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Tyler feels important today. He's been contacted by Hilti to help host a season of their podcast, In This Case. This means that he'll be hanging out with friends of CBP without Eddie. Episodes in this season of Hilti's podcast will include friends of our show and a few new faces. The conversations will explore innovation and a variety of industry topics.Cue it up and check it out... if you can tolerate just a little more Tyler. Check out the partners that make our show possible.Find Us Online: BrosPodcast.com - LinkedIn - Youtube - Instagram - Facebook - TikTok - Eddie's LinkedIn - Tyler's LinkedInIf you enjoy the podcast, please rate us on Apple Podcasts or wherever you listen to us! Thanks for listening!
Episode 128 Finds The Gals In A Bit Of An Unpolished Role Reversal..... Sometimes Even The Doctor Themselves Needs Doctoring! In This Case, Rachel Takes The Driver Seat As She Pretends To Be The Grown Up In The Room While Acknowledging The REAL Doctor In The House Is Entitled To Have A Bad Day, Feel Overwhelmed & In Need Of A Little Unpolished Therapy Herself! Tune In As The Audacious & The Advice Collide To Break Down The Wednesday Wreckage!
A TRUE LA ORIGINAL & LEGENDARY VISIONARY. ESTEVAN ORIOL CONTINUES TO LEAVE HIS MARK ON THE CULTURE AS A PHOTOGRAPHER, DIRECTOR & URBAN LIFESTYLE ENTREPRENEUR HE SITS DOWN WITH BIGBODYCISCO IN NEW ZEALAND WHILE GATHERING FOOTAGE FOR AN UPCOMING BOOYAA TRIBE DOCUMENTARY. WHEN WE SAY GOOGLE IS YOUR FRIEND. IN THIS CASE. IT IS AND THEN SOME. GOOGLE HIM! COMMENT, SHARE, LIKE & SUBSCRIBE ESTEVAN ORIOL WEBSITE: https://www.estevanoriol.com
MOST AMERICANS WOULD BE SHOCKED TO LEARN THAT OUR OWN GOVERNMENT OUTSOURCED CONTROL OF PRODUCT SAFETY & IMPORTATION TO A FOREIGN GOVERNMENT, IN THIS CASE; CANADA. THAT'S BAD ENOUGH, BUT IT GETS WORSE. THEY'VE ALSO BEEN SUPRESSING THE NEWS ON ALL THIS AND EVEN BANNED AN EXPLOSIVE NEW BOOK EXPOSING THE WHOLE TALE. JOINING US TO DISCUSS IS GORDON KNIGHT, AUTHOR OF: “DEEP 6 DIARIES.”
Welcome back to season five of "In This Case." This season we are talking about sustainability, why it matters, how it impacts construction and why our industry and Hilti is best positioned to make construction more productive, safer and more sustainable.
MOST AMERICANS WOULD BE SHOCKED TO LEARN THAT OUR OWN GOVERNMENT OUTSOURCED CONTROL OF PRODUCT SAFETY & IMPORTATION TO A FOREIGN GOVERNMENT, IN THIS CASE; CANADA. THAT'S BAD ENOUGH, BUT IT GETS WORSE. THEY'VE ALSO BEEN SUPRESSING THE NEWS ON ALL THIS AND EVEN BANNED AN EXPLOSIVE NEW BOOK EXPOSING THE WHOLE TALE. JOINING US TO DISCUSS IS GORDON KNIGHT, AUTHOR OF: “DEEP 6 DIARIES.”
