Podcasts about Newport Folk Festival

The Philadelphia band SNACKTIME went from playing free shows in a city park to performing at some of the most coveted music festivals in North America. After selling more than 900 tickets to their first headlining show, the band's momentum only grew. They've performed alongside Lauryn Hill, played a 76ers halftime show, and taken the stage at Lollapalooza, the Newport Folk Festival, South by Southwest and the Winnipeg Folk Festival. Band members Sam Gellerstein and Nico Bryant join Q guest host Talia Schlanger to talk about the inspiring ethos behind the band's creation, their journey from Philadelphia's Rittenhouse Square to major stages across North America, and what keeps them moving forward. Plus, they introduce their new single, Can't Imagine Why You'd Stay.

Newport Folk Festival is famous for the unexpected. You never quite know who might walk onstage.This year, Dave Matthews made his first-ever Newport appearance, joining a long tradition of unforgettable surprises that has included James Taylor, Paul Simon, Joni Mitchell, Dolly Parton and more.In this episode of Americana Curious, Ben Fanning and Zach Schultz pull back the curtain on what really happens at Newport Folk Festival—the surprise guests, spontaneous collaborations, intimate aftershows, and the community of music lovers that makes Newport unlike any other festival.You'll hear what it was like when Dave Matthews suddenly appeared, why some of the world's biggest artists treat Newport differently, and why the festival sells out before a single artist is announced.Plus, Ben and Zach share some of their favorite Newport moments and explain why the real magic may not be the artists onstage at all—it's the people who come back year after year.Follow Americana Curious for more stories behind the artists, songs, and moments that make Americana music special.

Brandi Carlile recently performed at the Newport Folk Festival. During her performance she unleashed a wild and powerful version of the song Uninvited by Alanis Morissette. It was unhinged and so good! Let's take a look at this performance, I hope you dig it! 

Johanna Samuels joined the show to break down her album Sorry, Kid, her upcoming tour and a few tidbits from the Newport Folk Festival. https://open.spotify.com/artist/3NsEv68AsYdjKdCJ4AhHTa?si=57vCp_VLT6Gu7Htlng5l3whttps://www.instagram.com/johannasamuels/?hl=enhttps://www.johannasamuels.com/

The final stretch of this leg of the tour is packed with plenty to talk about! We recap Darien Lake, Burgettstown, Hartford, the surprise Dave solo performance at Newport Folk Festival, and the rescheduled Jones Beach show. From standout moments and unexpected surprises to the songs that made each night memorable, we're covering it all as we wrap up another busy run of shows. 

In this final interview from Newport Folk Festival, I sat down with the awesome duo of Casey Gomez Walker and Spencer Tweedy, whose project, Case Oats, is one of my favorite alt-country Chicago bands.Casey and Spencer are a uniquely compelling duo — complementing each other's talents — both personally and professionally. Case Oats' most recent album, the critically acclaimed Last Missouri Exit, combines Casey's keen literary background with Spencer's knowledge of the craft of songwriting to create a truly groundbreaking album.Spencer, who of course comes from musical family and as he calls it, “a culture of belief,” talks to me about how his own belief in Casey's ability and strengths pushed them further to even greater heights and allowed them to exceed their goals. This is an inspiring and informative interview with two super intriguing artists who embody a self-belief and fearlessness.=======================================00:00 - Episode Intro with Host Josh Rosenberg03:40 - Introduction to Casey Oats and their origins in Chicago03:51 - Casey's creative writing background impacts his songwriting04:21 - Transition from writing stories to making an album04:49 - How meeting Spencer encouraged continued music creation05:34 - The culture of belief in making art and its normalization06:30 - Spencer's journey from unfamiliarity to making records07:12 - Writing songs from short stories and focusing on core truths08:05 - Spencer's experience of working under pressure and saying yes09:36 - The quick turnaround for their album and embracing fearlessness10:23 - The humility and bravery involved in creative risks11:13 - The story behind "Last Missouri Exit" as a symbolic milestone11:57 - Touring in Europe and favorite venues and cities12:41 - Supporting and collaborating with other Chicago artists13:40 - Family influences, especially their parents' roles in music and industry14:57 - The importance of craft, dedication, and perseverance in songwriting16:19 - The power of expression and meaningful engagement in music17:18 - The significance of "Last Missouri Exit" as a record and personal symbol18:26 - The idea of writing a novel titled "Last Missouri Exit"20:14 - How Casey and Spencer met and began collaborating21:27 - Their early gigs at G Man and the evolution of their band22:25 - Touring highlights in Norway, Madrid, and the UK22:42 - The experience of sold-out shows and the feeling of achievement24:20 - The Chicago music scene's supportive nature and emerging youth talent25:11 - The importance of community, collaboration, and nurturing future generations26:51 - Their advice on creativity, community, and staying true to oneself27:30 - Episode Wrap-Up with Host Josh Rosenberg=======================================For more information on Roadcase:https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

For this interview from Newport Folk Festival, I spoke to acclaimed singer songwriter  and Grammy nominee Morgan Nagler!!  Morgan's debut album, “I've Got Nothing to Lose, and I'm Losing It,” is her first as a solo artist and represents a key step in her personal and professional evolution.When her work with Phoebe Bridgers on the song “Kyoto” turned into a Grammy nomination, Morgan's life changed and she became a much sought-after songwriting partner and collaborator, which eventually gave her the impetus to launch her own solo career.Morgan shares with me her journey from child actor to songwriter and then to solo artist — and she talks to me about the constantly present themes of identity, artistic rebirth, and balancing the dualities of her life as a creative. =======================================Chapters:00:00 Episode Introduction with Host Josh Rosenberg04:00 - Morgan's music journey and recent Newport performance05:02 - Reflection on her career rebirth and album debut05:31 - The meaning behind her album title and its philosophical roots05:47 - The art of losing what you don't have and living without proving anything06:39 - The balance between nothing to prove and proving oneself07:08 - The influence of yin-yang, and holding ideas simultaneously07:43 - Reflection on the maturity required for her recent album08:55 - Growing up in Manhattan Beach, LA; journey from child actor to songwriter09:33 - Writing for other artists and her extensive musical collaborations10:16 - The scenic route in her life and career evolution10:43 - Embracing life's path without comparison and with patience11:43 - From Highland Park to Montanito — LA's creative suburbs12:18 - Her childhood acting career and early pursuits in music13:09 - Transition from script readings to songwriting for self-expression14:01 - How her childhood experiences shaped her artistic identity15:41 - The profound impact of songwriting during her TV career16:48 - The challenge of breaking into the music scene later in life18:59 - Her breakthrough with Phoebe Bridgers' Grammy-nominated song "Kyoto"20:16 - Writing with and for other artists as a form of empathy and therapy21:00 - Clarifying her songwriting process and subconscious themes23:00 - Why her debut album came later in life and the journey of self-discovery24:16 - The cathartic process of creating a breakup album24:42 - Using music as a way to process and release feelings25:4 - The concept of "realist hope" 26:48 - Staying grateful and grounded amidst the chaos of the world27:57 - Her parents' influence and early life in LA29:31 - Writing for Maddie Diaz and Margot Price30:30 - The differences and insights gained from collaborative songwriting31:32 - The importance of perspective shifts in creative and personal growth33:17 - Morgan's upcoming UK tour with King Tuff and her touring plans35:03 - Final thoughts on her artistic path and future projects=======================================For more information on Roadcase:https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

In this episode, we dive into the history and the making of the Newport Folk Festival. We'll discuss how the folk festival grew out of the jazz festival in the 1950s, and Pete Seeger's integral role in helping to give birth to the event, and the successes Pete and the board of directors had in establishing an incredibly eclectic festival between 1959 and 1965. We also briefly touch on Dylan's presence at Newport and how this impact led to the festival changing after 1965. We conclude by discussing how and why it disappeared for many years after its original run ceased after 1969.

