Podcasts about Drummer

Kerry and Lisa join 14-time ACM Drummer of the Year and esteemed session musician Eddie Bayers to discuss his legendary career. Eddie talks about his beginnings as a child in a military family and how he became one of the best musicians in the industry. Eddie also shares how he gets ready for a studio session, the importance of branching out into multiple genres, and his Country Music Hall of Fame induction story. 

Start managing your money better today at rocketmoney.com/cocktalesKiki and guest co-host Dree Taylor are back with another hilarious and chaotic episode of CockTales: Dirty Discussions. This week they discuss weird sex stories, fake industry friends, podcast life, dating preferences, New York culture shock, motherhood, and why some people really need attention 24/7.The conversation gets deeper when they respond to a listener struggling with whether to distance themselves from a family member accused of domestic violence — and how families often protect toxic behavior behind closed doors.The girls also open up about burnout, evolving friendships, preserving your energy in media, and whether podcasts have officially become the new talk shows.Start managing your money better today at rocketmoney.com/cocktalesGet 10% off Drive Boost from VB Health with code COCKTALES visit vb.health todayDownload Feeld in the App Store or Google Play.Follow our Special Guest CoHost Dree Taylor @_dreetaylorContact us!Advice: advice@cocktalespod.comCockTales: cocktales@cocktalespod.comYou can also leave a voicemail instead of an email for advice and cocktales!! 404-692-0039Join Patreon to help support the show! www.patreon.com/cocktalesGet Your Merch & Order Your Card Game  www.imcurioustoknow.comBali With Kiki! The Travel Tribe Experience: https://travel.kikisaidso.com/BaliGet Klassy Baste! Learn to Cook with Kiki www.klassybaste.comJoin Kiki's Book www.patreon.com/kikisaidsoTravel With Medinah! https://paradiseandvibe.comDONATE TO MEALS ON WHEELS ATLANTA (MOWA)- https://www.mowatl.org/donationsMOWA TASTE May 29, 2026 LINK : onecau.se/_fv6xa1Dear Lover Girl : https://dearlovergirlbymedinah.substack.com/?r=qjp94&utm_campaign=pub-share-checklistBecome a supporter of this podcast: https://www.spreaker.com/podcast/cocktales-dirty-discussions--2818687/support.CONNECT WITH USFollow the hosts and join the conversation after the episode:Kiki Said So (Kiara Walker)Instagram: @kikisaidsoTikTok: @kikisaidsoMedinah MonroeInstagram: @coffeebeandeanTikTok: @medinahmonroeCockTales: Dirty Discussions PodcastInstagram:@cocktalespodcastTikTok: @cocktalespodcastWant to be a guest on CockTales: Dirty Discussions?We are always looking for interesting guests, experts, and storytellers to join the show. If you would like to be considered, please fill out our guest submission form here:Guest Interest Form

My monthly effort to keep the feed alive brings you a race report from my recently completed Drummer Hill 50K trail race. Hosted on Acast. See acast.com/privacy for more information.

In this week's episode, both of our storytellers reflect on the ways we try to hold onto the people we love.Part 1: Gwendolyn Napier is left heartbroken when harsh Atlanta weather destroys the trees planted to honor her family members.Part 2: Bimini Wright looks back on her childhood spent aboard a research boat, studying tuna alongside her larger-than-life fisherman father.Gwendolyn J. Napier aka “Miss LuvDrop”. Native of Atlanta, Georgia. Retired Educator from Fulton County Schools. Founder of LuvDrop Productions - The “Heart of Storytelling” sharing One Story at a Time. Fun Educational Entertainer - Storyteller, Singer, Poet, Drummer, Workshop Facilitator and more. She has been performing as a Storytelling Artist for over 16 years. Performing and Teaching Artist for the Georgia Council Of the Arts Registry. Performing Year-Round Storytelling Artist and Docent for the Wrens Nest House Museum in Atlanta, Retired Atlanta Ambassador for the Georgia Early Education Alliance for Ready Children and currently serving as the President of the Georgia Storytelling Network. She has performed in many Venues celebrating Juneteenth as the Historic Portrayal of Harriet Ross Tubman in “The Annual Atlanta Parade” for the last 8 years, Clarkston Georgia Juneteenth Events, Georgia Mountain Storytelling Festival, Georgia Storytelling Network Conference, National Association of Black Storytellers, Inc. Conference and Festival, Acworth Storytelling Festival, National Storytelling Network, Story Collider, Trees Atlanta, Roswell Roots Festival also including Schools, Churches, Libraries, and Performing Arts Theatres. Miss Napier has portrayed many other historical Women in History as Harriet Tubman, Bessie Coleman, Mahalia Jackson, Fannie Lou Hamer, Rosa Parks, Shirley Chisholm, Maria Van Burton Brown and more. Member of Kuumba Storytellers of Georgia, National Associations of Black Storytellers, Inc. including the Adopt-A-Tellers Program, Georgia Storytelling Network, & the National Storytelling Network. Bimini Wright is a writer, performer, and actor based in Brooklyn. She grew up in the tropical rainforests of Australia before trading it for the concrete jungle of New York. Her work spans theater, journalism, comedy, and live performance, with stories that blend humor, vulnerability, and sharp observation. She is also, at times, a professional mermaid and the reigning Miss Subways 2025. When she's not onstage or on the page, she can be found crafting something weird and hanging out with her adopted pet pigeon.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Morgan grew up in a small town in Kansas. No blueprint for this. No obvious path to musical theater. She found her way to NYU, studied West African music under Valerie Naranjo — which rewired the way she hears everything — and started building relationships one sub at a time.Now she's 600 shows into the national tour of A Beautiful Noise: The Neil Diamond Musical. And the way she talks about this industry is the kind of honest I don't always get on this podcast.We got into some really cool things:— What she does at the kit during the show that nobody expects, and why it actually works — The subbing etiquette mistakes that quietly end reputations before they start — A blacklist situation she handled with more integrity than most veterans twice her age — What ego, patience, and sitting with uncertainty actually look like when you're learning from the people ahead of youCheck out her site: https://www.morganparkernyc.comThis Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.This is why I started Broadway Drumming 101. Not to give people a checklist. But to share access with people who figured it out — and let you hear how they actually talk about it.The video is embedded above. Audio is available on every podcast platform.If this is your first episode…welcome! Stick around.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

On today's show, an anthology where Black women writers share their thoughts on rest, grief and intimacy. Then, Sheila E. talks about her early days as an artist and her upcoming show in East Palo Alto.

JKL Media hosts Jesse, Karen, and Lou recap The Expanse Season 3 premiere "Fight or Flight," praising its immediate momentum and debating the title's meaning. They focus on the Rocinante crew's split over going to Tycho versus Io, with Holden pivoting to help Prax find his daughter and Amos and Alex backing him while Naomi faces backlash for betraying the crew and giving the protomolecule to Fred Johnson. On Earth, they condemn Errinwright's manipulation of the Secretary-General and his attempt to frame Chrisjen Avasarala as war with Mars escalates, while noting the looming protomolecule threat on Venus and traces still on the Roci. They discuss Fred Johnson and Drummer's uneasy alliance with Dawes and the plan to recover the Nauvoo, highlight Bobbie's standout action-driven escape with Chrisjen and Cotyar, and react to Alex's emotional message to his family. 

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Simon Phillips is a Grammy award nominated drummer, producer and songwriter He is one of the most acclaimed drummers of the modern era. He's a rock and fusion guy who has performed with a Who's Who in music including Toto for 22 years, Jeff Beck, Jack Bruce, Peter Gabriel, Gary Moore, Judas Priest, Pete Townshend and The Who. His new album is called Protocol 6.  My featured song is the live version of my reimagined version of The Who's “I Can't Explain”, from the album It's Alive by my band Project Grand Slam. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Testimonials Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH SIMON:www.simon-phillips.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —---------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

Performance and Works used with permission from the artist and venue. Bassist Carlo De Rosa is a veteran of both the New York and Miami jazz scenes. The Michigan native performed on Yo-Yo Ma's 2009 Grammy Award Winning Album Songs of Joy and Peace and two other Grammy nominated albums. For this trio performance, he's joined by Grammy wining Pianist Luis Perdomo, whose work with Miguel Zenon has yielded 12 albums. They're also joined by Drummer and Composer Adam Cruz. An in demand and critically acclaimed drummer, Adam's most noteworthy work to date includes recording and touring with Chick Corea and Origin. From April 4th, 2025 it's the Carlo de Rosa Trio…Live at the Bop Stop.