God's Plan, In This Case for Salvation, is Always Best
God's Plan, In This Case for Salvation, is Always Best
加入摄影早自习群,请加微信:nihaoyelaoshi(暗号:喜马拉雅)早安,我是叶梓,今天是摄影早自习陪伴大家的第1893天。在前两天我们早自习发出了一些看不懂的照片的主题以后,云卷云舒同学在我们早自习的微信群里提了一大堆的问题,问题很长,我就不一一念出来了,各位同学可以在图文区自己去阅读。云卷云舒同学的问题在这里我就简单的总结一下,云卷云舒同学问的问题其实大概就是说看不懂这件事到底是不是艺术的未来,是不是努力的方向,它到底有没有必要,然后它有没有价值,它是不是艺术,以及我们作为中国人能不能在自己的文化中去发展出自己的摄影体系,不见得去追求那种怪怪的东西。当然了,云卷云舒同学问得非常客气,他并没有讲那么直白,我的总结也未必到位,不过我觉得他可能问出了很多人的心声,大家可能没敢问,但是他问了,所以我就在早自习里来统一回复一下大家。要回答这些问题对我来说其实也是个挑战,因为这不是三两句话,三两分钟能讲清楚的,我只能简单回复,但是我的简单回复里面可能又会有更多的坑,来让大家更加的疑惑,所以大家有问题随时在早自习后方问,我会尽量的为大家解释清楚。《Number 17》波洛克 6116万美元首先我将心比心一下,我在最初接触当代艺术和现代艺术的时候,看到大量看不懂的绘画作品、雕塑作品的时候,其实我是有点生气的,多少有点生气。首先我是觉得自己好像受到了排挤,我学了那么久的艺术,但是到头来我什么都看不懂。其次我有种感觉就是他们在投机,我可能要花十天才能画一幅画,他们可能花了半个小时就画了一幅了,挂在那里就号称自己是艺术品,还卖个几十上百万,对吧?所以这也是挺让人生气的一点。再加上社会上一直有这种声音,就说他那个到底算不算艺术啊,有这样的争议,所以我其实是很长时间里边比较排挤这样的艺术形式的。《Le Nez》 贾克梅蒂 7840万美元但是后来随着接触的这种当代艺术作品越来越多,然后看到的艺术史也越来越多,读到的这些艺术家们的传记越来越多,我开始逐渐明白他们正在做的事情到底是什么,再加上自己的一些心理变化,最后我就完全接受了现代和当代的艺术。最重要的一点就是我首先明白了原来看不懂这件事,并不是人家这些艺术家们在刻意为之,他不是故意膈应我们老百姓,其实它只是从古典艺术时期它必须要去服务它的画画的模特,服务他的雇主,开始逐渐过渡到他的艺术只为他自己负责。换一个比较流行的说法,就是从服务甲方爸爸到变成了对甲方爸爸的要求不屑一顾,是吧?就为自己去创作这个作品。当然,这里有一个现实的前提条件,就是以前的画家必须受雇于某人才能生活,但现在的这些艺术家们,他们为自己创作作品依然可以活下去,因为会有相应的产业去支撑他,比如说画廊啊,有藏家藏他的作品啊等等。《Meules》 莫奈 1.107亿美元我们回顾一下古典艺术,确实是我们现在基本上都能看懂的,对吧?无非就是画得像和画得美,这两件事情就可以了。那么我们现在的艺术家们或者说是摄影师们难道不能就去继续干那种画得像、画得美、拍得好看,拍得让所有人都喜欢的这种事情吗?可以啊,没有问题啊,现在依然有绝大部分的摄影师都是在做这件事情,还是在尽可能的把风光拍得更美一些,把人物拍得更美一些。但是其中必然会有一小撮人,他们会觉得玩腻了,觉得摄影或者是说他的绘画可以去做更多的事情。比如说出于他的成长经历中的某一个特殊的条件,他可能非常憎恨黄金分割线构图,于是他就从来不用。或者是有人非常憎恨简洁构图,他真的是特别厌烦了,所以他就从此转向复杂构图。这只是一些小的技法上的例子,其实艺术家们或者说摄影师们所做的叛逆远远要大于这些小的技法上的创新。康定斯基从现代艺术开始,其实艺术作品就已经让人看不懂了,更何况到了现在当代艺术的领域,就会有更多的人可能对作品没有感觉,或者是像我一样觉得自己被排挤了,心里面是多少有点不悦的。但是,与此同时也不能忽略,有一小撮人是真的深深深深被他们的作品打动了,这种打动是真的直指人心的,他可能远比那种古典艺术作品挂在美术馆里的名作要打动人的多。你可能偶尔在一个不知名的小画廊里见到一个当代的作品,在那泪流满面,但是你很难在达芬奇的《最后的晚餐》前觉得真的有什么触动,除了赞扬他的极为精湛的技法。