Suave Golf's Kyle Surlow and Steve 'Beige' Berger congregate to go over all the news in golf from the past week, specifically all the bad news for LIV Golf and its less-than-certain future. The guys also touch on Jackson Koivan's win at the 3M, preview the AIG Womens Open Championship, and Beige recaps his weekend at the Newport Folk Festival. Support those who support us! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SUAVE GOLF⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - world-class golf sabbaticals and fine goods ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hot Drops⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ fermented & flavorful condiments ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Golf Guide⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - purveyors of discounted greens fees across Northern California WATCH - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Like & Subscribe to Nice Grass Nice People⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on YouTube Music provided by broiler - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠listen to and download his music here⁠⁠⁠⁠⁠⁠⁠⁠ Email us! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠nicegrassnicepeople@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

I was privileged once again to attend Newport Folk Festival and even more grateful to sit down with Madi Diaz — four years after her first Roadcase guest spot in 2022. Madi is a striking artist with a unique flair for vulnerability and for putting her authentic self — and her feelings — on display in her songwriting. She is also a two-time Grammy nominee for her album Weird Faith, and was a member of Harry Styles' touring band in 2023.Madi talks to me about the importance of embracing her feelings, especially in navigating relationships, and she discusses with me how her knack for finding joy in uncertainty and the unknown helps shape not only her artistry but also her outlook on life. Her upcoming deluxe release — the UN-unplugged version — of her album Fatal Optimist is coming out on September 4, and it further underscores the hope embedded in her attitude of “defiant optimism.”  Heads up for more interviews from Newport Folk Festival, coming up this week and next!!=======================================Chapters:00:00 - Episode intro with Host Josh Rosenberg04:05 - Maddie Diaz's journey and upcoming album Fatal Optimist06:23 - How songwriting reflects personal and universal emotions08:53 - The meaning behind Fatal Optimist as laughing in the face of the current world10:26 - Strategies for managing intense feelings through acceptance and presence12:50 - Decision-making guided by gut instinct and living with no wrong choices14:55 - The creative process behind her innovative music videos and art installations18:28 - Navigating relationships and personal growth during tour adventures20:05 - The transformative experience of performing for Harry Styles and large audiences23:51 - Reflections on touring at Wembley and the impact on her music and mindset27:19 - Her focus on new music, upcoming solo shows, and ongoing projects29:23 - Episode Wrap-up with Host Josh Rosenberg=======================================For more information on Roadcase:https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

 Individually and collectively, the Beatles and Bob Dylan were the pulse, the heartbeat, and the cultural pacesetters of the 1960’s.  They each influenced the course of popular music for generations, but until now, there hasn’t been a serious investigation into the ways their rivalry and collaboration affected the other. In his new book, “Where the Music Had to Go: How Bob Dylan and the Beatles Changed Each Other–and the World,” Jim Windolf, features editor at the New York Times, does a deep dive into the personal and musical cross-pollination between the two.  Would Dylan have gone electric at the Newport Folk Festival in 1965 if he didn’t want to cross over from folk to rock and roll because of the wild success of the Beatles?  Would the Beatles, particularly the edgy John have begun writing lyrics for songs like “Nowhere Man” and “Norwegian Wood” if not for the lyrical genius he aspired to in Dylan’s works?  Windolf chases down every encounter, influence and collaboration between the two most dominant change agents of a rapidly transforming world. It’s a great read and a fun interview with Jim.

It's summer time and that's the time to go to your favorite music festival or better yet, try out a new one. We'll hear classic music from the first Newport Folk Festival in 1959, travel to Galax, Virginia for the Fiddler's Convention and visit Colorado for two of the Centennial State's finest events. Celebrate summer music with us … this week on The Sing Out! Radio MagazinePete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysBascom Lamar Lunsford / “Rye Straw” / Ballads, Banjo Tunes, and Sacred Songs / Smithsonian FolkwaysBlue Ridge Mountain Ramblers / “Grey Eagle” / In the Field Behind the Stage / Old Blue RecordsRoan Mountain Hilltoppers / “Sally Ann” / In the Field Behind the Stage / Old Blue RecordsKirk Sutphin with the New Ballards Branch Bogtrotters / “Belle of Lexington” / In the Field Behind the Stage / Old Blue Tommy Jarrell / “Sourwood Mountain” / The Brandywine Mountain Music Convention / Chubby DragonSmokey Valley Boys / “Cricket on the Hearth” / The Brandywine Mountain Music Convention / Chubby DragonBarbara Dane with Frank Hamilton & Bill Lee / “Dink's Blues” / The Newport Folk Festival 1959 / Not NowPete Seeger / “The Bells of Rhymney” / The Newport Folk Festival 1959 / Not NowMississippi John Hurt / “Candy Man” / Folk Music at Newport Part.1 / VanguardBascom Lamar Lunsford / “Ten Steps” / Ballads, Banjo Tunes, and Sacred Songs / Smithsonian FolkwaysJohn Gorka / “Love is Our Cross to Bear” / Folks Live / Blue Plate MusicNorman & Nancy Blake / “Battleship of Main” / Folks Live / Blue Plate MusicClaire Lynch and the Front Porch String Band / “It Don't Mean a Thing if it Ain't Got That Swing” / Rockygrass / Blue Plate MusicBill Monroe & Doc Watson / “Watson's Blues” / Off the Record Volume 2 / Smithsonian FolkwaysBill Monroe & Doc Watson / “Paddy on the Turnpike” / Off the Record Volume 2 / Smithsonian FolkwaysBill Dillof / “All I Got's Gone” / Bluff Country Gathering 2000-2004 / JawbonePete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

Join us for an unforgettable stroll as we delve into the extraordinary journey of legendary singer-songwriter Tom Rush, a pioneer who has shaped the landscape of American music for over six decades. On this episode of takin' a walk, host Buzz Knight engages in a heartfelt conversation with Rush, whose influence resonates through the melodies of iconic artists like Joni Mitchell and James Taylor, long before they became household names. As we walk through Rush's remarkable career, he shares captivating stories that reveal the essence of a true musical icon. From his humble beginnings in the Boston folk scene while attending Harvard to becoming a beacon for emerging artists, Rush reflects on the accidental introductions of fellow musicians through his albums, showcasing the interconnectedness of the music journey. His latest album, Gardens Old, Flowers New, is hailed as his best work yet, and Rush discusses the inspiration behind it, highlighting the importance of creativity in today’s music industry. As Buzz Knight and Tom Rush navigate the challenges of the modern music scene, they explore the significance of connecting with audiences and the emotional healing that music brings. Their conversation touches on memorable moments from significant events like the Americana Awards and the Newport Folk Festival, providing listeners with music history insights that are both nostalgic and enlightening. This episode is not just a walk down memory lane; it’s a celebration of music and resilience, filled with inspiring stories of artistic reinvention and the unwavering passion that drives legendary musicians like Rush. Tune in for a rich exploration of takin' a walk through the life of a true music legend, where every note tells a story and every step reveals the heart of American music. Whether you’re a fan of indie music, classic rock history, or simply love the art of storytelling in music, this episode promises to inspire and entertain. Join us as we celebrate the music legacy of Tom Rush and the incredible journeys of legendary songwriters who have shaped our lives through their art. Don't miss this captivating episode of takin' a walkwith Buzz Knight!Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Director Robert Gordon joins host Chris McCoy to talk about his new documentary, Newport & The Great Folk Dream. The film uses never-before-seen footage of the Newport Folk Festival from 1963-1966 to tell the story of the evolution of American popular music and its effect on the larger culture during a turbulent period of social change. The film will have its Memphis premiere on Wednesday, July 22. Newport & The Great Folk Dreamhttps://www.newportfolkdoc.comMemphis premiere ticketshttps://events.indiememphis.com/schedule/6a303a74887df53b65a2e340

Join us for an unforgettable stroll as we delve into the extraordinary journey of legendary singer-songwriter Tom Rush, a pioneer who has shaped the landscape of American music for over six decades. On this episode of takin' a walk, host Buzz Knight engages in a heartfelt conversation with Rush, whose influence resonates through the melodies of iconic artists like Joni Mitchell and James Taylor, long before they became household names. As we walk through Rush's remarkable career, he shares captivating stories that reveal the essence of a true musical icon. From his humble beginnings in the Boston folk scene while attending Harvard to becoming a beacon for emerging artists, Rush reflects on the accidental introductions of fellow musicians through his albums, showcasing the interconnectedness of the music journey. His latest album, Gardens Old, Flowers New, is hailed as his best work yet, and Rush discusses the inspiration behind it, highlighting the importance of creativity in today’s music industry. As Buzz Knight and Tom Rush navigate the challenges of the modern music scene, they explore the significance of connecting with audiences and the emotional healing that music brings. Their conversation touches on memorable moments from significant events like the Americana Awards and the Newport Folk Festival, providing listeners with music history insights that are both nostalgic and enlightening. This episode is not just a walk down memory lane; it’s a celebration of music and resilience, filled with inspiring stories of artistic reinvention and the unwavering passion that drives legendary musicians like Rush. Tune in for a rich exploration of takin' a walk through the life of a true music legend, where every note tells a story and every step reveals the heart of American music. Whether you’re a fan of indie music, classic rock history, or simply love the art of storytelling in music, this episode promises to inspire and entertain. Join us as we celebrate the music legacy of Tom Rush and the incredible journeys of legendary songwriters who have shaped our lives through their art. Don't miss this captivating episode of takin' a walkwith Buzz Knight!Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Ian chats with Ian O'Neil and John McCauley of Deer Tick about taking their time, writing rock songs about Rhode Island, the Providence scene, the Newport Folk Festival, being upstaged by Joni Mitchell, Dan Bejar's turn to synthesizers, the Adult Correctional Institution, Bob Dylan, Weird Al, Brian Wilson, and the new Deer Tick record Coin-O-Matic. FOLLOW DEER TICK ON INSTAGRAM COIN-O-MATIC OUT JUNE 5th DEER TICK ON TOUR THIS SUMMER/FALL

