Podcast appearances and mentions of Justin Vernon

Avery Adams is a producer, musician, and chef, and Kevin W. Smith is a writer and radio host. We talk about Bon Iver's fourth album, I,i (Jagjaguar), released on August 9, 2019, an 8.8 Best New Music on Pitchfork. Also: Music writing circa 2007, For Emma vinyl sales, album “branding,” Vernon's non-falsetto register, Naeem drums, sliding on cardboard, no click, Texas, Hornsby, Beck, this album's got moments, “Hey, Ma,” bass lines, Aaron Rogers and Justin Vernon interview circa 2019, The Bee Gees, where this album stands against the discography, Radiohead, Animal Collective, Of Montreal, and indulging creative impulses. FULL EPISODE W/ PRODUCER CHRIS MESSINA ON PATREONAVERY matiakitchen.com instagram.com/rarebirdcommittee/instagram.com/realfreaque/https://www.instagram.com/nautilusenclave/KEVINhttps://kmre.org/island-time/https://keviniswriting.com/

Happily, Justin Vernon's much loved project has made the tilt away from the experimental, abstract songwriting of the last two albums, and a return to more satisfying complete pieces of the first two, albeit with the odd slightly annoying and incongruous hangover stylistic elements. Still, it's great to have him back in this pocket and with his own defined genre of Neo-Country-Soul.

durée : 00:54:24 - Very Good Trip - par : Michka Assayas - Ce soir, un musicien unique, au double sens du terme, mais ce sera un programme aussi foisonnant que d'habitude. Parce que c'est un musicien dont la palette de voix, de sons, d'ambiances est vraiment très large, vous allez en juger au cours de cette heure. - réalisé par : Stéphane Ronxin

This week Jeremy welcomes singer & songwriter Will Anderson from the band Hotline TNT. On this episode, Jeremy and Will talk Linkin Park, radio festivals, Hot Topic, thank you lists, Family Values Tour, ska, basketball, not recording with Justin Vernon, leaving America for college, the rotating lineups of projects, Third Man Records, promotion innovations, the new Hotline TNT album "Raspberry Moon", and so much more! Follow the show on INSTAGRAM and The Website Formerly Known as Twitter SUBSCRIBE TO THE PATREON for a bonus episode where Will answered questions that were submitted by subscribers!

Springtime in North Carolina is gorgeous. It can't help itself. Perhaps it's oblivious to—or in radical disagreement with—the brokenness of our times. Either way, the azaleas burst into riotous bloom, the crepe myrtles frill themselves in defiant pinks. In the mornings, birds trade secrets across the creek, their calls carried on air perfumed with fresh dew on pine needles to the back porch, where I sit in my mother's rocking chair.This is the place where one branch of my family has put down roots. An invisible wheel exists here among us, with smaller wheels—wheels within wheels—turning persistently through the seasons. It's also the place where a beloved uncle passed last autumn, just as the maple outside his bedroom window flared into auburn light. In his final days, we watched that tree together and recounted long-forgotten stories. I remembered a visit to First Street in Rumson, when he swung me onto his shoulders and walked down the street. I remembered how the curves of his shoulders hummed beneath me as he laughed. How tall I felt then, how near to the canopy of trees; how the world suddenly seemed bigger and closer, and I, more a part of it—alive to everything, and everything alive around us.Memory can work like this—the way light filters through leaves or a scent pulls you backward. In a recent conversation with Krista Tippett, musician Justin Vernon (better known as Bon Iver) said, “I thought I was done being surprised… but there are things behind things behind things.” The layers accumulate, folded under the weight of time, only to surface in time, unbidden yet strangely familiar.Now the maple is green again, its leaves doing what they were made to do when touched by springtime light. Its roots drink in a soft rain. Some layers remain hidden, or slip away, only to circle back, as though time itself were not linear, but folding in on itself like fabric. And I think about how you have entered the mystery now, and maybe you are humming in some new, unknowable way.Practice—call it “mindfulness” or whatever name feels right—is an agreement to be touched by the world, by the nature of our aliveness. David Abram called it “a kindredship of matter with itself.” We learn to live in reciprocal communion, even unknowingly, and discover within ourselves gradually more tonality, more steadiness, more truth. When we plant ourselves in this moment, and notice the ways we are thirsty, and then return again and again, we begin to sense that our lives are not just motion or mechanism, but part of some deeper listening—not just hub and spoke, but spiraling motion.Hope, too, is a force of nature. It arrives unannounced. Here's another chance, another season. The word numinous comes from numen—a Latin term that means both “a nod of the head” and “divine will.” Now spring has found its fulcrum, and with a quiet nod toward resurrection, it invites us to reach for something like joy, whether or not we feel ready or agree with time's assessment.Springtime is not a promise. It's a presence. A tilt in the wheel. A shimmer in the unseen. A reminder that aliveness is not always sweet or simple—but it is, still, ours.Together, we are making sense of being human in an era of radical change. Your presence here matters. Thank you for reading, sharing, ‘heart'ing, commenting, and subscribing to The Guest House. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit shawnparell.substack.com/subscribe

Amb una reconeguda tend

François Pitton, programmateur musical, partage son coup de cœur pour le nouvel album de Bon Iver. La formation américaine du Wisconsin, emmenée par Justin Vernon, revient avec des titres lumineux, et en particulier le poignant " If Only I Could Wait ", en duo avec la chanteuse Danielle Haim.

