Podcasts about PopMatters

John Lennon once described Yoko Ono as the world's most famous unknown artist. “Everybody knows her name, but no one knows what she does.” She has only been important to history insofar as she impacted Lennon. Throughout her life, Yoko has been a caricature, a curiosity, and, often, a villain—an inscrutable seductress, a manipulating con artist, and a caterwauling fraud. The Lennon/Beatles saga is one of the greatest stories ever told. Still, Yoko's part has been missing—hidden in the Beatles' formidable shadow, further obscured by flagrant misogyny and racism. This definitive biography of Yoko Ono's life will change that. In this book, Yoko Ono takes center stage. This book was nearly a half-century in the making. In 1980, author David Sheff met Yoko and John when Sheff conducted an in-depth interview with them just months before John's murder. In the aftermath of the killing, he and Yoko became close as she rebuilt her life, survived threats and betrayals, and went on to create groundbreaking art and music while campaigning for peace and other causes. Drawing on his experiences and interviews with her, her family, closest friends, collaborators, and many others, Sheff presents Yoko's nine decades—one of the most unlikely and remarkable lives ever lived. Yoko is a harrowing, moving, propulsive, and vastly entertaining biography of a woman whose story has never been accurately told. The book not only rehabilitates Yoko Ono's reputation but also elevates it to iconic status. Follow this link to read my review of the book for PopMatters.com https://www.popmatters.com/yoko-ono-david-sheff-biography Reading is Funktamental" is a monthly one-hour show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. From time to time, the host and authors will be joined by notable musicians, writers, and artists who are die-hard fans of the subject matter covered. Expect lively conversation and a playlist of great music to go with it. "Reading Is Funktamental" can be heard the second Wednesday of every month from 10 – 11 AM on Wave Farm: WGXC 90.7 FM and online at wavefarm.org. It can also be found as a podcast on Apple, Spotify and other platforms. Sal Cataldi is a musician and writer based in Saugerties. He is best known for his work with his genre-leaping solo project, Spaghetti Eastern Music, and is also a member of the ambient guitar duo, Guitars A Go Go, the poetry and music duo, Vapor Vespers, and the quartet, Spaceheater. His writing on music, books and film has been featured in The New York Times, Rolling Stone, PopMatters, Seattle Times, Huffington Post, Inside+Out Upstate NY, and NYSMusic.com, where he is the book reviewer.

Six decades after they stormed the British and American charts in 1964, The Zombies are possibly more popular than ever. Their biggest hits, ‘She's Not There', ‘Tell Her No' and ‘Time of the Season' have been played more than 14 million times on U.S. radio alone. Praised by critics, discovered by a new generation of fans, and inducted into the Rock and Roll Hall of Fame, The Zombies returned in the 2000s to establish themselves as a top-class touring act still driven to create new music. Based largely on author Robin Platts' interviews with the five original band members, Times and Seasons – The Rise and Fall and Rise of The Zombies (Hozac Books) tells the whole story from the mid-‘60s Decca Records hits and misses through the break-up, to the creation of their orch pop masterwork, Odessey and Oracle, to the solo years, and their unexpected revival in the 21st century. For more info, check out my review of the book published by PopMatters - https://www.popmatters.com/the-zombies-inhuman-staying-power "Reading is Funktamental" is a monthly one-hour show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. From time to time, the host and authors will be joined by notable musicians, writers, and artists who are die-hard fans of the subject matter covered. Expect lively conversation and a playlist of great music to go with it. "Reading Is Funktamental" can be heard the second Wednesday of every month from 10 – 11 AM on Wave Farm: WGXC 90.7 FM and online at wavefarm.org. It can also be found as a podcast on Apple, Spotify and other platforms. Sal Cataldi is a musician and writer based in Saugerties. He is best known for his work with his genre-leaping solo project, Spaghetti Eastern Music, and is also a member of the ambient guitar duo, Guitars A Go Go, the poetry and music duo, Vapor Vespers, and the quartet, Spaceheater. His writing on music, books and film has been featured in The New York Times, Rolling Stone, PopMatters, Seattle Times, Huffington Post, Inside+Out Upstate NY, and NYSMusic.com, where he is the book reviewer.

Guests: Joe Boyd, Record Producer & Author of And the Roots of Rhythm Remain Joe Boyd is a legend in music. He was the soundman when Dylan went electric at Newport, the founder of the legendary UFO club in London, and the producer of seminal works by Nick Drake, Pink Floyd, John Martyn, Fairport Convention, R.E.M., and many more. In the 1980s, Boyd pioneered global music through his label Hannibal Records, which brought the world everything from the greatest in Cuban music to Bulgarian throat singing and Afropop. Joe's experience in the 1960s was profiled in his 2007 memoir, White Bicycles: Making Music in the 1960s. Now, Joe has created a comprehensive history of world music in his new book, And the Roots of Rhythm Remain. Boyd explores centuries of fascinating backstories to these sounds in this sweeping 900-page history, compiled from more than a decade of travel, research, interviews, and deep listening. He shows how personalities, events, and politics in places such as Havana, Lagos, Budapest, Kingston, and Rio are as colorful and momentous as anything in New Orleans, Harlem, Laurel Canyon, or Liverpool. Moreover, jazz, rhythm and blues, and rock 'n' roll would never have happened if it weren't for the notes and rhythms emanating from over the horizon. "Reading is Funktamental" is a monthly one-hour show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. From time to time, the host and authors will be joined by notable musicians, writers, and artists who are die-hard fans of the subject matter covered. Expect lively conversation and a playlist of great music to go with it. "Reading Is Funktamental" can be heard the second Wednesday of every month from 10 – 11 AM on Wave Farm: WGXC 90.7 FM and online at wavefarm.org. It can also be found as a podcast on Apple, Spotify and other platforms. Sal Cataldi is a musician and writer based in Saugerties. He is best known for his work with his genre-leaping solo project, Spaghetti Eastern Music, and is also a member of the ambient guitar duo, Guitars A Go Go, the poetry and music duo, Vapor Vespers, and the quartet, Spaceheater. His writing on music, books and film has been featured in The New York Times, Rolling Stone, PopMatters, Seattle Times, Huffington Post, Inside+Out Upstate NY, and NYSMusic.com, where he is the book reviewer.

In this episode I sit down with Reverend Peyton of the Big Damn Band. These guys are one of my all time favourite live bands. We catch up with Rev on tour in the U.S and just after releasing their new record 'Honeysuckle' Their new record, Honeysuckle, was released on February 21 and was mixed by six-time Grammy winner Vance Powell (Chris Stapleton, Jack White). The record features many special guests, including gospel music group The McCrary Sisters, Blues Music Hall of Famer and Grammy-nominated harmonica player Billy Branch, Grammy award-winning and IBMA's 10-time Fiddle Player of the Year Michael Cleveland and Colton Crawford from The Dead South. The band is critically acclaimed by Rolling Stone, Relix, Popmatters, Guitar World, American Songwriter, No Depression, Glide, Wide Open Country, Paste, American Blues Scene and many more!Become a plus member now: https://www.buzzsprout.com/950998/subscribe Download the Triad Method: https://thebluesguitarshow.com/the-triad-method/Support the showTo get your hands on THE TRIAD METHOD: https://thebluesguitarshow.com/product/the-triad-method/Become a Blues Guitar Show Member: https://www.buzzsprout.com/950998/subscribeHead over to www.thebluesguitarshow.com to subscribe to the mailing list

