Podcast appearances and mentions of joe westerlund

If you've been listening to Transmissions for a while, you've noticed how often host Jason P. Woodbury brings up “time” when talking about music. And while he's certainly apt to talk about music in spiritual or "out there" terms, songs are in some ways literal time machines: they can take you back to your own past or in the case of traditional music, preserve some essential “nowness” of the human experience. Songsmith Jake Xerxes Fussell grew up understanding this intimately. As the son of folklorist, photographer, and artist Fred C. Fussell, he spent time on the road with his father, documenting the sound and feel of blues singers, indigenous fiddlers, and performers whose songbooks reached back generations.  The younger Fussell carries on curatorial work through his records, applying his alternately smooth and grainy voice to traditional vernacular ballads. His latest collection is called When I'm Called. Produced by James Elkington, it finds the Durham-based songwriter joined by a cast of collaborators including Blake Mills, Joan Shelley, and Joe Westerlund of Bon Iver. Though it's comprised of traditional blues and folk, as is Fussell's trademark, it isn't a work of historicity so much as a document of how songs live; how they can be preserved, and how they can find new life.  In this conversation, Fussell explains, and touches on The Beastie Boys and his time with one of our documentary heroes, Les Blank. Aquarium Drunkard is supported by our subscribers. Head over and peruse our site, where you'll find nearly 20 years worth of playlists, recommendations, reviews, interviews, podcasts, essays, and more. Subscribe at Aquarium Drunkard.  Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard

Secretly Society presents a four-episode mini-series about friendship, music, and a story that is both heartbreaking and heartwarming alike - DeYarmond Edison. This series is narrated by author, a friend of the band, and executive producer of the DeYarmond Edison official boxset 'Epoch', Grayson Haver Currin. This episode starts us off with DeYarmond Edison fresh off the heels of their Bickett Residency, and going back to Wisconsin for the first time since their move for a hometown show at the historic Mabel Tainter theater. In the undercurrents of the excitement, those close to the band could feel an underlying shift with the members, feeling like there were four guys, coming up with four different sounds. Stay tuned to hear about the beginning of DeYarmond's eventual downfall, and a peek at Justin Vernon's work on his fifth solo album at the time - hazeltons. The previously undisclosed story of the band that branched off into indie music legends, Megafaun and Bon Iver! Links:  Secretly Society Podcast Link DeYarmond Edison Pt. 3 Episode Link to Playlist  Secretly Society Podcast Store Link Secretly Society General Information Link   DeYarmond Edison Links: DeYarmond Edison EPOCH Link DeYarmond Edison Boxset on Secretly Store DeYarmond Edison Essentials Playlist Link 

Secretly Society presents a four-episode mini-series about friendship, music, and a story that is both heartbreaking and heartwarming alike - DeYarmond Edison. This series is narrated by the author, a friend of the band, and executive producer of the DeYarmond Edison official boxset 'Epoch', Grayson Haver Currin. This episode starts us off in the heat of the North Carolina summer, where many changes are coming to a head between Justin falling ill with mono, and the members leaving their previous home and dispersing across different areas of the town. Stay tuned to hear the fight that broke up the band, Justin's move back home to his infamous cabin and the "phoenix" of bands/ other musical projects that rose from the ashes. The final episode in the previously undisclosed story of the band that branched off into indie music legends, Megafaun and Bon Iver! Links:  Secretly Society Podcast Link DeYarmond Edison Pt. 4 Episode Link to Playlist  Secretly Society Podcast Store Link Secretly Society General Information Link   DeYarmond Edison Links: DeYarmond Edison EPOCH Link DeYarmond Edison Boxset on Secretly Store DeYarmond Edison Essentials Playlist Link 

