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Jimmy D'Anda of Bulletboys joins Izzy & Dawson for the very first show of the year and Dawson's first show as official co-host talking about the reunion after the reunion and the measures they are taking to make it work, tells stories from growing up in LA and seeing the who's who of bands before they broke and even teases a story of getting in a fight with a late, great guitar god.....PATREON - https://www.patreron.com/realizzypres...WEBSITE - https://www.izzypresley.comDawson's Links@Dawsangeles - Twitter/Instagram/FacebookIzzy's linkshttps://www.lasvegasguitartradeshow.comhttps://www.sotastick.comhttps://vintageguitarsrus.comhttps://www.beeteramplification.comhttps://www.thesmokinkills.comhttps://www.7thavenuepizza.comhttps://www.lockecustomguitars.com https://valkenburgusa.com https://www.monstersofrockcruise.comMERCH https://official-izzy-presley-store.creator-spring.comhttps://www.teepublic.com/user/official-izzy-presleyCAMEOhttps://www.cameo.com/realizzypresley RAISE YOUR GLASSEShttps://www.amazon.com/RAISE-YOUR-GLA...
In questo episodio incontro Alessandro Deidda, batterista de Le Vibrazioni, per una lunga chiacchierata a 360° tra musica, batteria e storie di palco.Ripercorriamo gli inizi negli anni '90, le sale prove di Milano, la nascita della band e il successo improvviso dei primi anni 2000, con tutti i retroscena legati a “Dedicato a te”, MTV e al mondo mainstream.Parliamo di tour, pressioni, compromessi, registrazioni in studio, ma anche di approccio da batterista “da band”, ascolto, suono, dinamiche sul palco e strumenti. ► I miei Corsi Online https://suonarelabatteria.com
In this deeply personal and wonderfully candid episode, we're joined by one of rock's most recognisable and influential drummers: Liberty DeVitto. For three decades, Liberty was the rhythmic engine behind Billy Joel — the man whose explosive, intuitive playing powered classics like “Only the Good Die Young,” “Movin' Out,” “You May Be Right,” “Scenes from an Italian Restaurant,” and so many more. But as you'll hear, his story is so much bigger than the music that made him famous.Liberty opens up about his Brooklyn upbringing, marked by a tough home life and a school system that didn't quite know what to do with a kid like him. He talks about the teacher who dismissed his dreams outright, and the moment that changed everything: seeing the Beatles on television and suddenly realising what he wanted to do for the rest of his life.From there, Liberty takes us on a vivid journey through the early days — the basement rehearsals, the bar gigs, the scramble to get noticed — until fate put him in the same room as a young Billy Joel. The chemistry was instant, electric, and undeniable. Liberty reminisces about the early records where the band was still finding its voice, the Stranger sessions where everything clicked, and the whirlwind that followed as Billy Joel became one of the biggest artists on the planet.Of course, success rarely comes without friction. Liberty speaks honestly about life inside the Billy Joel band, the tight-knit camaraderie, the touring madness, the studio magic, and the growing tensions that eventually fractured the group. He doesn't shy away from the painful parts — the confusion, hurt, and years of silence after he was let go. But he also shares the long path back toward healing, forgiveness, and ultimately reconciliation with Billy after fifteen years apart.Along the way, he talks about fatherhood, sobriety, personal growth, and the rediscovery of joy through new creative partnerships and projects — including his heartfelt work with the band The Slim Kings and his passion for mentoring young musicians.This conversation is full of humour, honesty, vulnerability, and wisdom, offering a rare, behind-the-scenes look at the life of a man who helped shape some of the most iconic songs of the '70s, '80s, and beyond. Whether you're a longtime Billy Joel fan, a drummer, or simply someone who loves a good story of resilience and reinvention, this episode delivers in spades.Settle in — Liberty DeVitto's journey is one you won't forget.For more about Liberty head for his website https://libertydevitto.com/I hope you enjoy his story.
Send us a textIn this very special (unedited) episode--which is both the last in 2025 and the Season 6 Finale--the mics are switched and a mystery guest asks this podcast's host some deeply probing, thought provoking questions. Also, please come see us at Redlight Redlight on New Year's Eve, opening at 6:30pm, New Eagles are playing two sets at 8 and 9. Chef Jes is doing a T.Bell-inspired Supreme menu with a prosecco toast at midnight. It's gonna be amazing!https://linktr.ee/helloapgdpod
Hola amigo! In questa lunga chiacchierata ho avuto il privilegio di sedermi accanto a Walter Calloni, un musicista che ha davvero segnato la storia della batteria e della musica italiana.Walter non è solo un batterista: è un testimone diretto di una stagione irripetibile, quella tra gli anni '70 e '80, in cui la musica italiana viveva un fermento creativo incredibile. In questo video ci porta dentro quel mondo con racconti, ricordi e retroscena che raramente avrai sentito.Si parte dagli esordi giovanissimi e dall'entusiasmo di un ragazzo che già a tredici anni incideva dischi. Poi arrivano le grandi collaborazioni: Lucio Battisti, Fabrizio De André, Eugenio Finardi, la PFM, gli Area, e molti altri.Storie di studio, di palco, di viaggi e di un'industria musicale che in quegli anni faceva girare davvero tanti soldi.Ma non è solo un tuffo nel passato: Walter apre anche il suo mondo didattico, raccontando come studia, come insegna, quali sono gli errori più comuni dei giovani batteristi e perché leggere la musica e avere una band siano due passaggi fondamentali per crescere davvero.Ascolta la discografia di Walter Calloni su Spotify: https://open.spotify.com/calloni
In this episode Toby sits down with Underoath drummer/vocalist Aaron Gillespie! They chat about his strict religious upbringing, going from Christian music to grunge, music in black churches as inspiration, baggage from his religious childhood, playing in church band, Underoath, quitting the band because of anxiety, being a hypochondriac and working out, playing shows, his son, playing for Paramore and more!! Please remember to rate, review and subscribe and visit us at https://www.youtube.com/tobymorseonelifeonechance Please visit our sponsors! Rockabilia- use code OLOC10 Rockabilia Athletic Greens https://athleticgreens.com/oloc Removery- code TOBYH2O https://removery.com Liquid Death https://liquiddeath.com/toby Refine Recovery https://www.instagram.com/refinerecoverycenter/
Michel en Alex kruipen traditiegetrouw achter de microfoons voor de eindejaarsaflevering, waarin ze in twintig hoogtepunten terugblikken op het afgelopen televisiejaar. Maar wat voor jaar was het eigenlijk? Viel er nog een beetje wat te lachen, of was het toch vooral huilen met de pet op? Ondanks vele grote sterren die veel te vroeg heengingen, was er natuurlijk heus wel genoeg te genieten, of het nu ging om Gerard Joling, Onderweg naar Liefde of Wolter Kroes die Youp van ('t) Hek dwingt om z'n plaat te zingen. Nederlandse televisie levert uiteindelijk altijd. Kortom, welkom terug in het land Televisië!See omnystudio.com/listener for privacy information.
