Podcasts about Drummer

This week, Adam and Dan catch up on life, tech disasters, home improvement nightmares, and some genuinely exciting developments in apps, gear, and band management tools. Dan returns from Disney after a “vacation” spent debugging server-melting GPS calls, launches his new app Lightning Brain into App Store review, and discovers he may have been slow-cooking himself in carbon monoxide.Meanwhile, Adam celebrates his wedding anniversary in Savannah, gears up for live band karaoke weekend, and finds the perfect replacement for his long-time song request platform.**Topics Covered:*** Lightning Brain app launch update* Server bugs, debouncing, and EPCOT coding adventures* First organic customer!* Adam's water-heater disaster + sous-vide shower hack* Band Leader app replacing RequestNow* Preparing two live-band karaoke gigs* Drummer transition & trial-by-fire weekend* Fractal AM4: Why guitarists should careTune in for an engaging mix of tech talk, personal anecdotes, and gig insights!MaestroDMX (10% off discount link): https://maestrodmx.com/discount/DISCOUNT4CBC?redirect=%2Fproducts%2FmaestrodmxBlank Contracts & Riders: https://www.coverbandconfidential.com/store/performance-contractsBacking Track Resources: https://www.coverbandconfidential.com/store/backing-track-resourcesThank you so much for tuning in!  If you want to help be sure to like, subscribe and share with your friends!  Linktree: linktr.ee/adampatrickjohnson                linktr.ee/coverbandconfidentialFollow us on Instagram!@coverbandconfidential@adampatrickjohnson@danraymusicianIf you have any questions please email at:Coverbandconfidential@gmail.comConsider supporting us on Patreon! www.patreon.com/coverbandconfidentialOr buy us a cup of coffee!paypal.me/cbconfidentialAnd for more info check out www.coverbandconfidential.comGear Used in this Video (Affiliate):Sony ZV-E10 Mirrorless Camera: https://amzn.to/3DBqtOyElgato Prompter: https://amzn.to/3X3IAq8 Shure SM7B: https://amzn.to/4dDCJx0 Elgato Stream Deck XL: https://amzn.to/3gKjhqiMagic Arm Camera Friction Mount: https://amzn.to/3SK5yNk

The Untold Story of Spikey Goldbach and His Musical Journey /////////////// In this episode, we're joined by Chris “Spikey” Goldbach, a longtime figure in Florida's punk and alternative music scene. He talks about growing up in Tamarac, getting his first drum kit at 10, and discovering early influences like The Ramones, Devo, and AC/DC. Spikey walks through the South Florida scene of the 1980s and 1990s, mentioning venues such as the Cameo, Club Soda, and Washington Square, and the impact of seeing bands like Black Flag, Bad Brains, and Descendents.He reflects on his work with bands including Distant Anger, Blatant View, Nuclear Beer, RadioBaghdad, Collapsing Lungs, Irish Car Bomb, Hudson, Shai Hulud, and others, sharing stories from touring, recording with Jeremy Staska and Bill Stevenson, and experiencing a major-label run. Spikey continues to perform with Against All Authority and remains active in music today while living in Indiana.

For Prime Time Jukebox Episode 175, its our inaugural Christmas Music Draft Show. The Christmas Music show has been a staple of Prime Time Jukebox going back over a decade to the Cigar Jukebox show days. This year things get changed up. With this concept, Dave and Coop each draft a playlist of Christmas songs. They will choose from carols, traditional songs, non-traditional songs, and wildcards. Plus we have music news, cigar news, the NFL corner, the Developing Palates Review of the week, and Dave's New Music 45! On this show, Dave smokes the Crowned Heads Announces Blood Medicine B-Positive LE 2025 while Coop smokes the Rocky Patel Winter Collection. As always, you can follow along with our Spotify Playlists: Episode 175 Playlist References Jimmy Cliff, reggae icon known for hits like 'I Can See Clearly Now,' dies at 81 Jellybean Johnson, Minneapolis Music Pioneer, 'The Time' Drummer and Prince Collaborator, Dead at 69 | IBTimes UK Team Cigar Review: CAO FASA Sombra Toro - Developing Palates Crowned Heads Takes Tennessee Waltz Regular Production and Expands Line Crowned Heads Jericho Hill Gets Packaging Refresh

For Prime Time Jukebox Episode 175, its our inaugural Christmas Music Draft Show. The Christmas Music show has been a staple of Prime Time Jukebox going back over a decade to the Cigar Jukebox show days. This year things get changed up. With this concept, Dave and Coop each draft a playlist of Christmas songs. They will choose from carols, traditional songs, non-traditional songs, and wildcards. Plus we have music news, cigar news, the NFL corner, the Developing Palates Review of the week, and Dave's New Music 45! On this show, Dave smokes the Crowned Heads Announces Blood Medicine B-Positive LE 2025 while Coop smokes the Rocky Patel Winter Collection. As always, you can follow along with our Spotify Playlists: Episode 175 Playlist References Jimmy Cliff, reggae icon known for hits like 'I Can See Clearly Now,' dies at 81 Jellybean Johnson, Minneapolis Music Pioneer, 'The Time' Drummer and Prince Collaborator, Dead at 69 | IBTimes UK Team Cigar Review: CAO FASA Sombra Toro - Developing Palates Crowned Heads Takes Tennessee Waltz Regular Production and Expands Line Crowned Heads Jericho Hill Gets Packaging Refresh

Send me a text and please visit www.livefrommydrumroom.com My guest is my good friend and returning champion, Rick Marotta. Rick was one of my very first guests and has appeared on LFMDR more than anyone else. Besides being a prolific session drummer, he's also an accomplished composer and producer. In Part 1, we do a deep dive into some of Rick's classic recordings "She's A Burglar" and "Solar Strut" and much more! So come along for the ride for Part 1 and watch for Part 2 on Dec 8th! Thanks for watching and listening and please subscribe! Live From My Drum Room T-shirts and Hoodies are now available! 100% of the proceeds go toward my PAS scholarship. Visit https://livefrommydrumroom.com for details! Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!https://livefrommydrumroom.comwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

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Tommy's foolishness

EPISODIO 283.Temporada 7-13.EPISODIO PATROCINADO POR:CBM Clases de batería Madrid. https://clasesdebateriamadrid.com/ .Superdrummer Academy.www.simonefolcarelli.com .COMUNIDAD DEL CBM de Iñigo Iribarne:http://Clasesbateriaonline.com .EL MÉSTODO. ​​https://t.me/unmetodoalmes/ .MÚSICA RECOMENDADA por Simone.Turnstile - TLC https://open.spotify.com/intl-es/track/3zQpWQCDm9QMDaAhe4ggoO?si=b7940d3feee94f39 :​​https://www.youtube.com/watch?v=V0gKh8OA0E0 .HERRAMIENTA RECOMENDADA por Iñigo.Flat App: https://flat.io/es .TOP TRI.Simone:The Cowboy Drummer: https://www.instagram.com/thecowboydrummer/ .Daniel Fang: https://www.youtube.com/watch?v=alCp05r5Z-w . Shannon Leto: https://www.youtube.com/watch?v=-lkIz_y6q7k .Iñigo:Daniele “ddrummer90”: https://www.instagram.com/ddrummer90/ .Bill Hoden Behold888: https://www.instagram.com/behold888/ .Sorawich Dangsopa “Churee´s Drummer”: https://www.instagram.com/churee__/ .Síguenos en: FB: https://www.facebook.com/Drumless-el-Podcast-101614758071997 .INSTAGRAM: https://www.instagram.com/drumlesspodcast/ .TELEGRAM: https://t.me/drumlesspodcast .ABEL:https://www.instagram.com/kustomdk/ .SIMONE:https://www.simonefolcarelli.com .http://clasesdebateriaonline.com .IÑIGO:http://inigoiribarne.com .https://Clasesdebateriamadrid.com .https://www.twitch.tv/inigobatera .https://www.ellibrodelascorcheas.com  .http://Clasesbateriaonline.com  .http://insidethegrooveof.com/ .BUY US A COFFEEPaypal: https://www.paypal.me/inigoiribarne .Bizum: 606424669 . 