The Rock and Roll Machine that was Triumph the Canadian band of the 1980s has finally reunited and are back on the road together for the first time in 38 years. Dummer Gil Moore tells Nestor about the magic power to get back on stage and on a tour bus with Rik Emmett and see the fans respond to "Hold On" and "Lay It On The Line" in an arena setting. Go see 'em on May 28th at Camden, N.J. when the show gets local. The post Drummer Gil Moore of Triumph tells Nestor the magic power of putting the band back on road for first time since 1988 first appeared on Baltimore Positive WNST.

Joining us a couple of days after his 62nd Birthday is one of the icons of BritPop. As the drummer in Blur he had a front row seat for the 90s music scene, and thankfully he had the forethought to photograph a lot of it. Now collated into a book 'No One You Know' he's in a nostalgic mood, and in our conversation we reminisce on Smash Hits, life before camera-phones and that time Blur played the first gig on Mars... no really! It's a fascinating chat, and if Blur's music has played a part in your life - drop us a note to let us know what you thought of the episode - you can email hello@whitewinepod.comCheers Hosted on Acast. See acast.com/privacy for more information.

In this episode, Carl interviews legendary Cuban-born jazz drummer Ignacio Berroa who spent over a decade alongside the great Dizzy Gillespie and has performed with icons like McCoy Tyner, Chick Corea, Clark Terry, and Jaco Pastorius. Born into a distinguished Cuban musical family, Ignacio fell in love with jazz at age 11 after his father brought home a Glenn Miller Orchestra record, and he never let go of the dream, even when the regime he lived under made loving American music a punishable offense. Ignacio opens up about what life was really like inside Castro's Cuba: the state surveillance, the religious suppression, the secret nights spent tuning his radio toward Key West to catch Willis Conover and the Voice of America Jazz Hour. He shares the heartbreak of tasting freedom on tours through Spain and knowing he had to return to a country that felt like a prison, and the impossible loyalty that kept him from defecting because two people he loved would have paid the price. When the Port of Mariel finally opened in 1980, his cousin flew from New York and waited in the harbor for a month to bring him home. The conversation moves from the personal to the prophetic as Carl and Ignacio discuss the truth about Marxist regimes that today's young Americans never learned in school, the lessons of the Berlin Wall and Checkpoint Charlie, the four and a half years Ignacio's wife and son were held in Cuba as hostages while he tried to make it in New York, and why he believes the Cuban people deserve nothing less than full freedom. With his memoir The Path I Chose: My Story now available on Amazon, Ignacio offers a powerful testimony of resilience, faith, and the unstoppable pursuit of a dream.

On the phone-in: Listeners call with their questions and comments on invasive species. Our guests are Ken Donnelly and Hughstin Grimshaw-Surette. And off the top of the show, we speak with Andrew Scott, the drummer for Sloan. Today at NSCAD's convocation, he'll be named a Life Fellow. Scott quit his fine arts program at NSCAD back in 1991 when he decided to prioritize the band so he was three credits short of graduating. And we also hear some highlights from the municipal elections in New Brunswick.