Health Hats Danny celebrates 50 – years with his honey & pounds lost. With gratitude for privilege, & best health thru family, media, music, travel, & advocacy. Summary Think of 2025 as Danny’s Sofrito year—familiar and unexpected ingredients simmering together. The base: 50 years married, daily saxophone practice, steady MS management. The aromatics: Cuban jazz immersion, co-founding a Personal Health Data Bank, and celebrating with old friends on Bloom Mountain. The heat: losing 50 pounds, earning $150 as a “professional” musician, and learning from his grandsons. What makes sofrito work is the slow sauté, the patient layering of flavors. Danny’s learning the same with music (leave white space), with health (five out of ten is excellent), and with AI (it changes the work but doesn’t replace Mom’s feedback). Between PCORI Board meetings, podcast production, band rehearsals, and startup strategy sessions, he’s discovered that retirement’s spicy complexity comes from knowing when to drop out, when to join the rhythm section, and when to let the energizing endorphins carry you through disturbing times. The recipe? Nap whenever and keep improvising. Click here to view the printable newsletter with images. More readable than a transcript. Contents Table of Contents Toggle EpisodeProemFrom Mom to AI50 Years of Love and Privilege RoastedRolling in CubaToo Many and Too Few HornsBest GovernanceGame-Changing StartupOnwardBest Health NowEndorphins and GratitudeRelated episodes from Health Hats Please comment and ask questions: at the comment section at the bottom of the show notes on LinkedIn via email YouTube channel DM on Instagram, TikTok to @healthhats Substack Patreon Production Team Kayla Nelson: Web and Social Media Coach, Dissemination, Help Desk Leon van Leeuwen: editing and site management Oscar van Leeuwen: video editing Julia Higgins: Digit marketing therapy Steve Heatherington: Help Desk and podcast production counseling Joey van Leeuwen, Drummer, Composer, and Arranger, provided the music for the intro and outro Claude, Auphonic, Descript, Grammarly, DaVinci, Whisper Transcription Podcast episode on YouTube Inspired by and Grateful to: All of you! Photo Credits for Videos 50th Anniversary images by Patti Harris, Rich Rieger, Jodi Buckingham, Ann Boland, Christine Higgins, and me Swiss cheese image by Rahul Pugazhendi on Unsplash Nourish image by Santiago Lacarta on Unsplash Cuba images by Ann Boland, Richard Fish, Gisselle Perez, and me Zoom images by Michael Chaffin and Steve Heatherington Links and references The Curse of an Aching Heart Music by Al Piantadosi, Lyrics by Henry Fink 1913 played by the Summer Street Stompers https://health-hats.com/wp-content/uploads/2025/12/The-Curse-of-an-Aching-Heart-20251206.mp3 Referenced in episode Dan Fox and Morningside Studios, the Havana Music School, the Havana Jazz Festival Lechuga Fresca Latin Band and Summer Street Stompers Dixieland Band Research partnerships and participatory governance of AI Personal Health Data Bank https://goodlistening.org Episode Proem I love retirement. I have plenty to do on my own schedule. I can nap almost whenever I want. I‘m no better at saying no. Every day feels rich, although I don't always know what day it is. From Mom to AI My podcast about best health continues to flourish and nourish. Thank you very much. I embrace the tension between creativity and productivity as I test new approaches and media. I published fifteen new episodes in 2025, plus 32 YouTube episodes, and countless social media shorts. What do you think of my new intro and outro? Grandsons Leon and Oscar encouraged me to update them. Leon has been updating my website, as a growing proportion of people access my back catalog. Both Leon and Oscar advise me on direction, content, and strategy, especially using social media. I meet regularly with my virtual, supportive, and challenging podcasting peeps. I enjoy experimenting with AI in production to find and create images and suggest brief descriptions and section headings. My favorite prompt is “Suggest three ironic titles, brief descriptions, and section headings, a tech-savvy teen would appreciate.” I rarely use the suggested responses, but I chuckle and take an unexpected path. AI does not make me more productive; it changes the work a tad. When I first started blogging, I would read draft episodes to my mom. Her feedback was more often helpful than AI's. I miss my mom. 50 Years of Love and Privilege Roasted The highlights of the year included celebrating our 50th wedding anniversary with old friends and my grandsons. Our son, Ruben, served as Master of Ceremonies. Nine people from our 1975 wedding joined us in July on Bloom Mountain in West Virginia to tell stories. We played the Dating Game and Danny and Ann Trivia. We, rather, I, got roasted. Oscar, Bruce Kimmel, and I played Simple Gifts on clarinet, bass, and baritone sax. We sang Simple Gifts at our wedding. Listeners and viewers, you can find full performances of this and other referenced tunes at the end of the podcast. Readers, click the links in the transcript or check the show notes. Rolling in Cuba Another highlight was our week-long trip to Cuba for a music extravaganza. Dan Fox and Morningside Studios arranged it, and the Havana Music School hosted a week of the Havana Jazz Festival, daily lessons and ensemble work, culminating in a gig at a restaurant attended by many Havana musicians in town for the Festival. One of the tunes I recorded from the gig, “Sofrito” by Mongo Santamaria, has had 48,000 views on YouTube as of this writing. Before this, my most-viewed videos had 300 views. I'm grateful to Pachy Silveria for saxophone instruction and to Claudia Fumero and Gisselle Perez for their kindness in hosting. I worried about wheelchair access before we went to Cuba, but I needn't have. My wheelchair was no more of a barrier there than it is anywhere else. Too Many and Too Few Horns Speaking of music, I'm playing in two bands now-Lechuga Fresca Latin Band and Summer Street Stompers Dixieland Band. Lechuga Fresca is reconstituting after several musicians moved on to other projects. I'm often the only horn player at rehearsals, while we have five horn players in the Summer Street Stompers. Too few and too many. Both situations have challenges. I've never had to hold my own in a band completely; usually, I hide behind someone. With a horn section, the music at its best is controlled cacophony. Too many horns are nuts. I'm learning to lay back, not hide, drop out sometimes, join the rhythm section other times, and leave more white space in my solos. I'm grateful to my teacher of 17 years, Jeff Harrington. Oscar and I figure that I must be a professional musician. While I don't make a living playing, I made $150 this year. I average 1 hour a day with my music, and it feeds my soul and creates new pathways in my Swiss-cheese brain. Best Governance I'm in my sixth year on the PCORI (Patient Centered Outcomes Research Institute) Board, focused on shifting the balance of power in community-research partnerships and in the participatory governance of AI used in research. If reappointed, I'll enthusiastically re-up for another six years. PCORI has the best Board, leadership, and staff dynamics, as well as the output, of any organization I've participated with during my 50-year career. A nod to Jan Oldenburg for outstanding coaching that kept me focused on two goals at a time. Game-Changing Startup A year ago, I would have said serving on the PCORI Board of Governors was the pinnacle of my career but let me tell you about my new career gig. For twenty-five years, I've worked with many collaboratives to advance patients’ abilities to turn their health data into useful information to make choices about their health and care. “Gimme my damn data” is a great slogan and first step, but success could be drinking dirty water out of a firehose. I virtually met my start-up partners, Tomas Moras and Marianne Hudgins in April and started working together in August. We're seeking seed funding to build a Personal Health Data Bank, an owner-controlled health data bank that promotes individual data ownership, safety, security, and trust by storing personal health data from any source and using AI-assisted synthesis to serve the data owner. Data owners' needs vary. We might need our data for research participation, health data summarization, clinician visit prep, care coordination with family in whatever diaspora, or tracking data over the years, across health systems and locations. We have a sandbox where we are testing and enhancing existing open-source technology while we figure out participatory governance to address ethical, privacy, and usability issues. We favor a bottom-up rather than a top-down approach as we build community and services for owners and their trusted networks. I'm excited about the challenge of finding the smallest viable community that can use these Data Banks, with everyone making enough money to sustain the banks, service providers, and networks. No data broker would make money on the data. I'm revved up as I learn about a new audience – investors. The diversity of investors rivals that of any culture I'm new to. Onward I traveled to DC, Portland OR, New Orleans, and Colorado. In 2026, we booked a trip to Belize with Linda and Mike DeRosa. We are also planning a trip to Ireland and Wales with my brother-in-law, Paul Boland, I'll be sharing more about my adventures on my podcast and social media. Best Health Now Oh, I almost forgot. My health is excellent, meaning I spend a decent share of time in a state of best health. Talked to a friend, Shel. How do you answer people when they ask how you are doing? On a scale of 1 to 10, with this administration, the best is a seven. Considering the annoyances of MS, that brings it down to a five. So, how are you doing? Five out of ten is best health. I lost 50 pounds this year after a Type II Diabetes diagnosis. Mobility remains steady, though I was slowing down before the weight loss. I rate symptoms as annoying, seriously annoying, or disabling. Episodes of disabling symptoms are rare and brief. I know how to handle most symptoms most of the time. I'm delighted with a five. Endorphins and Gratitude I'm grateful for my health, my pathological optimism, my privilege, my honey, my grandkids, and my health team. I appreciate all of you – family, friends, and colleagues. You infuse me with energizing endorphins, the best antidote to fatigue. May you celebrate the energizing moments you find in these disturbing times. A https://goodlistening.org poet wrote this poem for me. Related episodes from Health Hats https://health-hats.com/pod233/ https://health-hats.com/pod228/ https://health-hats.com/pod128/ Artificial Intelligence in Podcast Production Health Hats, the Podcast, utilizes AI tools for production tasks such as editing, transcription, and content suggestions. While AI assists with various aspects, including image creation, most AI suggestions are modified. All creative decisions remain my own, with AI sources referenced as usual. Questions are welcome. Creative Commons Licensing CC BY-NC-SA This license enables reusers to distribute, remix, adapt, and build upon the material in any medium or format for noncommercial purposes only, and only so long as attribution is given to the creator. If you remix, adapt, or build upon the material, you must license the modified material under identical terms. CC BY-NC-SA includes the following elements: BY: credit must be given to the creator. NC: Only noncommercial uses of the work are permitted. SA: Adaptations must be shared under the same terms. Please let me know. danny@health-hats.com. Material on this site created by others is theirs, and use follows their guidelines. Disclaimer The views and opinions presented in this podcast and publication are solely my responsibility and do not necessarily represent the views of the Patient-Centered Outcomes Research Institute® (PCORI®), its Board of Governors, or Methodology Committee. Danny van Leeuwen (Health Hats)
It was an amazing time having Brandon Pertzborn on the podcast. Brandon is best known for being the drummer of The Offspring and previously touring with, Marilyn Manson , Limp Bizkit, and Black Flag. His journey is extraordinary, Brandon, embodies the Choose Your Perspective movement because he shows how powerful it is to not only find your purpose, but live your purpose. What did we discuss? Choosing a "Non-Traditional" Career Embracing Uncertainty and Focusing on What's ControllableHow Authenticity Led to Playing with The OffspringEmbracing the Unexpected During High-Stakes PerformancesSetbacks as Blessings in the Music IndustryThe Communal Energy of Live Music PerformanceMental and Physical Readiness for a Musician's LifeNavigating the Constant Uncertainty of Life on TourUniversal Lessons: When Work Feels Like Purpose
To be great, even a genius at anything takes discipline, commitment and the ability to stay out of your own way to accomplish greatness. John Kizilarmut shares his path to be an accomplishment drummer who leads with his heart, soul and intelligence.