所以艺术领域是时常会有巨大的叛逆发生的,有后人恨不得对前人咬牙切齿,想要完全推翻前人的艺术理论的体系,他们也确实都这么做了,所以一波一波的艺术思潮就是这么下来的。《Femme assise près d'une fenêtre》 毕加索 1.034亿美元我们其实很享受这种叛逆的过程,倒不是说一脉相传有什么不好,或者是搞破坏就一定是好的,怎么说呢?这种感觉就是我们一次又一次的在进一步去探讨我们不服输,或者是我们不那么轻易的去认可以前的权威、现在的权威,总之就是个体的价值在变得越来越被重视。从根本上来说,我觉得艺术家反叛的也不是什么别人,他主要反叛的还是他自己。所以通过今天的早自习,我是特别希望能跟大家多少说明白一点这个事,就是没有人想膈应大家,他们只是想当他自己而已。但是因为人的观赏是自由的,而没有人强迫您去看任何人作品,所以您也可以非常自我的去选择自己喜欢的作品,那些非常唯美的作品也是很好的作品,这点我们并不否认。《In This Case》 巴斯奎特 9310万美元好,最后让我来做一个总结。首先看不懂这件事,它已经不是艺术的未来了,它是艺术的当下,尤其在国际艺术界。第二,看不懂不是艺术家在刻意为难大众,而是把自己的表达、把自己的思想、把自己的个性摆在了第一位,把别人的看法摆在了第二位。第三,看不懂不是绝对的,仍然会有一些人能看懂那一些作品,而且有强烈的共鸣。所以从这点上来说,我们应该纠正看不懂这三个字,更准确的说法是没有期待所有人都能看懂。第四,不期待所有人能看懂的那些作品,它也不是艺术的方向,因为它不是一个目的,它只是一个艺术发展中必然的一个结果。第五,表达自我、表达情绪,表达思想它就是艺术,这一点确认无疑。那么这里我们要特别注意,不能把艺术和工艺美术搞混,工艺美术负责呈现最广泛的大众能够接受的视觉美感,而艺术它只对思想负责,尤其在当代。第六,在古典艺术时期,艺术确实是唯美和写实为主要目的的,在现代艺术之后,艺术就以探讨、实验、反叛和思想表达为主,艺术的边界已经被大大的拓展了,它更接近于思想,它不是一种记忆。《游山》 蔡国强第七,其实现在已经有很多人从中国的传统文化中吸取营养来做艺术了,摄影方面的成功案例在国际上可能不够突出,但是在当代艺术方面,泉州的号称自己是亚洲农民的蔡国强就是一个很好的例子,他的艺术作品里是有非常深厚的中国传统文化的根基的。第八,就我自己而言,让普通人感觉艺术震撼这件事情其实有很多人已经在做了,我也曾经做过太多年,十几年,有些腻了,所以现在的感觉是我更喜欢做点自己喜欢的事,自己想做的事,所以我也把我的自我摆在第一,把大众对我的评价摆在了第二。每天早上10点拍摄的母亲节花束 Olivia Arthur(玛格南现任主席)第九,为什么做大众喜欢的就容易腻呢?这是一个很根本的问题,因为大众喜欢的作品大多只需要在视觉上取悦就行了,构图、光线、色彩层面去取悦就行了。这三个层面的工艺美感它是有天花板的,一旦你的艺术作品能够到达这个天花板,你就再也无事可做了,这是一个非常可怕的感觉。我想引用《极简西方艺术史》中的一句话,就是让人类去追求一个可以达到满分的事情,是一个莫大的诅咒。我们其实曾经为此努力过,比如说在古希腊时期的艺术,在文艺复兴时期的艺术都是已经达到满分了,这会让后人非常的惶恐,他们再也无法超越那些大师,他们再也没有价值了。所以唯有去探讨和表达思想这件事情它是没有满分一说的,是可以永无止境的,所以我们会觉得在这个领域里其乐无穷。好,那么以上就是对云卷云舒同学的长长的问题的长长的回复。各位同学如果是想试着去了解一下国际艺术界现在到底在干些什么,试着去理解,这其实是有一个比较漫长的过程的,我有两个建议:一个是可以多读读艺术史,不是古典的艺术史,是要从古典一直写到当代的这种艺术史。另外还有一个比较简单的方法,就是大家可以多听听我的有关审美的讲座,你可以在语音下方那个黑色的卡片戳进去成为我们超级会员,那里面讲座基本上都是跟审美的提升有关系。戳文末“阅读原文”,观看课程还有就是在“阅读原文”中给大家放了一个课,是我很精华的一个课程,叫做《玛格南教了我什么?》,那个是完整的给大家展现了我的摄影从比较老派的风格突然转向比较现代的风格的一个分水岭到底是如何发生的?“阅读原文”中《玛格南教了我什么?》那个课,其实是非常值得大家去看一看的。如果你还是不满足,想用身体直接来体会一下到底怎么样创作所谓的艺术作品,我们现在的艺术作品创作到底跟古典的艺术作品创作有多大区别,自己的摄影到底在不在正道上?那么还是欢迎你参加我的工作坊,我会带你全程体验这件事,并且就在三天之内创作出更当代的更有价值的艺术作品来。工作坊就在北京举办,是“5.1”期间,三天时间,仅剩3个名额,各位欲报从速。怎么报名呢?就在今天的第二条图文链接中,或者是语音下方的海报扫码进去,在那里你可以看到课程的完整的介绍。今天是摄影早自习陪伴大家的第1893天,我是叶梓,每天早上6:30,微信公众号“摄影早自习”,不见不散。