  From a 10-bed lying-in hospital to Handel's Messiah, the Rotunda Maternity Hospital has operated continuously for 281 years. A Nurses' Week story. Summary Across the street from Danny’s Dublin hotel stood a large white institutional building with no signage. It turned out to be the Rotunda Hospital — the oldest continuously operating maternity hospital in the world, delivering babies in the same building since December 8th, 1757. Surgeon Bartholomew Mosse founded it after losing his wife and child in childbirth, trained as a midwife in Paris at a time when physicians were penalized for practicing midwifery, and returned to Dublin determined to build something that didn’t yet exist. The first version had 10 beds and delivered 190 babies in its first year, with one maternal death. Unable to raise money for a larger hospital — no one wanted to fund poor women’s care — Mosse attended the world premiere of Handel’s Messiah in Dublin in 1742 and was inspired. He turned the future hospital site into a pleasure garden with orchestras, dances, and theater to attract wealthy donors. He was later imprisoned for debt, escaped through a castle window in Wales, hid in the mountains for three weeks, and died exhausted and broke in 1759, less than two years after the new hospital opened. Sara E. Hampson, one of Florence Nightingale’s original nurses, became the hospital’s first female superintendent in 1891 — a thread that ties Nurses Week directly to this building, Danny almost walked past. Click here to view the printable newsletter. More readable than a transcript. Contents Podcast episode on YouTube Episode Proem: No Signage, No Appointment, No Problem Hello. Welcome to 2026 Nurses Week, May 6th through 12th. I’m very proud to be a nurse. I’ve been a nurse for 50 years. And my grandson’s going to nursing school next year. He’s graduating as a senior and will attend Loyola University in Chicago for its nursing program. I’m very proud. I want to tell you a story about one of the most significant things that happened during our trip to Ireland a couple of weeks ago. We were staying in the north-central city of Dublin, Ireland. Across the street, I saw a big white institutional facade with no signage. It looked like the side of the building. Next to it, on its right, was a dome with a more modern sign that read “Ambassador”. So, I went into the hotel and asked, “So what’s this building?” And they didn’t know. I looked it up, and it turned out to be the Rotunda Hospital. The Rotunda Hospital is the oldest freestanding maternity hospital in the world. Midwifery Was Scandalous. He Did It Anyway. Now let me see. I’ve got some notes here. The hospital was founded in 1745 by a man named Bartholomew Mosse, M-O-S-S-E. He was a certified surgeon. His wife and child died in childbirth. After this tragedy, he left Ireland to serve as a doctor with the British Army. While he was away, he received midwifery training at a hospital in Paris and obtained his midwifery license, which was unusual. In fact, fellows of the Royal College of Physicians were even penalized if they practiced midwifery. But Mosse wanted to change that. So, he built this small place, 10 beds, that… Let’s see, when did it open? I guess it opened in 1745. Mosse’s ambition was to build a dedicated maternity hospital in Dublin to provide medical care and shelter to the city's penniless mothers. This came after he encountered unspeakable conditions during his practice, particularly in the aftermath of the 1739 famine. So he established this 10-bed hospital. It was in a small theater called the New Booth Theatre. It says here that it was the first lying-in hospital of its kind in the world. It had only 10 beds, but in its first year, 190 babies were born, and just one mother died. But obviously, they couldn’t meet demand with 10 beds. When No One Funds Poor Mothers, Try Dancing Mosse tried to raise money to build a larger hospital, but nobody really wanted to give money to poor women. So he happened to attend the world premiere of Handel’s Messiah on April 13, 1742. While he was there, he was inspired to raise money by entertaining the wealthy. Somebody sent me a picture of the Handel statue that’s in front of the theater where the premiere was, which I thought would be interesting. According to my research, on the evening of April 13th, 1742, Handel conducted the world premiere of his Messiah on Dublin’s Fishamble Street, and Mosse was present. Historians suggest that this moment crystallized Mosse’s idea of using high-society entertainment to fund a hospital for the poor. So Mosse turned the proposed hospital site into a pleasure garden with a live orchestra, theatrical performances, and dances in a coffee house, marrying philanthropy with frivolity to reach the wealthy. Debt, Daring Escape, Death Here’s a little interesting tidbit. Lotteries nearly destroyed Dr. Mosse. Before he was able to return to Ireland, he was arrested and charged with being 200 pounds in debt, and he’s thought to have been imprisoned in Beaumaris Castle in Anglesey, Wales. The story was that he managed to escape through a window and hid in the Welsh mountains for three weeks before reaching Ireland. He then vindicated himself by publishing his receipts and lottery accounts, whatever. But less than a year after the hospital opened, he was taken seriously ill, exhausted, heavily in debt, and petrified about the prospect of arrest and imprisonment. He died on February 16th, 1759. Fix the Air, Save the Babies. Then and Now. Around 1781, when the hospital was poorly ventilated and every sixth child died within nine days of birth, they realized the problem was poor ventilation. Ventilation was improved, and mortality dropped to 1 in 20 over the following five years. They’re also planning to celebrate their millionth birth in 2026. It’s just amazing. I met a saleswoman in a sweater store who asked where we went in Dublin. When I told her about the Rotunda Hospital, she said she had a difficult pregnancy and birth without insurance. She received care at the Rotunda Hospital, with her baby in neonatal intensive care for three weeks and herself as an inpatient for two weeks. Awesome care! So, when we were there, I, an old white guy in a wheelchair, motored into the Rotunda Hospital and stopped at the registration desk to ask if I could speak with someone. I had not made an appointment. I was leaving the next day. Very nice people. I tried to get hold of people in their library, research, and marketing, but they were busy, of course. Oldest? It's Relative. I’m really impressed by the idea of being the world's longest-operating specialist hospital. I was trying to get some perspective on that, so I looked up the oldest continuously operating hospitals, and here’s what I learned. I learned that in the United States, the oldest continuously operating hospital is Bellevue Hospital in New York City, which opened in 1736 as a six-bed infirmary.[1] So, it began as a haven for the indigent and is still a major public hospital on the East Side of Manhattan. It opened nine years before Mosse opened his first lying-in hospital. The other long-running hospital is the Pennsylvania Hospital in Philadelphia[2], established in 1751 by Benjamin Franklin and Dr. Thomas Bond. It’s still operational as part of the University of Pennsylvania Health System. The oldest hospital is the Hôtel-Dieu in Paris[3], which officially opened in 650 AD, and that’s the hospital where Mosse became a midwife. There’s St. Bartholomew’s Hospital in London, founded in 1123[4]. And there’s the Hospital de Jesús Nazareno in Mexico City, opened in 1524. But really, the Rotunda is the oldest maternity-only specialist hospital, continuously operating in the world, which is a more specific and arguably more impressive claim than the general acute care hospitals Bellevue and Hôtel-Dieu, which have both moved buildings, changed missions, and been rebuilt. The Rotunda has been delivering babies in the same building since December 8th, 1757. That’s really something. Reflection: Nightingale Was Here Too So, let’s bring this back to Nurses Day and to Florence Nightingale. Interestingly, Sara E. Hampson was one of the original Nightingale nurses and the first lady superintendent of the Rotunda Hospital in 1891. So yay, nursing. Yay, history. I’m really looking forward to exploring more of this amazing hospital in Dublin. I wonder who was in charge all these years, and how it survived past Mosse and through those first decade or first few years? And then, how did the Rotunda Hospital survive war, famine, pandemics, and technological change? What research occurred there? Is there a diaspora of Rotunda alumni? Anyway, more to come. Thanks. Referenced in episode [1] By Harper’s Weekly – Harper’s Weekly, Public Domain, https://commons.wikimedia.org/w/index.php?curid=6014479 [2] William Strickland (1788-1854) Engraver: Samuel Seymour (1796-1823), Public domain, via Wikimedia Commons [3] I, Clio, CC BY-SA 3.0 , via Wikimedia Commons [4] See page for author, CC BY 4.0 , via Wikimedia Commons Are you part of the Rotunda Hospital diaspora? Find me at dannyhealthhats@gmail.com. Tell me your version. Please comment and ask questions: at the comment section at the bottom of the show notes on LinkedIn  via email YouTube channel  DM on Instagram, TikTok to @healthhats Substack Patreon Production Team Kayla Nelson: Web and Social Media Coach, Dissemination, Help Desk  Leon van Leeuwen: editing and site management Oscar van Leeuwen: video editing Julia Higgins: Digit marketing therapy Steve Heatherington: Help Desk and podcast production counseling Joey van Leeuwen, Drummer, Composer, and Arranger, provided the music for the intro, outro, proem, and reflection Claude, Perplexity, Auphonic, Descript, Grammarly, DaVinci Inspired by and Grateful to: Dr. Lisa Masinter and Dr. Michele Whitt, Janice Tufte, Linda DeRosa, Luc Pelletier, Cherie Binns Photo Credits  Ann Boland, Paul Boland, Janice Tufte, Danny van Leeuwen, and as referenced in the transcript Related episodes from Health Hats https://health-hats.com/pod133/ https://health-hats.com/ob-nurse-cannabis-nurse/ https://health-hats.com/build-it-and-they-will-come/ Artificial Intelligence in Podcast Production Health Hats, the Podcast, utilizes AI tools for production tasks such as editing, transcription, and content suggestions. While AI assists with various aspects, including image creation, most AI suggestions are modified. All creative decisions remain my own, with AI sources referenced as usual. Questions are welcome. Creative Commons Licensing CC BY-NC-SA This license enables reusers to distribute, remix, adapt, and build upon the material in any medium or format for noncommercial purposes only, and only so long as attribution is given to the creator. If you remix, adapt, or build upon the material, you must license the modified material under identical terms. CC BY-NC-SA includes the following elements:    BY: credit must be given to the creator.   NC: Only noncommercial uses of the work are permitted.    SA: Adaptations must be shared under the same terms. Please let me know. dannyhealthhats@gmail.com  Material on this site created by others is theirs, and use follows their guidelines. Disclaimer The views and opinions presented in this podcast and publication are solely my responsibility and do not necessarily represent the views of the Patient-Centered Outcomes Research Institute®  (PCORI®), its Board of Governors, or Methodology Committee. Danny van Leeuwen (Health Hats)

Send me a text and please visit www.livefrommydrumroom.com A LIVE Masterclass! My guests are legendary drummer, author, educator and founding member of Tower Of Power, David Garibaldi, Bill Gibson of Huey Lewis & The News/Sons Of Champlin, drummer and educator, Henrique De Almeida, and Chief Of Operations at the Drum Set Coach Academy, Erika De Almeida. A LIVE Masterclass with David & Henrique, and a preview of this year's Drum Set Academy Summer Camp June 22-26. There are still a few slots available for this year's Drum Set Coach Summer Camp June 22-26. https://www.thedrumsetcoach.com/2026-summer-camp Visit The Drum Set Coach Academy website: https://www.thedrumsetcoach.com/tdscacademy Order David Garibaldi's NEW book "Beat Collector's Manual" - cover art by David himself! https://hudsonmusic.com/product/beat-collectors-manual/ Live From My Drum Room™ T-shirts and Hoodies are now available! 100% of the proceeds go toward my PAS scholarship. Visit https://livefrommydrumroom.com for details!     Live From My Drum Room!™ is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, Live From My Drum Room!™ gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!https://livefrommydrumroom.comwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

On this episode of Exclusively Van Halen, we celebrate the birthday of the legendary drummer and co-founder of Alex Van Halen!