For more coverage on the issues that matter to you, download the WMAL app, visit WMAL.com or tune in live on WMAL-FM 105.9 from 9:00am-12:00pm Monday-Friday To join the conversation, check us out on Twitter @WMAL and @ChrisPlanteShow Learn more about your ad choices. Visit podcastchoices.com/adchoices
Rob Reiner: After the Rob Reiner tragedy, Corey Feldman is front and center in the recent Hulu/ABC special that was just released. Also the pact breakers are checking in and people are excited about the doc! Corey Feldman Vs. The World: The documentary is finally here! Let's get right into it! Did they properly showcase the goblin ghoul!? COREY FELDMAN!, SHOW STOPPER!, LET'S JUST TALK!, DON CHEADLE!, BOOGIE NIGHTS!, JIM AND THEM IS POP CULTURE!, PACT BREAKERS!, CAN'T WAIT!, EMBARRASSED!, FORGIVENESS!, SHAME!, CALLERS!, FELDMAN IMPRESSION!, BAD!, GOT NOTHING!, THE GUY!, BRAINDEAD ASSHOLE!, PO BOX!, GIFTS!, BOX OF TRASH!, BOOF NARD!, THE OATH!, COREY'S ANGELS!, COREY FELDMAN VS. THE WORLD!, DOCUMENTARY!, JIM CUMMINGS!, MARCIE HUME!, CRANK CLAUSE!, COREY'S ANGELS!, JEZEBEL SWEET!, BRITTANY!, MARGOT LANE!, DOO DOO!, COREY'S TWITTER!, COSTUMES!, COURTNEY FELDMAN!, WEDDING!, FREAK OUT!, MICHAEL JACKSON!, CONTROVERSY!, POWER TRIP!, DRUMMER!, ANGEL COSTUME!, THE LOST BOYS!, STAND BY ME! You can find the videos from this episode at our Discord RIGHT HERE!
Frisch von der Tour mit Udo Jürgens zurück, die letzte Tour mit vollem Orchester, wie er betont, kommt der Anruf: Hugo Strasser hätte ihn, Werner Schmitt, gerade mal 26 Jahre alt, gern in seinem Tanz-Orchester. Neben Max Greger war Strasser in der Swing und Big Band Szene der renommierteste und begehrteste Platz, den man sich erspielen konnte. Und genau da wollte Werner hin. Also brach er alle Verpflichtungen schnellstmöglich ab und wurde so zu dem Drummer, der Hugo Strasser bis zu seinem letzten Konzert begleitete. TV-Auftritte, Turniere und Konzerttourneen mit den Swing Welt Stars die Bühne teilen; all das - abgehakt auf seiner Liste. Als treibende Kraft des Orchesters, oft gefeatured, erspielte er sich so einen Platz im Swing Olymp. Wer jetzt aber denkt, Geschichten von alten Swing Stories sind nicht so meins, dann unterschätzt du, was Werner zu erzählen hat. Nur so viel: Ich treffe Werner online an. Soweit, so normal. Daheim in seinem Haus sitzt er an einem Übeset: "Komplett mit Double Bass und so. So ein wenig Terry Bozzio mäßig." Passt nicht zu Swing? Stimmt, denn Werner ist viel mehr als nur der Swing-Star der deutschen Schlagzeug Szene. Aber hört selbst. Mehr zu Werner findest du hier: https://www.schmitt-werner.de/ Auf Wikipedia: https://de.wikipedia.org/wiki/Werner_Schmitt Das Schwarzwaldklinik Intro: https://youtu.be/RzitLZRrgI0?si=wySmkFojoGLQcO_P Das Drum Solo zusammen mit Pete York: https://youtu.be/p1sl9z85R4g?si=-ToOmLA15OYpqNYX Das Buch von Werner bekommst du hier: https://www.amazon.de/Band-Ballroom-Drumming-Werner-Schmitt/dp/3802410246 Ich freu mich tierisch, wenn du auf der Seite von Einfach Schlagzeug mal vorbeischaust unter https://einfachschlagzeug.de/ Und zur Trommel Talk Snare wird es in der nächsten Folge mehr geben! 00:09 - Start und wie alles begann 36:56 - Schnellfragerunde 40:49 - Hugo Strasser 58:37 - Selbst Dozent 1:13:09 - Die Platten waren mein Lehrmeister
On this episode we talk to touring drummer Mark Stepro. Mark is the current touring drummer for the Wallflowers and has also played with Ben Kweller. We talked about both being German and from the midwest, reflections on his son turning 10, talking to your kids about darkness in the world while also wanting them to stay a kid, generational parenting differences, how he stays connected while on tour, learning to set boundaries as a musician, doing family admin on a tour bus, and being present for his family. Send us a textSupport the showFollow us on Facebook and Instagram @theimperfectdadspodcast . Look for new episodes of The Imperfect Dads Podcast every Monday.
In this episode Toby sits down with drummer Benny Horowitz! He talks about New Jersey, old DIY tactics, drums, his first shows, his parents, touring, moving out of the city, his earlier bands, music business being manipulative, the band on hiatus, meeting his wife, his kids, starting other bands, his podcast, having a vegetarian family, lifestyle and more! Please remember to rate, review and subscribe and visit us at https://www.youtube.com/tobymorseonelifeonechance Please visit our sponsors! Rockabilia- use code OLOC10 Rockabilia Athletic Greens https://athleticgreens.com/oloc Removery- code TOBYH2O https://removery.com Liquid Death https://liquiddeath.com/toby Refine Recovery https://www.instagram.com/refinerecoverycenter/
Steven Finn, Matt Prior and Simon Katich join Mark Chapman to preview the third Test of the Ashes in Adelaide. Josh Tongue come in for Gus Atkinson, what next for Shoabib Bashir after being left out, the likely return of Nathan Lyon and captain Pat Cummins to the Australian side and we hear from Harry Brook.
On this episode we have on drummer Mike Robinson. Mike is currently the touring drummer for the band Say Anything and has a podcast called Food on Tour where bands talk about their favorite places to eat while on tour.Mike talked about his son loves playing drums with him, how difficult working in the creative industry can be, his excitement to play with Max Bemis, letting his son go to sound check for bands, his son thinking he knows all the cool drummers, and the reality of having so much of his identity in being a touring musician while wanting to be home for his family. Send us a textSupport the showFollow us on Facebook and Instagram @theimperfectdadspodcast . Look for new episodes of The Imperfect Dads Podcast every Monday.
My guest this week is Navene Koperweis, drummer of the band Entheos. Navene has had an extensive career in metal playing with Whitechapel, Job For A Cowboy, Animals as Leaders and Animosity. We caught up while Entheos was on their headlining North American tour in Toronto. If you want to support this podcast please join our Patreon! Austin Archey MixWave Drum Kit - https://mixwave.com/products/lorna-shore-austin-archey GET MORE ⬇️ PATREON ➡ patreon.com/weretalkindrums MERCH ➡ were-talkin-drums-podcast.creator-spring.com INSTAGRAM ➡ instagram.com/weretalkindrums YOUTUBE ➡ https://www.youtube.com/@weretalkindrumspodcast TWITCH ➡ http://Twitch.tv/coryhdrummer
Big news from NZ band, Blindspott - they're going on tour! Drummer, Shelton Woolright, joins us to chat through the tour dates, new music, and his new Drumstick brand - SKINBO! Blindspott tour information: https://www.rova.nz/events/blindspott-2026SKINBO drumsticks: http://skinbo.io/
Shop for drum parts, sticks, heads, accessories, and more at www.drumfactorydirect.com.
In hour 1 of The Mark Reardon Show, Mark and the crew discuss Michigan firing their football head coach, Sherrone Moore for having an inappropriate relationship with a staffer and then being arrested. Mark is then joined by Bethany Mandel, a Contributing Writer for Deseret News. She is in Israel this week and discusses visiting the area where the October 7th attacks occurred. He's later joined by Jane Dueker, a Local Attorney and Reardon Roundtable regular. She discusses the latest on Kim Gardner, Police Chief Tracy signing a new contract and the police's poor response time. In hour 2, Sue discusses his new venture's into AI. She then hosts, "Sue's News" where she discusses the latest trending entertainment news, this day in history, the random fact of the day and more. He's later joined by Gil Moore, a Drummer and Co-Vocalist of the power trio, Triumph. Tickets for their May 17th concert at the Hollywood Casino Amphitheater go on sale on Friday at 10am on Live Nation's website. In hour 3, Mark is joined by Congresswoman Ann Wagner, Missouri's Second District Congresswoman. She discusses her Financial Services bill and more. He's later joined by Brad Young, 97.1 FM Talk's Chief Legal Analyst and a Partner with Harris, Young and Kayser. He discusses Charlie Kirk's killers court hearing and more.
Send us a textGuitarist/Drummer/Bassist/Vocalist Kev Desecrator (Sépulcre, Deströyer 666, Venefixion, Profanation, Invoketh) visits the Morgue to talk about his musical path that started over 20 years ago and is still burning strong today. This is the first audio interview he has ever done as we discuss his musical roots, touring, the new Sépulcre record and much more. See you at the Morgue!music:Sépulcre-Relics From Unearthly CultDeströyer 666-Savage RightsVenefixion-Nocturnal DeceitAbnorm-The Dead End Path Passenger Perversifier-Raise the Black FireDeströyer 666-Death In BerlinProfanation-Global TerrorVenefixion-Of Wolves and Ghostscontact: thetampamorgue@gmail.com The Tampa Morgue Podcast can be found on Spotify, Amazon Music, Apple Music, Apple Podcasts, YouTube and most places you listen to your podcasts.
In hour 2, Sue discusses his new venture's into AI. She then hosts, "Sue's News" where she discusses the latest trending entertainment news, this day in history, the random fact of the day and more. He's later joined by Gil Moore, a Drummer and Co-Vocalist of the power trio, Triumph. Tickets for their May 17th concert at the Hollywood Casino Amphitheater go on sale on Friday at 10am on Live Nation's website.
In this segment, Mark is joined by Gil Moore, a Drummer and Co-Vocalist of the power trio, Triumph. Tickets for their May 17th concert at the Hollywood Casino Amphitheater go on sale on Friday at 10am on Live Nation's website.