BMG recording artist/singer/songwriter and multi-instrumentalist A.J. Croce's new 11-track album, "Heart of the Eternal," will be released on March 7. Produced by Shooter Jennings (Brandi Carlile, Tanya Tucker), "Heart of the Eternal" will feature a selection of songs that journey from psychedelia to Philadelphia soul to Latin-infused jazz-pop. Croce, son of legendary singer/songwriter Jim Croce, has toured with/collaborated with such legends and luminaries as B.B. King, Willie Nelson, Ray Charles, Leon Russell, Allen Toussaint, Neville Brothers, Bela Fleck and Ry Cooder, to name a few, all while building up an acclaimed catalog that blurs the boundaries between blues, soul, rock & roll, Americana, and much more. In conjunction with "Heart of the Eternal," Croce's upcoming yearlong "Heart of The Eternal Tour" will kick off nationwide on February 20 at The Parker in Fort Lauderdale, Florida, through April 6 at the Opera House in Lexington, Kentucky (check A.J.'s website and local listings for additional performances to be announced in 2025). Tickets can be purchased for the "Heart of The Eternal Tour" at www.ajcrocemusic.com  "Heart of the Eternal" is the latest collection of Croce's songwriting and heart-on-sleeve emotion -- the follow up to his critically lauded cover album "By Request" -his first original body of work since 2017's "Just Like Medicine," which was hailed as "brilliant" by No Depression and a "fluid expression of sorrow and gratitude" by Pop Matters. Says Croce: "I've always felt that music is the heart of our humanity. It's the purest way to connect to one another. Every songwriter I've ever met has told me that they don't know where their greatest songs have come from. Maybe it's our dreams or subconscious that allow us to draw from that eternal well of creativity. I don't know the answer but I'm always looking for it. While stylistically diverse, this album is my search for the heart of the eternal." Recorded at the Sunset Sound in Los Angeles, California, Croce's 11th studio album features bassist David Barard (a Grammy-winner who performed with Dr. John for nearly four decades), drummer Gary Mallaber (whose credits include Van Morrison's Moondance and Tupelo Honey), and guitarist James Pennebaker (Delbert McClinton, Jimmie Dale Gilmore). The album was completed during Croce's downtime from his ongoing "Croce Plays Croce" tour-a widely celebrated run in which he performs classic songs from his late father Jim, along with his own material and a number of specially curated covers.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Guests: Dan Ropek, Author of Tragic Magic: The Life of Traffic's Chris WoodTraffic was the most enigmatic British band of their day. Formed in early 1967 by Chris Wood, Steve Winwood, Jim Capaldi, and Dave Mason, they rejected the bright lights of London in favor of a run-down, supposedly haunted cottage in the country - a place to live communally and write music.With Chris especially intent on channeling the vibes of England's landscape into their sound, days would be spent getting high, exploring, playing, and working in varying proportions. Against all odds, this eccentric model paid off - songs such as "Dear Mr. Fantasy" and "John Barleycorn Must Die" would lift Traffic into the upper echelons of the rock world.As they brushed shoulders with Jimi Hendrix, The Beatles, and the Grateful Dead, and with Dave dropping in and out of the band, Traffic's music evolved from a synthesis of Steve's innate musicality, Jim's atmospheric lyrics, and Chris's special brand of congenial mysticism. Record sales boomed, and tours carried them back and forth across the Atlantic. Everything seemed to be going to plan—a dreamlike fairy tale come true.But for Chris, a toll would be exacted. Amid the clashing egos, wearing road trips, stressful break ups, and a complex personal life, he vacillated precariously between bursts of exquisite creativity and torrents of self-destruction; a paradoxical dance which continued until he died in 1983. For a man who found artistic expression everything, and for whom suffering for it was an expectation, Chris would stare fully into Medusa's face of the music industry, paying a higher price than perhaps any of his contemporaries.Author Dan Ropek provides an in-depth look into Wood's life in his book Tragic Magic. Researched and written over ten years, it offers the only definitive account of Traffic's story and Chris Wood's quietly extraordinary life, something Dan shares here in a one-hour interview."Reading is Funktamental" is a monthly one-hour show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. From time to time, the host and authors will be joined by notable musicians, writers, and artists who are die-hard fans of the subject matter covered. Expect lively conversation and a playlist of great music to go with it. "Reading Is Funktamental" can be heard the second Wednesday of every month from 10 – 11 AM on Wave Farm: WGXC 90.7 FM and online at wavefarm.org. It can also be found as a podcast on Apple, Spotify and other platforms. Sal Cataldi is a musician and writer based in Saugerties. He is best known for his work with his genre-leaping solo project, Spaghetti Eastern Music, and is also a member of the ambient guitar duo, Guitars A Go Go, the poetry and music duo, Vapor Vespers, and the quartet, Spaceheater. His writing on music, books and film has been featured in The New York Times, Rolling Stone, PopMatters, Seattle Times, Huffington Post, Inside+Out Upstate NY, and NYSMusic.com, where he is the book reviewer.

BMG recording artist/singer/songwriter and multi-instrumentalist A.J. Croce's new 11-track album, "Heart of the Eternal," will be released on March 7. Produced by Shooter Jennings (Brandi Carlile, Tanya Tucker), "Heart of the Eternal" will feature a selection of songs that journey from psychedelia to Philadelphia soul to Latin-infused jazz-pop. Croce, son of legendary singer/songwriter Jim Croce, has toured with/collaborated with such legends and luminaries as B.B. King, Willie Nelson, Ray Charles, Leon Russell, Allen Toussaint, Neville Brothers, Bela Fleck and Ry Cooder, to name a few, all while building up an acclaimed catalog that blurs the boundaries between blues, soul, rock & roll, Americana, and much more. In conjunction with "Heart of the Eternal," Croce's upcoming yearlong "Heart of The Eternal Tour" will kick off nationwide on February 20 at The Parker in Fort Lauderdale, Florida, through April 6 at the Opera House in Lexington, Kentucky (check A.J.'s website and local listings for additional performances to be announced in 2025). Tickets can be purchased for the "Heart of The Eternal Tour" at www.ajcrocemusic.com  "Heart of the Eternal" is the latest collection of Croce's songwriting and heart-on-sleeve emotion -- the follow up to his critically lauded cover album "By Request" -his first original body of work since 2017's "Just Like Medicine," which was hailed as "brilliant" by No Depression and a "fluid expression of sorrow and gratitude" by Pop Matters. Says Croce: "I've always felt that music is the heart of our humanity. It's the purest way to connect to one another. Every songwriter I've ever met has told me that they don't know where their greatest songs have come from. Maybe it's our dreams or subconscious that allow us to draw from that eternal well of creativity. I don't know the answer but I'm always looking for it. While stylistically diverse, this album is my search for the heart of the eternal." Recorded at the Sunset Sound in Los Angeles, California, Croce's 11th studio album features bassist David Barard (a Grammy-winner who performed with Dr. John for nearly four decades), drummer Gary Mallaber (whose credits include Van Morrison's Moondance and Tupelo Honey), and guitarist James Pennebaker (Delbert McClinton, Jimmie Dale Gilmore). The album was completed during Croce's downtime from his ongoing "Croce Plays Croce" tour-a widely celebrated run in which he performs classic songs from his late father Jim, along with his own material and a number of specially curated covers.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Roll film! In Episode 23, DDSWTNP continue our White Noise residency by heading to the movies (or the TV screen) and examining Noah Baumbach's 2022 film adaptation of the novel. We discuss the drive over the years to adapt the supposedly “unadaptable” DeLillo for the screen, the 2020s context of this film, and our varied reactions to successive viewings of it over the two-plus years since its release. Other topics include the central performances (especially Adam Driver as an unexpectedly good Jack Gladney and Don Cheadle as a refashioned Murray Siskind); Baumbach's successes and failures at re-ordering DeLillo's dialogue and visually distilling certain themes; and his shaping of the narrative as a “meta-cinematic” journey through his personal film history and a mixture of genres. Reviews by Tom LeClair, Marco Roth, and Jesse Kavadlo figure in our analysis, and we close by considering whether we do in fact “need a new body” in the film's concluding supermarket song and dance number, which in our view captures some of the novel's themes and distorts others. We'd love to hear on Instagram or email what you think of the film and our reactions, too! We also take a little time to correct a historical error in our Episode 19 on Rachel Kushner's Creation Lake. Texts and sources for this episode: White Noise (dir. Noah Baumbach, 2022) (Netflix). Film adaptation pages at “Don DeLillo's America”:http://www.perival.com/delillo/whitenoise_film_2022.htmlhttp://perival.com/delillo/ddoddsends.html Patrick Brzeski, Alex Ritman, “Noah Baumbach on Getting LCD Soundsystem to Create New Track for ‘White Noise,'” The Hollywood Reporter, August 31, 2022.https://www.hollywoodreporter.com/movies/movie-news/venice-noah-baumbach-white-noise-lcd-soundsystem-1235209318/ Jesse Kavadlo, “Don DeLillo's ‘White Noise' Remains Unfilmable,” Pop Matters, January 11, 2023.https://www.popmatters.com/white-noise-noah-baumbach-unfilmable Tom LeClair, “The Maladaptation of White Noise,” Full Stop, December 29, 2022.https://www.full-stop.net/2022/12/29/features/tomleclair/the-maladaptation-of-white-noise/ Jon Mooallem, “How Noah Baumbach Made ‘White Noise' a Disaster Movie for Our Moment,” New York Times Magazine, November 23, 2022.https://www.nytimes.com/2022/11/23/magazine/white-noise-noah-baumbach.html Marco Roth, “Don DeLillo on Xanax,” Tablet, November 3, 2022.https://www.tabletmag.com/sections/arts-letters/articles/don-delillo-xanax-white-noise-noah-baumbach

New York's Greenwich Village is a compact sanctuary that has attracted a legion of visionaries and non-conformists who had an outsized influence on 20th-century culture – on alternative lifestyles, progressive politics, and the arts, especially music. Within the maze of coffeehouses, nightclubs, and watering holes on its narrow streets, the legends-to-be of folk, jazz, and rock coalesced into tight-knit communities that birthed sound innovations that continue to resonate today. Now veteran music journalist David Browne has expertly chronicled this community's sprawling history and impact in a new book, Talkin' Greenwich Village: The Heady Rise and Slow Fall of America's Bohemian Capital (Hachette Books).Browne is well-equipped to take on this task and to discuss all the ins and outs in this latest episode of Reading Is Funktamental. Presently a senior writer at Rolling Stone Magazine, he is the author of acclaimed biographies of musicians including Sonic Youth, Tim and Jeff Buckley, the Grateful Dead, and Crosby, Stills, Nash & Young.Based on 150 interviews with notables like Judy Collins, John Sebastian, Sonny Rollins, Herbie Hancock, Suzanne Vega, and Terre and Suzzy Roche, Talkin' Greenwich Village lends this saga the epic scope it has long deserved. You can read my extensive review of the book for the culture site PopMatters at this link: https://www.popmatters.com/greenwich-village-david-browne-feature"Reading is Funktamental" is a monthly one-hour show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. From time to time, the host and authors will be joined by notable musicians, writers, and artists who are die-hard fans of the subject matter covered. Expect lively conversation and a playlist of great music to go with it. "Reading Is Funktamental" can be heard the second Wednesday of every month from 10 – 11 AM on Wave Farm: WGXC 90.7 FM and online at wavefarm.org. It can also be found as a podcast on Apple, Spotify and other platforms.Sal Cataldi is a musician and writer based in Saugerties. He is best known for his work with his genre-leaping solo project, Spaghetti Eastern Music, and is also a member of the ambient guitar duo, Guitars A Go Go, the poetry and music duo, Vapor Vespers, and the quartet, Spaceheater. His writing on music, books and film has been featured in The New York Times, Rolling Stone, PopMatters, Seattle Times, Huffington Post, Inside+Out Upstate NY, and NYSMusic.com, where he is the book reviewer.