My guest, Bobby Sanabria, is a 7 time Grammy nominee. He is noted drummer, percussionist, composer, arranger, conductor, producer, documentary filmmaker, bandleader...and most important to me, educator. He has played with some of the all time greats, including Dizzy Gillespie, Mongo Santamaria, Tito Puente, Celia Cruz, Ruben Blades, Randy Brecker, to named a few. He was named Percussionist of the Year in 2011 and 2013 by Jazz Journalist Association. He has a radio show in the New York area entitled, "Latin Jazz Cruise" on WBGO FM (wbgo.org). Simply a magnificent episode not to be missed!  Produced, directed, edited and hosted by Stephen E Davis. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Are you struggling to maintain an ADHD exercise routine that actually sticks? Join us as we explore how to simplify your fitness approach using neuroscience-backed strategies designed specifically for the ADHD brain. We've all been there. You start a new routine with high energy, stay consistent for a few days, and then life happens. Before you know it, you've fallen off the wagon and feel too discouraged to start again. In this episode, we do a deep dive into simplifying your exercise routine to boost focus, reduce anxiety, and even improve memory. We'll discuss insights on why consistency beats intensity and how small, manageable changes can lead to life-changing results. ADHD Health and Wellness Workshop (May 12th & May 19th): https://www.drummerinthegreatmountain.com/workshop FREE RESOURCE: Download the free five-day mini-course at: https://www.drummerinthegreatmountain.com/mini-course GET THE BOOK: This podcast is an audio companion for the book, "The Drummer and the Great Mountain - A Guidebook to Transforming Adult ADD / ADHD." Episode Timestamps: (00:00) – Introduction to the ADHD Health and Wellness Planning Workshop (01:12) – Session recordings and registration details (01:59) – Welcome and host introduction with Michael Joseph Ferguson (02:05) – Today's topic: Simplifying your exercise routine (02:44) – The neuroscience of exercise: How it increases memory by 16% (02:55) – Announcement: New visual hardcover book release (03:44) – Why we get stuck in the cycle of "failed" routines (04:38) – Why exercise is critical for managing ADHD tendencies (05:16) – Study: 10–15 minutes of moderate cardio for executive function (05:57) – Reducing cortisol and stress through consistency over intensity (06:25) – The "Morning Spike": Why time of day matters (07:30) – Indoor vs. Outdoor: The power of "Green Exercise" (08:32) – Barefoot exercise: Grounding, brain waves, and memory (11:16) – Tip 1: Keep it to 10–15 minutes a day to avoid overwhelm (11:56) – Tip 2: Exercise as a non-negotiable (with or without meds) (12:25) – Tip 3: The 3-day challenge to build a streak (13:16) – Tip 4: The benefits of hiring a trainer or finding a buddy (14:31) – Final summary and how to join the upcoming workshop In this episode, we'll explore: The 10–15 Minute Rule: Why setting a lower bar actually leads to better long-term consistency. The Power of Nature: Why exercising outdoors (Green Exercise) is more effective for reducing rumination than the gym. The Barefoot Advantage: How tactile demand on uneven terrain recruits working memory.  Vagal Tone and Grounding: Using direct electrical contact with the earth to shift into a parasympathetic state. Building a Support System: Why community and accountability are essential for maintaining a wellness plan. Morning vs. Afternoon: Understanding how to time your exercise for maximum cognitive protection. Links Mentioned in this Episode: (Workshop) ADHD Wellness Planning - May 12 & 19 (Study) Improved Cognition from Moderate Exercise (Study) Cortisol & Stress Reduction (Study) The "Morning Spike" for Cognitive Protection (Study) Barefoot Exercise: Nature & Rumination (Study) Barefoot Exercise: Efficacy for Clinical Anxiety & Depression (Study) Barefoot Exercise: Parasympathetic Response (Study) Barefoot Exercise: Working Memory Improvement Don't see a player? Click this link to download the MP3 file. If you have an Apple device (iPhone/iPad), you can download the podcast (and subscribe) for free at this link: https://itunes.apple.com/us/podcast/adult-adhd-add-tips-support/id988935339 Visit the podcast web page to listen to all 125 episodes: http://www.drummerandthegreatmountain.com/adult-adhd-add-podcast >> Take the ADHD Hunter-type Quiz Outro voice over by Lauren Regan.  Intro music: Island Day Trip by Alex Borg Episode photo credit: Siddharth Salve Outro music by Bahman Sarram For more info,

Damon gets to talk to Clayton about his new book, his new gig, passive income, and much more! There's also other segments like gig alerts and music news. 

The ACM Awards are coming, and we're not treating it like background noise. We lay out what to expect from the show in Las Vegas, how to watch on Amazon Prime, and what it means that Shania Twain is hosting for the first time. Then we make our ACM predictions with zero fluff, debating what “Entertainer of the Year” should actually reward, and why the new-vs-established “rivalry” narrative feels more like marketing than reality. From there we hit the week's music news with an eye for what matters: Morgan Wallen teasing a new era, Luke Combs setting huge concert attendance records, and the constant push toward genre blending across country, rock, and everything in between. We also talk about why certain artists thrive right now through touring, streaming, and fan engagement, and how that shifts the industry's gatekeeping. Then we dive into our question of the day: who is the best drummer of all time? We explain what to listen for as a non-drummer, read listener picks, and argue our way to a final ranking that's guaranteed to spark comments. We wrap with charts, birthdays, and a mailbag packed with practical music industry advice, including what to do after a TikTok blow-up, streams vs ticket sales, and how to handle gear failure in a high-pressure studio session. Subscribe for more, share this with a friend who will argue with our drummer list, and leave a review with your pick for best drummer of all time.Episode LinksJim Cristaldi: https://jayfranze.com/episode27/Bob Bullock: https://jayfranze.com/episode28/Dalila Mya: https://jayfranze.com/episode102/Mark Badolato: https://jayfranze.com/episode140/Stephanie Rabus: https://jayfranze.com/episode149/Send us Fan MailSupport the showLinksJay Franze: https://jayfranze.com/JFS Countdowns/Playlists: https://jayfranze.com/playlists/ContactContact: https://jayfranze.com/contact/SocialsInstagram: https://www.instagram.com/jayfranzeTikTok: https://www.tiktok.com/@jayfranzeX: https://x.com/jayfranzeYouTube: https://youtube.com/@jayfranzeServicesServices: https://jayfranze.com/services/BooksBooks: https://jayfranze.com/books/MerchandiseMerchandise: https://jayfranze.com/merchandise/SupportSupport: https://jayfranze.com/support/Sponsor the Show: https://jayfranze.com/sponsor/

JJ and Angus take a long journey with Elijah Snow as he conducts an excavation of the 20th Century's imagination!Comic Book Character Of The Month For April 2026:Elijah Snow > Planetary Book Onehttps://www.amazon.com/dp/B0734FMPTDThis book collects the adventures of Elijah Snow, a powerful, hundred- year-old- man, Jakita Wagner, an extremely powerful but bored woman, and The Drummer, a man with the ability to communicate with machines. Infatuated with tracking down evidence of superhuman activity, these mystery archaeologists of the late twentieth century uncover unknown paranormal secrets and histories, such as a World War II supercomputer that can access other universes, a ghostly spirit of vengeance and a lost island of dying monsters.Leave a message at kirbyskidspodcast@gmail.comPlease join us for our 2026 Graphic Novel Reads⁠⁠⁠⁠⁠⁠https://www.kirbyskids.com/2025/11/the-kids-talk-2026-kirbys-kids-graphic.html⁠⁠⁠⁠⁠⁠For detailed show notes and past episodes please visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.kirbyskids.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Hugo sits down with Alex Withmory — a fellow Peruvian, a wildly talented drummer, and someone Hugo has been rooting for since they crossed paths on a music video set seven years ago. In this one, they get into what it was like coming to LA barely knowing English, finding your footing in a music scene where Peruvians are few and far between, and how stubbornness can be your greatest strength and your biggest obstacle at the same time.Alex opens up about what it means to build your identity around your craft — and what happens when you start to question whether that's enough. They also touch on the role of AI in the music industry, why live music might be the last thing technology can truly replace, and the beauty of just saying yes to gigs and seeing where they take you. Don't lose faith. Lose fear.Become a supporter of this podcast: https://www.spreaker.com/podcast/sol-meets-heart--3691166/support.

