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3 episodes with Brueghel
5 episodes with Brueghel
2 episodes with Brueghel
3 episodes with Brueghel
2 episodes with Brueghel
![Podcast Lab 137 [Audio-Relatos Voz Humana]](https://ivyfm.s3.amazonaws.com/i320/34754.jpg)
2 episodes with Brueghel
2 episodes with Brueghel
2 episodes with Brueghel
2 episodes with Brueghel
Part two of the spring 2025 installment of Unearthed! features the potpourri category, plus drones/radar/lidar, books and letters, animals, edibles and potables, shipwrecks, swords (sort of) and cats. Research: Roque, Nika. “Maria Orosa, fellow World War II heroes laid to rest at San Agustin Church.” GMA Integrated News. 2/14/2025. https://www.gmanetwork.com/news/topstories/nation/936107/maria-orosa-fellow-world-war-ii-heroes-laid-to-rest-at-san-agustin-church/story/ Adam, David. “Does a new genetic analysis finally reveal the identity of Jack the Ripper?” Science. 3/15/2019. https://www.science.org/content/article/does-new-genetic-analysis-finally-reveal-identity-jack-ripper Jeffries, Ella. “These Everyday Artifacts Tell the Story of Harriet Tubman’s Father’s Home as Climate Change Threatens the Historic Site.” Smithsonian Magazine. 3/14/2025. https://www.smithsonianmag.com/smart-news/these-everyday-artifacts-tell-the-story-of-harriet-tubmans-fathers-home-as-climate-change-threatens-historic-site-as-climate-change-180986204/ The History Blog. “Lavish private baths found in Pompeii villa.” 1/18/2025. https://www.thehistoryblog.com/archives/72199 Balmer, Crispian. “Rare frescoes unearthed in Pompeii shed light on ancient rituals.” Reuters. 2/26/2025. https://www.reuters.com/world/europe/rare-frescoes-unearthed-pompeii-shed-light-ancient-rituals-2025-02-26/ Lawler, Daniel. “How did this man's brain turn to glass? Scientists have a theory.” Phys.org. 2/27/2025. https://phys.org/news/2025-02-brain-glass-scientists-theory.html The History Blog. “Footprints fleeing Bronze Age eruption of Vesuvius found.” 1/31/2025. https://www.thehistoryblog.com/archives/72318 net. “Archaeologists Identify ‘Lost’ Anglo-Saxon Site Depicted in the Bayeux Tapestry.” 1/2025. https://www.medievalists.net/2025/01/archaeologists-identify-lost-anglo-saxon-site-depicted-in-the-bayeux-tapestry/ Lawson-Tancred, Jo. “Fragment of Epic Medieval Bayeux Tapestry Rediscovered in Germany.” Artnet. 3/5/2025. https://news.artnet.com/art-world/bayeux-tapestry-fragment-rediscovered-in-germany-2615620 Schrader, Adam. “Is There Graffiti of a Legendary Film Star Under the Lincoln Memorial?.” Artnet. 2/23/2025. https://news.artnet.com/art-world/graffiti-of-a-legendary-film-star-under-the-lincoln-memorial-2611242 National Museums Northern Ireland. “Further research Suggests Remains Found in Bellaghy Likely to be Female.” https://www.nationalmuseumsni.org/news/ballymacombs-more-woman Boucher, Brian. “Who Owned This Fabulous Hoard of Viking Treasure? A New Translation Offers a Clue.” ArtNet. 2/21/2025. https://news.artnet.com/art-world/galloway-hoard-communal-wealth-translated-inscription-2611850 Randall, Kayla. “Josephine Baker’s Memoir Is Now Being Published for the First Time in English.” Smithsonian. 3/2025. https://www.smithsonianmag.com/arts-culture/josephine-baker-memoir-now-published-first-time-english-180985963/ Anderson, Sonja. “Archaeologists Discover Intricately Decorated Tomb Belonging to a Doctor Who Treated Egyptian Pharaohs 4,100 Years Ago.” Smithsonian. 1/10/2025. https://www.smithsonianmag.com/smart-news/archaeologists-discover-intricately-decorated-tomb-belonging-to-a-doctor-who-treated-egyptian-pharaohs-4100-years-ago-180985788/ University of Vienna. “Analysis of skull from Ephesos confirms it is not Cleopatra's sister.” 1/10/2025. https://phys.org/news/2025-01-analysis-skull-ephesos-cleopatra-sister.html Weber, G.W., Šimková, P.G., Fernandes, D. et al. The cranium from the Octagon in Ephesos. Sci Rep 15, 943 (2025). https://doi.org/10.1038/s41598-024-83870-x Ferguson, Donna. “Archaeologists discover 3,500 year-old tomb of ‘missing pharaoh’ in Egypt.” The Guardian. 1/19/2025. https://www.theguardian.com/world/2025/feb/19/first-new-pharaohs-tomb-to-be-found-in-over-a-century-discovered-in-egypt Ferguson, Donna. “‘You dream about such things’: Brit who discovered missing pharaoh’s tomb may have unearthed another.” The Guardian. 2/22/2025. https://www.theguardian.com/science/2025/feb/22/you-dream-about-such-things-brit-who-discovered-missing-pharaohs-tomb-may-have-unearthed-another State Information Service. “New Discoveries illuminate the Legacy of Queen Hatshepsut’s Temple in Luxor.” 1/8/2025. https://www.sis.gov.eg/Story/204116/New-Discoveries-illuminate-the-Legacy-of-Queen-Hatshepsut%E2%80%99s-Temple-in-Luxor?lang=en-us Lynch, Cherise. “Penn Museum, Egyptian archaeologists discover tomb of unnamed pharaoh.” 3/27/2025. https://www.nbcphiladelphia.com/news/local/penn-museum-egypt-unnamed-pharaoh/4145053/ Melly, Brian. “The scent of the mummy. Research discovers ancient Egyptian remains smell nice.” Phys.org. 2/16/2025. https://phys.org/news/2025-02-scent-mummy-ancient-egyptian-nice.html Lawson-Tancred, Jo. “Suitcase Belonging to King Tut Tomb Explorer Sells for More Than 11 Times Its Estimate.” ArtNet. 2/28/2025. https://news.artnet.com/art-world/howard-carter-suitcase-king-tut-2612417 Erb-Satullo, Nathaniel L. et al. “Mega-Fortresses in the South Caucasus: New Data from Southern Georgia.” Antiquity 99.403 (2025): 150–169. Web. Cranfield University. “Drone mapping unveils 3,000-year-old fortress, reshaping ancient history.” Phys.org. 1/8/2025. https://phys.org/news/2025-01-drone-unveils-year-fortress-reshaping.html Randall, Ian. “Sprawling Lost City From 600 Years Ago Revealed.” 1/30/2025. https://www.newsweek.com/lost-city-mexico-guiengola-zapotec-forest-lidar-archaeology-2023494 Anderson, Sonja. “Researchers Have Found an Inca Tunnel Beneath the Peruvian City of Cusco.” Smithsonian. 1/21/2025. https://www.smithsonianmag.com/smart-news/researchers-have-found-an-inca-tunnel-beneath-the-Peruvian-city-of-cusco-180985872/ Politecnico di Milano. “Ground-penetrating radar reveals new secrets under Milan's Sforza Castle.” EurekAlert. 1/14/2025. https://www.eurekalert.org/news-releases/1070514 Schrader, Adam. “Rare 19th-Century Painting by Beloved Black Artist Found in a Thrift Store.” Artnet. 1/6/2025. https://news.artnet.com/art-world/william-henry-dorsey-thrift-store-painting-2595107 Kinsella, Eileen. “Unique 19th-Century Double-Sided Portrait by American Folk Art Icon Resurfaces.” Artnet. 1/6/2025. https://news.artnet.com/market/ammi-phillips-double-portrait-rediscovered-christies-2595027 Whiddington, Richard. “A Famed Painting of Venice’s Grand Canal Is Reattributed to a Precocious 16-Year-Old.” ArtNet. 3/11/2025. https://news.artnet.com/art-world/a-grand-canal-painting-bellotto-wallace-collection-2618974 Lawson-Tancred, Jo. “Lavinia Fontana’s Lost Miniature Resurfaces at Texas Auction.” 1/20/2025. https://news.artnet.com/art-world/miniature-portrait-lavinia-fontana-2599828 Wizevich, Eli. “Expert Rediscovers Painting by Renaissance Master Lavinia Fontana, One of the First Professional Female Artists.” Smithsonian. 3/26/2025. https://www.smithsonianmag.com/smart-news/experts-rediscover-painting-by-renaissance-master-lavinia-fontana-one-of-the-first-professional-female-artists-180986307/ The Collector. “Digitization Reveals Cathedral’s Hidden Medieval Wall Paintings.” https://www.thecollector.com/digitization-reveals-hidden-medieval-wall-paintings/ The History Blog. “Hidden 13th c. murals of Angers Cathedral documented for the 1st time.” 1/14/2025. https://www.thehistoryblog.com/archives/72156 Almeroth-Williams, Tom. “Islamic ‘altar tent’ discovery.” University of Cambridge. https://www.cam.ac.uk/stories/islamic-altar-tent Lawson-Tancred, Jo. “Van Gogh Museum Rules $50 Garage Sale Painting Is Not a $15 Million Masterpiece.” Artnet. 1/29/2025. https://news.artnet.com/art-world/van-gogh-lmi-group-2602847 Lawson-Tancred, Jo. “$50 Van Gogh? Experts Say No, Offering Alternative Attribution in Dramatic Art Dispute.” ArtNet. 2/3/2025. https://news.artnet.com/art-world/van-gogh-lmi-henning-elimar-attribution-2604921 The History Blog. “Hellenistic era statue found in garbage bag.” 2/5/2025. http://www.thehistoryblog.com/archives/72363 Lawson-Tancred, Jo. “18th-Century Drawing Rescued From a Dumpster Shatters Estimates at Auction.” Artnet. 3/14/2025. https://news.artnet.com/art-world/how-did-this-18th-century-english-drawing-end-up-in-a-new-york-dumpster-2611654 “Police, art sleuth crack case of Brueghel stolen in Poland in 1974. 3/3/2025. https://www.rfi.fr/en/international-news/20250303-police-art-sleuth-crack-case-of-brueghel-stolen-in-poland-in-1974 Jeffries, Ella. “Eagle-Eyed Experts Say They’ve Solved the Mystery of a Missing Masterpiece—Half a Century After It Was Stolen.” Smithsonian. 3/5/2025. https://www.smithsonianmag.com/smart-news/eagle-eyed-experts-say-theyve-solved-the-mystery-of-a-missing-masterpiece-half-a-century-after-it-was-stolen-180986157/ Heritage UK. “Could This Mysterious Portrait Be Lady Jane Grey?” 3/7/2025. https://www.english-heritage.org.uk/about/search-news/could-this-mysterious-portrait-be-lady-jane-grey/ Archaeology Magazine. “Ancient Greek Statues Smelled of Perfume.” https://archaeology.org/news/2025/03/17/ancient-greek-statues-smelled-of-perfume/ Kuta, Sarah. “Man Finds Rare Trove of Winnie-the-Pooh Drawings and Manuscripts in His Father’s Attic.” Smithsonian. 1/28/2025. https://www.smithsonianmag.com/smart-news/man-finds-rare-trove-of-winnie-the-pooh-drawings-and-manuscripts-in-his-fathers-attic-180985907/ Leiden University. “Keyhole surgery on old books leads to discovery of medieval fragments.” Phys.org. 1/13/2025. https://phys.org/news/2025-01-keyhole-surgery-discovery-medieval-fragments.html Killgrove, Kristina. “Curse tablet found in Roman-era grave in France targets enemies by invoking Mars, the god of war.” 1/15/2025. https://www.livescience.com/archaeology/curse-tablet-found-in-roman-era-grave-in-france-targets-enemies-by-invoking-mars-the-god-of-war Wells, Robert. “Ancient artifacts unearthed in Iraq shed light on hidden history of Mesopotamia.” EurekAlert. 1/14/2025. https://www.eurekalert.org/news-releases/1070460 net. “Earliest Known Rune-Stone Discovered in Norway.” https://www.medievalists.net/2025/02/earliest-known-rune-stone-discovered-in-norway/ Archaeology Magazine. “Oldest Example of Writing in Northern Iberia.” 1/25/2025. https://archaeology.org/news/2025/02/25/oldest-example-of-writing-in-northern-iberia/ Whiddington, Richard. “Century-Old Bottle Turns Up Behind a Historic Theater Stage—With a Sealed Note.” Artnet. https://news.artnet.com/art-world/century-old-bottle-discovered-in-kings-theatre-2615505 University of Oxford. “Researcher uncovers hidden copy of Shakespeare sonnet.” Phys.org. 3/3/2025. https://phys.org/news/2025-03-uncovers-hidden-shakespeare-sonnet.html net. “Over 110,000 Medieval Manuscripts May Have Been Copied by Women.” https://www.medievalists.net/2025/03/110000-medieval-manuscripts-women/ Ommundsen, Å., Conti, A.K., Haaland, Ø.A. et al. How many medieval and early modern manuscripts were copied by female scribes? A bibliometric analysis based on colophons. Humanit Soc Sci Commun 12, 346 (2025). https://doi.org/10.1057/s41599-025-04666-6 Pacillo, Lara. “Paleolithic ingenuity: 13,000-year-old 3D map discovered in France.” Phys.org. 1/14/2025. https://phys.org/news/2025-01-paleolithic-ingenuity-year-3d-france.html Oster, Sandee. “Archaeologists reveal 8,000-year-old bone powder cooking practice in ancient China.” Phys.org. 1/15/2025. https://phys.org/news/2025-01-archaeologists-reveal-year-bone-powder.html “Dried plants 19th-century Australian colonial institution indicate secret, illicit snacking among residents.” Phys.org. 1/21/2025. https://phys.org/news/2025-01-dried-19th-century-australian-colonial.html Connor, Kimberley. “History under the floorboards: Decoding the diets of institutionalized women in 19th century Sydney.” Phys.org. 1/22/2025. https://phys.org/news/2025-01-history-floorboards-decoding-diets-institutionalized.html#google_vignette The History Blog. “Earliest distilled liquor in China found in owl vessel.” 1/22/2025. http://www.thehistoryblog.com/archives/72239 Naiden, Alena. “An ancient Dene cache discovered at JBER highlights Anchorage’s Indigenous history.” Alaska Public Radio. 1/22/2025. https://alaskapublic.org/news/alaska-desk/2025-01-22/an-ancient-dene-cache-discovered-at-jber-highlights-anchorages-indigenous-history Kuta, Sarah. “This 1,600-Year-Old Filter Helped Ancient Drinkers Sip Beverages Through a Straw.” Smithsonian. 1/20/2025. https://www.smithsonianmag.com/smart-news/this-1600-year-old-filter-helped-ancient-drinkers-sip-beverages-through-a-straw-180986073/ Archaeology Magazine. “Study Finds Evidence of Early Alcoholic Drinks in Brazil.” 2/18/2025. https://archaeology.org/news/2025/02/18/study-finds-evidence-of-early-alcoholic-drinks-in-brazil/ University of York. “The early roots of Carnival? Research reveals evidence of seasonal celebrations in pre-colonial Brazil.” 5/2/2025. https://phys.org/news/2025-02-early-roots-carnival-reveals-evidence.html net. “Medieval Birds of Prey Feasted on Human Waste, Study Finds.” https://www.medievalists.net/2025/01/medieval-birds-of-prey-feasted-on-human-waste-study-finds/ Autonomous University of Barcelona. “Iberian Neolithic herders were already strategically managing cattle herds 6,000 years ago.” 2/3/2025. https://phys.org/news/2025-02-iberian-neolithic-herders-strategically-cattle.html Kuta, Sarah. “Mammoth Bones Used to Build Mysterious 25,000-Year-Old Site in Russia Came From Different Herds.” 2/3/2025. https://www.smithsonianmag.com/smart-news/mammoth-bones-used-to-build-mysterious-25000-year-old-site-in-russia-came-from-different-herds-180985977/ Vrak Museum of Wrecks. “Oldest Carvel-built Ship from the Nordic Countries Discovered.” 2/21/2025. https://www.vrak.se/en/news/oldest-carvel-built-ship-in-nordics-found/ Archaeology Magazine. “Brazilian Ship Struck by WWII U-Boat Located.” 2/19/2025. https://archaeology.org/news/2025/02/19/brazilian-ship-sunk-by-wwii-u-boat-located/ Kuta, Sarah. “Warship Sunk by the Nazis During World War II Located Off the Coast of Brazil.” Smithsonian. 2/5/2025. https://www.smithsonianmag.com/smart-news/warship-sunk-by-the-nazis-during-world-war-ii-located-off-the-coast-of-brazil-180985996/ Richmond, Todd. “Explorers discover wreckage of cargo ship that sank in Lake Superior storm more than 130 years ago.” Phys.org. 3/11/2025. https://phys.org/news/2025-03-explorers-wreckage-cargo-ship-sank.html Wizevich, Eli. “Metal Detectorists Stumble Upon a Rare 2,000-Year-Old Roman Sword in Poland.” Smithsonian. 2/25/2025. https://www.smithsonianmag.com/smart-news/metal-detectorists-stumble-upon-a-rare-2000-year-old-roman-sword-in-poland-180986101/ Anderson, Sonja. “Archaeologists Unearth Early Medieval Sword Engraved With Mysterious Runes in a Cemetery in England.” Smithsonian. 1/6/2025. https://www.smithsonianmag.com/smart-news/archaeologists-unearth-early-medieval-sword-engraved-with-mysterious-runes-in-a-cemetery-in-england-180985768/ The History Blog. “Rare two-handed medieval sword, axes found in Poland.” 2/21/2025. https://www.thehistoryblog.com/archives/72486 The History Blog. “1,000-year-old scabbard fitting found in Poland.” 3/26/2025. http://www.thehistoryblog.com/archives/72759 Pare, Sascha. “Pet cats arrived in China via the Silk Road 1,400 years ago, ancient DNA study finds.” LiveScience. 3/9/2025. https://www.livescience.com/animals/domestic-cats/pet-cats-arrived-in-china-via-the-silk-road-1-400-years-ago-ancient-dna-study-finds Kuta, Sarah. “Staffers Find a Japanese Hand Grenade From World War II at a Museum in Kentucky.” Smithsonian. 1/27/2025. https://www.smithsonianmag.com/smart-news/staffers-find-a-japanese-hand-grenade-from-world-war-ii-at-a-museum-in-kentucky-180985885/ Dimacali, Timothy James. “Ancient seafarers in Southeast Asia may have built advanced boats 40,000 years ago.” Phys.org. 2/21/2025. https://phys.org/news/2025-02-ancient-seafarers-southeast-asia-built.htm See omnystudio.com/listener for privacy information.