This week, world renown bluegrass and old-time music virtuosos and educators Tony Trischka & Bruce Molsky recorded live at the Ozark Folk Center State Park's annual Arkansas Old-time Fiddle & Banjo Championships. Also, performances from the 2025 contest champions, fiddler Gwyneth Davis of Petit Jean Mountain, AR and banjoist Erik Brashers of Eureka Springs, AR. Each year, the Ozark Folk Center State Park hosts the Arkansas Old-time Fiddle & Banjo Championships. Competitors ranging in age from eight to eighty come from all over to test their skills and possibly be crowned a champion. World class musicians are brought in judge these contests and also perform on the Folk Center's evening concert. At the 2025 contest we were honored to have as our judges and performers, Tony Trischka & Bruce Molsky. Tony Trischka was born in Syracuse, NY and raised in a home filled with music. There were broadway scores and a sweeping range of classical music, from Stravinsky to Beethoven. The wide-open American vistas of Aaron Copland had an especially potent spiritual and visceral impact on him, as did the folk music his left-leaning father held dear. The Almanac Singers, the solo work of its founding members Woody Guthrie and Pete Seeger, and Lead Belly's children's lp were in constant rotation. Trischka fell in love with the banjo by way of the Kingston Trio's 1959 recording of “M.T.A.,” and was able to experience the New York-centered folk revival by trekking to the Newport Folk Festival in the early to mid-'60s. He moved to the city in the early '70s and hit the ground running, settling in among a peer group of extraordinary musicians who saw American roots music as a thriving, living language that could be expanded and combined with other influences and sensibilities. - https://www.tonytrischka.com/bio Grammy-nominated, described as “an absolute master” (No Depression), Bruce Molsky transports audiences to another time and place, with his authentic and personal interpretations of rarities from the Southern Appalachian songbook and other musical traditions from around the globe. Best known for his work on the fiddle, Bruce's banjo, guitar and his distinctive, powerful vocals also resonate with listeners. His combination of technical virtuosity and relaxed conversational wit makes a concert hall feel like an intimate front porch gathering.  Bruce's take on tradition has landed him in collaborations with some of the world's most highly respected players from roots to rock. https://brucemolsky.com/bio In this week's “From the Vault” segment, OHR producer Jeff Glover offers a 1985 archival recording of a notable contest fiddler from the past, Alison Krauss, performing the traditional tune “Gardenia Waltz,” from the Ozark Folk Center State Park archives. In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins discusses the etymology of the name Ozark.

Today's episode is the next in a group of interviews we recorded at Steamboat Music Fest this past January.  In this episode we interview Andy Hedges.  Andy is a songster, reciter, storyteller, guitarist, and collector of cowboy songs and poems. The son of an Italian schoolteacher and a rodeo cowboy turned preacher, Andy was born in Lubbock, Texas, in the spring of 1980. He grew up in the small community of Tokio, Texas, where his family paid rent on an old farmhouse by looking after a few head of cattle. It was there that Andy fell in love with traditional music by listening to his father's cassettes of cowboy songs.  Andy has had the honor of performing at places like the Grand Ole Opry and the Newport Folk Festival.  Andy is also a podcaster and hosts Cowboy Crossroads with Andy Hedges featuring his interviews with everyone from cowboy poets and musicians to working cowboys.  Enjoy the show! You can listen to all of our 200+ previous episodes by getting a  BACKSTAGE PASS by visiting our PATREON PAGE LINK https://www.patreon.com/bePatron?u=9861160&redirect_uri=https%3A%2F%2Fwww.thetroubadourpodcast.com%2Fsupport%2F&utm_medium=widget GET HEALTHY WITH PETE LINK https://plexusworldwide.com/products?culture=en-US&sponsor=petegile SWEETWATER AFFILIATE LINK  - Buy your gear using our affiliate link! https://www.sweetwater.com/?irclickid=zqw17qUMKxyNTm0SiXUTAXRYUkAzsJUCS0eM0I0&irgwc=1&utm_source=Impact&utm_medium=The%20Troubadour%20Podcast&utm_campaign=Online%20Tracking%20Link  

This week, a tribute to legendary singer-songwriter John Prine by his long time guitarist Jason Wilber & lifelong friend and co-writer Keith Sykes recorded live at the Ozark Folk Center State Park in Mountain View, Arkansas. Also, OHR executive producer Daren Dortin sits down for a conversation with Jason Wilber. Each June, the Ozark Folk Center State Park pays tribute to John Prine with a concert weekend featuring world class musicians from a seemingly endless list of friends, family, and colleagues that loved the legendary singer-songwriter. In 2025, host Keith Sykes welcomed John's guitar player of 24 years, Jason Wilber, for a night of songs & stories. John Prine was an American singer-songwriter of country-folk music. Widely cited as one of the most influential songwriters of his generation, Prine was known for his signature blend of humorous lyrics about love, life, and current events, often with elements of social commentary and satire, as well as sweet songs and melancholy ballads. He was active as a composer, recording artist, live performer, and occasional actor from the early 1970s until his death in 2020. John was connected to Mountain View, Arkansas through his love of fishing and Jack's Resort on the beautiful White River. John visited Mountain View regularly since his childhood and made many friends in the area. In fact, according to John, his first public performance as a teenager was for fellow patrons at Jack's White River Resort. https://www.johnprine.com/about Jason Wilber - “I was 26 when I started playing guitar with John Prine. During the summer Time Traveler was recorded, I turned 50. I had been playing with John essentially my entire adult life,” Wilber says. “John and his wife Fiona, their boys, the band and crew, they're like family to me. I love them all, and I loved working with them. It was a special gift to stand beside John all those years and watch what happened between him and an audience. I can't deconstruct it for you, or explain exactly why it was so brilliant. But I can tell you that something amazing was happening. There's something about John's music and his performance of it that touches people deeply. It's very special, and it was a pleasure and a joy to get to be a part of it for so long.” - https://jasonwilber.com/jason_wilber_bio/ Once upon a time in the summer of 1967, Keith Sykes hitchhiked to the Newport Folk Festival and saw Arlo Guthrie perform “Alice's Restaurant.” In the fall of that year he got a copy of the album, learned the whole song and sang it at a Holiday Inn in Charleston, South Carolina. They hired him on the spot for a regular gig playing music in the hotel. In the more than 40 years that followed, he would become a troubadour and storyteller, a massively successful songwriter with more than 100 songs recorded by artists as diverse as Rosanne Cash and George Thorogood. He would tour every corner of America and play in just about every conceivable kind of venue, appear on Saturday Night Live and Austin City Limits, and host songwriter nights on Memphis' legendary Beale Street with many of music's most talented songwriters. He would join Jimmy Buffett's Coral Reefer Band, tour the country and record the Volcano album – the title track for which he co-wrote with Jimmy. - http://www.keithsykes.com/ In this week's “From the Vault” segment, OHR producer Jeff Glover offers a 1979 archival recording of David Prine, John's brother, performing the classic Carter Family song “Hello Stranger,” from the Ozark Folk Center State Park archives.

Our 2-part Baez sisters miniseries concludes with an episode about the queen of folk music, Joan Baez. From her first appearance at the 1959 Newport Folk Festival, it was clear something was special about Joan. She had a pure voice that softened the blows of her bold activism. She refused to let her income taxes go towards funding the Vietnam War, walked alongside civil rights protesters, walked black children to their first days of integrating schools in the south, and was repeatedly censored by the media for her prisoners' rights and anti-war beliefs. Of course her early championing of Bob Dylan changed the course of rock-and-roll history, but Joan's 6 decades of fighting for her chosen causes and leading with her heart have changed our world.Plus: both hosts discuss their favorite David Lynch films, their “only one Dolls Pod host sick at a time” “rule,” and Abby's terrible Dylan impression returns! “Joan Baez: The Voice of Protest” is available now wherever you stream your podcasts

