Podcast appearances and mentions of Ola Belle Reed

 (00:29) OVT-verslaggever Christianne Alvarado loopt met conservator Hans Piena door de 18e -eeuwse Hindeloopen-kamer. Wat is nagemaakt, en waarom?  (06:16) In 1974 trok de softpornofilm Emmanuelle miljoenen bezoekers. De film gold als symbool voor seksuele bevrijding. In de nieuwe versie staat dat nog steeds centraal, maar op een andere manier.    (21:40) Tim Knol -  Uncle Pen van Bill Monroe.    (24:54) Filosoof Hans Schnitzler schrijft al meer dan 15 jaar over de gevolgen van digitalisering voor de samenleving en in het essay van de Maand van de Geschiedenis van dit jaar gaat hij op zoek naar de historische context daarvan.    (35:55) Tim Knol- I've Endured van Ola Belle Reed.  (38:55) Sinds vorig jaar staat het beroemde planetarium van Eise Eisinga in Franeker op de Unesco Werelderfgoedlijst. En nu is er met 'Machineman, de tijden van Eise Eisinga' ook een volwaardige biografie. Sandra Langereis schreef het en schuift aan.    Meer info: https://www.vpro.nl/programmas/ovt/luister/afleveringen/2024/29-09-2025.html# (https://www.vpro.nl/programmas/ovt/luister/afleveringen/2024/29-09-2025.html)

Welcome to Get Up in the Cool: Old Time Music with Cameron DeWhitt and Friends! This week's friends are Ella and Maddy Zuellig of Needle & Thread. We recorded this last week at their home in Fort Collins, CO. Tune in this episode: * Dry and Dusty (0:46) * Undone in Sorrow (10:02) * Mayday (Clara Delfina original) (18:58) * Duct Tape (Needle & Thread original) (30:35) * Mining Camp Blues (34:24) * Bonus Track: Wolves A-Howling Follow Needle & Thread Music on Instagram (https://www.instagram.com/needle_and_thread_music/) and Facebook (https://www.facebook.com/needleandthreadmusic/) Support Get Up in the Cool on Patreon (https://www.patreon.com/getupinthecool) Sign up at Pitchfork Banjo for my clawhammer instructional series! (https://www.pitchforkbanjo.com/) Schedule a banjo lesson with Cameron (https://www.camerondewhitt.com/banjolessons) Check out Cameron's other podcast, Think Outside the Box Set (https://boxset.fireside.fm/) Check out Cameron's old time trio Tall Poppy String Band (https://www.tallpoppystringband.com/)

Matt and Drew discuss "High on the Mountain" by Ola Belle Reed. To listen to the full show, visit ForgottenCountryRadioShow.com.

For a place as remote as Ashe County, NC, you could be forgiven for overlooking it as a wellspring for musical talent. But music seems to flow naturally out of the Appalachian mountains in and around towns like Sparta, NC, where artists like Brian Swenk grew up. Our recent episode on banjo player Tray Wellington gives another example of how the region punches above its weight with its long track record of producing great roots music artists: Frank Blevins and his Tarheel Rattlers, the Carolina Night Hawks, Clarence “Tom” Ashley, and Ola Belle Reed all hail from Ashe County as well. Even though many artists mentioned above moved away, they never forgot their homeplace. Recently I witnessed both Tray Wellington and Brian Swenk returning to the mountains to make music and give back to the cultural traditions that gave them their start, when both were a key part of the inaugural Boonerang Music & Arts Festival in nearby Boone, NC in June 2022. There, Brian came back to the town where he attended Appalachian State University as a key part of the team that produced the festival, which went swimmingly. Town Mountain and Acoustic Syndicate, both featured on previous episodes of this series, were headliners, and along with many other artists and bands with connections to the region, they helped make the weekend a winner with fans and critics alike. Brian's work was all behind the scenes there, but he is no stranger to the stage, with years of experience playing banjo in the band Big Daddy Love. Brian Swenk Here, Brian talks about the music business, his rock and roll roots and how they find their way into Big Daddy Love's music, we pick up on a conversation started in our episode on Tray Wellington with the influence of rap and hip hop in roots music, and more, including Brian's story about how a painting of his band playing live sold for six figures. Plus, we sample several songs by Big Daddy Love, which describes itself as an “Appalachian Rock” band. Songs heard in this episode:“Smoke Under The Water” by Big Daddy Love, from This Time Around“Down From the Mountain” by Big Daddy Love, from Let It Grow, excerpt“Air Bellows Gap” by Big Daddy Love, from Let It GrowThank you for listening to this episode, and we would be even more grateful were you to share this with someone. It is super easy to follow us on your podcast platform of choice, and then it will only take a minute to give it a good rating, and on platforms with the option, a review. Great ratings and reviews will make Southern Songs and Stories and the artists it profiles more likely to be found by more people just like you.Southern Songs and Stories is a part of the podcast lineup of Osiris Media, with all of the Osiris shows available here. You can also hear new episodes of this podcast on Bluegrass Planet Radio here. Thanks to Corrie Askew for producing the radio adaptations of this series on public radio WNCW, and to Joshua Meng, who wrote and performed our theme songs. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick

