with us via email or social media.​Website - https://www.80sflickflashback.com/​TeePublic Store - https://www.teepublic.com/user/eighties-flick-flashback​Buy Me A Coffee - https://buymeacoffee.com/80sflickfb​Facebook - https://www.facebook.com/80sflickflashbackpodcast​Instagram - https://www.instagram.com/80sflickflashback/​TikTok - https://www.tiktok.com/@80sflickflashback​Email - Info@80sFlickFlashback.com

Featuring Melinda Cooper on Counterrevolution: Extravagance and Austerity in Public Finance. Balanced budget conservatism and supply side populism engineered a politics of austerity and budget deficits. Deep cuts to the social wage like welfare reform disciplined labor so severely that Fed Chair Alan Greenspan opened the floodgates of easy money confident it would juice the price of assets alone. Assets like homes, the value of which spiraled ever upward until the Global Financial Crisis. The crash made the politics of revolutionary conservatism that dominate us today with MAGA. But the crisis also revealed powerful monetary tools that we could wield to make socialism—if only we organize the power necessary to seize them. The SECOND in a two-part series. Call in to leave a question for The Dig's mailbag episode: speakpipe.com/ListenerMailbag Support The Dig at Patreon.com/TheDig Get your first month free at OVID.tv using promo code DIG25 Visit dropsitenews.com/DIG20 for 20% off an annual Drop Site subscription

Featuring Melinda Cooper on Counterrevolution: Extravagance and Austerity in Public Finance. Balanced budget conservatism and supply side populism engineered a politics of austerity and budget deficits. Deep cuts to the social wage like welfare reform disciplined labor so severely that Fed chair Alan Greenspan opened the floodgates of easy money confident it would juice the price of assets alone. Assets like homes, the value of which spiraled ever upward until the global financial crisis. The crash made the politics of revolutionary conservatism that dominate us today with MAGA. But the crisis also revealed powerful monetary tools that we could wield to make socialism—if only we organize the power necessary to seize them. The second in a two-part series. Call in to leave a question for The Dig's mailbag episode: speakpipe.com/ListenerMailbag Support The Dig at Patreon.com/TheDig Get your first month free at OVID.tv using promo code DIG25 Visit dropsitenews.com/DIG20 for 20% off an annual Drop Site subscription The Dig goes deep into politics everywhere, from labor struggles and political economy to imperialism and immigration. Hosted by Daniel Denvir.

Dr. Dunstan Lowe, a senior lecturer in Latin Literature at the University of Kent, joins Lexie to discuss his journey into the field of classical studies, driven by an early fascination with Roman history and mythology, the nuanced differences between Greek and Roman literature, particularly the works of Virgil and Ovid, and his fascination with archaeogaming and its relevance today. So tuck in your togas and hop aboard Trireme Transit for this week's exciting odyssey! Don't forget to follow us on Twitter, Facebook & Instagram or visit our website www.theozymandiasproject.com! Originally recorded February 25, 2025. Learn more about Dr. Lowe: https://www.kent.ac.uk/classics-archaeology/people/1744/lowe-dunstanFollow him on Bluesky: https://bsky.app/profile/ancientplay.bsky.socialSupport us on Patreon: https://www.patreon.com/TheOzymandiasProject Custom music by Brent Arehart of Arehart Sounds and edited by Dan Maday. Want a transcript of the episode? Email us at theozymandiasprojectpodcast@gmail.com and we can provide one. Hosted on Acast. See acast.com/privacy for more information.

Sean comes down to the city to sperg out on Harold about Ovid, Vico, sacred prostitution, and the Venus mother goddess myth; Harold talks DFW, Suetonius, life in the city, and Rob Rubsam's Male Literature Vulture piece. FULL EP: https://www.patreon.com/c/1storypod

The guys are back to Ovid this week for another pair of vignettes. First up it's the tragic, would-be love affair between little-known Trojan prince Aesacus and his would be wooed Hesperia. Like Eurydice, Hesperia forgets her little galoshes, and is struck down by a deadly snake in the grass before Aesacus can catch her. Aesacus can't handle it and goes full Greg Louganis, until the gods turn him into a diving bird. What is Ovid saying here about fate and love's destructive power? Then its on to Pomona who turns down every “prom-posal” till Vertumnus, the sylvan Cicero, gives it a go. Even then it's no picnic…he's forced to become his own “wing man”…er, woman? What's the message? Stop chasing, fellas, and up your disguise and persuasion game? Tune in and find out. Also, don't miss the on-air drawing for the Plato prize.