The eighth episode of our special retrospective 20th season looks back to the awesome movie year of 1977 with the second of Jason's three picks, documentary Punk in London. Directed by Wolfgang Büld, Punk in London features influential early punk bands including The Jam and The Clash.The contemporary reviews quoted in this episode come from Time Out (https://www.timeout.com/movies/punk-in-london) and Chris Barsanti in PopMatters (https://www.popmatters.com/111807-punk-in-london-punk-in-england-2496086552.html).Thanks to guests ML Compton and Skip King for joining us for a bonus episode to discuss their experiences in the punk scene, available later this week.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and

Guests: Don Stevenson, drummer/songwriter of Moby Grape & Cam Cobb, author of Weighted Down: The Complicated Life of Skip Spence. He was one of the Holy Trinity of critically revered and maybe unjustly labeled “acid casualties” of late ‘60s/early ‘70s music. Along with Pink Floyd's Syd Barrett and the 13th Floor Elevators' Roky Erickson, Skip Spence was a star-crossed figure idolized for his all-too-brief contributions to shaping psychedelia through his work with Moby Grape and his one incredibly stark and endlessly intriguing solo album, Oar. His briefly burning creativity and agonizingly slow decline are profiled in a wonderfully comprehensive new book, Weighted Down: The Complicated Life of Skip Spence (Omnibus Press). Author Cam Cobb spoke with a multitude of Skip's family, friends, and bandmates to create the first authoritative chronicle of his artistic development and achievements and a sympathetic one of his long battle with mental illness, addiction, and homelessness. For this special edition of “Reading Is Funktamental,” we hear direct from one of the musicians who knew Spence best, Don Stevenson, the drummer and co-writer of many of Moby Grape's most popular songs, including “Hey Grandma,” “8:05” and “Murder in My Heart for the Judge.” My written review of the book can be found here at PopMatters, https://www.popmatters.com/moby-grape-skip-pence-biography "Reading is Funktamental" is a monthly one-hour show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. From time to time, the host and authors will be joined by notable musicians, writers, and artists who are die-hard fans of the subject matter covered. Expect lively conversation and a playlist of great music to go with it. "Reading Is Funktamental" can be heard the second Wednesday of every month from 10 – 11 AM on Wave Farm: WGXC 90.7 FM and online at wavefarm.org. It can also be found as a podcast on Apple, Spotify and other platforms. Sal Cataldi is a musician and writer based in Saugerties. He is best known for his work with his genre-leaping solo project, Spaghetti Eastern Music, and is also a member of the ambient guitar duo, Guitars A Go Go, the poetry and music duo, Vapor Vespers, and the quartet, Spaceheater. His writing on music, books and film has been featured in The New York Times, Rolling Stone, PopMatters, Seattle Times, Huffington Post, Inside+Out Upstate NY, and NYSMusic.com, where he is the book reviewer.

Liz Longley has released 10+ records both independently and with labels such as Rounder Records, raised $150,000 on Kickstarter (the 4th most largest campaign by an independent artist at the time) to buy her finished album back from her former label, and has been critically acclaimed by Billboard, Newsweek, and Pop Matters. We talk to Liz about creators having the power in the music industry, touring as self care, time management with toddlers, balance, the wilderness, and more.Get more access and support this show by subscribing to our Patreon, right here.Links:Liz LongleyPaul Basile / Great ElkParlor in the RoundEp 78 - Tim EastonPaul MoakChatham RabbitsEp 39 - Joe HenryEp 60 - Lori McKennaEp 7 - BJ BarhamClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

Guest: Aidan Levy, Author of Saxophone Colossus: The Life and Music of Sonny Rollins. In his new book, Saxophone Colossus: The Life and Music of Sonny Rollins, author Aidan Levy has created a work nearly as sprawling and monumental as the seven decades of sounds crafted by a man widely considered “jazz's greatest living improviser.”Levy devoted seven years to capturing Rollins – the musician, the myth, the civil rights activist, environmentalist, and wandering spiritualist – in a whopping 750 readable pages. The book is based on more than 200 interviews with Rollins, his family members, friends, and collaborators, as well as the artist's archive of letters, journals, photos, and press clippings accrued over a career in which he has taken a few notable sabbaticals and sharp stylistic turns. It pretty much traces every recording session and gig in which the Saxophone Colossus participated. The depth of Levy's astounding research is furthered by the more than 400 pages of footnotes available only online. You can read my earlier review of this book here: https://nysmusic.com/2023/05/09/author-aidan-levy-creates-a-new-jazz-standard-with-sonny-rollins-biography/"Reading is Funktamental" is a monthly one-hour show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. From time to time, the host and authors will be joined by notable musicians, writers, and artists who are die-hard fans of the subject matter covered. Expect lively conversation and a playlist of great music to go with it. "Reading Is Funktamental" can be heard the second Wednesday of every month from 10 – 11 AM on Wave Farm: WGXC 90.7 FM and online at wavefarm.org. It can also be found as a podcast on Apple, Spotify and other platforms.Sal Cataldi is a musician and writer based in Saugerties. He is best known for his work with his genre-leaping solo project, Spaghetti Eastern Music, and is also a member of the ambient guitar duo, Guitars A Go Go, the poetry and music duo, Vapor Vespers, and the quartet, Spaceheater. His writing on music, books and film has been featured in The New York Times, Rolling Stone, PopMatters, Seattle Times, Huffington Post, Inside+Out Upstate NY, and NYSMusic.com, where he is the book reviewer.

In this episode, Matthew Fiander joins the Rock is Lit Season 4 Reading Series to discuss and read from his debut novel, ‘Ringing in Your Ears'. Set in a Boston suburb during the early ‘90s, the story follows Louise “Blue” Cleary as she navigates the emotional aftermath of her sister Christine's mysterious death. Already struggling to fit in as a girl barred from playing baseball and an umpire facing hostility from local parents, Blue's grief sends her on a journey to uncover truths about her sister—and herself. With Christine's cassette tapes as clues, Blue's search reveals buried secrets about her family and the dark underbelly of their seemingly idyllic town. Matthew Fiander's fiction has appeared in ‘Story Magazine', ‘Mid-American Review', ‘Zone 3', ‘Willow Springs', ‘The Massachusetts Review', ‘Southern Indiana Review', ‘South Carolina Review', ‘Reckon Review', and elsewhere. He has also written for ‘The New York Times', PopMatters, and other outlets. His debut novel, ‘Ringing in Your Ears', was published by Main Street Rag. Fiander currently lives and works in North Carolina.   MUSIC IN THE EPISODE IN ORDER OF APPEARANCE: Rock is Lit theme music [Guitar Instrumental Beat] Sad Rock [Free Use Music] Punch Deck—“I Can't Stop” Buffalo Tom “Taillights Fade” Pearl Jam “Once” Nirvana “All Apologies” [Guitar Instrumental Beat] Sad Rock [Free Use Music] Punch Deck—“I Can't Stop” Rock is Lit theme music   LINKS: Leave a rating and comment for Rock is Lit on Goodpods: https://goodpods.com/podcasts/rock-is-lit-212451 Leave a rating and comment for Rock is Lit on Apple Podcasts: https://podcasts.apple.com/us/podcast/rock-is-lit/id1642987350 Matthew Fiander on Facebook: @MatthewFiander Matthew Fiander on Twitter: @mattfiander Christy Alexander Hallberg's website: https://www.christyalexanderhallberg.com/rockislit Christy Alexander Hallberg on Instagram, Twitter, YouTube: @ChristyHallberg Rock is Lit on Instagram: @rockislitpodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Guest: Richard Koloda, Author of Holy Ghost: The Life and Death of Free Jazz Pioneer Albert AylerA lawyer by trade and a jazz musicologist by passion, Richard Koloda has spent over two decades creating the most authoritative look at the life and music of free jazz pioneer Albert Ayler. His book follows Albert's life from his childhood and apprenticeship in Cleveland to his glory days in France and Scandinavia to his mysterious end via a drowning/suicide (or murder?) in the East River. My earlier print review of this fascinating book can be found at https://nysmusic.com/2023/01/07/free-jazz-giant-albert-ayler-gets-definitive-biography-with-holy-ghost/"Reading is Funktamental" is a monthly one-hour show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. From time to time, the host and authors will be joined by notable musicians, writers, and artists who are die-hard fans of the subject matter covered. Expect lively conversation and a playlist of great music to go with it. "Reading Is Funktamental" can be heard the second Wednesday of every month from 10 – 11 AM on Wave Farm: WGXC 90.7 FM and online at wavefarm.org. It can also be found as a podcast on Apple, Spotify, and other platforms.Sal Cataldi is a musician and writer based in Saugerties. He is best known for his work with his genre-leaping solo project, Spaghetti Eastern Music, and is also a member of the ambient guitar duo, Guitars A Go Go, the poetry and music duo, Vapor Vespers, and the quartet, Spaceheater. His writing on music, books and film has been featured in The New York Times, Rolling Stone, PopMatters, Seattle Times, Huffington Post, Inside+Out Upstate NY, and NYSMusic.com, where he is the book reviewer.

