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Anderson East is a GRAMMY-nominated artist and songwriter originally from Athens, Alabama. Known for songs like “This Too Shall Last,” he blends R&B, soul, and roots rock into a sound all his own. In 2019, he received a GRAMMY nomination for Best American Roots Performance for “All On My Mind.” His new album, Worthy, was released on May 30, 2025, via Rounder Records.In this episode, we talk about Anderson's musical roots, working with Dave Cobb, the making of Worthy, how he approaches genre and songwriting, and many other stops along the way.This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
Sintonía: "Sourwood Mountain" - Allen Shelton."The Old Home Place" - J.D. Crowe & The New South; "Barrel of Fun" - Country Cooking; "The Old Swinging Bridge" - Ted Lundy; "The Last Old Shovel" - Phyllis Boyens; "Home Is Where The Hurt Is" - Connie and Babe & The Backwoods Boys; "When Someone Wants To Leave" - The Allen Brothers; "I´ll Be On That Good Road Someday" - Butch Robins; "Crazy Creek" - Bill Keith; "Old Train" - Tony Rice; "Ragtime Annie" - Byron Berline; "Blue Days, Black Nights" - Tasty Licks; "Things In Life" - Don Stover; "I Ain´t Broke (But I´m Badly Bent)" - David Grisman; "Montana Cowboy" - Hazel and Alice; "You Tried To Ruin My Name" - Wilma Lee Cooper; "Hard Hearted" - Jim and Jesse; "Second Wind" - Claire Lynch; "New York Chimes" - Tony Trischka; "Cold OnThe Shoulder" - Tony Rice.Todas las músicas extraídas de la recopilación (2xCD) "Hand-Picked: Twenty-Five Years of Rounder Bluegrass" (Rounder Records, 1995).Escuchar audio
When a band has seven GRAMMY wins and thirty-one GRAMMY nominations among them, they're a supergroup. So let's be clear: I'm With Her is a supergroup. The trio of Sarah Jarosz, Aoife O'Donovan, and Sara Watkins are close friends who say that great songs can come from a good trip to the grocery store. I've had all three on the pod before, but never together.The latest album by I'm With Her is Wild and Clear Blue on Rounder Records.NOTE: here are my past interviews with Jarosz, O'Donovan, and Watkins.
Episode 320: JD Clayton is one of the first emerging artists to release music in an era of new leadership at the historic Rounder Records in Nashville. He's an open-hearted guy who got the songwriting bug growing up in Fort Smith, AR and who then found his songs and his way on stage led to organic growth. His 2023 album Long Way From Home got him out on the road in a big way and led to some high profile opening shows. He produced his new album Blue Sky Sundays, a fresh and catchy take on country rock, with his brotherly band. He seems to embody the ethos of his feel-good song “High Hopes & Low Expectations.”
After a couple of weeks off for rest and recalibration, Badass Records is back with a new episode, and this one features the fantastic Cole Bales of Black Light Animals.Cole is a son, a brother, a boyfriend, a bandmate times two, and he's my guest for Episode No. 164.Black Light Animals has an upcoming RecordBar gig. That's Thursday, May 1st at RecordBar. They also have a new album out. It's called Last Call Love Songs, and you can find it digitally or get yourself a vinyl copy via their Bandcamp, or at blacklightanimalsband.com. Cole's also a member of The Freedom Affair, and they have a gig, Friday, May 2nd at The Madrid. So, please check them out, too.My conversation with Cole involved growing up, the art of recording and producing, bandmates, family, and -- of course -- a few of his favorite albums. Those were these:The White Album (1968), The BeatlesGeorge Harrison's All Things Must Pass (1970)Exile on Main Street (1972), The Rolling StonesThe Black Keys' Brothers (2010)Tranquility Base Hotel & Casino (2018), The Arctic MonkeysIt was both a pleasure and a joy meeting Cole and chatting with him. Follow @blacklightanimalsband on Instagram, and make sure you're dialed in with all that Cole has going on.Cheers.copyright disclaimer: I do not own the rights to the audio clips contained within this episode. They are snippets from a track called, "Rich Woman" by Robert Plant and Alison Krauss, and it's the leadoff track from their 2007 release, Raising Sand (c/o Rounder Records, distributed by Concord).