Hello Wholigans! On today's episode of Who's There, our weekly call-in show, we hear from a lawyer who explains why divorce records are easier to find than marriage records, as well as a resident of Hershey, PA who explains why the city smells SO GOOD. Moving on, we take your questions about Justin Vernon's new merch line (and whether he's Themmier as Bon Iver), Amelia Moore's Coachella billboard, the return of Ava Max's 'Max Cut,' Chrishell Staus's feud with Bre Tiesi, Tyra Banks's love for Australian dairy products, and more! Call in at 619.WHO.THEM to leave questions, comments & concerns for a future episode of Who's There? on Thursdays. Want more? Get a ton of bonus content and support the show over on Patreon.com/WhoWeekly. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

A sweet and searching conversation between Krista and the man behind Bon Iver at this year's On Air Fest, full of wisdom and revelation. He is a person who experiences deeply, who metabolizes creatively, and who just keeps growing. He opens up with Krista about the strangeness of being loved for how he put his broken heart to music. They venture into the mysteries of God and of numbers, the problem of fame, and the deep working of time in a life. He's now released a gorgeous fifth album, SABLE/fABLE. This one tells of immense healing and learning.Justin Vernon is a singer, songwriter and producer and founder and frontman of the band — sometimes called an art project  — known as Bon Iver. He lives and makes music in Eau Claire, Wisconsin. He has been on a personal and professional adventure since releasing his first album in 2007, For Emma, Forever Ago. His new album SABLE/fABLE is his fifth. He's received multiple Grammys and collaborated with many other artists from Taylor Swift to the Blind Boys of Alabama to Travis Scott and Kanye West.This was recorded live at the 2025 On Air Fest in Brooklyn, New York. Find an excellent transcript of this show, edited by humans, on our show page at onbeing.org.Sign yourself and others up for The Pause to be on our mailing list re all things On Being — and to receive Krista's monthly Saturday morning newsletter, including heads up on new episodes, special offerings, recommendations, and event invitations.

Herzschmerz, Einsamkeit und (im besten Sinne des Wortes) Weltfremdheit von Justin Vernon alias Bon Iver haben den Folkie aus Eau Claire, Wisconsin, zu einer eigenen Liga in Sachen Pop gemacht. Jetzt hat er genug gelitten: Das neue Album SABLE, fABLE ist ein karriereumspannender Befreiungsschlag.

“Sable fable” is made up of songs that deal with Justin Vernon's identity, he's happier now and it shows in the bright, vibrant sound

Overlad dit hjerte til Bon Iver, og lad musikken fremkalde tårer, gåsehud og de stærkeste følelser indeni. Vi er alle forbundet i følelser, når vi dedikerer 6 timer til de vaskeægte singer-songwriter-pionerer med Justin Vernon i front. Syngende i falset og med en lettere ustemt guitar satte de nye standarder for indie-folk-genren allerede fra den ikoniske debut 'For Emma, Forever Ago' fra 2007. Siden har de konstant skubbet rammerne for deres musik. Et væld af artister har ladet sig inspirere af bandet, ligesom prominente kunstnere som Taylor Swift, Kanye West og mange andre har stået i kø for at samarbejde med Justin Vernon himself. I anledning af udgivelsen af Bon Ivers femte studiealbum 'SABLE, fABLE' hylder vi den musikalske kompleksitet og kreativitet. Vi dykker ned i det anmelderroste tredje album '22, A Million' fra 2016, og så skal vi desuden høre fra et væld af eksperter og fans, som alle vil bidrage til at styrke fællesskabet omkring alt det, Bon Iver skaber indeni os. Vært: Mads Gundersen. Medvært: Alicia Jordanova. Producere: Simone Kofod Nørgård & Robert Haugsted. Reportere: Jacob Zaulich. SoMe: Stine Karlsen. Redaktør: Kasper Overby.

Linktree: https://linktr.ee/AnalyticJoin Analytic Dreamz in this Notorious Mass Effect segment diving into Bon Iver's evolution and latest release. Founded in 2006 by Justin Vernon, Bon Iver blends indie folk with experimental and ambient sounds. From the raw emotion of For Emma, Forever Ago to the Grammy-winning Bon Iver, their journey continues with the 2024 SABLE, EP. Explore “There's a Rhythm,” a haunting track with sparse acoustics and introspective lyrics, earning praise from Pitchfork and Rolling Stone. Analytic Dreamz unpacks its chart performance, streaming stats, and cultural resonance, including 1.9M Spotify streams and a No. 1 spot on Billboard's Top Alternative Albums.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The chair of Wisconsin Democrats, who transformed the party during his tenure, is stepping down. Democratic state lawmakers announced a bill to crack down on election bribery. And, we've got a special interview with a Grammy-winning Wisconsinite who has a new album out today. Justin Vernon of Bon Iver.

Wisconsin’s Justin Vernon is one of the biggest musical artists to come out of the state in the past 20 years. For most of his career, most notably with Bon Iver, he has shied away from the media and chosen to quietly work out of his April Base home studio in Fall Creek. But on his new record, “SABLE, fABLE,” it’s clear a lot has changed. In a rare interview, Vernon talked with Wisconsin music reporter Justin Barney about the new record, which was released April 11.

Zan Rowe speaks with Justin Vernon in his only Australian interview about Bon Iver's first new album in 6 years, SABLE, fABLE.

The forlorn falsetto of Justin Vernon's voice has propelled Bon Iver into indie stardom. But fame only seemed to make Vernon retreat into his sadness more.Now, with the new album called “SABLE, fABLE,” out today, Vernon appears to be in bloom. He granted a rare interview to Music Reporter Justin Barney where they talked all about how Vernon changed his tune.Learn more at WNXP.org.

Grammy-winning musician Justin Vernon (aka Bon Iver) asks Handsome a surprising question, and stuns the hosts with his entertaining answer! Plus Fortune indulges in a listener-suggested drink, "dah puffer," airing grievances, and more!Handsome is streaming LIVE from Austin April 12! Get your tickets here.Handsome is hosted by Tig Notaro, Mae Martin, and Fortune FeimsterFollow us on social media @handsomepodMerch at handsomepod.comWatch Handsome on YouTubeThis is a Headgum podcast. Follow Headgum on Twitter, Instagram, and Tiktok. Advertise on Handsome via Gumball.fm.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's April and our pop culture picks for the month include a potential final album from Justin Vernon and a vampire thriller from Ryan Coogler. 