Email the show / Leave us a Speakpipe / Discord Channel / Patreon Page   PMGB: Vampire Crawlers Next week: Aphelion Stu Pragmata Ultimate Drummer Vampire Crawlers The Night Cage Duke Rocket League / Once Human The Division Resurgence Going Medieval Sledding Game Vampire Crawlers Chinny Vampire Crawlers Minecraft

He helped build one of the greatest rock bands of all time, so why does everyone seem to hate him?  This week, drummer extraordinaire Andrew Rooney joins us to dig into the Lars Ulrich debate. Great drummer or overrated? Visionary leader or certified jerk? And does he actually deserve the hate he gets? Send us Fan MailSupport the show

En Mediterráneo recorremos esta semana distintas formas de vivir el presente. Desde Mientras Camino, el debut de Ana Brenes, un viaje flamenco continuo entre lo íntimo y lo colectivo, hasta BioCultura Barcelona 2026, donde hablamos con Montse Escutia sobre consumo responsable y pequeños productores. Cerramos en el Primavera Sound Barcelona 2026, con artistas que reinterpretan la raíz en clave contemporánea. Suena en Mediterráneo: Ana Brenes - NacimientoAna Brenes - Infancia del ColumpioAna Brenes - JuventudAna Brenes - Manifiesto del TrabajadorAna Brenes - Duelo el embargo Fouad Abdulwahed — Ya MobdaaSiba & Monkyman — DounanaGuitarricadelafuente — BabiecaGisela João — Vejam BemGuedra Guedra — Drift of DrummerClaudia Steccato feat. Enric EZ — De mica en micaEscuchar audio

This week Jeremy welcomes Chris Cresswell of the Flatliners and Hot Water Music. On this episode, Jeremy and Chris talk Rancid, kids concerts, Weird Al Yankovic, the evolution of the album cycle, Korn, post-tour depression,  playing with different drummers, ska punk, working with Steve Rizun, record collecting on the road, the new Flatliners album "Cold World", and so much more! SUBSCRIBE TO THE PATREON for a bonus episode where Chris answered questions by subscribers! FOLLOW THE SHOW ON INSTAGRAM / X

Damon gets to talk to M.B. about Maryland, life adventures, Frank Zappa, film scores and much more. There's also segments like gig alerts, music news, and others. 

Derrick and Jeff interview Memphis drummer Ken Artison, who works as a family engagement liaison at Power Center Academy Elementary School in Hickory Hill and plays drums for Elevation Memphis: A Tina Turner Tribute Experience and Just Liyah & Maxwell: A 90s tribute to Aaliyah and Maxwell. Ken shares how Stax Music Academy trained him in production, theory, and performance through a school-year program and summer music experience, and how young musicians can apply. He explains how he landed a long-running Sunday job at Al Green's Full Gospel Tabernacle Missionary Baptist Church, the connections it created, and his move into more rock-and-roll work. Ken recounts joining Elevation via an audition, discusses tuning drums to a bassist's lowest note, talks gear and cymbals, and names key drumming influences.   TIP BUCKET If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

Rich Pagano is a terrific drummer, singer, songwriter and producer. He's a solo artist and a member of The Fab Faux, the world's best tribute band. He's worked with just about everyone including Robbie Robertson, Ray Davies, Elvis Costello, Peter Frampton, and he's even done the soundtrack album for The Marvelous Mrs. Maisel. And he also does a lot of benefit work, including in honor of his late son Nic. My featured song is my reimagined version of The Beatles' “I Wanna Be Your Girl” from the album East Side Sessions by my band Project Grand Slam. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Testimonials Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH RICH:www.richpagano.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —---------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

Ryan Connors is a multi-instrumentalist, MD, songwriter, and producer based in Nashville. He is currently keyboardist, MD, and backup drummer for Hozier, and has also worked with many other artists and bands including Yola, Melinda Doolittle, and Dynamo. He also writes and produces his own original music. In this episode, Ryan talks about: How smaller college programs give you more opportunities to play The virtues of multiple disciplines vs. specialization Being able to “speak drum” as an MD and producer The benefit of closing some doors Getting to play with Gadd “Finding where it feels good and not leaving there” Loving the discovery and connection that happens in rehearsal  Leading by example as an MD in any given situation  Here's our Patreon Here's our Youtube Here's our Homepage

Straight out of Philly is Billy "Shoes" Johnson, one of my favorite drummers of all time on today's show. He was the MAN playing with Santana during the Supernatural tour and the sound on Da Le Yaleo! Billy riffs about his favorite musicians including Stanley Clark, Chick Corea, George Howard, Herbie Hancock, Tony Williams, and Jerry Brown. We are talking music history and Billy was in the jam.  Billy pays homage to his parents, siblings and Grandparents for listening to his drumming in his early years. "Put your ego in your back pocket and serve the music"....says Billy....inspired by Steve Gad. Hear the inside story of touring with Santana and going to school off of percussionists Karl Perrazo and Raul Rekow.   Their chemistry made Supernatural .....well supernatural! Learn the lesson of creating space with your drumming, especially with Santana. Remember, when you are playing drums, you are playing time. Find space in your time. Think of the big picture and the overall sound. Pay attention and listen. And remember, don't box in your lead guitarist...or anybody....especially if his name is Carlos Santana. A special thanks to our mutual friend, Mr. Dan Ashley, world class broadcaster at ABC, musician, and mentor for connecting us. Become a supporter of this podcast: https://www.spreaker.com/podcast/success-made-to-last-legends--4302039/support.

Bobby Z was there from the jump. He knew Prince early on and was the backbone of "The Revolution." He joined Vineeta to remember Prince and talk about his legacy as he looks back on 10 years since Prince left us. Photo courtesy of Bobby Z