It took a long time after I first read David Menconi's work to finally meet him, and longer still to sit with him for an extended conversation, but fortunately, the time has finally come. And if the saying “good things come to those who wait” applies here, if I was indeed waiting years for that Tuesday afternoon interview in late September 2024, then it is doubly appropriate now that our conversation sees the light of day in this podcast nearly another half a year afterwards. Decades after first reading his work, more than a year after first meeting him, and another stretch of months after interviewing him, now is the moment for all of this to come together. It all feels a bit fortuitous, a feeling which is echoed in our conversation, especially regarding the subject of David Menconi's latest book. David Menconi was a staff writer at the Raleigh News & Observer for 28 years, beginning in 1991, when the music scene in the region was exploding nationwide. He has also written for Rolling Stone, Billboard, Spin and New York Times. His latest book is titled Oh, Didn't They Ramble: Rounder Records and the Transformation of American Roots Music. David Menconi spoke with me at the IBMA conference in his adopted hometown of Raleigh, North Carolina, in a conversation which touches on the remarkable story of Rounder Records, a music label whose story, as David put it, is the kismet story. A label formed by three idealistic folkies fresh out of college, it went on to champion the music of artists ranging from Alice Gerard to Alison Krauss, from the Blake Babies to Billy Strings, and from Ted Hawkins to Tony Rice. David talks about the Rounder Records story, the current state of the music industry, the challenges faced by writers and musicians alike, as well as the significant history of bluegrass music in the city of Raleigh and the state of North Carolina and more, including music excerpts from Rounder Records artists like Norman Blake and George Thorogood in this episode Southern Songs and Stories. David Menconi Songs heard in this episode:Tony Rice “Monroe's Hornpipe”, from The Bluegrass Album Band, Volume 6“Tango Cool“ by Ted Gioia & Mark Lewis, from Tango Cool, excerpt“Ginseng Sullivan” by Norman Blake, from Back Home In Sulphur Springs, excerpt“Move It On Over” by George Thorogood & the Destroyers, from Move It On Over, excerpt“Away From the Mire” by Billy Strings, from HomeThanks for being here! We hope you can help spread awareness of what we are doing. It is as easy as telling a friend and following this podcast on your platform of choice. You can find us on Apple here, Spotify here and YouTube here — hundreds more episodes await, filled with artists you may know by name, or musicians and bands that are ready to become your next favorites. This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. Thanks to everyone at the International Bluegrass Music Association for helping to make this interview possible, and to Jaclyn Anthony for producing the radio adaptations of this series on WNCW, where we worked with Joshua Meng, who wrote and performed our theme songs. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick
When mandolinist Sierra Hull was little, her dad told her she was really good "for a ten year old." The older Hull knew Sierra had a fiery passion for the instrument and he knew exactly how to motivate his daughter. He went on to say that if she wanted to go to jams and porch-play for the rest of her life, she'd learned enough. He gave her realistic advice that, if she wanted to dedicate her life to music, she would have to work really hard. Because "that 10 year old cute thing is gonna wear off." Sierra, who would draw pictures of herself playing at the Grand Ole Opry with Alison Krauss and doodle album covers with the Rounder Records logo, took his advice to heart and got to work.Since then, Hull has shared the stage with more heroes than one could count, she's inspired a new generation of younger players, she's released five albums, and is considered a master of the mandolin. Originally from the small town of Byrdstown, Tennessee, her new album, 'A Tip Toe High Wire,' is set for release March 7. In our Basic Folk conversation Sierra reflects on how growing up in a small town shaped her musical identity alongside bluegrass, gospel, and family traditions. She shares memories of family gatherings filled with music featuring Aunt Betty and Uncle Junior, the profound influence of church hymns, and how these experiences continue to resonate in her playing and songwriting.Sierra also discusses the significance of 'A Tip Toe High Wire,' her first independent release, highlighting the freedom and growth that come with that independence. She emphasizes the importance of authenticity in her music, allowing herself to explore new sounds while remaining grounded in her bluegrass roots. Elsewhere in the episode, she opens up about her personal growth, the pressures of being labeled a child prodigy, and her journey toward embracing imperfection in her art. We also dive into what we'll call her "Stevie Nicks Era" with the amazing cover-art on the new record. Sierra enjoys playing with elaborate styles in her album artwork and red carpet looks (helloooo CMA Awards). With a candid perspective on the challenges of the music industry, she encourages listeners to find joy in the process while appreciating the beauty of vulnerabilityAlso woo hoo!!! Happy Basic Folk 300!!!!Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands
Liz Longley has released 10+ records both independently and with labels such as Rounder Records, raised $150,000 on Kickstarter (the 4th most largest campaign by an independent artist at the time) to buy her finished album back from her former label, and has been critically acclaimed by Billboard, Newsweek, and Pop Matters. We talk to Liz about creators having the power in the music industry, touring as self care, time management with toddlers, balance, the wilderness, and more.Get more access and support this show by subscribing to our Patreon, right here.Links:Liz LongleyPaul Basile / Great ElkParlor in the RoundEp 78 - Tim EastonPaul MoakChatham RabbitsEp 39 - Joe HenryEp 60 - Lori McKennaEp 7 - BJ BarhamClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.