Kirk returns to the world of Joni Mitchell for a look at the many sides of her masterpiece "Both Sides, Now." From her initial 1960s live performances, to her 1969 studio recording, to the Grammy-winning orchestral rendition she released in 2000, each version of "Both Sides, Now" shows us a different side of Joni, and of ourselves.  Written by: Joni Mitchell Album: Clouds, 1969 | Both Sides Now, 2000 Listen/Buy via Album.Link ALSO REFERENCED/DISCUSSED: 2022 Strong Songs episode on "Help Me" from Court and Spark “Urge For Going” by Joni Mitchell, recorded by George Hamilton IV, 1967 “Help Me” by Joni Mitchell from Court and Spark, 1974 “Both Sides Now” as recorded by Judy Collins and Dave Van Ronk Excerpt from Henderson the Rain King by Saul Bellow, 1959 Joni onstage w/ Brandi Carlile at The Newport Folk Festival, 2022 Joni talks with CBC's Jian Ghomeshi in 2013 -------------------- MARCH 2026 WHOLE NOTE PATRONS Dave Florey - AccessViolation - Jeremy Dawson - Sami Samhuri - Paul Delaney - Jenness Gardner - Melanie Andrich - Ken Hirsh - Joe Laska - David Mascetti - Christopher McConnell - Jamie White - Christopher Miller - Daniel Hannon-Barry - Jay Swartz - Damon White - Catherine Warner - Ben Barron - Corpus Frisky - Cesar - Robyn Metcalfe - Scott Lystig Fritchie - Lisa Crotty - Andy - Thomas McIlheran - Melissa Lucas - Greg - Julie Rowe - Rich Fish - Greer Bevel - Butch Vig - PJ and Ethan MARCH 2026 HALF NOTE PATRONS Colin Hodo - Paul De Surra - James Johnson - Arjun Sharma - Justin McElroy - Alexander Polson - Richard Toller - Melanie Stivers - Matt Betzel - Jeffrey Olson - Brett Douville - Brian Amoebas - Bill Thornton - Andrew Fair - Andrew Baker - Amanda Furlotti - Brad Callahan - Jennifer Bush - AJ Schuster - Tanner Morton - Gavin Doig - Chris K - Alexander - David - Naomi - Dave Sharpe - Caro Field - Jonathan Daniels - Eric Helm - Melmaniac - Dhu Wik - Tom Coleman - Diane Turner - Clare Holberton - Randy Souza - Pascal Rueger - Joshua Hill - Stephen Tsoneff - Michael Casner - Diane Hughes - Angela Livingstone - cbalmain - Eric Prestemon - Lauren Reay - Nathan Gouwens - Nell Morse - Karma Jay - Dallas Hockley - M Shane Borders - Kevin Potter - Eoin de Burca - Bonnie Prinsen - Linda Duffy - Ryan Rairigh - Achint Srivastava - Doug Belew - Abbie Berg - Jason Pratt - Geraldine Butler - David Noah - Bernard Khoo - David Joske - Donald Mackie - Steve Paquin - Mino Capossela - Kelli Brockington - Adam W - Josh Singer - Rob Tsuk - Ailie Fraser - JRRJ - Jeffrey Bean - Rishi Sahay - Zak Remer - Adam Stofsky - Kenneth Jung - Bruno Gaeta - Paul Wayper - Lisa Turner - Wendy Gilchrist - Doreen Carlson - Janice Berry - Christian Hessmann - Richard Sneddon - Portland Eye Care - Deebs - Michael Shain - Jamie - David Futter - Jeff Ulm - Aaron Wade - KenIsWearingAHat - Ethan Bauman - Catherine Clause - Charles McGee - Tim Sheehan - E Margaret Warton - Matt Baxter - Gary Pierce - Dr Arthur A Gray - Steve Martino - Stu Baker - Martín Salías - Peter Harding - John Halpin - Douglas H Frazer - Heather J - Alan Maass - Dave Malloy - Robert Granat - Kaya Woodall - Kellen Steffen - Sean Murphy - Jim Sellers - Ben Stein - Bla Blupp - Dick Morgan - Lee R. - Misty Haisfield - Carlos Lerner - Dent Earl - Aaron Wilson - Chris Remo - Brian Johan Peter - Ethan Laser - James McMurry - Anthony Mentz - Thomas - Matthew Jones - Eric Sp - Max - Rand LeShay - Stephen Wolkwitz - Paul Bigelman - Monica St. Angelo - Henry Mindlin - Dave Kolas - Lauren Knotts - Joe Gallo - Merv Adrian - Michael Singer - Inmar Givoni - Mordok's Vape Pen - Clint McElroy - John Berry - Ol Parker - Joseph Romero - Dan Cutter - Jeff - Michael - James - Kevin Marcelo - Seattle Trans And Nonbinary Choral Ensemble - Ashley - Melissa Kuhns - Jordan Gatenby - Andrew Hofer - Ian Pidd - Irritable - Meryl Allison - Sy Jacobs - Lawrence - Praline - Kevin Stafford - Daniel Nervo - Philip Kelly - Bea - Julie Kellman - Daniel Kaberon - TB - Aruni Jayatilleke - Rachel - Kym Griffith - PhantomMare - Dave Douglass - Alison Dugan - Margaret McReynolds - Betsy Barre - HiddenJester - Brian Rinckenberger - RsP - Lottie Aron - Alex Miller - Jez - Steve B - Ian Karmel - Zach Putnam - Adam Clark - Freddy Freeman - Erik - Mathias Schmidt - Cheryl Wilke - Tucker Ped - Sarah Vetters - Aaron Cain - Daniel Markoff - Alexis - Alex - Eric Stone - Alan Kress - R J Helow - Max Barnes - Michael Martin - John Domina - James - Andrew Knutson - Doug - Sam Grogan - EwokEater42 - MT - Linda Lange - James Hicks - Michael Adamski - Mark MacIntosh - Jeff Stormer - Michael Sumner - Edward Reisert - Klodrik - Aron - Kevin Davis - Matt - Louise Clarke - Richard Randall - Alan B - Will King - TheShirtRipper --------------------

Our guest this week on The Working Songwriter hails from The Woodlands, Texas. Hayes Carll is a singer, songwriter, and storyteller whose sharp wit and plainspoken poetry first broke through with his 2002 debut, 'Flowers & Liquor.' That was followed by 2008's 'Trouble in Mind,' which delivered the hit "She Left Me for Jesus" and cemented his place among the genre's most distinctive voices. Carll has toured with artists like Old Crow Medicine Show, Todd Snider, and Alison Krauss and his songs have been covered by Miranda Lambert, Lee Ann Womack, and Kenny Chesney. He's recorded for Lost Highway, Dualtone, and Thirty Tigers and he's performed on stages from Newport Folk Festival to Austin City Limits and the Grand Ole Opry. 'Rolling Stone' praises his work for its "razor-sharp wit and lived-in warmth," while NPR notes his "keen eye for the human condition wrapped in disarming charm." 'American Songwriter' calls him "one of Americana's most reliable truth-tellers." Our show's most frequent guest pops by to discuss his latest album "We're Only Human" and finding a creative voice that's more true to himself.   Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods 

From Rolling Stone Magazine to the latest instagram feed, celebrity has always meant being seen and hopefully in the coolest way.  Icons are built on innate talent, personality and a well crafted image of who they are and want to be believed to be. Musicians in particular rely heavily on photographers to capture their essence and persona to become known legends. So when my dear, wildly creative, friend since the third grade, Brian Lima grew up to be an insanely talented and successful music photographer, I had to share him and his all access pass with you. Hang out with us as we shoot the s%#t like the old friends we are about our shared love/hate relationship with photography, the trajectory of his creative career in the music scene, Joni Mitchell at Newport Folk last year and so much more. Join us as we explore: How photography can shape how you look at life.What it means to be a seer in the world and its many lessons.How to fuel your creativity and stay in relationship with your art.The ways being present allows you to experience more of the momentThe unexpected way listening informs how you see and beyond. Connect with Robyn Ivy here: Website:: https://www.brianlima.com/Instagram:: https://www.instagram.com/limaphoto/ Quick note, I just want to say thank you for listening to this episode. I know it means a lot to myself and my guests.  If you enjoyed this episode, you will also like: Episode #46: Mary Jo Hoffman: Everyday Stillness Episode #42: Onne van der Wal: Live Your Adventure Episode #6o: Fred Poisson: Illuminating Creativity and Process   MORE ABOUT BRIAN LIMA: I remember getting my first couple of vinyl LP's as a kid and falling in love with the album art and the photography that told the visual story of the music I loved listening to. Anton Corbijn black & white images for The Joshua Tree by U2 blew my mind. Dennis Morris's candids and portraits of Bob Marley are magic, Henry Diltz's Laurel Canyon work just so dreamy. To this day I'm constantly inspired by so many other photographers work.   ​ I'm constantly in search of new projects and ideas. 2023 will mark 13 years of being one of the principal photographers for the historic Newport Folk Festival & Newport Jazz Festival. I'm proud of the images I'm creating with this amazingly talented team of creatives. ​ I'm also part of the creative team for Coachella Music Festival. 2020 is Coachella's 20th anniversary. It has been fun to watch this idea blossom into what it has become.   Staff Photographer :  Coachella Music Festival | Newport Folk Festival | Newport Jazz Festival | Stage Coach Music Festival | Day In Vegas Music Festival ​ Clients: ​Golden Voice Entertainment | AEG World Wide | TuneIn Radio | Rolling Stone Magazine | Billboard Magazine | New York Times

Welcome to our first post-holiday post since mid-December. Here is our first-ever, back-to-back twin episode post featuring The Artists Index podcast host Scott Bishop's conversations with Maggi Kerr Peirce, the author of A Belfast Girl. HERE IS PART ONE: According to the Parkhurst Brothers Publishing website, she "...sang her native Irish ballads from the Newport Folk Festival to Puget Sound during the 1970s. She performed on many of the same stages as Pete Seeger, the Kingston Trio, and Peter, Paul, and Mary." She graced storytelling festivals from coast-to-coast with her Irish stories. The revered storyteller, a founder of the Tryworks Coffeehouse, a legendary and long-running (1967-2002) folk music and arts venue in New Bedford, Massachusetts, held at the First Unitarian Church. It was a vibrant community hub for the musicians, poets, and young people of the South Coast. Maggi has been featured at the National Storytelling Festival and received the National Storytelling Network (USA) Oracle Award for lifetime achievement. Scott Bishop spoke with her at her home in Fairhaven, Massachusetts. Maggi Peirce was 93 at the time of her passing in December 2024. She shared just some of her many memories, as well as her love of the Tryworks Coffeehouse, the South Coast, and so much more.   Maggi Kerr Peirce Fairhaven Massachusetts 02719   Email | Website | Facebook | Instagram | YouTube   PODCASTS ALSO AVAILABLE ON: YouTube WHILE YOU'RE HERE: Please consider donating whatever you can to ensure that our mission continues as we document the legacies of South Coast Artists. If you would like to be a guest on The Artists Index or have a suggestion, please let us know!  