Send us a textAuthor and musician Ari Rosenschein is back to talk about the parallels between publishing and the music industry, and gives unique tips on how you can market your book!▬Check out Ari's website:https://arirosenschein.com/Follow Ari on Instagram:https://arirosenschein.com/Grab a copy of Ari's book, Dr. Z and Matty Take Telegraph:https://amzn.to/3U2XytyAbout Dr. Z and Matty Take Telegraph:It's the late '90s—the final days before smartphones and the internet changed the teenage landscape forever. Zack and his mother have moved from Tempe to Berkeley for a fresh start, leaving behind Zack's father after a painful divorce. A natural athlete, Zack makes the water polo team which equals social acceptance at his new school. Yet he's more drawn to Matthias, a rebellious skater on the fringes, who introduces him to punk rock, record stores, and the legendary Telegraph Avenue.As their friendship intensifies, Matthias's behavior reminds Zack of his absent dad, driving a wedge between him and his mother. Complicating matters is Zaylee, a senior who boosts Zack's confidence but makes him question his new buddy, Matthias. Faced with all these changes, Zack learns that when life gets messy, he might have to become his own best friend.Dr. Z and Matty Take Telegraph is about how a friendship can challenge who we are, how we fit in, and where we're going.About Ari:Ari Rosenschein is a Seattle-based author who grew up in the Bay Area. Books and records were a source of childhood solace, leading Ari to a teaching career and decades of writing, recording, and performing music. Along the way, he earned a Grammy shortlist spot, landed film and TV placements, and co-wrote the 2006 John Lennon Songwriting Contest Song of the Year.In his writing, Ari combines these twin passions. Coasting, his debut short story collection, was praised by Newfound Journal as “introducing us to new West Coast archetypes who follow the tradition of California Dreaming into the 21st century.” Award-winning author Jeff Zentner calls Rosenschein's young adult novel Dr. Z and Matty Take Telegraph "a keenly and compassionately observed coming-of-age story that glows with truth and yearning."Ari holds an MFA in Creative Writing from Antioch Los Angeles, and his work appears in Short Beasts, Drunk Monkeys, Noisey, Observer, PopMatters, The Big Takeover, KEXP, and elsewhere. He is Global Editorial Content Manager for Roland, helming the legendary musical instrument company's article platforms. Ari lives with his wife and dogs and enjoys the woods, rain, and coffee of his region.

Earth to Moon is the new critically acclaimed memoir of Moon Zappa, the eldest child of legendary rocker Frank Zappa and his wife, Gail. The book presents the often-disturbing realities of growing up in the shadow of her self-absorbed, workaholic dad (a man she idolized above all others) and her bossy mother, who vented at her eldest child due, to her father's philandering ways. The book chronicles her childhood amongst the legendary musicians of Laurel Canyon, her stints as a VJ on MTV and VH-1, her acting and writing careers, and, of course, her star-turn on her dad's biggest tune, “Valley Girl.” My print review of this book can be found here at https://nysmusic.com/2024/08/24/moon-zappa-pens-a-rock-n-roll-mommy-sorta-daddy-dearest/"Reading is Funktamental" is a monthly one-hour show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. From time to time, the host and authors will be joined by notable musicians, writers, and artists who are die-hard fans of the subject matter covered. Expect lively conversation and a playlist of great music to go with it. "Reading Is Funktamental" can be heard the second Wednesday of every month from 10 – 11 AM on Wave Farm: WGXC 90.7 FM and online at wavefarm.org. It can also be found as a podcast on Apple, Spotify and other platforms.Sal Cataldi is a musician and writer based in Saugerties. He is best known for his work with his genre-leaping solo project, Spaghetti Eastern Music, and is also a member of the ambient guitar duo, Guitars A Go Go, the poetry and music duo, Vapor Vespers, and the quartet, Spaceheater. His writing on music, books and film has been featured in The New York Times, Rolling Stone, PopMatters, Seattle Times, Huffington Post, Inside+Out Upstate NY, and NYSMusic.com, where he is the book reviewer.

Ready to read this collection for yourself? ➡️ https://bookshop.org/a/81838/9781952177798 In this episode, we interview the editor of It Came From The Closet, a collection of essays blending LGBTQ+ experiences with horror. We discuss the inspiration behind focusing on queer stories in the genre, how essays were selected, and the recurring themes throughout the collection. The editor shares insights on amplifying diverse LGBTQ+ voices in horror, why the genre resonates with queer communities, and the impact he hopes the collection will have on discussions around representation. Want access to every episode early, ad-free content, and access to our discord server? Join our Community ➡️ https://www.patreon.com/ClosetedHistory

Sam Vaknin ( http://samvak.tripod.com/mediakit.html ) is the author of Malignant Self-love: Narcissism Revisited as well as many other books and ebooks about topics in psychology, relationships, philosophy, economics, international affairs, and award-winning short fiction. He is a Professor of Clinical Psychology and Management Studies in CIAPS (Commonwealth of International Advanced Professional Studies), Cambridge and Birmingham, UK; Ontario, Canada; Lagos, Nigeria; and a former Visiting Professor of Psychology, Southern Federal University, Rostov-on-Don, Russia. He was the Editor-in-Chief of Global Politician and served as a columnist for Central Europe Review, PopMatters, eBookWeb , and Bellaonline, and as a United Press International (UPI) Senior Business Correspondent. He was the editor of mental health and Central East Europe categories in The Open Directory and Suite101. His YouTube channels garnered 100,000,000 views and 450,000 subscribers. Visit Sam's Web site at http://www.narcissistic-abuse.com  Author of Malignant Self Love: Narcissism Revisited  ____________________________________________________________________ Check out my FREE Live webinar, the OUTSMART A NARCISSIST A 4-STEP PROVEN PLAN To Take Your Power Back RIGHT HERE Learn more about the SLAY Your Negotiation with Narcissists program right here:  https://slay.rebeccazung.com/slay-it-now-a ___________________________________ _________________________________ For more information on REBECCA ZUNG, ESQ. visit her website www.rebeccazung.com and follow her on Instagram: @rebeccazung and YouTube!  GRAB YOUR FREE CRUSH MY NEGOTIATION PREP WORKSHEET RIGHT HERE!  SUBSCRIBE TO MY YOUTUBE CHANNEL RIGHT HERE. THIS WEEK'S SPONSOR INFORMATION:   ❤️ Air Doctor : Go to airdoctorpro.com and use promo code YOURBESTLIFE to receive upto 39% off or upto $300 off! ❤️ Shopify : Sign up for a $1/month trial period at shopify.com/bestlife ❤️ RoBody: Go to ro.co/REBECCA, and pay just $99 for your first month, then $145 a month after that. ❤️ Quince : Go to Quince.com/negotiate for free shipping on your order and 365-day returns. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sam Vaknin ( http://samvak.tripod.com/mediakit.html ) is the author of Malignant Self-love: Narcissism Revisited as well as many other books and ebooks about topics in psychology, relationships, philosophy, economics, international affairs, and award-winning short fiction. He is a Professor of Clinical Psychology and Management Studies in CIAPS (Commonwealth of International Advanced Professional Studies), Cambridge and Birmingham, UK; Ontario, Canada; Lagos, Nigeria; and a former Visiting Professor of Psychology, Southern Federal University, Rostov-on-Don, Russia. He was the Editor-in-Chief of Global Politician and served as a columnist for Central Europe Review, PopMatters, eBookWeb , and Bellaonline, and as a United Press International (UPI) Senior Business Correspondent. He was the editor of mental health and Central East Europe categories in The Open Directory and Suite101. His YouTube channels garnered 100,000,000 views and 450,000 subscribers. Visit Sam's Web site at http://www.narcissistic-abuse.com  Author of Malignant Self Love: Narcissism Revisited  ____________________________________________________________________ Check out my FREE Live webinar, the OUTSMART A NARCISSIST A 4-STEP PROVEN PLAN To Take Your Power Back RIGHT HERE Learn more about the SLAY Your Negotiation with Narcissists program right here:  https://slay.rebeccazung.com/slay-it-now-a ___________________________________ _________________________________ For more information on REBECCA ZUNG, ESQ. visit her website www.rebeccazung.com and follow her on Instagram: @rebeccazung and YouTube!  GRAB YOUR FREE CRUSH MY NEGOTIATION PREP WORKSHEET RIGHT HERE!  SUBSCRIBE TO MY YOUTUBE CHANNEL RIGHT HERE. THIS WEEK'S SPONSOR INFORMATION:   ❤️ Air Doctor : Go to airdoctorpro.com and use promo code YOURBESTLIFE to receive upto 39% off or upto $300 off! ❤️ Shopify : Sign up for a $1/month trial period at shopify.com/bestlife ❤️ RoBody: Go to ro.co/REBECCA, and pay just $99 for your first month, then $145 a month after that. ❤️ Quince : Go to Quince.com/negotiate for free shipping on your order and 365-day returns. Learn more about your ad choices. Visit megaphone.fm/adchoices

