Podcasts about khakpour

Porochista Khakpour is the author of the novel Tehrangeles, available from Pantheon. Khakpour was born in Tehran and raised in the Greater Los Angeles area. She is the critically acclaimed author of two previous novels, Sons and Other Flammable Objects and The Last Illusion; a memoir, Sick; and a collection of essays, Brown Album. Her writing has appeared in The New York Times, The Washington Post, the Los Angeles Times, The Wall Street Journal, Bookforum, Elle, and many other publications. She lives in New York City. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram  TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Once upon a time, author Porochista Khakpour worked as a shop girl in the luxury stores lining Rodeo Drive. She tells NPR's Ailsa Chang how excited she would get when Iranian-American customers came in — but how poorly those interactions would pan out to be. Her new novel, Tehrangeles, explores the story of one such powerful family in LA on the cusp of getting their own reality TV show. And as Khakpour and Chang discuss, it opens a whole lot of questions about whiteness, assimilation and cultural definitions of success. To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookoftheday Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This month on The Dance Centre podcast Claire is joined by dance artists and choreographers Arash Khakpour and Emmalena Fredriksson who talk about their careers in dance, language and the journey their piece, You Touch Me, has taken over the past six years, evolving from a duet to an ensemble piece that can be seen at Scotiabank Dance Centre December 8-10, 2022.   https://thedancecentre.ca/event/arash-khakpour-and-emmalena-fredriksson-2022/

Novelist and essayist Porochista Khakpour joins Fiction/Non/Fiction hosts V.V. Ganeshananthan and Whitney Terrell to discuss the current wave of protests for women's rights in Iran, and the government's brutal crackdown in response. Khakpour laments the deaths of young women who have lost their lives speaking out against compulsory hijab. She also reflects on and celebrates multiple generations of human rights protests in the country of her birth. Finally, she talks about what it means to be Iranian in the United States and reads from her essay “Revolution Days,” which is included in her latest book, Brown Album: Essays on Exile and Identity. To hear the full episode, subscribe through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (include the forward slashes when searching). You can also listen by streaming from the player below. Check out video versions of our interviews on the Fiction/Non/Fiction Instagram account, the Fiction/Non/Fiction YouTube Channel, and our show website: https://www.fnfpodcast.net/. This podcast is produced by Anne Kniggendorf. Selected Readings: Porochista Khakpour Brown Album: Essays on Exile and Identity The Last Illusion Sons and Other Flammable Objects  Sick Shirin Ebadi: 'Almost a fourth of the people on Earth are Muslim. Are they like each other? Of course not' | Working in development | The Guardian (April 25, 2017) “What I Saw at the Revolution,” The Daily Beast (Feb. 11, 2009) Others: “Iranian President Orders Enforcement of Hijab and Chastity Law for Women” by Ardeshir Tayebi, RadioFreeEurope / RadioLiberty's Radio Farda (July 7, 2022) “In Iran, Woman's Death After Arrest by the Morality Police Triggers Outrage,” by Farnaz Fassihi, The New York Times (Sept. 16, 2022) “Nika Shakarami: Iran protester's family forced to lie about death,” by Parham Ghobadi, BBC Persian (Oct. 6, 2022) “Another teenage girl dead at hands of Iran's security forces, reports claim,” by Deepa Parent and Annie Kelly, The Guardian, (Oct. 7, 2022) “Unity In Diversity: On Overcoming the Erasure of Kurdistan and Jina,” by Ala Riani and Rezan Labady, Los Angeles Review of Books, (Oct. 13, 2022) “Protest Chants, a Riot and Gunshots: How a Prison Fire Unfolded in Iran,” by Farnaz Fassihi, The New York Times (Oct. 21, 2022) Jasmin Darznik and Dina Nayeri on the 40th Anniversary of the Iranian Revolution (Fiction/Non/Fiction Season 2, Episode 23)  Learn more about your ad choices. Visit megaphone.fm/adchoices