In dieser Folge blicken wir auf vier intensive Wochen zurück, in denen die Prince-Welt wieder einmal gezeigt hat, wie schön, überraschend und schmerzhaft sie zugleich sein kann. Drei Ereignisse haben uns besonders bewegt – und wir nehmen euch mit durch Emotionen, Erinnerungen und Nerd-Tiefgänge.Gartenbaukino Wien – DJ Rashida, Community & eine Aftershow wie früherEin Abend, der uns noch lange begleiten wird: Das ausverkaufte Event im Wiener Gartenbaukino war ein kleines, lila Fest für sich. Gemeinsam mit DJ Rashida, vielen vertrauten Gesichtern aus der Prince-Community und einer Aftershow-Party, die sich „richtig“ angefühlt hat, haben wir den Spirit von Prince gefeiert. Wir erzählen, wie es war, welche Momente herausgestochen haben – und warum solche Abende für Fans so wichtig sind.„Diamonds And Love“ – Ein Leak, der viele Fragen wecktSchon davor stolperte die Fanwelt über den plötzlich aufgetauchten Download „Diamonds And Love“. Ein Stück aus den Archiven? Eine frühere Fassung einer möglichen Super-Deluxe-Version? Ein Hinweis auf Zukünftiges? Wir haben uns ein paar Songs herausgesucht, die es unserer Meinung nach durchaus anzuhören gilt – und sprechen darüber, warum dieser Fund für so viel Gesprächsstoff sorgt.Abschied von Jellybean JohnsonDie Nachricht vom Tod von Jellybean Johnson hat uns tief getroffen. Als legendärer Drummer, Gitarrist, Produzent und als tragende Figur der Minneapolis-Musikszene hinterlässt er eine Lücke, die kaum zu füllen ist. Wir erinnern uns an ihn – und zwar so, wie er es vielleicht am liebsten gehabt hätte: mit seiner Musik. In der Folge hört ihr drei Ausschnitte aus seinem Album Get Experienced.Und wenn ihr das Album unterstützen oder kaufen möchtet, findet ihr es hier:

Curious is a place for real conversations about the things we all wonder about but rarely pause to explore.Hosted by Joe Moody (Joe Drummer Boy) and joined on occasion by his wife, Melissa (and eventually special guests), Curious is a journey to learn secrets of consciousness, ancient healing and self-help tips that make life better. If you're someone who thinks and feels deeply, or just knows there's more to this world than the daily routine, welcome to Curious.Let's explore together.#joedrummerboy #clubqigong #curious

** PLEASE SUBSCRIBE ** Featured in WYGYFF Episode 36: Drummer, vocalist and bandleader Chuck Wansley. In the late 1970s, his band cut their teeth on the dance club circuit and opened for acts like Earth, Wind & Fire, Chic and Tavares, and during the early 1980s he landed gigs with Martha Reeves, Mary Wells and Phyllis Hyman. However, he is best known as a founding member of Warp 9, one of the first electro-hip hop groups, with two albums and six hit singles. Those tracks included “Nunk,” “Beatwave,” “Light Years Away” and “No Man Is an Island.” He also released a solo album in Japan, and more recently has been performing overseas as a big band jazz singer and entertainer.  RECORDED JULY 2025 Hosted by Scott "DR GX" Goldfine — musicologist, author of “Everything Is on the One: The First Guide of Funk” and creator/host of the popular TRUTH IN RHYTHM podcast — "Where'd You Get Your Funk From?" is the latest interview show brought to you by FUNKNSTUFF.NET. Where'd You Get Your Funk From (WYGYFF) is an open format video and audio podcast focusing on the here and now, with a broad range of creative and artistic guests sharing fascinating stories, experiences, and perspectives. WYGYFF is a welcoming avenue to newer and independent musical acts as well as established and still active musicians of any genre; authors; filmmakers; actors; artists; collectors and archivists; radio & podcast personalities; journalists; scholars; sound techs; promoters; photographers; and other creative people. A common thread, is the show's standard opening question: Where'd you get your funk from? This is much deeper than it may seem as the answer need not be strictly about funky music, as not everyone has found the funk. It could hit on whatever type of music touches their soul or pleasure centers. Additionally, the question extends beyond music. Paraphrasing George Clinton, funk is whatever it needs to be to get you over the hump. Thus, guests can explain where they got their grit, perseverance, inspiration, talent, creativity, character or other qualities that shaped them into who they are today. This serves as a springboard into candid, in-depth and engrossing conversations. LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

This week, Jeff Gaudiosi and Nick D'Virgilio cover Topics discussed: The Lamb Lies Down On Broadway Impact of Phil Collins' drumming Upcoming projects This podcast is hosted by ZenCast.fm

Drummer von Worship Symphony freut sich auf die große Bühne. (Autor: Saskia Klingelhöfer)

Drummer von Worship Symphony freut sich auf die große Bühne. (Autor: Saskia Klingelhöfer)

Wer kennt das nicht, man scrollt am Abend noch ein wenig durch YouTube - das Zappen der Internetzeit und auch, wenn das vielleicht nicht die beste Art ist, zu entspannen, hat sie heutzutage den Vorteil, dass man nicht zwischen Bud Spencer, Wetten dass, einem Boxkampf und Tutti Frutti hin und her zappt, sondern immer wieder auf Videos stößt, die einen interessieren. Und damit ist nicht die Tutti Frutti Ausschnitte mit Hugo Egon Balder gemeint, die man wahrscheinlich auch auf YouTube finden könnte... wobei, wusstest du, dass es da ein interessantes Drum Battle mit Hugo und Pete York gab? Egal. Zurück zum Scrollen am Abend:  Ich scrolle so hin und her und stoße wirklich auf ein Video, das nicht nur ein wenig interessant ist, sondern so gut, dass ich es komplett und zwar sitzend auf dem Sofa aufmerksam schaue: Wie mikrofoniert man ein Schlagzeug mit Tipps der Firma Neumann. Das ganze Video  in einem Take geschossen, durchchoreographiert wie ein Film und im Hintergrund groovt dabei permanent ein Drummer... Wie geil, denke ich und frage mich, wer das ist? Eine kurze Recherche ergab: Maurice London. Ich denke, geil diese Engländer. Doch dann stutze ich: Maurice ist gar nicht Engländer, sondern Deutscher. Ich tippe sofort los: Den Typen will ich im Podcast haben. So here we go. Und im Interview wird ganz schnell klar, Maurice ist wesentlich mehr als "nur" der Drummer im Hintergrund bei Neumann... Mehr zu Maurice findest du hier: https://www.instagram.com/mauricelondondrums/ Das Neumann Video gibt es hier zu sehen (insgesamt gibt es dort drei zum Thema Drums): https://youtu.be/e5epjN_wh9s?si=3zAG_Ci_OZogFBpy Ich freu mich tierisch, wenn du auf der Seite von Einfach Schlagzeug mal vorbeischaust unter https://einfachschlagzeug.de/ Und zur Trommel Talk Snare wird es in der nächsten Folge mehr geben! 00:09 - Start und Sohn 10:06 - Maurice, nicht aus London 34:36 - Schnellfragerunde 35:36 - Die Übe-Challenge 41:17 - Neumann 53:40 - Tour und Spanien

We're back in front of the roaring Cornish fire and this time Fin turns the tables by interviewing Tim about his parallel career as a novelist. Info about Tim's books can be found here...https://timthorntonmusicwriting.net/books/ Artwork by brandnewhistory.net. Edited by Tim Thornton. Thanks to Sam and Andy for letting us record the pod, and building the fire. Original music appears courtesy R'COUP'D and Sony Music Publishing. Fink's new live album Wheels II is out NOW! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://finkmusic.net/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  