2月19日(土)後半にお届けした作品: 特集「まるっと百々徹」(3 thru 13) cont'd 7 Mamiko Taira #平麻美子 / Blue In Green(2012年のアルバム「and it begins」から) 8 Toru Dodo #百々徹 / Alice In Wonderland(2006年のアルバム「116 West 238 St.」から) 9 Ro Hasegawa #長谷川朗 / Stars Fell On Alabama(2005年のアルバム「In This Case…」から) 10 Toru Dodo … Continue reading →
8月28日(土)後半にお届けした作品: 8 Daiki Yasukagawa #安ヵ川大樹 / Someday My Prince Will Come(2010年のアルバム「Trios」から) 9 Ro Hasegawa #長谷川朗 / In This Case…(2005年のアルバム「In This Case…」から) 10 Akiko Tsuruga #敦賀明子 / Funky Girl(2014年のアルバム「Commencement」から) 11 Mamiko Taira #平麻美子 / I Have The Feeling I've Been Here … Continue reading →
In this week's episode, we connect with Peter Andersen, general manager for Hilti's West Market Organization and member of the Executive Management Team. Peter shares his best advice for enjoying the journey of career development and his own "people first" leadership philosophy. Subscribe to In This Case to get the latest episodes and listen to our entire back catalog.
2月20日(土)後半にお届けした作品: 8 Jun Furuya #古谷淳 / Dear Little Fish(2009年のアルバム「Exprimo」から) 9 Coalescence #Coalescence / Winter Song(2019年のアルバム「Coalescence 2」から) 10 Chiemi Nakai #中井知恵美 / You Don’t Know What Love Is (2019年のアルバム「Ascendant」から) 11 Ro Hasegawa #長谷川朗 / The Freezin’ Blue(2005年のアルバム「In This Case…」から) 12 Mamiko … Continue reading →
In this week's episode, we sit down with Jahida Nadi, general manager for Energy and Industry and member of the Hilti North America Executive Management Team. We covered a lot of ground in this conversation, from international experiences and energy infrastructure to representation and diversity in the construction industry. Subscribe to In This Case in your favorite podcast app today!