Only You Know and I Know is not only the name of one of his biggest hits but also the title of rocker Dave Mason's new autobiography. It's a freewheeling testament, providing that Dave was one of the most Zelig of rocker. He came to fame as a co-founder of the group Traffic and the writer of their biggest and most cover hit, “Feelin' Alright.” He's also contributed to defining tracks by pals like Jimi Hendrix, George Harrison, Derek & the Dominoes, Delaney & Bonnie, Fleetwood Mac, and more. Dave then went on to a fruitful solo career, which continues with his Traffic Jam tour. He will be joining us to discuss his life and new memoir. My print review can be found here at NYSMusic.com"Reading is Funktamental" is a monthly one-hour show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. From time to time, the host and authors will be joined by notable musicians, writers, and artists who are die-hard fans of the subject matter covered. Expect lively conversation and a playlist of great music to go with it. "Reading Is Funktamental" can be heard the second Wednesday of every month from 10 – 11 AM on Wave Farm: WGXC 90.7 FM and online at wavefarm.org. It can also be found as a podcast on Apple, Spotify, and other platforms.Sal Cataldi is a musician and writer based in Saugerties. He is best known for his work with his genre-leaping solo project, Spaghetti Eastern Music, and is also a member of the jazz/post-rock ensemble the Hari Karaoke Trio of Doom, ambient guitar duo Guitars A Go Go, the poetry and music duo Vapor Vespers, and the quartet Spaceheater. His writing on music, books and film has been featured in The New York Times, Rolling Stone, PopMatters, Seattle Times, Huffington Post, Inside+Out Upstate NY, and NYSMusic.com, where he is the book reviewer.

Taken straight from her bio, "Sarah McQuaid's lush, chocolatey voice combines with her engaging personality, “subtle mastery onstage” (Huffington Post) and “brilliant musicianship” (fRoots) on acoustic and electric guitars, piano and (occasionally) drum to create a truly immersive experience. Born in Spain, raised in Chicago, holding dual Irish and American citizenship and now settled in rural England, she brings the eclecticism of her background to her “captivating, unorthodox songwriting” (PopMatters) and choice of material, spanning genres and defying categorisation. All this is abundantly demonstrated by her new live album and video series The St Buryan Sessions — but needs to be savoured in person to be fully appreciated."I was fortunate enough to have a wonderful conversation with Sarah about her song, "Last Song", her record, "St. Buryan Session", and anything else we could think of.Please look her up and show her support wherever you live, but particularly so if she's coming to a city near you on her Fall 2024 tour of the United States.https://www.sarahmcquaid.com#SarahMcQuaid #LastSong #StBuryanSessions  #brettjamesjohnson #threecrowsclub #musicpodcast #bsidebreakdown

This next guest has been writing about music and popular culture for a variety of outlets, including PopMatters, Aquarium Drunkard, SLAM! Wrestling and North Carolina Indy Week. His latest project “Ballyhoo!: The Roughhousers, Con Artists, and Wildmen Who Invented Professional Wrestling”, which is his first book. Let's welcome Jon Langmead! Jon Langmead Siki Article: https://slamwrestling.net/index.php/2021/02/09/the-epic-untold-story-of-the-original-reginald-siki/?fbclid=IwY2xjawEZ4ZFleHRuA2FlbQIxMQABHf71_okTyAOgfuc2fRum7nM8dG7xXEZqeAai0D9LQlLfHM1udoWxz4Ireg_aem_o13oNYczeGoaJYwmCfSoJA   Amazon:  https://www.amazon.com/Ballyhoo-Roughhousers-Invented-Professional-Wrestling-ebook/dp/B0CN52M2ZR?ref_=ast_author_dp&dib=eyJ2IjoiMSJ9.Kj-Ozhd1chaaEJ3jbceQ7w._7DEemJIU3jKdrdUFJ6j6uJWwci5nW2Vd7kvcm0-tFo&dib_tag=AUTHOR Crazy Train Radio Facebook: facebook.com/realctradio Instagram: @crazytrainradio X/Twitter: @realctrdio Website: crazytrainradio.us YouTube: youtube.com/crazytrainradio --- Support this podcast: https://podcasters.spotify.com/pod/show/crazytrainradio/support

Hosted by Sal CataldiGuest: Sid Smith, Author of In the Court of King Crimson: An Observation over 50 Years Sid Smith is a British journalist best known for In the Court of King Crimson: An Observation over Fifty Year, the definitive history of Robert Fripp and his band, King Crimson, the primary architects of progressive rock. Smith has penned hundreds of features and reviews on rock and jazz for publications including Prog Magazine, Record Collector, Mojo, Uncut, and Q, and has also written liner notes for albums by numerous notable artists and record labels. His award-winning King Crimson book was originally issued in 1999, with an expanded edition released for the band's 50th anniversary."Reading is Funktamental" is a monthly one-hour show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. From time to time, the host and authors will be joined by notable musicians, writers, and artists who are die-hard fans of the subject matter covered. Expect lively conversation and a playlist of great music to go with it. "Reading Is Funktamental" can be heard the second Wednesday of every month from 10 – 11 AM on Wave Farm: WGXC 90.7 FM and online at wavefarm.org.Sal Cataldi is a musician and writer based in Saugerties. He is best known for his work with his genre-leaping solo project, Spaghetti Eastern Music, and is also a member of the ambient guitar duo Guitars A Go Go, the poetry and music duo Vapor Vespers, and the quartet Spaceheater. His writing on music, books and film has been featured in The New York Times, Rolling Stone, PopMatters, Seattle Times, Huffington Post, Inside+Out Upstate NY, and NYSMusic.com, where he is the book reviewer.

Hosted by Sal CataldiGuest: Robyn HitchcockRobyn Hitchcock is one of the true eccentrics of British music, a songwriter who has revealed the beauty in the absurdity of life for five decades. He first rose to fame with the influential art-rockers the Soft Boys in the mid-‘70s before going solo in the early ‘80s producing over two dozen acclaimed albums including Elements of Light (1981), Ole Tarantula (2006) and Storefront Hitchcock (2000), the soundtrack to a down-n-dirty concert film by Jonathan Demme. His songs have been covered by artists including R.E.M, Sparklehorse and Suzanne Vega. He has also saluted his chief songwriting inspirations, Bob Dylan and Syd Barrett, by covering their work on tribute albums and tours. Robyn will be joining us to discuss his new memoir, 1967: How I Got There and Why I Never Left. My print review of the book can be found here at PopMatters.com. "Reading is Funktamental" is a monthly one-hour show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. From time to time, the host and authors will be joined by notable musicians, writers, and artists who are die-hard fans of the subject matter covered. Expect lively conversation and a playlist of great music to go with it. "Reading Is Funktamental" can be heard the second Wednesday of every month from 10 – 11 AM on Wave Farm: WGXC 90.7 FM and online at wavefarm.org.Sal Cataldi is a musician and writer based in Saugerties. He is best known for his work with his genre-leaping solo project, Spaghetti Eastern Music, and is also a member of the ambient guitar duo, Guitars A Go Go, the poetry and music duo, Vapor Vespers, and the quartet, Spaceheater. His writing on music, books and film has been featured in The New York Times, Rolling Stone, PopMatters, Seattle Times, Huffington Post, Inside+Out Upstate NY, and NYSMusic.com, where he is the book reviewer.

He's baaaaAAAAck. Popmatters' Evan Sawdey joins the pod to chat with Kiel about the recent publication of Paste's list of the 300 Greatest Albums and Apple Music's 100 Best Albums. After a breakdown of the lists themselves, Evan and Kiel dig into the concept of these kinds of lists - why we need them and why the evolution of what they represent is important. Next, they examine the possibility of Taylor Swift Fatigue, the rapid rise of Chappell Roan, and make their best bets on 2024's Song of the Summer. Listen in!