Secretly Society presents a four-episode mini-series about friendship, music, and what happens when a band comes apart. This is a story that is both heartbreaking and heartwarming alike - this is the lore of DeYarmond Edison. This series is narrated by the author, a friend of the band, and executive producer of the DeYarmond Edison official boxset Epoch, Grayson Haver Currin. This episode starts us off with four high schoolers: Justin Vernon, Joe Westerlund, Phil Cook, and Brad Cook, on the precipice of their musical careers as members of the groups Mount Vernon and, ultimately, the formation of DeYarmond Edison. Hear the stories of the possibly unsightly recording of the self-titled album in the First Presbyterian Church, band rivalries, and the loyalty that set them on the path to leaving their homes in Eau Claire to push the limits of their collective capabilities. The previously undisclosed story of the band that branched off into indie music legends, Megafaun and Bon Iver! Links:  Secretly Society Podcast Link DeYarmond Edison Pt. 1 Episode Link to Playlist  Secretly Society Podcast Store Link Secretly Society General Information Link   DeYarmond Edison Links: DeYarmond Edison EPOCH Link DeYarmond Edison Boxset on Secretly Store DeYarmond Edison Essentials Playlist Link 

Secretly Society presents a four-episode mini-series about friendship, music, and a story that is both heartbreaking and heartwarming alike - DeYarmond Edison. This series is narrated by the author, a friend of the band, and executive producer of the DeYarmond Edison official boxset 'Epoch', Grayson Haver Currin. This episode starts us off with DeYarmond Edison's move to Raleigh, North Carolina, a town with a buzzing music scene including the likes of The Rosebuds, Bowerbirds, and Ticonderoga. Hear the stories of the beginning of The Bickett Gallery Residency that at points was described as a "spiraling through concentric circles of disorder pushing the standard until it indeed almost broke". Joe brought in themes of improvisation learned at Bennington College, Phil taught the band Delta Blues and strings, Brad played with the idea of 20th-century ambient sounds in the style of Steve Reich's composition, and Justin challenged everyone's vocal capacity - including his own. The previously undisclosed story of the band that branched off into indie music legends, Megafaun and Bon Iver! Links:  Secretly Society Podcast Link DeYarmond Edison Pt. 2 Episode Link to Playlist  Secretly Society Podcast Store Link Secretly Society General Information Link   DeYarmond Edison Links: DeYarmond Edison EPOCH Link DeYarmond Edison Boxset on Secretly Store DeYarmond Edison Essentials Playlist Link 

For this week's Talkhouse Podcast we've got a special two-part episode featuring both members of one of my favorite bands, Wye Oak, in conversation with some other fantastic musicians, so be sure to stick around for both halves! First up it's Wye Oak's Jenn Wasner and singer-songwriter Johanna Samuels, both of whom have new music coming out, coincidentally, on June 23. Samuels has been making beautiful, deeply personal music for the last decade or so, and her new one is a doozy. The album is called Bystander, and it was recorded with Josh Kaufman of Bonny Light Horseman—he's the Josh you'll hear referenced in this chat. Check out “Ugly on the Inside” from Bystander right here. Samuels is joined here by Talkhouse pal Jenn Wasner, who's probably best known as half of Wye Oak, but has also recorded music recently under the name Flock of Dimes. It's no wonder that Wasner and Samuels get along, as both are incredibly thoughtful and sincere in their musical pursuits: They're looking for something much bigger than a hooky song to sing, they're out to connect on a deeper level. Wye Oak has sort of morphed into a different kind of band in recent years, choosing to stay away from the make-an-album-then-tour-forever cycle and instead release singles and one-off songs as Wasner and Andy Stack are able. A bunch of those songs have just been compiled on an album called Every Day Like the Last. They sound as good as anything the duo has done, which is to say they sound great. Check out “I Learned it From You” right here. In this conversation, Wasner and Samuels talk about the magic of the Newport Folk Festival, how great it is to work with Josh Kaufman, and how to express heavy thoughts within joyful music. You'll find out whether these are women of mystery, and you'll hear Wasner refer to herself as “a big golden retriever of a person.” Enjoy. In the second half of this epic Talkhouse two-parter, we've actually got three speakers: Andy Stack, who's best known as half of Wye Oak, but who's also made some solo records under the name Joyero. Along with him is Jay Hammond, with whom Stack recently made a great instrumental record, and Joe Westerlund. I'll start with Westerlund, and I'll try to do his bio justice: He started out in the Wisconsin band Deyarmond Edison, which has a massive retrospective box set coming out this year, and which is best known as the band that started Justin Vernon of Bon Iver down his musical path. Westerlund has also contributed to lots of other song-based music over the years, drumming for the likes of Califone and his project Megafaun. But it definitely feels like Westerlund has found his true calling in his solo instrumental work, including the recent Elegies for the Drift, whose compositions were largely inspired by important people in his life who'd passed away recently. It's a gorgeous, emotional ride. Check out “The Circle,” which is dedicated to Akron/Family's Miles Cooper Seaton, a friend of Westerlund's who tragically died in a car crash in 2021. It makes sense that Westerlund got together for a chat with Andy Stack and Jay Hammond, because they all have North Carolina in common: It's become something of a refuge for a bunch of bands over the past few years, with their friends in Sylvan Esso building a studio there, and lots of folks—including both members of Wye Oak—taking up residence there. Stack and Hammond got together recently and struck gold with a series of electro-acoustic improvisations that they winnowed down to album length and titled Inter Personal—a nod to the connection that they deepened by making this music together. Check out “Life on a Ship” right here.  Thanks for listening to the Talkhouse Podcast, and thanks to Johanna Samuels, Jenn Wasner, Andy Stack, Jay Hammond, and Joe Westerlund for chatting. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