Welcome to our first post-holiday post since mid-December. Here is our first-ever, back-to-back twin episode post featuring The Artists Index podcast host Scott Bishop's conversations with Maggi Kerr Peirce, the author of A Belfast Girl. HERE IS PART TWO: According to the Parkhurst Brothers Publishing website, she "...sang her native Irish ballads from the Newport Folk Festival to Puget Sound during the 1970s. She performed on many of the same stages as Pete Seeger, the Kingston Trio, and Peter, Paul, and Mary." She graced storytelling festivals from coast-to-coast with her Irish stories. The revered storyteller, a founder of the Tryworks Coffeehouse, a legendary and long-running (1967-2002) folk music and arts venue in New Bedford, Massachusetts, held at the First Unitarian Church. It was a vibrant community hub for the musicians, poets, and young people of the South Coast. Maggi has been featured at the National Storytelling Festival and received the National Storytelling Network (USA) Oracle Award for lifetime achievement. Scott Bishop spoke with her at her home in Fairhaven, Massachusetts. Maggi Peirce was 93 at the time of her passing in December 2024. She shared just some of her many memories, as well as her love of the Tryworks Coffeehouse, the South Coast, and so much more.   Maggi Kerr Peirce Fairhaven Massachusetts 02719   Email | Website | Facebook | Instagram | YouTube   PODCASTS ALSO AVAILABLE ON: YouTube WHILE YOU'RE HERE: Please consider donating whatever you can to ensure that our mission continues as we document the legacies of South Coast Artists. If you would like to be a guest on The Artists Index or have a suggestion, please let us know!  

This week, prodigious purveyors of the past, multi-instrumentalists, singers and story tellers, Anna & Elizabeth recorded live at the Ozark Folk Center State Park. Also, interviews with these unique performers. The collaboration between Anna & Elizabeth spans worlds — between their homes in Brooklyn and rural Virginia -- between deep study of mountain ballads with old masters and explorations into the avant garde — between music, performance, and visual art. Anna & Elizabeth have performed across the country and in Europe. Highlights include: The Newport Folk Festival; NPR's Tiny Desk Concert; The Chicago Folk Festival; The High Museum of Modern Art (Atlanta); and the Cambridge Folk Festival (UK.)  Their work has been featured on BBC Radio 2 and BBC3's Late Junction, Vice's Noisey, the Huffington Post, and No Depression. They have shared the stage with Alice Gerrard, Mick Moloney, Sam Lee and Riley Baugus, Bruce Greene, Abigail Washburn, Wayne Henderson, and also National Heritage Award winners Sheila Kay Adams and Billy McComiskey. Elizabeth Laprelle lives on a farm in Rural Retreat, Virginia, where she grew up, and  has pursued her interest in mountain ballads for over a decade. Since the release of her debut album at age 16, she's been hailed as one of the most dedicated students of the traditional unaccompanied style of her generation. The student of master singer Ginny Hawker and National Heritage Fellow Sheila Kay Adams, Elizabeth was the first recipient of the Henry Reed Award from the Library of Congress at age 16, and won the 2012 Mike Seeger Award at Folk Alliance International. She has released three solo ballad albums, and was called “the best young Appalachian ballad singer to emerge in recent memory” by UK's fRoots Magazine.  Anna Roberts-Gevalt is a voracious and curious multi-instrumentalist originally from Vermont, described by Meredith Monk as a "radiant being." She fell in love with the sound of banjo in college, moved to the mountains, and learned with master musicians in Kentucky, Virginia, and North Carolina, becoming a blue-ribbon fiddler and banjo player (WV State Folk Fest, Kentucky Fiddle Contest.) She was a fellow at the Berea College Archive, a 2014 OneBeat fellow (Bang on a Can's Found Sound Nation,) artistic director of Kentucky's traditional music institute, the Cowan Creek Mountain Music School, and curator of Baltimore's Crankie Festival.  She has recently delved into new musical worlds, including recent work with composers Brian Harnetty, Nate May and Cleek Schrey, Matmos, David Rothenberg, Susan Alcorn, and saxophonist Jarrett Gilgore. She has contributed writing to No Depression and The Old Time Herald. In this week's “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark originals The Hall Family, performing the traditional song “Cowboy's Dream,” from the Ozark Folk Center State Park archives. Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode focuses on world renowned cowboy poet, balladeer, and story teller Glenn Orhlin.

Send us a textToday I want to put two names in the same frame—Joan Baez and Taylor Swift—not because they sound alike or have the same values but because they tell us how the culture around music, fandom, and accessibility to their shows have changed in less than one lifetime.Same art form. Very different worlds.This episode is about those two worlds.No boxing match.No “who's better.”Just what it means that one night with Baez cost you five dollars, and one night with Swift might cost someone else a small fortune.In one: Joan Baez at Catholic University—five dollars a ticket. A guitar, a voice that sounds like it  dropped in from a kinder universe, and the feeling that history, morality, and music are all sitting beside you.In the other: Taylor Swift in a sold-out stadium—tens of thousands of phones glowing, a three-hour epic of costume changes and choreography, and ticket prices that can look like a month's rent.Before I go any further, a brief portrait of Joan Baez - she was born January 9, 1941, in Staten Island, New York and raised in a Quaker family with a strong social conscience. She emerged at the end of the 1950s folk revival, her pure, ringing vibrato and unadorned guitar style making traditional ballads and spirituals feel both ancient and immediate. Her breakthrough came with performances at the Newport Folk Festival (1959–60) and early albums that brought folk music—and later protest music—to a mass young audience. Support the showThank you for experiencing Celebrate Creativity.

Briscoe has an incredible story, and you need to hear it now!Two redheaded kids in the same pair of Chaco sandals at summer camp. A back-porch pact to start a band if they ever wound up at the same college.And now—sharing the stage with Dave Matthews and lighting up the Newport Folk Festival.You'll want to say you discovered this band first.

Charlie on the MTA in Yiddish is performed by Yiddishists from Boston's Arbeter Ring and exclusively recorded for The Yiddish Voice on Labor Day, Sept. 1, 2025, in Medford, MA. All of the following sang, with additional contributions noted: ליליע װײַצמאַן — Lily Weitzman · איבערזעצונג און נײַע סטראָפֿע (translation, introduction and new verse) יונה סידמאַן — Jonah Sidman · גיטאַר (guitar) עמאַ ברעסלאָװ — Emma Breslow · טשאַרלי צאָלט זײַן דײַם (“Charlie pays his dime”) verse שׂרה־לו האַרטמאַן — Lou Hartman · הערט אויס בירגער פֿון באָסטאָן (“Citizens of Boston, hear me out”) verse ליבע גריץ — Linda Gritz Marc Caplan in conversation with Yiddish Voice host Mark David (Meyer) about the recent Bob Dylan biopic A Complete Unknown. The film traces Dylan's formative years, culminating in his landmark performance of Like a Rolling Stone at the 1965 Newport Folk Festival in a mostly-Jewish band of blues-rock musicians — Bob Dylan (guitar and vocals), Michael Bloomfield (guitar), Al Kooper (bass), and Barry Goldberg (organ). (Drummer Sam Lay was the non-Jewish member.) Marc Caplan is a Yiddish literature and Bob Dylan expert, currently Visiting Professor of Jewish Studies at Dartmouth. We reached Marc at his home in the Dartmouth College/Hanover, NH, area via Zoom on Sept. 3, 2025. CORRECTION: Murray Lerner, who filmed the Newport Folk Festivals (including Dylan's 1965 performance), is incorrectly identified by Meyer as “Lerman” in the interview. Related links: Marc Caplan's article in Afn Shvel #351-350 Winter-Spring 2006: באָב דילאַן: פֿאַרנומען מיטן געבױרן װערן: https://docs.leagueforyiddish.org/mark-brukhes-artikl.pdf Marc Caplan's academic website: https://dartmouth.academia.edu/MarcCaplan Wiki page for the film: https://en.wikipedia.org/wiki/A_Complete_Unknown Mike Bloomfield's Final Interview - Part Two (1981): https://youtu.be/K7cKLr6tOdE Bob Dylan - Like A Rolling Stone (Live at Newport 1965): https://youtu.be/a6Kv0vF41Bc (from Murray Lerner's film The Other Side of the Mirror) Music: Kingston Trio: M.T.A. (A/K/A "Charlie on the MTA") (from YouTube: https://youtu.be/S7Jw_v3F_Q0) (Yiddishists in Boston - see credits above): Charlie on the M.T.A. (in Yiddish translation, with added verse) Bob Dylan: Like a Rolling Stone (recorded live at the Newport Folk Festival in 1965) Intro instrumental music: DEM HELFANDS TANTS from Jeff Warschauer: The Singing Waltz Air Date: September 3, 2025