Send us a Text Message.Author and musician Ari Rosenschein discusses the pros, cons, and fun facts about working with a small press that can help your writing journey.▬Visit Ari's website:https://arirosenschein.com/Find Ari on Instagram:https://arirosenschein.com/Get a copy of Ari's book, Dr. Z and Matty Take Telegraph:https://amzn.to/3U2XytyAbout "Dr. Z and Matty Take Telegraph"It's the late '90s—the final days before smartphones and the internet changed the teenage landscape forever. Zack and his mother have moved from Tempe to Berkeley for a fresh start, leaving behind Zack's father after a painful divorce. A natural athlete, Zack makes the water polo team which equals social acceptance at his new school. Yet he's more drawn to Matthias, a rebellious skater on the fringes, who introduces him to punk rock, record stores, and the legendary Telegraph Avenue.As their friendship intensifies, Matthias's behavior reminds Zack of his absent dad, driving a wedge between him and his mother. Complicating matters is Zaylee, a senior who boosts Zack's confidence but makes him question his new buddy, Matthias. Faced with all these changes, Zack learns that when life gets messy, he might have to become his own best friend.Dr. Z and Matty Take Telegraph is about how a friendship can challenge who we are, how we fit in, and where we're going.About Ari:Ari Rosenschein is a Seattle-based author who grew up in the Bay Area. Books and records were a source of childhood solace, leading Ari to a teaching career and decades of writing, recording, and performing music. Along the way, he earned a Grammy shortlist spot, landed film and TV placements, and co-wrote the 2006 John Lennon Songwriting Contest Song of the Year.In his writing, Ari combines these twin passions. Coasting, his debut short story collection, was praised by Newfound Journal as “introducing us to new West Coast archetypes who follow the tradition of California Dreaming into the 21st century.” Award-winning author Jeff Zentner calls Rosenschein's young adult novel Dr. Z and Matty Take Telegraph "a keenly and compassionately observed coming-of-age story that glows with truth and yearning."Ari holds an MFA in Creative Writing from Antioch Los Angeles, and his work appears in Short Beasts, Drunk Monkeys, Noisey, Observer, PopMatters, The Big Takeover, KEXP, and elsewhere. He is Global Editorial Content Manager for Roland, helming the legendary musical instrument company's article platforms. Ari lives with his wife and dogs and enjoys the woods, rain, and coffee of his region.

In Record Cultures: The Transformation of the U.S. Recording Industry (University of Michigan Press, 2020), Kyle Barnett tells the story of the smaller U.S. record labels in the 1920s that created the genres later to be known as blues, country, and jazz. Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry's challenges in the wake of the Great Depression. Kyle Barnett is Associate Professor of Media Studies in the Department of Communication at Bellarmine University. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Ohio. Her book, Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White, is forthcoming from the University of Massachusetts Press in December 2020. Mack is also a music critic who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. She published a 2019 essay for Longreads titled “Johnny Rotten, My Mom, and Me.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Record Cultures: The Transformation of the U.S. Recording Industry (University of Michigan Press, 2020), Kyle Barnett tells the story of the smaller U.S. record labels in the 1920s that created the genres later to be known as blues, country, and jazz. Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry's challenges in the wake of the Great Depression. Kyle Barnett is Associate Professor of Media Studies in the Department of Communication at Bellarmine University. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Ohio. Her book, Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White, is forthcoming from the University of Massachusetts Press in December 2020. Mack is also a music critic who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. She published a 2019 essay for Longreads titled “Johnny Rotten, My Mom, and Me.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Record Cultures: The Transformation of the U.S. Recording Industry (University of Michigan Press, 2020), Kyle Barnett tells the story of the smaller U.S. record labels in the 1920s that created the genres later to be known as blues, country, and jazz. Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry's challenges in the wake of the Great Depression. Kyle Barnett is Associate Professor of Media Studies in the Department of Communication at Bellarmine University. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Ohio. Her book, Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White, is forthcoming from the University of Massachusetts Press in December 2020. Mack is also a music critic who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. She published a 2019 essay for Longreads titled “Johnny Rotten, My Mom, and Me.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Record Cultures: The Transformation of the U.S. Recording Industry (University of Michigan Press, 2020), Kyle Barnett tells the story of the smaller U.S. record labels in the 1920s that created the genres later to be known as blues, country, and jazz. Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry's challenges in the wake of the Great Depression. Kyle Barnett is Associate Professor of Media Studies in the Department of Communication at Bellarmine University. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Ohio. Her book, Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White, is forthcoming from the University of Massachusetts Press in December 2020. Mack is also a music critic who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. She published a 2019 essay for Longreads titled “Johnny Rotten, My Mom, and Me.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Record Cultures: The Transformation of the U.S. Recording Industry (University of Michigan Press, 2020), Kyle Barnett tells the story of the smaller U.S. record labels in the 1920s that created the genres later to be known as blues, country, and jazz. Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry's challenges in the wake of the Great Depression. Kyle Barnett is Associate Professor of Media Studies in the Department of Communication at Bellarmine University. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Ohio. Her book, Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White, is forthcoming from the University of Massachusetts Press in December 2020. Mack is also a music critic who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. She published a 2019 essay for Longreads titled “Johnny Rotten, My Mom, and Me.” Learn more about your ad choices. Visit megaphone.fm/adchoices

In Record Cultures: The Transformation of the U.S. Recording Industry (University of Michigan Press, 2020), Kyle Barnett tells the story of the smaller U.S. record labels in the 1920s that created the genres later to be known as blues, country, and jazz. Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry's challenges in the wake of the Great Depression. Kyle Barnett is Associate Professor of Media Studies in the Department of Communication at Bellarmine University. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Ohio. Her book, Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White, is forthcoming from the University of Massachusetts Press in December 2020. Mack is also a music critic who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. She published a 2019 essay for Longreads titled “Johnny Rotten, My Mom, and Me.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Jordan Elgrably in conversation with Sarah AlKahly-Mills, with readings from both authors. City Lights celebrates the publication of "Stories from the Center of the World: New Middle East Fiction," edited by Jordan Elgrably, published by City Lights Books. You can purchase copies directly from City Lights here: https://citylights.com/stories-from-the-center-of-the-world/ "Stories from the Center of the World" gathers new writing from 25 emerging and established writers of Middle Eastern and North African origins, offering a unique collection of voices and viewpoints that illuminate life in the global Arab/Muslim world. The authors included in the book come from a wide range of cultures and countries, including Palestine, Syria, Pakistan, Iran, Lebanon, Egypt, and Morocco. In “Asha and Haaji,” Hanif Kureishi takes up the cause of outsiders who become uprooted when war or disaster strikes and they flee for safe haven. In Nektaria Anastasiadou‘s “The Location of the Soul According to Benyamin Alhadeff,” two students in Istanbul from different classes — and religions that have often been at odds with one another — believe they can overcome all obstacles. MK Harb‘s story, “Counter Strike,” is about queer love among Beiruti adolescents; and Salar Abdoh‘s “The Long Walk of the Martyrs” invites us into the world of former militants, fighters who fought ISIS or Daesh in Iraq and Syria, who are having a hard time readjusting to civilian life. In “Eleazar,” Karim Kattan tells an unexpected Palestinian story in which the usual antagonists — Israeli occupation forces — are mostly absent, while another malevolent force seems to overtake an unsuspecting family. Omar El Akkad‘s “The Icarist” is a coming-of-age story about the underworld in which illegal immigrants are forced to live, and what happens when one dares to break away. Contributors include: Salar Abdoh, Leila Aboulela, Farah Ahamed, Omar El Akkad, Sarah AlKahly-Mills, Nektaria Anastasiadou, Amany Kamal Eldin, Jordan Elgrably, Omar Foda, May Haddad, Danial Haghighi, Malu Halasa, MK Harb, Alireza Iranmehr, Karim Kattan, Hanif Kureishi, Ahmed Salah Al-Mahdi, Diary Marif, Tariq Mehmood, Sahar Mustafah, Mohammed Al-Naas, Ahmed Naji, Mai Al-Nakib, Abdellah Taia, and Natasha Tynes. Jordan Elgrably is a Franco-American and Moroccan writer and translator, whose stories and creative nonfiction have appeared in numerous anthologies and reviews, including Apulée, Salmagundi, and The Paris Review. Editor-in-chief and founder of The Markaz Review, he is the cofounder and former director of the Levantine Cultural Center/The Markaz in Los Angeles (2001-2020), and producer of the stand-up comedy show “The Sultans of Satire” (2005-2017) and hundreds of other public programs. He is based in Montpellier, France and California. Sarah AlKahly-Mills is a Lebanese-American writer. Her story “The Salamander” is included in the new book "Stories from the Center of the World: New Middle East Fiction," edited by Jordan Elgrably, and just published by City Lights. Her fiction, poetry, book reviews, and essays have appeared in publications including Litro Magazine, Ink and Oil, the Los Angeles Review of Books, Michigan Quarterly Review, PopMatters, Al-Fanar Media, Middle East Eye, and various university journals. Born in Burbank, CA, she now lives in Rome, Italy. Originally hosted live in City Lights' Poetry Room on Thursday, May 9, 2024. Hosted by Peter Maravelis. Made possible by support from the City Lights Foundation cosponsored with Golden Thread Productions. citylights.com/foundation