The first part of our springtime edition of Unearthed! for 2025 features so many updates! There are also finds related to Egypt and artwork. Research: Roque, Nika. “Maria Orosa, fellow World War II heroes laid to rest at San Agustin Church.” GMA Integrated News. 2/14/2025. https://www.gmanetwork.com/news/topstories/nation/936107/maria-orosa-fellow-world-war-ii-heroes-laid-to-rest-at-san-agustin-church/story/ Adam, David. “Does a new genetic analysis finally reveal the identity of Jack the Ripper?” Science. 3/15/2019. https://www.science.org/content/article/does-new-genetic-analysis-finally-reveal-identity-jack-ripper Jeffries, Ella. “These Everyday Artifacts Tell the Story of Harriet Tubman’s Father’s Home as Climate Change Threatens the Historic Site.” Smithsonian Magazine. 3/14/2025. https://www.smithsonianmag.com/smart-news/these-everyday-artifacts-tell-the-story-of-harriet-tubmans-fathers-home-as-climate-change-threatens-historic-site-as-climate-change-180986204/ The History Blog. “Lavish private baths found in Pompeii villa.” 1/18/2025. https://www.thehistoryblog.com/archives/72199 Balmer, Crispian. “Rare frescoes unearthed in Pompeii shed light on ancient rituals.” Reuters. 2/26/2025. https://www.reuters.com/world/europe/rare-frescoes-unearthed-pompeii-shed-light-ancient-rituals-2025-02-26/ Lawler, Daniel. “How did this man's brain turn to glass? Scientists have a theory.” Phys.org. 2/27/2025. https://phys.org/news/2025-02-brain-glass-scientists-theory.html The History Blog. “Footprints fleeing Bronze Age eruption of Vesuvius found.” 1/31/2025. https://www.thehistoryblog.com/archives/72318 net. “Archaeologists Identify ‘Lost’ Anglo-Saxon Site Depicted in the Bayeux Tapestry.” 1/2025. https://www.medievalists.net/2025/01/archaeologists-identify-lost-anglo-saxon-site-depicted-in-the-bayeux-tapestry/ Lawson-Tancred, Jo. “Fragment of Epic Medieval Bayeux Tapestry Rediscovered in Germany.” Artnet. 3/5/2025. https://news.artnet.com/art-world/bayeux-tapestry-fragment-rediscovered-in-germany-2615620 Schrader, Adam. “Is There Graffiti of a Legendary Film Star Under the Lincoln Memorial?.” Artnet. 2/23/2025. https://news.artnet.com/art-world/graffiti-of-a-legendary-film-star-under-the-lincoln-memorial-2611242 National Museums Northern Ireland. “Further research Suggests Remains Found in Bellaghy Likely to be Female.” https://www.nationalmuseumsni.org/news/ballymacombs-more-woman Boucher, Brian. “Who Owned This Fabulous Hoard of Viking Treasure? A New Translation Offers a Clue.” ArtNet. 2/21/2025. https://news.artnet.com/art-world/galloway-hoard-communal-wealth-translated-inscription-2611850 Randall, Kayla. “Josephine Baker’s Memoir Is Now Being Published for the First Time in English.” Smithsonian. 3/2025. https://www.smithsonianmag.com/arts-culture/josephine-baker-memoir-now-published-first-time-english-180985963/ Anderson, Sonja. “Archaeologists Discover Intricately Decorated Tomb Belonging to a Doctor Who Treated Egyptian Pharaohs 4,100 Years Ago.” Smithsonian. 1/10/2025. https://www.smithsonianmag.com/smart-news/archaeologists-discover-intricately-decorated-tomb-belonging-to-a-doctor-who-treated-egyptian-pharaohs-4100-years-ago-180985788/ University of Vienna. “Analysis of skull from Ephesos confirms it is not Cleopatra's sister.” 1/10/2025. https://phys.org/news/2025-01-analysis-skull-ephesos-cleopatra-sister.html Weber, G.W., Šimková, P.G., Fernandes, D. et al. The cranium from the Octagon in Ephesos. Sci Rep 15, 943 (2025). https://doi.org/10.1038/s41598-024-83870-x Ferguson, Donna. “Archaeologists discover 3,500 year-old tomb of ‘missing pharaoh’ in Egypt.” The Guardian. 1/19/2025. https://www.theguardian.com/world/2025/feb/19/first-new-pharaohs-tomb-to-be-found-in-over-a-century-discovered-in-egypt Ferguson, Donna. “‘You dream about such things’: Brit who discovered missing pharaoh’s tomb may have unearthed another.” The Guardian. 2/22/2025. https://www.theguardian.com/science/2025/feb/22/you-dream-about-such-things-brit-who-discovered-missing-pharaohs-tomb-may-have-unearthed-another State Information Service. “New Discoveries illuminate the Legacy of Queen Hatshepsut’s Temple in Luxor.” 1/8/2025. https://www.sis.gov.eg/Story/204116/New-Discoveries-illuminate-the-Legacy-of-Queen-Hatshepsut%E2%80%99s-Temple-in-Luxor?lang=en-us Lynch, Cherise. “Penn Museum, Egyptian archaeologists discover tomb of unnamed pharaoh.” 3/27/2025. https://www.nbcphiladelphia.com/news/local/penn-museum-egypt-unnamed-pharaoh/4145053/ Melly, Brian. “The scent of the mummy. Research discovers ancient Egyptian remains smell nice.” Phys.org. 2/16/2025. https://phys.org/news/2025-02-scent-mummy-ancient-egyptian-nice.html Lawson-Tancred, Jo. “Suitcase Belonging to King Tut Tomb Explorer Sells for More Than 11 Times Its Estimate.” ArtNet. 2/28/2025. https://news.artnet.com/art-world/howard-carter-suitcase-king-tut-2612417 Erb-Satullo, Nathaniel L. et al. “Mega-Fortresses in the South Caucasus: New Data from Southern Georgia.” Antiquity 99.403 (2025): 150–169. Web. Cranfield University. “Drone mapping unveils 3,000-year-old fortress, reshaping ancient history.” Phys.org. 1/8/2025. https://phys.org/news/2025-01-drone-unveils-year-fortress-reshaping.html Randall, Ian. “Sprawling Lost City From 600 Years Ago Revealed.” 1/30/2025. https://www.newsweek.com/lost-city-mexico-guiengola-zapotec-forest-lidar-archaeology-2023494 Anderson, Sonja. “Researchers Have Found an Inca Tunnel Beneath the Peruvian City of Cusco.” Smithsonian. 1/21/2025. https://www.smithsonianmag.com/smart-news/researchers-have-found-an-inca-tunnel-beneath-the-Peruvian-city-of-cusco-180985872/ Politecnico di Milano. “Ground-penetrating radar reveals new secrets under Milan's Sforza Castle.” EurekAlert. 1/14/2025. https://www.eurekalert.org/news-releases/1070514 Schrader, Adam. “Rare 19th-Century Painting by Beloved Black Artist Found in a Thrift Store.” Artnet. 1/6/2025. https://news.artnet.com/art-world/william-henry-dorsey-thrift-store-painting-2595107 Kinsella, Eileen. “Unique 19th-Century Double-Sided Portrait by American Folk Art Icon Resurfaces.” Artnet. 1/6/2025. https://news.artnet.com/market/ammi-phillips-double-portrait-rediscovered-christies-2595027 Whiddington, Richard. “A Famed Painting of Venice’s Grand Canal Is Reattributed to a Precocious 16-Year-Old.” ArtNet. 3/11/2025. https://news.artnet.com/art-world/a-grand-canal-painting-bellotto-wallace-collection-2618974 Lawson-Tancred, Jo. “Lavinia Fontana’s Lost Miniature Resurfaces at Texas Auction.” 1/20/2025. https://news.artnet.com/art-world/miniature-portrait-lavinia-fontana-2599828 Wizevich, Eli. “Expert Rediscovers Painting by Renaissance Master Lavinia Fontana, One of the First Professional Female Artists.” Smithsonian. 3/26/2025. https://www.smithsonianmag.com/smart-news/experts-rediscover-painting-by-renaissance-master-lavinia-fontana-one-of-the-first-professional-female-artists-180986307/ The Collector. “Digitization Reveals Cathedral’s Hidden Medieval Wall Paintings.” https://www.thecollector.com/digitization-reveals-hidden-medieval-wall-paintings/ The History Blog. “Hidden 13th c. murals of Angers Cathedral documented for the 1st time.” 1/14/2025. https://www.thehistoryblog.com/archives/72156 Almeroth-Williams, Tom. “Islamic ‘altar tent’ discovery.” University of Cambridge. https://www.cam.ac.uk/stories/islamic-altar-tent Lawson-Tancred, Jo. “Van Gogh Museum Rules $50 Garage Sale Painting Is Not a $15 Million Masterpiece.” Artnet. 1/29/2025. https://news.artnet.com/art-world/van-gogh-lmi-group-2602847 Lawson-Tancred, Jo. “$50 Van Gogh? Experts Say No, Offering Alternative Attribution in Dramatic Art Dispute.” ArtNet. 2/3/2025. https://news.artnet.com/art-world/van-gogh-lmi-henning-elimar-attribution-2604921 The History Blog. “Hellenistic era statue found in garbage bag.” 2/5/2025. http://www.thehistoryblog.com/archives/72363 Lawson-Tancred, Jo. “18th-Century Drawing Rescued From a Dumpster Shatters Estimates at Auction.” Artnet. 3/14/2025. https://news.artnet.com/art-world/how-did-this-18th-century-english-drawing-end-up-in-a-new-york-dumpster-2611654 “Police, art sleuth crack case of Brueghel stolen in Poland in 1974. 3/3/2025. https://www.rfi.fr/en/international-news/20250303-police-art-sleuth-crack-case-of-brueghel-stolen-in-poland-in-1974 Jeffries, Ella. “Eagle-Eyed Experts Say They’ve Solved the Mystery of a Missing Masterpiece—Half a Century After It Was Stolen.” Smithsonian. 3/5/2025. https://www.smithsonianmag.com/smart-news/eagle-eyed-experts-say-theyve-solved-the-mystery-of-a-missing-masterpiece-half-a-century-after-it-was-stolen-180986157/ Heritage UK. “Could This Mysterious Portrait Be Lady Jane Grey?” 3/7/2025. https://www.english-heritage.org.uk/about/search-news/could-this-mysterious-portrait-be-lady-jane-grey/ Archaeology Magazine. “Ancient Greek Statues Smelled of Perfume.” https://archaeology.org/news/2025/03/17/ancient-greek-statues-smelled-of-perfume/ Kuta, Sarah. “Man Finds Rare Trove of Winnie-the-Pooh Drawings and Manuscripts in His Father’s Attic.” Smithsonian. 1/28/2025. https://www.smithsonianmag.com/smart-news/man-finds-rare-trove-of-winnie-the-pooh-drawings-and-manuscripts-in-his-fathers-attic-180985907/ Leiden University. “Keyhole surgery on old books leads to discovery of medieval fragments.” Phys.org. 1/13/2025. https://phys.org/news/2025-01-keyhole-surgery-discovery-medieval-fragments.html Killgrove, Kristina. “Curse tablet found in Roman-era grave in France targets enemies by invoking Mars, the god of war.” 1/15/2025. https://www.livescience.com/archaeology/curse-tablet-found-in-roman-era-grave-in-france-targets-enemies-by-invoking-mars-the-god-of-war Wells, Robert. “Ancient artifacts unearthed in Iraq shed light on hidden history of Mesopotamia.” EurekAlert. 1/14/2025. https://www.eurekalert.org/news-releases/1070460 net. “Earliest Known Rune-Stone Discovered in Norway.” https://www.medievalists.net/2025/02/earliest-known-rune-stone-discovered-in-norway/ Archaeology Magazine. “Oldest Example of Writing in Northern Iberia.” 1/25/2025. https://archaeology.org/news/2025/02/25/oldest-example-of-writing-in-northern-iberia/ Whiddington, Richard. “Century-Old Bottle Turns Up Behind a Historic Theater Stage—With a Sealed Note.” Artnet. https://news.artnet.com/art-world/century-old-bottle-discovered-in-kings-theatre-2615505 University of Oxford. “Researcher uncovers hidden copy of Shakespeare sonnet.” Phys.org. 3/3/2025. https://phys.org/news/2025-03-uncovers-hidden-shakespeare-sonnet.html net. “Over 110,000 Medieval Manuscripts May Have Been Copied by Women.” https://www.medievalists.net/2025/03/110000-medieval-manuscripts-women/ Ommundsen, Å., Conti, A.K., Haaland, Ø.A. et al. How many medieval and early modern manuscripts were copied by female scribes? A bibliometric analysis based on colophons. Humanit Soc Sci Commun 12, 346 (2025). https://doi.org/10.1057/s41599-025-04666-6 Pacillo, Lara. “Paleolithic ingenuity: 13,000-year-old 3D map discovered in France.” Phys.org. 1/14/2025. https://phys.org/news/2025-01-paleolithic-ingenuity-year-3d-france.html Oster, Sandee. “Archaeologists reveal 8,000-year-old bone powder cooking practice in ancient China.” Phys.org. 1/15/2025. https://phys.org/news/2025-01-archaeologists-reveal-year-bone-powder.html “Dried plants 19th-century Australian colonial institution indicate secret, illicit snacking among residents.” Phys.org. 1/21/2025. https://phys.org/news/2025-01-dried-19th-century-australian-colonial.html Connor, Kimberley. “History under the floorboards: Decoding the diets of institutionalized women in 19th century Sydney.” Phys.org. 1/22/2025. https://phys.org/news/2025-01-history-floorboards-decoding-diets-institutionalized.html#google_vignette The History Blog. “Earliest distilled liquor in China found in owl vessel.” 1/22/2025. http://www.thehistoryblog.com/archives/72239 Naiden, Alena. “An ancient Dene cache discovered at JBER highlights Anchorage’s Indigenous history.” Alaska Public Radio. 1/22/2025. https://alaskapublic.org/news/alaska-desk/2025-01-22/an-ancient-dene-cache-discovered-at-jber-highlights-anchorages-indigenous-history Kuta, Sarah. “This 1,600-Year-Old Filter Helped Ancient Drinkers Sip Beverages Through a Straw.” Smithsonian. 1/20/2025. https://www.smithsonianmag.com/smart-news/this-1600-year-old-filter-helped-ancient-drinkers-sip-beverages-through-a-straw-180986073/ Archaeology Magazine. “Study Finds Evidence of Early Alcoholic Drinks in Brazil.” 2/18/2025. https://archaeology.org/news/2025/02/18/study-finds-evidence-of-early-alcoholic-drinks-in-brazil/ University of York. “The early roots of Carnival? Research reveals evidence of seasonal celebrations in pre-colonial Brazil.” 5/2/2025. https://phys.org/news/2025-02-early-roots-carnival-reveals-evidence.html net. “Medieval Birds of Prey Feasted on Human Waste, Study Finds.” https://www.medievalists.net/2025/01/medieval-birds-of-prey-feasted-on-human-waste-study-finds/ Autonomous University of Barcelona. “Iberian Neolithic herders were already strategically managing cattle herds 6,000 years ago.” 2/3/2025. https://phys.org/news/2025-02-iberian-neolithic-herders-strategically-cattle.html Kuta, Sarah. “Mammoth Bones Used to Build Mysterious 25,000-Year-Old Site in Russia Came From Different Herds.” 2/3/2025. https://www.smithsonianmag.com/smart-news/mammoth-bones-used-to-build-mysterious-25000-year-old-site-in-russia-came-from-different-herds-180985977/ Vrak Museum of Wrecks. “Oldest Carvel-built Ship from the Nordic Countries Discovered.” 2/21/2025. https://www.vrak.se/en/news/oldest-carvel-built-ship-in-nordics-found/ Archaeology Magazine. “Brazilian Ship Struck by WWII U-Boat Located.” 2/19/2025. https://archaeology.org/news/2025/02/19/brazilian-ship-sunk-by-wwii-u-boat-located/ Kuta, Sarah. “Warship Sunk by the Nazis During World War II Located Off the Coast of Brazil.” Smithsonian. 2/5/2025. https://www.smithsonianmag.com/smart-news/warship-sunk-by-the-nazis-during-world-war-ii-located-off-the-coast-of-brazil-180985996/ Richmond, Todd. “Explorers discover wreckage of cargo ship that sank in Lake Superior storm more than 130 years ago.” Phys.org. 3/11/2025. https://phys.org/news/2025-03-explorers-wreckage-cargo-ship-sank.html Wizevich, Eli. “Metal Detectorists Stumble Upon a Rare 2,000-Year-Old Roman Sword in Poland.” Smithsonian. 2/25/2025. https://www.smithsonianmag.com/smart-news/metal-detectorists-stumble-upon-a-rare-2000-year-old-roman-sword-in-poland-180986101/ Anderson, Sonja. “Archaeologists Unearth Early Medieval Sword Engraved With Mysterious Runes in a Cemetery in England.” Smithsonian. 1/6/2025. https://www.smithsonianmag.com/smart-news/archaeologists-unearth-early-medieval-sword-engraved-with-mysterious-runes-in-a-cemetery-in-england-180985768/ The History Blog. “Rare two-handed medieval sword, axes found in Poland.” 2/21/2025. https://www.thehistoryblog.com/archives/72486 The History Blog. “1,000-year-old scabbard fitting found in Poland.” 3/26/2025. http://www.thehistoryblog.com/archives/72759 Pare, Sascha. “Pet cats arrived in China via the Silk Road 1,400 years ago, ancient DNA study finds.” LiveScience. 3/9/2025. https://www.livescience.com/animals/domestic-cats/pet-cats-arrived-in-china-via-the-silk-road-1-400-years-ago-ancient-dna-study-finds Kuta, Sarah. “Staffers Find a Japanese Hand Grenade From World War II at a Museum in Kentucky.” Smithsonian. 1/27/2025. https://www.smithsonianmag.com/smart-news/staffers-find-a-japanese-hand-grenade-from-world-war-ii-at-a-museum-in-kentucky-180985885/ Dimacali, Timothy James. “Ancient seafarers in Southeast Asia may have built advanced boats 40,000 years ago.” Phys.org. 2/21/2025. https://phys.org/news/2025-02-ancient-seafarers-southeast-asia-built.htm See omnystudio.com/listener for privacy information.
Nous sommes entre 1515 et 1547, sous le règne de François Ier, roi de France. La légende raconte que celui que l'on surnomme Grand-nez a pris goût à la promenade, déguisé en homme du peuple. Or voilà qu'il s'égare dans la forêt. La nuit commence à tomber… Heureusement, le roi aperçoit la loge d'un sabotier. Sans hésiter, il va quérir l'hospitalité. Le sabotier lui répond que, bien que n'étant pas riche, il le recevra de son mieux. - Vous ne mangerez pas votre pain tout sec, lui dit-il, ce matin j'ai tué un lièvre et vous en aurez votre part. - vous savez, lui rétorque le souverain, que la chasse est sévèrement défendue. - Oui, lui répond son hôte, mais je pense que vous ne me vendrez pas au roi Grand-nez… Quelques temps après François appelle le sabotier à la cour et, pour le récompenser de l'avoir reçu de son mieux, en fait l'un de ses premiers sujets. Un peu plus de quatre siècles plus tard, en 1894, dans son ouvrage intitulé « Légendes et curiosités des métiers, », paru chez Flammarion, Paul Sébillot, l'un des chercheurs le plus prolifiques de son temps, écrit : « Entre eux, les sabotiers se traitent de cousins. C'est au reste une population à part qui naît, vit et meurt dans les bois ; elle forme à sa manière une sorte d'aristocratie. Pour être vrai sabotier, il faut être fils de père et de mère, de grands-pères et de grands-mères sabotiers, autrement, on n'est que sabotier bâtard ». Au XIXe siècle, et jusque dans les années 1950, la saboterie constitue un des métiers les plus pratiqués dans le sud de l'Entre-Sambre-et-Meuse. On produit les chaussures de bois par centaines de milliers et on les exporte dans toute la Belgique ainsi que dans les pays limitrophes. Les sabots ont chaussé les pieds de nos aïeux, paysans, ouvriers et marins, pendant des siècles et ont inspiré poètes, conteurs, chanteurs et peintres tels Brueghel, Millet et Van Gogh… Ils témoignent de labeurs et de combats émancipateurs. Invité : Pierre Cattelain, archéologue, historien de l'art et conservateur de l'Écomusée du Viroin à Treignes. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.
« Sur terre et sur mer, au large ou au près » Navigation poétique de Jacques Darras avec la complicité de Jacques Bonnaffé. Nous les Jacques faisons des bilans réguliers depuis un mémorable duo au Théâtre de la Bastille à Paris au printemps 2004. Vingt ans plus tard, il était temps de se poser à nouveau. À force d'avoir suivi le cours de la Maye sur la longueur de huit livres depuis 1988, moi Jacques Darras je suis en effet parvenu sur les plages du littoral, que je ne quitte plus avant l'embarquement définitif. Aucune nostalgie de ma part. Plutôt la recherche constante d'un équilibre entre action et méditation. Oserai-je parler d'une sagesse ? Ce soir l'autre Jacques et moi-même nous répondrons donc l'un l'autre. Lui incarnera mon côté terre avec son sens de la danse, du mouvement, de la frappe du pied contre le sol comme un danseur de Brueghel, moi j'épouserai, en contrepoint, la force douce de la vague, l'ondulation répétitive du temps, le regard sur l'infini. À lire – Jacques Darras, L'Indiscipline de l'eau, Poésie/Gallimard, 2016 – Je m'approche de la fin, NRF/Gallimard, à paraître
Today's poem from Williams' late collection, Pictures from Brueghel, is an ekphrasis on the painting by the same name, and a lesson in disciplined observation. Happy reading. Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe
Send us a Text Message."About suffering they were never wrong, / the old Masters: how well they understood / Its human position..." wrote W.H. Auden. For all that suffering seems to be central to our practice, how do we in pediatric palliative care actually stack up against Brueghel et al when it comes to understanding it, though? Dan and Sarah dig deep with guests Erica Salter, PhD, and Lauren Draper, MD to explore what suffering really means for children, families, and the clinicians who care for them.