Kirk & Lacy on shifting research funding away from federal grants: what happens to community partnerships when the money—and the rules—change? Summary Three Audiences, One Report Lacy Fabian and Kirk Knestis untangle a fundamental confusion in community health research: there are three distinct audiences with competing needs—funders want accountability, researchers want generalizable knowledge, and communities want immediate benefit. Current practice optimizes for the funder, producing deliverables that don’t help the people being served. The alternative isn’t “no strings attached” anarchy but rather honest negotiation about who benefits and who bears the burden of proof. Kirk’s revelation about resource allocation is stark: if one-third of evaluation budgets goes to Click here to view the printable newsletter with images. More readable than a transcript. Contents Table of Contents Toggle EpisodeProem1. Introductions & Career Transitions2. The Catalyst: Why This Conversation Matters3. The Ideal State: Restoring Human Connection4. The Localization Opportunity5. Evidence + Story = Impact6. The Funder Issue: Who Is This Truly Benefiting?7. Dissemination, Implementation & Vested Interest8. Data Parties – The Concrete Solution9. No Strings Attached: Reimagining Funder Relationships10. Balancing Accountability and Flexibility11. Where the Money Actually Goes12. The Pendulum Swings13. The Three Relationships: Funder, Researcher, Community14. Maintaining Agency15. Listen and LearnReflectionRelated episodes from Health Hats Please comment and ask questions: at the comment section at the bottom of the show notes on LinkedIn  via email YouTube channel  DM on Instagram, TikTok to @healthhats Substack Patreon Production Team Kayla Nelson: Web and Social Media Coach, Dissemination, Help Desk  Leon van Leeuwen: editing and site management Oscar van Leeuwen: video editing Julia Higgins: Digit marketing therapy Steve Heatherington: Help Desk and podcast production counseling Joey van Leeuwen, Drummer, Composer, and Arranger, provided the music for the intro, outro, proem, and reflection Claude, Perplexity, Auphonic, Descript, Grammarly, DaVinci Podcast episode on YouTube Inspired by and Grateful to: Ronda Alexander, Eric Kettering, Robert Motley, Liz Salmi, Russell Bennett Photo Credits for Videos Data Party image by Erik Mclean on Unsplash Pendulum image by Frames For Your Heart on Unsplash Links and references Lacy Fabian, PhD, is the founder of Make It Matter Program Consulting and Resources (makeitmatterprograms.com). She is a research psychologist with 20+ years of experience in the non-profit and local, state, and federal sectors who uses evidence and story to demonstrate impact that matters. She focuses on helping non-profits thrive by supporting them when they need it—whether through a strategy or funding pivot, streamlining processes, etc. She also works with foundations and donors to ensure their giving matters, while still allowing the recipient non-profits to maintain focus on their mission. When she isn't making programs matter, she enjoys all things nature —from birdwatching to running —and is an avid reader. Lacy Fabian’s Newsletter: Musings That Matter: Expansive Thinking About Humanity’s Problems Kirk Knestis is an expert in data use planning, design, and capacity building, with experience helping industry, government, and education partners leverage data to solve difficult questions. Kirk is the Executive Director of a startup community nonprofit that offers affordable, responsive maintenance and repairs for wheelchairs and other personal mobility devices to northern Virginia residents. He was the founding principal of Evaluand LLC, a research and evaluation consulting firm providing customized data collection, analysis, and reporting solutions, primarily serving clients in industry, government, and education. The company specializes in external evaluation of grant-funded projects, study design reviews, advisory services, and capacity-building support to assist organizations in using data to answer complex questions.  Referenced in episode Zanakis, S.H., Mandakovic, T., Gupta, S.K., Sahay, S., & Hong, S. (1995). “A review of program evaluation and fund allocation methods within the service and government sectors.” Socio-Economic Planning Sciences, Vol. 29, No. 1, March 1995, pp. 59-79. This paywalled article presents a detailed analysis of 306 articles from 93 journals that review project/program evaluation, selection, and funding allocation methods in the service and government sectors. Episode Proem When I examine the relationships between health communities and researchers, I become curious about the power dynamics involved. Strong, equitable relationships depend on a balance of power. But what exactly are communities, and what does a power balance look like? The communities I picture are intentional, voluntary groups of people working together to achieve common goals—such as seeking, fixing, networking, championing, lobbying, or communicating for best health for each other. These groups can meet in person or virtually, and can be local or dispersed. A healthy power balance involves mutual respect, participatory decision-making, active listening, and a willingness to adapt and grow. I always listen closely for connections between communities and health researchers. Connections that foster a learning culture, regardless of their perceived success. Please meet Lacy Fabian and Kirk Knestis, who have firsthand experience in building and maintaining equitable relationships, with whom I spoke in mid-September. This transcript has been edited for clarity with help from Grammarly. Lacy Fabian, PhD, is the founder of Make It Matter Program Consulting and Resources. She partners with non-profit, government, and federal organizations using evidence and storytelling to demonstrate impact and improve program results. Kirk Knestis is an expert in data use planning, design, and capacity building. As Executive Director of a startup community nonprofit and founding principal of Evaluand LLC. He specializes in research, evaluation, and organizational data analysis for complex questions. 1. Introductions & Career Transitions Kirk Knestis: My name’s Kirk Knestis. Until just a few weeks ago, I ran a research and evaluation consulting firm, Evaluand LLC, outside Washington, DC. I’m in the process of transitioning to a new gig. I’ve started a non-profit here in Northern Virginia to provide mobile wheelchair and scooter service. Probably my last project, I suspect. Health Hats: Your last thing, meaning you’re retiring. Kirk Knestis: Yeah, it’s most of my work in the consulting gig was funded by federal programs, the National Science Foundation, the Department of Ed, the National Institutes of Health, and funding for most of the programs that I was working on through grantees has been pretty substantially curtailed in the last few months. Rather than looking for a new research and evaluation gig, we’ve decided this is going to be something I can taper off and give back to the community a bit. Try something new and different, and keep me out of trouble. Health Hats: Yeah, good luck with the latter. Lacy, introduce yourself, please. Lacy Fabian: Hi, Lacy Fabian. Not very dissimilar from Kirk, I’ve made a change in the last few months. I worked at a large nonprofit for nearly 11 years, serving the Department of Health and Human Services. But now I am solo, working to consult with nonprofits and donors. The idea is that I would be their extra brain power when they need it. It’s hard to find funding, grow, and do all the things nonprofits do without a bit of help now and then. I’m looking to provide that in a new chapter, a new career focus. Health Hats: Why is this conversation happening now? Both Kirk and Lacy are going through significant changes as they move away from traditional grant-funded research and nonprofit hierarchies. They’re learning firsthand what doesn’t work and considering what might work instead—this isn't just theory—it’s lived experience. 2. The Catalyst: Why This Conversation Matters Health Hats: Lacy, we caught up after several years of working together on several projects. I’m really interested in community research partnerships. I’m interested in it because I think the research questions come from the communities rather than the researchers. It’s a fraught relationship between communities and researchers, often driven by power dynamics. I’m very interested in how to balance those dynamics. And I see some of this: a time of changing priorities and people looking at their gigs differently —what are the opportunities in this time of kind of chaos, and what are the significant social changes that often happen in times like this? 3. The Ideal State: Restoring Human Connection Health Hats: In your experience, especially given all the recent transitions, what do you see as the ideal relationship between communities and researchers? What would an ideal state look like? Lacy Fabian: One thing I was thinking about during my walk or run today, as I prepared for this conversation about equitable relationships and the power dynamics in this unique situation we’re in, is that I feel like we often romanticize the past instead of learning from it. I believe learning from the past is very important. When I think about an ideal scenario, I feel like we’re moving further away from human solidarity and genuine connection. So, when considering those equitable relationships, it seems to me that it’s become harder to build genuine connections and stay true to our humanness. From a learning perspective, without romanticizing the past, one example I thought of is that, at least in the last 50 years, we’ve seen exponential growth in the amount of information available. That's a concrete example we can point to. And I think that we, as a society, have many points where we could potentially connect. But recent research shows that’s not actually the case. Instead, we’re becoming more disconnected and finding it harder to connect. I believe that for our communities, even knowing how to engage with programs like what Kirk is working on is difficult. Or even in my position, trying to identify programs that truly want to do right, take that pause, and make sure they aim to be equitable—particularly on the funder side—and not just engage in transactions or give less generously than they intend if they’re supporting programs. But there are strings attached. I think all of this happens because we stop seeing each other as human beings; we lose those touchpoints. So, when I think about an ideal situation, I believe it involves restoring those connections, while more clearly and openly acknowledging the power dynamics we introduce and the different roles we assume in the ecosystem. We can’t expect those dynamics to be the same, or to neutralize their impact. However, we can discuss these issues more openly and consistently and acknowledge that they might influence outcomes. So, in an ideal scenario, these are the kinds of things we should be working toward. 4. The Localization Opportunity Health Hats: So Kirk, it strikes me listening to Lacy talk that there’s, in a way, the increased localization of this kind of work could lead to more relationships in the dynamic, whereas before, maybe it was. Things were too global. It was at an academic medical center and of national rather than local interest. What are your thoughts about any of that? Kirk Knestis: Yeah, that’s an excellent question. First, I want to make sure I acknowledge Lacy’s description philosophically, from a value standpoint. I couldn’t put it any better myself. Certainly, that’s got to be at the core of this. Lacy and I know each other because we both served on the board of the Professional Evaluation Society on the East Coast of the United States, and practice of evaluation, evaluating policies and programs, and use of resources, and all the other things that we can look at with evidence, the root of that word is value, right? And by making the values that drive whatever we’re doing explicit, we’re much more likely to connect. At levels in, way, in ways that are actually valuable, a human being level, not a technician level. But to your question, Danny, a couple of things immediately leap out at me. One is that there was always. I was primarily federally funded, indirectly; there’s always been a real drive for highly rigorous, high-quality evaluation. And what that oftentimes gets interpreted to mean is generalizable evaluation research. And so that tends to drive us toward quasi-experimental kinds of studies that require lots and lots of participants, validated instrumentation, and quantitative data. All of those things compromise our ability to really understand what’s going on for the people, right? For the real-life human stakeholders. One thing that strikes me is that we could be as funding gets picked up. I’m being optimistic here that funding will be picked up by other sources, but let’s say the nonprofits get more involved programs that in the past and in the purview of the feds, we’re going to be freed of some of that, I hope, and be able to be more subjective, more mixed methods, more on the ground and kind of maturein the, dirt down and dirty out on the streets, learning what’s going on for real humans. As opposed to saying, “Nope, sorry, we can’t even ask whether this program works or how it works until we’ve got thousands and thousands of participants and we can do math about the outcomes.” So that’s one way I think that things might be changing. 5. Evidence + Story = Impact One of the big elements I like to focus on is the evidence—the kind of, so what the program is doing—but also the story. Making sure both of those things are combined to share the impact. And one of the things that I think we aren’t great about, which kind of circles back to the whole topic about equitable relationships. I don’t often think we’re really great at acknowledging. Who our report outs are for 6. The Funder Issue: Who Is This Truly Benefiting? Health Hats: Yes, who’s the audience? Lacy Fabian: Describing the kind of traditional format, I’m going to have thousands of participants, and then I’m going to be able to start to do really fancy math. That audience is a particular player who’s our funder. And they have different needs and different goals. So so many times, but that’s not the same as the people we’re actually trying to help. I think part of actually having equity in practice is pushing our funders to acknowledge that those reports are really just for them. And what else are we doing for our other audiences, and how can we better uphold that with our limited resources? Do we really need that super fancy report that’s going to go on a shelf? And we talk about it a lot, but I think that’s the point. We’re still talking about it. And maybe now that our funding is shifting, it’s an excellent catalyst to start being smarter about who our audience is, what they need, and what’s best to share with them. 7. Dissemination, Implementation & Vested Interest Health Hats: So, in a way, that’s not only do we need to think about who the work is for. How do we get it to those people? So how do we disseminate to those people? And then, what are the motivations for implementation? And it seems to me that if I have a vested interest in the answer to the question, I am more likely to share it and to try to figure out what the habits are—the changing habits that the research guides. What are some examples of this that you’ve, in your experience, that either you feel like you hit it like this, worked, or where you felt like we didn’t quite get there? So, what are your thoughts about some practical examples of that? Kirk Knestis: I was laughing because I don’t have so many examples of the former. I’ve got lots of examples of the latter. Health Hats: So start there. 8. Data Parties – The Concrete Solution Kirk Knestis: A good example of how I’ve done that in the past is when clients are willing to tolerate it. We call them different things over the years, like a data party. What we do is convene folks. We used to do it in person, face-to-face, but now that we’re dealing with people spread out across the country and connected virtually, these meetings can be done online. Instead of creating a report that just sits on a shelf or a thumb drive, I prefer to spend that time gathering and organizing the information we collect into a usable form for our audiences. This acts as a formative feedback process rather than just a summative benchmark. Here’s what we’ve learned. You share the information with those who contributed to it and benefit from it, and you ask for their thoughts. We’re observing that this line follows a certain path. Let’s discuss what that means or review all the feedback we received from this stakeholder group. It’s quite different from what we’ve heard from other stakeholders. What do you think is happening there? And let them help add value to the information as it moves from evidence to results. Health Hats: This is the solution to the funder problem. Instead of writing reports for funders, Kirk brings together the actual stakeholders—the people who provided data and benefit from the program. They assist in interpreting the findings in real-time. It’s formative, not summative. It’s immediate, not shelved. 