Lost Literacies: Experiments in the Nineteenth-Century US Comic Strip (Ohio State UP, 2024) is the first full-length study of US comic strips from the period prior to the rise of Sunday newspaper comics. Where current histories assume that nineteenth-century US comics consisted solely of single-panel political cartoons or simple “proto-comics,” Lost Literacies introduces readers to an ambitious group of artists and editors who were intent on experimenting with the storytelling possibilities of the sequential strip, resulting in playful comics whose existence upends prevailing narratives about the evolution of comic strips. Over the course of the nineteenth century, figures such as artist Frank Bellew and editor T. W. Strong introduced sequential comic strips into humor magazines and precursors to graphic novels known as “graphic albums.” These early works reached audiences in the tens of thousands. Their influences ranged from Walt Whitman's poetry to Mark Twain's travel writings to the bawdy stage comedies of the Bowery Theatre. Most importantly, they featured new approaches to graphic storytelling that went far beyond the speech bubbles and panel grids familiar to us today. As readers of Lost Literacies will see, these little-known early US comic strips rival even the most innovative modern comics for their diversity and ambition. Alex Beringer is a professor of English at the University of Montevallo. His research and teaching focuses on nineteenth century American literature, visual culture, and comics. He received his Ph.D. in English in 2011 from the University of Michigan and has held fellowships with the American Antiquarian Society, University of Cambridge and the National Endowment for the Humanities. His work has appeared in American Literature, Arizona Quarterly, PopMatters.com, and elsewhere. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Lost Literacies: Experiments in the Nineteenth-Century US Comic Strip (Ohio State UP, 2024) is the first full-length study of US comic strips from the period prior to the rise of Sunday newspaper comics. Where current histories assume that nineteenth-century US comics consisted solely of single-panel political cartoons or simple “proto-comics,” Lost Literacies introduces readers to an ambitious group of artists and editors who were intent on experimenting with the storytelling possibilities of the sequential strip, resulting in playful comics whose existence upends prevailing narratives about the evolution of comic strips. Over the course of the nineteenth century, figures such as artist Frank Bellew and editor T. W. Strong introduced sequential comic strips into humor magazines and precursors to graphic novels known as “graphic albums.” These early works reached audiences in the tens of thousands. Their influences ranged from Walt Whitman's poetry to Mark Twain's travel writings to the bawdy stage comedies of the Bowery Theatre. Most importantly, they featured new approaches to graphic storytelling that went far beyond the speech bubbles and panel grids familiar to us today. As readers of Lost Literacies will see, these little-known early US comic strips rival even the most innovative modern comics for their diversity and ambition. Alex Beringer is a professor of English at the University of Montevallo. His research and teaching focuses on nineteenth century American literature, visual culture, and comics. He received his Ph.D. in English in 2011 from the University of Michigan and has held fellowships with the American Antiquarian Society, University of Cambridge and the National Endowment for the Humanities. His work has appeared in American Literature, Arizona Quarterly, PopMatters.com, and elsewhere. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Lost Literacies: Experiments in the Nineteenth-Century US Comic Strip (Ohio State UP, 2024) is the first full-length study of US comic strips from the period prior to the rise of Sunday newspaper comics. Where current histories assume that nineteenth-century US comics consisted solely of single-panel political cartoons or simple “proto-comics,” Lost Literacies introduces readers to an ambitious group of artists and editors who were intent on experimenting with the storytelling possibilities of the sequential strip, resulting in playful comics whose existence upends prevailing narratives about the evolution of comic strips. Over the course of the nineteenth century, figures such as artist Frank Bellew and editor T. W. Strong introduced sequential comic strips into humor magazines and precursors to graphic novels known as “graphic albums.” These early works reached audiences in the tens of thousands. Their influences ranged from Walt Whitman's poetry to Mark Twain's travel writings to the bawdy stage comedies of the Bowery Theatre. Most importantly, they featured new approaches to graphic storytelling that went far beyond the speech bubbles and panel grids familiar to us today. As readers of Lost Literacies will see, these little-known early US comic strips rival even the most innovative modern comics for their diversity and ambition. Alex Beringer is a professor of English at the University of Montevallo. His research and teaching focuses on nineteenth century American literature, visual culture, and comics. He received his Ph.D. in English in 2011 from the University of Michigan and has held fellowships with the American Antiquarian Society, University of Cambridge and the National Endowment for the Humanities. His work has appeared in American Literature, Arizona Quarterly, PopMatters.com, and elsewhere. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Episode 196 On this week's YMC yapfest, your humble hosts Jay Gilbert and Mike Etchart discuss these important music industry stories: "TikTok Sues U.S. Government, Saying Ban Violates 1st Amendment" (LA Times); "Randy Travis' Shocks Music Industry With AI Pairing For 'Where That Came From' - How The Song Came Together" (The Tennessean); "GENRE ISN'T DEAD, IT JUST SMELLS FUNNY: Rethinking Musical Genre For The Streaming Era" (Pop Matters). Plus an audio drop with Ryan Blakeley from Pop Matters!    Subscribe to the newsletter! YourMorning.Coffee

Many years ago, bastard Mike suggested that our anniversary shows feature groups comprised of as many members as the anniversary was of years.  How's that for a mouthful (mindful?)  Anyway, good idea until right about now.  Eleven is an awkward number unless you're fielding a footie team, and the boys have some issues finding albums that fit the bill or even glance in the direction of this anniversary. Next year, all bets are off.  Nat Adderly – THAT'S RIGHT;  Bobby Selvaggio – STORIES, DREAMS, INSPIRATIONS; Gil Evans – PLUS TEN;  Jeff Lorber and Mike Stern – ELEVEN.  IN a very special Pop Matters, Mike mocks the Cocteau Twins and Pat (with Mike's help) questions the sanity of Atlantic Records latest deluxe reissues.

Music supporter/champion Chris Ingalls is back! Thomas revs things up with a selection of his favorite tracks by The Who - an appeal to the Who skeptic, if you will. Chris then shares his love for Paul Weller, and the wonderful diverse iterations of his sound that spans decades...   https://www.niagaramoonmusic.com/   https://www.thinlear.com/   X / Twitter: https://twitter.com/losingmyopinion IG: https://www.instagram.com/losingmyopinion/ Tiktok: https://www.tiktok.com/losingmyopinion

Luis Aguasvivas, writer for PopMatters, his own site, and numerous other video game journals, joins me for an episode primarily about the video game Tetris. The episode is a journey from very poignant and personal reflections on the way the game has impacted Luis to funny moments about speed-running board games to the history of Tetris to many other shapes and places that you'll have to discover on the way. In addition to linking his written work above, Luis also contributes to the Homo Ludens channel, and here's just one of the videos featuring him.Intro & THE GAME: Tetris (0:00)In the “chapters” era of ICE, this is the longest chapter yet. We discuss what makes the game so special, early memories of it and other formative games, why it's better than Vampire Survivors (my apologies...), the Tetris Effect & Tetris Effect: Connected, and a whole bunch of other things. The Movie and/or why the pieces don't stack up quite right: Tetris (1:06:54)A pretty self-explanatory chapter title, but Luis shares some other ways in which the extremely crazy history of Tetris has been captured well in different mediums.Board games inspired by Tetris, which was inspired by a puzzle game itself (1:17:50)It's hard to capture the entire feel of Tetris in a board game, but we have a good talk about some good, puzzly games with tetromino pieces nonetheless.Tetris in Real Life (1:30:40)From making sandwiches to the aforementioned speed-running board games, there are a lot of ways in which we process patterns and can look to Tetris for guidance.Wrap-up Questions (1:49:19)A text on Luis's mind and projects he's working on. Fans of Kingdom Hearts should tune into this.----------------------------------------------------------Contact and follow information:vodthepod@gmail.comTwitterInstagramGeneral feedback form - (your thoughts are appreciated!)

Chris is an American singer songwriter who has opened for Neil Young, BB King, Seal, and a host of others. He recently gained additional worldwide prominence with “We Can Always Come Back to This”. His hit song aired on 3 episodes of the #1 NBC primetime series ‘THIS IS US,' then went on to #1 on the Billboard Blues Chart.Other recent highlights include: a solo concert at The Kennedy Center, a duet with Sara Bareilles, a sold-out concert with Allison Russell, and performance/interviews on NPR's WORLD CAFÉ, MOUNTAIN STAGE, AMERICAN FOLK SHOW, SoCAL SOUND, and more.His 2021 album, 'AMERICAN SILENCE' garnered critical acclaim from NPR, Rolling Stone, NoDepression, SiriusXM, The Bluegrass Situation, AmericanaUK, Acoustic Guitar and others. PopMatters named ‘AMERICAN SILENCE 'THE #1 Best Folk Album of 2021 and FolkAlley named "Residential School" from AMERICAN SILENCE one of the 100 Essential Folk Songs.His highly anticipated album titled ‘LET ALL WHO WILL' was released on September 1, 2023, with critical acclaim from NPR, NoDepression, American Songwriter, Hi Times and more.