Professor Joseph Koerner is the Victor S. Thomas Professor of History of Art and Architecture and Professor of Germanic Languages and Literature at Harvard University, where he is also a senior fellow at the prestigious Society of Fellows.Koerner is one of the most renowned art historians and critics working today, and the world's leading specialist on Northern Renaissance and 19th Century Art, in particular German and Netherlandish painting. He has written multiple books, amongst them volumes on Caspar David Friedrich, Albrecht Durer and recently Bosch and Brueghel. Koerner has also written and presented various documentaries including ‘Northern Renaissance' and ‘Vienna: City of Dreams', both produced by the BBC. In 2018 he released his most personal film yet: ‘The Burning Child', which traces his search for the fate of his grandparents and their Vienna home, known only through a 1944 painting by his exiled father.Bosch's Garden of Earthly Delights hi-res: https://commons.wikimedia.org/wiki/The_Garden_of_Earthly_DelightsJoseph Koerner's faculty page: https://scholar.harvard.edu/jkoerner/homeJoseph Koerner's Wikipedia page: https://en.wikipedia.org/wiki/Joseph_KoernerThe Vienna Project: https://viennaproject.fas.harvard.edu/Review of 'Bosch and Bruegel: From Enemy Painting to Everyday Life' in the Guardian https://www.theguardian.com/books/2017/feb/01/bosch-bruegel-joseph-leo-koernerNOTES:Bosch's Last Judgement https://en.wikipedia.org/wiki/The_Last_Judgment_(Bosch,_Vienna)Pieter Bruegel the Elder: https://en.wikipedia.org/wiki/Pieter_Bruegel_the_ElderThe strawberry/Madroño tree: https://en.wikipedia.org/wiki/Arbutus_unedoThe Cluster F Theory Podcast is edited by Julian Mayers at Yada Yada.Subscribe for free to The Cluster F Theory Podcast. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit theclusterftheory.substack.com
Esta semana, los culturetas tratan el caso de Stéphane Breitwieser, un ciudadano francés que robó 200 obras de arte en los años 90. Breitwieser protagoniza el ensayo 'El ladrón de arte' del periodista Michael Finkel, que publica la editorial Taurus en España. Breitwieser nunca intentó vender las obras robadas,valoradas en más de 1.000 millones de dólares. Las guardaba en su buhardilla para admirarlas en soledad. En la sección de 'Pantallas', los culturetas cuentan qué han visto estas semanas, desde "Reina Roja" hasta la nueva serie de Kate Winslet.
Esta semana, los culturetas tratan el caso de Stéphane Breitwieser, un ciudadano francés que robó 200 obras de arte en los años 90. Breitwieser protagoniza el ensayo 'El ladrón de arte' del periodista Michael Finkel, que publica la editorial Taurus en España. Breitwieser nunca intentó vender las obras robadas,valoradas en más de 1.000 millones de dólares. Las guardaba en su buhardilla para admirarlas en soledad. En la sección de 'Pantallas', los culturetas cuentan qué han visto estas semanas, desde "Reina Roja" hasta la nueva serie de Kate Winslet.
Director Reinaldo Marcus Green talks to Tom Sutcliffe about One Love, his biopic about the legendary reggae singer-songwriter Bob Marley and his music.Bryce Dessner, the guitarist of the award-winning rock band The National, discusses his other life in classical music and writing a new concerto for pianist Alice Sara Ott, which is having its UK premiere at the Royal Festival Hall.This week the liturgical calendar marks the moment when Joseph was warned by an angel of King Herod's intent to harm Jesus, and told to flee with him and Mary to safety in Egypt. The painter Julian Bell and art historian Joanna Woodall consider how The Flight into Egypt has been the subject of great artists - Giotto, Gentileschi, Brueghel, Rembrandt - for centuries and shapes our perception of refugees to this day. Presenter: Tom Sutcliffe Producer: Olivia Skinner
La Belgique est réputée être le pays qui compte le plus de collectionneurs d'art par habitant au monde. Et notre histoire est riche de célèbres peintres comme Brueghel l'Ancien, Rubens, van Eyck et Ensor, qui ont fait la renommée de la Flandre pendant 250 ans. Mais savons-nous tirer profit de ces atouts? La BRAFA, la Brussels Art Fair, se tient du 28 janvier au 4 février à Brussels Expo. C'est un temps fort pour les amateurs d'art. On y trouve des milliers de créations: du mobilier du Moyen Âge aux peintures anciennes et modernes, en passant par la porcelaine, les gravures et l'orfèvrerie. Quels sont les défis de la Belgique sur le marché de l'art? Encourage-t-elle ce secteur qui pesait près de 70 milliards de dollars dans le monde en 2022? C'est ce que nous allons voir avec Johan-Frédérik Hel Guedj, journaliste au service « culture » de L'Echo et Didier Claes, vice-président de la BRAFA. Présentation: Guillaume Cordeaux. Et pour approfondir le sujet, à travers notre dossier, cliquez ici.See omnystudio.com/listener for privacy information.
Apeadeiros da conversa: .Macaco e fato macaco. .A ideia é antinapoliónica. .Máquinas patafísicas. .Elogio ao cartel do analfabetismo. .Quadro de Brueghel. .Macaco e Crítica Literária. .Hansel e Gretel no Brazil. .Várias formas de comer sopa. .Físico a discutir os limites do humor. .Cristo na oficina. .“Se eu soubesse o que sei hoje”. .Numeiro é uma das minhas referências no humor. .Ameacei um fotógrafo na National Geographic com um estalar de dedos. .Ninja abatido. ----- O menino está aqui: Twitter: twitter.com/RobertoGamito Instagram: www.instagram.com/robertogamito Facebook: www.facebook.com/robertogamito Youtube: bit.ly/2LxkfF8
Terwijl de boeren in Boer zoekt Vrouw deze week genoten van kleine contactmomentjes, had een van ons een groots contactmoment achter de schermen met een talkshowgast. Het brengt ons op een modern dilemma: kun je als mediameid in deze tijden eigenlijk zomaar bedankjes aannemen van gasten? Op het Televizier-Ring Gala regende het ondertussen warme contactmomentjes. We bespreken de populairste begroetmethodes uit het vak zoals de ouderwetse tv-kussen en de Hilversumse hug. En over contact maken gesproken: Fenna van Zapp bleek een ster in het groeten van ouders. William Rutten trok ons voor zijn camera en bewees dat door zijn lens zelfs een seatfiller van seatfiler in een ster kan veranderen.
De vlam die in de pan sloeg is voelbaar over de hele wereld, dus ook op onze burelen. Gelukkig was er een interessante tournure in het gaslightdebat en we brengen een hoognodige update met de geur van wijwater over de christenslis. Ondertussen vragen we ons af: is een hekel aan de ander niet gewoon een hekel aan jezelf? Gijs twijfelt aan zijn mantelzorgkwaliteiten en er is een hoop aan het schuiven in Teuns mond. Hanneke haalt herinneringen op aan haar tijd op een kibboets, waar ze als een blok viel voor een tandarts op een traktor. Gijs eert John en Sean.
Annemieke Bosman in gesprek met Floris Alebeek, conservator bij het Noordbrabants Museum. Het Noordbrabants Museum brengt deze maanden de tentoonstelling 'Brueghel: de familiereünie'. Deze tentoonstelling herijkt een van de beroemdste families uit de kunstgeschiedenis door de verbanden tussen de verschillende generaties nader te bekijken en voor het eerst aandacht te besteden aan de Brueghelvrouwen. Ondernemend, innovatief en wereldberoemd, de familie Brueghel speelde een centrale rol in de Europese kunst van ca. 1550 tot ca. 1700. Vijf generaties Brueghels maakten schilderijen die worden bewonderd om hun geestige en onderhoudende composities, universele boodschappen en uitzonderlijk vakmanschap. De onderwerpen variëren van feestelijke bruiloften, bekende spreuken en verhalen uit de Bijbel tot ontzagwekkende landschappen en studies van dieren, insecten en bloemen.
Angela de Jong gaf de tv-makers van Nederland weer eens een ouderwetse veeg uit de pan. Een column die in Hilversum insloeg als een bom. Maar die commotie was niets vergeleken bij de schok die de aankondiging van de bekendste schrijvende familie van Nederland veroorzaakte. Terwijl BN'ers zich klaarmaken voor dierendag 2023, buigen wij ons over een paar lastige vragen. Gebruiken boswachters zeep? Is Patty Brard een feminist? En wat is nou een typisch RTL-koekje? Ten slotte debatteren we over de vraag of het kan dat Willie Wartaal wel een ster is maar geen A-naam.
Release Date: March 01, 2013Johnny goes to pay $25,000 to obtain the return of a stolen painting the company made more than $100,00 for. But did he get the real painting or a forgery.Original Air Date: July 6, 1954Support the show monthly at patreon.greatdetectives.netSupport the show on a one-time basis at http://support.greatdetectives.net.Mail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey…http://survey.greatdetectives.netGive us a call 208-991-4783Follow us on Instagram at http://instagram.com/greatdetectivesBecome one of ourfriends on FacebookFollow us on Twitter@radiodetectivesThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5901852/advertisement
Ens acostem a la figura de la pianista, compositora i pedagoga occitana Blanca Selva, amb el pianista Emili Brugalla i la music
"La vie en rose. Brueghel, Monet, Twombly" im Museum Brandhorst, bis 22. Oktober / "Flowers Forever" in der Kunsthalle München, bis 27. August / "Böse Blüten" in der ERES-Stiftung, bis 5. Mai
Kathleen opens the show drinking a No Jacket Required Czech Style Pilsner from the Savannah River Brewing Co. She reviews her week in Augusta at The Masters, sampling her favorite egg salad sandwich on the planet and walking the course at Augusta National. QUEEN NEWS: Kathleen shares news that Queen Stevie has cancelled a few shows due to illness in the band, and Queen Cher is selling her Malibu mansion for $85M. “GOOD BAD FOOD”: In her quest for delicious not-so-nutritious food, Kathleen samples Masters BBQ Kettle chips, Herr's Old Bay Potato Chips, and Flamin' Hot Cool Ranch Doritos. UPDATES: Kathleen gives updates on a recent citing of Scientology leader David Miscavige, the militant turkeys have returned to Massachusetts, Bed Bath & Beyond gets a major cash infusion, Pablo Escobar's cocaine hippos are quoted a relocation cost. “HOLY SHIT THEY FOUND IT”: Kathleen is amazed to read about the discovery of new clues to the Lost Colony of Roanoke mystery, and a dusty painting hidden behind a door turns out to be a Brueghel masterpiece. FRONT PAGE PUB NEWS: Kathleen shares articles on a new Millennial fraudster emerging in Chicago, a mystery animal captured on film in Texas, a new study advises that pink Peeps contain an additive linked to cancer, a cobra is found in a South African airplane cockpit, Foot Locker unveils its new “Lace-Up” corporate concept, a Polish fantasist pretends to be Madeleine McCann, and proof emerges that Dire wolves lived in Canada during the Ice Age. WHAT TO WATCH THIS WEEK: Kathleen recommends watching her new stand-up Special “Hunting Bigfoot” on Prime Video.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Hello ArtCurious listeners! This is ArtCurious News this Week, our short-form Friday roundup of my favorite art history updates and interesting news tidbits. Today is Friday, March 31, 2023. This week's stories: CNN: Scientists identify secret ingredient in Leonardo da Vinci paintings NBC News: Unknown Jackson Pollock painting found in police raid in Bulgaria CNN: Rare print of Hokusai's 'Great Wave' sets new auction record AP News: Louvre staff block entrances as part of pension protest New York Times: He Lost a Courbet Fleeing the Nazis. His Heirs Are Getting it Back. CNN: Dusty painting hidden behind door turns out to be Brueghel 'masterpiece' Please support ArtCurious. Donate here via VAE Raleigh, or become a patron with Patreon. SPONSORS Honeylove: Get 20% OFF @honeylove + Free Shipping with promo code ARTCURIOUS20 at https://www.honeylove.com! #honeylovepod Lume Deodorant: Control Body Odor ANYWHERE with @lumedeodorant and get over 40% off your starter pack with promo code ARTCURIOUS at lumedeodorant.com/ARTCURIOUS! #lumepod To advertise on our podcast, please reach out to sales@advertisecast.com or visit https://www.advertisecast.com/ArtCuriousPodcast Learn more about your ad choices. Visit podcastchoices.com/adchoices
Bloemen, bloemen en nog meer bloemen!Narcisjes, neerhangende roze rozen, een oranje lelie, gevlamde tulpen, felblauwe irissen, … De variatie aan bloemen en de felle kleuren zijn overweldigend en spatten van dit paneeltje. Bloemenvaas met varkensbrood en edelstenen is een meesterwerk van een van de belangrijkste schilders uit de late zestiende en vroege zeventiende eeuw: Jan I Brueghel (1568-1625). In deze Phoebus Focus aflevering ontdek je de inspiratiebronnen, de drijfveren en de werkwijze van de meester die zich met zo veel overgave en precisie richtte op al die bloemenpracht.
================================================== ==SUSCRIBETEhttps://www.youtube.com/channel/UCNpffyr-7_zP1x1lS89ByaQ?sub_confirmation=1================================================== == DEVOCIÓN MATUTINA PARA JÓVENES 2023“CARÁCTER”Narrado por: Daniel RamosDesde: Connecticut, Estados UnidosUna cortesía de DR'Ministries y Canaan Seventh-Day Adventist Church 10 DE FEBRERO CON LOS OJOS ABIERTOS «Envía tu luz y tu verdad; estas me guiarán, me conducirán a tu santo monte ya tus moradas.» Sal. 43:3No se puede andar en línea recta con los ojos cerrados. El ser humano necesita la percepción óptica para conducirse adecuadamente. A través de la visión tomamos en cuenta los diferentes referentes que nos hacen seguir de forma correcta una trayectoria. Si cerramos los ojos o estamos en un lugar a oscuras, toman el control de nuestro caminar tanto los músculos como el sistema vestibular (esa parte del oído que controla el equilibrio). Si somos diestros nos escoraremos hacia un lado, y si somos zurdos hacia el otro. Al final, todos terminamos caminando en círculos si no hay luz suficiente.El salmista pide a Dios su luz y su verdad, porque hay luces y verdades que no son de Dios. Están los que viven bajo una linterna y, de tanto en tanto, se quedan a oscuras porque se les acaban las baterías. También están los que prefieren la luz de las antorchas y, cuando menos se lo esperan, terminan quemándose. Y los que viven enganchados a la luz de un teléfono móvil oa la pantalla de un ordenador y son simples periféricos de las redes sociales. Meras luces que nos hacen caminar en círculos.La luz de Dios es diferente, aporta referencias que nos conducen hacia la Verdad. No hacia las pequeñas verdades de nuestros mundos personales, sino hacia la Verdad que da estabilidad y nos aproxima a la presencia divina. Creer no es solo un acto espontáneo, huyendo de artificialidades, sino, además, una actividad enmarcada y enfocada en dicha Verdad. Es por ello que debemos caminar con los ojos abiertos, disfrutando de las millas y millas de lúmenes de la luz de Dios. Observando los detalles, los matices, los contrastes y comprendiendo que debemos avanzar de forma distinta a la que se nos antoja.Hay un cuadro de Brueghel «el Viejo» que se titula «la parábola de los ciegos» y donde se retrata a ciegos que siguen a un ciego. La guia cae en un hoyo y el siguiente le cae encima. Y pienso que, en ocasiones, somos un poco como ese cuadro de Brueghel. Sin luz y apenas superando el suelo del materialismo. ¡Qué pena!No te conforma con las minucias de una linterna, ni con el fulgor de una antorcha, ni mucho menos con una pantalla (aunque sea Retina), porque tienes la posibilidad de recibir mucho más y gratis. Que tu oración, hoy, sea como la del salmista: «Envíame, Señor, tu luz y tu verdad. Ya no quiero caminar en círculos, llévame hacia tu presencia.»
Yours Truly, Johnny Dollar was a radio drama that aired on CBS Radio from February 18, 1949, to September 30, 1962. The first several seasons imagined protagonist Johnny Dollar as a standard private investigator drama. Listen to our radio station Old Time Radio https://link.radioking.com/otradio Listen to other Shows at My Classic Radio https://www.myclassicradio.net/ Remember that times have changed, and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio
Today's Mystery: Johnny goes to Detroit to make a deal for the return of a stolen painting.Original Radio Broadcast Date: July 6, 1954When making your travel plans, remember http://johnnydollarair.comTake the listener survey…http://survey.greatdetectives.netGive us a call 208-991-4783Become one of our friends on Facebook.Follow us on Twitter @radiodetectivesJoin us back here tomorrow for another old time radio detective drama.
Yours Truly Johnny Dollar – The Great Detectives of Old Time Radio
Today's Mystery: Johnny goes to Detroit to make a deal for the return of a stolen painting.Original Radio Broadcast Date: July 6, 1954When making your travel plans, remember http://johnnydollarair.comTake the listener survey…http://survey.greatdetectives.netGive us a call 208-991-4783Become one of our friends on Facebook.Follow us on Twitter @radiodetectives
Johannes Domsich ist Medien- und Kulturwissenschaftler sowie Kunsthistoriker. Zudem vermittelt er sein Wissen über die Kunst an alle Altersklassen bei seinen Führungen durch die Gemäldegalerien und Ausstellungen des Kunsthistorischen Museums. In Kooperation mit dem KHM erschien Anfang 2022 sein Buch „VER ICON – Was Bilder erzählen“, in dem er sich aus ikonographischer, bildwissenschaftlicher und kulturhistorischer Perspektive mit Meisterwerken von Velázquez, Brueghel und Co auseinandersetzt. Im Gespräch mit Alexander Giese erzählt Domsich von der Entstehung seines aktuellen Buches, von besonderen Erlebnissen bei Führungen durch das Museum und davon, wieso er sich schon zu Beginn seines Werdegangs auf Ikonographie spezialisierte. Kontakt: redaktion@gieseundschweiger.at Website: https://www.gieseundschweiger.at/de/ Redaktion: Fabienne Pohl, Lara Bandion; Musik: Matthias Jakisic; Sprecherin: Sarah Scherer; Grafische Gestaltung: Studio Riebenbauer Link zum Dachbuch Verlag: https://dachbuch.at/buecher/ver-icon-malerei-des-suedens/
Zurheide, Jürgenwww.deutschlandfunk.de, Das war der TagDirekter Link zur Audiodatei
Hoe is het om op te groeien met een fantasierijke vader als Willy Vandersteen? Wat voor een man was hij en welke impact had zijn werk op zijn gezin? En wat staat er nou precies in dat befaamde testament en wordt dat nog wel nageleefd? Zijn oudste dochter, Helena Vandersteen, vertelt er uitgebreid over in De Perfecte Podcast. Bekijk ondersteunend beeldmateriaal op de website. Heb je genoten van de podcast, dan kan je dat laten blijken met sterren / likes en reviews / een donatie op Patreon of Vriend van de Show. Leeslijst voor deze aflevering: - 'Zo Ik Een Riddertje Was' van Willy Vandersteen (1943) - De Zwarte Madam (140) - De Ringelingschat(137) - De Gouden Cirkel (118) - De Belhamelbende (189) - De Zeven Schaken (245) - 'Studio Vandersteen, de kroniek een Legende' van Ronald Grossey - 'Willy Vandersteen, de Brueghel van het Beeldverhaal' door Peter van Hooydonk. - 'Oosters Cocktail' van Maria Rosseels Met dank aan Beeld & Geluid voor het gebruik van het fragment uit het Polygoonjournaal uit 1959. Redactie: Koen Maas Eindredactie: Koen Maas Productie: Koen Maas Muziek: Koen Maas Voice-Over: Koen Maas Catering: Koen Maas
Hoy hablamos de fotografía con el creador de la mayor tienda especializada de Europa, José Luis Mur, director de Fotocasión. Desde siempre ha sido un apasionado de las cámaras y desde su puesto en el Rastro levantó un imperio en torno a su afición. Después, Sergio Martín repasa la actualidad informativa en su sección 'Si yo tuviera un programa...'. El cuentista Pep Bruno nos narra La pájara y la zorra, un cuento de literatura de La Bella de la Tierra y otros cuentos albaneses de la viva voz del pueblo, María E. Roces y Ramón Sánchez Lizarralde. El astrofísico Javier Armentia nos habla de películas ultracortas y sobre John Henry Timmis, el director con el premio Guiness a la película más larga de la historia, La cura contra el insomnio de 87 horas. Carmen Fernández nos lleva al Museo del Prado para descubrir a qué huele un cuadro: El olfato de Brueghel y Rubens. Y, por último, nuestro cocinero Sergio Fernández, nos enseña recetas de aprovechamiento con las sobras que nos han quedado de la semana. Escuchar audio
Hoy repasamos un capítulo muy importante de nuestra historia, la de los héroes de Baler. Hablamos con Jesús Valbuena, biznieto de uno de los 33 soldados supervivientes y autor de Más se perdió en Filipinas. Después, Sergio Martín repasa la actualidad informativa en su sección ‘Si yo tuviera un programa…’. El cuentista Pep Bruno nos narra Las sopas de ajo, un cuento de literatura de tradición oral y cultura popular de La Moraña (Ávila), compilado por Luis Miguel Gómez Garrido. El astrofísico Javier Armentia nos habla sobre los sonidos en Marte. Carmen Fernández nos lleva al Museo del Prado para descubrir a qué huele un cuadro: El olfato de Brueghel y Rubens. Y, por último, nuestro cocinero Sergio Fernández, nos enseña recetas de aprovechamiento con las sobras que nos han quedado de la semana. Escuchar audio
Carmen Fernández nos lleva al Museo del Prado para descubrir a qué huele un cuadro: El olfato de Brueghel y Rubens. Escuchar audio
Pieter Brueghel the Younger, Country Wedding, 16th–17th century, oil on wood, Art Gallery of Ontario; Gift of Mr. and Mrs. W. Redelmeier, 1940, 2557. This is an oil on wood painting, titled Country Wedding by artist Pieter Brueghel the Younger. It is from the 1500s or 1600s, and was a gift to the Art Gallery of Ontario by Mr. and Mrs. W. Redelmeier in 1940. The scene is set in Europe during the 1500s or 1600s and features a country wedding within a wooded glade. About fifty people are shown celebrating in the rustic setting. The people are dancing, eating, drinking, playing musical instruments, and embracing each other. Most of the people are wearing clothes associated with working-class labourers of the time period, in earth-coloured tones, such as browns, greens, and grays. Some figures wear garments that stand out in the rustic, forest setting: contrasting fabrics of sharp, bright reds, whites, and piercing yellows. Trees, bushes, and hut-like structures are shown in the background. In the bottom-left foreground of the painting, a male figure dances alone. Wearing a red hat, red pants, and a white coat, his face and body are visible to us. This male figure is looking to his left, over at a group of other people dancing adjacent to him in the bottom right of the painting. Within that group, another male figure appears prominently, dancing in front of a woman. The man is in a strutting posture, wearing bright yellow and white clothes. The woman is depicted with her back to the viewer, her face out of view. She stands with her hands on her hips and faces the strutting man. In the centre of the painting, groups of figures behind the dancers are partaking in other activities, like sitting, talking, drinking, and eating. All around the painting, the atmosphere is celebratory, with various scenes of revelry and merriment that boast a melodious quality. Located in the Dance to the Music section, the painting captures the seemingly timeless and universal impulse to move our bodies.
