Podcasts about makaya mccraven

Welcome to the age of discourse dumping, are you dizzy? Do you study emoji eyes to find your facial recognition? Does the world look like a Cubist painting? Is the phrase ‘rubber baby buggy bumper' starting to make sense? Not to worry. We are here to reassure you that the White Knight is, in fact, talking backwards and the inmates are indeed running the asylum. Our prescription: put the lime in the coconut and drink them both together, listen to Episode 72, and then you'll feel better. HAG is, after all, the Harry Nilsson of history podcasts, and our very special guest today is Moritz Mihatsch, Cambridge scholar and co-author (with Michael Mulligan) of Shifting Sovereignties (available now). Their terrific new book offers an illuminating journey through the global history of what power has forever wanted you to believe, i.e. that the right folks are in charge. Excavating the meaning of sovereignty from the sedimentary layers of the human past, our guest explains why governing has always relied on a Wizard of Oz-like control over sound and color, equal parts legal pretense and quasi-religious authority, to create cover for whatever power wishes to do. So click your heels twice, repeat “there's no home like HAG, there's no home like HAG,” and settle in for more therapeutic historical analysis of a world trying to make us crazy.Website: History Against the GrainOpening Theme by Jessie DeCarloMusic Interludes:Gil Scott Heron and Makaya McCraven: "Running"Darkside: "American References"

Space is the place_jazz e dintorni Festeggiando il Black History Month all`insegna della musica, questa puntata è dedicata all`Africa della diaspora. Con DAvid Murray, Brandon Ross, Vanisha Gould, Savannah Harris, Makaya McCraven, Burnt Sugar, Aja Monet e la Sun Ra Arkestra Per diffondere questa puntata: https://www.radiotandem.it/space-is-the-place-del-4-febbraio-2025 Tutti i podcast di Space is the place: https://www.radiotandem.it/space-is-the-place

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On this episode of The Third Story, host Leo Sidran chats with Makaya McCraven

Drummer, producer, and composer Makaya McCraven, whose work bridges improvisation, production, and cultural synthesis, on rhythm, time, and the balance of tradition and innovation, plus his creative journey, from his roots in Northampton, Massachusetts, to his innovative projects like In The Moment and In These Times. This hybrid episode spanning interviews from 2022 and 2025 offers a deep dive into the mind of a true beat scientist. www.third-story.com www.leosidran.substack.com https://www.wbgo.org/podcast/the-third-story Get 45% off the Magic Mind bundle with with my link: https://www.magicmind.com/LEOJAN #magicmind #mentalwealth #mentalperformance

En este número de La Montaña Rusa, hemos recordado la música e influencia de Quincy Jones, a través de sus composiciones; también al lado de Miles Davis and Gil Evans; o junto al Branford Marsalis Quartet; inspirando a jóvenes talentos como Makaya McCraven o a Corduroy en su momento; o junto alguno de sus contemporáneos como Rashaan Roland Kirk. Y además, hemos escuchado a Phil Parisot; Marcelo Maccagnan; James Brandon Lewis with The Messthetics; Bruno Heinen & James Kitchman; Triogram. Seguir leyendo La Montaña Rusa. Episodio 45.2024. en La Montaña Rusa Radio Jazz.

Like rock climbers scaling a big wall, Josh and Chris take on the towering crag of higher education. Josh finds perspective on this adventure in tackling a monumental read, Peter Heather's Christendom, a story of how paradise was lost in the orthodoxies and power drive of the hulking monolith known as the Roman Catholic Church. Wary of such heights, Chris stays closer to ground and belays the discussion, releasing the climber's narrative rope with the story of David Walker's Appeal, a saga from the early days of the radical freedom movement. In this episode, tall tales that might otherwise leave you lost in the thin alpine air, are safely and expertly scaled by your sure handed HAG guides, who promise to meet you at the summit of historical insight. Website: HistoryagainsttheGrain.com Email us: HistoryagainsttheGrain@gmail.com Opening theme by Jesse DeCarlo Music Interludes: Gil Scott Heron and Makaya McCraven, "I'm New Here" Mach-Hommy, "Magnum Band Remix"

In onda Fabio Barbieri. Musiche: Niningashi, Television, Mogwai, Mary Lattimore, Makaya McCraven, Van Morrison, Keaton Henson and Ren Ford, Valentin Stip, John Abercrombie Quartet, Keith Jarrett Trio. Lettura: Adam Phillips.