Charlie on the MTA in Yiddish is performed by Yiddishists from Boston's Arbeter Ring and exclusively recorded for The Yiddish Voice on Labor Day, Sept. 1, 2025, in Medford, MA. All of the following sang, with additional contributions noted: ליליע װײַצמאַן — Lily Weitzman · איבערזעצונג און נײַע סטראָפֿע (translation, introduction and new verse) יונה סידמאַן — Jonah Sidman · גיטאַר (guitar) עמאַ ברעסלאָװ — Emma Breslow · טשאַרלי צאָלט זײַן דײַם (“Charlie pays his dime”) verse שׂרה־לו האַרטמאַן — Lou Hartman · הערט אויס בירגער פֿון באָסטאָן (“Citizens of Boston, hear me out”) verse ליבע גריץ — Linda Gritz Marc Caplan in conversation with Yiddish Voice host Mark David (Meyer) about the recent Bob Dylan biopic A Complete Unknown. The film traces Dylan's formative years, culminating in his landmark performance of Like a Rolling Stone at the 1965 Newport Folk Festival in a mostly-Jewish band of blues-rock musicians — Bob Dylan (guitar and vocals), Michael Bloomfield (guitar), Al Kooper (bass), and Barry Goldberg (organ). (Drummer Sam Lay was the non-Jewish member.) Marc Caplan is a Yiddish literature and Bob Dylan expert, currently Visiting Professor of Jewish Studies at Dartmouth. We reached Marc at his home in the Dartmouth College/Hanover, NH, area via Zoom on Sept. 3, 2025. CORRECTION: Murray Lerner, who filmed the Newport Folk Festivals (including Dylan's 1965 performance), is incorrectly identified by Meyer as “Lerman” in the interview. Related links: Marc Caplan’s article in Afn Shvel #351-350 Winter-Spring 2006: באָב דילאַן: פֿאַרנומען מיטן געבױרן װערן: https://docs.leagueforyiddish.org/mark-brukhes-artikl.pdf Marc Caplan’s academic website: https://dartmouth.academia.edu/MarcCaplan Wiki page for the film: https://en.wikipedia.org/wiki/A_Complete_Unknown Mike Bloomfield’s Final Interview - Part Two (1981): https://youtu.be/K7cKLr6tOdE Bob Dylan - Like A Rolling Stone (Live at Newport 1965): https://youtu.be/a6Kv0vF41Bc (from Murray Lerner’s film The Other Side of the Mirror) Music: Kingston Trio: M.T.A. (A/K/A “Charlie on the MTA”) (from YouTube: https://youtu.be/S7Jw_v3F_Q0) (Yiddishists in Boston - see credits above): Charlie on the M.T.A. (in Yiddish translation, with added verse) Bob Dylan: Like a Rolling Stone (recorded live at the Newport Folk Festival in 1965) Intro instrumental music: DEM HELFANDS TANTS from Jeff Warschauer: The Singing Waltz Air Date: September 3, 2025

For the podcasts this week and next, we'll revisit some great live music we presented in previous shows, music recorded live in concerts across the years. There are selections recorded in Greenwich Village, some great Cajun and Zydeco, and banjo music from the Newport Folk Festival. Live and in concert … this week on The Sing Out! Radio Magazine.Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysMike Marshall & Chris Thile / “Byron's” / Live Duets / Sugar HillPete Seeger / “Demonstrations of Banjo Styles” / Live at Newport / VanguardEarl Scruggs / “Earl's Breakdown” / Newport Folk Festival 1959 / Not NowBob Dylan / “Don't Think Twice It's Alright” / Live at the Gaslight 1962 / ColumbiaRichard Shindell / “The Courier” / Fast Folk / Smithsonian FolkwaysTim Buckley / “For Janie” / Live at the Folklore Center / Tompkins SquareDave Van Ronk / “Trouble in Mind” / Down in Washington Square / Smithsonian FolkwaysMike Marshall & Chris Thile / “'Til Dawn” / Live Duets / Sugar HillThe Savoy-Doucet Cajun Band / “Young People from the Country / ArhoolieBalfa Toujours / “La Chandelle est Allumee'” / Live at Whiskey River Landing / RounderClifton Chenier / “Zydeco Cha Cha” / Zydeco Dynamite / RhinoChristine Lavin / “Passwords” / Live at McCabes / Self-producedLoudon Wainwright / “Meet the Wainwrights” / Years in the Making / StorysongPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

Old-time cowboy singer Skip Gorman talks about his journey into American folk music, attending the Newport Folk Festival as a kid, discovering cowboy music on 78 RPM records, the Celtic roots of cowboy music, the influence of Jimmie Rogers, the music of Jimmie Driftwood, his friendship with Yodeling Slim Clark, the difference between Bluegrass and Cowboy songs, and plays an old-time Texas fiddle tune with host Andy Hedges.    Learn more about Skip Gorman at www.skipgorman.com   Learn more about Cowboy Crossroads at www.andyhedges.com   Become a Patron at www.patreon.com/cowboycrossroads

My series of interviews from Newport Folk Festival comes to a close with this Part 3 featuring Jake Cochran of Illiterate Light and the band flipturn.Jake Cochran, together with his bandmate Jeff Gorman, has run the Bike Stage at Newport now for four years and it has become an exciting nexus for the Newport Folk community and a centerpiece for tons of breathtaking musical performances.  I talk to Jake about what cycling and the role environmental change play for Illiterate Light and we discuss all the ways in which Jake invites the band's fanbase into the fold.For my final interview, I'm psyched to have talked to flipturn for a full-band interview. Having honed their live show vibes over the course of many years, flipturn decided to chill for a bit in writing their second album, Burnout Days, and they talk to me about taking a beat but also how it has re-charged them as they head out on a global tour later this year! ==============================Episode Chapters:00:00 Episode Greeting with Host Josh Rosenberg:  Introducing Jake Cochran04:30  Interview with Jake Cochran35:33  Jake Cochran wrap-up with Host Josh Rosenberg38:24  Introducing flipturn40:20  flipturn Interview50:20  flipturn Wrap-Up52:32  Episode Conclusion with Host Josh Rosenberg================================For more information on Roadcase:https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

Let's keep it rolling with more interviews from Newport Folk Festival!! This Part 2 of the Series features my conversations with three amazing artists, each with a unique perspective on self-reflection, self-acceptance and the power of music as a vehicle for personal change and catharsis.First up is one of my new favorite artists, Tom Odell, a British sensation who has garnered over 14 Billion streams of his music across all platforms. Much to my delight, Tom brings down-to-earth vibe and his love of conversation to Roadcase as we talk about the impact his evocative lyrics and powerful musical vibes have had on his many fans worldwide. Tom sets out on a European arena tour this Fall, and his new album, A Wonderful Life, is out September 5.Jensen McRae's fresh pop-Folk vibe pairs confessional-style honesty with a commitment to the Americana tradition, weaving personal stories and raw lyricism with an ethereal vocal style. A native of LA, we go deep on her songwriting and what it means to play songs for those the really need to hear them.Roz Raskin, a Rhode Island native, is one-of-a-kind human with a huge heart and a way of lifting up others. Their project NOVA ONE explores the complexity of the human condition with a focus on acceptance and love while keeping it spicy with 60s-inspired synth-pop vibes.  ==============================Episode Chapters:00:00 Episode Greeting with Host Josh Rosenberg:  Introducing Tom Odell 04:48  Interview with Tom Odell40:40  Tom Odell wrap-up with Host Josh Rosenberg45:10  Introducing Jensen McRae46:18  Jensen McRae Interview1:07:42  Jensen McRae Wrap-Up with Host Josh Rosenberg1:10:01  Introducing Roz Raskin1:11:54   Interview with Roz Raskin1:34:39 Episode Wrap-Up with Host Josh Rosenberg================================For more information on Roadcase:https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