Participatory governance in healthcare means asking the right people the right questions. Three stories where listening as leadership changed everything. Summary This episode is about listening as leadership — the gap between where knowledge lives and where decisions get made, and what it costs when we pretend that gap doesn’t exist. Three stories from my career as a nurse manager, quality director, and VP — three moments where participatory governance in healthcare produced the same result: a no to the status quo. Not a radical no. An obvious one. Obvious, that is, once someone finally asked the people living inside the system. Topics covered: Open visiting hours in the ICU — and what happened when staff pushed back Seven therapy visits, no prior authorization required — and what happened when the company was acquired A disability services resident on a board of directors — and the simple fix that improved every patient experience metric Why participatory governance is the fastest, cheapest diagnostic tool most health system leaders never use The honest difference between patient advisory boards and actually sharing power with patients What patient-centered care looks like when it moves beyond consultation into real shared decision making Click here to view the printable newsletter. More readable than a transcript. Contents Table of Contents Toggle EpisodeProemPart 1: ICU Doors OpenPart 2: Seven Visits, No Questions AskedPart 3: The Right to Say GoodbyeSynthesis: What's Common Across All ThreeReflection Podcast episode on YouTube Episode Proem I’ve spent most of my career in institutions, hospitals, managed care companies, and disability services agencies. These are large, slow-moving systems with their own inertia, logic, and knack for designing processes that work best for billing, and not so well for those receiving or providing services. I should know. I’ve been inside these systems as a clinician, boss, consultant, caregiver, and patient. The boldest changes I was part of didn’t come from a consultant’s report. They didn’t come from a board retreat or a leaders' strategic planning day off-site — though, Lord knows, I’ve sat through plenty of those. They came from the moment when someone, usually someone with very little institutional power, said: This doesn’t work. It’s hurting us. The hardest part wasn’t hearing that. The hardest part was finding the gumption to act. Institutions are good at explaining why things are the way they are. They have binders of policies for that. My secret as a consultant was embarrassingly simple: the people who hired me already had the answers they needed. The nurse who’d been there fifteen years knew. The member who couldn’t get her calls returned knew. I sought them out, listened, and translated their words into a PowerPoint that the boardroom could hear. I want to tell you about three times I got it right. Three moments when the change that mattered was a no. No to visiting hours that kept families from the people they loved. No to a prior authorization process that treated patients and clinicians like suspects and required an army to administer that suspicion. No to a system that let care aides disappear from people’s lives without warning or goodbye, as if the people whose lives they were in didn’t deserve a heads-up. None of these nos were mine originally. I heard them from a family pacing a waiting room, from a member who couldn’t get the help she needed, and from a man with a disability who sat on our board and told us, plainly, what it felt like to wake up one day to find that someone essential to his life was simply gone. Participatory governance sounds like it belongs in a policy manual, right between stakeholder alignment and learning organization. When participatory governance works, it's permission. Permission for the people living and working within a system to tell the truth about it. And the willingness, on the part of whoever’s in charge, to let that truth land. Even when it’s inconvenient. Especially then. Part 1: ICU Doors Open My first experience as a boss was as an ICU nurse manager, a job I got, I should mention, without ever having worked in an ICU or having been a boss. A story for another day. The honeymoon was short. Strictly prescribed visiting hours, ninety minutes in the morning, ninety in the evening, were leaving families miserable. I could see it. They could feel it. In collaboration with my bosses, the ICU medical director, and the chief nurse, I eliminated visiting-hour limits entirely. My staff, who had recruited me for the role, now deeply regretted it. I hadn’t consulted them or thought through the workflow implications. They were furious, and they weren’t wrong to be. But we kept the visiting hours open. Over time, something shifted. I learned how to be a boss. Nurses learned to include families in care and treatment. Patients and families arrived home better prepared. Physicians, for their part, didn’t much care either way. The lesson I learned: this was a story about control. Mine, the nurses’, and ultimately the families’. We eventually set up an informal patient and family advisory group, not because I had planned to, but because we needed them in the room. Part 2: Seven Visits, No Questions Asked My job title was Director of Quality at a behavioral health managed care company. If you’ve spent any time in managed care, you know what that means: Director of Trying to Get an A+ in Every Measure, Whether It Has Meaning or Not. Prior authorization was the centerpiece. A member needs therapy. Their provider submits a request. Someone on our end reviews it, approves or denies it, requests more information, waits, and follows up. The member waits. The provider waits. And somewhere in all that waiting, the person who needed help either got it, gave up, or got worse. I inherited this process. I did not invent it. My boss and I set up an advisory group with members on one side and providers on the other. We asked about their experiences with our company. They were not subtle. Members said the pre-auth process made them feel they had to prove they deserved care. Providers said the company’s default assumption was that they were lying. Neither response was a ringing endorsement. So, we experimented: seven visits, upon request. No authorization required. If a member or their provider asks, they get them. No forms, no review, no waiting. The result: outcomes held. Members received care faster. Providers stopped spending half their administrative time on the phone with us. And our call center, the engine room of the prior authorization machine, grew quieter. Then quieter still. A substantial portion of our staff spent all day managing a process that, in large part, was designed to manage itself. Strip it out, and you didn’t need nearly as many people to run it. The bureaucracy wasn’t protecting anyone. It was the cost. We had real data. Member satisfaction trended up. Providers, for the first time in recent memory, said something positive about the company. The advisory group had surfaced a truth that no quality metric had found, because no quality metric had asked the right people the right question. Then the company was acquired. New owners, new priorities, no appetite for any of this. The program was terminated, and the advisory group disbanded. I can only assume the prior authorization process resumed its proud tradition of making everyone miserable in the name of oversight. I learned that participatory governance surfaces the truth faster than most quality improvement methodologies I’ve encountered. But institutions don’t always want the truth. Sometimes they want the process. The process is familiar. It distributes responsibility. It means nobody has to decide. The advisory group uncovered a truth. It turned out that the people who bought the company got a veto. Part 3: The Right to Say Goodbye There’s a particular kind of organizational meeting where everyone knows something is wrong, the data is right there on the slides, and somehow the conversation goes nowhere. Lots of nodding. Lots of concern. Lots of commitment to further analysis. I worked as VP of Quality at an organization supporting forty thousand people with disabilities, many of them living in group homes, relying on personal care aides for the most intimate parts of daily life. Getting dressed. Eating. Toileting. Moving through the world. At my first Board meeting, we reviewed satisfaction survey results, which were poor. They were not nuanced, requiring careful interpretation. They told us something was bad. And we were doing what organizations do: analyzing, discussing, and scheduling follow-up meetings to review the analysis. We were not asking the people who lived there. The agency was committed to resident/patient participation in governance committees, including the Board; in this case, a resident of one of our group homes served on the Board. Not as a symbol. As a Board member. At one of these meetings, in the middle of what was shaping up to be another productive session of collective concern, he said something that stopped the room. He said: People leave without warning. A personal care aide, someone who helps you start each day, who knows how you take your coffee, which jokes make you laugh, and how you like your blanket folded, is just gone one morning. No notice. No goodbye. Someone new shows up, and you’re expected to adjust. He said it plainly, not as an accusation but as a fact. He apparently assumed, incorrectly, that we already knew. We didn’t. Or rather, someone knew. The people living in the homes knew. The aides probably knew. It just hadn’t made it into the meeting room until he put it there. The fix was insultingly simple. When an aide left, for any reason, residents would be told in advance. A chance to say goodbye. A proper introduction to whoever came next, rather than a key, an address, and good luck. That was the intervention. Advance notice, a goodbye, a hello — the basic courtesies we’d extend to anyone, anywhere, in any other context. Survey results improved dramatically in the next cycle. Not in one or two categories. Across the board. Because what was wrong wasn’t a program or a resource allocation. It was that the people living inside the system had been treated as though their experience of it didn’t count as information. The lesson I carry from that room is the simplest I know: the person living inside the system always knows. They know what’s breaking, what would fix it, and they’ve usually been waiting, sometimes for years, for someone to ask. You just have to put them in the room and believe them when they speak. The keyword is just. Just assumes a lot. Synthesis: What's Common Across All Three Three organizations. Three populations. Three problems, unresolved within systems staffed by smart, well-meaning people. In every case, the answer was already there. It lived in the wrong room. I want to be honest about something. Looking back, only one of these three was truly participatory governance: the man in the group home who served on our board. The ICU families and advisory group members had real influence but no structural authority. They could inform decisions, but they couldn’t stop them. That distinction matters, and I don’t want to paper over it. What they all shared was something simpler yet harder than governance design: someone with institutional power chose to ask, then chose to act on what they heard. The families pacing the ICU waiting room knew visiting hours weren’t protecting patients; they were protecting the unit’s sense of order. The members and providers in that behavioral health advisory group knew prior authorization wasn’t ensuring quality; it was ensuring paperwork. The man on our board knew what was breaking down wasn’t resources or staffing ratios. It was the simple human expectation of a goodbye. None of them needed a consultant. They needed someone with enough authority to ask the question and enough humility to sit with the answer. Here’s what I’ve come to believe: participatory governance, done seriously, is the fastest and cheapest diagnostic tool any leader has. Faster than a consultant. Cheaper than a task force. More accurate than a satisfaction survey that asks the wrong questions of the right people and calls it listening. The nos in these stories weren’t radical. They were obvious, embarrassingly obvious, once you asked the people who already knew. What made them feel radical was the gap between where the knowledge lived and where decisions were made. That gap has a name. Several, actually. We call it hierarchy, liability, chain of command, and expertise — the comfortable assumption that the people at the top understand a system better than those inside it every day. Sometimes that’s true. Often it isn’t. And the cost of acting as though it’s always true is borne by those with the least power to push back. The anxious family in the hallway. The member who couldn’t get through. The man in the group home who, generously, assumed we already knew what he was about to tell us. They were the experts. We had the org chart. Reflection Honestly, I’m proud of these three stories, but I’m not sure I deserve much credit. In each case, the hard work, the observing, the enduring, the knowing, was done by someone else. A family pacing a hallway. A patient who kept calling back. A man who showed up for board meetings and told the truth to a room that had been avoiding it. I contributed a willingness to ask and enough positional authority to act on what I heard. I'm struck by how long those answers had been waiting. The ICU families weren’t new. Frustration with prior auth wasn’t a surprise to anyone who’d navigated it. How long had group home residents been losing people without warning? Nobody seemed to know exactly, long enough that it had stopped registering as a problem and had started registering as just the way things were. That’s the part I can’t shake: the way systems normalize their own failures. The way this is how we do it becomes indistinguishable from this is the only way it can be done. And the people most hurt by that confusion are usually the least positioned to correct it. I got lucky. Three times, I was in the right seat, and the right person was willing to tell me what I needed to hear. Not every leader gets that, and not every leader goes looking for it. The question I’d leave you with — the one I still ask whenever I walk into a new system, a new organization, or any room where decisions are being made about people who aren’t present: Who already knows the answer? And what would it take to let them say it out loud? If you’ve been in that room — where someone finally said the quiet part and the right no was finally spoken — I want to hear about it. Find me at dannyhealthhats@gmail.com. Tell me your version. I promise you: it’s better than you think. And someone out there needs to hear it. Please comment and ask questions: at the comment section at the bottom of the show notes on LinkedIn  via email YouTube channel  DM on Instagram, TikTok to @healthhats Substack Patreon Production Team Kayla Nelson: Web and Social Media Coach, Dissemination, Help Desk  Leon van Leeuwen: editing and site management Oscar van Leeuwen: video editing Julia Higgins: Digit marketing therapy Steve Heatherington: Help Desk and podcast production counseling Joey van Leeuwen, Drummer, Composer, and Arranger, provided the music for the intro, outro, proem, and reflection Claude, Perplexity, Auphonic, Descript, Grammarly, DaVinci Inspired by and Grateful to: Jan Oldenburg, Laura Marcial, Ronda Alexander, Libby Hoy, Lacy Fabian, James Harrison Photo Credits  NASA Referenced in episode   Related episodes from Health Hats https://health-hats.com/patient-family-advisors-back-2-basics/ https://health-hats.com/teachable-spirit-patient-family-advisors/ https://health-hats.com/pod237/ Artificial Intelligence in Podcast Production Health Hats, the Podcast, utilizes AI tools for production tasks such as editing, transcription, and content suggestions. While AI assists with various aspects, including image creation, most AI suggestions are modified. All creative decisions remain my own, with AI sources referenced as usual. Questions are welcome. Creative Commons Licensing CC BY-NC-SA This license enables reusers to distribute, remix, adapt, and build upon the material in any medium or format for noncommercial purposes only, and only so long as attribution is given to the creator. If you remix, adapt, or build upon the material, you must license the modified material under identical terms. CC BY-NC-SA includes the following elements:    BY: credit must be given to the creator.   NC: Only noncommercial uses of the work are permitted.    SA: Adaptations must be shared under the same terms. Please let me know. dannyhealthhats@gmail.com  Material on this site created by others is theirs, and use follows their guidelines. Disclaimer The views and opinions presented in this podcast and publication are solely my responsibility and do not necessarily represent the views of the Patient-Centered Outcomes Research Institute®  (PCORI®), its Board of Governors, or Methodology Committee. Danny van Leeuwen (Health Hats)