Episode 115 of Moments That Rock with drummer Simon Wolstencroft sharing stories of his time playing with some of Manchester's coolest musicians that include Johnny Marr from The Smiths, The Fall and Ian Brown and John Squire who went on to become the now legendary Stone Roses. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Adult ADHD ADD Tips and Support Podcast - A Podcast for Neurodivergent Creatives. ADHD, Creative Minds & The Antidote to School Trauma: Revolutionizing Education with Demetrius Fuller. This podcast is an audio companion to the book "The Drummer and the Great Mountain - A Guidebook to Transforming Adult ADD / ADHD." In this episode, we're joined by pioneering educator and art teacher Demetrius Fuller. We explore his groundbreaking educational framework entitled "The HOMies," a neurodiversity-friendly approach to classroom learning based on the Harvard's Studio Habits of Mind. In our discussion, we unpack the shame and trauma often experienced by neurodivergent students, and the importance of having an alternative education framework that supports self-esteem, embraces unique learning styles, and can successfully integrate into the mainstream public school system. Demetrius introduces the HOMie characters, and how each represents a specific aspect of learning. He also discusses how this framework is currently being implemented into his school in Chelsea, Massachusetts. Links Mentioned in this Episode: (Website) Meet the Homies (Workshop) Life Visioning in January (PDF) Our Free ADHD Toolkit - All Worksheets from Previous Podcast Episodes Don't see a player? Click this link to download the MP3 file. If you have an Apple device (iPhone/iPad), you can download the podcast (and subscribe) for free at this link: https://itunes.apple.com/us/podcast/adult-adhd-add-tips-support/id988935339 Visit the podcast web page to listen to all 121 episodes: http://www.drummerandthegreatmountain.com/adult-adhd-add-podcast >> Take the ADHD Hunter-type Quiz Outro voice over by Lauren Regan. Intro and outro music by Bahman Sarram For more info, visit: http://www.DrummerAndTheGreatMountain.com
Pete Parada, a long-time rock & roll drummer is today's guest on the "Success is a Choice" podcast. Pete talks with Jamy Bechler about a bunch of things including ... ✅ Being in a rock band ✅ What makes a great drummer ✅ New collaboration with The Defiant ✅ Mentality when performing at concerts ✅ Behind-the-scenes look at the music industry ✅ Controversial exit from The Offspring during Covid Pete Parada was the Offspring's drummer from 2007-2021. He has also drummed with Face to Face, Saves the Day, and the Defiant. In 2023, he co-founded the Defiant, which includes Dicky Barrett (lead singer of the Mighty Mighty Bosstones), Greg Camp (Smash Mouth), Johnny Rioux (Street Dogs), and Joey LaRocca (The Briggs). He also collaborated with Tim Pool on his songs "Only Ever Wanted" and "Genocide". You can follow him on Instagram (@PeteParada) and X (@PeteParada) TIMESTAMPS: 1:16 - For those of us who are coaches or athletic people, we like listening to music, kinda take us behind the scenes when you're in a band, and you've got the front man singing and the beat going, that's the drummer, that's keeping the beat, so I am thinking from a leadership perspective you're the guy that is not seen up front but you are the guy who is keeping the song going? 6:09 - Sometimes those songs that aren't released, I'd imagine you know that better than I do, some of those songs are more creative, and you like them better, probably? 12:27 - Well, other than Bonham with that feel that he would have with Led Zeppelin songs, is there a song you to this day that you just struggle with? 16:26 - When you are playing songs, I got to think there are just songs after a while that you just hate playing? Does that ever get to be the case, or as a drummer, are you just loving the fact that you are just beating on a drum, beating on the pots and pans, and just going at it? 18:08 - Where did you come up with your style of drumming, and who were your influences? 22:30 - Talk a little bit about why you left The Offspring and what's happened since then, and the comments of the punk music? ------ Each week, the SUCCESS IS A CHOICE podcasting network brings you leadership expert Jamy Bechler and guest experts who provide valuable insights, tips, and guidance on how to maximize your potential, build a stronger culture, develop good leadership, create a healthy vision, optimize results, and inspire those around you. ------ Please check out our virtual sessions for parents, coaches, students, and administrators at FreeLeadershipWorkshop.com. These sessions are free and cover a variety of topics. If you like daily readers then you'll want to check out "Step by Step: 365 Daily Insights for Growth, Influence, and Success". This book is a great way to jump start each one of your days this year. Get your copy today at JamyBechler.com/shop ------ Jamy Bechler is the author of nine books including "The Captain" and "The Bus Trip", host of the "Success is a Choice Podcast", professional speaker, and trains organizations on creating championship cultures. He previously spent 20 years as a college basketball coach and administrator. TheLeadershipPlaybook.com is Bechler's online program that helps athletes become better teammates and more positive leaders while strengthening a team's culture. As a certified John Maxwell leadership coach, Bechler has worked with businesses and teams, including the NBA. Follow him on Twitter at @CoachBechler. To connect with him via email or find out about his services, please contact Team@CoachBechler.com. You can also subscribe to his insights on success and leadership by visiting JamyBechler.com/newsletter
This Holiday season we have been tapping into two main things to make our Holidays Happier. Thanksgiving (the Holiday as well as the mentality) and our inner child. The last several episodes we have been focusing on the Thanksgiving side. So this episode we will be getting back to our inner child as we talk about that Holiday classic, and one of my favorites, The Little Drummer Boy. We will also be talking about my favorite Drummer Boys as well. Listen and share, and bring out the inner child in yourself as well as someone else. Merry Christmas and Happier Holidays!Here is the link for the Phil Collins film created by Drumeo: https://www.youtube.com/watch?v=WdGmydR715QThe song we used for the intro was "Happy Holidays (Beef Wellington Remix)" by Beef Wellington and 2003 Christmas Chill Inc. The ending song was "Make Someone Happy" by Jimmy Durante. We also used "Little Drummer Boy Epic Rock Version" by Rod Kruz. Here's the YouTube link to his song. https://www.youtube.com/watch?v=kXL_OOQDy24 We don't own any of the rights. Contact usLinktree: www.Linktr.ee/HappyLifeStudiosEmail: Podcast@HappyLife.StudioYo Stevo Hotline: (425) 200-HAYS (4297)Webpage: www.HappyLife.lol YouTube: www.YouTube.com/StevoHaysLinkedin: www.linkedin.com/in/steve-hays-b6b1186b/TikTok: www.tiktok.com/@happylifestudiosFacebook: www.Facebook.com/HappyLifeStudios Instagram: www.Instagram.com/HappyLife_Studios Twitter: www.x.com/stevehays If you would like to help us spread the HappyPayPal: www.PayPal.me/StevoHaysCash App: $HappyLifeStudiosZelle: StevoHays@gmail.comVenmo: @StevoHaysBuy Me A Coffee: buymeacoffee.com/HappyLifeStudioCheck: Payable to Hays Ministries or Steve Hays and send to 27240 213th Place S.E. Maple Valley, WA 98038
Send me a text and please visit www.livefrommydrumroom.com In Part 2 of my conversation with legendary drummer, composer and producer Rick Marotta, we talk about the recent Warren Zevon tribute Rick performed at, his rekindled passion for the drums, current projects and much more. So come along for the ride for Part 2 of Rick Marotta. Thanks for watching and listening! Be sure to check out Part 1 and please subscribe! https://youtu.be/2MrL7rNE-Cw?si=2MnTFXxirabjtvcQ Live From My Drum Room T-shirts and Hoodies are now available! 100% of the proceeds go toward my PAS scholarship. Visit https://livefrommydrumroom.com for details! Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!https://livefrommydrumroom.comwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom
This week, Adam and Dan catch up on life, tech disasters, home improvement nightmares, and some genuinely exciting developments in apps, gear, and band management tools. Dan returns from Disney after a “vacation” spent debugging server-melting GPS calls, launches his new app Lightning Brain into App Store review, and discovers he may have been slow-cooking himself in carbon monoxide.Meanwhile, Adam celebrates his wedding anniversary in Savannah, gears up for live band karaoke weekend, and finds the perfect replacement for his long-time song request platform.**Topics Covered:*** Lightning Brain app launch update* Server bugs, debouncing, and EPCOT coding adventures* First organic customer!* Adam's water-heater disaster + sous-vide shower hack* Band Leader app replacing RequestNow* Preparing two live-band karaoke gigs* Drummer transition & trial-by-fire weekend* Fractal AM4: Why guitarists should careTune in for an engaging mix of tech talk, personal anecdotes, and gig insights!MaestroDMX (10% off discount link): https://maestrodmx.com/discount/DISCOUNT4CBC?redirect=%2Fproducts%2FmaestrodmxBlank Contracts & Riders: https://www.coverbandconfidential.com/store/performance-contractsBacking Track Resources: https://www.coverbandconfidential.com/store/backing-track-resourcesThank you so much for tuning in! If you want to help be sure to like, subscribe and share with your friends! Linktree: linktr.ee/adampatrickjohnson linktr.ee/coverbandconfidentialFollow us on Instagram!@coverbandconfidential@adampatrickjohnson@danraymusicianIf you have any questions please email at:Coverbandconfidential@gmail.comConsider supporting us on Patreon! www.patreon.com/coverbandconfidentialOr buy us a cup of coffee!paypal.me/cbconfidentialAnd for more info check out www.coverbandconfidential.comGear Used in this Video (Affiliate):Sony ZV-E10 Mirrorless Camera: https://amzn.to/3DBqtOyElgato Prompter: https://amzn.to/3X3IAq8 Shure SM7B: https://amzn.to/4dDCJx0 Elgato Stream Deck XL: https://amzn.to/3gKjhqiMagic Arm Camera Friction Mount: https://amzn.to/3SK5yNk
The Untold Story of Spikey Goldbach and His Musical Journey /////////////// In this episode, we're joined by Chris “Spikey” Goldbach, a longtime figure in Florida's punk and alternative music scene. He talks about growing up in Tamarac, getting his first drum kit at 10, and discovering early influences like The Ramones, Devo, and AC/DC. Spikey walks through the South Florida scene of the 1980s and 1990s, mentioning venues such as the Cameo, Club Soda, and Washington Square, and the impact of seeing bands like Black Flag, Bad Brains, and Descendents.He reflects on his work with bands including Distant Anger, Blatant View, Nuclear Beer, RadioBaghdad, Collapsing Lungs, Irish Car Bomb, Hudson, Shai Hulud, and others, sharing stories from touring, recording with Jeremy Staska and Bill Stevenson, and experiencing a major-label run. Spikey continues to perform with Against All Authority and remains active in music today while living in Indiana.