9. No Strings Attached: Reimagining Funder Relationships Health Hats: I think it’s interesting that a thread through this is the role of the funder and the initiative’s governance. I remember that we worked on a couple of projects. I felt like the funder’s expectations were paramount, and the lessons we learned in the process were less important, which aligns with what we didn’t show. Publication bias or something. Sometimes in these initiatives, what’s most interesting is what didn’t work —and that’s not so, anyway. So how? So now that you’re looking forward to working with organizations that are trying to have questions answered, how is that shaping how you’re coaching about governance of these initiatives? Like, where does that come in? Lacy Fabian: Yeah. I think, if we’re talking about an ideal state, there are models, and it will be interesting to see how many organizations really want to consider it, but the idea of no-strings-attached funding. Doesn’t that sound nice, Kirk? The idea being that if you are the funding organization and you have the money, you have the power, you’re going to call the shots. In that way, is it really fair for you to come into an organization like something that Kirk has and start dictating the terms of that money? So, Kirk has to start jumping through the hoops of the final report and put together specific monthly send-ins for that funder. And he has to start doing these things well for that funder. What if we considered a situation where the funder even paid for support to do that for themselves? Maybe they have somebody who comes in, meets with Kirk, or just follows around, shadows the organization for a day or so, collects some information, and then reports it back. But the idea is that the burden and the onus aren’t on Kirk and his staff. Because they’re trying to repair wheelchairs and imagining the types of models we’ve shifted. We’ve also left the power with Kirk and his organization, so they know how to serve their community best. Again, we’ve put the onus back on the funder to answer their own questions that are their needs. I think that’s the part that we’re trying to tease out in the equity: who is this really serving? And if I’m giving to you, but I’m saying you have to provide me with this in return. Again, who’s that for, and is that really helping? Who needs their wheelchair service? And I think that’s the part we need to work harder at unpacking and asking ourselves. When we have these meetings, put out these funding notices, or consider donating to programs, those are the things we have to ask ourselves about and feel are part of our expectations. 10. Balancing Accountability and Flexibility Health Hats: Wow. What’s going through my mind is, I’m thinking, okay, I’m with PCORI. What do we do? We want valuable results. We do have expectations and parameters. Is there an ideal state? Those tensions are real and not going away. But there’s the question of how to structure it to maximize the value of the tension. Oh, man, I’m talking abstractly. I need help thinking about the people who are listening to this. How does somebody use this? So let’s start with: for the researcher? What’s the mindset that’s a change for the researcher? What’s the mindset shift for the people, and for the funder? Let’s start with the researcher. Either of you pick that up. What do you think a researcher needs to do differently? Kirk Knestis: I don’t mind having opinions about this. That’s a fascinating question, and I want to sort of preface what I’m getting ready to say. With this, I don’t think it’s necessary to assume that, to achieve the valuable things Lacy just described, we must completely abrogate all responsibility. I think it would be possible for someone to say, money, no strings attached. We’re never going to get the board/taxpayer/or whoever, for that. Importantly, too, is to clarify a couple of functions. I found that there are a couple of primary roles that are served by the evaluation or research of social services or health programs, for example. The first and simplest is the accountability layer. Did you do what you said you were going to do? That’s operational. That doesn’t take much time or energy, and it doesn’t place a heavy burden on program stakeholders. Put the burden on the program’s managers to track what’s happening and be accountable for what got done. Health Hats: So like milestones along the way? Kirk Knestis: Yes. But there are other ways, other dimensions to consider when we think about implementation. It’s not just the number of deliveries but also getting qualitative feedback from the folks receiving the services. So, you can say, yeah, we were on time, we had well-staffed facilities, and we provided the resources they needed. So that’s the second tier. The set of questions we have a lot more flexibility with at the next level. The so-what kind of questions, in turn, where we go from looking at this term bugs me, but I’ll use it anyway. We’re looking at outputs—delivery measures of quantities and qualities—and we start talking about outcomes: persistent changes for the stakeholders of whatever is being delivered. Attitudes, understandings. Now, for health outcomes—whatever the measures are—we have much more latitude. Focus on answering questions about how we can improve delivery quality and quantity so that folks get the most immediate and largest benefit from it. And the only way we can really do that is with a short cycle. So do it, test it, measure it, improve it. Try it again, repeat, right? So that formative feedback, developmental kind of loop, we can spend a lot of time operating there, where we generally don’t, because we get distracted by the funder who says, “I need this level of evidence that the thing works, that it scales.” Or that it demonstrates efficacy or effectiveness on a larger scale to prove it. I keep wanting to make quotas, right, to prove that it works well. How about focusing on helping it work for the people who are using it right now as a primary goal? And that can be done with no strings attached because it doesn’t require anything to be returned to the funder. It doesn’t require that deliverable. My last thought, and I’ll shut up. 11. Where the Money Actually Goes Kirk Knestis: A study ages ago, and I wish I could find it again, Lacy. It was in one of the national publications, probably 30 years ago. Health Hats: I am sure Lacy’s going to remember that. Kirk Knestis: A pie chart illustrated how funds are allocated in a typical program evaluation, with about a third going to data collection and analysis, which adds value. Another third covers indirect costs, such as keeping the organization running, computers, and related expenses. The remaining third is used to generate reports, transforming the initial data into a tangible deliverable. If you take that third use much more wisely, I think you can accomplish the kind of things Lacy’s describing without, with, and still maintain accountability. Health Hats: This is GOLD. The 1/3: 1/3: 1/3 breakdown is memorable, concrete, and makes the problem quantifiable. Once again, 1/3 each for data collection and analysis, keeping the organization alive, and writing reports. 12. The Pendulum Swings Lacy Fabian: And if I could add on to what Kirk had said, I think one of the things that comes up a lot in the human services research space where I am is this idea of the pendulum swing. It’s not as though we want to go from a space where there are a lot of expectations for the dollars, then swing over to one where there are none. That’s not the idea. Can we make sure we’re thinking about it intentionally and still providing the accountability? So, like Kirk said, it’s that pause: do we really need the reports, and do we really need the requirements that the funder has dictated that aren’t contributing to the organization’s mission? In fact, we could argue that in many cases, they’re detracting from it. Do we really need that? Or could we change those expectations, or even talk to our funder, as per the Fundee, to see how they might better use this money if they were given more freedom, not to have to submit these reports or jump through these hoops? And I believe that’s the part that restores that equity, too, because it’s not the funder coming in and dictating how things will go or how the money will be used. It’s about having a relational conversation, being intentional about what we’re asking for and how we’re using the resources and then being open to making adjustments. And sometimes it’s just that experimentation: I think of it as, we’re going to try something different this time, we’re going to see if it works. If it doesn’t work, it probably won’t be the end of the world. If it does, we’ll probably learn something that will be helpful for next time. And I think there’s a lot of value in that as well. Health Hats: Lacy’s ‘pendulum swing’ wisdom: not anarchy, but intentional. Not ‘no accountability’ but ‘accountability without burden-shifting.’ The move is from the funder dictating requirements to relational conversation. And crucially: willingness to experiment. 13. The Three Relationships: Funder, Researcher, Community Health Hats: Back to the beginning—relationships. So, in a way, we haven’t really —what we’ve talked about is the relationship with funders. Lacy Fabian: True. Health Hats: What is the relationship between researchers and the community seeking answers? We’re considering three different types of relationships. I find it interesting that people call me about their frustrations with the process, and I ask, “Have you spoken with the program officer?” Have you discussed the struggles you’re facing? Often, they haven’t or simply don’t think to. What do you think they’re paid for? They’re there to collaborate with you. What about the relationships between those seeking answers and those studying them—the communities and the researchers? How does that fit into this? Kirk Knestis: I’d like to hear from Lacy first on this one, because she’s much more tied into the community than the communities I have been in my recent practices. 14. Maintaining Agency Health Hats: I want to wrap up, and so if. Thinking about people listening to this conversation, what do you think is key that people should take away from this that’ll, in, in either of the three groups we’ve been talking about, what is a lesson that would be helpful for them to take away from this conversation? Lacy Fabian: I think that it’s important for the individual always to remember their agency. In their engagements. And so I know when I’m a person in the audience, listening to these types of things, it can feel very overwhelming again to figure out what’s enough, where to start, and how to do it without making a big mistake. I think that all of those things are valid. Most of us in our professional lives who are likely listening to this, we show up at meetings, we take notes. We’re chatting with people, engaging with professional colleagues, or connecting with the community. And I think that we can continue to be intentional with those engagements and take that reflective pause before them to think about what we’re bringing. So if we’re coming into that program with our research hat on, or with our funder hat on, what are we bringing to the table that might make it hard for the person on the other side to have an equitable conversation with us? If you’re worried about whether you’ll be able to keep your program alive and get that check, that’s not a balanced conversation. And so if you are the funder coming in, what can you do to put that at ease or acknowledge it? Suppose you are the person in the community who goes into someone’s home and sees them in a really vulnerable position, with limited access to healthcare services or the things they need. What can you do to center that person, still like in their humanity, and not just this one problem space? And that they’re just this problem because that’s, I think, where we go astray and we lose ourselves and lose our solidarity and connection. So I would just ask that people think about those moments as much as they can. Obviously, things are busy and we get caught up, but finding those moments to pause, and I think it can have that snowball effect in a good way, where it builds and we see those opportunities, and other people see it and they go, Huh, that was a neat way to do it. Maybe I’ll try that too. 15. Listen and Learn Health Hats: Thank you. Kirk. Kirk Knestis: Yeah. A hundred percent. I’m having a tough time finding anything to disagree with what Lacy is sharing. And so I’m tempted just to say, “Yeah, what Lacy said.” But I think it’s important that, in addition to owning one’s agency and taking responsibility for one’s own self, one stands up for one’s own interests. At the same time, that person has to acknowledge that everybody else knows that the three legs of that stool I described earlier have to do the same thing, right? Yeah. So, it’s about a complicated social contract among all those different groups. When the researchers talk to the program participant, they must acknowledge the value of each person’s role in the conversation. And when I, as the new nonprofit manager, am talking to funders, I’ve got to make sure I understand that I’ve got an equal obligation to stand up for my program, my stakeholders, and the ideals that are driving what I’m doing. But at the same time, similarly, respecting the commitment obligation that the funder has made. Because it never stops. The web gets bigger and bigger, right? I had a lovely conversation with a development professional at a community foundation today. And they helped me remember that they are reflecting the interests and wishes of different donor groups or individuals, and there’s got to be a lot of back-and-forth at the end of the day. I keep coming back to communication and just the importance of being able to say, okay, we’re talking about, in our case, mobility. That means this. Are we clear? Everybody’s on the same page. Okay, good. Why is that important? We think that if that gets better, these things will, too. Oh, have you thought about this thing over here? Yeah, but that’s not really our deal, right? So having those conversations so that everybody is using the same lingo and pulling in the same direction, I think, could have a significant effect on all of those relationships. Health Hats: Here’s my list from the listening agency, fear, mistake, tolerance, grace, continual Learning, communication, transparency. Kirk Knestis: and equal dollops of tolerance for ambiguity and distrust of ambiguity. Yes, there you go. I think that’s a pretty good list, Danny. Lacy Fabian: It’s a good list to live by. Health Hats: Thank you. I appreciate this. Reflection Everyone in a relationship faces power dynamics – who's in control and who's not? These dynamics affect trust and the relationship’s overall value, and they can shift from moment to moment. Changing dynamics takes mindfulness and intention. The community wanting answers, the researcher seeking evidence-based answers, and those funding the studies, have a complex relationship. Before this conversation, I focused on the community-research partnership, forgetting it was a triad, not a dyad. The Central Paradox: We have exponentially more information at our disposal for research, yet we’re becoming more disconnected. Lacy identifies this as the core problem: we’ve stopped seeing each other as human beings and lost the touchpoints that enable genuine collaboration—when connection matters most. This is true for any relationship. The Hidden Cost Structure Kirk’s 1/3:1/3:1/3 breakdown is golden—one-third for data collection and analysis (adds value), one-third for organizational operations, and one-third for reports (mostly shelf-ware). The key takeaway: we’re allocating one-third of resources to deliverables that don’t directly benefit the people we’re trying to help. Perhaps more of the pie could be spent on sharing and using results. Three Different “Utilities” Are Competing Kirk explains what most evaluation frameworks hide: funder utility (accountability), research utility (understanding models), and community utility (immediate benefit) are fundamentally different. Until you specify which one you’re serving, you’re likely to disappoint two of the three audiences. Data Parties Solve the Funder Problem Pragmatically. Rather than choosing between accountability and flexibility, data parties and face-to-face analysis let stakeholders interpret findings in real time – the data party. I love that visual. It’s formative, not summative. It’s relational, not transactional. The Funding Question Reverses the Power Dynamic. Currently, funders place the burden of proving impact on programs through monthly reports and compliance documentation. Lacy’s alternative is simpler: what if the funder hired someone to observe the program, gather the information, and report back? This allows the program to stay focused on its mission while the funder gains the accountability they need. But the structure shifts—the program no longer reports to the funder; instead, the funder learns from the program. That’s the difference between equity as a theory and equity as built-in. Related episodes from Health Hats Artificial Intelligence in Podcast Production Health Hats, the Podcast, utilizes AI tools for production tasks such as editing, transcription, and content suggestions. While AI assists with various aspects, including image creation, most AI suggestions are modified. All creative decisions remain my own, with AI sources referenced as usual. Questions are welcome. Creative Commons Licensing CC BY-NC-SA This license enables reusers to distribute, remix, adapt, and build upon the material in any medium or format for noncommercial purposes only, and only so long as attribution is given to the creator. If you remix, adapt, or build upon the material, you must license the modified material under identical terms. CC BY-NC-SA includes the following elements:    BY: credit must be given to the creator.   NC: Only noncommercial uses of the work are permitted.    SA: Adaptations must be shared under the same terms. Please let me know. danny@health-hats.com. Material on this site created by others is theirs, and use follows their guidelines. Disclaimer The views and opinions presented in this podcast and publication are solely my responsibility and do not necessarily represent the views of the Patient-Centered Outcomes Research Institute®  (PCORI®), its Board of Governors, or Methodology Committee. Danny van Leeuwen (Health Hats)