Episode 102: Jimmy Chamberlin Today is the greatest day I've ever known, because one of my favorite drummers is here in my home. Jimmy Chamberlin changed the sound of rock music, MTV, and radio in the 90s when his drums were heard around the world. His approach to jazz, fusion, and rock all coming together helped create the unique sound of Smashing Pumpkins that no one had ever heard before. In this interview, we go deep on how Jimmy developed that sound, his approach to drumming, and his philosophies on music and life. We talk about how The Smashing Pumpkins became a band, and how they made their iconic albums Mellon Collie and the Infinite Sadness, Siamese Dream, and Gish, while double clicking into Bullet with Butterfly Wings, 1979, Tonight, Tonight, Today, Cherub Rock, Jellybelly, and so much more. We also discuss the incredible scene that was the 90's, his drummer friends, what that magical moment in time felt like to him, and a whole lotta drum and music talk. Jimmy is an incredibly intelligent human with profound thoughts that will really make you stop and think. He also shares a ton of great stories from his 40+ year career.I hope you enjoy my conversation with a true drumming legend, Jimmy Chamberlin. Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Big thanks to our friends Moises for supporting the show! If you need stems, they're the best in the game. Check them out! https://moises.ai/ Another huge thanks to our friends at DistroKid! DistroKid is the easiest and fastest way to get your music on over 150 platforms worldwide! Go to https://distrokid.com/vip/elmo to get 20% off your first year! Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. https://www.patreon.com/gowithelmo Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Jimmy: https://www.instagram.com/chamberdrums/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard https://www.instagram.com/jammcard/ jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Send me a text and please visit www.livefrommydrumroom.com A special episode of Live From My Drum Room! on location at Cymbal Craftsman By Paul Francis. I sit down with my old friend, former Zildjian colleague, and master cymbal smith, Paul Francis. We do a deep dive into cymbal making, his relaunched and rebranded "Cymbal Craftsman By Paul Francis," and Paul shares his knowledge and expertise of over 37 years of making cymbals. Paul and I also share stories of our time working together at Zildjian, and much more! So come along for the ride with legendary cymbal smith, Paul Francis! Contact Paul: info@cymbalcraftsmancymbals.comWebsite: https://cymbalcraftsmancymbals.comLive From My Drum Room™ T-shirts and Hoodies are now available! 100% of the proceeds go toward my PAS scholarship. Visit https://livefrommydrumroom.com for details!     Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!https://livefrommydrumroom.comwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

ariety on a FridayFirst, a look at the events of the day.Then, The Lux Radio Theater, originally broadcast April 17, 1939, 87 years ago, Bullets or Ballots starring Edward G Robinson,  Mary Astor, and Humphrey Bogart.  Robinson starred in the original 1936 film with Humphrey Bogart.  Robinson plays a police detective who infiltrates a crime gang. Followed by Gunsmoke starring William Conrad, originally broadcast April 17, 1954, 72 years ago, What the Whiskey Drummer Said.  Wilbur Hawkins tells Marshal Dillon about a plot against his life. When Dillon pretends to be dead, two different people brag about killing him! Then Have Gun Will Travel starring John Dehner, originally broadcast April 17, 1960, 66 years ago, Prunella's Fella.   Mr. Denton hires Paladin to find a hidden valley loaded with silver ore, but Paladin finds a shotgun bride instead. Finally, Fibber McGee and Molly, originally broadcast April 17, 1955, 71 years ago, McGee Finds an Old Unopened Letter.   A box from the attic contains a 1935 letter from WMAQ, Chicago. It offers Fibber "and his wife" an audition for a radio show! Jim and Marian Jordan are awarded a plaque from Loyola on their 20th anniversary on radio. Thanks to Debbie B. for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! 

At The NAMM Show 2026, Drum Workshop turned its booth into a walk-through of what a modern drum company looks like when craft, heritage, and engineering share the same floor. Scott Donnell, Director of Brand Management at Drum Workshop, Inc., guided us through a lineup that spans the DW Custom Shop, the revived Slingerland Radio King line, Latin Percussion, Pacific Drums and Percussion, and the brand's new DW Manufacturing series. The DW Custom Shop stand is a visible argument for customization as a sonic decision, not just a cosmetic one. Chrome, gold, satin chrome, and black hardware. Polyester sprays, three durable lacquers, exotic plies, and ply wraps. When a drummer specifies wood species, ply count, and grain orientation, they are designing the drum's voice from the inside out. The Slingerland revival gets the faithful-reproduction treatment. Radio King studio kits on display are solid, steam-bent maple shells with the original three-point throw-off and stick saver hoops, built in California. Scott Donnell speaks about the line the way a curator talks about a restoration: get the details right, honor what drummers remember, and let the sound do the rest. Donnell frames DW's innovation as a stack of deliberate decisions rather than a single breakthrough. DW stamps a note into each shell through a process called timbre matching, which ensures the kit is manufactured as a family. Pair that with grain orientation technology, True Pitch tuning, and resonance-focused tom mounting systems, and drummers never end up with an orphan drum in their kit. Marking the tenth anniversary of True Cast, the new DW Manufacturing four by 14 piccolo features a five millimeter sand-cast shell, cast bronze hoops, and fully machined brass and bronze hardware. Only one hundred are being made globally, each arriving in an Anvil flight case. A recent DW video features Dave Elitch and Abe Laboriel Jr. playing the drum with Paul McCartney. The conversation closes on a Red Hot Chili Peppers tour kit gifted to the DW museum by Chad Smith, which will join Neil Peart's and Terry Bozzio's tour kits on display while DW builds Chad new Sonic flight drums for the band's next tour. Pacific Drums and Percussion, LP's top-tuning congas, Tony Escapa's signature hand percussion series, and DWE round out the booth. Drum Workshop is not hiding how the drums get made. Take the tour, take the pictures, watch the videos, and the innovation speaks for itself. This is a Brand Spotlight. A Brand Spotlight is a ~15 minute conversation designed to explore the guest, their company, and what makes their approach unique. Learn more: https://www.studioc60.com/creation#spotlight GUEST Scott Donnell, Director of Brand Management, Drum Workshop, Inc. (DW Drums) LinkedIn: https://www.linkedin.com/in/scott-donnell-2964a129/ RESOURCES DW Drums: https://www.dwdrums.com Pacific Drums and Percussion: https://www.pacificdrums.com DW Music Foundation: https://www.dwmf.org The NAMM Show: https://www.namm.org Are you interested in telling your story? ▶︎ Full Length Brand Story: https://www.studioc60.com/content-creation#full ▶︎ Brand Spotlight Story: https://www.studioc60.com/content-creation#spotlight ▶︎ Brand Highlight Story: https://www.studioc60.com/content-creation#highlight KEYWORDS Scott Donnell, Drum Workshop, DW Drums, Sean Martin, brand story, brand marketing, marketing podcast, brand spotlight, NAMM Show 2026, NAMM 2026, Slingerland, Radio King, Latin Percussion, LP, Pacific Drums and Percussion, PDP, DW Manufacturing, True Cast, custom drums, drum innovation, timbre matching, grain orientation, Chad Smith, Red Hot Chili Peppers, Josh Freese, Tony Escapa, Abe Laboriel Jr, Dave Elitch Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This is The Spoon, where our guests this week are The Eggplant (aka Karla), The Snappy Dresser (aka KC), The Cuisinart (aka Koi), and The Drummer (aka Charlie), collectively known as The Corner Laughers! Also, we're all very preoccupied with our cats' urinary habits.    Music By The Corner Laughers "Dusking" 20 Minute Loop "Ambassadors" Railcard "Narcissus"  Spoon Feeding The Tubes ~ Completion Backward Principle   From  "Flying Saucer" A Star Trek Fan Production   Life After Cars Something Very Bad Is Going To Happen Beverly Cassanova Middle Aged Dad Jam Band The Men Of The Spoon Robbie Rist Chris Jackson  Thom Bowers The Spoon on BlueSky The Spoon Facebook Page The Spoon Facebook Group Email: the_spoon_radio@yahoo.com  