REMEMBERING JELLYBEAN JOHNSON (Morris Day and The Time drummer)1956 - 2025with Prologue by Zapp Band drummer LESTER TROUTMAN, SR. and RICK FLYNNThis is a very special edition of the podcast RICK FLYNN PRESENTS as we celebrate the homegoing of one of the "Good Guys in Show Business," to say the very least,JELLYBEAN JOHNSON.As the drummer for THE TIME, Johnson worked alongside famed producers Jimmy Jam and Terry Lewis and recorded with and/or produced many notable artists including Alexander O'Neal, Cherrelle, New Edition, and Janet Jackson, with whom he had the 1990 No. 1 single, "Black Cat".Jellybean appeared in the PRINCE movies “Purple Rain” and Graffiti Bridge"Quote From Cincinnati DJ/Emcee RICK FLYNN on 11/25/2025:“I first met Jellybean Johnson in Cincinnati, Ohio during the PRINCE “Controversy Tour” in which I was an emcee. This tour featured the headliner PRINCE and, in the middle slot, was a Greater Cincinnati area band called “ZAPP FEATURING ROGER” and the then, largely unknown local Minneapolis band, known as MORRIS DAY and THE TIME which featured Jellybean Johnson on the drums. I was instantly impressed by the raw talent and showmanship of, not only Jellybean, but of the whole organization. This man was someone I was fortunate to have met and I have never forgotten the experience ever! The resulting popularity and huge success of THE TIME band to follow did not surprise me at all. They deserved it and I will forever miss “Bean” but I will never, ever forget the times I spent with him.” Thank-you MARTY for all you have done and my God bless you both!Thank-you to my brother and ZAPP BAND drummer LESTER TROUTMAN, SR. for your gracious contribution to this memorial show. i hope you all enjoy it as we proudly remember and pay tribute to what I call "One of the Good Guys in Show Business"JELLYBEAN JOHNSON!
Choosing your first electronic drum kit can lead to analysis paralysis. We break down Roland V-Drums versus Yamaha DTX kits—covering mesh heads, training tools, connectivity, and sound quality—to help beginners find the setup that actually accelerates their drumming skills. Learn more at https://www.samash.com/ Sam Ash City: Hicksville Address: 278 Duffy Ave Website: https://www.samash.com/
For Prime Time Jukebox Episode 175, its our inaugural Christmas Music Draft Show. The Christmas Music show has been a staple of Prime Time Jukebox going back over a decade to the Cigar Jukebox show days. This year things get changed up. With this concept, Dave and Coop each draft a playlist of Christmas songs. They will choose from carols, traditional songs, non-traditional songs, and wildcards. Plus we have music news, cigar news, the NFL corner, the Developing Palates Review of the week, and Dave's New Music 45! On this show, Dave smokes the Crowned Heads Announces Blood Medicine B-Positive LE 2025 while Coop smokes the Rocky Patel Winter Collection. As always, you can follow along with our Spotify Playlists: Episode 175 Playlist References Jimmy Cliff, reggae icon known for hits like 'I Can See Clearly Now,' dies at 81 Jellybean Johnson, Minneapolis Music Pioneer, 'The Time' Drummer and Prince Collaborator, Dead at 69 | IBTimes UK Team Cigar Review: CAO FASA Sombra Toro - Developing Palates Crowned Heads Takes Tennessee Waltz Regular Production and Expands Line Crowned Heads Jericho Hill Gets Packaging Refresh
For Prime Time Jukebox Episode 175, its our inaugural Christmas Music Draft Show. The Christmas Music show has been a staple of Prime Time Jukebox going back over a decade to the Cigar Jukebox show days. This year things get changed up. With this concept, Dave and Coop each draft a playlist of Christmas songs. They will choose from carols, traditional songs, non-traditional songs, and wildcards. Plus we have music news, cigar news, the NFL corner, the Developing Palates Review of the week, and Dave's New Music 45! On this show, Dave smokes the Crowned Heads Announces Blood Medicine B-Positive LE 2025 while Coop smokes the Rocky Patel Winter Collection. As always, you can follow along with our Spotify Playlists: Episode 175 Playlist References Jimmy Cliff, reggae icon known for hits like 'I Can See Clearly Now,' dies at 81 Jellybean Johnson, Minneapolis Music Pioneer, 'The Time' Drummer and Prince Collaborator, Dead at 69 | IBTimes UK Team Cigar Review: CAO FASA Sombra Toro - Developing Palates Crowned Heads Takes Tennessee Waltz Regular Production and Expands Line Crowned Heads Jericho Hill Gets Packaging Refresh
Send me a text and please visit www.livefrommydrumroom.com My guest is my good friend and returning champion, Rick Marotta. Rick was one of my very first guests and has appeared on LFMDR more than anyone else. Besides being a prolific session drummer, he's also an accomplished composer and producer. In Part 1, we do a deep dive into some of Rick's classic recordings "She's A Burglar" and "Solar Strut" and much more! So come along for the ride for Part 1 and watch for Part 2 on Dec 8th! Thanks for watching and listening and please subscribe! Live From My Drum Room T-shirts and Hoodies are now available! 100% of the proceeds go toward my PAS scholarship. Visit https://livefrommydrumroom.com for details! Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!https://livefrommydrumroom.comwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom
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Tommy's foolishness
Curious is a place for real conversations about the things we all wonder about but rarely pause to explore.Hosted by Joe Moody (Joe Drummer Boy) and joined on occasion by his wife, Melissa (and eventually special guests), Curious is a journey to learn secrets of consciousness, ancient healing and self-help tips that make life better. If you're someone who thinks and feels deeply, or just knows there's more to this world than the daily routine, welcome to Curious.Let's explore together.#joedrummerboy #clubqigong #curious
** PLEASE SUBSCRIBE ** Featured in WYGYFF Episode 36: Drummer, vocalist and bandleader Chuck Wansley. In the late 1970s, his band cut their teeth on the dance club circuit and opened for acts like Earth, Wind & Fire, Chic and Tavares, and during the early 1980s he landed gigs with Martha Reeves, Mary Wells and Phyllis Hyman. However, he is best known as a founding member of Warp 9, one of the first electro-hip hop groups, with two albums and six hit singles. Those tracks included “Nunk,” “Beatwave,” “Light Years Away” and “No Man Is an Island.” He also released a solo album in Japan, and more recently has been performing overseas as a big band jazz singer and entertainer. RECORDED JULY 2025 Hosted by Scott "DR GX" Goldfine — musicologist, author of “Everything Is on the One: The First Guide of Funk” and creator/host of the popular TRUTH IN RHYTHM podcast — "Where'd You Get Your Funk From?" is the latest interview show brought to you by FUNKNSTUFF.NET. Where'd You Get Your Funk From (WYGYFF) is an open format video and audio podcast focusing on the here and now, with a broad range of creative and artistic guests sharing fascinating stories, experiences, and perspectives. WYGYFF is a welcoming avenue to newer and independent musical acts as well as established and still active musicians of any genre; authors; filmmakers; actors; artists; collectors and archivists; radio & podcast personalities; journalists; scholars; sound techs; promoters; photographers; and other creative people. A common thread, is the show's standard opening question: Where'd you get your funk from? This is much deeper than it may seem as the answer need not be strictly about funky music, as not everyone has found the funk. It could hit on whatever type of music touches their soul or pleasure centers. Additionally, the question extends beyond music. Paraphrasing George Clinton, funk is whatever it needs to be to get you over the hump. Thus, guests can explain where they got their grit, perseverance, inspiration, talent, creativity, character or other qualities that shaped them into who they are today. This serves as a springboard into candid, in-depth and engrossing conversations. LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400
Kirk & Lacy on shifting research funding away from federal grants: what happens to community partnerships when the money—and the rules—change? Summary Three Audiences, One Report Lacy Fabian and Kirk Knestis untangle a fundamental confusion in community health research: there are three distinct audiences with competing needs—funders want accountability, researchers want generalizable knowledge, and communities want immediate benefit. Current practice optimizes for the funder, producing deliverables that don’t help the people being served. The alternative isn’t “no strings attached” anarchy but rather honest negotiation about who benefits and who bears the burden of proof. Kirk’s revelation about resource allocation is stark: if one-third of evaluation budgets goes to Click here to view the printable newsletter with images. More readable than a transcript. Contents Table of Contents Toggle EpisodeProem1. Introductions & Career Transitions2. The Catalyst: Why This Conversation Matters3. The Ideal State: Restoring Human Connection4. The Localization Opportunity5. Evidence + Story = Impact6. The Funder Issue: Who Is This Truly Benefiting?7. Dissemination, Implementation & Vested Interest8. Data Parties – The Concrete Solution9. No Strings Attached: Reimagining Funder Relationships10. Balancing Accountability and Flexibility11. Where the Money Actually Goes12. The Pendulum Swings13. The Three Relationships: Funder, Researcher, Community14. Maintaining Agency15. Listen and LearnReflectionRelated episodes from Health Hats Please comment and ask questions: at the comment section at the bottom of the show notes on LinkedIn via email YouTube channel DM on Instagram, TikTok to @healthhats Substack Patreon Production Team Kayla Nelson: Web and Social Media Coach, Dissemination, Help Desk Leon van Leeuwen: editing and site management Oscar van Leeuwen: video editing Julia Higgins: Digit marketing therapy Steve Heatherington: Help Desk and podcast production counseling Joey van Leeuwen, Drummer, Composer, and Arranger, provided the music for the intro, outro, proem, and reflection Claude, Perplexity, Auphonic, Descript, Grammarly, DaVinci Podcast episode on YouTube Inspired by and Grateful to: Ronda Alexander, Eric Kettering, Robert Motley, Liz Salmi, Russell Bennett Photo Credits for Videos Data Party image by Erik Mclean on Unsplash Pendulum image by Frames For Your Heart on Unsplash Links and references Lacy Fabian, PhD, is the founder of Make It Matter Program Consulting and Resources (makeitmatterprograms.com). She is a research psychologist with 20+ years of experience in the non-profit and local, state, and federal sectors who uses evidence and story to demonstrate impact that matters. She focuses on helping non-profits thrive by supporting them when they need it—whether through a strategy or funding pivot, streamlining processes, etc. She also works with foundations and donors to ensure their giving matters, while still allowing the recipient non-profits to maintain focus on their mission. When she isn't making programs matter, she enjoys all things nature —from birdwatching to running —and is an avid reader. Lacy Fabian’s Newsletter: Musings That Matter: Expansive Thinking About Humanity’s Problems Kirk Knestis is an expert in data use planning, design, and capacity building, with experience helping industry, government, and education partners leverage data to solve difficult questions. Kirk is the Executive Director of a startup community nonprofit that offers affordable, responsive