With the start of a new year, people are starting new diets. Although we recorded a similar podcast a few episodes ago, we felt it important to discuss this topic again. These are some of the common mistakes we discuss in this podcast: 1. Getting overwhelmed. 2. Comparing my journey with the journey of others. 3. Tracking calories. 4. Not listening to my body and it's own cues. 5. Not getting enough sleep. 6. Not drinking enough water or electrolytes 7. Trying to eat less. This is the article that Sheryl referenced in the podcast: Asadollahi, T., Khakpour, S., Ahmadi, F., Seyedeh, L., Tahami, Matoo, S., & Bermas, H. (2015). Effectiveness of mindfulness training and dietary regime on weight loss in obese people. Journal of medicine and life, 8(Spec Iss 4), 114–124.

Novelist Porochista Khakpour's family moved to Los Angeles after fleeing the Iranian Revolution, giving up their successes only to be greeted by an alienating culture. Growing up as an immigrant in America means that one has to make one's way through a confusing tangle of conflicting cultures and expectations. And Porochista is pulled between the glitzy culture of Tehrangeles, an enclave of wealthy Iranians and Persians in LA, her own family's modest life and culture, and becoming an assimilated American. Porochista rebels--she bleaches her hair and flees to the East Coast, where she finds her community: other people writing and thinking at the fringes. But, 9/11 happens and with horror, Porochista watches from her apartment window as the towers fall. Extremism and fear of the Middle East rises in the aftermath and then again with the election of Donald Trump. Porochista is forced to finally grapple with what it means to be Middle-Eastern and Iranian, an immigrant, and a refugee in our country today. Brown Album is a stirring collection of essays, at times humorous and at times profound, drawn from more than a decade of Porochista's work and with new material included. Altogether, it reveals the tolls that immigrant life in this country can take on a person and the joys that life can give. Khakpour is in conversation with Myriam Gurba, a writer, spoken-word artist, and visual artist. _______________________________________________ Produced by Maddie Gobbo & Michael Kowaleski Theme: "I Love All My Friends," a new, unreleased demo by Fragile Gang.

Porochista Khakpour's debut novel Sons and Other Flammable Objects was a New York Times Editor's Choice, one of the Chicago Tribune's Fall's Best, and the 2007 California Book Award winner in the 'First Fiction' category. Her second novel The Last Illusion was a 2014 "Best Book of the Year" according to NPR, Kirkus, Buzzfeed, Popmatters, Electric Literature, and many more. Among her many fellowships is a National Endowment for the Arts award. Her nonfiction has appeared in many sections of The New York Times, the Los Angeles Times, Elle, Slate, Salon, and Bookforum, among many others. Sick is Khakpour's grueling, emotional journey - as a woman, an Iranian-American, a writer, and a lifelong sufferer of undiagnosed health problems - in which she examines her subsequent struggles with mental illness and her addiction to doctor prescribed benzodiazepines, that both aided and eroded her ever-deteriorating physical health. A story of survival, pain, and transformation, Sick candidly examines the colossal impact of illness on one woman's life by not just highlighting the failures of a broken medical system but by also boldly challenging our concept of illness narratives.Mattilda Bernstein Sycamore is the author of a memoir and three novels, and the editor of five nonfiction anthologies. Her memoir, The End of San Francisco, won a Lambda Literary Award, and her most recent anthology, Why Are Faggots So Afraid of Faggots?: Flaming Challenges to Masculinity, Objectification, and the Desire to Conform, was an American Library Association Stonewall Honor Book. Mattilda's new novel, Sketchtasy, is out in October. Sketchtasy brings 1990s gay culture startlingly back to life, as Alexa, an incisive twenty-one-year-old queen, and her friends grapple with the impact of growing up at a time when desire and death are intertwined. With an intoxicating voice and unruly cadence, this is a shattering, incandescent novel that conjures the pain and pageantry of struggling to imagine a future. Writers LIVE programs are supported in part by a bequest from The Miss Howard Hubbard Adult Programming Fund. Recorded On: Wednesday, November 7, 2018