A conversation with Bon Iver's Justin Vernon about how the band's surprise success led to unexpected opportunities, then emotional depletion, and now a new album of reinvention, “Sable, Fable.”Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Justin Vernon's Bon Iver project returms with a new album, SABLE, fABLE, on April 11. Justin Zoomed in with Bret to talk about his songwriting process and to sing the praises of filmmaker Miranda July.

Cuando el año pasado escuchamos el EP 'Sable,', no sabíamos que detrás de esa coma iría un disco completo. 'Sable, Fable' será el primer disco en 6 años para el proyecto Bon Iver. Un álbum que narrará una historia de amor envuelta en pop exhuberante. La oscuridad del pasado se transforma en luminoso optimismo romántico. Y para muestra su primer adelanto, 'Everything is Peaceful Love' que Justin Vernon ha estrenado en este Día de San Valentín. Playlist:Bon Iver - Everything is Peaceful LoveDenison Witmer, Sufjan Stevens - Shade I'll Never SeeFather John Misty - I Loved You HoneybeeSharon Van Etten - TroubleHAAi - Can't Stand To LoseLa Plata - música infinitaJohn Glacier - EmotionsCarolina Durante - Verdes, Céspedshego - arghHhh!Japanese Breakfast - Mega CircuitCameron Winter - The Rolling StonesDaniel Caesar, Rex Orange County - Rearrange My Worldpablopablo, Ralphie Choo, Carín León - Eso Que Tú Llamas AmorMereba - HawkSZA - CrybabyEscuchar audio

Im kalten und kargen Norden der USA schnitzte Justin Vernon an der modernen Folk-Revolution. Sein Debüt «For Emma, Forever Ago» gilt bei aller Arten Musikfans als Highlight, die folgenden Experimente waren bahnbrechend; Ye, The National und Taylor Swift wollten ihn. Auf der neusten EP «Sable» strampelt er sich frei. Rund um die drei schlichten und wunderschönen neuen Tracks gönnen wir uns das karriereumspannende Bon Iver-Treatment, unter anderem mit dem aktuellen Sounds! Mixtape zum Thema: * mxtp110: Bon Iver beeinflusst den Rap und die elektronische Musik

Each song on Bon Iver’s new EP SABLE reveals an autobiographical imprint of a different point in frontman Justin Vernon’s healing process. The title suggests the projection of built-up darkness and, ultimately, its release. “Things Behind Things Behind Things,” dates back to 2020 — a song born from a restless anxiety brought on by Vernon’s uncertain future as an artist. It’s a song through which he unpacks the past while puzzling himself back together. 

Bon Iver is the alias of Justin Vernon, who holds an unusual place in music as both a singer-songwriter in an acoustic idiom and a collaborator with the biggest stars in pop, including Taylor Swift, Charli XCX, and Kanye West. Bon Iver's new three-song EP, titled “SABLE,” is his first record of his own songs in more than five years. Vernon rarely gives interviews, so this is an extended version of his conversation with the staff writer Amanda Petrusich. They touched on the meaning of “sable,” a word that can refer to mourning and darkness. Vernon is not altogether comfortable with the acclaim he has received. “I'm not, like, famous on the street, People-magazine famous, but . . .  there's been a lot of accolades,” he tells Petrusich. “I was getting a lot of positive feedback for being heartbroken and having heartache and I've wondered . . . [if] maybe I'm pressing the bruise.”

In this episode of ProducerHead, Toru sits down with Shrimpnose, a talented producer who's known for his unique blend of acoustic and electronic music. They explore his journey from metal influences to the world of electronic music, how sadness has shaped his creative process, and the inspirations for his latest project, The World Pushed Against You. His first full-length with Nettwerk, the 12-track project ranges from frenzied jersey club-laden IDM to mellow garage-infused ballads. This conversation delves deep into the healing power of music, Shrimpnose's approach to blending genres, and how he's developed his signature sound.This episode is packed with valuable lessons on authenticity, self-expression, and the power of staying true to oneself.Throughout the episode we discuss:* Shrimpnose's journey from metal to electronic music and how he discovered his love for blending genres.* The impact of artists like Dijon, Justin Vernon, and Shlomo on his creative process.* How sadness and mental health have influenced Shrimpnose's music and journey as an artist.* The importance of juxtaposition and combining unexpected elements in music production.* The role of live performances and how they shape his understanding of music and self-expression.Three Meaningful Takeaways:* Embracing Vulnerability: Shrimpnose emphasizes how expressing sadness and vulnerability in music can be a form of healing and self-discovery.* Creative Juxtapositions: He finds inspiration in combining seemingly opposing elements, which keeps his creative process fresh and engaging.* Music as a Language: For Shrimpnose, music became a way to express emotions that he couldn't always articulate verbally, making it a vital part of his life.Timeline:0:00 - Introduction to Shrimpnose2:32 - Track 1: "Many Times" by Dijon7:14 - Track 2: "Hazeltons" by Justin Vernon19:30 - Track 3: "Places" by Shlomo29:45 - Discussing the role of sadness in creativity32:45 - Shrimpnose's unique approach to playing the guitar left-handed40:45 - How mental health influences Shrimpnose's music and journey44:45 - Embracing mistakes and letting the music "be what it wants to be"48:45 - The importance of honesty in life and art57:59 - Discussing the album "The World Pushed Against You" and its themes1:00:45 - Shrimpnose's decision to move away from Lo-Fi and create dance music1:09:45 - Quick Hits section1:21:31 - OutroList of References from the Interview:Songs:* Dijon – "Many Times"* Justin Vernon – "Hazelton"* Shlomo – "Places"* Elliott Smith – Self-titled album* YYYXX – "About You"Books/Authors:* Albert Camus (referenced in the discussion about the album title)Podcasts/Products:* Ableton Live (mentioned as his DAW of choice)Connect with Shrimpnose:* YouTube: @shrimpnosebeats * Instagram: @shrimpnose* Facebook: johnshrimpnose* Spotify: Shrimpnose* Apple Music: Shrimpnose* Official Profile: Nettwerk Music GroupConnect with Toru:* Website: torubeat.com* Instagram: @torubeat* YouTube: @torubeat* Spotify: Toru* Apple Music: ToruCredits:This episode was co-produced, engineered and edited by Matthew Diaz. From ProducerHead, this is Toru, and in a way, so are you. Peace. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit torubeat.substack.com