1月30日(土)特集「旅の気分」 後半にお届けした作品: 8 Takaaki Otomo #大友孝彰 / The Planets: I. Mars & II. Venus(2017年のアルバム「New Kid In Town」から) 9 Ro Hasegawa #長谷川朗 / Stars Fell On Alabama(2005年のアルバム「In This Case…」から) 10 Mamiko Taira #平麻美子 / Detour Ahead(2015年のアルバム「Heart’s Calling」から) 11 Jun Furuya #古谷淳 … Continue reading →
In this week's episode, we connect with Kelly Beaver, general counsel for Hilti North America and member of the Executive Management Team. Kelly shares his go-to strategy for managing through stressful situations and shares his own Hilti origin story. Subscribe to In This Case to get the latest episodes and listen to our entire back catalog.
11月28日(土)前半にお届けした作品: 1 Nobuki Takamen #高免信喜 / Hider or Seeker?(2020年のアルバム「Life Is Now」から) 【特集:Blue, Green or both?】 2 Michika Fukumori #福森道華 / Colors of Blues(2018年のアルバム「Piano Images」から) 3 Ro Hasegawa #長谷川朗 / The Freezin’ Blue(2005年のアルバム「In This Case…」から) 4 Noriko Ueda #植田典子 / Blue … Continue reading →
In this week's episode of In This Case, we're talking to Rafael Garcia, senior vice president of Marketing for Hilti North America. Our conversation covered everything from how he developed his leadership style to the importance of moving beyond hardware to become a complete solutions provider.
Welcome to In This Case! In the first episode of our special series on product development, we look at where new product ideas come from at Hilti.
FIGHTING - When people battle disease, they are in a fight with a powerful morphic field that includes the fears of the collective influence, the economic profits created from the disease, and a minefield of tactics that I refer to as the Dirty Ds: denial, disruption, degradation, deception, destruction, dissension and dissemination. If people run for cancer, diabetes, MS, etc. or march against corporations and institutions, they are giving more power to the very thing they are fighting. Think of diseases, institutions, corporations, etc., as giant monsters with extremely huge appetites that need to be fed thoughts and emotions to survive. They are not fussy eaters; their palate is satisfied by both negative and positive energy. They will consume everything and anything to survive. Whether people are for or against it does not concern this beast. Anger and fear are its favorite delicacies. Watch LIVE on Facebook! Go to: www.facebook.com/pg/thetruthisfunnywithcolette/videos NUGGET OF WIZDOM FROM THE VECTOR DONT FEED THE MONSTER! SOMETIMES EVEN WHEN IT SEEMS THAT YOU HAVE DODGED THE BEAST, YOU WILL FIND YOURSELF IN A PREDICAMENT WHERE YOU ARE FORCED TO FIGHT. IN THIS CASE, BRING YOUR OPPONENT DOWN IN ONE PUNCH OR ONE KICK. IF YOU ARE FORCED TO FIGHT, FIGHT TO WIN! AND THEN IMMEDIATELY CLEAR THE KARMA.Tune-in with Colette and get your nuggets! She loves hearing from you - call-in to 800.930.2819!