Porochista Khakpour's debut novel Sons and Other Flammable Objects was a New York Times Editor's Choice, one of the Chicago Tribune's Fall's Best, and the 2007 California Book Award winner in the 'First Fiction' category. Her second novel The Last Illusion was a 2014 "Best Book of the Year" according to NPR, Kirkus, Buzzfeed, Popmatters, Electric Literature, and many more. Among her many fellowships is a National Endowment for the Arts award. Her nonfiction has appeared in many sections of The New York Times, the Los Angeles Times, Elle, Slate, Salon, and Bookforum, among many others. Sick is Khakpour's grueling, emotional journey - as a woman, an Iranian-American, a writer, and a lifelong sufferer of undiagnosed health problems - in which she examines her subsequent struggles with mental illness and her addiction to doctor prescribed benzodiazepines, that both aided and eroded her ever-deteriorating physical health. A story of survival, pain, and transformation, Sick candidly examines the colossal impact of illness on one woman's life by not just highlighting the failures of a broken medical system but by also boldly challenging our concept of illness narratives.Mattilda Bernstein Sycamore is the author of a memoir and three novels, and the editor of five nonfiction anthologies. Her memoir, The End of San Francisco, won a Lambda Literary Award, and her most recent anthology, Why Are Faggots So Afraid of Faggots?: Flaming Challenges to Masculinity, Objectification, and the Desire to Conform, was an American Library Association Stonewall Honor Book. Mattilda's new novel, Sketchtasy, is out in October. Sketchtasy brings 1990s gay culture startlingly back to life, as Alexa, an incisive twenty-one-year-old queen, and her friends grapple with the impact of growing up at a time when desire and death are intertwined. With an intoxicating voice and unruly cadence, this is a shattering, incandescent novel that conjures the pain and pageantry of struggling to imagine a future. Writers LIVE programs are supported in part by a bequest from The Miss Howard Hubbard Adult Programming Fund.

Sick is Porochista Khakpour’s arduous, emotional journey—as a woman, a writer, and a lifelong sufferer of undiagnosed health problems—through the chronic illness that perpetually left her a victim of anxiety, living a life stymied by an unknown condition. With candor and grace, she examines her subsequent struggles with mental illness, her addiction to the benzodiazepines prescribed by her psychiatrists, and her ever-deteriorating physical health. A story about survival, pain, and transformation, Sick is a candid, illuminating narrative of hope and uncertainty, boldly examining the deep impact of illness on one woman’s life. Khakpour is in conversation with Mira Gonzalez, a writer and illustrator from Los Angeles.

For as far back as she can remember, writer Porochista Khakpour has been sick. She was recently diagnosed with late-stage Lyme disease and has written her first memoir about her illness, Sick. Khakpour sat down with one of her literary heroes Eileen Myles for a conversation about her experience with the disease and how it has affected her as a writer, activist, and lover of New York City. Khakpour says "it's a diaristic book and I wanted there to be a lot of honesty... a lot of capturing myself, not at my best but at my worst." The best way to support this podcast is with a gift to The New York Public Library. Click here to donate.