In this episode, Craig marks the 40th anniversary of The Replacements' iconic album Let It Be. He explores how the 1984 release broke new ground for alternative rock, blending punk energy with heartfelt introspection. Craig discusses the album's enduring influence, with tracks like "I Will Dare" and "Unsatisfied" showcasing the band's raw emotion and rebellious spirit. As he reflects on its lasting impact, Craig highlights how Let It Be remains a touchstone for both fans and musicians, cementing The Replacements' legacy as pioneers of the indie rock scene.Shawn shifts the focus to one of his favorite albums from the last 20 years, Bon Iver's For Emma, Forever Ago. He dives into the emotional depth and haunting beauty of Justin Vernon's debut, discussing how its sparse production and introspective lyrics created a sound that resonated with listeners on a deeply personal level. Shawn explores how For Emma helped redefine the indie folk genre, influencing a generation of artists with its raw vulnerability and atmospheric soundscapes.Together, Craig and Shawn explore the power of these two transformative albums—one celebrating a legacy and the other shaping a new era of music. Whether you're a fan of raw, heart-on-sleeve rock or intimate, soulful folk, this episode is a celebration of the timeless music that continues to inspire.

Welcome to another edition of PlaylistMakers: a new Indie Basketball Podcast episode where a group of folks collaboratively make a playlist together, fantasy draft style. I am joined by Royce Wilmot (Shoshin Boy on TikTok), Matt Mitchell (Paste Magazine), and Kevin Patrick Sullivan (Field Medic) to draft a playlist of songs from a debut album. Want to listen to the final output playlist? Check it out here: https://spoti.fi/3B7D8Kl  ---- Check out YouTube for new Half Court Sessions and a brand new series making Justin Vernon in NBA 2K25: https://www.youtube.com/@indiebasketball Bon Iverson hats and Lift Yr Skinny Fists And Take A Jumpshot From Heaven t-shirts are available at http://www.indiebasketball.com Get Indie Basketball exclusives and support us on Patreon! http://www.patreon.com/indiebasketball Join the conversation on Discord: https://discord.gg/HJaDNwxSbe Instagram | YouTube | TikTok Theme music courtesy of Empty Heaven. Outro courtesy of Mother Evergreen.

Since the days of Thoreau, we’ve often romanticized the idea of a creativity-spurring wilderness retreat. That’s especially true of Justin Vernon’s illness-evoked cabin sanctuary that ended up being the backbone of Bon Iver’s 2007 debut. But the product in mind doesn’t always have to be so strictly transcendentalist (or even acoustic for that matter) for […] The post Mozworth: “Postcard” appeared first on KUT & KUTX Studios -- Podcasts.

"I Wanted to be Mr. Miyagi. . .'Cause He Was the True 'G'." On this Episode 94 of The DOD45 Show #ArtByTai draws a mash-up of Labyrinth's Hoggle, an Aardvark, Writ & Gregory of Over the Garden Wall, Outkast, a Whale and Justin Vernon of Bon Iver while Cas One provides heaps of laughs for Tai & Adrienne. They also discuss Cas One's recent single "No Deer Hunter" produced by ALXNDRBRWN. It's an all-smiles kind of episode with a few jaw-dropping stories sprinkled through-out. Guest: Cas One Show Intro provided by Awol One (  @awolone  ) Social Media Lurk by Sage Francis (  @therealsagefrancis  ) Mayo or Miracle Whip question with Mr. Dibbs (  @mrfuckingdibbs ) ArtByTai.com - DOD45.com - StrangeFamousRecords.com - MrDibbs.com - Speakerface.Store Episode recommendations: "Summer School" - https://www.youtube.com/watch?v=R0zK5ggTyYQ "Sky Lark" by Sabot & M. Sayyid - https://www.youtube.com/watch?v=xWl1nL0ZBUw "Rapping4Money" by Themselves - https://www.youtube.com/watch?v=lAX7cVrqaKY - DOD45 Luvs 'song share' playlist: https://open.spotify.com/playlist/4dn8I37ew07y7aCeCs6qAn?si=b856689724da4b7c Instagram links: Cas One: https://www.instagram.com/cas_one/ ArtByTai: https://www.instagram.com/artbytai DOD45: https://www.instagram.com/dod45w Links to topics mentioned in the intro, the interview and the outro of this #DOD45 Show: TBA --- Support this podcast: https://podcasters.spotify.com/pod/show/artbytai/support

Secretly Society presents a three-episode mini-series about collaboration, friendship, and a community-driven project; originally formed by Justin Vernon and Aaron Dessner in 2008, this is the magical and illusive tale of Big Red Machine. This series is narrated by music writer and broadcaster Laura Barton, including live interviews with Vernon, Aaron Dessner, Bryce Dessner, Sharon Van Etten, Anais Mitchell, and more. The conclusion to the story, for now. Big Red Machine has been a rejection of the music industry's expectations weighing upon Dessner and Vernon, but also a place of solace for the pair amongst their sometimes painful struggles with mental health. The pair take turns grounding each other through their successes and supporting during their lows, while writing songs like “Brycie” and “Hutch” that pay tribute to close-knit family and friends. The pool of collaborators ripples out ever-further, and new methods of working to complement each others' contributions carry on the experimental spirit of Big Red Machine.   Links:  Secretly Society Podcast Link Secretly Society Podcast Store Link Secretly Society General Information Link   Big Red Machine:  Big Red Machine on Instagram Big Red Machine on Facebook

Secretly Society presents a three-episode mini-series about collaboration, friendship, and a community-driven project; originally formed by Justin Vernon and Aaron Dessner in 2008, this is the magical and illusive tale of Big Red Machine. This series is narrated by music writer and broadcaster Laura Barton, including live interviews with Vernon, Aaron Dessner, Bryce Dessner, Sharon Van Etten, Anais Mitchell, and more. Part Two finds Vernon and Dessner working out just what Big Red Machine was, and should be; exactly what role it should play in their respective musical lives was proving hard to pin down. Making their second record, more voices were added to bring Dessner and Vernon's songs to life, expanding the Big Red Machine identity and sound, and discovering that the defining quality of the group was something intentionally experimental.