I'm kicking off this Part 1 of a three-part series of interviews from @newportfolk with indie legend Kevin Morby, followed by two Rhode Island natives and Newport Folk first-time performers Tyler Ballgame and Tyler-James Kelly.Kevin Morby is truly an artist's artist, who has produced a plethora of stellar albums, each with a unique vision and vibe, but also similar in their vision and commitment to self-reflection. Kevin really puts it all out there; he's thoughtful and insightful and a joy to talk to. Tyler Ballgame grew up in Providence, RI and attended Berklee School of Music before heading out to LA, where he found his community along with his true self. His live show is super compelling and he is truly coming into his own as an artist.Tyler-James Kelly is an all-timer. He's an old soul with a golden voice, the gift of gab, and a great sense of humor. Combine all that together with his devotion to the music of the 70s, and you've got a truly special artist. His new album, Dream River is out now!!  ==============================Episode Chapters:00:00 Episode Greeting with Host Josh Rosenberg Introducing Kevin Morby 04:15  Interview with Kevin Morby18:33  Kevin Morby wrap-up20:52 Introducing Tyler Ballgame22:55  Tyler Ballgame Interview44:36  Tyler Ballgame Wrap-Up47:14  Introducing Tyler-James Kelly49:10 Interview with Tyler-James Kelly1:11:25 Episode Wrap-Up================================For more information on Roadcase:https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

For this episode we're joined by the excellent Val Mabbs, who talks to us about writing for Record Mirror in the late '60s and early '70s. We start with our guest's early life as a mod in Hertfordshire – and her memories of seeing the Who/the High Numbers in 1964/5. Val then explains how she got her foot in the door at the Mirror and recalls colleagues such as Norman Jopling, Charlie Gillett and Lon Goddard, not forgetting Peter Jones, the editor who first spotted her potential as an interviewer.  Val talks us through her encounters with such legends as Jimi Hendrix, John Lennon and Marc Bolan (not to mention Status Quo, for whose double-denim "outfits" she can take indirect credit). En passant we hear clips from Chris Welch's 2005 audio interview with John Walker, surely the handsomest of the three Walker "Brothers" he first met in 1965. After Barney gives a nod to the week's free feature about Bob Dylan "going electric" at 1965's Newport Folk Festival, Val resumes her story and brings us up to the present day. We also pay tribute to the late Ozzy Osbourne and discuss the real origins of heavy metal. Finally, Mark and Jasper talk us out with remarks on newly-added library pieces about Graham Nash (1967), Lady Gaga (2012) and Billie Eilish (2019). Many thanks to special guest Val Mabbs. Pieces discussed: Jimi Hendrix: "Western Movie For Jimi" Says The Man Himself, T. Rex: Marc's science fiction film, John and Yoko: The Apple and the Grapefruit, The Walker Brothers' John Walker audio, Al Kooper: The On the Tracks Interview, How Bob Dylan And The Holy Trinity Changed Music Forever, Scene of the Crime: Bob Dylan at Newport, Elijah Wald: Dylan Goes Electric! Newport, Seeger, Dylan and the Night That Split the '60s, Black Sabbath, Ozzy Osbourne: How Black Was My Sabbath, Ozzy Osbourne: Lord of the Wings, The Hollies: The change in Graham, Lady Gaga: The most extraordinary popstar Mark Ellen has ever met and Billie Eilish at Reading Festival.

3pm: But First:  The Slow Elevator // This Day in History // 1965 - Dylan goes electric at the Newport Folk Festival  // Could an apology redeem the Coldplay Kiss Cam CEO’s career

July 25, 1965. at the Newport Folk Festival, American singer and songwriter Bob Dylan eschews his acoustic guitar to go electric in a controversial performance considered one of the most pivotal moments in the history of rock and roll. This episode originally aired in 2023.Support the show! Join Into History for ad-free listening and more.History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a textBill Bartholomew offers his take on some artists to catch at this weekend's Newport Folk Festival. Support the show

EPISODE SPONSORS: Cozy Earth: Use code "INTERVIEW" for 40% off all ordersTenmile Distillery: Use code "THEINTERVIEW" for 10% off all ordersWe are finishing off this week with a conversation with renowned photographer and co-author of the acclaimed book, A Newport Summer, Nick Mele.Regarded as the Slim Aarons of our time, Nick is a summer resident of Newport. As someone who also spends time in the summer in Newport, I loved comparing notes with Nick about all of his favorite secret spots. Nick and I cover everything from walks, beaches, restaurants, places for cocktails, and all of the fantastic activities you can only do in Newport - from visiting Gilded Age Mansions to the International Tennis Hall of Fame, to coffee on mansion lawns on Sundays, to kayaking in the harbor to hear the Newport Folk Festival. Nick and I spent so much time discussing his impressive career before we got to our talk about Newport that I have decided to release that part of the conversation—about Nick's work and career—later this summer.  But in the meantime, here is Nick sharing all of his insider tips on one of the all-time greatest summer towns - Newport! Don't forget to follow us on Instagram @TheInterviewWithLeslie and subscribe to the show so you never miss an episode. Listen now!

Episode Notes Did you know you can support my podcast for as little as $1 a month? You can do that by heading over to my Patreon HERE!!  My guest this week on the podcast is Skip Gorman. Skip Gorman was introduced to traditional music early in his life at the age of eight, when he received his first guitar and a Jimmie Rodgers record. While growing up he was lucky to have the opportunity to see musicians like the legendary Texas fiddler, Eck Robertson, Bill Monroe and Maybelle Carter at the historic Newport Folk Festival. An encounter with Monroe at age fouteen was a pivotal moment in the young musician's life, and aside from being a masterful cowboy singer and fine fiddler, Gorman is one of the premier mandolinists in the style of Bill Monroe.  Skip has just uploaded 13 full albums on Bandcamp for the first time….and they really are great stuff! Head over to Bandcamp now to check out some tunes and pick yourself up a copy or 13! Music that is not Skip's discussed during the episode… Greenbriar Boys with Frank Wakefield Lester Flatt on mandolin with Charlie Monroe Buzz Busby with Scotty Stoneman Songs featured in this episode: “Kansas City Railroad Blues” by Skip Gorman (The Old Style Mandolin Vol.2) “In the Pines” by Skip Gorman (Late Night Feast) “James Moray of Abernathy” by Skip Gorman (Mandolin in the Cow Camp)  “Jaybird Died of the Whooping Cough” by Skip Gorman (The Old Style Mandolin Vol. 1) NORTHFIELD GIVEAWAY HERE As Always a HUGE thank you to all of my sponsor's that make this podcast possible each week! Mandolin Cafe Peghead Nation promo code mandolinbeer Northfiled Mandolins Ear Trumpet Labs Ellis Mandolins Pava Mandolins Tone Slabs Elderly Instruments String Joy Strings promo code mandolinbeer Tone Traveller 

Jeff Gorman is cycling on The Road to Newport and he's here to talk to all about this epic adventure. One half of the amazing and powerful rock duo Illiterate Light, Jeff, along with his bandmate Jake Cochran — who both pioneered the pedal powered and off-the-grid Bike Stage at Newport Folk — are cycling the 700 miles from the Shenandoah Valley all the way to Newport, Rhode Island for this year's Newport Folk Festival!!     Illiterate Light represents the true epic nature of the DIY spirit — that authenticity, energy and boundless creativity can truly bring people together and even seek to create change. Jeff talks to me about what this epic year of 2025 has already brought the band, and we discuss the importance of bike riding, their latest album, Arches, and what it meant to Jeff to play with My Morning Jacket at MMJ's One Big Holiday festival this past April.  -----------------------------------Show Notes:To follow The Road to Newport follow Illiterate Light on Instagram, @illiteratelightClick here for Illiterate Light tour datesFollow Roadcase on Instagram here:  @Roadcasepod---------------------------------Episode Chapters:00:00 Episode Intro with Host Josh Rosenberg06:40 The Road to Newport: Cycling and Music09:32 The Bike Stage at Newport Folk Festival12:24 Artists and Performances at the Festival15:17 The Significance of Participation and Community18:23 Personal Journeys and Environmental Awareness21:26 The Future of Cycling and Music24:22 Conclusion and Final Thoughts30:06 Biking Through Life and Music31:36 Community Engagement and Bike Advocacy32:50 Innovative Touring: The Road to Newport33:26 Partnerships and Equipment: Jamis Bikes36:06 Preparing for the Journey: Logistics and Challenges37:23 Exciting Performances: Upcoming Shows and Collaborations39:51 The Magic of Red Rocks: A Dream Come True42:30 Collaborating with Influences: My Morning Jacket44:30 The Power of Music: Emotional Connections55:14 Support and Brotherhood in Music56:39 Celebrating the Release of 'Arches' and Its Impact59:07 The Creative Process at Sunset Sound01:05:17 The Legacy of Sunset Sound and Its Influence01:09:50 The Evolution of Illiterate Light's Sound01:15:52 Embracing Creativity and the Journey01:21:22 Preparing for the Road to NewportFor more information on Roadcase:https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

Today: A music panel highlighting some great local events and artists, from the Newport Folk Festival to the jazz offerings around town. We talk with Brian McCreath of CRB, James Bennett II of GBH News, and Berklee's Emmett Price. 