Help produce Basic Folk by contributing at basicfolk.com/donateEditor's note: Basic Folk is pleased to introduce our listeners to one of our favorite podcasts by sharing an episode in our feed! American Songcatcher with Nicholas Edward Williams, is an independent audio documentary-style podcast hosted by the folk musician and music history enthusiast.Each episode has five stories: starting with one traditional song's journey to America, followed by the stories of four musicians in American roots starting with legends of the past going all the way to current artists of the day.You'll hear the stories behind songs of immigrants from the British Isles and Europe who brought their tunes into the Appalachian mountains…To songs of the South: Gospel, Bluegrass, Ragtime, Blues, Old-Time, Country, and the Folk music derived from it all.This podcast goes behind the curtain of legends, and shines a light on integral artists who have influenced generations: Bessie Smith, Ola Belle Reed, Blind Blake, Odetta and Dave Van Ronk. I am SHOCKED that Nicholas does not have a journalism background. His approach is warm, insightful and he has the true spirit of a detective uncovering the mysteries of these songs and musicians. It's a wonderful listen!In this Season 2, Episode 2 of American Songcatcher, Nicholas has the following lineup:Traditional – “Lil' Liza Jane” (:28)Dock Boggs (11:22)Snooks Eaglin (25:54)Nina Simone (43:36)Billy Strings (1:04:18) Advertising Inquiries: https://redcircle.com/brands

Featured in this Episode: Jean Ritchie (:28) Ola Belle Reed (17:48) Hazel Dickens & Alice Gerrard (35:41) Alison Krauss (55:54) Teaser: Her family is considered one of the wealthiest in the ballad tradition, preserving hundreds of songs from their lineage to Scotland in their home of Kentucky, and is single-handedly responsible for bringing the Appalachian dulcimer to prominence in America. Born in the mountains of North Carolina, she paved the way for both bluegrass music and old-time with her brother through their pioneering work at music parks, on the radio, and during the folk revival. They're considered the first women to front a bluegrass band, and in their wake are generations of women thanks to their contributions. A child prodigy, she was signed to Rounder Records at 14 and now is one of the most decorated bluegrass and female musicians of all time, still turning heads today with her many collaborations. --- "Shine A Light" | Pretty Good For a Girl: Women in Bluegrass by Murphy Hicks Henry Follow American Songcatcher | Instagram Support | Join Patreon or send a one-time donation: Venmo // PayPal Source Credits: Jean Ritchie: KET | Library of Congress | NPR Ola Belle Reed: Blue Ridge Heritage | Arts.gov | NC Pedia | SML Hazel Dickens and Alice Gerrard: NY Times | Folkstreams | Official | BG Hall of Fame | Pinecone | Birthplace of Country Music Alison Krauss: NPR | Britannica | Grammy | NY Times --- Support this podcast: https://anchor.fm/americansongcatcher/support

A haunting number written by Ola Belle Reed.  Tab and tutorial now available in the Breakthrough Banjo course for clawhammer banjo: https://clawhammerbanjo.net/coursetour

Based on Ola Belle Reed's version for which you can read a lot of background on the Tune of the Week for 1/8/21. I used to think it was a bluegrass song, but it was old-time first.

Based on Ola Belle Reed's version for which you can read a lot of background on the Tune of the Week for 1/8/21. I used to think it was a bluegrass song, but it was old-time first.

Based on Ola Belle Reed's version for which you can read a lot of background on the Tune of the Week for 1/8/21. I used to think it was a bluegrass song, but it was old-time first.

Based on Ola Belle Reed's version for which you can read a lot of background on the Tune of the Week for 1/8/21. I used to think it was a bluegrass song, but it was old-time first.

Based on Ola Belle Reed's version for which you can read a lot of background on the Tune of the Week for 1/8/21. I used to think it was a bluegrass song, but it was old-time first.