FIGHTING - When people battle disease, they are in a fight with a powerful morphic field that includes the fears of the collective influence, the economic profits created from the disease, and a minefield of tactics that I refer to as the Dirty Ds: denial, disruption, degradation, deception, destruction, dissension and dissemination. If people run for cancer, diabetes, MS, etc. or march against corporations and institutions, they are giving more power to the very thing they are fighting. Think of diseases, institutions, corporations, etc., as giant monsters with extremely huge appetites that need to be fed thoughts and emotions to survive. They are not fussy eaters; their palate is satisfied by both negative and positive energy. They will consume everything and anything to survive. Whether people are for or against it does not concern this beast. Anger and fear are its favorite delicacies. Watch LIVE on Facebook! Go to: www.facebook.com/pg/thetruthisfunnywithcolette/videos NUGGET OF WIZDOM FROM THE VECTOR DONT FEED THE MONSTER! SOMETIMES EVEN WHEN IT SEEMS THAT YOU HAVE DODGED THE BEAST, YOU WILL FIND YOURSELF IN A PREDICAMENT WHERE YOU ARE FORCED TO FIGHT. IN THIS CASE, BRING YOUR OPPONENT DOWN IN ONE PUNCH OR ONE KICK. IF YOU ARE FORCED TO FIGHT, FIGHT TO WIN! AND THEN IMMEDIATELY CLEAR THE KARMA.Tune-in with Colette and get your nuggets! She loves hearing from you - call-in to 800.930.2819!
2月29日(土)後半にお届けした作品: 7 Yutaka Nakamura #中村豊 / Bronx Bound D Train(2013年のアルバム「Happiness In New York City」から) 8 Eishin Nose #野瀬栄進 / 6k5 110(2011年のアルバム「Waiting」から) 9 Ro Hasegawa #長谷川朗 / Stars Fell On Alabama(2005年のアルバム「In This Case…」から) 10 Jun Furuya #古谷淳 / Topology(2011年のアルバム「Home Songs」から) 11 … Continue reading →
Today's podcast Topic: Some Battles You Just Can't Win: It is OK to walk Away, SOME BATTLES YOU JUST CAN'T WIN, BUT WALKING AWAY, IN THIS CASE, IS WINNING THE EMOTIONAL BATTLE. To Listen to more of my podcast visit: https://www.coolthingswithkoffa.com/copy-of-book
Today's podcast Topic: Some Battles You Just Can't Win: It is OK to walk Away, SOME BATTLES YOU JUST CAN'T WIN, BUT WALKING AWAY, IN THIS CASE, IS WINNING THE EMOTIONAL BATTLE. To Listen to more of my podcast visit: https://www.coolthingswithkoffa.com/copy-of-book
Episode 724 (Duration 33:57). Chicago defense attorney Peter Lewis explains what a litigant can do when their criminal discovery is missing the police body cam video. In This Case... The State's Attorney's position is if they didn't get it from the police then it doesn't exist. Attorney Peter Lewis Am I Entitled To Have The Police Body Cam In My Case? Yes. Generally, speaking a criminal defendant is going to be entitled to possess a copy of the police body cam or cams involved in his or her case. The interesting question is what to do when you don't get it. Attorney Peter Lewis Peter Lewis has been an Illinois attorney since 2004. He currently has an extensive criminal law practice. He handles cases throughout Cook County and the collar counties. Contact Information 5508 West Lawrence Ave Chicago, IL 60630 773-853-0223 http://pwlewislaw.com/ Main Areas Of Law In Chicago what are the three main areas of law that govern the police use of body cameras? United States Department of Justice & Chicago Police Department Consent Decree Illinois Law Enforcement Officer-Worn Body Camera Act Chicago Police Department Special Order S03-14 on Body Worn Cameras What Does The Consent Decree Say About Body Cam? What does the Justice Department's Chicago Police Department Consent Decree say about the use of police body cams? On page 6 of the report it says, ...that the Justice Department supports the City’s decision to accelerate its plan to ensure that all CPD officers have body cameras. In the "Recommendations" section of the report, it says that CPD should "adopt use of force practices that minimize the use of fore." Subsection (i) states, Equip all patrol officers and supervisors, and officers who regularly interact with the public, including tactical officers, with body cameras, and develop a body camera policy delineating officers’ responsibilities regarding the consistent and appropriate use of body cameras and the retention and review of body camera footage. Consent Decree Important Details From The Illinois Body Cam Act ✓ The Illinois Law Enforcement Officer-Worn Body Camera Act does not require that police departments employ body cams. The act merely provides guideline for departments that wish to use them. The act also includes minimal feature and procedures that must be followed if a department chooses to use body cams. (Go to 4:04) ✓ "No officer may hinder or prohibit any person, not a law enforcement officer, from recording a law enforcement officer in the performance of his or her duties in a pubic place or when the officer has no reasonable expectation of privacy." 