"Does it matter if the voice behind your favorite song isn't human?" In this thought-provoking episode of The Sandy Show, Sandy McIlree dives into the rise of AI in the music industry, spotlighting Zaniya Monet, a virtual artist created by Talisha Jones who just landed a $3 million record deal. With millions of streams already under her belt, Zaniya's success sparks a lively debate: Are we trading soul for convenience in music? Sandy and Tricia explore the emotional impact of AI-generated music, the future of live performances, and whether audiences truly care if the artist is real or virtual. Sandy's reaction to Zaniya's hit “How Was I Supposed to Know” is both awe-struck and deeply conflicted—“That's scary… it's so good.” But it's not all serious. The episode takes a hilarious turn with a Family Feud showdown, where Tricia finally breaks her losing streak with a perfect game—five number-one answers in a row! The prize? A pink cake. The banter is sharp, the competition fierce, and the cake debate surprisingly intense. Listeners also get a nostalgic update on the Baywatch reboot, a quirky discussion about dumplings vs. donuts, and a timeless piece of dating advice from Roman poet Ovid—yes, nose hair grooming matters.

R.F Kuang's Katabasis has reignited the discourse around journeying into the underworld as a storytelling device. We've covered many stories in the past with the theme of Katabasis (namely Inanna and Persephone), so why not deep dive into the various versions of Orpheus' myth especially with Supergiant Games' Hades II coming out! Join us as we trace Orpheus and Eurydice's story from Pindar to Virgil and Ovid all the way to Supernatural, Buffy the Vampire Slayer and Hadestown as we ask the age old question- why did Orpheus turn?  Show notes for this episode can be found on our website at: https://talesfromtheenchantedforest.com/2025/09/24/katabasis-the-myth-of-orpheus/ You can also find us on: Bluesky Mastodon Instagram   TikTok

Featuring Alberto Toscano and Stuart Schrader on Trump's intensification of police, ICE, and military repression. What does this all reveal about MAGA's fascist and authoritarian project—and about the illiberalism already immanent in the US carceral and imperialist state? The FIRST in a two-part series. Support The Dig at Patreon.com/TheDig Call in to leave a question for The Dig's mailbag episode: speakpipe.com/ListenerMailbag Get your first month free at OVID.tv using promo code DIG25 Buy Learning to Live in the Dark at Haymarketbooks.org

Featuring Alberto Toscano and Stuart Schrader on Trump's intensification of police, ICE, and military repression. What does this all reveal about MAGA's fascist and authoritarian project—and about the illiberalism already immanent in the US carceral and imperialist state? The FIRST in a two-part series. Support The Dig at Patreon.com/TheDig Call in to leave a question for The Dig's mailbag episode: speakpipe.com/ListenerMailbag Get your first month free at OVID.tv using promo code DIG25 Buy Learning to Live in the Dark at Haymarketbooks.org The Dig goes deep into politics everywhere, from labor struggles and political economy to imperialism and immigration. Hosted by Daniel Denvir.