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the audio heard in the player above.Want to be an Art Hound? Submit here.Alanna Morris is a professional dancer-choreographer in St. Paul. She saw Minnesota Dance Theatre's spring production, and she wants everyone to know about the Ensemble's final weekend. Shows are Friday and Saturday at 8 p.m. and Sunday at 2 p.m. at The Southern Theater in Minneapolis. Alanna says: Minnesota Dance Theatre are a legacy intuition. Going back to its founder, Loyce Houlton, who in 1962 made innovative contributions to the performance of classical ballet and the Graham technique, which still sets the company's dancers apart today, not only locally but nationally. The company has undergone a lot of administrative changes in recent years, and yet the love of dance and performance is still so strong. They are presenting three world premieres.They are actually closing their doors and celebrating this legacy this weekend.They've had such a rich history of performance for decades, then carried through by Houlton's daughter, Lise, and now directed by Elayna Waxse, who is the interim artistic director. They are actually closing their doors and celebrating this legacy this weekend. This is the performing ensemble's farewell concert and celebration concert. Minnesota Dance Theatre's school will remain open and continue to thrive with training young students and young dancers. This performance features four choreographers. Three of them are local to the Minnesota dance community, and one of them (Nia-Amina Minor) is an artist that's been commissioned; she's a Black and female choreographer from Seattle. And you're going to see a range of works in the classical ballet idiom, also traversing into contemporary ballet. You're gonna hear classics like Frederick Chopin to contemporary and experimental jazz music from Makaya McCraven. I went to the performance and I was amazed by the diversity of the musical selections there. It's really worth seeing.Over these long years, some of our most amazing dancers and teachers and arts leaders have come out of the Minnesota Dance school and company here. The Ensemble is taking their last bow this weekend, but the school will continue to thrive and train young students and young dancers.— Alanna MorrisRasputin: There lived a certain man, in Russia long agoTheater maker Shanan Custer of White Bear Lake saw Four Humors Theater's play “Rasputin” at the Twin Cities Horror Festival last fall, and she's thrilled that the show is getting a second run at Open Eye Figure Theatre in Minneapolis. “Rasputin” opens tonight and runs through May 18. The show runs 70 minutes without intermission. The May 12 matinee requires masks for all audience members. (All other shows are mask-optional.) Shanan says: The play is a dark comedy created by Four Humors Theater. It's a very deeply hilarious investigation of all of the versions of Rasputin's gruesome death. It's brilliantly conceived, the actors are so strong and there are so many incredible physical comedy moments. A very deeply hilarious investigation.And yet while that's happening, the play is dealing with this political nightmare: this greedy, horrifying zealot who's getting all the attention. It plays really well in 2024. It hit me so hard last year, and I'm really excited that they're bringing it back.— Shanan CusterCheck out Mankato's arts scene Dana Sikkila, director of the 410 Project Community Art Space in Mankato, is looking forward to the second annual Manifest event this Saturday. The free, all-day event (11 a.m. to 10 p.m.) celebrates the local arts scene and its vibrant history. Put on by the Midwest Arts Catalyst and River Valley Makers, Manifest is a new, larger iteration of its (pre-COVID) Post-Holiday Extravaganza. Location: Kato Ballroom. Dana says: It's our time in Mankato here — and really truly for anyone who wants to join us — to celebrate arts and culture. It also celebrates the history of the arts in the Mankato area, to reflect on the importance of keeping these things alive in our cities.  It's going to be an all-day event. There are art vendors. There's going to be art raffles, a silent auction and food trucks. We have a huge community mural project that's going to be happening on a building outside next door to the Kato Ballroom. We're going to have our Mankato community collage photo shoot happening 11 to 5 p.m., too. And that's where people can come to get a photo taken of themselves with their friends with their families. And that photo gets put into our big community collage that happens yearly. And then starting at 7 p.m., we're having live music.It is free to attend and everyone's welcome. They are asking for a $20 suggested donation at the door. Any of the proceeds that come in at the door go back into the arts in our community throughout the year. It's a great event all the way around.— Dana Sikkila

Carlos Niño is from Los Angeles, and has been a vital part of that city's music scene for almost 30 years. He started out as a radio DJ when he was still a teenager, and expanded from that into putting on shows, releasing records, producing sessions for artists, performing and doing just about everything else that a life in music will eventually drop in someone's lap. He's developed really long creative relationships with two other people who've been on this podcast in the past, vocalist Dwight Trible and percussionist Adam Rudolph, both of whom work at least part of the time in the area that's currently governed by the term spiritual jazz.If you look around, you'll see Carlos's name on a lot of really fascinating projects. He makes records as Carlos Niño and Friends, which is a good way of summarizing his methods and his aesthetic — he gets together with people who he considers friends and kindred spirits, they make music together, and he assembles it all. But the people he calls friends are some of the most fascinating musicians around right now. He's worked with Shabaka Hutchings, with Kamasi Washington, with Makaya McCraven, with Laraaji, and right now he's very involved with André 3000's New Blue Sun project. He was one of the leaders of the sessions that produced the album, and he's also part of Andre's live band.Carlos has a new album coming out later this month called Placenta. It's his third release for International Anthem, following a previous Carlos Niño and Friends album and a duo release with South African pianist Thandi Ntuli, and it features a ton of guests, including frequent collaborators like Nate Mercereau and Surya Botofasina, as well as saxophonist Sam Gendel, drummer Deantoni Parks, Adam Rudolph, André 3000, and many, many others. It's a mix of live recordings and studio sessions, some of which go as far back as 2018, and they've all been reconstituted and overdubbed and collaged with vocals, field recordings, and all kinds of sound design into something really unique and kaleidoscopic. Although it's got elements of jazz and elements of New Age music, it's really hard to describe or categorize and it's not the kind of thing you can just put on in the background and chill with. It demands your attention. When it comes out, I recommend you sit with it and see what you get out of it. I think you'll find it very rewarding.I'm really glad I had the chance to talk to Carlos Niño. He's a really interesting guy with a very open and optimistic creative philosophy that I think will be inspiring to those of you who make art yourselves, whether it's music or something else, and even to those of you who are just interested in art and creativity generally. Thanks as always for listening.

durée : 01:00:07 - Club Jazzafip - Le Club Jazzafip rayonne de mille notes à l'annonce du printemps avec Ralph Burns, Charlie Parker, l'Ancient Infinity Orchestra, Makaya McCraven, Surprise Chef, Meredith D'Ambrosio...

[REBROADCAST FROM April 6, 2023] Brandee Younger returns to the show, this time in-studio, to perform songs live from her new album, Brand New Life. The album celebrates the work of trailblazing jazz harpist Dorothy Ashby and features contributions from Pete Rock, 9th Wonder, Meshell Ndegeocello and Makaya McCraven.

Beat Scientist, Drummer and Producer Makaya McCraven will perform at The Zankel Center at Skidmore College in Saratoga Springs, New York on Saturday, February 17. In advance of that exciting concert, on Thursday, February 15, Makaya will be in conversation with Skidmore Angus McCullough at The Tang Teaching Museum. Makaya McCraven's latest album, "In These Times," is the triumphant finale of a project 7+ years in the making.