In this episode of The Bandwich Tapes, I sit down with percussionist Chris DeChiara, whose musical journey spans from teenage rock bands to drum corps, classical training, and ultimately, more than two decades with the U.S. Navy Band in Washington, D.C. I first discovered Chris after hearing him on a Classical Breakdown episode, and I was blown away by his playing, his sound, and the way he talked about percussion. I reached out immediately, and I'm so glad he agreed to come on the show.Chris and I discuss how he found his way into classical music later than most, and how that discovery completely altered the direction of his life. We explore how drum corps shaped his sense of time and listening, as well as the pressure of performing high-level percussion parts night after night. He recounts the story of joining the Navy Band just before 9/11, and we discuss the weight and responsibility of performing military funerals and ceremonial duties at Arlington.We also delve into his book on Stravinsky's Rite of Spring, which originated from a graduate school paper and evolved into a comprehensive research project during the pandemic. Hearing how he approached the timpani part, the historical context, and the self-publishing process was fascinating. From there, we discuss what it truly takes to balance drum set and orchestral percussion, the challenge of leading time within a large ensemble, and the mindset shift required to blend, anticipate, and adapt depending on one's position on stage.Chris and I share a love of the Beatles, so of course, we dive into why those songs are so deceptively complex. Chris also fills me in on what his life looks like now: performing with the Alexandria Symphony, gigging with his long-running band Dr. Fu, playing in tribute acts (including an Iron Maiden tribute), teaching at Catholic University, and tackling a Britney Spears musical mainly played on a sample pad.This is a rich and wide-ranging conversation filled with great stories, thoughtful musical insight, and an inside look at a fascinating career in percussion. I had a great time talking with Chris, and I think you're going to enjoy this one.Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.Theme music: "Playcation" by Mark Mundy