When Ovid was exiled from Rome to a border town on the Black Sea, he despaired at his bleak and barbarous new surroundings. Like many Greeks and Romans, Ovid thought the outer reaches of his world was where civilization ceased to exist. Our own fascination with the Greek and Roman world has for centuries followed this perspective, shrouding cultures at the far reaches of their influence in myth. But what was it like to live on the edges of these empires, on the boundaries of the known world? In The Far Edges of the Known World (W.W. Norton & Company, 2025) ancient historian Owen Rees draws on archaeological excavations to reveal these so-called borders as thriving multicultural spaces. This is where the boundaries of “civilized” and “barbarian” began to dissipate; where traditional rules didn't always apply; where different cultures intermarried; and where nomadic tribes built their own cities. Transporting readers through historical spheres of influence, Rees journeys from the sandy caravan routes of Morocco to the freezing winters of the northern Black Sea, from the Red River valley of Vietnam to the rain-lashed forts south of Hadrian's Wall. Beyond well-remembered figures like Cleopatra and Caesar, Rees introduces us to the everyday people who called the borderlands home. We meet an enterprising sex worker in Egypt's Naucratis, gambling soldiers at Hadrian's Wall in England, a Greco-Buddhist monk hailing from the Ganges, and more. As Rees shows, exchanges of trends, ideas, even religious practices were happening all over the world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Spike Bucklow joins Jana Byars to talk about The Year: An Ecology of the Zodiac (Reaktion, 2025). This delightful book defies genre. It is a journey through nature's yearly cycle, blending science, history and poetic reflection.The Year takes us on a journey exploring how nature transforms across twelve months, each chapter focusing on a specific month's natural events, from spring's beginning through to winter's end. It opens with an overview of our evolving understanding of time and nature, from ancient astronomy to the present, and concludes with a chapter on the impact of climate change. Spike Bucklow draws on both modern ecological studies and historical naturalists such as Aristotle, Gilbert White, Thoreau and Aldo Leopold. Poetic reflections from Ovid, Shakespeare, John Clare and William Wordsworth enrich the narrative, giving further insights into nature's changes. Blending modern science with traditional wisdom, The Year provides a positive perspective on ecological, global and personal change, appealing to those interested in ecology, astrology and the history of science. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

When Ovid was exiled from Rome to a border town on the Black Sea, he despaired at his bleak and barbarous new surroundings. Like many Greeks and Romans, Ovid thought the outer reaches of his world was where civilization ceased to exist. Our own fascination with the Greek and Roman world has for centuries followed this perspective, shrouding cultures at the far reaches of their influence in myth. But what was it like to live on the edges of these empires, on the boundaries of the known world? In The Far Edges of the Known World (W.W. Norton & Company, 2025) ancient historian Owen Rees draws on archaeological excavations to reveal these so-called borders as thriving multicultural spaces. This is where the boundaries of “civilized” and “barbarian” began to dissipate; where traditional rules didn't always apply; where different cultures intermarried; and where nomadic tribes built their own cities. Transporting readers through historical spheres of influence, Rees journeys from the sandy caravan routes of Morocco to the freezing winters of the northern Black Sea, from the Red River valley of Vietnam to the rain-lashed forts south of Hadrian's Wall. Beyond well-remembered figures like Cleopatra and Caesar, Rees introduces us to the everyday people who called the borderlands home. We meet an enterprising sex worker in Egypt's Naucratis, gambling soldiers at Hadrian's Wall in England, a Greco-Buddhist monk hailing from the Ganges, and more. As Rees shows, exchanges of trends, ideas, even religious practices were happening all over the world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Spike Bucklow joins Jana Byars to talk about The Year: An Ecology of the Zodiac (Reaktion, 2025). This delightful book defies genre. It is a journey through nature's yearly cycle, blending science, history and poetic reflection.The Year takes us on a journey exploring how nature transforms across twelve months, each chapter focusing on a specific month's natural events, from spring's beginning through to winter's end. It opens with an overview of our evolving understanding of time and nature, from ancient astronomy to the present, and concludes with a chapter on the impact of climate change. Spike Bucklow draws on both modern ecological studies and historical naturalists such as Aristotle, Gilbert White, Thoreau and Aldo Leopold. Poetic reflections from Ovid, Shakespeare, John Clare and William Wordsworth enrich the narrative, giving further insights into nature's changes. Blending modern science with traditional wisdom, The Year provides a positive perspective on ecological, global and personal change, appealing to those interested in ecology, astrology and the history of science. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