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Jess Gillam and conductor Robert Ames share some of the tunes they love, with music by Philip Glass, Hildur Guðnadóttir, Makaya McCraven, Pauline Oliveros and J.S. Bach.Playlist: Philip Glass – Aguas da Amazonia - Madeira River [Uakti] Abel Selaocoe – Voices of Bantu Hildur Guðnadóttir - For Petra [London Contemporary Orchestra, Robert Ames] Tchaikovsky – The Tempest, Op. 18; VI. Andante non tanto [BBC Scottish Symphony Orchestra, Alpesh Chauhan] Makaya McCraven – In These Times Camille Saint-Saens – Le lever de la lune Pauline Oliveros / Stuart Dempster / Panaiotis - Suiren J.S. Bach – Aria from Orchestral Suite No. 3, BWV 1068 "Air on a G String" (Arr. Leopold Stokowski) [BBC Philharmonic, Matthias Bamert]

Soundtrack don Barry Adamson joins Andrew Male for a trawl through the shadowy world of classic movie scores. Plus new albums from Suede and Makaya McCraven, and an epiphany in the Scala Cinema!Tracklisting: 1. Prelude, Vertigo by Bernard Herrmann, 1996 reissue of Vertigo on Varese Sarabande2. Vertigo, sung by Billy Eckstine and written by Jay Livingston-Ray Evens and released on Mercury in 19583. The Fours, by Makaya McCraven, from the album, In These Times, released on International Anthem4. 15, by Suede taken from the album Autofiction released on BMG

[REBROADCAST FROM Apr 6, 2023] Brandee Younger returns to the show, this time in-studio, to perform songs live from her new album, Brand New Life, out tomorrow. The album celebrates the work of trailblazing jazz harpist Dorothy Ashby and features contributions from Pete Rock, 9th Wonder, Meshell Ndegeocello and Makaya McCraven. NOTE: This segment has been edited to remove one performance to which WNYC does not have the rights to include in the podcast.

When it comes to instruments that are not easily designed for improvising soloists, there is perhaps none more difficult to handle than the harp. And when it comes to contemporary jazz harpists, there is perhaps none more influential in this moment than Brandee Younger.  From the very beginning, as a young music student growing up on Long Island, Brandee Younger was toeing the line between her classical, orchestral musical education and the hiphop, soul and pop music that she grew up loving. She spent her early years musically code switching, trying to figure out how to make sense of her sensibilities.  But for those who listened closely to the samples on records by Jay Z, Pete Rock, The Pharcyde, J. Dilla, or Common it was clear that the sound of the harp had become part of the language of modern music.  Many of the harp samples heard on those in early hip hop records featured two African American women, who, like Brandee, learned to thrive beyond their perceived limitations: Dorothy Ashby and Alice Coltrane. Eventually both Ashby and Coltrane would become two of her biggest influences.  Younger eventually made history as the first Black female solo artist to be nominated for a Grammy - for Best Instrumental Composition in 2021, for “Beautiful is Black” from her album Somewhere Different. She has also worked with the likes of Beyonce, John Legend, Drake & Lauryn Hill, as well as jazz artists including Christian McBride, Kat Edmonson, Marcus Strickland, Kassa Overall, Makaya Mccraven, and Ravi Coltrane. On her recently released album Brand New Life she honors Dorothy Ashby and enlists icons of hip-hop and R&B, including Pete Rock, Mumu Fresh & Meshell Ndegeocello. The album was produced by Makaya Mccraven.  We spoke recently about her journey from orchestra girl to emerging icon, the challenges of playing the harp in a contemporary context, and why she's done running from the harp police and the jazz police. www.third-story.com www.patreon.com/thirdstorypodcast www.wbgo.org/podcast/the-third-story

This week, Alan, Quinta, and Scott were joined by UVA Law Professor Paul Stephan to talk through the close-calls in this week's national security news, including:“Xi's All That.” Secretary of State Antony Blinken visited Beijing this past week, for a long delayed sit-down with President Xi Jinping to try and de-escalate the two superpowers' tense relationship. Was this meeting a smart move or a giveaway? And what should we make of President Biden calling the Chinese leader a “dictator” shortly after Blinken's return?“Adverse REPOssession.” The question of what to do with the $300 billion in Russia-related assets frozen by the United States and its allies has reemerged, with members of Congress recently introducing a new version of the REPO Act that would seize those assets and make them available as reparations for Ukraine, among other purposes. Is seizure the right way to handle these assets? What challenges and risks might such a dramatic step encounter?“Robo Joe.” President Biden joined a summit of leaders in the AI industry this week as part of his administration's ongoing effort to seriously engage the policy challenges raised by AI technology. But what are the realistic prospects for regulation? And what form should it take?For object lessons, Alan recommended the new Apple comedy “Platonic.” Quinta doubled-down on the TV recommendations with the stage play-turned-movie about leaks in the intelligence community, “Reality.” Scott urged listeners to check out Gil Scott-Heron's classic 2010 final album “I'm New Here,” and two phenomenal reimaginings: “We're New Here” by Jamiexx and “We're New Again” by Makaya McCraven. And Paul recommended the new book “The Lock-Up: A Novel” by John Banville. Hosted on Acast. See acast.com/privacy for more information.