Damon gets to talk to Jason about Scottish drumming, PASIC, being a band member vs. side person, recording and production, synesthesia, and other life adventures. There's also segments like gig alerts, educational spotlights and music news among others. 

Baltimore's own Timothy Fletcher, the drummer who went viral for his insane street performances and ended up on Ellen and America's Got Talent among other big stages, joins If This Doesn't Work… to talk about his journey from high-school band kid to international performer.He opens up about his early struggles, losing friends, the grind of street drumming, his Fortnite emote deal, YouTube copyright frustrations, and what it means to make it from the city without losing yourself.

Send us a text    On this episode Drummer/Vocalist Chris Volcano (Abominator, Cemetery Urn, Starfallen, x-Denouncement Pyre, x-Ignivomous, x-Deströyer 666) visits the Morgue for his first audio/podcast interview ever. We discuss his musical journey that goes back over 32 years. We also discuss Abominator's latest record "The Fire Brethren" available now on Hell's Headbangers, his other projects past and present and much more. See you at the Morgue! music:Abominator-The Templar's Curse Starfallen- Adorned in Thorns Cemetery Urn-Damnation Is In The BloodDeströyer 666-Long Live DeathAbominator-Hordes Of ImpurityAbominator-Desolate FeastDenouncement Pyre- The Final SolutionAbominator- Progenitors of the Insurrection of Satan contact: thetampamorgue@gmail.com The Tampa Morgue Podcast can be found on Spotify, Amazon Music, Apple Music, Apple Podcasts, YouTube and most places you listen to your podcasts. 

Im authentischsten Podcast der Welt erklären die beiden kultigen Investigativpodcaster und besten Komiker Deuschlands die Evolution der Menschheit, feiern den zweitbesten Drummer der Welt und warnen vor exzessivem Alkoholkonsum. Und vieles mehr. Nur hier im #bestpodcastever

Lauren Ellis is a terrific drummer and composer from halfway around the world in Wellington, New Zealand, now living in Los Angeles. She's worked with Peter Erskine, at USC's Music School. She plays with groups as diverse as the LA Philharmonic and with Seth Macfarlane. She writes commissioned works for jazz ensembles in the US and in New Zealand. And in 2022 she received an award in New Zealand equivalent to our Grammy for the best jazz composition.My featured song is “Cannonball” from my 1996 album Prisoners Of Love. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH LAUREN:www.laurenellismusic.com—----------------------------------------ROBERT'S LATEST SINGLE:“MI CACHIMBER” is Robert's latest single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Juan Chiavassa is an Argentinian born drummer, producer, and composer. His work spans a number of genres, including jazz, Latin, R&B, soul, hip-hop, rock and world music. As a performer, he has collaborated with Mike Stern, Paquito D'Rivera, Esperanza Spalding, John Patitucci and Jimmy Haslip among others. He performed on The Tonight Show with Bad Bunny. One of the albums he produced was nominated for a Latin Grammy, and he leads the Neverpony projectMy featured song is “The Rich Ones All Stars”, my recent single that is also a track on my latest album What's Up. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH JUAN:www.juanchiavassaondrums.com—----------------------------------------ROBERT'S LATEST SINGLE:“MI CACHIMBER” is Robert's latest single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

326 - Corey the Drummer and Joe the Butcher join Sven, JK and Tony in the PodcastMKE Studio for our monthly cycling-adjacent roundtable, Full Spectrum Cycling. The Milwaukee Minute (or 5) Violent Femmes! Sauna Talk with Tony Rapha, Schmafa! - https://www.bikeradar.com/features/rapha-ceo-fran-millar-we-are-the-originals-we-started-this F'real? Overpriced junk! Kern Cross  - https://wicxseries.com/race/kern-park-kross-2025/ Strummerfest raised $4065 for MPS Music Departments Shout out to Steve! Santa Cycle Rampage Milwaukee December 6th, Madison December 13th - https://wisconsinbikefed.org/santa-cycle-rampage/  Bands shouldn't take breaks Matchbox 40 as an example at 1846. Robits at Uptowner, last Platinum Boys show, DUIs at Sabbatic before Femmes, Seances at Anodyne, Matchbox 40 (Newski) at 1846 Brewery, Lack of Reason at GLD then Kingston Burial at Veggas, Paul Cebar for Local/Live, No Writes and Whiskey And The Devil at Sabbatic Biketoberfest shenanigans Attack of the Hop (Hustle and Faux edition) Talkin' Schmack  New Growler (with the parts from the Salsa Fargo Ti). It is bitchin'! And now tubeless! Global Fat-bike Day, December 6th. Who's got what going on where? Let us know at greg@fat-bike.com  Fatoberfest in Osage Shelltrack Ben's Cycles buys out Euro Asia's entire inventory! - https://www.bicycleretailer.com/industry-news/2025/10/31/wisconsin-shop-acquires-euro-asia-imports-inventory  What to expect going forward on Full Spectrum Cycling Full Spectrum Cycling with Sven, JK and Tony goes Monthly - pretty much what we've been doing all along! Looking like the show will post the first Thursday of the Month Sven is working on a new Spinoff from Full Spectrum Cycling that will cover the cycling space more specifically. Likely weekly. Maybe called PedalShift. Sven and JK are working up a more Milwaukee-centric show. Likely called Milwaukee by… where we will delve into more MKE topics with interviews and such. See all Full Spectrum Cycling Video Podcast Episodes here - https://www.youtube.com/playlist?list=PLblXPI1hYVGbwjJjdv_eJGMubhqRU4vwd  Show Beer - Founders All Day West Coast - https://foundersbrewing.com/our-beer/all-day-west-coast/ Show Guests Corey the Drummer Future Plans on Bandcamp - https://futureplansmke.bandcamp.com/album/future-plans Future Plans on Facebook - https://www.facebook.com/FuturePlansMKE/ Joe the Butcher Stefano's Slo-Food Market - https://www.slofoodmarket.com/  If you like this show PLEASE Subscribe in Apple Podcast - https://podcasts.apple.com/us/podcast/full-spectrum-cycling/id1569662493   Stuff for sale on Facebook Marketplace Shit Worth Doing November 20 - Milwaukee Winter Bike Party at UEC - https://www.facebook.com/share/1KDq8smD3m/ December 6 and 13, MKE and MAD - Santa Cycle Rampage dates set - https://wisconsinbikefed.org/santa-cycle-rampage/ December 6th - Global Fat Bike Day - Global January 9-11, 2026 - Fat Pursuit -  https://www.fatpursuit.com/  February 20th, 2026 - Flat Out Friday - Fiserv Forum - Milwaukee, WI Bikes! Large Schlick Cycles 29+ Custom Build - Black Medium Schlick Cycles 29+ Custom Build - Orange Large Schlick Cycles Tatanka, Orange. 29+ Schlick Cycles frames for custom builds Contact info@everydaycycles.com =============================Equipment we use during the production of Full Spectrum Cycling:============================= Cameras Mevo Core - https://amzn.to/3VpGzmJ - (Amazon) Mevo Start - https://amzn.to/3ZG2B7y - (Amazon) Panasonic 25mm 1.7 lens - https://amzn.to/3OH8Ph0 - (Amazon) Olympus 12mm-42mm lens - https://amzn.to/4iiEyCO - (Amazon) Audio Rode Podcaster Pro II - https://amzn.to/3xKbRfI  (Amazon) Microphones Earthworks Ethos Microphone - https://amzn.to/4eR6kEC  (Amazon) MXL BCD-1 Dynamic Microphone - https://amzn.to/3Yigjx9  (Amazon)

This week I sat down with James Beck, drummer of Hamilton thrash unit Killotine! James is a beast of a player and the upwards momentum of Killotine since their inception last year is absolutely insane! Having only played a handful of gigs before heading to Wacken Open Air to represent Canada in the Wacken Metal Battle. Killotine is currently in the studio with new music coming at you next year! GET MORE ⬇️ PATREON ➡ patreon.com/weretalkindrums MERCH ➡ were-talkin-drums-podcast.creator-spring.com INSTAGRAM ➡ instagram.com/weretalkindrums YOUTUBE ➡ https://www.youtube.com/@weretalkindrumspodcast TWITCH ➡ http://Twitch.tv/coryhdrummer

From Drummer to Difference Maker   Clint Pulver's story is one of purpose, passion, and impact. An Emmy Award winner, Hall of Fame Speaker, and professional drummer, Clint has inspired millions around the world to live with intention and lead with heart.   As the bestselling author of I Love It Here: How Great Leaders Create Organizations Their People Never Want to Leave, Clint is transforming the way companies engage and retain their people. Through his groundbreaking work as the “Undercover Millennial,” he's helped organizations like Microsoft, Red Bull, and NASA create cultures where people feel seen, valued, and inspired to give their best.   Clint reminds us that leadership isn't about being the best in the world — it's about being the best for the world.   Clint, thank you for all the good you do. We love you.  