Spike Bucklow joins Jana Byars to talk about The Year: An Ecology of the Zodiac (Reaktion, 2025). This delightful book defies genre. It is a journey through nature's yearly cycle, blending science, history and poetic reflection.The Year takes us on a journey exploring how nature transforms across twelve months, each chapter focusing on a specific month's natural events, from spring's beginning through to winter's end. It opens with an overview of our evolving understanding of time and nature, from ancient astronomy to the present, and concludes with a chapter on the impact of climate change. Spike Bucklow draws on both modern ecological studies and historical naturalists such as Aristotle, Gilbert White, Thoreau and Aldo Leopold. Poetic reflections from Ovid, Shakespeare, John Clare and William Wordsworth enrich the narrative, giving further insights into nature's changes. Blending modern science with traditional wisdom, The Year provides a positive perspective on ecological, global and personal change, appealing to those interested in ecology, astrology and the history of science. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Spike Bucklow joins Jana Byars to talk about The Year: An Ecology of the Zodiac (Reaktion, 2025). This delightful book defies genre. It is a journey through nature's yearly cycle, blending science, history and poetic reflection.The Year takes us on a journey exploring how nature transforms across twelve months, each chapter focusing on a specific month's natural events, from spring's beginning through to winter's end. It opens with an overview of our evolving understanding of time and nature, from ancient astronomy to the present, and concludes with a chapter on the impact of climate change. Spike Bucklow draws on both modern ecological studies and historical naturalists such as Aristotle, Gilbert White, Thoreau and Aldo Leopold. Poetic reflections from Ovid, Shakespeare, John Clare and William Wordsworth enrich the narrative, giving further insights into nature's changes. Blending modern science with traditional wisdom, The Year provides a positive perspective on ecological, global and personal change, appealing to those interested in ecology, astrology and the history of science. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Saturday, 13 September 2025   And some fell among thorns, and the thorns sprang up and choked them. Matthew 13:7   “And others, it fell upon the thorns, and they ascended, the thorns, and they choked them” (CG).   In the previous verse, Jesus described how the seed that fell on the rock-like areas scorched and withered. He now turns to another category, saying, “And others, it fell upon the thorns.”   Thorns in Israel are about as bad as they get. They are everywhere, and they come in a seemingly unlimited number of torturous varieties. When God cursed the earth and said that it would produce thorns and thistles (Genesis 3:18), it seems He was specifically highlighting this promised curse in the land of Israel.   Everyone listening would understand His words. The sower is out spreading seed. As he does, some of it falls on the uncleared area where thorns had not been fully removed through burning or tilling. They may not be evident if the tops were burned off, but the roots remained because they weren't in the main part of the field that was fully tilled and cleared.   Leaving thorns around a field can have a positive purpose, such as keeping out unwanted creatures, but once the seed falls into such an area, there is no going back and picking it out. It is there for the duration. Once cast there, Jesus says, “and they ascended, the thorns, and they choked them.”   Like dominant plants in any area, those that are hardiest will overcome those that are not. Thorns don't need much water to thrive. They get started early, and when the rains come, they are already prepared to speedily grow beyond whatever else is in the soil. As such, the grain cannot compete against the thorns, and they become choked out, never reaching maturity. Vincent's Word Studies notes the words of Ovid that closely match Jesus' words of these past verses –   "Now the too ardent sun, vow furious showers, With baleful stars and bitter winds combine The crop to ravage; while the greedy fowl Snatch the strewn seeds; and grass with stubborn roots, And thorn and darnel plague the ripening grain." Metamorphoses   Life application: If you go to Israel on a vacation, business trip, tour, or whatever, be sure to have long pants and appropriate shoes if you plan on going for walks in the fields or mountains.   There are thornbushes, thistles, scratchy weeds, etc., all over the place. One can have a jillion lacerations after a short walk through an area that was not cleared. Many of these look innocuous until you step into them. Once you do, it is painful just trying to back out.   This is true throughout the world. The curse that was pronounced at the beginning has continued to be proven true throughout human history. In Israel, a land that is still being reclaimed after two thousand years of inactivity due to the curses of the law being brought to bear against the people for rejecting Jesus, every hill that remains unoccupied bears a reminder of the curse.   Slowly, Israel is subduing these areas and rebuilding towns and villages in the wilderness. Where they haven't, the walk may appear beautiful and an exciting challenge when viewed from a distance, but once you get into the area, you may find yourself wishing you had gone to Tahiti or even to North Korea... anywhere but the painful hill you are walking on.   So be careful if you go. If you remember to avoid such pitfalls, you should probably have a great adventure as you enjoy the land where Jesus walked.   Lord God, it will be really great when we are given a new place to set our feet, one without thorns, thistles, poison ivy, and harmful critters. Violating one law brought about all of this and so much more. But we know that through the grace of Jesus Christ, what we willnow experience will be more wonderful than we can imagine. Thank You for this sure hope we possess. Amen.  