The sonically innovative harpist, Brandee Younger, is revolutionizing the harp for the digital era. Over the past fifteen years, she has worked relentlessly to stretch boundaries and limitations for harpists.  In 2022, she made history by becoming the first black woman to be nominated for a Grammy Award for Best Instrumental Composition. That same year, she was also nominated for an NAACP Image Award. Ever-expanding as an artist, she has worked with cultural icons including Common, Lauryn Hill, John Legend, and Moses Sumney.   Her current album, Brand New Life, builds on her already rich oeuvre and cements the harp's place in pop culture.  As the title of the album suggests, Brand New Life is about forging new paths–artistic, personal, political, and spiritual. On this album, Younger salutes her musical foremother, the trailblazing harpist Dorothy Ashby, while also speaking to the sentiments of more recent generations. “We're bringing new life to Dorothy Ashby's popular and previously unreleased compositions. We're creating new life…for the instrument,” Younger said. Brand New Life is an album about living fully, in neon bright color. In March of 2022, Younger flew to Chicago and began recording Brand New Life in the home studio of her long-time collaborator and friend, Makaya McCraven, who produced and played drums on the album. In the Windy City, Younger hoped to harness some of Ashby's funky energy from a recording she did there nearly five decades before. Younger gathered artists who have had a sense of kinship with Ashby; from the internationally-lauded neo-soul bassist/vocalist/rapper Meshell Ndegeocello to her long-time bassist Rashaan Carter, plus the legendary rapper and producer Pete Rock and the talented contemporary producer 9th Wonder. The latter producers introduced hip-hop and R&B listeners to Ashby in the 1990s and early 2000s via slick samples. Pete Rock and CL Smooth's 1992 release, “For Pete's Sake,” samples Ashby's 1968 hit “Come Live With Me.” 9th Wonder's remix of singer Amerie's 2003 R&B classic “Why Don't We Fall in Love,” also includes a Dorothy Ashby sample from “Come Live With Me.” With Younger's solo rendition of this heavily sampled song on Brand New Life, she builds a sonic bridge between generations. “I wanted everyone on the record to have a special connection to Dorothy [Ashby]," she said.  For the project, Younger also recorded a number of Ashby's compositions that were never recorded before, alongside Ashby fan favorites and Younger originals.  The emotional complexity of the album is stunningly captured in the title track, “Brand New Life,” an original co-written by Younger and singer, Mumu Fresh. “This love is so deep, time and space couldn't keep you away from me,” Mumu Fresh sings. Younger's playing paints lush details over Mumu Fresh's smooth vocals leaving nothing to be sonically desired. Against the backdrop of current social issues–climate change, racism, health disparities, and women's rights–the song speaks to a desire that many people have for change, for something new in the world. “Brand New Life'' reaches listeners at the level of the human. Love is a subtle but insistent thread throughout the album. The opening track, “You're a Girl For One Man Only,” is a previously unrecorded Dorothy Ashby composition. Sonically, it is tender and evocative of a first kiss or the early seasons of a new romance. Younger recalls the original song's lyrics' more traditional message of romantic longing that we still hear in popular music today. Boy chases girl. Girl succumbs. In Younger's version, there is a sense of agency and exploration. Younger creates a mesmerizing atmosphere. In the second half of the track, we are met with a delicate dance between Joel Ross on vibraphone and Younger on harp, the two instruments pining through the melody.  Brand New Life is part of her steadfast efforts to amplify the contributions of black women harpists and to keep their legacies alive.  Her care for and attention to Dorothy Ashby as a musical ancestor has been consistent throughout her career. Akin to the popular hashtag, #CiteBlackWomen, which demands consumers credit and recognizes black women for their intellectual labor, Younger urges us to recognize Ashby's contribution to the American songbook. The album is part of a larger project of recognizing not only the history of innovators of the distinguished harp – a history that places Ashby and Younger together on a continuum – but also the presence of everyday black women.  “Running Game” was an obscure seven-inch single release originally entitled “Double Talkin'” and featured Ashby on piano. In the song's intro, we hear what sounds like a casual conversation at a black women's beauty salon or at a social gathering of sorts where women freely share advice and observations on life with one another. The voices in the intro are of Younger's mother and aunt. Younger set up listeners by reading the lyrics from Ashby's original. “Every man I meet is double talkin'. "Where did the good men go?” The women candidly respond to the song lyrics. One says, “As far as the game, men have been running game since day one.” The track leads into, “Running Game,” a ballad with inflections of Negro spirituals and the blues.  Here, Younger's expressivity on her instrument is incomparable. As the strings (arranged by DeSean Jones) hum behind her, the “double-talking” gold-digging man comes into full view. “Running Game” ends on a note of optimism, of marching forward despite life's struggles.  Younger was born and raised in Hempstead, New York. As a teen in the early 1990s, she bopped to the beats of artists like LL Cool J, Queen Latifah, and Busta Rhymes. Among these hip-hop greats, she discovered Ashby's music by way of hip-hop legend Pete Rock. She began playing harp at the age of eleven and eventually enrolled at the Hartt School of Music at the University of Hartford in Connecticut where she studied classical music. It was through the encouragement of legendary saxophonist Jackie McLean that she made her first foray into jazz with the harp.  Hearing Ashby for the first time made her envision new possibilities for herself as a harpist. “She was covering all of these popular tunes and soundtracks [of the time] and I wanted to do that. She's playing pop, jazz, and everyone's sampling her–DJ Premier, Pete Rock, J. Dilla. Hearing, then seeing her as a Black Woman, while I'm this random little isolated black girl playing the harp by myself was everything to me.” Younger forged her way with a small but mighty group of black women harpists as examples—Sarah Lawrence from her hometown, Ann Hobson-Pilot, Dorothy Ashby, and Alice Coltrane—who were consistent sources of inspiration. In 2006, after graduating from Hartt School, Younger went on to develop a name for herself on the jazz and commercial recording scene in New York City. To date, her performance roster is fierce. As a side-woman, she has played alongside jazz icons such as Pharoah Sanders, Ravi Coltrane, Jack DeJohnette, and Reggie Workman. Younger's commitment to carrying the torch can also be seen through her work as a performer and educator. In 2008, she earned a Master of Music from New York University's Steinhardt School. During this time, she began to work seriously as an educator. She has been a guest faculty and lecturer at numerous universities including but not limited to Berklee College of Music, Princeton University, Howard University, and Tulane University. Currently, she serves as a teaching artist faculty at New York University and The New School.    In 2020, Younger was named winner of the DownBeat Critics Poll in the category of "Rising Star" harpist. Her work as a side woman is evidence of Younger's undeniable presence in the sound of contemporary jazz today. In recent years, she has appeared on albums by Lakecia Benjamin, Robert Glasper, Jeremy Pelt, The Baylor Project, and Makaya McCraven, just to name a few. In addition to her contributions as a side-woman, Younger's commitment to honoring the legacy of black women harpists can be seen through her curatorial work. She has curated a number of performances dedicated to honoring the work of Dorothy Ashby and Alice Coltrane. This work speaks to her dedication as a purveyor of black music and history. In this episode, Brandee shares her background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Host Ayana Contreras visits Makaya McCraven at his home in Rogers Park, Chicago, just a few months after the release of his critically-acclaimed 2022 album In These Times, and just a few days ahead of his trip to perform at the New York City Winter Jazz Festival. Makaya reflects on the reception of In These Times while revisiting the concepts, intentions, growth, and changes the work encompassed along his 10-year journey of creating it. This episode supported in part by Strictly Discs, an independent record store located in Madison, Wisconsin.