Porochista Khakpour moved to an apartment with large picture windows in downtown Manhattan shortly before September 11, 2001, giving her a painfully perfect view of the terrorist attacks. “The big event of my life was of course 9/11,” Khakpour says. “I experienced a lot of post traumatic stress from it and think about it constantly.” It’s no surprise that the assault on the Twin Towers features prominently in her writing. Through non-fiction essays and two novels, the Iranian-born writer has tried to understand the tragedy’s impact on her, the nation, and the world. But while her essays are rooted in facts, her fiction takes flight. In The Last Illusion (Bloomsbury USA, 2014) there are, in fact, multiple references to flight. The main character, an albino man named Zal, is raised by his abusive mother in a cage among a balcony full of birds. Although he cannot fly, he yearns to. Rescued by an American and brought to New York in the years before 9/11, he tries to unlearn his feral ways and finds himself drawn to visionaries–an artist who claims to see the future and a famous magician who aspires, in a feat of illusionist virtuosity, to make the then still-standing World Trade Center disappear. The character of Zal is based on a Persian myth and Khakpour infuses the story with fabulous twists and turns. “My biggest challenge was doing a mythic retelling of a summer before 9/11 and not just any summer but Y2K to the summer before 9/11… Luckily, what was great about the realism was that the realism was quite surreal. If you look at the Y2K narrative, not to mention the 9/11 narrative, it’s full of the magical, full of the fabulist, full of the kind of impossible.” In her New Books interview, Khakpour discusses the impact of 9/11 on “everyone”: “I’m kind of amazed when I meet people who think it didn’t really affect them or the event wasn’t that big a deal in their life. Maybe the actual day wasn’t but their lives have completely been altered, even just economically. Anyone who has a job today has been affected by it.” She speculates about the trepidation publishers might have had about a book that uses myth and fantasy modes to tell a story about 9/11: “It took over two and half years to sell this book whereas my first book only took a few months…. If I’d done a purely realistic take from say a Middle Eastern woman’s perspective, my guess is it would have sold faster but this idea that I was using a fabulous mode, a sort of speculative mode, and addressing this sensitive world event and then add to the fact that here I am, you know, a brown person addressing this–that caused I think some complications. About her connection to her protagonist Zal, who, like her is an Iranian-born immigrant: “I don’t think I’ve ever written a character that I’ve identified with more.” Related links: * Khakpour’s magician in The Last Illusion was inspired by the real life example of David Copperfield, who made the Statue of Liberty “disappear” in a television special in the 1970s. Here’s a clip on YouTube. * Follow Porochista Khakpour on Twitter. Rob Wolf is the author of The Alternate Universe and Learn more about your ad choices. Visit megaphone.fm/adchoices

Porochista Khakpour moved to an apartment with large picture windows in downtown Manhattan shortly before September 11, 2001, giving her a painfully perfect view of the terrorist attacks. “The big event of my life was of course 9/11,” Khakpour says. “I experienced a lot of post traumatic stress from it and think about it constantly.” It’s no surprise that the assault on the Twin Towers features prominently in her writing. Through non-fiction essays and two novels, the Iranian-born writer has tried to understand the tragedy’s impact on her, the nation, and the world. But while her essays are rooted in facts, her fiction takes flight. In The Last Illusion (Bloomsbury USA, 2014) there are, in fact, multiple references to flight. The main character, an albino man named Zal, is raised by his abusive mother in a cage among a balcony full of birds. Although he cannot fly, he yearns to. Rescued by an American and brought to New York in the years before 9/11, he tries to unlearn his feral ways and finds himself drawn to visionaries–an artist who claims to see the future and a famous magician who aspires, in a feat of illusionist virtuosity, to make the then still-standing World Trade Center disappear. The character of Zal is based on a Persian myth and Khakpour infuses the story with fabulous twists and turns. “My biggest challenge was doing a mythic retelling of a summer before 9/11 and not just any summer but Y2K to the summer before 9/11… Luckily, what was great about the realism was that the realism was quite surreal. If you look at the Y2K narrative, not to mention the 9/11 narrative, it’s full of the magical, full of the fabulist, full of the kind of impossible.” In her New Books interview, Khakpour discusses the impact of 9/11 on “everyone”: “I’m kind of amazed when I meet people who think it didn’t really affect them or the event wasn’t that big a deal in their life. Maybe the actual day wasn’t but their lives have completely been altered, even just economically. Anyone who has a job today has been affected by it.” She speculates about the trepidation publishers might have had about a book that uses myth and fantasy modes to tell a story about 9/11: “It took over two and half years to sell this book whereas my first book only took a few months…. If I’d done a purely realistic take from say a Middle Eastern woman’s perspective, my guess is it would have sold faster but this idea that I was using a fabulous mode, a sort of speculative mode, and addressing this sensitive world event and then add to the fact that here I am, you know, a brown person addressing this–that caused I think some complications. About her connection to her protagonist Zal, who, like her is an Iranian-born immigrant: “I don’t think I’ve ever written a character that I’ve identified with more.” Related links: * Khakpour’s magician in The Last Illusion was inspired by the real life example of David Copperfield, who made the Statue of Liberty “disappear” in a television special in the 1970s. Here’s a clip on YouTube. * Follow Porochista Khakpour on Twitter. Rob Wolf is the author of The Alternate Universe and Learn more about your ad choices. Visit megaphone.fm/adchoices