**REPOST** On this week's annotated deep dive, The Cultists continue to present Stanley Kubrick's final film Eyes Wide Shut (1999). ***THIS IS PART TWO OF A TWO PART EPISODE***Deep Dives Include: production history; comparisons with the film's “Dream Story” (1926) novella source material ; the Gustav Klimt color pallet; the meaning behind those neon Eros/Thanatos street signs; secret societies and other occult inspirations (from the Freemasons, to the Illuminati, Hellfire clubs, and Alister Crowley); Ovid's Art of Love; what it means to “reach the end of the rainbow”; and how the film's seemingly abrupt and hollow end comes straight from Friedrich Nietzsche's “Thus Spoke Zarathustra”....Episode Safeword(s): “the morning after” (REPOSTED Episode from 2021 that traveled over from the old Anchor platform with a broken link).

It might at first sound like it would be nice to be the lover of the king of the Olympian gods, attended by divine spirits, and living in a luxurious palace among the clouds.  But this happily-ever-after turns sour after Princess Semele asks Jupiter for the gift of immortality.  After a bit of intrigue amongst the gods–not least among them Jupiter's resourceful and ruthless wife Juno–disaster strikes the princess Semele and her dreams are reduced to ashes. An “English opera” from the later career of Baroque master, George Frideric Handel, Semele teems with engaging arias as well as sumptuous choral pieces. Inspired by a tale told by Ovid, Handel and his librettist, William Congreve crafted a work of art that beguiles and entertains supremely. Hosted by Pat and Kathleen For more cultural and arts commentary by Kathleen Van De Wille, visit Constructive Criticism on Substack.