Harpist, collaborator, bandleader, educator, and improviser, Brandee Younger, has mastered the language of Debussy, Ravel, Alice Coltrane, R&B, hip hop, mid 20th century pop, funk, reggae, the blues, and hymns, to name merely a few genres. In her work, she weaves in ALL the sounds of the day- and is not locked into any one genre, just like the great pioneering harpist Dorothy Ashby – who was “way ahead of her time”. Younger's latest effort, Brand New Life, covers and re-imagines some of Dorothy Ashby's unreleased music, recruiting players like bassist/vocalist Meshell Ndegeocello, singer/songwriter/MC Mumu Fresh, guitarist Jeff Parker, drummer Makaya McCraven, vibraphonist Joel Ross, and the great hip hop producer Pete Rock. Brandee Younger brings the killer bass lines, hang time, wide expressive range, and the delicate chords, trills, and sweeps - and demonstrates  different extended harp techniques (pedal slide, prepared harp, playing near the board) - playing solo, in-studio. - Caryn Havlik Set list: “Lift Every Voice and Sing”, “Essence of Ruby”, “Unrest I” Watch "Lift Every Voice and Sing": Watch "Essence of Ruby": Watch "Unrest I":

Brandee Younger returns to the show, this time in-studio, to perform songs live from her new album, Brand New Life, out tomorrow. The album celebrates the work of trailblazing jazz harpist Dorothy Ashby and features contributions from Pete Rock, 9th Wonder, Meshell Ndegeocello and Makaya McCraven.   NOTE: This segment has been edited to remove one performance to which WNYC does not have the rights to include in the podcast.

Tonight's edition features music from K. Leimer, Olan Mill, Pausal, Dntel, Bill Evans, Youandewan, The Sight Below, Makaya McCraven, A Winged Victory for the Sullen, and…

For our 2nd edition of our Top of The Drop (best albums of 2022) rundown, we highlighted some bigger acts that we didn't blurb in the article but also gave a nod to some acts we think are very worthy of a listen if you haven't familiarized yet.  Tunes from Bey, SZA, Bobby Oroza, Say Sue Me, and Danielle Ponder are definite highlights, along with unexpected surprise Adeem The Artist, who definitly moved us with his fantastic album White Trash Revelry (and we don't even dig country).Tracklist Part I (00:00)Beyonce - PLASTIC OFF THE SOFABeyonce - MOVE feat Grace JonesSAULT - LionSAULT - The Greatest SmileSZA - Ghost in the MachineSZA - Gone Girl feat Phoebe BridgersPart II (30:03)Bobby Oroza - Loving BodyBobby Oroza - Make Me BelieveDanielle Ponder - Some of Us Are BraveDanielle Ponder - Someone Like YouHUNJIYA - OUTGROWN HUNJIYA - FAVORITEHUNJIYA - MAIN CHARACTERPart III (61:03)Adeem The Artist - CarolinaAdeem The Artist - Baptized in Well SpiritsBlack Country, New Road - ConcordeBlack Country, New Road - Chaos Space MachineMakaya McCraven - In These TimesPart IV (91:05)Say Sue Me - Still HereSay Sue Me - Photo of You Alvvays - Easy On Your OwnAlvvays - Lottery NoisesFontaines DC - Jackie Down The LineFontaines DC - I Love You

The "beat scientist" and composer chats about his musical upbringing and his approach to remixing live music.

The first week of our annual January best of 2022 series is in the books. Today, Roger Grace and Dave from Kenosha call in to highlight music from Rival Sons, The Snuts and Makaya McCraven. Rockin' the Suburbs on Apple Podcasts/iTunes or   other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Harpist Brandee Younger was named a Rising Star in DownBeat's 2020 critics poll, and she's played on albums from Makaya McCraven, Terri Lyne Carrington, Alessia Cara, John Legend, and Common. She's part of this year's NYC Winter Jazzfest line-up with performances at The Opera House on Saturday 1/14 and (le) Poisson Rouge on Monday 1/16. She joins us to preview the shows and discuss her career, and shares a special performance.

Dos horas de Músicas Posibles para iniciar un 2023 con algunos de nuestros temas favoritos en este Especial. Begin sweet world  Bill Douglas y Richard Stoltzman Open sky And I Love Her  Brad Mehldau Trio Blues and Ballads Stolen Moments  Oliver Nelson The Blues And The Abstract Truth It's Only Christmas Once A Year+ What Are You Doing New Year's Eve?  Norah Jones I Dream Of Christmas My Favorite Things  Mak Murphy Rah! My Favorite Things  José James, Marcus Strickland Merry Christmas from José James Love your Grace Vega Trails Tremors in the Static Lullaby  Makaya McCraven In These Times Daughters and Sons  George Winston Remembrance: A Memorial Benefit Todas las noches que fuimos humo  Alejandro Pelayo y Suso Sáiz Sobre la piel Til Waking Light  Gaby Moreno Alegoría Escuchar audio

BEST OF 2022, featuring FRACTURE + SAM BINGA, INTERPLANETARY CRIMINAL, MAKAYA MCCRAVEN, NIKKI NAIR, PURELINK, SISTER ZO, RON TRENT, TSHA + many more, on this extended ABSTRACT SCIENCE year-in-review podcast. Co-hosts CHRIS WIDMAN, BILL BEARDEN aka WHOA-B, JOSHUA P FERGUSON + HENRY SELF mix 4 hours of future music favorites from 2022. [aired 08 +... The post best of 2022 – absci radio 1241-1242 appeared first on abstract science >> future music chicago.

Alejandro Ayala is a curator, organizer, educator, and dedicated Chicagoan. Known to many by his DJ name ‘King Hippo,' Ayala hosted a monthly show on the globally-distributed QC Radio program on Gilles Peterson's Worldwide FM. For two decades he's been an active event producer and promoter, responsible for the long-standing Fresh Roasted series at The Whistler, the annual Preservation of Fire series, the legendary CHICAGOxLONDON showcase at London's Total Refreshment Centre, the DALLASxCHICAGO interstate artist exchange at Sleeping Village in 2018, the Chicago debut of Grammy-winning Australian prog-soul band Hiatus Kaiyote at The Double Door in 2014, and innumerable one-off events for myriad artists across Chicago's diverse landscape of venues (including Elastic Arts, Co-Prosperity, Transition East, Empty Bottle, and many more). Between 2020 and 2022 he worked as an instructor for After School Matters, for whom he designed a unique 'Event Planning & Production' curriculum. Currently, Ayala works as Head of Marketing for the International Anthem record label, where he's been a creative engineer behind album campaigns for Damon Locks' Black Monument Ensemble, Jaimie Branch, and Junius Paul, in addition to acting as photographer-in-residence (his photographs of Angel Bat Dawid have been published by The New York Times, The Washington Post, and Rolling Stone), and co-producing three albums by Makaya McCraven. In 2021 the Chicago Reader profiled Ayala as a Chicagoan of Note.