This message is the testimony of Gabriel Thielen, a member of Awaken Church for 12 years. In this message he talks about the cherished lessons he has learned from following religion to following a relationship with God.

Damon gets to talk to JP about what he presented at PASIC, his educational site, improvisation, psychology, and more! There's also segments like gig alerts, educational spotlights, music news, and others. 

Legendary Drummer Best Known for Work with The Police / Rock Hall Inductee is coming to Carmel, Indiana, August 2nd for his Spoken Word Tour of U.S. & Re-Release – Deluxe Editions of 1985 Solo Album “The Rhythmatist”. Get tickets here! Stewart Copeland: Have I Said Too Much | Allied Solutions Center for the Performing ArtsSee omnystudio.com/listener for privacy information.

Springtime brings the sound of a woodpecker, like the Northern Flicker, drumming on a hollow surface. Members of the woodpecker percussion band announce their territory and attract mates, as they pound away on metal roofs or gutters. Drilling holes in tree trunks calls for some specialized tools, and the North Flicker has them: big claws, two toes pointing forward and two backward, and a stiff tail to prop itself up. More info and transcript at BirdNote.org. Want more BirdNote? Subscribe to our weekly newsletter. Sign up for BirdNote+ to get ad-free listening and other perks.  BirdNote is a nonprofit. Your tax-deductible gift makes these shows possible.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Damon gets to talk to Mark about Chicago, NYC, life adventures, the Caribbean Jazz Project, UMass, and so much more. There's also other segments like gig alerts, educational spotlights, and an iconic recording. 

On The Rhythm Section Sports podcast, the Derrick and Jeff welcome Memphis musician Zack Horvath, a Patriots fan and multi-instrumentalist who recently filled in on bass with Music Box and discusses singing while playing bass. Zack talks about simplifying his solo acoustic looping setup, preferences for smaller drum kits, and his shift from fronting bands to working as a hired-gun/session player, including an upcoming July 4th Gen X gig at Gold Strike. He recounts projects including 30 Minute Ego, Triple Annie's formation from a Hadley's jam, and Kid Ego's run and lineup changes, plus earlier bands like PMD and Animal Crackers. Zack shares how he became a Patriots fan, his musical beginnings in school band and church singing, learning guitar by ear, and major influences like Freddie Mercury, Chris Cornell, and Matt Cameron.   TIP BUCKET If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

https://youtu.be/HLQ4Ifw_TaYSee omnystudio.com/listener for privacy information.

Last summer, the Pearl Jam world was devastated by the news that Matt Cameron would be leaving the band after 27 years. After much debate and discussion about who Pearl Jam's 6th drummer in their history could be, we finally know who will be behind the drum kit for the foreseeable future! Check out this episode with an exclusive interview with the brand new drummer and learn a bit about his background around the Seattle scene!

Damon gets to talk to Ed about his Percussive Arts Society clinic, Bill Fitch, Connecticut, playing multiple instruments, his band Conga Bop and more. There's also other segments like gig alerts, and music news. 

Do you have a hyper-creative brain that generates a thousand ideas but finishes none of them? Join us as we explore ADHD project completion strategies to help you navigate beyond your perfectionism and cross that finish line. We've all been there. You have a great idea for a project, then you immediately throw yourself headlong into it.  But slowly the initial inspiration wanes and you move onto something else. In this episode, we'll do a deep dive into "ADHD Creative Project Completion." Having been a creative professional for the bulk of his career, Michael can let you in on some secrets that creative professionals use to ensure their projects get completed on time, without compromising quality -- that can be applied to any of your personal or professional projects.  FREE RESOURCE: Download the PDF slide deck for this episode at: https://www.drummerinthegreatmountain.com/episode124 ADHD  Time and Task Management Masterclass (March 31st & April 7th). https://www.drummerinthegreatmountain.com/workshop GET THE BOOK: This podcast is an audio companion for the book, "The Drummer and the Great Mountain - A Guidebook to Transforming Adult ADD / ADHD." Episode Timestamps: (00:00) - The struggle of starting projects vs. the wane of initial inspiration (01:03) - Welcome and host introduction with Michael Joseph Ferguson (01:09) - Today's topic: ADHD and creative project completion (01:19) - How to download the free PDF slide deck for this episode (01:43) - Announcement: ADHD Time and Task Management Masterclass (03:26) - The emotional process of bringing creative ideas into form (04:22) - Why struggle is a necessary part of the creative process (05:21) - Building the habit of completion by starting with smaller projects (05:51) - Universal challenges: Overwhelming ideas and perfectionism (07:44) - The Tree Analogy: Being selective with which ideas to pursue (09:31) - Using Mind Maps to ground creative energy (09:54) - Branch 1: Defining specific goals and deliverables (11:17) - Branch 2: Setting manageable milestones and "chunks" (11:40) - Branch 3: Managing the "Notes" branch and idea sifting (12:19) - Branch 4: Mapping out project flow and linear direction (12:51) - Branch 5: Building your support team and action items (14:01) - Choosing Source Material to provide insights into completion (16:51) - Strategies to stay on track and avoid project overwhelm (18:55) - Staying consistent: The power of relative consistency and resiliency (20:13) - Energy management: Why you shouldn't schedule creative work at night (21:24) - What to do when the initial inspiration wanes (23:52) - Handling distractions and cultivating strong internal dialogue (25:48) - Building the mental "Muscle of Completion" (29:44) - Final summary and how to join the upcoming workshop In this episode, we'll explore: What to do when you have too many ideas How to get back on track when don't know what to do next How to maintain consistency for longer-term projects What to do when the initial inspiration wears off What to do when you get distracted by other projects How to prevent your perfectionism from holding you back Links Mentioned in this Episode: (Workshop) ADHD Time & Task Management Masterclass - March 31 & April 7 (PDF) ADHD Project Completion Slide Deck Don't see a player? Click this link to download the MP3 file. If you have an Apple device (iPhone/iPad), you can download the podcast (and subscribe) for free at this link: https://itunes.apple.com/us/podcast/adult-adhd-add-tips-support/id988935339 Visit the podcast web page to listen to all 124 episodes: http://www.drummerandthegreatmountain.com/adult-adhd-add-podcast >> Take the ADHD Hunter-type Quiz Outro voice over by Lauren Regan.  Intro music: "Pure Water" by Meydän. (CC BY 4.0) Episode photo credit: Aedrian Salazar Outro music by Bahman Sarram For more info, visit: http://www.DrummerAndTheGreatMountain.com