Michael Shrieve is the legendary drummer with Santana who became a superstar at Woodstock with his incredible drum solo in “Soul Sacrifice” during the band's set. He went on to play with a Who's Who in the music business including Steve Winwood and Al Di Meola in GO, a fusion supergroup, another band with Sammy Hagar and Neil Schon, and with Supertramp's Roger Hodgson among others. He also played on the Rolling Stones album Emotional Rescue. And he's collaborated with Todd Rundgren, Jaco Pastorius and Nile Rodgers among others.My featured song is “It Don't Matter” from the album “East Side Sessions” by my band Project Grand Slam. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH MICHAEL:www.michaelshrieve.com—----------------------------------------ROBERT'S LATEST SINGLE:“MI CACHIMBER” is Robert's latest single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Drummer for the Trans Siberian Orchestra Jeff Plate joins the show to talk about his history with the band and the upcoming TSO show at Rupp Arena. See omnystudio.com/listener for privacy information.

This week on Jazz After Dinner Joe features Drummer and Pianist Jack DeJohnette from his 1984, ECM Records recording, titled “Album, Album.”  

ABOUT​ SIMON PHILLIPS: Regarded as one of the world's most renowned and respected drummers, Simon Phillips is a GRAMMY® Award-nominated drummer, producer and composer who has worked with Jeff Beck, Judas Priest, Mike Rutherford, Tears for Fears, Michael Schenker, Nik Kershaw, Mike Oldfield, 10cc, T​oto, The Who and many more. ABOUT THE PODCAST:  Candid discussions with and about those behind the scenes in the music business including industry veterans representing the segments of: Musician, Design & Live ABOUT THE HOSTS: All three Music Buzzz Podcast hosts (Dane Clark, Hugh Syme and Andy Wilson) have spent their careers working with the biggest names in entertainment and have been, and still are, a fly on the wall. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 93: Christian McBride Part 2. He's back! Nine-time GRAMMY winner Christian McBride returns for Part 2 of our conversation. In this episode we pick up where he becomes a bandleader and makes his first album. From there we cover his journey through leadership, creativity, and legacy. We talk about his work with Chick Corea, his solo albums, and the moments that earned him nine GRAMMY Awards. Christian shares stories about the drummer greats he has played with including Jack DeJohnette, Tony Williams, Vinnie Colaiuta, and Brian Blade, as well as his collaboration and relationship with James Brown. It is a two-hour conversation full of stories, laughter, and insight from one of the most influential figures in jazz. Christian is an amazing storyteller and we had a blast recording this one. We hope you enjoy it as much as we did. Here's Part 2 of my interview with the legend, Christian McBride! ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! https://www.patreon.com/gowithelmo Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Christian: https://www.instagram.com/chrmcbride/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The Australian musician has programmed a playlist to convert you to this genre.

Saskia Falken, in for CapeTalk’s Sara-Jayne Makwala King, is joined on Weekend Breakfast by drummer Kabelo Mokhatla, and band members Cameron Campbell and Conway Campbell. Weekend Breakfast with Sara-Jayne Makwala King is the weekend breakfast show on CapeTalk. This 3-hour morning programme is the perfect (and perky!) way to kickstart your weekend. Author and journalist Sara-Jayne Makwala-King spends 3 hours interviewing a variety of guests about all things cultural and entertaining. The team keeps an eye on weekend news stories, but the focus remains on relaxation and restoration. Favourites include the weekly wellness check-in on Saturdays at 7:35am and heartfelt chats during the Sunday 9am profile interview. Listen live on Primedia+ Saturdays and Sundays between 07:00 and 10:00am (SA Time) to Weekend Breakfast with Sara-Jayne Makwala-King broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/AgPbZi9 or find all the catch-up podcasts here https://buff.ly/j1EhEkZ Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Matt Cameron has been playing guitar and singing in his new band Is This Real? And we talk to his drummer, Will Andrew, about what it's like and how he got the gig!

ABOUT​ SIMON PHILLIPS: Regarded as one of the world's most renowned and respected drummers, Simon Phillips is a GRAMMY® Award-nominated drummer, producer and composer who has worked with Jeff Beck, Judas Priest, Mike Rutherford, Tears for Fears, Michael Schenker, Nik Kershaw, Mike Oldfield, 10cc, T​oto, The Who and many more. ABOUT THE PODCAST:  Candid discussions with and about those behind the scenes in the music business including industry veterans representing the segments of: Musician, Design & Live ABOUT THE HOSTS: All three Music Buzzz Podcast hosts (Dane Clark, Hugh Syme and Andy Wilson) have spent their careers working with the biggest names in entertainment and have been, and still are, a fly on the wall. Learn more about your ad choices. Visit megaphone.fm/adchoices

In each Random Bird Thursday (RBT) episode, the goal is to highlight a bird species that probably isn't going to get featured in a full-length podcast episode. These are birds we might overlook, even though they certainly deserve some appreciation and attention. ~~~~~~~~~~~~~~~~~⚠️ SPOILER ALERT!The featured species in this episode is the Little Woodpecker (Veniliornis passerinus)Support the show

Although it has been way too long since our last visit with the son of legendary CREAM drummer GINGER BAKER, our guest today on the Rick Flynn Presents podcast is one of the best drummers on the music scene today.KOFI BAKER has impeccable credentials. He certainly is the son of legendary drummer and musician, Ginger Baker, which is evident the moment you hear or see Kofi play. The DNA is unmistakable.But Kofi has his own unique approach to playing and, with his uncompromising daily practicing regime, no wonder he has forged his own long and distinguished career working with many other legendary musicians such as Eric Clapton, Steve Winwood, Roger Waters, Nile Rogers, Tom Jones, Jack Bruce, Steve Marriott, Uli Jon Roth and many more. Join us today, at your own schedule, on any major podcast carrier and listen right now to this historic edition of Rick Flynn Presents worldwide podcast. Will we be discussing his legendary Dad, drummer Ginger Baker? The odds are extremely good but first let's get to the kitchen and make some healthy smoothies as we get the show started. Kofi is also performing in concert worldwide so check all of your local listings, as well as www.KofiBaker.com to get tickets in your respective city or town.

As the nights draw in and the air turns colder, we're embracing the season of shadows. Join us every Tuesday until Christmas for a chilling collection of classic ghost stories, steeped in folklore and the supernatural.A ghostly drummer is said to haunt Cortachy Castle, pounding his warning before death visits the Ogilvy family. Is it just legend, or does something ancient still march through those halls?The BOOKBY US A COFFEEJoin Sarah's new FACEBOOK GROUPSubscribe to our PATREONEMAIL us your storiesJoin us on INSTAGRAMJoin us on TWITTERJoin us on FACEBOOKVisit our WEBSITEResearch Links:https://www.paranormaldatabase.com/reports/drummer.phphttps://hauntedpalaceblog.wordpress.com/2020/10/31/drummers-doom-ghosts-and-death-warnings/https://books.google.com/books?id=F7ZTBAAAQBAJ&pg=PT128https://archive.org/details/encyclopaediaof00mcgo/page/112https://www.mysteriousbritain.co.uk/ancient-sites/cortachy-castlehttps://www.dailyrecord.co.uk/lifestyle/haunted-scotland-ghosts-cortachy-castle-11475519Thanks so much for listening, and we'll catch up with you again on tomorrow.Sarah and Tobie xx"Spacial Winds," Kevin MacLeod (incompetech.com)Licenced under Creative Commons: By Attribution 4.0 Licencehttp://creativecommons.org/licenses/by/4.0/SURVEY Hosted on Acast. See acast.com/privacy for more information.

This week, Joe is featuring Drummer and Band Leader, Mel Lewis, from his 1989 Music Masters Records recording titled “The Lost Art.”