In 1929, Bernardine Szold Fritz left Paris on a train bound for China. She was on her way to her fourth wedding, and her fourth husband: An American investment banker named Chester Fritz, who'd proposed after a whirlwind meeting earlier in Shanghai. Bernardine is then forced to find herself things to do in interwar China–and her husband isn't helping much. That's how Susan Blumberg-Kason's newest book, Bernardine's Shanghai Salon: The Story of the Doyenne of Old China (‎Post Hill Press: 2023), starts. The book charts Bernardine's life as she sets up a theater, and makes friends with such illustrious figures like Lin Yutang, Victor Sasoon and Anna May Wong. In this interview, Susan and I talk about Bernardine, her life, and why interwar Shanghai remains such a compelling setting for fiction and nonfiction writers. Susan Blumberg-Kason is also the author of a memoir, Good Chinese Wife: A Love Affair with China Gone Wrong. She is also the co-editor of Hong Kong Noir . Susan is a regular contributor to the Asian Review of Books, Cha: An Asian Literary Review and World Literature Today. Her work has also appeared in the Los Angeles Review of Books, PopMatters, and the South China Morning Post. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bernardine's Shanghai Salon. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1929, Bernardine Szold Fritz left Paris on a train bound for China. She was on her way to her fourth wedding, and her fourth husband: An American investment banker named Chester Fritz, who'd proposed after a whirlwind meeting earlier in Shanghai. Bernardine is then forced to find herself things to do in interwar China–and her husband isn't helping much. That's how Susan Blumberg-Kason's newest book, Bernardine's Shanghai Salon: The Story of the Doyenne of Old China (‎Post Hill Press: 2023), starts. The book charts Bernardine's life as she sets up a theater, and makes friends with such illustrious figures like Lin Yutang, Victor Sasoon and Anna May Wong. In this interview, Susan and I talk about Bernardine, her life, and why interwar Shanghai remains such a compelling setting for fiction and nonfiction writers. Susan Blumberg-Kason is also the author of a memoir, Good Chinese Wife: A Love Affair with China Gone Wrong. She is also the co-editor of Hong Kong Noir . Susan is a regular contributor to the Asian Review of Books, Cha: An Asian Literary Review and World Literature Today. Her work has also appeared in the Los Angeles Review of Books, PopMatters, and the South China Morning Post. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bernardine's Shanghai Salon. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In 1929, Bernardine Szold Fritz left Paris on a train bound for China. She was on her way to her fourth wedding, and her fourth husband: An American investment banker named Chester Fritz, who'd proposed after a whirlwind meeting earlier in Shanghai. Bernardine is then forced to find herself things to do in interwar China–and her husband isn't helping much. That's how Susan Blumberg-Kason's newest book, Bernardine's Shanghai Salon: The Story of the Doyenne of Old China (‎Post Hill Press: 2023), starts. The book charts Bernardine's life as she sets up a theater, and makes friends with such illustrious figures like Lin Yutang, Victor Sasoon and Anna May Wong. In this interview, Susan and I talk about Bernardine, her life, and why interwar Shanghai remains such a compelling setting for fiction and nonfiction writers. Susan Blumberg-Kason is also the author of a memoir, Good Chinese Wife: A Love Affair with China Gone Wrong. She is also the co-editor of Hong Kong Noir . Susan is a regular contributor to the Asian Review of Books, Cha: An Asian Literary Review and World Literature Today. Her work has also appeared in the Los Angeles Review of Books, PopMatters, and the South China Morning Post. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bernardine's Shanghai Salon. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

In 1929, Bernardine Szold Fritz left Paris on a train bound for China. She was on her way to her fourth wedding, and her fourth husband: An American investment banker named Chester Fritz, who'd proposed after a whirlwind meeting earlier in Shanghai. Bernardine is then forced to find herself things to do in interwar China–and her husband isn't helping much. That's how Susan Blumberg-Kason's newest book, Bernardine's Shanghai Salon: The Story of the Doyenne of Old China (‎Post Hill Press: 2023), starts. The book charts Bernardine's life as she sets up a theater, and makes friends with such illustrious figures like Lin Yutang, Victor Sasoon and Anna May Wong. In this interview, Susan and I talk about Bernardine, her life, and why interwar Shanghai remains such a compelling setting for fiction and nonfiction writers. Susan Blumberg-Kason is also the author of a memoir, Good Chinese Wife: A Love Affair with China Gone Wrong. She is also the co-editor of Hong Kong Noir . Susan is a regular contributor to the Asian Review of Books, Cha: An Asian Literary Review and World Literature Today. Her work has also appeared in the Los Angeles Review of Books, PopMatters, and the South China Morning Post. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bernardine's Shanghai Salon. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Join me for an interview with Luis Aguasvivas, a board- and video game critic who has worked for a number of outlets. We discuss approaches to game criticism, what makes a game worth writing about, and more. Luis' contributions to PopMatters: https://www.popmatters.com/author/luisaguasvivasFive Hundred Year Old Vampire: https://www.backerkit.com/c/central-michigan-university-press/five-hundred-year-old-vampireBeyond Solitaire is proudly sponsored by Central Michigan University's Center for Learning Through Games and Simulations, where learning can be both playful and compelling. Check them out here: https://www.cmich.edu/colleges/class/Centers/CLGS/Pages/default.aspxCheck out CMU's game offerings here: https://cmichpress.com/shop/Sign up for an online game design class here: https://www.cmich.edu/academics/colleges/liberal-arts-social-sciences/centers-institutes/center-for-learning-through-games-and-simulations/certificate-in-applied-game-designAll episodes of my podcast are available here: https://beyondsolitaire.buzzsprout.com/Enjoy my work? Consider supporting me on Patreon at https://www.patreon.com/beyondsolitaire or getting me a "coffee" on Ko-fi! https://ko-fi.com/beyondsolitaireContact Me: Email: beyondsolitaire at gmail.comTwitter: @beyondsolitaireInstagram: @beyondsolitaireFacebook: www.facebook.com/beyondsolitaireWebsite: www.beyondsolitaire.net

Taylor Swift has been at the epicenter of the pop culture zeitgeist for the entirety of the year (and more) and it appears that things won't be slowing down any time soon. Kiel Hauck welcomed Evan Sawdey of PopMatters and Yardbarker to the podcast to talk about Swift's growth from singer/songwriter to music business mogul and how she continues to evolve in ways that push the boundaries of what we've seen from a mega pop star. During the conversation, they seek to pinpoint key moments that have led to the ungodly success of the Eras Tour and discuss what comes next - namely, how long can Taylor ride these heights of fame? Listen in!

The iconic Black rock band Living Colour's Time's Up, released in 1990, was recorded in the aftermath of the spectacular critical and commercial success of their debut record Vivid. Time's Up is a musical and lyrical triumph, incorporating distinct forms and styles of music and featuring inspired collaborations with artists as varied as Little Richard, Queen Latifah, Maceo Parker, and Mick Jagger. The clash of sounds and styles don't immediately fit. The confrontational hardcore-thrash metal - complete with Glover's apocalyptic wail - in the title track is not a natural companion with Doug E. Fresh's human beat box on "Tag Team Partners," but it's precisely this bold and brilliant collision that creates the barely-controlled chaos. And isn't rock & roll about chaos? Living Colour's sophomore effort holds great relevance in light of its forward-thinking politics and lyrical engagement with racism, classism, police brutality, and other social and political issues of great importance. In Living Colour's Time's Up (Bloomsbury, 2023),  Kimberly Mack explores the creation and reception of this artistically challenging album, while examining the legacy of this culturally important and groundbreaking American rock band. Kimberly Mack is the author of Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White (2020), which won the 2021 College English Association of Ohio's Nancy Dasher Award. She is also a music critic and memoirist who has written for publications including Longreads, Music Connection, No Depression, Relix, PopMatters, and Hot Press. Kimberly Mack on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

We had the pleasure of interviewing Gabríel Ólafs over Zoom video!Lullabies soundtrack the most formative season of our development. For centuries, parents have hummed them to children as either a salve to ease stress, a natural aid to trigger sleep, or a simple reminder that all will be well in the world once morning comes. Imprinted upon our memories and carried within our hearts for lifetimes, we pass them from one generation to the next. Icelandic composer and artist Gabríel Ólafs continues this tradition on his 2023 album, Lullabies for Piano and Cello [Decca Records US]. After generating over 100 million streams for his original instrumental compositions and earning widespread international acclaim, he summons the spirit of timeless Icelandic lullabies with a twist of his own magic.Gabríel's uncanny melodic sensibility has elevated him to the forefront of contemporary classical music. Following years of writing and performing, he gained international renown with Absent Minded in 2019 followed by Piano Works a year later, hailed by PopMatters as “a testament to the power of melody and mood.” 2022's Solon Islandus marked his debut for Decca Records US, Atwood Magazine described standout track “The Drifter” as “beautifully tender and achingly visceral.”On Solon Islandus, he effectively traced a creative roadmap through Iceland's artistic and cultural history in order to gain a deeper understanding of its conscious and subconscious impact on his own persona and vision. In particular, he leaned on the writing of renowned Icelandic poet Davíð Stefánsson, drawing inspiration from his body work and absorbing its spirit in the album.Beyond his own family experiences, he recalled hearing of a famous book entitled Icelandic Folk Songs. Originally published in 1906, this out-of-print tome collated various folk numbers and lullabies with rare sheet music. At the suggestion of a friend, Gabríel found a copy. He decided to not only reimagine five of the book's tunes, but to also pen five of his own lullabies as an homage and response to tradition.Accompanied by cellist Steiney Sigurðardóttir, the duo tracked the album in Reykjavik's Eldborg Concert Hall. Following the implementation of choir, orchestra, and cinematic heft on Solon Islandus, Gabríel made a conscious decision to strip the sound down to just these two instruments. As opposed to electronics, multi-tracking provided expansive flourishes. Together, Gabríel and Steiney unlocked a striking sound reliant on their quiet chemistry and a rich connection.We want to hear from you! Please email Hello@BringinitBackwards.com.www.BringinitBackwards.com#podcast #interview #bringinbackpod #GabríelÓlafs #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/follow Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4972373/advertisement