Secretly Society presents a three-episode mini-series about collaboration, friendship, and a community-driven project; originally formed by Justin Vernon and Aaron Dessner in 2008, this is the magical and illusive tale of Big Red Machine. This series is narrated by music writer and broadcaster Laura Barton, including live interviews with Vernon, Aaron Dessner, Bryce Dessner, Sharon Van Etten, Anais Mitchell, and more. Part One starts with a pivotal Myspace exchange and a shared raw piano track between Aaron Dessner and Justin Vernon, that would shape the trajectory of their relationship and careers over the upcoming years. Engage with stories about the beginning of the PEOPLE label (37do3d) in a Berlin residency as well as the ultimate cementing of their self-titled album. From long-distance partnerships, onstage improvisations, and the gathering of talented musicians, the story of Big Red Machine is an inspiring account that unveils a new energy and way of working for creatives alike.

Three-time GRAMMY winner and musical omnivore Bruce Hornsby chats about his wide-ranging career, from pop to bluegrass to jazz! PART ONE:Paul and Scott talk about their Instagram, a wild Genesis fact, and more. PART TWO:Our in-depth conversation with Bruce HornsbyABOUT BRUCE HORNSBY:Thirteen-time Grammy nominee and three-time winner Bruce Hornsby has built one of the most diverse, collaborative, and adventurous careers in contemporary music. In the early 1980s Bruce was writing songs, playing sessions as a musician, and touring as member of Ambrosia and, later, Sheena Easton's backing band. By the middle of the decade he'd formed the group Bruce Hornsby and the Range, signed a deal with RCA Records, and released his debut album, which spawned the hit singles “The Way It Is,” “Mandolin Rain,” and “Every Little Kiss.” As a result, Bruce and the band won the Grammy Award for Best New Artist in 1987. Their sophomore album, Scenes from the Southside, spawned the hit single “The Valley Road” and included Bruce's own version of “Jacob's Ladder,” a song he co-wrote that became a #1 hit for Huey Lewis. In addition to his own artist career, Bruce began collaborating extensively in that era, including producing Leon Russell, co-writing Don Henley's “The End of the Innocence,” playing piano on Bonnie Raitt's “I Can't Make You Love Me,” and appearing on albums by everyone from Bob Dylan to Stevie Nicks to Willie Nelson. In the late 1980s and early 1990s Bruce increasingly began incorporating elements of bluegrass and jazz into his music. He disbanded the Range to pursue other projects, including becoming a staple of the Grateful Dead's touring lineup. His debut solo album, Harbor Lights, was released in 1993, and he won another Grammy that year, for Best Pop Instrumental, for composing “Barcelona Mona” with Branford Marsalis for the Barcelona Olympics. He released two additional solo studio albums in the 1990s before forming a new band, The Noisemakers, which released four studio albums between 2002 and 2016. In that same period, he collaborated with bluegrass artist Ricky Skaggs to release one studio album and one live album, and with bassist Christian McBride and drummer Jack DeJohnette to release a jazz album called Camp Meeting. Bruce's 2014 album Solo Concerts showcased a sampling of his one-man performances. In 2019 Bruce returned to releasing studio albums as a solo artist with Absolute Zero, an album included collaborations with Blake Mills, Justin Vernon of Bon Iver, and others. Among Bruce's many collaborations includes a longstanding partnership scoring films for director Spike Lee. Earlier this year, Bruce released Deep Sea Vents, a water-themed collaborative album with the band yMusic that was released under the name Brhym. 

Send us a Text Message.For this episode, we are talking about the project between Bon Iver's Justin Vernon and the members of Collections of Colonies of Bees, Volcano Choir. The first record was developed asynchronously, and the next record is where they agreed they became a real band. 

Join Kaylan, Leanna and special guest Morgan in this captivating episode as they delve deep into the hauntingly beautiful ballad, Exile ft. Bon Iver by the iconic Taylor Swift. From its melancholic melodies to its poignant lyrics, this song takes listeners on an emotional rollercoaster ride through heartbreak and introspection. They hosts unravel the intricate layers of storytelling woven into the song, exploring themes of love, loss, and the complexities of relationships. Through Swift's masterful songwriting and the haunting vocals of Bon Iver's Justin Vernon, Exile paints a vivid portrait of two individuals grappling with the aftermath of a failed romance. Through insightful analysis and thoughtful commentary, Kaylan, Leanna and Morgan examine the song's narrative structure, musical composition, and the raw emotions conveyed in every verse. From the haunting harmonies to the raw vulnerability in Swift's vocals, Exile stands as a testament to the power of music to evoke profound emotional responses. Whether you're a die-hard Taylor Swift fan or simply appreciate great music, this episode offers a deep dive into one of her most compelling tracks yet. Join as they unpack the emotional journey behind Exile and discover why it continues to resonate with listeners around the world. Be sure to check out Morgan's podcast @ThatNerdThingPod on Instagram @ThatNerdThingPod on TikTok @ThatNerdThingPod on Youtube That Nerd Thing on Spotify & That Nerd Thing on Apple Please make sure to subscribe so you don't miss an episode, and send all your questions, comments or recommendations to LongLiveTaylorPod@gmail.com  Follow us on TikTok and Instagram @LongLiveTaylorPod