Your health data belongs to you—but how can you share it safely? Fabienne Bourgeois, MD, exposes the complex truth about privacy, permissions, and data control. Summary According to Fabienne Bourgeois, MD, patients want control over their health data, but privacy preferences and constant changes complicate this. The discussion is relevant to people with disabilities, caregivers, and others navigating complex health information. About 80% of people share common privacy concerns that current systems can't address. The remaining 20% need more detailed controls and customization, though balancing autonomy with privacy remains challenging. Ownership means individuals have the right to participate in research and make informed choices. They need "digital intermediaries"— professionals who assist with data sharing—and genuinely intuitive interfaces. Privacy protections must remain a top priority as health and AI tools continue to develop. Click here to view the printable newsletter with images. More readable than a transcript, which can also be found below. Contents Table of Contents Toggle EpisodeProemWhen Life Throws Your Kid a CurveballEmerging Adults MatterYour Medical Records Called—They're Lost and SeparatedOne Size Fits All? Please!Spoiler: This Affects Way More People Than You'd ThinkCan We Teach Tech to Understand ‘It's Complicated'?All-or-Nothing Privacy: The Sledgehammer ApproachMacGyver Solutions: When Your Software Says ‘No'The Secret Society of People Who Actually CareJuggling Your Mom's Meds and Your Kids' Forms: A Sandwich Generative NightmarePlaying Gatekeeper (Because We're Scared You'll Overshare)80% We Can Solve + 20% That's a NightmareInformed Consent: What If People Actually Understood?Needles in a Haystack: Finding Your 100 People WorldwidePlot Twist: When It's Your Data, Everything ChangesTraining Wheels for Privacy: Teaching People to ChooseThe New Job Nobody's Hired Yet: Your Privacy ConciergeCan We Build This So My Oma Can Use It?Tech's Outrunning Privacy (And We're All Just Watching)ReflectionRelated episodes from Health Hats Please comment and ask questions: at the comment section at the bottom of the show notes on LinkedIn  via email YouTube channel  DM on Instagram, TikTok to @healthhats Substack Patreon Production Team Kayla Nelson: Web and Social Media Coach, Dissemination, Help Desk  Leon van Leeuwen: editing and site management Oscar van Leeuwen: video editing Julia Higgins: Digit marketing therapy Steve Heatherington: Help Desk and podcast production counseling Joey van Leeuwen, Drummer, Composer, and Arranger, provided the music for the intro, outro, proem, and reflection Claude, Perplexity, Auphonic, Descript, Grammarly, DaVinci Podcast episode on YouTube Inspired by and Grateful to:  Alexis and Sara Snyder, Amy and Morgan Gleeson, Fatima Mohammed Ighile, Esosa Ighile, Jill Woodworth, Tomas Moran, Marianne Hudgins Photo Credits for Videos 80/20 by Austin Distel on Unsplash Design flaws by Getty Images on Unsplash Privacy by Hector Reyes on Unsplash Links and references Fabienne Bourgeois, MD LinkedIn and Publications National Center for Medical Legal Partnerships Episode Proem The slogan, “Give Me My Damn Data,” began in 2009 with E-Patient Dave DeBronkart as a call for transparency and control: patients arguing that real involvement in their healthcare needs open access to their personal health information. But once we have our data, what will we do with it? Who will we share it with, and in what situations? What are the personal and technical challenges of managing that sharing? I know enough to be dangerous about data-sharing technology. I do understand the personal and relationship sides of data sharing, though. To learn more, I reached out to my former colleague, Fabienne Bourgeois, an Adolescent Medicine doctor and Associate Chief Medical Information ...

Squirrel!Stories UsedAlicehttps://metro.co.uk/2025/09/25/theres-an-angry-squirrel-in-california-whos-put-two-people-in-hospital-24258593/ https://metro.co.uk/2025/09/02/a-band-manchester-drummer-literally-mushrooms-24060259/ → quote from Lauren's Mushroom Correspondent, “i mean they are clearly a fungi… i imagine the main problem was there being not mushroom in the band previously”https://metro.co.uk/2025/09/28/he-boy-man-saved-injured-squirrel-says-pair-now-inseparable-24282002/Janehttps://www.goodnewsnetwork.org/six-baby-cheetahs-born-in-the-richmond-zoos-prolific-breeding-program-167-cats-since-2013-watch/https://www.upi.com/Odd_News/2025/09/25/South-Western-Railway-crab/4561758819404/Laurenhttps://www.upi.com/Odd_News/2025/09/25/Long-Island-New-York-orange-lobster/6051758813614/https://www.upi.com/Odd_News/2025/09/24/Hampton-Township-crocodile-Michigan-front-yard/2311758741800/ https://www.upi.com/Odd_News/2025/09/24/Round-Rock-Texas-porcupine-shopping-center-mall/5801758734735/

Pamela York is a pianist based in Lake County, Illinois who is an active member of the jazz scenes of both Chicago and Milwaukee. A couple of years ago, she formed a combo with bassist Clay Schaub and trumpeter Eric Jacobson called the Affinity Trio. On October 17th, the group released their second album, called "New Outlook," on the Origin label. The Affinity Trio will perform at Berlin in Minneapolis Halloween night. Pamela York speaks with Jazz88's Peter Solomon about her musical backstory and the new project with the Affinity Trio.

Adult ADHD ADD Tips and Support Podcast - A Podcast for Neurodivergent Creatives. Leaning Life in Your Favor with Actress Ginger Gonzaga. This podcast is an audio companion to the book "The Drummer and the Great Mountain - A Guidebook to Transforming Adult ADD / ADHD." In this episode, we're joined by Ginger Gonzaga -- actress, writer, comedian, director, and filmmaker known for her roles in Marvel's She-Hulk, the lead in the CBS series True Lies, and countless other memorable performances in TV and film. This inspiring and lively conversation explores how Ginger learned to “lean life in your favor,” sharing how to recognize your unique strengths, trust your instincts, and have the courage to break free from the constraints that can limit your full expression. We also discuss her ADHD diagnosis at 35, including how undiagnosed ADHD can make you vulnerable to toxic relationships. Most importantly, she shares tips on how she stays balanced and productive, while managing her hyper-creative brain. Links Mentioned in this Episode: (SUPPORT GROUP) The Thrive Group starting on Nov 18 (INSTAGRAM) Ginger Gonzaga - @gingerthejester Don't see a player? Click this link to download the MP3 file. If you have an Apple device (iPhone/iPad), you can download the podcast (and subscribe) for free at this link: https://itunes.apple.com/us/podcast/adult-adhd-add-tips-support/id988935339 Visit the podcast web page to listen to all 120 episodes: http://www.drummerandthegreatmountain.com/adult-adhd-add-podcast >> Take the ADHD Hunter-type Quiz Outro voice over by Lauren Regan.  Intro and outro music by Bahman Sarram For more info, visit: http://www.DrummerAndTheGreatMountain.com

Legendary drummer and Canadian Music Hall of Fame inductee Frank Zummo joins the show to talk about his powerful new book, Unbreakable Rhythm: My Journey Through Music, Wellness, and Mental Strength. Known for his work with Sum 41, Street Drum Corps, Mötley Crüe, and Linkin Park, Frank opens up about his path through music and how his workshops have evolved into a mission of mental wellness and resilience. We dig into the inspiration behind the book, the companion EP Feels, and how he continues to channel rhythm into healing and purpose. This isn't just a conversation about music — it's about finding balance, staying grounded, and staying unbreakable.

Foo Fighters announce their first official tour in over a year with Queens of the Stone Age, Soundgarden's drummer Matt Cameron reveals that original bassist Hiro Yamamoto will participate in Soundgarden's live performance at the RRHOF next month, Puscifer announces their new album with contributions from Tony Levin and Danny Carey, and Iron Maiden announces more tour dates for the 50th anniversary tour in 2026… PLUS ‘This Week in Rock & Roll History Trivia', Rock Birthdays, ‘The Best & Worst Rock Album Artwork of the Week' & much more!Everything is up at www.rocknewsweekly.com / All socials & TikTok @rocknewsweekly Watch us LIVE, chat with us & more…Every Sunday around 2pm PST @ https://www.twitch.tv/rocknewsweeklyWatch all of our videos, interviews & subscribe at Youtube.com/@rocknewsweeklyFollow us online:Instagram.com/rocknewsweeklyFacebook.com/rocknewsweeklyTwitter.com/rocknewsweeklyTikTok.com/@rocknewsweeklyAll of our links are up at www.rocknewsweekly.com every Monday, where you canCheck it out on 8 different platforms (including Amazon Audible & Apple/Google Podcasts) #Rock #News #RockNews #RockNewsWeekly #RockNewsWeeklyPodcast #Podcast #Podcasts #Metal #HeavyMetal #Alt #Alternative #ClassicRock #70s #80s #90s #Indie #Trivia #RockTrivia #RockBirthdays #NewMusic #NewMusicReleases #FooFighters #FooFighters2026 #Soundgarden #HiroYamimoto #RRHOF #Puscifer #NormalIsnt #TonyLevin #DannyCarey #IronMaiden #QueensOfTheStoneAge

David Uosikkinen, the Drummer of the legendary Philly rock band The Hooters calls into the show- apparently he's a big fan! Time's Yours callers congratulate the Morning Show on their 9 year anniversary of working together.

The Drummer for the legendary Philadelphia rock band The Hooters David Uosikkinen calls into the 94 WIP Morning Show!! Earlier in the show, James Seltzer played a song from The Hooters as return music from commercial break and a conversation broke out about The Hooters. Next thing you know, David Uosikkinen calls in! Time's Yours callers congratulate the 94 WIP Morning Show on their 9 year anniversary of working together.

The 94 WIP Morning Show is looking forward to hopefully getting revenge on the Giants this Sunday. Joe DeCamara doesn't think this will be an easy task for the Eagles. The rest of the Morning Show thinks the Eagles will show up this time and stomp the lowly Giants (ha ha). Sheil Kapadia joins the Morning Show and says the Eagles being the more talented team should beat the Giants. He also discusses what this team looks like without AJ Brown, who is seemingly going to miss this game with a hamstring injury. Eliot Shorr-Parks joins the show also believing AJ will be out for this week. He also believes the Eagles should handle the Giants. Coach Dick Vermeil joins the show with confidence that the Eagles run game can get back on track, but respects the Giants. David Uosikkinen, the Drummer of Philly's own The Hooters calls into the show! The Morning crew celebrates 9 years together as a team! Drop of the Week, Beat The Hammer, and Time's Yours too!