Back again and this time with excellent guest, Mark Neeley an animator and frequent contributor to one of my favorite online publications, Aquarium Drunkard. We talk about his work, Grateful Dead, and more. After the talk, I play you an extremely relevant selection of Grateful Dead music. Also in this episode, I have a stack of outstanding new and upcoming music to share with you so, get ready to fill up your Bandcamp carts with some terrific new tunes.You can find a bunch of Mark's work on Aquarium Drunkard but you can find so much more via his own website, MarkNeeley.com.Here are those all-important bandcamp links I promised:Tacoma Park's new, self-titled album is available here.Turner Williams Jr.'s "Briars On A Dewdrop" is available here or at Feeding Tube Records.John Andrews & The Yawns' "Love For The Underdog" is both on Bandcamp and at Woodsist Records.James Waudby's "On The Ballast Miles" can also be found at Bandcamp.Joe Westerlund's "Elegies For The Drift" is available via Bandcamp.The Brokedown Podcast is part of Osiris Media. Osiris is creating a community that connects people like you with podcasts and live experiences about artists and topics you love. Check out osirispod.com for more!If you would like a BrokedownPod t-shirt or sticker or other merch in that vein, please head over to my Redbubble virtual merch table. All proceeds go straight toward hosting costs and are much appreciated.The Brokedown Podcast is on Mastodon! My account can be found @rowjimmy@shakedown.social. I still have an Instagram account under the handle, @brokedownpod. If you like pictures of things, you can find that here: BrokedownPod Instagram. Also, if you use Apple Podcasts, please consider posting a review as it really help get the word out.Also, please keep sending your metaphorical cards and letters. Leave a comment on the blog or hit me up on any of the above social media. Let me know what I'm doing right, wrong, or horribly wrong.

Lonnie Holley's Oh Me, Oh My is a continuation of his exploration of the darker rooms of our history that were the centerpiece of his 2018 album Mith. On that release, Holley seemed content to simply illuminate for the sake of awareness. Oh Me, Oh My finds the lauded artist/poet/musician settling for nothing less than carrying the listener to a home in the light that everyone, Holley seems to argue, deserves no matter what hardship came before. It's a message of hope that will thaw even the coldest of hearts, and an early (and easy) contender for the best album you are likely to hear in 2023.PLUS! Eduardo and Kevin are spinning tracks from percussionist Joe Westerlund's new LP Elegies for the Drift and Los Angeles music collective Wild Up's exploration of the work of Julius Eastman!Discussion Guide0:00 - Shop Talk5:15 - Tracks we love24:43 - Oh Me, Oh My1:01:15 - Apple Classical Music App / Wrap upSupport this show http://supporter.acast.com/discologist. Hosted on Acast. See acast.com/privacy for more information.