Fernando Velázquez publica 'Viento', su último trabajo y el primer disco del compositor que no está dedicado a bandas sonoras. Charlamos con él y con Ida Vitale. La poeta de 98 años está de visita en Madrid para participar en diversos festivales literarios. Además, Andrés Simón viaja a la antigua Tesalónica junto a Santiago Posteguillo para celebrar el lanzamiento de 'Roma soy yo', sobre la vida de Julio César. Terminamos con Ángela Núñez en El Museo de El Prado y la primera exposición que recrea el olor de un cuadro: 'El Olfato', de Brueghel y Rubens. Escuchar audio
In s2ep16, Ann Shafer and Tru Ludwig talk about the Protestant Reformation and the Catholic Counter Reformation that affected so much of the 16th century in Western Europe. The focus of the episode is Pieter Brueghel the Elder who developed a new vocabulary to talk about the lives of peasants, as well as lessons to live by. And don't forget those sins and sinners.
Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!On September 17, 1883, William Carlos Williams was born in Rutherford, New Jersey. He began writing poetry while a student at Horace Mann High School, at which time he made the decision to become both a writer and a doctor. He received his MD from the University of Pennsylvania, where he met and befriended Ezra Pound. Pound became a great influence on his writing, and in 1913 arranged for the London publication of Williams's second collection, The Tempers. Returning to Rutherford, where he sustained his medical practice throughout his life, Williams began publishing in small magazines and embarked on a prolific career as a poet, novelist, essayist, and playwright.Following Pound, he was one of the principal poets of the Imagist movement, though as time went on, he began to increasingly disagree with the values put forth in the work of Pound and especially Eliot, who he felt were too attached to European culture and traditions. Continuing to experiment with new techniques of meter and lineation, Williams sought to invent an entirely fresh—and singularly American—poetic, whose subject matter was centered on the everyday circumstances of life and the lives of common people.His influence as a poet spread slowly during the 1920s and 1930s, overshadowed, he felt, by the immense popularity of Eliot's "The Waste Land"; however, his work received increasing attention in the 1950s and 1960s as younger poets, including Allen Ginsbergand the Beats, were impressed by the accessibility of his language and his openness as a mentor. His major works include Kora in Hell (1920); Spring and All (1923); Pictures from Brueghel and Other Poems (1962), which was awarded the Pulitzer Prize; the five-volume epic Paterson (1963, 1992); and Imaginations (1970). Williams's health began to decline after a heart attack in 1948 and a series of strokes, but he continued writing up until his death in New Jersey on March 4, 1963.From https://poets.org/poet/william-carlos-williams. For more information about William Carlos Williams:Previously on The Quarantine Tapes:Suketu Mehta about Williams, at 20:10: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-079-suketu-mehtaLynell George about Williams, at 10:50: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-021-lynell-george“William Carlos Williams”: https://www.poetryfoundation.org/poets/william-carlos-williams“Paterson”: https://www.ndbooks.com/book/paterson/
Représentation de la vie des paysans au XVIème siècle Cliquez ici pour voir l'oeuvre Auteure des textes : Anne SchmauchDirection Editoriale: Pénélope BoeufVoix : Pénélope BoeufProduction : La Toile Sur Écoute Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Episode NotesBarn on the farm of R. Murray Schafer and Eleanor James, Indian River, Ontario, January 19, 2022 (photo by me)Note: the text below is a transcription of the narration in the episode (sounds are described, with their source where possible)Welcome to episode 99 of the conscient podcast, the last episode of season 3, which you might recall was on the theme of radical listening. (fade in of sound of barn)I invite you to guess what is this space. There are some sonic clues. It's clearly an indoor space and yet there is a hollowing wind with a deep, rich texture... You can hear the gentle crackling of wood… the occasional slap of a rope… a squirrel. (fade out sound of barn)This soundscape was recorded on January 19th, 2022, in a barn, on a farm that belonged to composer R. Murray Schafer and is now the home of his wife, the singer Eleanor James. The farm is located near Indian River, Ontario, about 20k east of Peterborough which is the traditional territory of the Anishinaabe Mississauga people adjacent to Haudenosaunee Territory and in the territory covered by the Williams Treaty. I went to the farm to record winter soundscapes for this episode, Winter Diary Revisited, which is a soundscape composition dedicated to the memory of composer, writer, music educator, and environmentalist, R. Murray Schafer.1st floor of barn of R. Murray Schafer and Elanor James, near Indian River, ON, January 19, 2022Eleanor James, January 19, 2022, Indian River, Ontario (photo by me)While visiting the farm, I had a conversation with Eleanor James about Murray and his relationship to winter. Here is an excerpt:Claude: I'm with Eleanor James and I just spent some time in your barn. Thank you so much. I recorded a bunch of sounds, and I went into the forest and captured sounds of wind and some of the things that Murray and I did when we did the Winter Diary, which is to do this kind of yelling out, to enliven the space and get a feeling of it. (sound of snowshoeing and distant 'Hey' at the farm on January 19, 2022)Claude: There are so many things that you could talk about Murray. Any thoughts about soundscapes but also around recording and winter sounds? Eleanor: There's a couple of things come to mind, which are in his creative output and one of them is Music in the Cold. It's a lovely little manifesto done in an artistic style about how it's better to be in the North than in the South and that music in the cold is tougher and hardier and more austere and (laughs) so he goes into a diatribe about that kind of thing. He really is a Northern personality. So, you have to forgive him for going on a rant about it, but, of course, it was an artistic creation, so it was intended to be hyperbolic. I think it's quite delightful. It's got a midnight blue cover and then the title Music in the Cold.Speaking of which, he has written a wonderful string quartet called Winter Birds which the Molinari quartet of Montreal have recorded, in which his own voice occurs in the very last movement where he describes the winter of 2005 looking out his studio window at the birds feeding. We used to fill the feeders with seeds, and we'd have all kinds of little birds coming and fluttering and going and making little soft sounds. In the string quartet, he describes a whole event of birds, just fluttering and coming and going and the total silence surrounding them, not only acoustically, but visually as well. Nothing but the snow, just like it is today, with snow heaped everywhere and just these little birds making tiny fluttering sounds with their wings.There's also the piece that he wrote for choir called Snowforms which is actually quite popular, and he wrote it as a graphic score and it's written on a sort of pale turquoise green paper, and the choir reads the shapes of snow and again, those shapes were something that he observed looking out his studio window and drew graphically and then composed it so that pitches were associated with these tones. It's just a marvelous description of winter and so for Murray, all of the soundscape work that he was so interested in fed into his artistic abilities and his artistic gifts as a composer.Note: See String Quartet no. 10 - Winter Birds (extrait) / R. Murray Schafer for an excerpt of Winter Birds performed by the Molinari Quartet. See Snowforms for a performance of Snowforms by the Vancouver Chamber Choir.I re-read Murray's Music in the Cold book when I got back home to Ottawa, which he wrote in 1977, when I was 17. It's interesting to look back at this piece of artistic reflection and provocation. Here are the last 11 lines of the book: Saplings are beginning to sprout again in the moist earth.Beneath it animals can be heard digging their burrows.Soon the thrush will return.The old technology of waste is gone.What then remains?The old virtues: harmony; the universal soul; hard work.I will live supersensitized, the antennae of a new race.I will create a new mythology.It will take time.It will take time.There will be time. (fade in recording of Eclogue for an Alpine Meadow)I remember back in August of 1985, the late composer Robert Rosen, Murray and I produced a series of ecological radio programs to be performed at Spry Lake, near Canmore, Alberta. Murray was in Banff to present his music theatre piece Princess of the Stars. We each wrote a piece of music for this space. Mine was for bass clarinet and trombone called ‘Eclogue for an Alpine Meadow' . You can hear me on bass clarinet. Murray was a mentor to Robert and myself on this project, sharing his vast experience in writing music for and with a natural environment. Note: You can hear the entire piece on the Whom Am I page of the conscient podcast website. Robert Rosen, R. Murray Schafer and me in Banff in 1985 during ecological radio programs project (photo credit unknown)Excerpt of first page of my ‘Eclogue for an Alpine Meadow' for bass clarinet and tromboneMe and trombonist (name not known) at Spray Lake, Alberta, recording ‘Eclogue for an Alpine Meadow' for bass clarinet and trombone (photo credit unknown)Murray's music, and in particular his research in acoustic ecology, have had a deep influence on many composers, educators, researchers and sound artists around the world, including myself. Among other things, Murray taught me how to listen deeply, both with my ears and with a microphone.Me, Kozo Hiramatsu and R. Murray Schafer at Hör Upp! Stockholm acoustic ecology conference, Stockholm, Sweden 1998 (photo credit unknown)I remember having long conversations with Murray about listening, radio, acoustic ecology, field recording, technology, including how it make a living as a composer. Here is a short excerpt from a conversation I had with him in July of 1990 in a restaurant in Peterborough. I apologise for the poor quality of the recording, but I think you'll enjoy listening to Murray speak about the art of listening:You probe by asking further questions. Was it inside? Was it outside? Are there a lot of people assembled there? Is there nobody there? Is this in Canada? Is it outside of Canada? Is it in Europe? You heard a train. Is it Canadian train whistle or a European train whistle? You heard a language. What language was it you heard? Any of these cues that you might have heard that would help you identify where you were and then tell them afterwards where the actual recording was made but force them to really use their ears. Did you hear any birds? Did you hear any of this, did you hear any sounds that would help you to localize? I'm just saying that that's one sort of type of exercise, which I think someday somebody should put together a package, an educational package.I just feel that one has to constantly go back to nature and listen again, look again, learn again. It's as simple as that. Anytime you get too far in touch with it, you're probably going to be in trouble. If you don't know how to come, go back and look at a butterfly, because you're so spell bound by strobe lights or something, I think you're in trouble, which is not to say that you can't go back and look at it and reanalyze it. It will change things and then you go back to your old environment and see things differently. In nature, what you're so conscious of is a cycle of life and death, and rather the interchange, that almost sine wave of life and death, but also of silence and activity and that there are certain times when certain creatures are far and certain other times when they speak and that you take in the natural soundscape. Sometimes it's hard to find those rhythms in a modern urban soundscape where everybody sounds so aggressively trying to catch the attention of everyone else.Claude: they lose touch with the balance of their lives.Murray passed away on August 14, 2021, at age 88 in his farmhouse.Home of R. Murray Schafer and Eleanor James, Indian River, Ontario, January 19, 2022Studio of R. Murray Schafer, Indian River, Ontario, January 19, 2022Shortly after his passing, I was honoured to be asked to write a remembrance piece about my personal experience with Murray. This request came from Eric Leonardson, president of the World Forum for Acoustic Ecology (WFAE) an organization that Murray helped found in 1993 at the Banff Centre and that continues its good work to this day. Kirk MacKenzie and Robin Elliott of the University of Toronto also approached me to write a remembrance piece about Murray for a series of memorials they are producing about Murray and his legacy. I decided to produce a soundscape composition instead of writing an article for this remembrance piece. Here's the story.In 1996, Murray received a commission from the Akustische Kunst department of the West German Radio, the WDR, in Germany, produced by Klaus Schöning, to record a radio program about the winter soundscapes of rural Manitoba called Winter Diary. Murray had produced many radio pieces before for the CBC and the WDR, but he needed a hand with this rather large-scale production, so he hired me as a recordist, editor and mixer, but also as a driver and scout. I was 37 at the time and was about to be married to filmmaker Sabrina Mathews and start a family in Montreal, which we did. However back then I still had the time and energy to do a 10-day road trip and to spend weeks afterwards editing it together with Murray. We certainly had a lot of fun together on that trip(sequence of Claude and Murray laughing during the recording of ‘Winter Diary' in 1997)Me in my home studio in Montreal in the 1990's (photo credit unknown)Letter from R. Murray Schafer to me, September 27, 1998Winter Diary ended up winning the Karl-Sczuka-Prize for radio art in 1998. I was deeply moved by the jury's statement, which I think captures the spirit of Murray's composition and the essence of our collaboration in its production:It is with great autonomy and imperturbability that Schafer draws the sound spectrum of a Canadian winter into his acoustic image. From the calm sequence of concise sound events an acoustic landscape emerges, almost spatial in its presence. To the point of noiselessness, of silence, everything audible is there concretely and non-arbitrarily. It is a work which ushers its listeners to a place of unhurried, patient listening, insists upon the wealth of nuances in acoustic perception, and takes a stand against sound refuse and staged hyperactivity.Scan of the first paragraph of Schafer's Winter Diary (not Dairy :-)) essay, February 15, 1997Winter-Diary-Essay-by-R.-Murray-SchaferDownloadWhile I was doing research for this piece, I found the first draft of an unpublished, 13-page essay in my archives that Murray wrote, at his farm, on February 15th, 1997, about the creation of Winter Diary. I was so excited. It's a brilliant piece of writing about our adventures in Manitoba, but the essay also includes reflections on a number of other issues: listening, art history, philosophy, his dreams, literature, and use the microphone. I decided to create a composition around his essay. A sonic illustration and interpretation of his words. But first let me tell a bit of a story about microphones. Murray had a love – hate relationship with the microphone. Here is another excerpt from that July 1990 restaurant conversation where he talks a bit more about distant listening, which is a key element of his aesthetic:If the microphone replaces your ear, there's something wrong. And as you see in a lot of our listening that the microphone has replaced the ear. The mere fact that for instance, we demand presence on all recorded sounds and they're all close mic-ed, is a recognition of the fact that the microphone, which is an instrument for getting closeups, is respected more than our own sort of hearing experience. The fact that we can no longer listen to the distance. Now, if you're going to get involved, really, with ecology in the environment, you have to rediscover how to listen to the distance, because an awful lot of the sounds you're talking about are distant.Claude (in the field from afar, recorded at Adawe Crossing, Ottawa): Now, if you're going to get involved, really, with ecology in the environment, you have to rediscover how to listen to the distance, because an awful lot of the sounds you're talking about are distant.I think you understand what I mean. Adawe Crossing, Rideau River, Ottawa where I recorded the 'distant' passage above, January 2022With the kind permission of Eleanor James, I used excerpts from Murray's essay as the narrative for the soundscape composition that you are about to hear. I did not use any of the field recordings from our original trip in 1997, outside of those few moments of laughter. Instead, I decided to record all new material during the winter of 2022, some 25 years later, not in Manitoba, but rather around where I live in Ontario and Québec, hence the idea of revisiting Winter Diary. However, I did use some field recordings from my archives, as well as a few excerpts from some of my previous soundscape compositions. All of those are noted in the episode script. Most of the soundscapes that you're about to hear are natural but a few have been transformed using tools like GRM Tools and ‘spatialisers'. I was interested in exploring that liminal space between reality and fantasy. While recording these winter soundscapes, and it's been a cold winter so far as you'll hear, I kept thinking about what the Karl Szuckaprize jury said about Murray's interest in the ‘noiselessness of silence'. I also thought about the idea of ushering the listener ‘to a place of unhurried, patient listening'.I tried to explore the idea of patient, unhurried listening in this piece as well as the notion of radical listening.Me on January 17, 2022 recording winter soundscapes in Ottawa (photo by Sabrina Mathews)Before we start, I want to let you know that some recordings are very quiet, at the threshold of what you might be able to hear on speakers or headphones so don't worry if you hear long silences or can't make out some of the detail, especially if you are in a car or in a noisier environment. You can listen to the Winter Diary Revisited again, in high resolution.I am extremely grateful for this opportunity to honour the memory of R. Murray Schafer and hope you enjoy this sonic illustration from his Winter Diary essay.ScriptNote: This script is drawn from R. Murray Schafer's Winter Diary Essay, first draft, February 15, 1997 (sounds are described with their source where possible)(door slapping and footsteps approaching the gate and mailbox at Murray's farm in Indian River)1. gatesGate at Murray and Eleanor's property near Indian River, January 19, 2022 (photo by me)Claude Schryer came by today to plan the Winter Diary radio program for the West German Radio. After dinner we walked the quarter mile out to the road. (walking towards the gate)There was a powdering of light snow, making the landscape bright under the stars. I opened and closed the gate while Claude recorded it; then I went to the tin mailbox and flapped the lid – both are sounds characteristic of rural life in Canada. (mailbox lid and gate)The flapping got the neighbour's dog barking. Then, more distantly other dogs began to bark. Dogs were the original alarm systems in the countryside and remain so despite electronic technology. Could be a thief or a wolf out there. The message is telegraphed from farm to farm and behind every dark doorway a farmer cocks his gun. The dogs grew silent again as we trudged back. (crossfade entry of house towards fire)Entering the warm house with a fire burning brightly in the grate, I suddenly realized that we had already discovered a valuable leitmotif for our program: the contrast between warm, populated rooms(crossfade with quiet cedar forest) and the vast, cold spaces that surround them during the Canadian winter.(wind from Murray's farm, slow fade to silence)Screen door at my cottage, Duhamel, Québec, December 2021 (photo by me)2. doorsThere is a painting by Cornelius Krieghoff (1815-1872) entitled "Merrymaking" that illustrates this drama between interior and exterior. (my wife Sabrina, son Riel and daughter Clara exiting our home and walking into our yard)A party at the Jolifu Inn is breaking up and the revellers are spilling out to depart into the cold, snowy dawn. The drama of the scene is depicted in Brueghel style, but the contrast between hot interior and cold exterior is distinctly Canadian. The same theme recurs in our best novelists, for instance in Frederick Philip Grove's, "Over Prairie Trails" (1922) or in Sinclair Ross's, "As for Me and My House" (1941). The contrast between interior and exterior creates the drama between society and selfhood. Marshall McLuhan summed it up epigrammatically when he said that Canadians go out to be alone and come in to be with company while elsewhere people go out to be with company and come home to be alone. Woman skater (family friend): If you're really lucky to be at a cottage in the winter in the morning and they're almost no sounds and you'll hear a branch cracking or something…(Quiet forest with cracking of frozen trees)The hinge is the door. One sound characteristic of the Canadian countryside is the slap of a screen door. (Various door slappings from Murray's farm and our cottage)I've known it since my childhood. Of course, it is intended to keep the insects out of the house in summer but out of laziness the screen door is often left on during winter too - as mine is. The door has a coil spring attached to it so that it will slap shut quickly. Usually there is another contraption on the side with a hairpin spring to snap it firm. If it isn't oiled, it squeaks. So, the entire sound event is actually quite complex, consisting first of a swish as the door opens, then a swoosh as it closes followed by a residual snap as the second spring is released to hold it shut. (More door sounds)The subject of doors could occupy a doctoral thesis or two. Every continent and climate has its own vocabulary and rhetoric of doors as different as the languages of the people who open and close them.(More door sounds)3. trainsPassing train from simplesoundscapes e73, March 20, 2018, Montréal (photo by me)(processed L14 train whistle with GRM Evolution Tool and Dear VR Pro spatializer)Every Canadian knows the three-toned Canadian train whistle - without knowing it. Tuned to an E-flat minor triad with a fundamental at 311 Hertz, it's the most authoritative sound mark of the country, curiously analogous to the Yellow Bell or Huang Chung, which established the tuning for all music in the golden days of ancient China.