Tracing the roots of American music from it's emigrated past to current artists playing the songs forward, folk singer-songwriter and amateur musicologist Nicholas Edward Williams is not hosting your typical music podcast. Each episode uncovers unique stories and lesser-known facts behind five songs, spanning from those created centuries ago to those carrying tradition today. Then, as folk artists have always done, Williams re-creates them. From European immigrants who brought their tunes into the Appalachian mountains, to songs of the South: Gospel, Ragtime, Blues, Country, and the Folk music derived from it all. We'll go behind the curtain of legends, and shine the limelight on many integral lesser-known artists who have influenced generations, such as Bessie Smith, Ola Belle Reed, Blind Blake, Odetta and Dave Van Ronk. Here's to the songs of old, may they live on forever. Find American Songcatcher, available wherever you get your podcasts. --- Support this podcast: https://anchor.fm/americansongcatcher/support

Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s historic 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region. This week, Toronto singer-songwriter, multi-instrumentalist and CFMA “Traditional Singer of the Year” Hannah Shira Naiman recorded live at the Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with this captivating Canadian. Performing with Hannah on this show is her father, famed Canadian banjoist Arnie Naiman. “Named ‘Traditional Singer of the Year' (2017) by the CFMAs, Hannah Shira Naiman’s banjo-grounded songs dance the listener into the Appalachian mountains and eras back in time, drawing on her roots in Toronto’s ‘old time’ folk music community to share powerful tales of hope and loss.   “With a sound that’s been described as a cross between Gillian Welch and Sarah Harmer, Naiman crafts original songs that ring with influences of Ola Belle Reed, The Carter Family, American oldtime, and traditional English ballads.   “Naiman grew up around folk music as her celebrated banjo-playing father, Arnie Naiman, and award-winning children’s musician mother, Kathy Reid-Naiman, brought her to numerous folk camps and festivals every year. But it wasn’t until she left home that Hannah began to explore her father’s instrument in a new way. Collaborating with vocalist Emily Adam as part of folk duo The Blackest Crow sparked a more serious interest in making music.” - http://www.hannahshiranaiman.com/bio-press In this week’s “From the Vault” segment, musician, educator and country music legacy Mark Jones offers a 1981 archival recording of his mom and sister, Ramona & Alisa Jones performing the Buck White tune “Down Home Waltz,” from the Ozark Folk Center State Park archives. Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley speaks with author Tom Dillard on the question “What’s Worth Keeping” from our past in the rapidly evolving culture of our present.

Vandaag fijne muziek van Ola Belle Reed, Big Maybelle, Tony Molina, Townes van Zandt, Andre Williams en Allen Toussaint.

Norská zpěvačka Ane Brun bojuje pochmurným folkem proti klimatickým změnám, blegrassová superhvězda Sara Watkins provozuje muzikantský grupáč a horalská lady Ola Belle Reed k tomu odněkud shora drnká na clawhammer banjo.

Norská zpěvačka Ane Brun bojuje pochmurným folkem proti klimatickým změnám, blegrassová superhvězda Sara Watkins provozuje muzikantský grupáč a horalská lady Ola Belle Reed k tomu odněkud shora drnká na clawhammer banjo.

Ola Belle Campbell was just a teenager in 1934 when her family moved from Ashe County, NC, to Maryland, but she was already a skilled mountain banjo player and singer. At her first radio gig in 1939, Ola Belle sang the “St. Louis Blues. Her voice overpowered the broadcasting equipment and knocked the station off the air. In 1949 she became Ola Belle Reed when she married country musician Bud Reed. Their influence is still felt in the thriving bluegrass scene around Baltimore.

Ola Belle Campbell was just a teenager in 1934 when her family moved from Ashe County, NC, to Maryland, but she was already a skilled mountain banjo player and singer. At her first radio gig in 1939, Ola Belle sang the “St. Louis Blues. Her voice overpowered the broadcasting equipment and knocked the station off the air. In 1949 she became Ola Belle Reed when she married country musician Bud Reed. Their influence is still felt in the thriving bluegrass scene around Baltimore.

Sep. 9, 2015. In celebration of the legacy of the pioneering old-time musician Ola Belle Reed (1916-2002), Reed's son Dave Reed, her nephew Hugh Campbell and members of the acclaimed bluegrass band Danny Paisley and Southern Grass gather to perform bluegrass and gospel songs of their Appalachian heritage. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=7270

Sep. 9, 2015. In celebration of the legacy of the pioneering old-time musician Ola Belle Reed (1916-2002), Reed's son Dave Reed, her nephew Hugh Campbell, and members of the acclaimed bluegrass band Danny Paisley and Southern Grass gather to discuss their family history as well as bluegrass and gospel songs of their Appalachian heritage. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=7078

This episode presents a series of one-of-a-kind original recordings made recently on a chilly Saturday afternoon on-site in Elkton, Maryland with the family and friends of the late great American legend, Ola Belle Reed.

What is a rainbow? Why are we so fascinated by them? Why do we associate things to them: hope, beginnings, security, riches, and so on? Rainbows have been a constant in western culture and song. This program asks “what means a rainbow”? Music comes from around the world in our search for an answer.