Bands of great improvisational genius, two takes on early-Bill Frisell compositions, an album revisiting the legacy of First House, two productions by the David Breskin-Ron Saint Germain dream team, and much more in this edition of Mondo Jazz. The playlist features Billy Mohler [pictured]; Dan Weiss; Patricia Brennan; Ken Stubbs; Unscientific Italians; Bill Frisell; Frank Woeste, Ryan Keberle, Vincent Courtois; Micah Thomas; Jeon Lim Yang; Makaya McCraven. The detailed playlist is available at https://spinitron.com/RFB/dj/80823/Leonardo-Granvassu (up to "So Ubuji"). Happy listening!

Eydís Evensen y Hania Rani, Dustin O’Halloran o Lambert reinventan uno de los álbumes de más éxito del islandés Ólafur Arnalds, en un programa en el que también suenan Makaya McCraven, Emily Jane White o Nadine Khouri, recién llegados del sello francés Talitres. Loom Eydís Evensen  Spiral Hania Rani  Woven song Dustin O’Halloran  Back to the sky Lambert  Lullaby Seventh string The title Makaya McCraven  Hersy Holw hearth Bidy against the gun Emily Jane White  Vertigo Box of echoes Visitations Nadine Khouri  Escuchar audio

De Pat Metheny y su grupo a los tríos compuestos por Ulf Wakenius, Lars Danielsson y Magnus Öström , por un lado y Paolo Fresu, Richard Galliano y Jan Lundgren; Schiano di Lombo, Makaya McCraven a punto de presentar su directo en Madrid o Remy Van Kasteren. Au Lait Pat Metheny Group (Offramp)  Taste Of Honey Ulf Wakenius, Lars Danielsson, Magnus Öström  If you had my love Joseph Schiano di Lombo (If you had my love)  Blues sur Seine Paolo Fresu, Richard Galliano y Jan Lundgren (Mare Nostrum)  Lullaby In these times The fours High fives Dream another Makaya McCraven (In thee times) Tomorrow eyes Hammers Maria Remy Van Kasteren (Tomorrow eyes)  Escuchar audio

Hosts Jim DeRogatis and Greg Kot talk with genre-defying artist Nnamdi. They also review new albums by Alvvays and Makaya McCraven and pay tribute to Low's Mimi Parker. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops Featured Songs:NNAMDÏ, "I Don't Wanna Be Famous," Please Have a Seat, Secretly Canadian, 2022Alvvays, "Pharmacist," Blue Rev, Polyvinyl, 2022Alvvays, "Pomeranian Spinster," Blue Rev, Polyvinyl, 2022Alvvays, "Easy On Your Own?," Blue Rev, Polyvinyl, 2022Alvvays, "Belinda Says," Blue Rev, Polyvinyl, 2022Makaya McCraven, "Dream Another," In These Times, International Anthem/Nonesuch, 2022Makaya McCraven, "This Place That Place," In These Times, International Anthem/Nonesuch, 2022Makaya McCraven, "In These Times," In These Times, International Anthem/Nonesuch, 2022NNAMDÏ, "Touchdown," Please Have a Seat, Secretly Canadian, 2022NNAMDÏ, "Dibs," Please Have a Seat, Secretly Canadian, 2022NNAMDÏ, "Heartless," Please Have a Seat, Secretly Canadian, 2022NNAMDÏ, "You Are Here (For Now)," Krazy Karl, Sooper,NNAMDÏ, "Anti," Please Have a Seat, Secretly Canadian, 2022NNAMDÏ, "Careful," Please Have a Seat, Secretly Canadian, 2022Low, "More," Hey What, Sub Pop, 2021Low, "Just Make It Stop," The Invisible Way, Sub Pop, 2013Low, "Long Way Around the Sea," Christmas, Chairkickers Music, 1999

当北方的叶子正在变成金黄，南方还在体会着偶尔的热浪，《扭扭爵士》双月刊依然如约而至。 按照时历来看这正是丰收的季节，编排满满的一期节目，谁都不舍得放下。有 Mark Guiliana, Makaya McCraven, The Comet Is Coming 这样的熟面孔，也有游走于“危险”边缘的 The Mauskovic Dance Band, Tell No Lies 和 非/密闭空间；特别值得关注的是几位风采各异的吉他手，Julian Lage, 张雄关，肖骏，崔展鸿，还有打着萨克斯手旗号弹吉他的 Sam Gendel, 各自精彩。 你也可以通过这个歌单收听更多在2022年9-10月发表的爵士乐作品。 曲目单： (00:41) Mark Guiliana - the sound of listening (04:09) Compro Oro - Bitcoins (07:26) Makaya McCraven - So Ubuji (11:28) Don Kapot & Fulco Ottervanger - Kapoeres (17:33) The Mauskovic Dance Band - Bukaroo Bank (20:56) The Comet Is Coming - TECHNICOLOUR (24:49) Non-Confined Space - Symbolic Dimension 符號次元 (29:34) Tell No Lies - Junius (34:37) 崔展鸿, 郭雅志 - 智有所不明 (42:48) Julian Lage - Auditorium (47:12) 张雄关 - Take a Baby Step (51:18) Saje - As This Moment Slips Away (feat. Terri Lyne Carrington) (57:49) Louis Cole - Don't Care (feat. Genevieve Artadi) (01:03:35) Sam Gendel - Shippō (七宝, seven treasures of the Buddha) (01:07:14) OHMA - In Essence (01:12:58) 肖骏 - Ain't No Sunshine Moon No Cry → 撰稿/录音/剪辑/包装：方舟 → 主题音乐：Yu Su → 题图版式：六花 → 私信/合作联络： 微博/网易云/小宇宙/汽水儿 @线性方舟 → Key Change 随便听歌的分号《KC Jukebox》 → 《周末变奏》WX听友群敲门群主：aharddaysnight