(Meditation bell)The legend goes that when the tuning of the Yellow Bell was abandoned the empire would fall into ruin.(Overpass from simplesoundscapes e167 above + train passing with gate processing)Something like that is happening here, for today more and more train whistles are out of tune, and with the building of overpasses and tunnels urban dwellers rarely ever hear them. (more processed L14 train whistle)Canadian railroads all run east-west. As the authority of the railroad vanishes the east-west axis gives way to a south-north bias, i.e., American invasion. … Eventually in the far distance we hear the L14 whistle (the signal for a level crossing, long, long, short, long,) which incidentally is also the rhythm of the opening phrase of the Canadian national anthem.(noon siren excerpt from my 1996 composition Vancouver Soundscape Revisited)4. hooves'Cricket', Mono, Ontario during recording of ‘hooves' scene. (photo by me)(wind from Murray's farm) It is warmer today then yesterday and a heavy fog lies over the snow so that the acoustic horizon surpasses the visual. Frederick Philip Grove talks about getting lost in the fog in Over Prairie Trails. Then he had to rely on the instinct of his horses.(sound of horse hooves from Cricket in Mono, Ontario)Note: below is a quote from Frederick Philip Grove'sOver Prairie Trails, Toronto, 1991, p.47.‘I had become all ear. Even though my buggy was silent and though the road was coated with a thin film of soft clay-mud. I could distinctly hear by the muffled thud of the horses' hooves on the ground that they were running over a grade.' (Grade and farm sounds and return of hoove sounds)‘That confirmed my bearings… So now I was close to the three-farm cluster. I listened intently again for the horses' thump. Yes, there was that muffled hoof-beat again – I was on the last grade that led to the angling road across the corner of the marsh.‘ 5. microphonesZoom H4N Pro recording wind sounds at R. Murray Schafer farm, January 19, 2022(wind from Murray's field)What would the Prairies be without wind? (Wind from Murray's barn mixed with forest sounds in South River, Ontario)It's the keynote sound here, the one against which everything else is registered. But to record it? Impossible. The microphone hasn't yet been invented to effectively record nature's most elementary sounds: wind, rain, fire.(thunder and rain sound from simplesoundscapes e105 thunder, fire from fireplace at our cottage)The mistake in recording the environment is in trying to pull a huge spread of events, far and near in all directions, into a single focus. The soundscape isn't stereophonic, its spherical. The stereophonic preoccupation in recording results from stereoscopy rather than any real understanding of the listening experience, in which one is always at the centre. (microphone panning ventilation system)One would like the microphone to observe the same respect for figure-ground that our ears do, elevating those sounds we wish to receive and suppressing those we don't. But of course, the microphone is not an ear, and everything is registered according to its amplitude only. Could we imagine a future microphone with a discrimination circuit to allow us to reproduce the wished-for soundscape rather than the real one? Or is that merely another form of pathetic fallacy that only the romantic recordist could hope for? Claude (from snow pellets on dried leaves in Misikew provincial park): and here's an example of a sound that is so delicate that the microphone picks it up better than the human ear. The value of the microphone is that it presents simply what is there. The tape recorder puts a frame around it, often astonishing us with the sound events our real ears have missed. 6. footstepsFootstep tracks at Warbler's Roost, South River, ON, February, 2022Claude confesses his excitement for recording. He is almost like a fighter pilot seeking out the enemy, the elusive sound object, slating his various dives at the material we've targeted for a take, hoping the desired event will occur on cue, wondering whether to stalk it silently or prompt it - or forget it and seek another campaign. "So many things can go wrong," he says excitedly. Ruefully I agree.Note: I recorded my voice saying "So many things can go wrong,"Claude (xcountry ski sequence, December 2021): When Murray and I recorded Winter Diary in 1997, we record a lot of different winter sounds but not cross-country skiing. It is a typical sound of winter in Canada and a very rich one. You can hear me skiing now, as well as people skiing beside me. Skiing sounds have number of different elements: there's the push and pull of the ski, the poles that hit into the snow and of course the breath of the skier. Sometimes you can hear the wind in the trees, snowmobiles a distance, dogs...People who live by the sea know how the colour of the water changes constantly, but one has to live with a long winter to know the perpetual changes in the sound (as well as the colour) of snow. (various foot and snow sounds)Even the lapse of an hour can alter it profoundly, and the experienced listener can pinpoint the temperature by the sound of his footsteps in it. On the cold nights it screeches. Sometimes a crust will build up to produce a crunchy quality. Or even several crusts, separated by layers of powdery snow, giving variations of dissonance with each step. (Steps on crusty snow)7. carsLumber truck passing on Eagle Road, South River, ONWe always take the most ordinary sounds for granted. Assuming cars to be universal, we forget that they sound different in different environments. (bus stuck on a hill and cars passing in Ottawa)On a country highway we recorded the approach and departure of individual cars and trucks, sometimes lasting three minutes without any other sound. (Passing truck near South River, On)Where else on earth could you do that?8. callingForest where I recorded ‘calling sounds', January 2022, Gatineau Park, QuébecClaude (Gatineau Park, Québec) : When R. Murray Schafer and I did Winter Diary, one of the sequences was called calling where we were in the forest and listening for the reverberation in a winter space and in that case, it was a forest and here I am on January 11th, 2022, in Gatineau Park. I'm going try a similar experience where I'm going to walk in a circle away from the microphone and see what that sounds like and once in a while, I'll cry out like we did back then: Hey, and you can hear the reverberation and the movement, and it's a way to experience a winter soundscape by interacting with it. So here we go.(Hey sequence in forest in Gatineau QC, January 2022)Excursion into Park. Total isolation. We realized that the only way we could give an impression of soundscape here was by making sounds ourselves, so we set up the microphone in the snow and walked away from it, calling in different directions. How far is it across the valley? What is the difference between a bare deciduous forest and a leafy evergreen one? Your voice will tell you. 9. cracksForest where I recorded ‘calling sounds', January 2022, Gatineau Park, Québec(rumble of car on winter road, stop and get out of vehicle, then silence)I came out alone in the car after Claude had gone to sleep. Never had I heard the world so silent. Is it near or far, this black landscape? (forest cracks at Murray farm)My own slightest movement makes it seem near. The frosted crack of a distant tree makes it vast. My breathing brings it close again. Justin Winkler pointed out that the soundscape is essentially a static term, but here it seems dynamic, increasing to an infinite volume, then shrinking right inside me as my stomach growls. (simplesoundscapes e01, rumble and Guérison from Au dernier vivant les biens (1998))I turn the ignition key and am startled and relieved at the same time. My escape.10. heaterGas fireplace at our home in Ottawa, January 2022(gas fireplace starting + song based on texture of fireplace ‘pings')Strange phenomenon this morning on waking. In my dream I had been singing a solo song at some kind of gathering. I finished and everyone applauded enthusiastically.(Sound of small crowd clapping and saying nice song Murray)I awoke to hear the propane heater come on. So, the conclusion of my song and heater were synchronized but I stress that I had sung a rather lengthy song to its conclusion before the applause of the heater. I even remembered the song and sang it over again to myself while lying in bed.(Gas heater and song)Had I anticipated the end of it and paced the singing to a sound that I could somehow fore-hear? Or had the whole event occurred in the fraction of a second as the heater came on? 11. iceChunk of ice at my home in Ottawa, January 23, 2022Spotting some children knocking down some icicles in Sainte Rose du Lac, we rushed over to record them but frightened them away. (gated kicking ice blocks and skating sounds)So, we knocked the icicles down ourselves and then kicked them along the street. (more gated kicking ice blocks and skating sounds)Each chunk had a different pitch and pieces when they broke into pieces the pitch rose. I was glad to have this other form of frozen water to add to our repertoire.12. jetLocation at Murray's farm where I recorded a passing jet, January 19, 2022The sun was setting. It was totally quiet. (begin sound of jet passing)Eventually the whisper of a jet aircraft became audible. It crossed the sky distantly, its passage lasting eight minutes without any other sound interrupting it. A perfect sound event in an anesthetized environment. (end sound of jet passing and fade to gentle forest sound)Claude: I would like to conclude Winter Diary Revisited with an excerpt from Murray's 1977 book Music in the cold. Here are the last 11 lines:Saplings are beginning to sprout again in the moist earth.Beneath it animals can be heard digging their burrows.Soon the thrush will return.The old technology of waste is gone.What then remains?The old virtues: harmony; the universal soul; hard work.I will live supersensitized, the antennae of a new race.I will create a new mythology.It will take time.It will take time.There will be time. *Credits(except from the end of my composition Eclogue for an Alpine Meadow in background)I have many people to thank. Murray's essay is narrated by my father-in-law, the poet, political activist and educator Robin Mathews. In passing I invite you to listen to an episode about his work e88 robin mathews – on radical listening & political poetry. Poet Robin Mathews and me recording narration of Winter Diary Essay, November 2021, Vancouver (photo by Sabrina Mathews)I would like to thank Robin for his skillful narration, composer Christian Calon for his technical advice and moral support, artistic director Darren Copeland and Executive Director Nadene Thériault-Copeland of New Adventures in Sound Art (NAISA) for their encouragements and for hosting me as artist in residence from February 1 to February 6, 2022, at their facility in South River, Ontario. Thanks also to Eleanor James for permission to use Murray's essay, for the photos of the farm and for our conversation and finally my wife Sabrina Mathews for her feedback, patience and support.Logo of NAISADeep Wireless festival logoMy bedroom and editing studioEagle Road, where I recorded a passing truck, South River, ONDarren Copeland setting up the Ambisonic microphone for meMe recording forest sounds, February 2, 2022, Mikisew Provincial Park, ONMe, Victoria Fenner and James Bailey during Q&A on February 6, 2022 at NAISA NorthWinter Diary Revisited was premiered at the Deep Wireless Festival of Radio and Transmission Art on Saturday, February 5, 2022, at 7pm. La version française de cet épisode, Journal d'hiver revisité sera retrouve dans l'épisode 100 du balado conscient. *END NOTES FOR ALL EPISODESHere is a link for more information on season 5. Please note that, in parallel with the production of the conscient podcast and it's francophone counterpart, balado conscient, I publish a Substack newsletter called ‘a calm presence' which are 'short, practical essays for those frightened by the ecological crisis'. To subscribe (free of charge) see https://acalmpresence.substack.com. You'll also find a podcast version of each a calm presence posting on Substack or one your favorite podcast player.Also. please note that a complete transcript of conscient podcast and balado conscient episodes from season 1 to 4 is available on the web version of this site (not available on podcast apps) here: https://conscient-podcast.simplecast.com/episodes.Your feedback is always welcome at claude@conscient.ca and/or on conscient podcast social media: Facebook, X, Instagram or Linkedin. I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on April 2, 2024
Recorded by William Stobb for Poem-a-Day, a series produced by the Academy of American Poets. Published on November 26, 2021. www.poets.org
A découvrir à la galerie De Jonckheere jusqu'au 19 novembre : Tableaux de Maîtres – « Brueghel : une affaire de famille ». Qu'il s'orthographie Bruegel, Brueghel ou Breughel, ce nom évoque inéluctablement la grande peinture flamande des XVI et XVIIe siècles. À travers une sélection de douze tableaux spécialement réunis pour l'occasion, la galerie De Jonckheere a le plaisir de présenter un parcours pictural inédit mettant en lumière l'héritage artistique ainsi que les différents liens de parenté, parfois mal connus, qui reliaient ces célèbres figures de la peinture ancienne flamande. Alice Frech, directrice de la galerie nous reçoit durant "Art en vieille ville" .
It's late summer and time for a short hiatus, so I will be replaying a few of my most popular programs in the next few weeks (and after that, the least popular, with the hope that they might find some rekindled interest). Today's program is about poems written about other works of art. Such poems are part of a long literary tradition called the “ekphrastic tradition” and they provide a different perspective on how we might experience works of art generally. The program includes a brief literary history of the form, including comments about Homer's The Iliad, Keats' “Ode on a Grecian Urn,” and Pictures from Brueghel by William Carlos Williams. It also includes my translations of ekphrastic poems by three Lithuanian poets as well as two of my own ekphrastic poems.
Nos sumergimos en el arte del Renacimiento gracias a «Historia del Arte en Cómic. Renacimiento», de Pedro Cifuentes (obra publicada por Desperta Ferro Ediciones). Hablamos con Pedro Cifuentes acerca del tercer volumen de una colección que pretende mostrarnos la Historia del Arte de todas las épocas. De esta manera avanzamos por las páginas del cómic con el profesor, Lómper y sus alumnos, recorriendo la Italia renacentista y conociendo los autores y su legado artístico. Pedro Cifuentes quiere que seamos protagonistas y caminemos por las ciudades, esculturas, lienzos y obras arquitectónicas más simbólicas de la Edad Moderna. Para ello los artistas tomarán vida y nos explicarán su legado. Algunos de los protagonistas de la historia serán Miguel Ángel , Masaccio (1401-1429), Rafael Sanzio, Sandro Botticelli, Leonardo da Vinci, Tiziano, El Greco y Sofonisba Anguissola. De este modo nos perderemos en la Escuela de Atenas, recorreremos la Capilla Sixtina y quedaremos aterrados ante el Triunfo de la muerte del viejo Brueghel. Además, hablaremos con Isido Díaz, portavoz de la asociación Regina Viva. Nuestro invitado nos hablará de la actualidad de la ciudad romana de Regina Turdulorum, ubicada en las proximidades de Casas de Reina (Extremadura). El yacimiento casi ve cómo la carretera de arena que lo divide en dos es asfaltada. Por suerte, los arqueólogos de la Junta de Extremadura lo evitaron. Dicha vía estaba en vías de extinción a favor de una carretera alternativa que bordease el yacimiento y así no causase menoscabo sobre le mismo. Finalmente, contamos con la actualidad cultural y científica gracias a Aroa Velasco. Tramo del audio de las intervenciones: Editorial: 3'50 Entrevista a Isidro Díaz: 7'00 Actualidad cultural y científica: 23'25 Historia del arte en Cómic: 36'58 ---- ¡Te necesitamos! Hazte socio/a de El Café de la Lluvia para permitir que nuestro medio de comunicación sea sostenible en el tiempo. Descubre todos los beneficios que tiene hacerse miembro de nuestra comunidad en: https://elcafedelalluvia.com/hazte-socio-a-de-el-cafe-de-la-lluvia/ -- Todo esto y mucho más en mucho más en nuestra web: https://elcafedelalluvia.com/ Síguenos en twitter: @cafelluvia | Facebook: Cafedelalluvia |Instagram: elcafedelalluvia - Enlace de telegram: https://t.me/cafelluvia - Newsletter: https://elcafedelalluvia.com/suscripcion-newsletter/ - Canal de YouTube: https://www.youtube.com/c/ElCafédelaLluvia - Twitch: https://www.twitch.tv/elcafedelalluvia
Hace años un amigo le preguntó a Eduardo Barba, jardinero de profesión, si podría identificar una planta que aparecía en un tratado de historia natural del siglo XV y no supo responder. Sin embargo, esa pregunta le llevó a interesarse por las flores y plantas que aparecían en las obras de un museo que él ya conocía muy bien, el Museo del Prado. No paró hasta identificarlas todas. Uno de los frutos de ese tesón es 'El jardín del Prado', un libro en el que casi se pueden oler muchas de esas especies que brotan por todas partes en los cuadros del museo. Están ahí. Solo hay que fijarse y tener ganas de aprender, como hace Edu. Si os queréis hacer un parterre en casa con las plantas de 'El jardín de las delicias', 'El olfato' de Rubens y Brueghel el Viejo, la 'Primavera' de Botticelli o 'La noche estrellada' de Van Gogh, corred a ver lo que han preparado en Tellus Plants. Tenéis hasta el 16 de abril para participar en el sorteo de 4 kits de semillas y 2 ejemplares dedicados de 'El jardín del Prado'. Las instrucciones, en el podcast. NOTA: Entre el minuto 45 y el 52 hay una brujería en el sonido que no nos explicamos
Eine neue Doku auf Arte beleuchtet Raubkunst während des Nationalsozialismus. „Liebe zwischen den Meeren“ stellt die Frage, wem ein Findelkind gehört. Und im Musical „A Week Away“ findet ein Teenie nicht nur seine große Liebe, sondern auch zu sich selbst.Der Artikel zum Nachlesen: https://detektor.fm/kultur/was-laeuft-heute-goering-brueghel-und-die-shoah-liebe-zwischen-den-meeren-a-week-away
Eine neue Doku auf Arte beleuchtet Raubkunst während des Nationalsozialismus. „Liebe zwischen den Meeren“ stellt die Frage, wem ein Findelkind gehört. Und im Musical „A Week Away“ findet ein Teenie nicht nur seine große Liebe, sondern auch zu sich selbst. >> Artikel zum Nachlesen: https://detektor.fm/kultur/was-laeuft-heute-goering-brueghel-und-die-shoah-liebe-zwischen-den-meeren-a-week-away
Eine neue Doku auf Arte beleuchtet Raubkunst während des Nationalsozialismus. „Liebe zwischen den Meeren“ stellt die Frage, wem ein Findelkind gehört. Und im Musical „A Week Away“ findet ein Teenie nicht nur seine große Liebe, sondern auch zu sich selbst.Der Artikel zum Nachlesen: https://detektor.fm/kultur/was-laeuft-heute-goering-brueghel-und-die-shoah-liebe-zwischen-den-meeren-a-week-away
Amandine Urruty dessine des oeuvres d'art macabres au crayon, avec un méticuleux souci du détail. Écoutez cet épisode pour comprendre sa façon de travailler et décortiquer le sens caché de ses oeuvres, qui se rapprochent d'un Jérôme Bosch ou d'un Brueghel. Vous y retrouverez avec délices les personnages de la pop-culture que vous appréciez. Si vous aimez cherchez Charlie, perdez-vous dans les fresques d'Amandine ! Suivre le fil 00:00:35 Son parcours00:17:40 Le business de l'art00:27:31 Ses inspirations00:30:00 Son univers00:49:29 Son avenir Les références Le journal Fluide Glacial et un de ses artistes Edika Le jeu de société Risk Le mouvement d'art Low-Brow Fotolog et MySpace L'émission télé Star Academy avec Philippe Katerine Le bogosse Mickael Vendetta La salle parisienne Le Nouveau Casino La galerie Arts Factory Les livres d'Amandine chez les Requins Marteaux, United Artists tenu par Stéphane Blanquet, et Criter Editions Le pseudo-documentaire de Banksy Faites le mur Le salon Drawing Now Art Fair Les artistes Salvadore Dali, Jérôme Bosch, René Magritte, Brueghel, Bazooka, Cy Twombly Le chanteur Carlos et son tube Big Bisous Le journal Le Nouveau Détective Le film The Party de Blake Edwards et le chanson avec Claudine Longet Nothing to lose Les années Freaks Le livre Pinocchio de Winschluss Le film de René Laloux La Planète Sauvage avec les dessins de Topor La pochette Amnesiac de Radiohead La période "vache" de Magritte Le jeu vidéo Zelda sur la switch Le jeu Resident Evil en VR Le jeu God of War Les prochaines expos d'Amandine à Hambourg le 1er décembre, à Rome en mars 2019, à Bordeaux en janvier 2019 Où trouver Amandine Sur son site Sur Instagram A propos de l'animateur Je suis Alexandre Soubrier, réalisateur de films graphiques. Vous pouvez me trouver sur twitter, facebook, instagram, vimeo. J'ai même un site sur lequel je poste quelques réalisations et sur lequel vous pouvez me contacter. Le court extrait de musique vient du magnifique album de Wax Taylor "Tales of Forgotten Melodies".
In this morning's lockdown assembly, the headmaster tells the story of The Tower of Babel, and hopes that some of the school's younger children might want to draw their own picture of this scene (perhaps inspired by Brueghel).
LA JOURNÉE SOMBRE OU LE VOYAGE JUSQU'À BRUEGHEL À VIENNE Lecture par l'auteur, Jacques Darras, avec la complicité de Jacques Bonnaffé Accompagnés de William Schotte, violoncelliste et chanteur & Olivier Garouste pour les images Tous les Brueghel sont à Vienne, au Musée de Vienne. Entre autres Les Saisons, célèbre suite dont on connaît l'Hiver, l'Été et l'Automne, moins ou pas La Journée sombre. Brutale résonance en nous sa découverte. À quel titre ? L'humeur, la faute d'attention, le lointain voyage d'Épiphanie etc. On sent le froid, neige et tempête, on frissonne. Des locaux réparent des toits de chaume, feux sans fumée. Se mesure l'extrême fragilité de nos vies au bord de l'Univers. Voyager jusqu'à Brueghel, à Vienne, c'est aller plus loin que le moment présent, mais où ? Le poème risque une proposition. À lire – Jacques Darras, L'indiscipline de l'eau, Poésie/Gallimard, 2016 – Brueghel les yeux ouverts, Créaphis éd. 2015 – Tout Picard que j'étais. L'exceptionnelle richesse littéraire de la Grande Picardie à travers les âges, éd. Librairie du Labyrinthe, 2020.
Au programme de cet épisode :Digressions autour du 60fps et de la next-gen [00:00:00 - 00:38:00]Assassin's Creed Valhalla : chronique croisée Olbius/Mikaouel [00:39:15 - 01:21:30]The Pathless : l'après Abzû par Monique [01:22:00 - 01:36:30]Ring Fit : le jeu idéal pour le confinement ? [01:36:45 - 01:59:00]Hors Jeu : Vikings | Arte TV | Your Name | Le goût de la haine [01:59:45 - 02:26:30]Musiques utilisées par ordre d'apparition :Générique RadiolibriusAC Valhalla main theme - Jesper KydThe Pathless trailer theme - Austin WintoryBrueghel l'Ancien - Michel FarinetAnimé par Olbius (@pierrolbius), Mikaouel (@PauseStream) et Heddy (@Moniqueduterter)Fond d'écran de Monique : Ecoutez l'émission en avance sur Patreon ! Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.