Singer songwriter Hannah Connolly, originally from Eau Claire, WI (same as Justin Vernon and the Bon Iver crew!) has just released her second solo album, Shadowboxing. Written to reflect musical and life transitions, it was recorded in beautiful Idyllwild, CA, just outside of her new hometown of Los Angeles. While in the mountain town, Hannah reconnected with nature through hiking and found joy in connecting with her friends and collaborators in music. The process of making the record was crucial for her mental health in music that was celebratory and fun. Her debut album centered around the trauma and healing she and her family faced after her little brother Cullen was killed by a drunk driver in 2015. Born with Duchenne Muscular Dystrophy, Cullen was the life of the party and a bright light in every room he entered. Being able to process and mourn his loss through the making of her first record was not only extremely difficult, but also very necessary for Hannah. We talk about who Cullen was and how he continues to influence Hannah's life and music. These days, Hannah is looking for the fun and lightness again, which is exactly what her little brother would want her to do.Even though Hannah's visual storytelling and folky roots are strong, they are no match for her love of emo music, which has influenced her since she was a teenager. She even performed, recorded and toured in an emo band prior to going solo. Hannah gets into her emo past, her childhood stint in musical theater and, of course, cheese curds. She also gives us the all important update on wedding planning! She recently got engaged to Eric Cannata of the alternative rock band Young the Giant. I'm so happy for Hannah not only for her future marriage, but also for creating this joyful new album. Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Advertising Inquiries: https://redcircle.com/brands

In bands like Volcano Choir, Pele, Vermont and Collections of Colonies of Bees, guitarist Chris Rosenau has actively sought out a unique ambiguity. Whether through off-kilter tunings, a myriad of loop pedals or long-form improvisations in 130-degree heat, he says he finds his most interesting work comes from trusting others. And that trust has built fruitful creative relationships with enigmatic drummer Jon Mueller, Bon Iver's Justin Vernon and Sylvan Esso's Nick Sanborn, among others. But in a career of disarming listeners through unexpected approaches, Chris admits his most quizzical move might be in the form of a recently-released debut solo album, where he's stripped everything back to one acoustic guitar, for a tender salute to his late mother. The album, titled 'a light that cracks through,' is now available at chrisrosenau.bandcamp.com. Follow @rosno on Instagram.

This Friday, March 1st Bruce Hornsby releases a new album in collaboration with chamber ensemble yMusic. The record is entitled “Deep Sea Vents”. It straddles the line between contemporary songwriting and modern classical, and the album has an aquatic theme with all the songs dealing with the ocean, or at least water in some way. The album is emblematic of much of Hornsby's career in that it veers from the strange to the beautiful to the funny to the challenging. He doesn't like the easy route. If you know anything about Bruce's career you'll know his mid-80s smash “The Way It Is”, released by Bruce Hornsby and the Range, a powerful piece of social commentary inspired by his life growing up in Virginia, and featuring two piano solos. It's a song that's hung around, being sampled by rappers like 2Pac and Polo G. Bruce seems to have a conflicted relationship with the song. He often stills play it live but in a re-worked way, and he seems keen to be seen as a forward-thinking artist, not wishing to be defined by the past. He was a live member of the Grateful Dead in the early 90s playing over a hundred shows with them. In recent years, he's collaborated often with Justin Vernon of Bon Iver, and you'll see like the likes of Vampire Weekend's Ezra Koenig or The Staves or Blake Mills pop up on his album credits. I was a big admirer of his 2019 album “Absolutely Zero” which is well worth your time. Bruce was fantastic company when we spoke, and I hope you enjoy our chat!X: @signalspodcastInstagram: @sendingsignalspodcast

This week Amanda chats to Performance/Artist Coach Gemma Sugrue on all things mindset, business, the importance of being able to pivot and adapt in business and life as well as many random topics as the two girls have a good chat about life, music and all sorts in between.About Gemma:I help independent music artists write better songs and build an audience with my online program True Artist Mastermind.I'm a former professional singer/vocal coach, hobbyist comedian and a lover of social media.I've worked for clients including Sir Lewis Hamilton, Justin Vernon of Bon Iver, Cian Ducrot, Damien Rice, Roisin Murphy (Moloko), Gilbert O'Sullivan, The RTE Concert Orchestra, James Vincent McMorrow and many more. I've worked for TV productions including Dancing with the Stars and The Late, Late Show. My Masters Degree is in music performance and I hold a Diploma in education. I'm currently studying for a masters in executive coaching with Sandown Business School.”Contact Gemma:www.gemmasugrue.comSELF LOVE MASTERCLASS - Thurs 15th Feb (replay link available)https://www.eventbrite.co.uk/e/self-love-relationships-masterclass-tickets-836811625097?aff=oddtdtcreatorAmanda's new online group Programme 'ABUNDANT AND FREE" is NOW OPEN for registration, (March start) it's a deep, deep dive into the subconscious reprogramming around money mindset and manifesting energy.Sign up NOW!!https://amandastjohn.lpages.co/abundant-free-12-week-wealth-mindset-manifesting-course/********2024 Weekend RETREAT Dates (April & Sept) in Glenariffe (Co.Antrim) Details and Deposit Link - Final few placeshttps://amandastjohn.lpages.co/reset-reconnect-revive-3-day-womens-wellness-empowerment-retreat/THERE is also 1 space available for 1:1 COACHING - if you want MASSIVE RESULTS and support to achieve a business or personal goalBook in for 1:1 Coaching - https://amandastjohn.lpages.co/transformational-coaching/Amanda St John/A Created Life is a professional Singer-Songwriter, Music Mentor, Motivational Coach & TEDx Speaker from Ireland. She has coached/mentored for over 15 years as well as having a successful music career with 2 albums, UK/Irish & USA tours, worldwide airplay (including BBC Radio 6 and RTE Radio 1) and she even sang for the US President in Washington DC. But she only committed to her music career in her mid 30's after a near death experience in a car accident inspired her to reassess her life and finally follow her dreams.Connect with Amanda:Instagram - https://www.instagram.com/acreatedlife_coachFacebook - https://www.facebook.com/profile.php?id=100076151084578Email: amandastjohnmusic@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Super Bowl Week is here. Chiefs. 49ers. Mahomes. Purdy. The entire country will be dissecting the matchup — nonstop — right into Sunday. We'll try to bring you a fresh perspective in words and pods here at Go Long with plenty planned. New around here? You can always join our community to access everything. That being said, the only Taylor Swift take to share here is that I wish the world-renowned singer/songwriter was dating Justin Vernon of Bon Iver. That way, we'd get a full album of duets like this. You can listen to the latest Go Long Show episode above with video embedded below. With co-host Jim Monos, much is discussed:* Why is San Francisco favored with so many people betting on the Chiefs?* Inside the 49ers offensive machine, starting with Brock Purdy.* Kyle Shanahan's “slot-machine” QB odyssey.* The Mahomes Factor. (He's special.)* Why isn't Bill Belichick coaching in 2024? Monos believes the coach is being choosy. Episodes are also available within the Apple, Spotify and YouTube feeds.Thanks, all. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.golongtd.com/subscribe