50 ILCS 706/10-20(11) ✓ Generally, body cam videos ARE NOT subject to FOIA requests unless you have been arrested, are a victim, or a witness. See 50 ILCS 706/10-20(b) Did You Know? ✓ As of right now every single Chicago Police Department patrol officer is suppose to be using a fully functioning and operable body cam device. (Go to 2:59) What You Need To Know About The Chicago Police Department Body Cam Special Order The policy says in clear unmistakable terms that, All sworn members and their immediate supervisors assigned to a Bureau of Patrol district normally assigned to field duties and any other member at the discretion of the district commander will be assigned and utilize a BWC. CPD Special Order S03-14 This is one of the most important things listed in Special Order S03-14, it's under the "Operational Procedures" section. (Go to 6:20) An attorney trying to hunt down body cam footage may want to know the following to help facilitate the search (Go to 10:08): Name of person arrested Date of arrest RD number Incident number Name of officers involved Badge number of officers involved Beat Number ✓ CPD currently has 8,200 video cams issued to officers. This should be enough to cover the entire patrol division. (Go to 14:50) "Can't Miss" Moments: ✓ In video recordings you often see an officer stop and do this with his equipment right before he engages with a subject. (Go to 7:01) ✓ Body cam equipment involves more than a camera. The devices includes a camera and hard drive that can hold at least 10 hour of video. At the end of a shift all the recordings go into one master super data base. (Go to 8:04) ✓ Peter says CPD should not be allowed to do this one critical thing in regards to this body cam issue. A third independent body should involved and do this when there is an arrest. (Go to 9:16) ✓ You ever hear of a beat number and RD number? You may want to know what these are if you're hunting down body cam recordings. Peter Lewis explains this, just (Go to 9:16). ✓ This one fact provides the state with zero motivation to hunt and search for something that might exist but is buried somewhere. (Go to 12:25) ✓ The question then is what do we do when you know a video exists but for some reason it was not tendered to you during discovery? (Go to 14:16) ✓ These particular police units come into a lot of contact with the public. You could say they're in the thick of it. Oddly, these units don't wear body cams. What's that all about? (Go to 14:50) What Do You Do When You Don't Get Police Body Cam In Your Discovery? ✓ The question then is what do we do when you know a video exists but for some reason it was not tendered to you during discovery? (Go to 14:16) ✓ A Kladis motion is often filed when there has been a violation of discovery. This remedy is rare, but it can lead to the suppression of evidence. (Go to 18:30) ✓ Peter's discovery violation motion is titled, "Motion To Exclude Testimony of State's Witnesses And For Other Relief Or Sanction The Court Deems Appropriate". It incorporates parts of the state statute and the CPD special order. (Go to 19:00) If a court or other finder of fact finds by a preponderance of the evidence that a recording was intentionally not captured, destroyed, altered, or intermittently captured in violation of this Act, then the court or other finder of fact shall consider or be instructed to consider that violation in weighing the evidence, unless the State provides a reasonable justification. 