1600'lere uzanıp "Çiçek" lakabıyla bilinen Flaman ressam Yaşlı Jan Brueghel'i ve onun İstanbul'dan gelmiş lale, sümbül ve ters lalelerle dolu "imkansız" çiçek buketlerini konuşuyoruz. Yaşlı Jan Brueghel, efsanevi ailenin ikinci kuşak üyesi. Günlük yaşamdan sahneler içeren manzara resimleri, alegorileri, kutsal kitaptan alıntıların da olduğu çiçek resimleriyle biliniyor...
Dave and Jeff serve up some Northern Renaissance art with a close look at Flemish painter Pieter Brueghel the Elder’s mysterious and haunting take on the Daedalus and Icarus myth. Is it a response to Ovid’s version of the tale or something else altogether? Jean Claude VanDamme stops by with a waffle sampler, and don’t miss: fat man on the menu. We also get at the lingering question, “Will Dave ever reveal his high school nickname?” Tune in and make sure to click on “Show Notes” for useful visuals.
Leightons painting: https://commons.wikimedia.org/wiki/File:Lord_Frederick_Leighton_FLL006.jpgVan Dyks painting:https://commons.wikimedia.org/wiki/File:Anthony_van_Dyck_-_Daedalus_and_Icarus_-_Google_Art_Project.jpgBrueghels paintinghttps://en.wikipedia.org/wiki/Landscape_with_the_Fall_of_Icarus Music: Bastille- Icarus
Y llegan por fin el sábado y el domingo y cuando esto ocurre llega a RPA “Un buen día para viajar”. El sábado 26 de septiembre comenzará una vez más con el gran Francisco José Borge Cordovilla en la sección patrimonio de la humanidad, donde nos hablará, en una primera edición, porque así lo merece este edificio, de la iglesia prerrománica de San Julián de los Prados, centrándose inicialmente en su parte arquitectónica. No os perdáis la maravillosa intervención de nuestro amigo Francisco. Sara moro es nuestra historiadora del arte de cabecera en el museo de Bellas Artes de Asturias y una vez más nos guiará por los pasillos y salas del imponente museo ovetense. En esta ocasión nos hablará de la exposición de Brueghel el joven y sobre el pintor asturiano Aurelio Suárez. Sara nos lo cuenta todo de un modo muy didáctico y entretenido. Rafa Gutierrez Teston de ‘La buena letra” nos hará una doble recomendación literaria y viajera: “viajes con Heródoto” de Kapucisnki y “Atlas de islas remotas” de Shalansky. Si hay un edificio representativo en nuestro paisaje etnográfico sin duda ese es el hórreo, por eso visitaremos en la población de Bueño en el concejo de Ribera de Arriba, el Centro de Interpretación del Hórreo. María Fernanda Fernández será nuestra anfitriona y nos guiará por este interesante equipamiento turístico y caleyará con nosotros por maravillosos horreos de la población. Nos encanta proponeros rutas de senderismo y montañismo por los imponentes paisajes y por la maravillosa naturaleza de Asturias, en este caso en el Parque Nacional de Picos de Europa. César Suárez Pestonit, de Guias Del Cuera, nos llevará desde los Lagos de Covadonga hasta el refugio de Vegarredonda. Para finalizar nuestro programa del sábado viajaremos a la cuenca minera del caudal donde se desarrollan las XII jornadas de patrimonio industrial. José Luis Soto de la asociación Santa Bárbara nos guiará de castillete en castillete, uno de los elementos principales del paisaje minero asturiano. Esta ruta pondrá fin a estas jornadas tan importantes a nivel turístico e histórico.
Y llegan por fin el sábado y el domingo y cuando esto ocurre llega a RPA “Un buen día para viajar”. El sábado 26 de septiembre comenzará una vez más con el gran Francisco José Borge Cordovilla en la sección patrimonio de la humanidad, donde nos hablará, en una primera edición, porque así lo merece este edificio, de la iglesia prerrománica de San Julián de los Prados, centrándose inicialmente en su parte arquitectónica. No os perdáis la maravillosa intervención de nuestro amigo Francisco. Sara moro es nuestra historiadora del arte de cabecera en el museo de Bellas Artes de Asturias y una vez más nos guiará por los pasillos y salas del imponente museo ovetense. En esta ocasión nos hablará de la exposición de Brueghel el joven y sobre el pintor asturiano Aurelio Suárez. Sara nos lo cuenta todo de un modo muy didáctico y entretenido. Rafa Gutierrez Teston de ‘La buena letra” nos hará una doble recomendación literaria y viajera: “viajes con Heródoto” de Kapucisnki y “Atlas de islas remotas” de Shalansky. Si hay un edificio representativo en nuestro paisaje etnográfico sin duda ese es el hórreo, por eso visitaremos en la población de Bueño en el concejo de Ribera de Arriba, el Centro de Interpretación del Hórreo. María Fernanda Fernández será nuestra anfitriona y nos guiará por este interesante equipamiento turístico y caleyará con nosotros por maravillosos horreos de la población. Nos encanta proponeros rutas de senderismo y montañismo por los imponentes paisajes y por la maravillosa naturaleza de Asturias, en este caso en el Parque Nacional de Picos de Europa. César Suárez Pestonit, de Guias Del Cuera, nos llevará desde los Lagos de Covadonga hasta el refugio de Vegarredonda. Para finalizar nuestro programa del sábado viajaremos a la cuenca minera del caudal donde se desarrollan las XII jornadas de patrimonio industrial. José Luis Soto de la asociación Santa Bárbara nos guiará de castillete en castillete, uno de los elementos principales del paisaje minero asturiano. Esta ruta pondrá fin a estas jornadas tan importantes a nivel turístico e histórico.
Y llegan por fin el sábado y el domingo y cuando esto ocurre llega a RPA “Un buen día para viajar”. El sábado 26 de septiembre comenzará una vez más con el gran Francisco José Borge Cordovilla en la sección patrimonio de la humanidad, donde nos hablará, en una primera edición, porque así lo merece este edificio, de la iglesia prerrománica de San Julián de los Prados, centrándose inicialmente en su parte arquitectónica. No os perdáis la maravillosa intervención de nuestro amigo Francisco. Sara moro es nuestra historiadora del arte de cabecera en el museo de Bellas Artes de Asturias y una vez más nos guiará por los pasillos y salas del imponente museo ovetense. En esta ocasión nos hablará de la exposición de Brueghel el joven y sobre el pintor asturiano Aurelio Suárez. Sara nos lo cuenta todo de un modo muy didáctico y entretenido. Rafa Gutierrez Teston de ‘La buena letra” nos hará una doble recomendación literaria y viajera: “viajes con Heródoto” de Kapucisnki y “Atlas de islas remotas” de Shalansky. Si hay un edificio representativo en nuestro paisaje etnográfico sin duda ese es el hórreo, por eso visitaremos en la población de Bueño en el concejo de Ribera de Arriba, el Centro de Interpretación del Hórreo. María Fernanda Fernández será nuestra anfitriona y nos guiará por este interesante equipamiento turístico y caleyará con nosotros por maravillosos horreos de la población. Nos encanta proponeros rutas de senderismo y montañismo por los imponentes paisajes y por la maravillosa naturaleza de Asturias, en este caso en el Parque Nacional de Picos de Europa. César Suárez Pestonit, de Guias Del Cuera, nos llevará desde los Lagos de Covadonga hasta el refugio de Vegarredonda. Para finalizar nuestro programa del sábado viajaremos a la cuenca minera del caudal donde se desarrollan las XII jornadas de patrimonio industrial. José Luis Soto de la asociación Santa Bárbara nos guiará de castillete en castillete, uno de los elementos principales del paisaje minero asturiano. Esta ruta pondrá fin a estas jornadas tan importantes a nivel turístico e histórico.
Y llegan por fin el sábado y el domingo y cuando esto ocurre llega a RPA “Un buen día para viajar”. El sábado 26 de septiembre comenzará una vez más con el gran Francisco José Borge Cordovilla en la sección patrimonio de la humanidad, donde nos hablará, en una primera edición, porque así lo merece este edificio, de la iglesia prerrománica de San Julián de los Prados, centrándose inicialmente en su parte arquitectónica. No os perdáis la maravillosa intervención de nuestro amigo Francisco. Sara moro es nuestra historiadora del arte de cabecera en el museo de Bellas Artes de Asturias y una vez más nos guiará por los pasillos y salas del imponente museo ovetense. En esta ocasión nos hablará de la exposición de Brueghel el joven y sobre el pintor asturiano Aurelio Suárez. Sara nos lo cuenta todo de un modo muy didáctico y entretenido. Rafa Gutierrez Teston de ‘La buena letra” nos hará una doble recomendación literaria y viajera: “viajes con Heródoto” de Kapucisnki y “Atlas de islas remotas” de Shalansky. Si hay un edificio representativo en nuestro paisaje etnográfico sin duda ese es el hórreo, por eso visitaremos en la población de Bueño en el concejo de Ribera de Arriba, el Centro de Interpretación del Hórreo. María Fernanda Fernández será nuestra anfitriona y nos guiará por este interesante equipamiento turístico y caleyará con nosotros por maravillosos horreos de la población. Nos encanta proponeros rutas de senderismo y montañismo por los imponentes paisajes y por la maravillosa naturaleza de Asturias, en este caso en el Parque Nacional de Picos de Europa. César Suárez Pestonit, de Guias Del Cuera, nos llevará desde los Lagos de Covadonga hasta el refugio de Vegarredonda. Para finalizar nuestro programa del sábado viajaremos a la cuenca minera del caudal donde se desarrollan las XII jornadas de patrimonio industrial. José Luis Soto de la asociación Santa Bárbara nos guiará de castillete en castillete, uno de los elementos principales del paisaje minero asturiano. Esta ruta pondrá fin a estas jornadas tan importantes a nivel turístico e histórico.
«Egli merita da tutti di essere imitato. Il nostro Brueghel ha dipinto, come dice Plinio a proposito di Apelle, molte cose che non possono essere dipinte. In tutte le sue opere c’è sempre più pensiero che pittura»: con queste parole il libraio e cartografo fiammingo Abraham Ortelius nell’Album Amicorum (dopo il 1550) tenta di descrivere il sistema pittorico di Pieter Brueghel il Vecchio (1520/25-1569), il capostipite di una delle più prolifiche e artisticamente fortunate famiglie di pittori delle Fiandre.
📌Fiztcarraldo 12 +1 . Os contamos si somos supersticiosos. Y si se puede ser supersticiosos de ser supersticioso. Las profecías auto cumplidas, cuidado con las autosugestiones. Primeros actos sociales postpandemia. Nuestra obsesión por el gel hidroalcohólico . Esta semana hemos escuchado mucho a Juan Wauters, un músico uruguayo, afincado en Estados Unidos, un exponente de nuestro gusto por las canciones con letras naife y sencillas, en apariencia inocentes pero que ocultan cargas de profundidad. Suena “Muy Muy Chico “, perteneciente al reciente EP “Más Canciones de la Onda”, con descartes de su disco de 2019 “La Onda de Juan Pablo”. Nos vamos Africa con Shabaka and The ancestors, un octeto de músicos sudafricanos capitaneado por el hiperactivo Shabaka Hutchings, que acumula una lista de formaciones y proyectos interesantes a sus espaldas como: Sons of Kemet, The Comet is Coming , mucho más experimental. El saxofonista originario de barbados es una de las figuras principales de la pujante escena londinenses de jazz. De el álbum “ We Are Sent Here by History” que salió el pasado abril ponemos el tema “"The Coming of the Strange Ones". Seguimos con cantautores naïf , con Jonathan Richman un clásico que comenzó con los “The Modern Lovers”, melodías sencillas clásicas, pegadizas con letras que beben de lo cotidiano. Os contamos quien se llevó los zapatos que Richman regaló en uno de sus conciertos. A veces le gusta mezclar distintos idiomas, como en “Es el como El pan” donde juega con el castellano, una canción que pertenece a su disco de 2008 “Because Her Beauty Is Raw and Wild”. Somos muy fans de Richman sus canciones nos hacen recuperar la fe. Continuamos con rabia y enfado con la banda california Touché Amoré de post-hardcore, suena “Limelight”, adelanto de su nuevo álbum que saldrá en octubre. A veces en periodos difíciles como el que vivimos necesitamos sacar fuera toda nuestra ira y enfado. Continuamos con más música naif; esta vez a cargo de Fran Fernández, que comenzó su andadura con Australian Blonde, y más tarde junto al malogrado Sergio Algora formó el supergrupo “La Costa Brava” .Más tarde ya como Francisco Nixón, continua componiendo canciones pop sobre pequeñas vicisitudes y acontecimientos cotidianos con un toque de ingenuidad. De su etapa con La costa Brava, compartimos uno de sus himnos 'Adoro a las pijas de mi ciudad'. Cuanta verdad en esta canción. Viejos recuerdos de otra época. Nos encantan las canciones con silbidos y palmas. Finalizamos la selección musical de hoy con “Let Me Down” de Oliver Tree en colaboración con Blink182. Oliver Tree, el productor, cantante y cineasta californiano se ganó un lugar en la escena musical luego de que su canción "When I'm Down" se virilizara en 2017. “Let me Down” una canción escrita según él tras la cancelación de conciertos y del lanzamiento del que iba a ser su álbum de debut, “Ugly Is Beautiful” a causa de la pandemia de COVID-19. Sintió que había decepcionado a sus seguidores, así que hizo esta canción como una disculpa. Innumerables canciones que se titulan “Let me Down” o “Don´t let me down”. 44:34 La película de hoy es “Sobre lo infinito (Om det oändliga)” de 2019 del director sueco Roy Andersson. Una película que viene a sumarse a la trilogía de la vida "Canciones del segundo piso" (2000), “La comedia de la vida “(2007) y “Una paloma se posó sobre una rama a reflexionar sobre la existencia” (2014) este última galardonada como la primera película sueca, León de oro en el Festival de cine de Venecia. La carrera de Andersson comienza en los setenta pero después de un primer éxito con “Una historia de amor sueca” rueda una segunda película “Giliap” (1975) , que fue un auténtico fracaso, hasta tal punto que Andersson tardaría 25 años en volver a rodar, pero cuando una puerta se abre cien puestas se abren como dicen en “Jules et Jim” durante este tiempo se labró una gran reputación en el mundo de la publicidad. Una serie de viñetas o cuadros que se suden. Grabados en un plano fijo con los actores a distancia. Decorados cuidados hasta el último detalle. Todo perfectamente planificado; la luz, los colores, movimientos. La importancia de la profundidad de campo. Una puesta escena laboriosa. Una estética muy definida fácilmente reconocible. Parece de estudio de los años cuarenta, como si hubieran vaciado la atmósfera. No hay viento, ni la luz varia. Como un diorama. Hiperrealismo exangüe. Una realidad disecada. La pareja voladora como un cuadro de Chagall. Un narrador omnisciente con voz de mujer. Comienza con una frase de Tio Vania. ¡Ya estamos en septiembre! ..el otoño de la vida, lo mejor ha pasado. Por ejemplo, un cura que pierde la fe es una historia que se nos cuanta a través de varias viñetas. Escenas que se pueden contemplar como en una exposición pictórica. Influencias de Rembrandt y Brueghel. La importancia del humor. Escenas intercaladas con la guerra. Piezas de poesía que se van engarzando. Eliminar lo casual. El sin sentido y el paso del tiempo. En estos tiempos es imposible no estar desesperados. No habrá final feliz para ninguno de nosotros. El poderoso eco de Samuel Beckett. Los personajes son humillados porque todos somos humillados. Personajes a punto de romperse pero manteniendo el distanciamiento Terminamos tomando un coctel un coroni (el coctel del coronavirus) y escuchando el aria Mira, o Norma de Norma de Bellini
Today we’re kicking off a new series called ‘The Psychological Significance of the Classic Myths’, starting with the Greek myth of Daedalus and Icarus taken from Ovid’s Metamorphoses. We’ll discuss the dangers of creating your own reality, taking risks, hubris, arrogance, living a life of virtue, sin, the fall of Lucifer, the Dunning Krueger Effect, poetry from W. H. Auden and William Carlos Williams, paintings by Titian and Brueghel, and much more.
Complete Service-First Unitarian Universalist Society of San Francisco
"The Power of Witnessing" (July 12, 2020) In W.H. Auden's poem "Musee des Beaux Arts" the poet describes two Brueghel paintings and in both something about the witnessing or missing of huge moments in the human drama was/is the theme. It got me thinking about this act of witnessing, why and how it is important to us, a salve, a buoy. And how it might actually be one of the most important and not-so-difficult gifts we can give one another. Rev. Vanessa Rush Southern, Senior Minister Alex Darr, Worship Associate Reiko Oda Lane, organist Joyce Lee, flutist My-Hoa Steger, pianist Asher Davison, song leader Ben Rudiak-Gould, song leader Jon Silk, drums Eric Shackelford, camera Joe Chapot, Social Media Chat Support Alex Darr, Zoom Remote Host Jonathan Silk, OOS, Sound
Sermons-First Unitarian Universalist Society of San Francisco
"The Power of Witnessing" (July 12, 2020) In W.H. Auden's poem "Musee des Beaux Arts" the poet describes two Brueghel paintings and in both something about the witnessing or missing of huge moments in the human drama was/is the theme. It got me thinking about this act of witnessing, why and how it is important to us, a salve, a buoy. And how it might actually be one of the most important and not-so-difficult gifts we can give one another. Rev. Vanessa Rush Southern, Senior Minister Alex Darr, Worship Associate Reiko Oda Lane, organist Joyce Lee, flutist My-Hoa Steger, pianist Asher Davison, song leader Ben Rudiak-Gould, song leader Jon Silk, drums Eric Shackelford, camera Joe Chapot, Social Media Chat Support Alex Darr, Zoom Remote Host Jonathan Silk, OOS, Sound, Podcasting, Video Edits
Sobre el dolor jamás se equivocaban los Antiguos Maestros: comprendían muy bien su expresión en el hombre; cómo ocurre mientras algún tercero está comiendo, o abriendo una ventana o simplemente caminando por ahí; cómo, mientras que los ancianos esperan con pasión y reverencia el nacimiento milagroso, siempre debe haber chicos sin interés particular porque aquello suceda, patinando en un lago adonde empieza el bosque: y tampoco olvidaban que el terrible martirio debía seguir su curso, aun en otra parte, en un rincón mugriento donde los perros siguen con su vida perruna y el caballo del torturador se rasca su inocente trasero en algún árbol. Por ejemplo, en el Ícaro de Brueghel: cómo cada elemento da la espalda al desastre despreocupadamente; quizás el labrador escuchó el chapuzón, el grito ahogado, pero eso para él no era motivo de inquietud; el sol brillaba como debía brillar sobre las piernas blancas que desaparecían bajo las aguas verdes; y ese barco, tan caro y elegante, que ha de haber asistido a algo asombroso, un chico desplomándose del cielo, tenía que llegar a algún lugar, y siguió navegando mansamente.
For this episode of the podcast, cohost Karena Akhavein is complaining because her vacation was cancelled due to Coronavirus (yes, it's insensitive- don't judge). Micah and Karena discuss how various plagues, pandemics, epidemics, and diseases affect creative output, creativity, and art and artists. From the Boccacio's Decameron and Brueghel 's Triumph of Death to Rembrandt and Monet painting consumptive wives, all the way to Keith Haring, Elton John's Candle in the Wind and LiveAid, you'll get a quick and dirty history of art and epidemiology. Creative Happy Hour. join us and get drunk on the creative possibilities.