Porochista Khakpour moved to an apartment with large picture windows in downtown Manhattan shortly before September 11, 2001, giving her a painfully perfect view of the terrorist attacks. “The big event of my life was of course 9/11,” Khakpour says. “I experienced a lot of post traumatic stress from it and think about it constantly.” It’s no surprise that the assault on the Twin Towers features prominently in her writing. Through non-fiction essays and two novels, the Iranian-born writer has tried to understand the tragedy’s impact on her, the nation, and the world. But while her essays are rooted in facts, her fiction takes flight. In The Last Illusion (Bloomsbury USA, 2014) there are, in fact, multiple references to flight. The main character, an albino man named Zal, is raised by his abusive mother in a cage among a balcony full of birds. Although he cannot fly, he yearns to. Rescued by an American and brought to New York in the years before 9/11, he tries to unlearn his feral ways and finds himself drawn to visionaries–an artist who claims to see the future and a famous magician who aspires, in a feat of illusionist virtuosity, to make the then still-standing World Trade Center disappear. The character of Zal is based on a Persian myth and Khakpour infuses the story with fabulous twists and turns. “My biggest challenge was doing a mythic retelling of a summer before 9/11 and not just any summer but Y2K to the summer before 9/11… Luckily, what was great about the realism was that the realism was quite surreal. If you look at the Y2K narrative, not to mention the 9/11 narrative, it’s full of the magical, full of the fabulist, full of the kind of impossible.” In her New Books interview, Khakpour discusses the impact of 9/11 on “everyone”: “I’m kind of amazed when I meet people who think it didn’t really affect them or the event wasn’t that big a deal in their life. Maybe the actual day wasn’t but their lives have completely been altered, even just economically. Anyone who has a job today has been affected by it.” She speculates about the trepidation publishers might have had about a book that uses myth and fantasy modes to tell a story about 9/11: “It took over two and half years to sell this book whereas my first book only took a few months…. If I’d done a purely realistic take from say a Middle Eastern woman’s perspective, my guess is it would have sold faster but this idea that I was using a fabulous mode, a sort of speculative mode, and addressing this sensitive world event and then add to the fact that here I am, you know, a brown person addressing this–that caused I think some complications. About her connection to her protagonist Zal, who, like her is an Iranian-born immigrant: “I don’t think I’ve ever written a character that I’ve identified with more.” Related links: * Khakpour’s magician in The Last Illusion was inspired by the real life example of David Copperfield, who made the Statue of Liberty “disappear” in a television special in the 1970s. Here’s a clip on YouTube. * Follow Porochista Khakpour on Twitter. Rob Wolf is the author of The Alternate Universe and Learn more about your ad choices. Visit megaphone.fm/adchoices

In the last episode for 2014 Bev and Jenn discuss recurring themes and comments that came up with guests over the past seven episodes, "slush pile" topics (items that were not broached with guests), fave books by POC authors read in 2014, and do another mini bookclub, this time for Porochista Khakpour's novel The Last Illusion from Bloomsbury.