Bruce is best known for his first album The Way It Is (1986), but has come light years since then through 18+ albums, experimenting with different styles, playing over 100 shows with the Grateful Dead, and scoring numerous projects for Spike Lee. He's won three Grammys and recorded with music royalty including Elton John, Ornette Coleman, Branford Marsalis, Willie Nelson, Bob Dylan, etc. We discuss "Sidelines" (feat. Ezra Koenig from Vampire Weekend) from 'Flicted (2022), "My Resolve" (feat. James Mercer of The Shins) from Non-Secure Connection (2020), and a new live version of "Shadow Hand" from the 25th Anniversary Edition of Spirit Trail. End song: "Cast-Off" (feat. Justin Vernon of Bon Iver) from Absolute Zero (2019). Intro: "The Way It Is" (Live from Köln, 2019). More at brucehornsby.com Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon. Sponsors: Visit GreenChef.com/60Nakedly (use code 60Nakedly) to get 60% off your first box from America's #1 Meal Kit for eating clean (plus 20% off for the next two months) Get the ultimate gift: A custom-written song from Songfinch. Use songfinch.com/NEM to get free Spotify streaming for your song. Listen to the song Mark commissioned.

Secretly Society presents a four-episode mini-series about friendship, music, and a story that is both heartbreaking and heartwarming alike - DeYarmond Edison. This series is narrated by author, a friend of the band, and executive producer of the DeYarmond Edison official boxset 'Epoch', Grayson Haver Currin. This episode starts us off with DeYarmond Edison fresh off the heels of their Bickett Residency, and going back to Wisconsin for the first time since their move for a hometown show at the historic Mabel Tainter theater. In the undercurrents of the excitement, those close to the band could feel an underlying shift with the members, feeling like there were four guys, coming up with four different sounds. Stay tuned to hear about the beginning of DeYarmond's eventual downfall, and a peek at Justin Vernon's work on his fifth solo album at the time - hazeltons. The previously undisclosed story of the band that branched off into indie music legends, Megafaun and Bon Iver! Links:  Secretly Society Podcast Link DeYarmond Edison Pt. 3 Episode Link to Playlist  Secretly Society Podcast Store Link Secretly Society General Information Link   DeYarmond Edison Links: DeYarmond Edison EPOCH Link DeYarmond Edison Boxset on Secretly Store DeYarmond Edison Essentials Playlist Link 

Secretly Society presents a four-episode mini-series about friendship, music, and a story that is both heartbreaking and heartwarming alike - DeYarmond Edison. This series is narrated by the author, a friend of the band, and executive producer of the DeYarmond Edison official boxset 'Epoch', Grayson Haver Currin. This episode starts us off in the heat of the North Carolina summer, where many changes are coming to a head between Justin falling ill with mono, and the members leaving their previous home and dispersing across different areas of the town. Stay tuned to hear the fight that broke up the band, Justin's move back home to his infamous cabin and the "phoenix" of bands/ other musical projects that rose from the ashes. The final episode in the previously undisclosed story of the band that branched off into indie music legends, Megafaun and Bon Iver! Links:  Secretly Society Podcast Link DeYarmond Edison Pt. 4 Episode Link to Playlist  Secretly Society Podcast Store Link Secretly Society General Information Link   DeYarmond Edison Links: DeYarmond Edison EPOCH Link DeYarmond Edison Boxset on Secretly Store DeYarmond Edison Essentials Playlist Link 

This week Jeremy interviews Elizabeth Powell of Land of Talk On this episode Jeremy and Lizzy talk Guelph, Right Said Fred, fretless bass, Eddie Vedder, unique tunings, early bands, working with Justin Vernon of Bon Iver, forming Land of Talk, their new album "Performances", and so much more! SUBSCRIBE TO THE PATREON to hear a bonus episode where Elizabeth answered questions that were submitted by subscribers! Follow the show on INSTAGRAM and TWITTER Want some First Ever Podcast merch? Click here!

Secretly Society presents a four-episode mini-series about friendship, music, and what happens when a band comes apart. This is a story that is both heartbreaking and heartwarming alike - this is the lore of DeYarmond Edison. This series is narrated by the author, a friend of the band, and executive producer of the DeYarmond Edison official boxset Epoch, Grayson Haver Currin. This episode starts us off with four high schoolers: Justin Vernon, Joe Westerlund, Phil Cook, and Brad Cook, on the precipice of their musical careers as members of the groups Mount Vernon and, ultimately, the formation of DeYarmond Edison. Hear the stories of the possibly unsightly recording of the self-titled album in the First Presbyterian Church, band rivalries, and the loyalty that set them on the path to leaving their homes in Eau Claire to push the limits of their collective capabilities. The previously undisclosed story of the band that branched off into indie music legends, Megafaun and Bon Iver! Links:  Secretly Society Podcast Link DeYarmond Edison Pt. 1 Episode Link to Playlist  Secretly Society Podcast Store Link Secretly Society General Information Link   DeYarmond Edison Links: DeYarmond Edison EPOCH Link DeYarmond Edison Boxset on Secretly Store DeYarmond Edison Essentials Playlist Link 