Yours Truly, Johnny Dollar was a radio drama about a "fabulous" freelance insurance investigator "with the action-packed expense account." The show aired on CBS Radio from January 14, 1949 to September 30, 1962. There were 811 episodes in the 12-year run, and more than 720 still exist today. Each story started with a phone call from an insurance executive, calling on Johnny to investigate an unusual claim. Each story required Johnny to travel to some distant locale, usually within the United States but sometimes abroad, where he was almost always threatened with personal danger in the course of his investigations. Johnny's file on each case was usually referenced as a "matter," as in "The Silver Blue Matter" or "The Forbes Matter." Later episodes were more fanciful, with titles like "The Wayward Trout Matter" and "The Price of Fame Matter" (the latter featuring a rare guest-star appearance: Vincent Price). Each story was recounted in flashback, as Johnny listed each line item from his expense account. Most of the items related to transportation and lodging, but no incidental expense was too small for Johnny to itemize, as in "Item nine, 10 cents. Aspirin. I needed them." Johnny usually stuck to business, but would engage in romantic dalliances with women he encountered in his travels; later episodes gave Johnny a steady girlfriend, Betty Lewis. Johnny's precious recreational time was usually spent fishing, and it was not uncommon for Johnny's clients to exploit this favorite pastime in convincing him to take on a job. The episodes generally finished with Johnny tallying up his account, making final remarks on the report, and traveling back to Hartford, Connecticut, where he was based. --- Send in a voice message: https://anchor.fm/daniel-lantz/message
Welcome to Episode 8 of To The Studio. This weeks guest is Beatrice Lettice Boyle . . Beatrice Lettice Boyle is interested in Shelley Duvall, bumper stickers, witches/hags, choosing fabric and the seam between things. Recent work has appropriated imagery from 18th century Shunsho woodblock prints, a 16th century painting of the crucifixion attributed to Bosch, 16th century Brueghel landscapes and Disney’s 1937 Snow White and The Seven Dwarfs. In Boyle’s installations the references which span eras and hi/lo culture exist on a simultaneous plane. . . Beatrice’s work can be found at.. http://beatriceboyle.com/ https://www.instagram.com/beatriceletticeboyle/?hl=en . . You can also get in touch with us with opinions and suggestions at: Email - tothestudio@gmail.com Instagram - instagram.com/tothestudio Facebook - facebook.com/tothestudiopodcast . . This podcast features an edited version of the song "RSPN" by Blank & Kytt, available under a Creative Commons Attribution license. http://freemusicarchive.org/music/Blank__Kytt/Heavy_Crazy_Serious/Blank__Kytt_-_Heavy_Crazy_Serious_-_08_RSPN
This episode contains some Electronica, Kafka, Brueghel and reflections on my childhood and the terrors of society. I am joined by the very talented Arran Fitzpatrick who reads my story, At A Corner and plays trumpet on Hunters in the Snow and additional keyboard on Are You Talking to Me? My collected short stories can […]
durée : 02:59:58 - Été Classique Après-midi du lundi 05 août 2019 - par : Christophe Dilys - Mettez votre audioguide ! Nous allons faire grincer les parquets des plus grands musées en musique, avec Miles Davis pour la Vénus de Milo, Schein pour Brueghel, Monteverdi pour Botticelli, Desplat pour Vermeer, Gabrieli pour Canaletto, Schoenberg pour Klimt... - réalisé par : Philippe Petit
Today’s program is about poems written about other works of art. Such poems are part of a long literary tradition called the “ekphrastic tradition” and they provide a different perspective on how we might experience works of art generally. The program includes a brief literary history of the form, including comments about Homer’s The Iliad, Keats’ “Ode on a Grecian Urn,” and Pictures from Brueghel by William Carlos Williams. It also includes my translations of ekphrastic poems by three Lithuanian poets as well as two of my own ekphrastic poems.
ART EXPO NEWS, mercredi et vendredi à 9h10 et 12h10. Chronique animée par Julie Gabrielle Chaizemartin, Justine Maurel ou Stéphane Dubreil sur l'actualité des expositions et des manifestations culturelles. Cette semaine, Julie nous fait découvrir l'exposition "Fêtes et kermesses au temps des Bruegel" au musée de Flandre à Cassel en compagnie de la directrice du musée Sandrine Vezilier-Dussart. Cette année, nous fêtons le 450e anniversaire de la mort de Pieter Bruegel l'Ancien. Plusieurs événements célèbrent le peintre en Belgique mais aussi dans la Flandre française où le musée de Cassel présente une belle exposition autour de la représentation des fêtes et des kermesses villageoises, thème cher à Bruegel puis à ces deux fils.
In deze aflevering van de 'Pompidou'-podcast hernemen we het interview van Chantal Pattyn met Manfred Sellink en Jeroen Olyslaegers over de grote Brueghel-retrospectieve in het Kunsthistorisches Museum in Wenen, uitgezonden op 4 oktober 2018 in Pompidou.
Dessin au crayon, bodypainting, musique et au-delà. Vous êtes-vous déjà perdu dans les plus petits détails des tableaux de Jérôme Bosch ou de Brueghel en vous demandant bien ce qui avait pu leur passer par la tête ? Si vous voulez avoir un élément de réponse, peut-être est-ce le moment d'écouter mon invitée du jour, Amandine Urruty, qui prend un plaisir fou à dessiner sur des formats de plus en plus grand afin de faire rentrer la multitude de rêves qui peuplent son imaginaire. Suivre le fil 00:00:35 Son parcours00:17:40 Le business de l'art00:27:31 Ses inspirations00:30:00 Son univers00:49:29 Son avenir Les références Le journal Fluide Glacial et un de ses artistes Edika Le jeu de société Risk Le mouvement d'art Low-BrowFotolog et MySpace L'émission télé Star Academy avec Philippe Katerine Le bogosse Mickael Vendetta La salle parisienne Le Nouveau Casino La galerie Arts Factory Les livres d'Amandine chez les Requins Marteaux, United Artists tenu par Stéphane Blanquet, et Criter Editions Le pseudo-documentaire de Banksy Faites le mur Le salon Drawing Now Art Fair Les artistes Salvadore Dali, Jérôme Bosch, René Magritte, Brueghel, Bazooka, Cy Twombly Le chanteur Carlos et son tube Big Bisous Le journal Le Nouveau Détective Le film The Party de Blake Edwards et le chanson avec Claudine Longet Nothing to lose Les années Freaks Le livre Pinocchio de Winschluss Le film de René Laloux La Planète Sauvage avec les dessins de Topor La pochette Amnesiac de Radiohead La période "vache" de Magritte Le jeu vidéo Zelda sur la switch Le jeu Resident Evil en VR Le jeu God of War Les prochaines expos d'Amandine à Hambourg le 1er décembre, à Rome en mars 2019, à Bordeaux en janvier 2019 Où trouver Amandine Sur son site Sur Instagram A propos de l'animateur Je suis Alexandre Soubrier, réalisateur de films graphiques. Vous pouvez me trouver sur twitter, facebook, instagram, vimeo. J'ai même un site sur lequel je poste quelques réalisations et sur lequel vous pouvez me contacter. Le court extrait de musique vient du magnifique album de Wax Taylor "Tales of Forgotten Melodies".
A certain importance attaches to the views on art of painters, and this is the natural place for me to set down what I know of Strickland's opinions of the great artists of the past. I am afraid I have very little worth noting. Strickland was not a conversationalist, and he had no gift for putting what he had to say in the striking phrase that the listener remembers. He had no wit. His humour, as will be seen if I have in any way succeeded in reproducing the manner of his conversation, was sardonic. His repartee was rude. He made one laugh sometimes by speaking the truth, but this is a form of humour which gains its force only by its unusualness; it would cease to amuse if it were commonly practised.Strickland was not, I should say, a man of great intelligence, and his views on painting were by no means out of the ordinary. I never heard him speak of those whose work had a certain analogy with his own -- of Cezanne, for instance, or of Van Gogh; and I doubt very much if he had ever seen their pictures. He was not greatly interested in the Impressionists. Their technique impressed him, but I fancy that he thought their attitude commonplace. When Stroeve was holding forth at length on the excellence of Monet, he said: "I prefer Winterhalter. " But I dare say he said it to annoy, and if he did he certainly succeeded.I am disappointed that I cannot report any extravagances in his opinions on the old masters. There is so much in his character which is strange that I feel it would complete the picture if his views were outrageous. I feel the need to ascribe to him fantastic theories about his predecessors, and it is with a certain sense of disillusion that I confess he thought about them pretty much as does everybody else. I do not believe he knew El Greco. He had a great but somewhat impatient admiration for Velasquez. Chardin delighted him, and Rembrandt moved him to ecstasy. He described the impression that Rembrandt made on him with a coarseness I cannot repeat. The only painter that interested him who was at all unexpected was Brueghel the Elder. I knew very little about him at that time, and Strickland had no power to explain himself. I remember what he said about him because it was so unsatisfactory."He's all right, " said Strickland. "I bet he found it hell to paint. "When later, in Vienna, I saw several of Peter Brueghel's pictures, I thought I understood why he had attracted Strickland's attention. Here, too, was a man with a vision of the world peculiar to himself. I made somewhat copious notes at the time, intending to write something about him, but I have lost them, and have now only the recollection of an emotion. He seemed to see his fellow-creatures grotesquely, and he was angry with them because they were grotesque; life was a confusion of ridiculous, sordid happenings, a fit subject for laughter, and yet it made him sorrowful to laugh. Brueghel gave me the impression of a man striving to express in one medium feelings more appropriate to expression in another, and it may be that it was the obscure consciousness of this that excited Strickland's sympathy. Perhaps both were trying to put down in paint ideas which were more suitable to literature.Strickland at this time must have been nearly forty-seven. 对于其他大师的绘画艺术看法如何，是一件相当重要的事；我在这里自然要记叙一下思特里克兰德对过去一些伟大艺术家的意见。我怕值得我写下的东西实在不多。思特里克兰德不善讲话，他根本不会把自己想要说的用精辟的言辞讲出来，给听的人留下较深的印象。他说话没有风趣。如果说我多少还成功地记录下他的一些话语，从中可以看出他的某些幽默感，这种幽默也主要表现为冷嘲热讽。他辩驳别人话的时候非常粗野，有时候由于直言不讳，会叫你发笑；但是这些话之所以让你觉得滑稽，只是因为他的话说得不多。如果他一开口就是这样的话，人们也就不觉得有什么好笑的了。我应该说，思特里克兰德并不是一个智力超群的人，他对于绘画的见解也丝毫没有什么独到之处。我从来没有听他谈论过那些绘画风格与他类似的画家，例如塞尚，凡·高等人；我很怀疑他是否看过这些画家的作品。他对于印象派画家似乎不怎么感兴趣，这些人的技巧留给他一定的印象，但是我猜想他也许认为他们对待艺术的态度是平庸无奇的。有一次施特略夫正仔细评论莫奈的卓越艺术，思特里克兰德突然插口说：“我更喜欢温特尔哈尔特①。”我敢说他说这句是有意气一气施特略夫；如果他确实有这个意思，他算成功了。①弗朗兹·伊可萨维尔·温特尔哈尔特（1805？—1873），德国宫廷画家。我感到很失望，不能写下他在评论一些老派画家时的谬论。他的性格既然如此怪异，如果他在品评绘画时也有一些奇谈怪论，我笔下的这个形象就更加完美了。我觉得我很需要叫他对过去的一些画家发表些荒诞的理论，但是我还是得讲老实话，他同一般人一样，对这些画家也是赞不绝口，这叫我非常失望。我看他根本不知道谁是埃尔·格列柯。他对委拉斯凯兹相当敬佩，尽管怀有某种厌烦不耐的情绪。他喜欢夏尔丹，伦勃朗则使他感到入迷。他给我讲伦勃朗的绘画给他的印象时，用的语言极其粗鄙，我在这里无法引述。谁也想不到他最喜爱的一位画家竟是老布鲁盖尔②。我当时对老布鲁盖尔不太了解，而思特里克兰德也没有能力表达自己。我之所以记得他对布鲁盖尔的评论是因为他这句话实在太词不达意了。②彼得·布鲁盖尔（1522？—1569），佛兰德斯画家；其子扬·布鲁盖尔（1568—1625）亦为画家。“他的画不错，”思特里克兰德说，“我敢说他发现画画儿是件受罪的事。”后来我在维也纳看过彼得·布鲁盖尔的几幅画以后，我想我才懂得为什么这位画家引起了思特里克兰德的注意。这是另一个对世界怀着自己独特幻觉的画家。我当时作了大量笔记，准备将来写一本关于布鲁盖尔的书，但是这些材料后来都遗失了，留下来的只是一种感情的回忆。在布鲁盖尔的眼睛里，人们的形象似乎是怪诞的，他对人们这种怪诞的样子非常气愤；生活不过是一片混乱，充满了各种可笑的、龌龊的事情，它只能给人们提供笑料，但是他笑的时候却禁不住满心哀伤。布鲁盖尔给我的印象是，他想用一种手段努力表达只适合于另一种方式表达的感情，思特里克兰德之所以对他同情，说不定正是朦胧中意识到这一点。也许这两个人都在努力用绘画表现出更适合于通过文学表达的意念。思特里克兰德这时大概已经四十七岁了。
A certain importance attaches to the views on art of painters, and this is the natural place for me to set down what I know of Strickland's opinions of the great artists of the past. I am afraid I have very little worth noting. Strickland was not a conversationalist, and he had no gift for putting what he had to say in the striking phrase that the listener remembers. He had no wit. His humour, as will be seen if I have in any way succeeded in reproducing the manner of his conversation, was sardonic. His repartee was rude. He made one laugh sometimes by speaking the truth, but this is a form of humour which gains its force only by its unusualness; it would cease to amuse if it were commonly practised.Strickland was not, I should say, a man of great intelligence, and his views on painting were by no means out of the ordinary. I never heard him speak of those whose work had a certain analogy with his own -- of Cezanne, for instance, or of Van Gogh; and I doubt very much if he had ever seen their pictures. He was not greatly interested in the Impressionists. Their technique impressed him, but I fancy that he thought their attitude commonplace. When Stroeve was holding forth at length on the excellence of Monet, he said: "I prefer Winterhalter. " But I dare say he said it to annoy, and if he did he certainly succeeded.I am disappointed that I cannot report any extravagances in his opinions on the old masters. There is so much in his character which is strange that I feel it would complete the picture if his views were outrageous. I feel the need to ascribe to him fantastic theories about his predecessors, and it is with a certain sense of disillusion that I confess he thought about them pretty much as does everybody else. I do not believe he knew El Greco. He had a great but somewhat impatient admiration for Velasquez. Chardin delighted him, and Rembrandt moved him to ecstasy. He described the impression that Rembrandt made on him with a coarseness I cannot repeat. The only painter that interested him who was at all unexpected was Brueghel the Elder. I knew very little about him at that time, and Strickland had no power to explain himself. I remember what he said about him because it was so unsatisfactory."He's all right, " said Strickland. "I bet he found it hell to paint. "When later, in Vienna, I saw several of Peter Brueghel's pictures, I thought I understood why he had attracted Strickland's attention. Here, too, was a man with a vision of the world peculiar to himself. I made somewhat copious notes at the time, intending to write something about him, but I have lost them, and have now only the recollection of an emotion. He seemed to see his fellow-creatures grotesquely, and he was angry with them because they were grotesque; life was a confusion of ridiculous, sordid happenings, a fit subject for laughter, and yet it made him sorrowful to laugh. Brueghel gave me the impression of a man striving to express in one medium feelings more appropriate to expression in another, and it may be that it was the obscure consciousness of this that excited Strickland's sympathy. Perhaps both were trying to put down in paint ideas which were more suitable to literature.Strickland at this time must have been nearly forty-seven. 对于其他大师的绘画艺术看法如何，是一件相当重要的事；我在这里自然要记叙一下思特里克兰德对过去一些伟大艺术家的意见。我怕值得我写下的东西实在不多。思特里克兰德不善讲话，他根本不会把自己想要说的用精辟的言辞讲出来，给听的人留下较深的印象。他说话没有风趣。如果说我多少还成功地记录下他的一些话语，从中可以看出他的某些幽默感，这种幽默也主要表现为冷嘲热讽。他辩驳别人话的时候非常粗野，有时候由于直言不讳，会叫你发笑；但是这些话之所以让你觉得滑稽，只是因为他的话说得不多。如果他一开口就是这样的话，人们也就不觉得有什么好笑的了。我应该说，思特里克兰德并不是一个智力超群的人，他对于绘画的见解也丝毫没有什么独到之处。我从来没有听他谈论过那些绘画风格与他类似的画家，例如塞尚，凡·高等人；我很怀疑他是否看过这些画家的作品。他对于印象派画家似乎不怎么感兴趣，这些人的技巧留给他一定的印象，但是我猜想他也许认为他们对待艺术的态度是平庸无奇的。有一次施特略夫正仔细评论莫奈的卓越艺术，思特里克兰德突然插口说：“我更喜欢温特尔哈尔特①。”我敢说他说这句是有意气一气施特略夫；如果他确实有这个意思，他算成功了。①弗朗兹·伊可萨维尔·温特尔哈尔特（1805？—1873），德国宫廷画家。我感到很失望，不能写下他在评论一些老派画家时的谬论。他的性格既然如此怪异，如果他在品评绘画时也有一些奇谈怪论，我笔下的这个形象就更加完美了。我觉得我很需要叫他对过去的一些画家发表些荒诞的理论，但是我还是得讲老实话，他同一般人一样，对这些画家也是赞不绝口，这叫我非常失望。我看他根本不知道谁是埃尔·格列柯。他对委拉斯凯兹相当敬佩，尽管怀有某种厌烦不耐的情绪。他喜欢夏尔丹，伦勃朗则使他感到入迷。他给我讲伦勃朗的绘画给他的印象时，用的语言极其粗鄙，我在这里无法引述。谁也想不到他最喜爱的一位画家竟是老布鲁盖尔②。我当时对老布鲁盖尔不太了解，而思特里克兰德也没有能力表达自己。我之所以记得他对布鲁盖尔的评论是因为他这句话实在太词不达意了。②彼得·布鲁盖尔（1522？—1569），佛兰德斯画家；其子扬·布鲁盖尔（1568—1625）亦为画家。“他的画不错，”思特里克兰德说，“我敢说他发现画画儿是件受罪的事。”后来我在维也纳看过彼得·布鲁盖尔的几幅画以后，我想我才懂得为什么这位画家引起了思特里克兰德的注意。这是另一个对世界怀着自己独特幻觉的画家。我当时作了大量笔记，准备将来写一本关于布鲁盖尔的书，但是这些材料后来都遗失了，留下来的只是一种感情的回忆。在布鲁盖尔的眼睛里，人们的形象似乎是怪诞的，他对人们这种怪诞的样子非常气愤；生活不过是一片混乱，充满了各种可笑的、龌龊的事情，它只能给人们提供笑料，但是他笑的时候却禁不住满心哀伤。布鲁盖尔给我的印象是，他想用一种手段努力表达只适合于另一种方式表达的感情，思特里克兰德之所以对他同情，说不定正是朦胧中意识到这一点。也许这两个人都在努力用绘画表现出更适合于通过文学表达的意念。思特里克兰德这时大概已经四十七岁了。
Dicen que para no temer a la muerte hay que hablar de ella y eso es lo que nos proponemos en este nuevo capítulo de La Escóbula, acompañados de nuestro invitado Pedro Ortega (director de Mistérica, ars secreta) para que nos hable de los intríngulis de cuadros como “El entierro del señor de Orgaz” o “El triunfo de la muerte” de Brueghel o del simbolismo de las danzas de la muerte medievales.También entrevistaremos a Virginia de la Cruz, comisaria de la exposición “Imágenes de muerte” en el museo de Etnología de Valencia, que nos hablará de esos retratos funerarios a niños que tanto morbo generan. Israel Espino sacará de su baúl de los recuerdos, la leyenda mexicana de la “comadre Sebastiana”.Juan Ignacio Cuesta y Marcos Carrasco diseccionarán la obra de “Marat-Sade”, de Peter Weiss, y a colación de ello se mostrarán las distintas interpretaciones y puntos de vista que han adoptado algunos artistas sobre el asesinato del jacobino Marat a manos de Charlotte Corday, desde el célebre cuadro de Jacques-Louis David hasta el de Munch.David Sentinella tratará de las máscaras mortuorias y sobre algunos museos con huesos y momias a la vista (en México y en Palermo están dos de ellos). Jesús Callejo sobre las curiosidades de la gastronomía funeraria, tanto en los velatorios como el Día de Todos los Santos, y nos contará el cuento del científico clonado. Para caerse muerto…
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Edição de 25 de Outubro 2017 - Esta Noite Sonhei com Brueghel, de Fernanda Botelho
Mark Meadow from University of California, Santa Barbara, delivers a talk titled “Quiccheberg, Prudence, and the Display of Techne in the Brueghel/Rubens Allegories of the Senses.” This talk was included in the session titled “Displaying.” Part of “Early Modern Collections in Use,” a conference held at The Huntington Sept. 15–16, 2017.