10/27-11/210/27Makaya McCraven - Kuumbwa10/28Crepeoween III - Tenacious D, ZZ Top, nirvana, David Bowiehttps://www.youtube.com/watch?v=qR7U1HIhxfAhttps://www.youtube.com/watch?v=Gg9cNGHl-bghttps://www.youtube.com/watch?v=PbgKEjNBHqMhttps://www.youtube.com/watch?v=Vy-rvsHsi1ohttps://www.youtube.com/watch?v=rq1bcVOmyjw10/29/22Pearl and the Oysters - The crepe placehttps://www.youtube.com/watch?v=W9Lfbdmqmds10/30/22Mustard Service - The Catalysthttps://www.youtube.com/watch?v=SuyLDtepJRAVincent Neil Emerson - Felton Music Hallhttps://www.youtube.com/watch?v=iIp_wtRyWxo10/31/22Moontricks & Kr3ture - The Catalysthttps://www.youtube.com/watch?v=fyDjdpDs3pk11/2Dragon Smoke - Moes Alley Support the showIntrospective interviews with artistic individuals - an ongoing audiovisual journal of Zen Perry. Behold a wall of periodically updated webpages!Official Website: https://www.zenperryproject.com/Patreon: https://www.patreon.com/breakingnorthInstagram: @https://www.instagram.com/zenperryproject/Facebook: https://www.facebook.com/breakingnorthpodcastTwitter: @BreakingNorthTwitch: https://www.twitch.tv/breakingnorth_Youtube: https://www.youtube.com/@zenperryproject160Email: info@zenperryproject.comThanks for listening - hope you enjoy!

Arizona is one of several battlegrounds where candidates backed by former President Donald Trump have echoed his baseless claims of voter fraud. Here & Now's Peter O'Dowd reports from the state. Makaya McCraven is a drummer, composer and self-described "beat scientist." He's kicking off a tour in support of a new album, a collection of original compositions that he's been refining for years. Here & Now's Chris Bentley reports. And, the Jan. 6 committee voted unanimously to subpoena Trump. Democratic Congresswoman Zoe Lofgren of California, who is a member of the select committee, joins us.

This week, Kurtis has music from Sam Redmore, The Allergies, The Main Ingredient, Sweet Clover, Charles Stepney, Bill Withers, Makaya McCraven, and more.++ new music from Young Gun Silver Fox, Big Boss Man, and Frank Popp Ensemble.We share info on a giveaway of a signed copy of the Mamas Gun album 'Cure The Jones'.This show was first broadcast on the 9th of October, 2022For more info and tracklisting, visit: https://thefaceradio.com/the-rendezvous/Tune into new broadcasts of The Rendezvous, LIVE, Sunday from 2 - 4 PM EST / 7 - 9 PM GMT on The Face Radio & Totally Wired Radio.Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.comFacebook: https://www.facebook.com/KurtisPowersInstagram: https://www.instagram.com/kurtispowersSoundcloud: https://soundcloud.com/kurtispowersTwitter: https://twitter.com/kurtispowersEmail: kurtis@thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Las hermanas gemelas afrocubanas y francesas Ibeyi y su nuevo sencillo, Juice of Mandarins; nuevos temas de Makaya McCraven en su In these times; Sō Percussion y Caroline Shaw con Let the soil play its simple part; Josin, Piers Faccini y Ladyblackbird completan hoy el espacio.  O Inle  Foreign Country  Juice of Mandarins  Ibeyi  Lullaby  In these times  So Ubuji  The Knew Untitled  Makaya McRaven  Lay All Your Love On Me  Some Bright Morning  So Percussion y Caroline Shaw  The Darkness  Josin  The longest night  Piers Faccini  Fix it  Lady Blackbird  Escuchar audio

Welcome to Live From Progzilla Towers Edition 451. In this all request edition we heard music by Caravan, Anathema, Arena, Bjorn Riis, Queen, Lesoir, Electric Callboy, Genesis, David Bowie, Blue Öyster Cult, Makaya McCraven, Tony Patterson & Doug Melbourne, Arabs In Aspic, Magnum, Synaesthesia, Meer, Steve Hackett, Steve Hillage, Stevie Nicks, Transatlantic & Alan Parsons Project.

Tyler Childers went to church, Makaya McCraven sampled himself, Sudan Archives got silly and sexy, Alex G distilled his production quirks and Björk stuck her toes in the earth. Featured Tracks and Artists:1. Tyler Childers: "Old Country Church (Jubilee Version)" from Can I Take My Hounds to Heaven? 2. Makaya McCraven: "Seventh String" from In These Times 3. Sudan Archives: "Selfish Soul" from Natural Brown Prom Queen 4. Alex G: "Miracles" from God Save the Animals 5. Björk: "Fungal City" from Fossora Our panel's additional recommendations for August: • Lou Turner, Microcosmos• SiR, "Nothing Even Matters"• Sonja, Loud ArriverRead the NPR Music review:• Makaya McCraven, In These Times• Sudan Archives, Natural Brown Prom Queen • Alex G, God Save the Animals

Topics: care package from British Columbia, Bee's Knees Provisions, Central Park, running, Ray Rizzo with Bridget St. John and Michael Shannon at Rockwood Music Hall, The National at Capitol Theatre, Pet Shop Boys and New Order at Madison Square Garden, Pavement and Horesegirl at Kings Theatre, trip to Baltimore, Camden Yards, trip to Ontario, high school reunion, Autofiction by Suede, In These Times by Makaya McCraven, Midnight Scorchers by Horace Andy, Gamelatron Bidadari by Zemi17, Retail Gangster: The Insane, Real-Life Story of Crazy Eddie by Gary Weiss, No One Is Talking About This by Patricia Lockwood.

It's draft season, baby! The boys travel 10 years back in time to 2012 - the birth year of everyone's two favorite systems: the Wii U and PS Vita. Let us know who drafted a better team from what many would call an “off year” full of sequels and threequels. Timecodes: 00:00:00 - Intro/Pop Culture Corner/Housekeeping (Andor, Avatar, Don't Worry Darling, Makaya McCraven, Courting) 00:14:23 - News Story #1: Cyberpunk 2077 Resurgence 00:25:10 - News Story #2: Google Stadia Is Shutting Down 00:31:05 - News Story #3: The Last of Us TV Show Trailer 00:40:58 - Main Topic: 2012 Video Game Draft 1:32:13 - Rotating Segment: Handheld Highlight (Kingdom Hearts Re: Coded) 1:35:06 - Draft Day Starring Kevin Costner 1:36:30 - What We've Been Playing Shoutout to Mizuki Kuroiwa for the incredible podcast artwork and to Thomniverse Remix for the music. Send any questions, comments, or concerns to thesupermosherbrothersshow@gmail.com and follow us @SuperMosherBros on Twitter. Thanks for listening!