maintenance and repairs for wheelchairs and other personal mobility devices to northern Virginia residents. He was the founding principal of Evaluand LLC, a research and evaluation consulting firm providing customized data collection, analysis, and reporting solutions, primarily serving clients in industry, government, and education. The company specializes in external evaluation of grant-funded projects, study design reviews, advisory services, and capacity-building support to assist organizations in using data to answer complex questions. Referenced in episode Zanakis, S.H., Mandakovic, T., Gupta, S.K., Sahay, S., & Hong, S. (1995). “A review of program evaluation and fund allocation methods within the service and government sectors.” Socio-Economic Planning Sciences, Vol. 29, No. 1, March 1995, pp. 59-79. This paywalled article presents a detailed analysis of 306 articles from 93 journals that review project/program evaluation, selection, and funding allocation methods in the service and government sectors. Episode Proem When I examine the relationships between health communities and researchers, I become curious about the power dynamics involved. Strong, equitable relationships depend on a balance of power. But what exactly are communities, and what does a power balance look like? The communities I picture are intentional, voluntary groups of people working together to achieve common goals—such as seeking, fixing, networking, championing, lobbying, or communicating for best health for each other. These groups can meet in person or virtually, and can be local or dispersed. A healthy power balance involves mutual respect, participatory decision-making, active listening, and a willingness to adapt and grow. I always listen closely for connections between communities and health researchers. Connections that foster a learning culture, regardless of their perceived success. Please meet Lacy Fabian and Kirk Knestis, who have firsthand experience in building and maintaining equitable relationships, with whom I spoke in mid-September. This transcript has been edited for clarity with help from Grammarly. Lacy Fabian, PhD, is the founder of Make It Matter Program Consulting and Resources. She partners with non-profit, government, and federal organizations using evidence and storytelling to demonstrate impact and improve program results. Kirk Knestis is an expert in data use planning, design, and capacity building. As Executive Director of a startup community nonprofit and founding principal of Evaluand LLC. He specializes in research, evaluation, and organizational data analysis for complex questions. 1. Introductions & Career Transitions Kirk Knestis: My name’s Kirk Knestis. Until just a few weeks ago, I ran a research and evaluation consulting firm, Evaluand LLC, outside Washington, DC. I’m in the process of transitioning to a new gig. I’ve started a non-profit here in Northern Virginia to provide mobile wheelchair and scooter service. Probably my last project, I suspect. Health Hats: Your last thing, meaning you’re retiring. Kirk Knestis: Yeah, it’s most of my work in the consulting gig was funded by federal programs, the National Science Foundation, the Department of Ed, the National Institutes of Health, and funding for most of the programs that I was working on through grantees has been pretty substantially curtailed in the last few months. Rather than looking for a new research and evaluation gig, we’ve decided this is going to be something I can taper off and give back to the community a bit. Try something new and different, and keep me out of trouble. Health Hats: Yeah, good luck with the latter. Lacy, introduce yourself, please. Lacy Fabian: Hi, Lacy Fabian. Not very dissimilar from Kirk, I’ve made a change in the last few months. I worked at a large nonprofit for nearly 11 years, serving the Department of Health and Human Services. But now I am solo, working to consult with nonprofits and donors. The idea is that I would be their extra brain power when they need it. It’s hard to find funding, grow, and do all the things nonprofits do without a bit of help now and then. I’m looking to provide that in a new chapter, a new career focus. Health Hats: Why is this conversation happening now? Both Kirk and Lacy are going through significant changes as they move away from traditional grant-funded research and nonprofit hierarchies. They’re learning firsthand what doesn’t work and considering what might work instead—this isn't just theory—it’s lived experience. 2. The Catalyst: Why This Conversation Matters Health Hats: Lacy, we caught up after several years of working together on several projects. I’m really interested in community research partnerships. I’m interested in it because I think the research questions come from the communities rather than the researchers. It’s a fraught relationship between communities and researchers, often driven by power dynamics. I’m very interested in how to balance those dynamics. And I see some of this: a time of changing priorities and people looking at their gigs differently —what are the opportunities in this time of kind of chaos, and what are the significant social changes that often happen in times like this? 3. The Ideal State: Restoring Human Connection Health Hats: In your experience, especially given all the recent transitions, what do you see as the ideal relationship between communities and researchers? What would an ideal state look like? Lacy Fabian: One thing I was thinking about during my walk or run today, as I prepared for this conversation about equitable relationships and the power dynamics in this unique situation we’re in, is that I feel like we often romanticize the past instead of learning from it. I believe learning from the past is very important. When I think about an ideal scenario, I feel like we’re moving further away from human solidarity and genuine connection. So, when considering those equitable relationships, it seems to me that it’s become harder to build genuine connections and stay true to our humanness. From a learning perspective, without romanticizing the past, one example I thought of is that, at least in the last 50 years, we’ve seen exponential growth in the amount of information available. That's a concrete example we can point to. And I think that we, as a society, have many points where we could potentially connect. But recent research shows that’s not actually the case. Instead, we’re becoming more disconnected and finding it harder to connect. I believe that for our communities, even knowing how to engage with programs like what Kirk is working on is difficult. Or even in my position, trying to identify programs that truly want to do right, take that pause, and make sure they aim to be equitable—particularly on the funder side—and not just engage in transactions or give less generously than they intend if they’re supporting programs. But there are strings attached. I think all of this happens because we stop seeing each other as human beings; we lose those touchpoints. So, when I think about an ideal situation, I believe it involves restoring those connections, while more clearly and openly acknowledging the power dynamics we introduce and the different roles we assume in the ecosystem. We can’t expect those dynamics to be the same, or to neutralize their impact. However, we can discuss these issues more openly and consistently and acknowledge that they might influence outcomes. So, in an ideal scenario, these are the kinds of things we should be working toward. 4. The Localization Opportunity Health Hats: So Kirk, it strikes me listening to Lacy talk that there’s, in a way, the increased localization of this kind of work could lead to more relationships in the dynamic, whereas before, maybe it was. Things were too global. It was at an academic medical center and of national rather than local interest. What are your thoughts about any of that? Kirk Knestis: Yeah, that’s an excellent question. First, I want to make sure I acknowledge Lacy’s description philosophically, from a value standpoint. I couldn’t put it any better myself. Certainly, that’s got to be at the core of this. Lacy and I know each other because we both served on the board of the Professional Evaluation Society on the East Coast of the United States, and practice of evaluation, evaluating policies and programs, and use of resources, and all the other things that we can look at with evidence, the root of that word is value, right? And by making the values that drive whatever we’re doing explicit, we’re much more likely to connect. At levels in, way, in ways that are actually valuable, a human being level, not a technician level. But to your question, Danny, a couple of things immediately leap out at me. One is that there was always. I was primarily federally funded, indirectly; there’s always been a real drive for highly rigorous, high-quality evaluation. And what that oftentimes gets interpreted to mean is generalizable evaluation research. And so that tends to drive us toward quasi-experimental kinds of studies that require lots and lots of participants, validated instrumentation, and quantitative data. All of those things compromise our ability to really understand what’s going on for the people, right? For the real-life human stakeholders. One thing that strikes me is that we could be as funding gets picked up. I’m being optimistic here that funding will be picked up by other sources, but let’s say the nonprofits get more involved programs that in the past and in the purview of the feds, we’re going to be freed of some of that, I hope, and be able to be more subjective, more mixed methods, more on the ground and kind of maturein the, dirt down and dirty out on the streets, learning what’s going on for real humans. As opposed to saying, “Nope, sorry, we can’t even ask whether this program works or how it works until we’ve got thousands and thousands of participants and we can do math about the outcomes.” So that’s one way I think that things might be changing. 5. Evidence + Story = Impact One of the big elements I like to focus on is the evidence—the kind of, so what the program is doing—but also the story. Making sure both of those things are combined to share the impact. And one of the things that I think we aren’t great about, which kind of circles back to the whole topic about equitable relationships. I don’t often think we’re really great at acknowledging. Who our report outs are for 6. The Funder Issue: Who Is This Truly Benefiting? Health Hats: Yes, who’s the audience? Lacy Fabian: Describing the kind of traditional format, I’m going to have thousands of participants, and then I’m going to be able to start to do really fancy math. That audience is a particular player who’s our funder. And they have different needs and different goals. So so many times, but that’s not the same as the people we’re actually trying to help. I think part of actually having equity in practice is pushing our funders to acknowledge that those reports are really just for them. And what else are we doing for our other audiences, and how can we better uphold that with our limited resources? Do we really need that super fancy report that’s going to go on a shelf? And we talk about it a lot, but I think that’s the point. We’re still talking about it. And maybe now that our funding is shifting, it’s an excellent catalyst to start being smarter about who our audience is, what they need, and what’s best to share with them. 7. Dissemination, Implementation & Vested Interest Health Hats: So, in a way, that’s not only do we need to think about who the work is for. How do we get it to those people? So how do we disseminate to those people? And then, what are the motivations for implementation? And it seems to me that if I have a vested interest in the answer to the question, I am more likely to share it and to try to figure out what the habits are—the changing habits that the research guides. What are some examples of this that you’ve, in your experience, that either you feel like you hit it like this, worked, or where you felt like we didn’t quite get there? So, what are your thoughts about some practical examples of that? Kirk Knestis: I was laughing because I don’t have so many examples of the former. I’ve got lots of examples of the latter. Health Hats: So start there. 