Welcome to Episode 39! Conrad Life Report is a podcast about life, including digital media, music, books, food, drink, New York City, and more. Episode 39 topics: Intro theme: none, COVID-19, quarantine amorphous start dates, quarantine daily life, new routines, remote schooling, zoom meetings, social life in the basement, Mom and Dad in Cincinnati, Dad nursing home, health workers, Roth McCue, Bar Great Harry, Threes Brewing direct delivery, Until The End Of Time by Brian Greene, Reveries In The Rift by Joe Westerlund, We're New Here by Makaya McCraven, Dokken, David Lee Roth, S.O.D., R.E.M., Ozzy Osbourne, outro music: none.

Welcome to 5 Things You Need to Know for March 20, 2020. We're back with some music and podcast news, and to try and share some positivity with all of you. For music news in this rapidly changing environment, please check out JamBase.com/coronavirus.#1—Kendall Street Company, Live from the Looking Glass, Saturday, March 21, 8:30pm ET. Starting this weekend, Osiris will be presenting original podcast and video content, including live concerts. This first show, featuring Kendall Street Company live from Charlottesville, will be streamed live on Saturday, March 21 at 8:30pm ET. Please visit this link for the stream!#2—David Gans on No Simple Road. The family welcomes David Gans to the show. He's the author of Playing in the Band: An Oral and Visual Portrait of the Grateful Dead, and the host of the weekly syndicated radio show The Grateful Dead Hour, and co-host of Tales from the Golden Road on Sirius XM. #3—HF Pod talks with deaf and hard of hearing fans. HF Pod hosted a roundtable with a group of deaf and hard of hearing fans and interpreters about their experiences at Phish shows and their experiences with music in general. #4—Brokedown Podcast featuring Ryan Jewell and Joe Westerlund. Jonathan brings you a big episode to help you through these weird, wild times. Drummers Ryan Jewell and Joe Westerlund join the show in separate chats to discuss their new albums, music that inspires them, and The Grateful Dead!#5—Backline steps in to help music professionals at this time of crisis. We spoke with Kendall Deflin, co-founder of Backline about what Backline is doing to help artists and others working in the music industry. Visit their site to see what they're up to and to get involved. The Drop is brought to you by Osiris Media, hosted, produced and edited by RJ Bee. The Drop is brought to you by CashorTrade, and Osiris Media works in partnership with JamBase. Until next time… See acast.com/privacy for privacy and opt-out information.

Hey there, Dead Freaks! We've got an epic episode coming at you to help pass a bit of these weird wild times. Drummers, Ryan Jewell and Joe Westerlund join the show in separate chats to discuss their new albums, music that inspires them, and The Grateful Dead!Ryan Jewell is returning (see ep. 49) to discuss his previously delayed but now available Mosses album, T.V. Sun (digital, direct via Ryan's instagram). We also get into some of the shows I've seen him play since he was on and several new other records he's been on, too!Joe Westerlund is a player that I've know since he was in the terrific group, Megafaun. These days, in between working with Sylvan Esso on a recent tour and backing Mandolin Orange, Joe has made a beautiful record called, Reveries In The Rift (digital, physical).Allow me to remind you that the Brokedown Podcast is part of the Osiris Media. Osiris is creating a community that connects people like you with podcasts and live experiences about artists and topics you love. Sign up for the newsletter at OsirisPod.com to stay in the loop. Also,  Osiris Media works in partnership with JamBase, which connects music fans with the music they love and empowers them to go see live music. Check them out at JamBase.com.Don't forget to follow the @BrokedownPod twitter account for regular news, live tweetstorms of shows as I listen, and other minutiae. We also have an Instagram account with the same handle. If you like pictures of things, you can find that here: BrokedownPod Instagram. Also, if you use iTunes, please consider posting a review as it really help get the word out.Also, please keep sending your metaphorical cards and letters. Leave a comment on the blog or hit me up on any of the above social media. Let me know what I'm doing right, wrong, or horribly wrong.

Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s historic 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region. This week, a very special episode. Ozark Highlands Radio partners with Oxford American Magazine to bring Chapel Hill, North Carolina based rising contemporary folk and Americana superstars “Mandolin Orange,” recorded live at South on Main in downtown Little Rock, Arkansas. Also, an interview with Oxford American Literary Project executive director Ryan Harris. Mandolin Orange are joined in this performance by Eli West on guitar & banjo, Josh Oliver on electric guitar, Clint Mulligan on Bass, and Joe Westerlund on drums. “The Oxford American is a nonprofit organization with a mission to explore the complexity and vitality of the American South through excellent writing, visual art, and events programming. Our quarterly print magazine was founded in 1992, and, in addition to winning four National Magazine Awards, has helped launch the writing careers of such noted authors as Jesmyn Ward and John Jeremiah Sullivan, while publishing beloved writers like Charles Portis, Nikky Finney, Peter Guralnick, and many others. “Our concert series at South on Main in Little Rock is an extension of the magazine, creating meaningful opportunities for the community to experience the most culturally significant artists in our region. “The OA has a longstanding history of curating great music. Our Winter 2018 issue is dedicated to the music of North Carolina. It is our twentieth installment of the series, which the Houston Chronicle calls "the single best music-related magazine of any given year." Each music issue comes with a sought-after CD, curated by the editors to showcase the region's hugely varied musical legacy.” More information about Oxford American programming, the magazine, and their mission can be found at https://www.oxfordamerican.org “Mandolin Orange is an Americana/folk duo based out of Chapel Hill, North Carolina.The group was formed in 2009 in Chapel Hill, North Carolina and consists of the group's songwriter Andrew Marlin (vocals, mandolin, guitar, banjo) and Emily Frantz (vocals, violin, guitar). Mandolin Orange has produced five albums of Marlin's original works of American roots music. In the last three years, the group has toured throughout the U.S and Europe, including appearances at Austin City Limits, South-by-Southwest, Telluride Bluegrass Festival, Newport Folk Festival, Pickathon, and Merlefest. They signed to Yep Roc Records in 2013 and have produced four albums under their umbrella, This Side of Jordan, Such Jubilee, Blindfaller and Tides of a Teardrop.” Learn more about Mandolin Orange at - http://www.mandolinorange.com/#home-section In this week’s “From the Vault” segment, musician, educator and country music legacy Mark Jones offers a 1981 archival recording of Ozark originals Pat & Bob Momich performing the traditional tune “Soldier’s Joy,” from the Ozark Folk Center State Park archives.

From FUV's Alisa Ali, 2012: 'The 'story' behind Field Report is that Chris Porterfield used to be in a band called DeYarmond Edison with Justin Vernon (a.k.a. Bon Iver) along with brothers Brad and Phil Cook, and Joe Westerlund, who are currently in the band Megafaun. The guys are all still good friends, and there is no bad blood at all. In fact quite the opposite: Vernon actually invited Porterfield and Field Report to his studio to record their debut album, which for the record (pun intended) is gorgeous. The album is very lyrically driven, which is interesting because Chris didn't start writing lyrics until much later in his music career. He used to consider himself just a 'background player' in DeYarmond Edison. Normally it really is a tragedy when a great band breaks up, but in this case DeYarmond Edison gave rise to three fantastic bands, with Field Report being the last one to form. Hard to say which is best of the three, but easy to see that they are all very talented.'

Join us for a conversation with musicians Brad Cook and Joe Westerlund of the band Megafaun, moderated by Duke faculty Laurent Dubois. Presented by Duke Performances and the Franklin Humanities Institute. On September 17, 18, and 19, Megafaun & Fight the Big Bull will perform in a series of three live-recorded concerts at the Hayti Heritage Center. The two groups will team up for the three nights of concerts with Justin Vernon of Bon Iver and Sharon Van Etten to perform tunes from Alan Lomax's seminal collection of folk songs, Sounds of the South. John Hope Franklin Center