Secretly Society presents a four-episode mini-series about friendship, music, and a story that is both heartbreaking and heartwarming alike - DeYarmond Edison. This series is narrated by the author, a friend of the band, and executive producer of the DeYarmond Edison official boxset 'Epoch', Grayson Haver Currin. This episode starts us off with DeYarmond Edison's move to Raleigh, North Carolina, a town with a buzzing music scene including the likes of The Rosebuds, Bowerbirds, and Ticonderoga. Hear the stories of the beginning of The Bickett Gallery Residency that at points was described as a "spiraling through concentric circles of disorder pushing the standard until it indeed almost broke". Joe brought in themes of improvisation learned at Bennington College, Phil taught the band Delta Blues and strings, Brad played with the idea of 20th-century ambient sounds in the style of Steve Reich's composition, and Justin challenged everyone's vocal capacity - including his own. The previously undisclosed story of the band that branched off into indie music legends, Megafaun and Bon Iver! Links:  Secretly Society Podcast Link DeYarmond Edison Pt. 2 Episode Link to Playlist  Secretly Society Podcast Store Link Secretly Society General Information Link   DeYarmond Edison Links: DeYarmond Edison EPOCH Link DeYarmond Edison Boxset on Secretly Store DeYarmond Edison Essentials Playlist Link 

The daughter of two preacher's kids, Pieta Brown's early upbringing in Iowa was in a rural outpost with no furnace, running water, or TV. There, she was exposed to traditional and rural folk music through her father, Greg Brown, the now beloved Midwestern folk singer. Later, while living with her mother in Birmingham, Alabama during her formative years, Pieta drew on and expanded these influences and began writing poems and composing instrumental songs on piano. By the time she left home at 18 she had lived in at least 19 different houses and apartments between Iowa and Alabama.In her early 20's, after experiencing what she describes as "the songs calling,” Pieta started experimenting with the banjo and eventually picked up a 1930's Maybell arch-top guitar during a visit to her father's place and never looked back. Emerging from a disjointed and distinctly 'bohemian' upbringing, Pieta began performing live and making independent recordings soon after teaching herself how to play guitar. "I grew up around a lot of musicians and artists living on the fringe, and have always felt most at home among them," Pieta says.Continually revealing new layers as both a songwriter and performer, Pieta is being recognized as one of modern Americana's true gems. In recent years Pieta has released multiple highly critically acclaimed albums, with much attention being paid not only to her distinct sound and style, but also the power of her singing and songwriting, including fan favorite Paradise Outlaw (2014 Red House, which Bon Iver master mind, Justin Vernon, called his “favorite recording made at our studio.”) Pieta has toured North America with Mark Knopfler, and toured various regions of the U.S., Australia and Canada with John Prine, Amos Lee, Brandi Carlisle, JJ Cale, Ani Difranco, Mavis Staples, and Calexico among others. She has co-written songs with and made recent guest appearances on albums by Calexico, Amos Lee, and Iris Dement, whose latest masterpiece Workin' On A World (2023) Pieta co-produced. Pieta's songs and music have been heard in various TV Shows and indie films including Everything Will Be Fine (Wim Wenders). With the release of her most recent album Freeway (September 2019, Righteous Babe) co-produced by Bon Iver drummer, S. Carey, followed by multiple experimental collaborations since with various artists including JT Bates, S.Carey, and Howe Gelb & The Colorist Orchestra, as well as a new instrumental based side-project she calls Sylvee & The Sea, Pieta's music and artistry continue to rise.~ "...a style and a sensuality that's all her own...."- Pop Matters~ "Among the top tier of songwriters today..." - FAME (Folk and Acoustic Music Exchange)~ "...a gifted singer-songwriter whose lyrics are pieces of polished poetry" - Huffington PostPieta's WebsiteSRTN Website

On this week's Talkhouse Podcast we've got an award-winning multi-hyphenate that you may have seen on TV, a Broadway stage, or packing out a big theater near you in conversation with a guy whose equally riveting work has mostly been behind the scenes: Sara Bareilles and Rob Moose. I'm not sure where to begin with Sara Bareilles' resume: She found fame with her music, with songs like “Brave” and “Love Song” topping the charts. But in addition to making huge records, she's been a judge on NBC's The Sing-Off, she wrote the music and lyrics for—then eventually starred in—the Broadway production of Waitress, and she co-created the Apple TV series Little Voice and acted in the Peacock series Girls5Eva. And honestly, this is all just the tip of the iceberg. You will be surprised by how remarkably down to earth she seems in this conversation—I was.  Rob Moose met Bareilles when he was asked to do some string arrangements for her at a Lincoln Center event organized by Ben Folds. For the past 20 years, that's the kind of work Moose has mostly done: His expert strings have added color and wonder to music by everyone from Sufjan Stevens and The Decemberists to Taylor Swift. He's been a member of Bon Iver and performed live with Jay-Z. Chances are very good that you've heard him without ever hearing his name, because it wasn't until this year that he decided to release music under his own name: It was while on tour with Paul Simon that Moose had the idea to collaborate with some amazing singers, setting their voices to his strings—and nothing more. The result is an EP called Inflorescence, which features Emily King, Brittany Howard, Phoebe Bridgers, Bon Iver's Justin Vernon, and—perhaps you guessed by now—Sara Bareilles. It's a fantastic, unexpected set of songs that brings out the best in both the strings and the voices. Check out a little bit of Moose and Bareilles on the song “Extract.” In this conversation, these two chat about how a Craigslist ad changed Moose's life, about how Bareilles was a bit gunshy about collaborating early in her career, and about how you've got to really want to live in New York City—which they both seem to want to do. Enjoy. Thanks for listening to the Talkhouse Podcast and thanks to Rob Moose and Sara Bareilles for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the good stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

This week, Kait and Sam dive right into Taylor Swift and the New York Jets and Kansas City Chiefs game. Did she go to see Travis Kelce? They also talk about Sophie Turner, Blake Lively, Ryan Reynolds, and all of the other friends in the box. Is Sam embracing the NFL Era? Kait sure is. Then they pivot into Taylor's duet with Justin Vernon exile. What do they think? Does Sam think it's a bop?  Listen in and find out! Tell us what you think @theswifttalk