8. Data Parties – The Concrete Solution Kirk Knestis: A good example of how I’ve done that in the past is when clients are willing to tolerate it. We call them different things over the years, like a data party. What we do is convene folks. We used to do it in person, face-to-face, but now that we’re dealing with people spread out across the country and connected virtually, these meetings can be done online. Instead of creating a report that just sits on a shelf or a thumb drive, I prefer to spend that time gathering and organizing the information we collect into a usable form for our audiences. This acts as a formative feedback process rather than just a summative benchmark. Here’s what we’ve learned. You share the information with those who contributed to it and benefit from it, and you ask for their thoughts. We’re observing that this line follows a certain path. Let’s discuss what that means or review all the feedback we received from this stakeholder group. It’s quite different from what we’ve heard from other stakeholders. What do you think is happening there? And let them help add value to the information as it moves from evidence to results. Health Hats: This is the solution to the funder problem. Instead of writing reports for funders, Kirk brings together the actual stakeholders—the people who provided data and benefit from the program. They assist in interpreting the findings in real-time. It’s formative, not summative. It’s immediate, not shelved. 9. No Strings Attached: Reimagining Funder Relationships Health Hats: I think it’s interesting that a thread through this is the role of the funder and the initiative’s governance. I remember that we worked on a couple of projects. I felt like the funder’s expectations were paramount, and the lessons we learned in the process were less important, which aligns with what we didn’t show. Publication bias or something. Sometimes in these initiatives, what’s most interesting is what didn’t work —and that’s not so, anyway. So how? So now that you’re looking forward to working with organizations that are trying to have questions answered, how is that shaping how you’re coaching about governance of these initiatives? Like, where does that come in? Lacy Fabian: Yeah. I think, if we’re talking about an ideal state, there are models, and it will be interesting to see how many organizations really want to consider it, but the idea of no-strings-attached funding. Doesn’t that sound nice, Kirk? The idea being that if you are the funding organization and you have the money, you have the power, you’re going to call the shots. In that way, is it really fair for you to come into an organization like something that Kirk has and start dictating the terms of that money? So, Kirk has to start jumping through the hoops of the final report and put together specific monthly send-ins for that funder. And he has to start doing these things well for that funder. What if we considered a situation where the funder even paid for support to do that for themselves? Maybe they have somebody who comes in, meets with Kirk, or just follows around, shadows the organization for a day or so, collects some information, and then reports it back. But the idea is that the burden and the onus aren’t on Kirk and his staff. Because they’re trying to repair wheelchairs and imagining the types of models we’ve shifted. We’ve also left the power with Kirk and his organization, so they know how to serve their community best. Again, we’ve put the onus back on the funder to answer their own questions that are their needs. I think that’s the part that we’re trying to tease out in the equity: who is this really serving? And if I’m giving to you, but I’m saying you have to provide me with this in return. Again, who’s that for, and is that really helping? Who needs their wheelchair service? And I think that’s the part we need to work harder at unpacking and asking ourselves. When we have these meetings, put out these funding notices, or consider donating to programs, those are the things we have to ask ourselves about and feel are part of our expectations. 10. Balancing Accountability and Flexibility Health Hats: Wow. What’s going through my mind is, I’m thinking, okay, I’m with PCORI. What do we do? We want valuable results. We do have expectations and parameters. Is there an ideal state? Those tensions are real and not going away. But there’s the question of how to structure it to maximize the value of the tension. Oh, man, I’m talking abstractly. I need help thinking about the people who are listening to this. How does somebody use this? So let’s start with: for the researcher? What’s the mindset that’s a change for the researcher? What’s the mindset shift for the people, and for the funder? Let’s start with the researcher. Either of you pick that up. What do you think a researcher needs to do differently? Kirk Knestis: I don’t mind having opinions about this. That’s a fascinating question, and I want to sort of preface what I’m getting ready to say. With this, I don’t think it’s necessary to assume that, to achieve the valuable things Lacy just described, we must completely abrogate all responsibility. I think it would be possible for someone to say, money, no strings attached. We’re never going to get the board/taxpayer/or whoever, for that. Importantly, too, is to clarify a couple of functions. I found that there are a couple of primary roles that are served by the evaluation or research of social services or health programs, for example. The first and simplest is the accountability layer. Did you do what you said you were going to do? That’s operational. That doesn’t take much time or energy, and it doesn’t place a heavy burden on program stakeholders. Put the burden on the program’s managers to track what’s happening and be accountable for what got done. Health Hats: So like milestones along the way? Kirk Knestis: Yes. But there are other ways, other dimensions to consider when we think about implementation. It’s not just the number of deliveries but also getting qualitative feedback from the folks receiving the services. So, you can say, yeah, we were on time, we had well-staffed facilities, and we provided the resources they needed. So that’s the second tier. The set of questions we have a lot more flexibility with at the next level. The so-what kind of questions, in turn, where we go from looking at this term bugs me, but I’ll use it anyway. We’re looking at outputs—delivery measures of quantities and qualities—and we start talking about outcomes: persistent changes for the stakeholders of whatever is being delivered. Attitudes, understandings. Now, for health outcomes—whatever the measures are—we have much more latitude. Focus on answering questions about how we can improve delivery quality and quantity so that folks get the most immediate and largest benefit from it. And the only way we can really do that is with a short cycle. So do it, test it, measure it, improve it. Try it again, repeat, right? So that formative feedback, developmental kind of loop, we can spend a lot of time operating there, where we generally don’t, because we get distracted by the funder who says, “I need this level of evidence that the thing works, that it scales.” Or that it demonstrates efficacy or effectiveness on a larger scale to prove it. I keep wanting to make quotas, right, to prove that it works well. How about focusing on helping it work for the people who are using it right now as a primary goal? And that can be done with no strings attached because it doesn’t require anything to be returned to the funder. It doesn’t require that deliverable. My last thought, and I’ll shut up. 11. Where the Money Actually Goes Kirk Knestis: A study ages ago, and I wish I could find it again, Lacy. It was in one of the national publications, probably 30 years ago. Health Hats: I am sure Lacy’s going to remember that. Kirk Knestis: A pie chart illustrated how funds are allocated in a typical program evaluation, with about a third going to data collection and analysis, which adds value. Another third covers indirect costs, such as keeping the organization running, computers, and related expenses. The remaining third is used to generate reports, transforming the initial data into a tangible deliverable. If you take that third use much more wisely, I think you can accomplish the kind of things Lacy’s describing without, with, and still maintain accountability. Health Hats: This is GOLD. The 1/3: 1/3: 1/3 breakdown is memorable, concrete, and makes the problem quantifiable. Once again, 1/3 each for data collection and analysis, keeping the organization alive, and writing reports. 12. The Pendulum Swings Lacy Fabian: And if I could add on to what Kirk had said, I think one of the things that comes up a lot in the human services research space where I am is this idea of the pendulum swing. It’s not as though we want to go from a space where there are a lot of expectations for the dollars, then swing over to one where there are none. That’s not the idea. Can we make sure we’re thinking about it intentionally and still providing the accountability? So, like Kirk said, it’s that pause: do we really need the reports, and do we really need the requirements that the funder has dictated that aren’t contributing to the organization’s mission? In fact, we could argue that in many cases, they’re detracting from it. Do we really need that? Or could we change those expectations, or even talk to our funder, as per the Fundee, to see how they might better use this money if they were given more freedom, not to have to submit these reports or jump through these hoops? And I believe that’s the part that restores that equity, too, because it’s not the funder coming in and dictating how things will go or how the money will be used. It’s about having a relational conversation, being intentional about what we’re asking for and how we’re using the resources and then being open to making adjustments. And sometimes it’s just that experimentation: I think of it as, we’re going to try something different this time, we’re going to see if it works. If it doesn’t work, it probably won’t be the end of the world. If it does, we’ll probably learn something that will be helpful for next time. And I think there’s a lot of value in that as well. Health Hats: Lacy’s ‘pendulum swing’ wisdom: not anarchy, but intentional. Not ‘no accountability’ but ‘accountability without burden-shifting.’ The move is from the funder dictating requirements to relational conversation. And crucially: willingness to experiment. 