En este relato Ijon vuelve a hablarnos de su papel en la creación del cosmos en retrospectiva. Es una historia de misiones en el tiempo, subordinados insubordinados y tiros por la culata. Las malas gentes quieren culparle pero verdaderamente hizo todo cuanto estuvo en su mano. Si no lo crees, deja que él mismo te cuente sus experiencias con la ciencia de la corrección telecrónica. [semi-spoilers] Mismo año que el anterior viaje y misma temática, esta vez desde otra perspectiva. Si la paradoja (que en ambos casos tan bien resuelve haciendo que el estado actual de cosas es realmente consecuencia de las decisiones tomadas en el futuro, como si hubiera un tiempo circular, un fatum , del que el universo no puede escapar) en el anterior viaje era posible gracias a una enrevesada y serendípica teoría de Ijon, aquí contamos con viajes en el tiempo. Temática que últimamente sale mucho. Es muy gracioso que Ijon viaje atrás para contratarse a sí mismo, ojalá pudiéramos todos hacer eso. Nos encontramos con un círculo cerrado de tiempo como en la anterior de Dick (“Algo para nosotros temponautas”). Pero esta vez no es un círculo si no dos, uno más grande y otro más pequeño. Cómo resuelve la paradoja y cómo hila tanto el estado actual de l cosmos con el proyecto de reorganización telecrónica y la llegada del Ijon del pasado a casa con la visita del Ijon del futuro a mí me parece fantástico. Pero la diferencia importante que me gustaría comentar sobre el trato a la temática de círculo temporal en ambos cuentos es que aquí la gente es consciente. Todo el que participa en el círculo es consciente de él. En “El día de la marmota no pasa así”, en “Donnie Darko” tampoco… porque se han considerado más los círculos en los que sólo un personaje es consciente (Anderson tiene un pálpito al menos, Bill Murray es consciente) o nadie lo es? Si viajas en el tiempo… también tienes que viajar en el espacio. Hace tiempo había un meme genial que explicaba esto relacionándolo con regreso al futuro. A la izquierda una foto de la galaxia con una flecha señalando el lugar de la tierra en 1985. A la derecha la galaxia pero en 1955 La tierra está en un sitio distinto, se ha movido. Hay que verlo, perdonad (se busca “” en imágenes y sale). El caso es que claro, si tu viajas en el tiempo… sobretodo tienes que moverte mucho en el espacio porque todo está en movimiento. Claramente esto casi nunca se tiene en cuenta cuando se habla de viajes en el tiempo. Lem lo tiene aquí porque es un absoluto crackencrack. Pero un momento: y la idea del hombre que inventó la primera máquina para viajar en el tiempo y se murió de viejo! Porque no se le había ocurrido que era necesario generar un campo extásico (o como se llame) para evitar que el tiempo pasara también para él! Es genial. “toda técnica nueva ocasiona víctimas en su fase inicial, se repite dos veces a lo largo del cuento. Había inventado algo así como un jeep del tiempo, dicen. Y tienen toda la razón. Genial Importante! Yo muy gratuitamente como siempre, pensaba que los viajes eran alternos porque no estuvieron escritos con la intención de ser publicados como compendio, si no que se fueron agrupando a lo largo de las décadas y que Lem no sabía cuantos iba a hacer. Probablemente esté equivocado total, y en este cuento nos explica porqué la numeración de los viajes tiene tantas lagunas! No lo voy a semispoilear por escrito, pero me moló saberlo. No sabía cuáles son los monstruos lisiados de Brueghel pero buscándolo encontré que son unas pinturas flamencas del renacimiento muy en el estilo, así fantasioso y grotescos, de los dibujos de Hyeronimus van Aeken Bosch (El Bosco), referenciado dos veces en este cuento. ¿Qué os parece que Lem encuentra pruebas de que lo que cuenta ocurrió en nuestra propia realidad? He roto la tónica de colores pero no he podido resistirme a poner un Cronobús de imagen para el audio. Otra prueba que podemos ver: los canales de Marte (buscar Percival Lowell). El eje de la Tierra, que está raro! La civilización de la isla de Minos. La idea de que la Luna está puesta ahí como centro de operaciones perfecto para una raza con pretensiones estelares (Desde allí es mucho más sencillo escapar a la fuerza de la gravedad. Supongo que ya la habría expresado alguien antes pero bueno, Lem aquí la tiene oiga. También nos explica el porqué de Tunguska (Buscad Tunguska si no os suena!) Lem da todas las satisfacciones. Lo único que falta es una explicación para el Manuscrito de Voynich y otra para los Ooparts como la máquina de Antitiquera. Coge todos los eventos de la historia y los recodifica para darles sentido como consecuencia de la historia narrada. No sólo sirve como prueba de que Ijon es el cread.. culpable del cosmos, si no también para ejemplificar como el libre albedrío que se puede dar en el círculo cerrado de tiempo pequeño, no se da a la escala del universo. Puedes volver atrás y quizá actuar distinto pero el universo en sí no puede ser distinto. Me parece una perspectiva interesante de la paradoja temporal. No la hay a nivel ontogénico ni filogénico pero sí a nivel cosmogónico. ¿Y la idea de encargarles diseñar la evolución a unos artistas? Y las palabras que se inventa. Cronoclismo. Telecronía! Algo encantador al principio es la imagen del intrépido Ijon, explorador del cosmos, as de la astronáutica, vuelve a casa después de una de sus expediciones y es como si nosotros volviéramos de una de esas vacaciones largas que, afortunados nosotros, hemos podido darnos alguna vez. La cotidianeidad del viajero que vuelve, con la mentalidad todavía fresca y el chip cambiado, llegas a casa y tienes que deshacer las maletas y es un marrón (se le caen los brazos), te entra ciática colocando los paquetes, no hay comida en la nevera o sólo un huevo rancio,… Es también graciosísmo el lenguaje que usa Tichy para pasarle la culpa a los demás y excusarse, cómo todo es culpa de sus subordinados o del comité, y cómo tratando de ser políticamente correcto se le ve el plumero y como va in crescendo en sus improperios y maldiciones… Voy a dejarlo aquí porque habría muchísimos pequeños detalles graciosos que comentar. Muchas gracias por escuchar es todo un honor, nos vemos en el futuro cuando pueda me dejen algo de tiempo libre los otros proyectos (principalmente trabajo ] ) Salud! ----- Diarios de las Estrellas (Dzienniki gwiazdowe) son una serie de historias cortas escritas por el enorme Stanislaw Lem. La mayor parte lo fueron entre 1954 y 1971, aunque se han ido incorporando nuevos capítulos escritos hasta en el 93. No alarmarse. Viaje Séptimo es la primera de las entregas en la edición de 1971, que compilaba los diferentes escritos que ya existían. Son historias independientes. No es tan Las mil y una Noches como lo fue Ciberíada, pero sí muy Los viajes de Gulliver. Recuerdo grandes dosis de humor e ironía, planteamientos cifi hardcore (esta historia tiene pinta de haber inspirado uno de los capítulos de la primera temporada de Enano Rojo) pero tratados con humor, como riéndose quizá de la ciencia ficción de su época, pero consiguiendo unos niveles de profunda reflexión y agudeza mental como sólo Lem nos da. [Nota: Creo que voy a decir “Ijon Tichy”, pronunciando Ijon como “ión” igual que la partícula, no enfadarse cuando oigáis “Aion”] Ilustración: Detalle de “El jardín de las Delicias” (El Bosco) /// errores de edición? Haberlos haylos >>> soymescalito@gmail.com /// Muchas gracias!! =^__^= fantasía, novela, cuentos, cuento, scifi, ciencia, ficción, literatura, audio, audiolibro, ciencia ficción, novelas, relato, relatos, voz, lectura, scifi, ficion, cyberpunk, ciberpunk, literatura, historia, historias, terror, relatividad general, física, Einstein asamblea galáctica ONU pasado humanidad origen panspermia dios big bang singularidad energía atómica ángeles demonios historia alternativa antigua civilización orígenes del cosmos todo
En este relato Ijon vuelve a hablarnos de su papel en la creación del cosmos en retrospectiva. Es una historia de misiones en el tiempo, subordinados insubordinados y tiros por la culata. Las malas gentes quieren culparle pero verdaderamente hizo todo cuanto estuvo en su mano. Si no lo crees, deja que él mismo te cuente sus experiencias con la ciencia de la corrección telecrónica. [semi-spoilers] Mismo año que el anterior viaje y misma temática, esta vez desde otra perspectiva. Si la paradoja (que en ambos casos tan bien resuelve haciendo que el estado actual de cosas es realmente consecuencia de las decisiones tomadas en el futuro, como si hubiera un tiempo circular, un fatum , del que el universo no puede escapar) en el anterior viaje era posible gracias a una enrevesada y serendípica teoría de Ijon, aquí contamos con viajes en el tiempo. Temática que últimamente sale mucho. Es muy gracioso que Ijon viaje atrás para contratarse a sí mismo, ojalá pudiéramos todos hacer eso. Nos encontramos con un círculo cerrado de tiempo como en la anterior de Dick (“Algo para nosotros temponautas”). Pero esta vez no es un círculo si no dos, uno más grande y otro más pequeño. Cómo resuelve la paradoja y cómo hila tanto el estado actual de l cosmos con el proyecto de reorganización telecrónica y la llegada del Ijon del pasado a casa con la visita del Ijon del futuro a mí me parece fantástico. Pero la diferencia importante que me gustaría comentar sobre el trato a la temática de círculo temporal en ambos cuentos es que aquí la gente es consciente. Todo el que participa en el círculo es consciente de él. En “El día de la marmota no pasa así”, en “Donnie Darko” tampoco… porque se han considerado más los círculos en los que sólo un personaje es consciente (Anderson tiene un pálpito al menos, Bill Murray es consciente) o nadie lo es? Si viajas en el tiempo… también tienes que viajar en el espacio. Hace tiempo había un meme genial que explicaba esto relacionándolo con regreso al futuro. A la izquierda una foto de la galaxia con una flecha señalando el lugar de la tierra en 1985. A la derecha la galaxia pero en 1955 La tierra está en un sitio distinto, se ha movido. Hay que verlo, perdonad (se busca “” en imágenes y sale). El caso es que claro, si tu viajas en el tiempo… sobretodo tienes que moverte mucho en el espacio porque todo está en movimiento. Claramente esto casi nunca se tiene en cuenta cuando se habla de viajes en el tiempo. Lem lo tiene aquí porque es un absoluto crackencrack. Pero un momento: y la idea del hombre que inventó la primera máquina para viajar en el tiempo y se murió de viejo! Porque no se le había ocurrido que era necesario generar un campo extásico (o como se llame) para evitar que el tiempo pasara también para él! Es genial. “toda técnica nueva ocasiona víctimas en su fase inicial, se repite dos veces a lo largo del cuento. Había inventado algo así como un jeep del tiempo, dicen. Y tienen toda la razón. Genial Importante! Yo muy gratuitamente como siempre, pensaba que los viajes eran alternos porque no estuvieron escritos con la intención de ser publicados como compendio, si no que se fueron agrupando a lo largo de las décadas y que Lem no sabía cuantos iba a hacer. Probablemente esté equivocado total, y en este cuento nos explica porqué la numeración de los viajes tiene tantas lagunas! No lo voy a semispoilear por escrito, pero me moló saberlo. No sabía cuáles son los monstruos lisiados de Brueghel pero buscándolo encontré que son unas pinturas flamencas del renacimiento muy en el estilo, así fantasioso y grotescos, de los dibujos de Hyeronimus van Aeken Bosch (El Bosco), referenciado dos veces en este cuento. ¿Qué os parece que Lem encuentra pruebas de que lo que cuenta ocurrió en nuestra propia realidad? He roto la tónica de colores pero no he podido resistirme a poner un Cronobús de imagen para el audio. Otra prueba que podemos ver: los canales de Marte (buscar Percival Lowell). El eje de la Tierra, que está raro! La civilización de la isla de Minos. La idea de que la Luna está puesta ahí como centro de operaciones perfecto para una raza con pretensiones estelares (Desde allí es mucho más sencillo escapar a la fuerza de la gravedad. Supongo que ya la habría expresado alguien antes pero bueno, Lem aquí la tiene oiga. También nos explica el porqué de Tunguska (Buscad Tunguska si no os suena!) Lem da todas las satisfacciones. Lo único que falta es una explicación para el Manuscrito de Voynich y otra para los Ooparts como la máquina de Antitiquera. Coge todos los eventos de la historia y los recodifica para darles sentido como consecuencia de la historia narrada. No sólo sirve como prueba de que Ijon es el cread.. culpable del cosmos, si no también para ejemplificar como el libre albedrío que se puede dar en el círculo cerrado de tiempo pequeño, no se da a la escala del universo. Puedes volver atrás y quizá actuar distinto pero el universo en sí no puede ser distinto. Me parece una perspectiva interesante de la paradoja temporal. No la hay a nivel ontogénico ni filogénico pero sí a nivel cosmogónico. ¿Y la idea de encargarles diseñar la evolución a unos artistas? Y las palabras que se inventa. Cronoclismo. Telecronía! Algo encantador al principio es la imagen del intrépido Ijon, explorador del cosmos, as de la astronáutica, vuelve a casa después de una de sus expediciones y es como si nosotros volviéramos de una de esas vacaciones largas que, afortunados nosotros, hemos podido darnos alguna vez. La cotidianeidad del viajero que vuelve, con la mentalidad todavía fresca y el chip cambiado, llegas a casa y tienes que deshacer las maletas y es un marrón (se le caen los brazos), te entra ciática colocando los paquetes, no hay comida en la nevera o sólo un huevo rancio,… Es también graciosísmo el lenguaje que usa Tichy para pasarle la culpa a los demás y excusarse, cómo todo es culpa de sus subordinados o del comité, y cómo tratando de ser políticamente correcto se le ve el plumero y como va in crescendo en sus improperios y maldiciones… Voy a dejarlo aquí porque habría muchísimos pequeños detalles graciosos que comentar. Muchas gracias por escuchar es todo un honor, nos vemos en el futuro cuando pueda me dejen algo de tiempo libre los otros proyectos (principalmente trabajo ] ) Salud! ----- Diarios de las Estrellas (Dzienniki gwiazdowe) son una serie de historias cortas escritas por el enorme Stanislaw Lem. La mayor parte lo fueron entre 1954 y 1971, aunque se han ido incorporando nuevos capítulos escritos hasta en el 93. No alarmarse. Viaje Séptimo es la primera de las entregas en la edición de 1971, que compilaba los diferentes escritos que ya existían. Son historias independientes. No es tan Las mil y una Noches como lo fue Ciberíada, pero sí muy Los viajes de Gulliver. Recuerdo grandes dosis de humor e ironía, planteamientos cifi hardcore (esta historia tiene pinta de haber inspirado uno de los capítulos de la primera temporada de Enano Rojo) pero tratados con humor, como riéndose quizá de la ciencia ficción de su época, pero consiguiendo unos niveles de profunda reflexión y agudeza mental como sólo Lem nos da. [Nota: Creo que voy a decir “Ijon Tichy”, pronunciando Ijon como “ión” igual que la partícula, no enfadarse cuando oigáis “Aion”] Ilustración: Detalle de “El jardín de las Delicias” (El Bosco) /// errores de edición? Haberlos haylos >>> soymescalito@gmail.com /// Muchas gracias!! =^__^= fantasía, novela, cuentos, cuento, scifi, ciencia, ficción, literatura, audio, audiolibro, ciencia ficción, novelas, relato, relatos, voz, lectura, scifi, ficion, cyberpunk, ciberpunk, literatura, historia, historias, terror, relatividad general, física, Einstein asamblea galáctica ONU pasado humanidad origen panspermia dios big bang singularidad energía atómica ángeles demonios historia alternativa antigua civilización orígenes del cosmos todo
This lecture forms part of a series entitled "Antiquity After Antiquity" and is for first year Undergraduate History of Art students. It was delivered at the University of Oxford History of Art Department. An Van Camp (Curator of Northern European Art at the Ashmolean Museum of Art and Archaeology) explores the practice of Netherlandish artists travelling to Italy from the fifteenth until the seventeenth century. The lecture starts with an overview of the different kinds of Netherlandish artists and their reasons why they went to Italy (illustrated mainly by works on paper from the collections of the Ashmolean Museum). The second part of the lecture focuses on Jan Brueghel the Elder in particular and the different types of drawings he made in Italy after he returned to Flanders, some in preparation of print series.
This lecture forms part of a series entitled "Antiquity After Antiquity" and is for first year Undergraduate History of Art students. It was delivered at the University of Oxford History of Art Department. An Van Camp (Curator of Northern European Art at the Ashmolean Museum of Art and Archaeology) explores the practice of Netherlandish artists travelling to Italy from the fifteenth until the seventeenth century. The lecture starts with an overview of the different kinds of Netherlandish artists and their reasons why they went to Italy (illustrated mainly by works on paper from the collections of the Ashmolean Museum). The second part of the lecture focuses on Jan Brueghel the Elder in particular and the different types of drawings he made in Italy after he returned to Flanders, some in preparation of print series.
This lecture forms part of a series entitled "Antiquity After Antiquity" and is for first year Undergraduate History of Art students. It was delivered at the University of Oxford History of Art Department. An Van Camp (Curator of Northern European Art at the Ashmolean Museum of Art and Archaeology) explores the practice of Netherlandish artists travelling to Italy from the fifteenth until the seventeenth century. The lecture starts with an overview of the different kinds of Netherlandish artists and their reasons why they went to Italy (illustrated mainly by works on paper from the collections of the Ashmolean Museum). The second part of the lecture focuses on Jan Brueghel the Elder in particular and the different types of drawings he made in Italy after he returned to Flanders, some in preparation of print series.
Alejandro Vergara, Jefe de Conservación de Pintura Flamenca y Escuelas del Norte del Museo Nacional del Prado
Jay Bolotin, in conversation with Stephen Foster in 2008, discusses his exhibition the 'Jackleg Testament Part I: Jack & Eve and other works', featuring a motion picture derived from woodcuts, a hybrid of German expressionism, Brueghel and medieval religious imagery. The film reinterprets the story of Adam and Eve as a dark and provocative tale in which Eve is lured from the Garden of Eden by a Jack-in-the-box.
Todd Schorr has many influences that go into his artwork ranging from boyhood memories to modern day cartoons. In this video he invites us into his large collection of ephemera that he has collected over the years that continue to inspire his work. Todd Schorr: American Surreal is the first mid-career retrospective of the Los Angeles-based artist. Schorr is a leading figure in Southern California's cartoon-based movement, dubbed Pop Surrealism, which embraces low-brow culture and a ribald graphic style indebted to pop sources such as Mad magazine. Schorrs astonishing, highly polished realism, (inspired by Bosch, Brueghel and Dali), sets him apart from his best-known peers such as Camille Rose Garcia, Gary Baseman, and Mark Ryden. The exhibition, curated by SJMAs Senior Scholar and Curator of Collections Susan Landauer, is accompanied by a book published by Last Gasp, San Francisco. Exhibition runs June 20 through September 16, 2009 at the San Jose Museum of Art.
In this video Todd Schorr discusses his process of creating a painting - from the initial drawing, to the color study, to the laying paint on the canvas. Additionally he talks about using acrylic paints the way one would use oils. Todd Schorr: American Surreal is the first mid-career retrospective of the Los Angeles-based artist. Schorr is a leading figure in Southern California's cartoon-based movement, dubbed Pop Surrealism, which embraces low-brow culture and a ribald graphic style indebted to pop sources such as Mad magazine. Schorrs astonishing, highly polished realism, (inspired by Bosch, Brueghel and Dali), sets him apart from his best-known peers such as Camille Rose Garcia, Gary Baseman, and Mark Ryden. The exhibition, curated by SJMAs Senior Scholar and Curator of Collections Susan Landauer, is accompanied by a book published by Last Gasp, San Francisco. Exhibition runs June 20 through September 16, 2009 at the San Jose Museum of Art.
As a young boy Todd Schorr came across the movie King Kong which had a profound effect on him. He has recently been creating paintings with themes of Apes in them. In this video Schorr talks about seeing King Kong and also discusses a work of his titled The Anguish of Carl Akeley. Todd Schorr: American Surreal is the first mid-career retrospective of the Los Angeles-based artist. Schorr is a leading figure in Southern California's cartoon-based movement, dubbed Pop Surrealism, which embraces low-brow culture and a ribald graphic style indebted to pop sources such as Mad magazine. Schorrs astonishing, highly polished realism, (inspired by Bosch, Brueghel and Dali), sets him apart from his best-known peers such as Camille Rose Garcia, Gary Baseman, and Mark Ryden. The exhibition, curated by SJMAs Senior Scholar and Curator of Collections Susan Landauer, is accompanied by a book published by Last Gasp, San Francisco. Exhibition runs June 20 through September 16, 2009 at the San Jose Museum of Art.
Todd Schorr has painted two large format paintings in which he addresses his influences as an artist - one reflects on the cartoon perspective and the other on the horror film perspective. In this video Todd offers insight into how the pieces came about and some of the subject matter in each. Todd Schorr: American Surreal is the first mid-career retrospective of the Los Angeles-based artist. Schorr is a leading figure in Southern California's cartoon-based movement, dubbed Pop Surrealism, which embraces low-brow culture and a ribald graphic style indebted to pop sources such as Mad magazine. Schorrs astonishing, highly polished realism, (inspired by Bosch, Brueghel and Dali), sets him apart from his best-known peers such as Camille Rose Garcia, Gary Baseman, and Mark Ryden. The exhibition, curated by SJMAs Senior Scholar and Curator of Collections Susan Landauer, is accompanied by a book published by Last Gasp, San Francisco. Exhibition runs June 20 through September 16, 2009 at the San Jose Museum of Art.
Todd Schorr: American Surreal is the first mid-career retrospective of the Los Angeles-based artist. Schorr is a leading figure in Southern California's cartoon-based movement, dubbed Pop Surrealism, which embraces low-brow culture and a ribald graphic style indebted to pop sources such as Mad magazine. Schorrs astonishing, highly polished realism, (inspired by Bosch, Brueghel and Dali), sets him apart from his best-known peers such as Camille Rose Garcia, Gary Baseman, and Mark Ryden. The exhibition, curated by SJMAs Senior Scholar and Curator of Collections Susan Landauer, is accompanied by a book published by Last Gasp, San Francisco. Exhibition runs June 20 through September 16, 2009 at the San Jose Museum of Art
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