This week marks the beginning of our August round-ups where we choose our favorite episodes from the prior year as we gear up for our new season. We're revisiting two of our personal favorite authors and subjects: craft. Tune into Jane Alison and Jeannine Ouellette to glean insight and inspiration about your writing and the structures, forms, playfulness, and directions it can take when you're attuned to all the possibilities and permutations. Don't miss Janet Fitch's August 19th class. Details are online here. Jane Alison is the author of four novels, as well as Change Me, translations of Ovid's stories of sexual transformation, and Meander, Spiral, Explode, about the craft and theory of writing. Her newest novel is Villa E, about the collision of architects Eileen Gray and Le Corbusier. She is Professor of Creative Writing at the University of Virginia. Jeannine Ouellette is the author of the bestselling Substack Writing in the Dark, a creative community of almost 18K people strong. Her lyric memoir, The Part That Burns, was a 2021 Kirkus Best Indie Book and a finalist for the Next Generation Indie Book Award in Women's Literature, and her essays and short fiction have appeared widely in anthologies and journals, including Narrative, North American Review, Los Angeles Review of Books, and others. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week marks the beginning of our August round-ups where we choose our favorite episodes from the prior year as we gear up for our new season. We're revisiting two of our personal favorite authors and subjects: craft. Tune into Jane Alison and Jeannine Ouellette to glean insight and inspiration about your writing and the structures, forms, playfulness, and directions it can take when you're attuned to all the possibilities and permutations. Don't miss Janet Fitch's August 19th class. Details are online here. Jane Alison is the author of four novels, as well as Change Me, translations of Ovid's stories of sexual transformation, and Meander, Spiral, Explode, about the craft and theory of writing. Her newest novel is Villa E, about the collision of architects Eileen Gray and Le Corbusier. She is Professor of Creative Writing at the University of Virginia. Jeannine Ouellette is the author of the bestselling Substack Writing in the Dark, a creative community of almost 18K people strong. Her lyric memoir, The Part That Burns, was a 2021 Kirkus Best Indie Book and a finalist for the Next Generation Indie Book Award in Women's Literature, and her essays and short fiction have appeared widely in anthologies and journals, including Narrative, North American Review, Los Angeles Review of Books, and others. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On the night of August 14, 1985, twenty-year-old Kristin O'Connell left a party in Ovid, NY to go for a walk. Two days later, her nude body was discovered near a cornfield along a rural county road; she had been stabbed in the chest and her throat was cut. The unsolved murder of Kristin O'Connell has baffled local New York investigators for decades. At the time of her murder, Kristin had traveled from Minnesota to New York to visit a young man she'd met a few months earlier while on Spring Break in Florida. According to witnesses, Kristin wasn't wearing shoes when she left the party and she wasn't carrying a purse. Several witnesses reported having seen Kristin walking that night between 11:30 pm and 12:15 am, when she was seen talking to one or possible two men in a car. Roughly ten minutes later, several people reported hearing a loud scream coming from the area where her body was discovered.In the decades since Kristin's murder, police have interviewed dozens of witnesses and followed up on thousands of leads, yet the case remains no closer to being solved than it was in the days following the discovery of the body.Please sign the Petition to override the decision to not permit 'touch DNA' to potentially solve this cold case! visit https://www.change.org/p/family-demands-dna-testing-by-othram-labs-in-the-kristin-o-connell-cold-caseThank you to the Incredible Dave White of Bring Me the Axe Podcast for research and Writing support!ReferencesAllen, Matha. 1985. "Slain woman's parents seek comfort from her letter." Star Tribune, August 18: 35.Associated Press. 1987. "Psychics seeking slues to 1985 murder in Ovid." Democrat and Chronicle (Rochester, NY), August 22: 12.—. 2009. "DNA may solve '85 slaying." Press and Sun-Bulletin (Binghamton, NY), August 13: 1.Democrat and Chronicle . 1985. "Police ask help in Ovid murder." Democrat and Chronicle (Rochester, NY), August 20: 11.Democrat and Chronicle. 1985. "Lab to test items from slaying." Democrat and Chronicle , August 19: 7.Ebert, Alex. 2009. "A Burnsville mother won't let her daughter's murder case go cold." Star Tribune, August 13.Gillis, Jackie. 2023. What happened to Kristin O'Connell? March 2. Accessed March 2, 2025. https://www.mytwintiers.com/news-cat/local-news/what-happened-to-kristin-oconnell/.Lighty, Todd, and John Hartsock. 1985. "Brutal slaying shakes Seneca town." Democrat and Chronicle (Rochester, NY), August 18: 1.Pfifer, Jim. 1996. "Police suspect imprisoned man for 1985 murder in Ovid." Star-Gazette, January 28: 1.Pittman, Mark. 1985. "Minn. woman found dead in Seneca." Democrat and Chronicle (Rochester, NY), August 17: 1.Ritter, Carol. 1985. "4 deaths, few answers in Seneca." Democrat and Chronicle (Rochester, NY), August 22: 14.—. 1986. "Parents on pilgrimage of grief." Democrat and Chronicle (Rochester, NY), August 16: 1.—. 1985. "Slaying no longer the talk of Ovid, but investigation, reaction continue." Democrat and Chronicle (Rochester, NY), September 25: 11.Shaw, David. 2009. "Police seek help on cold case." Finger Lakes Times, August 13.—. 1986. "Kristin O'Connell's murderer thwarts police." Post-Standard (Syracuse, NY), February 21: 1.—. 1986. "Murder case takes police out of state." Post-Standard (Syracuse, NY), January 8: 14.—. 1985. "Cops place an ad in hunt for killer." Syracuse Herald-Journal, August 29: 1.—. 1985. "Police hope TV reenactment of killing will help solve case." Syracuse Herald-Journal, September 13: 15.—. 1985. "Slaying's legacy: a bounty and fear." Syracuse Herald-Journal, August 30: 95.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.