13. The Three Relationships: Funder, Researcher, Community Health Hats: Back to the beginning—relationships. So, in a way, we haven’t really —what we’ve talked about is the relationship with funders. Lacy Fabian: True. Health Hats: What is the relationship between researchers and the community seeking answers? We’re considering three different types of relationships. I find it interesting that people call me about their frustrations with the process, and I ask, “Have you spoken with the program officer?” Have you discussed the struggles you’re facing? Often, they haven’t or simply don’t think to. What do you think they’re paid for? They’re there to collaborate with you. What about the relationships between those seeking answers and those studying them—the communities and the researchers? How does that fit into this? Kirk Knestis: I’d like to hear from Lacy first on this one, because she’s much more tied into the community than the communities I have been in my recent practices. 14. Maintaining Agency Health Hats: I want to wrap up, and so if. Thinking about people listening to this conversation, what do you think is key that people should take away from this that’ll, in, in either of the three groups we’ve been talking about, what is a lesson that would be helpful for them to take away from this conversation? Lacy Fabian: I think that it’s important for the individual always to remember their agency. In their engagements. And so I know when I’m a person in the audience, listening to these types of things, it can feel very overwhelming again to figure out what’s enough, where to start, and how to do it without making a big mistake. I think that all of those things are valid. Most of us in our professional lives who are likely listening to this, we show up at meetings, we take notes. We’re chatting with people, engaging with professional colleagues, or connecting with the community. And I think that we can continue to be intentional with those engagements and take that reflective pause before them to think about what we’re bringing. So if we’re coming into that program with our research hat on, or with our funder hat on, what are we bringing to the table that might make it hard for the person on the other side to have an equitable conversation with us? If you’re worried about whether you’ll be able to keep your program alive and get that check, that’s not a balanced conversation. And so if you are the funder coming in, what can you do to put that at ease or acknowledge it? Suppose you are the person in the community who goes into someone’s home and sees them in a really vulnerable position, with limited access to healthcare services or the things they need. What can you do to center that person, still like in their humanity, and not just this one problem space? And that they’re just this problem because that’s, I think, where we go astray and we lose ourselves and lose our solidarity and connection. So I would just ask that people think about those moments as much as they can. Obviously, things are busy and we get caught up, but finding those moments to pause, and I think it can have that snowball effect in a good way, where it builds and we see those opportunities, and other people see it and they go, Huh, that was a neat way to do it. Maybe I’ll try that too. 15. Listen and Learn Health Hats: Thank you. Kirk. Kirk Knestis: Yeah. A hundred percent. I’m having a tough time finding anything to disagree with what Lacy is sharing. And so I’m tempted just to say, “Yeah, what Lacy said.” But I think it’s important that, in addition to owning one’s agency and taking responsibility for one’s own self, one stands up for one’s own interests. At the same time, that person has to acknowledge that everybody else knows that the three legs of that stool I described earlier have to do the same thing, right? Yeah. So, it’s about a complicated social contract among all those different groups. When the researchers talk to the program participant, they must acknowledge the value of each person’s role in the conversation. And when I, as the new nonprofit manager, am talking to funders, I’ve got to make sure I understand that I’ve got an equal obligation to stand up for my program, my stakeholders, and the ideals that are driving what I’m doing. But at the same time, similarly, respecting the commitment obligation that the funder has made. Because it never stops. The web gets bigger and bigger, right? I had a lovely conversation with a development professional at a community foundation today. And they helped me remember that they are reflecting the interests and wishes of different donor groups or individuals, and there’s got to be a lot of back-and-forth at the end of the day. I keep coming back to communication and just the importance of being able to say, okay, we’re talking about, in our case, mobility. That means this. Are we clear? Everybody’s on the same page. Okay, good. Why is that important? We think that if that gets better, these things will, too. Oh, have you thought about this thing over here? Yeah, but that’s not really our deal, right? So having those conversations so that everybody is using the same lingo and pulling in the same direction, I think, could have a significant effect on all of those relationships. Health Hats: Here’s my list from the listening agency, fear, mistake, tolerance, grace, continual Learning, communication, transparency. Kirk Knestis: and equal dollops of tolerance for ambiguity and distrust of ambiguity. Yes, there you go. I think that’s a pretty good list, Danny. Lacy Fabian: It’s a good list to live by. Health Hats: Thank you. I appreciate this. Reflection Everyone in a relationship faces power dynamics – who's in control and who's not? These dynamics affect trust and the relationship’s overall value, and they can shift from moment to moment. Changing dynamics takes mindfulness and intention. The community wanting answers, the researcher seeking evidence-based answers, and those funding the studies, have a complex relationship. Before this conversation, I focused on the community-research partnership, forgetting it was a triad, not a dyad. The Central Paradox: We have exponentially more information at our disposal for research, yet we’re becoming more disconnected. Lacy identifies this as the core problem: we’ve stopped seeing each other as human beings and lost the touchpoints that enable genuine collaboration—when connection matters most. This is true for any relationship. The Hidden Cost Structure Kirk’s 1/3:1/3:1/3 breakdown is golden—one-third for data collection and analysis (adds value), one-third for organizational operations, and one-third for reports (mostly shelf-ware). The key takeaway: we’re allocating one-third of resources to deliverables that don’t directly benefit the people we’re trying to help. Perhaps more of the pie could be spent on sharing and using results. Three Different “Utilities” Are Competing Kirk explains what most evaluation frameworks hide: funder utility (accountability), research utility (understanding models), and community utility (immediate benefit) are fundamentally different. Until you specify which one you’re serving, you’re likely to disappoint two of the three audiences. Data Parties Solve the Funder Problem Pragmatically. Rather than choosing between accountability and flexibility, data parties and face-to-face analysis let stakeholders interpret findings in real time – the data party. I love that visual. It’s formative, not summative. It’s relational, not transactional. The Funding Question Reverses the Power Dynamic. Currently, funders place the burden of proving impact on programs through monthly reports and compliance documentation. Lacy’s alternative is simpler: what if the funder hired someone to observe the program, gather the information, and report back? This allows the program to stay focused on its mission while the funder gains the accountability they need. But the structure shifts—the program no longer reports to the funder; instead, the funder learns from the program. That’s the difference between equity as a theory and equity as built-in. Related episodes from Health Hats Artificial Intelligence in Podcast Production Health Hats, the Podcast, utilizes AI tools for production tasks such as editing, transcription, and content suggestions. While AI assists with various aspects, including image creation, most AI suggestions are modified. All creative decisions remain my own, with AI sources referenced as usual. Questions are welcome. Creative Commons Licensing CC BY-NC-SA This license enables reusers to distribute, remix, adapt, and build upon the material in any medium or format for noncommercial purposes only, and only so long as attribution is given to the creator. If you remix, adapt, or build upon the material, you must license the modified material under identical terms. CC BY-NC-SA includes the following elements: BY: credit must be given to the creator. NC: Only noncommercial uses of the work are permitted. SA: Adaptations must be shared under the same terms. Please let me know. danny@health-hats.com. Material on this site created by others is theirs, and use follows their guidelines. Disclaimer The views and opinions presented in this podcast and publication are solely my responsibility and do not necessarily represent the views of the Patient-Centered Outcomes Research Institute® (PCORI®), its Board of Governors, or Methodology Committee. Danny van Leeuwen (Health Hats)
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Baltimore's own Timothy Fletcher, the drummer who went viral for his insane street performances and ended up on Ellen and America's Got Talent among other big stages, joins If This Doesn't Work… to talk about his journey from high-school band kid to international performer.He opens up about his early struggles, losing friends, the grind of street drumming, his Fortnite emote deal, YouTube copyright frustrations, and what it means to make it from the city without losing yourself.
Lauren Ellis is a terrific drummer and composer from halfway around the world in Wellington, New Zealand, now living in Los Angeles. She's worked with Peter Erskine, at USC's Music School. She plays with groups as diverse as the LA Philharmonic and with Seth Macfarlane. She writes commissioned works for jazz ensembles in the US and in New Zealand. And in 2022 she received an award in New Zealand equivalent to our Grammy for the best jazz composition.My featured song is “Cannonball” from my 1996 album Prisoners Of Love. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH LAUREN:www.laurenellismusic.com—----------------------------------------ROBERT'S LATEST SINGLE:“MI CACHIMBER” is Robert's latest single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
From Drummer to Difference Maker Clint Pulver's story is one of purpose, passion, and impact. An Emmy Award winner, Hall of Fame Speaker, and professional drummer, Clint has inspired millions around the world to live with intention and lead with heart. As the bestselling author of I Love It Here: How Great Leaders Create Organizations Their People Never Want to Leave, Clint is transforming the way companies engage and retain their people. Through his groundbreaking work as the “Undercover Millennial,” he's helped organizations like Microsoft, Red Bull, and NASA create cultures where people feel seen, valued, and inspired to give their best. Clint reminds us that leadership isn't about being the best in the world — it's about being the best for the world. Clint, thank you for all the good you do. We love you.
In each Random Bird Thursday (RBT) episode, the goal is to highlight a bird species that probably isn't going to get featured in a full-length podcast episode. These are birds we might overlook, even though they certainly deserve some appreciation and attention. ~~~~~~~~~~~~~~~~~⚠️ SPOILER ALERT!The featured species in this episode is the Little Woodpecker (Veniliornis passerinus)Support the show
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