Peter Matthew Bauer made his name as a member of The Walkmen, whose nervy, guitar-driven rock lives in the DNA of Bauer's new album, Flowers. Beth Orton has an even longer recorded legacy that stretches back to her 1996 debut, Trailer Park. Orton's new record, Weather Alive, finds the singer taking control of her own sound — and driving it in new, warmly organic directions. We've also got a new album by Vieux Farka Touré and Khruangbin, who collaborate on interpretations of work by Touré's legendary late father, Ali Farka Touré. Pulitzer Prize-winning composer Caroline Shaw headlines another album-length collaboration, this one with the versatile strings of Attacca Quartet. And, speaking of versatility, jazz drummer Makaya McCraven rounds out this week's lineup with the help of a small army of players; his new album is titled In These Times. Featured Albums: 1. Peter Matthew Bauer — Flowers Featured Songs: "Chiyoda, Arkansas, Manila," "Flowers" 2. Beth Orton — Weather Alive Featured Songs: "Lonely," "Fractals" 3. Vieux Farka Touré & Khruangbin — Ali Featured Songs: "Mahine Me," "Savanne" 4. Caroline Shaw & Attacca Quartet — Evergreen Featured Songs: "Other Song," "The Evergreen Stem" 5. Makaya McCraven — In These Times Featured Songs: "Dream Another," "The Title" Lightning Round: The Comet Is Coming — Hyper-Dimensional Expansion Beam Young RJ — World Tour Angelica Sanchez Trio — Sparkle Beings Alex G — God Save the Animals Nils Frahm — Music for Animals

The self-proclaimed beat scientist talks about his career and what can be expected from his latest record, In These Times. Reset talks to the Chicago-based jazz artist ahead of his show at the Salt Shed this week.

In this episode of The Working Artist Project, Darrian Douglas and Gregory Agid talk to artist-cum-activist Gerald Watkins Candice Hoyes about new music and her unique career path. Candice Hoyes is poised to “shape the artist-cum-activist role." (NPR) In 2020, she released “Zora's Moon,” the first single of her mostly self-penned upcoming EP. This jaunty retro-soul escapade is her response to this moment: an ode to Black girlhood. Candice brings otherworldly vocalism to her new single, "Waiting for the World (Tired)," which features the 1930 poem "Tired" by Harlem Renaissance poet Langston Hughes set in a lyrical Afro Futuristic soundscape. Candice is a 2020 winner of the inaugural NYC Women's Fund for Film, Music, and Media. She has performed with, opened for, and recorded with artists ranging from Lin Manuel Miranda to Chaka Khan to Wynton Marsalis. Candice was commissioned by the National Black Theater and Michelle Obama's When We All Vote to co-create a new work to empower Black voters leading into the 2020 US Presidential election. ​ Candice returns to Carnegie Hall, Caramoor, and more this summer. Recent performances include 2021 We Out Here Fest (UK), NYC JazzFest, Nublu JazzFest, the Public Theater, and the Blue Note. As an activist, she collaborates with the Feminist Press, Well-Read Black Girl, Lawyers Committee for Civil Rights in Law, Harlem Arts Alliance, Women in Music, and numerous grassroots organizations. She has produced her feminist performance-lecture series for Jazz at Lincoln Center and CUNY for three consecutive seasons. Candice has written for Shondaland, Blavity, and the Los Angeles Review of Books, and spoken and performed at TED HQ. ​ ​ Her brand new project is co-written with GRAMMY-award-winning pianist, Sullivan Fortner (Paul Simon, Cecile McLorin Salvant, Dianne Reeves). The project is produced by GRAMMY-award-winning multi-instrumentalist Casey Benjamin (Anderson . Paak, Robert Glasper, Q-Tip) and features performances by vibraphonist Joel Ross (Marquis Hill, Makaya McCraven), trumpeter Keyon Harrold (Nas), Chiara Fasi (Solange). Candice's family hails from Jamaica, and she is an honors graduate of Harvard University, where she studied Sociology and African American Studies and Columbia Law School.https://www.youtube.com/hashtag/podcast (#Podcast) https://www.youtube.com/hashtag/hiphop (#hiphop) https://www.youtube.com/hashtag/theworkingartistproject (#theworkingartistproject) https://www.youtube.com/hashtag/neworleans (#neworleans) https://www.youtube.com/hashtag/musiceducation (#musiceducation) https://www.youtube.com/hashtag/newyork (#newyork) https://www.youtube.com/hashtag/marketing (#marketing) https://www.youtube.com/hashtag/branding (#branding) https://www.youtube.com/hashtag/business (#business) https://www.youtube.com/hashtag/art (#art)

Episode 580: June 26, 2022 playlist: Kristin Hersh, "Hysterical Bending (live)" (The Paradise, Boston, MA, 1/28/05) 2005 Instant Live Blabarism, "Amvenbis" (Amvenbis) 2022 self-released Rachika Nayar, "Heaven Come Crashing (feat. maria bc)" (Heaven Come Crashing) 2022 NNA Tapes Christina Vantzou, Michael Harrison and John Also Bennett, "Harp of Yaman" (Christina Vantzou, Michael Harrison and John Also Bennett) 2022 Seance Centre House of Harm, "Feel My Heart Beat" (Feel My Heart Beat / In Threes) 2022 self-released Natalie Beridze, "Ash Wednesday" (Of Which One Knows) 2022 Room40 B. Fleischmann, "Take The Red Pill" (Music for Shared Rooms) 2022 Morr Music M. Geddes Gengras, "Discovered Endstate Always" (Expressed, I Noticed Silence) 2022 Hausu Mountain Makaya McCraven, "Seventh String" (In These Times) 2022 International Anthem Motte, "Only I" (Cold + Liquid) 2022 Ba Da Bing! Zemi17, "Serra Tone" (Gamelatron Bidadari) 2022 The Bunker Nonconnah, "They Left Behind Tapes To Explain Their Actions (excerpt)" (Don't Go Down To Lonesome Holler) 2022 Ernest Jenning Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.