I'm super happy to have the delightful couple Jackie Berkley and Zach Schmidt of Golden Everything on the show this week!! Both lovely humans and talented artists with separate paths, Zach and Jackie recently formed an amazing alt-country super-duo, and are celebrating their successful debut album together, Sweet Old World, an absolute gorgeous take on folk, country and Americana vibes. I discuss with Zack and Jackie about how their choices have lead to a healthy outlook in what can be a crazy and difficult world we call the music business. With a new album and a new baby at home, this dynamic couple is making it all happen by building a strong and organic team from the ground up. It's admirable and inspiring.Making their combination even more intriguing, Zach is a long-time stalwart on the Nashville music scene. He has two solo albums to his name and his most recent 2021 effort, Raise A Banner, is produced by Sadler Vaden and features The 400 Unit as his stellar backing band. Zach and Jackie's origin story is a meet-cute for the ages, and Zach's story of becoming a songwriter is truly legendary. We all go deep in this fun and engaging conversation, and I can't wait to share this one with all of you!!Show Notes:For more information on Golden Everything and Zack Schmidt as well as tour dates click HERE:Episode Chapters:00:00  – Episode Intro with Host Josh Rosenberg 04:36  – Spring Awakening and New Beginnings07:36  – Performing at Newport Folk Festival 10:38  – Family Life and New Arrivals  13:31  – Musical Backgrounds and Influences  16:48  – The Journey to Nashville  19:36  – Biking Across America and Songwriting  24:40  – The Journey of a Lifetime  26:38  – The Impact of Music on Life  29:36  – Inspiration from Real-Life Stories  32:48  – Finding Community in Nashville  33:38  – The Magic of Santa's Pub  39:35  – Collaborations and Musical Connections  44:40  – Creating Music Under Pressure  49:09  – The Journey to Collaboration  52:29  – Navigating Parenthood and Music  56:11  – Health Challenges and Resilience  59:29  – Plans for the Future  01:04:36 – The DIY Approach to Music  01:06:37 – Songwriting Through Parenthood01:09:50 – Episode Outro with Host Josh RosenbergFor more information on Roadcase:https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

The legendary Loudon Wainwright III, whose career has spanned over five decades, is known for his deeply personal songwriting and sharp wit – and oversharing. The patriarch of the Wainwright folk dynasty (which includes Rufus, Martha, their late mother Kate McGarrigle, as well as Lucy and her mother Suzy Roche), Loudon reflects on the balance between oversharing and maintaining privacy in his music in this episode of Basic Folk. He candidly discusses the lines he draws when writing about family and how his experiences with grief have shaped his art. I'm proud to say that I think we found a line he would not cross in our conversation! Listen in to hear history in the making.We also discuss his latest live album, 'Loudon Live in London,' and his unique ability to unsettle and surprise his listeners during performances. We talk about his late father and namesake, Loudon Wainwright Jr., the famous writer for LIFE Magazine, who is present in everything LW3 does. We dive into his early days, including insights on his debut album thanks to a recent essay by Morrissey that highlights its significance. Moz points out that Wainwright has "the pep and readiness of someone who knows we will all soon be skeletons." After reading Loudon's very detailed memoir, Liner Notes, I had to ask him about his relationship to memory and also his reputation for memory. Loudon also touches on his acting career, revealing how roles in popular films – especially Big Fish and Knocked Up – have introduced him to new audiences. Elsewhere he reveals that he was at the 1965 Newport Folk Festival where Dylan went electric and shares his memories of that fateful day.Follow Basic Folk on social media: https://basicfolk.bio.link/  Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews  Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

Bob Dylan was booed at the 1965 Newport Folk Festival – but not for the reason you've been led to believe. He went from Folk Music Jesus to Rock ‘n Roll Judas, alienating thousands of fans with ear-splitting, confrontational music. Many of those fans heckled him. One even tried to attack him on stage with a knife. He returned home from a European tour that nearly killed him….only to get into a motorcycle accident that, it was said, left him either disfigured, paralyzed, or dead. To see the full list of contributors, see the show notes at www.disgracelandpod.com. This episode was originally published on May 28, 2024. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  Facebook Fan Group TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Elijah Wald's 2015 book, “Dylan Goes Electric! Newport, Seeger, Dylan and the Night That Split the Sixties,” traces the events that led up to Bob Dylan's memorable performance at the 1965 Newport Folk Festival. The book is about Dylan, but also about the folk movement, youth culture, politics and the record business. For the writer and director James Mangold, Wald's work provided an opportunity to tell an unusual story about the musician.“You could structure a screenplay along the lines of what Peter Shaffer did with “Amadeus,'” Mangold told the Book Review editor Gilbert Cruz. “I don't really know what I learned about Mozart watching “Amadeus.” But I do know that I learned a lot about how we mortals feel about people with immense talent.”Mangold's film “A Complete Unknown” is a chronicle of Dylan's early years on the New York folk scene, and it avoids easy explanations for the musician's genius and success. “What if the thing we don't understand, we just don't want to understand,” said Mangold, “which is that he's actually different? That he's just a different kind of person than you or I?”In the second episode of our special series devoted to Oscar-nominated films adapted from books, Cruz talks with Mangold about making a film centered on one of music's most enigmatic figures. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Now that you've heard what a special place Newport Folk has become, let's go back in time to learn a bit more about how we got here. Guided by the founder of the Newport Folk Festival, the legendary George Wein, we'll take you to the roots of the festival with one-time Newport board member Judy Collins, and we'll hear from Preservation Hall's Ben Jaffe about the role Newport played in developing the New Orleans Jazz & Heritage Festival, which you may have learned about in Season 1. We'll travel from legendary moments from the festival's early history, including Mavis Staples' first opportunity to meet Bob Dylan and Joan Baez, to Newport's return from hiatus in 1985, all the way to Jim James and current Executive Director Jay Sweet first approaching George Wein with a vision for the future of the festival, which simultaneously brought it back to its roots. All of these moments have led to a stronger Newport community than ever, a place where veterans and newcomers alike are constantly working together, influencing each other, and inspiring us all to strive for a spirit of unity and a better world.  Festival Circuit: Newport Folk is presented by Osiris Media, and hosted by Carmel Holt. It is co-written, co-produced and edited by Carmel and Julian Booker, who is also the series' audio engineer. Production assistance from Zach Brogan. Executive producers are RJ Bee and Christina Collins. Show Logo and Art by Mark Dowd.  The theme music is "Ruminations, Pt. 3 (Afternoon Haze)" by Stephen Warwick. Thanks to Billy Glassner of the Newport Festivals Foundation for providing archival audio. Additional archival audio provided by the Alan Lomax Collection at the American Folklife Center, Library Of Congress, Courtesy of the Association for Cultural Equity. Many thanks to our folk family guests: Ben Jaffe, George Wein, Judy Collins, Phil And Brad Cook, Kari Estrin, Amy Ray, Emily Saliers, Jim James, Jay Sweet, Kristian Mattson, Margo Price, Brittany Howard, Danny Clinch, Jess Wolfe, Holly Laessig And Yola. --------- Visit SunsetLakeCBD.com and use promo code FESTIVAL for 20% of premium CBD products Visit Melophy.com and use promo code FESTIVAL for 20% off your first virtual lesson. Visit GarciaHandPicked.com to find Garcia cannabis products near you and to learn more.  Have you heard Black Pumas self-titled debut album? Don't miss a chance to see Black Pumas live if they come to your town and pick up a copy of their album wherever you purchase or stream music. Visit TheBlackPumas.com to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

A Complete Unknown isn't a traditional biopic. Instead of covering Bob Dylan's life story from birth to old age, it covers the period shortly after his arrival in New York City, as he first begins to fall in with the city's folk music scene. Timothée Chalamet plays Dylan — and does all his own singing. We see Dylan become a superstar, as well as his famous set at the 1965 Newport Folk Festival —where he and his band plugged in for an electrified set that's often viewed as a cultural turning point in America. Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopculture. Subscribe to NPR Plus at plus.npr.org or make a gift at donate.npr.org.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

In 2022, seven years after surviving a brain aneurysm that left her unable to sing or even speak, Joni Mitchell appeared onstage at the Newport Folk Festival. Singing alongside her were her supportive — and emotional — musician friends, including Brandi Carlile, Marcus Mumford, Wynonna Judd and Annie Lennox.Our critic Wesley Morris had his doubts. What was really happening here? Did Joni Mitchell even want this? Or were her younger adoring musician fans propping her up for their own reasons? When he learned this fall that Joni would be appearing onstage again, at the Hollywood Bowl, he bought a ticket to see for himself.On today's episode, Wesley talks with his editor Sasha Weiss about the concert, and what it's like to experience an 80-year-old in full command of her meaning.Guest: Wesley Morris, a critic at large for The New York Times.Sasha Weiss, the deputy editor of the The New York Times Magazine.Background reading: 50 Reasons to Love Joni Mitchell's “Blue”For more information on today's episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.