50 ILCS 706/10-30 ✓ The State statute is kind of soft. It doesn't exactly say that evidence can be barred or excluded. (Go to 22:36) ✓ This is a last ditch effort thing to do when you see that a judge is not going to give you sanctions for missing body cam video. Do this when you got no other cards to play. (Go to 25:50) Links & Resources United States Department of Justice & Chicago Police Department Consent Decree More About The CPD Consent Decree 50 ILCS 706/10-1 et seq. - Illinois Law Enforcement Officer-Worn Body Camera Act Chicago Police Department Special Order S03-14 on Body Worn Cameras People v. Kladis, 2011 IL 110920 How Often Do Chicago Police Officers Fail To Activate Their Body Cameras? It’s Hard To Know - CBS Chicago Key Body Camera Footage Missing After Chicago Police Officers Raid Wrong Homes, Point Guns At Children - CBS Chicago See Also You may also want to check out... People v. Montgomery, 2018 IL App (2d) 160541 (October). Episode 555 (Duration 14:02) (What To Do, What To Do About Lost, Destroyed, or Missing Video?) People v. Cunningham, 2018 IL App (1st) 153367 (June). Episode 517 (Duration 12:37) (Significance Of The Evidence And Bad Faith Drive Discovery Violation And Destruction Of Evidence Issues) People v. Moravec, 2015 IL App (1st) 133869 (November 2015). Episode 105 (Duration 8:00) (Defendant wins sanctions to exclude all evidence after CPD ignores repeated requests for the POD video.) Episode 320 (Duration 52:38) (Behind The Scenes Of The Curtis Lovelace Trial | Attorney Evan Parke Discloses How The Defense Team Made Use Of FOIA)
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Ian and Dave's coverage of Star Cops continues with another three episodes. In "Trivial Games and Paranoid Pursuits," Spring travels to the space station Ronald Regan in order to try and get permission to place officers on US space facilities. He is soon joined by Kenzy and together they uncover a conspiracy to hide laboratory accident. In "This Case to be Opened in a Million Years," Spring is forced to take leave on Earth and finds himself framed by the Mafia who are using scheduled nuclear waste rocket shots for smuggling. "In Warm Blood" sees a ship turn up with all of the crew dead, and Spring finds his investigation hampered by the Japanese corporation who own it, and Devis utterly fails at undercover work. They also discuss one episode's awful racism, instigate Space Hair Watch, and find they share similar opinions on The Rocky Horror Picture Show.
Ian and Dave's coverage of Star Cops continues with another three episodes. In "Trivial Games and Paranoid Pursuits," Spring travels to the space station Ronald Regan in order to try and get permission to place officers on US space facilities. He is soon joined by Kenzy and together they uncover a conspiracy to hide laboratory accident. In "This Case to be Opened in a Million Years," Spring is forced to take leave on Earth and finds himself framed by the Mafia who are using scheduled nuclear waste rocket shots for smuggling. "In Warm Blood" sees a ship turn up with all of the crew dead, and Spring finds his investigation hampered by the Japanese corporation who own it, and Devis utterly fails at undercover work. They also discuss one episode's awful racism, instigate Space Hair Watch, and find they share similar opinions on The Rocky Horror Picture Show.
Ian and Dave's coverage of Star Cops continues with another three episodes. In "Trivial Games and Paranoid Pursuits," Spring travels to the space station Ronald Regan in order to try and get permission to place officers on US space facilities. He is soon joined by Kenzy and together they uncover a conspiracy to hide laboratory accident. In "This Case to be Opened in a Million Years," Spring is forced to take leave on Earth and finds himself framed by the Mafia who are using scheduled nuclear waste rocket shots for smuggling. "In Warm Blood" sees a ship turn up with all of the crew dead, and Spring finds his investigation hampered by the Japanese corporation who own it, and Devis utterly fails at undercover work. They also discuss one episode's awful racism, instigate Space Hair Watch, and find they share similar opinions on The Rocky Horror Picture Show.
Ian and Dave's coverage of Star Cops continues with another three episodes. In "Trivial Games and Paranoid Pursuits," Spring travels to the space station Ronald Regan in order to try and get permission to place officers on US space facilities. He is soon joined by Kenzy and together they uncover a conspiracy to hide laboratory accident. In "This Case to be Opened in a Million Years," Spring is forced to take leave on Earth and finds himself framed by the Mafia who are using scheduled nuclear waste rocket shots for smuggling. "In Warm Blood" sees a ship turn up with all of the crew dead, and Spring finds his investigation hampered by the Japanese corporation who own it, and Devis utterly fails at undercover work. They also discuss one episode's awful racism, instigate Space Hair Watch, and find they share similar opinions on The Rocky Horror Picture Show.
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