Caroline Spence has released 5 records independently and via Rounder Records, has written and/or recorded with Emmylou Harris, Lori McKenna, Matt Berninger (The National), and Sarah Jarosz, and toured with Mary Chapin Carpenter, John Moreland, Tyler Childers, and American Aquarium. We talk to Caroline about being in relationship with your creativity, awareness of, and moving beyond defining yourself externally or through your creative output, losing respect for the music industry, accepting that your wants and goals change over time, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Caroline SpenceEp 22 - Group Text (Erin Rae, Kelsey Waldon, Caroline and Michaela Anne)‘The Artist's Way'Nonesuch RecordsWilcoEp 60 - Lori McKennaEp 27 - Mary GauthierEddie's AtticEp 13 - Becca MancariClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.
We had the pleasure of interviewing Amythyst Kiah over Zoom video!GRAMMY-nominated singer-songwriter Amythyst Kiah shares her new album, Still + Bright via Rounder Records. Produced by Butch Walker (Taylor Swift, Green Day and Weezer) and recorded at his Nashville studio, the 12-track album is a vital new addition to Kiah's body of work, one largely dedicated to exploring the struggle and joy of true self-discovery. While her 2021 Wary + Strange details her grief, anger, and abandonment, Still + Bright is her liberation from the events of her earlier life, examining the vast expanse of her inner world, passions, self-exploration and realization, with a darkly cinematic twist. The project – which Rolling Stone hailed is “poised to be a major moment for the east Tennessee-raised singer-songwriter” – expands upon the wild definitions of Americana music. From gothic love songs with haunting vocals (“Silk and Petals feat. Butch Walker”) to a furiously stomping fantasy-inspired folk epic (“I Will Not Go Down” feat.Billy Strings"), or an ode to meditation laced with lush mandolin lines and lovely fiddle melodies (“S P A C E”), the album affirms her as an artist of both daring originality and uncompromising depth. The album is a collision of her love of indie rock, garage guitars and symphonic metal, flawlessly melded with the visceral lyricism and songwriting she's renowned for in the roots community.The project – which features collaborations with S.G. Goodman, Billy Strings and Avi Kaplan (Pentatonix) – also marks a complete transformation in Kiah's songwriting process: her first time opening up her approach and working with co-writers on an album. The album features co-writes with punk legend Tim Armstrong, Sadler Vaden (guitarist/vocalist for Jason Isbell's 400 Unit) and Sean McConnell (Brittney Spencer, Bethany Cosentino).Kiah is currently on the road on her Still + Bright Tour, plus she recently was announced as direct support for select dates of Larkin Poe's The Bloom Tour.About Amythyst Kiah:With an unforgettable voice that's both unfettered and exquisitely controlled, the Tennessee-bred singer/songwriter is a “fantastic fingerpicker, dynamo singer and profound songwriter [who] defies all sorts of stereotypes” (Guitar Player). Her 2021 release of Wary + Strange earned glowing features and reviews from The New York Times, NPR Morning Edition, Pitchfork, and Rolling Stone, plus performances on Jimmy Kimmel Live! and CBS Saturday Morning. Kiah is also a member of Our Native Daughters—an all-women-of-color supergroup whose standout track “Black Myself” (written by Kiah) earned a Grammy Award nomination for Best American Roots Song. She recently joined Iron & Wine on their summer tour, and has shared stages with The Who, Jason Isbell and the 400 Unit, CAM and more. We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #AmythystKiah #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.
Exploring the Grateful Dead's LegacyIn this episode of the Deadhead Cannabis Show, Larry Mishkin takes listeners on a nostalgic journey through the Grateful Dead's music, focusing on a concert from September 30, 1993, at the Boston Garden. He discusses various songs, including 'Here Comes Sunshine' and 'Spoonful,' while also touching on the band's history and the contributions of key figures like Vince Wellnick and Candace Brightman. The episode also delves into current music news, including a review of Lake Street Dive's performance and updates on marijuana legislation in Ukraine and the U.S.Chapters00:00 Welcome to the Deadhead Cannabis Show03:39 Here Comes Sunshine: A Grateful Dead Classic09:47 Spoonful: The Blues Influence14:00 Music News: Rich Girl and Lake Street Dive24:09 Candace Brightman: The Unsung Hero of Lighting38:01 Broken Arrow: Phil Lesh's Moment to Shine42:19 Lucy in the Sky with Diamonds: A Beatles Classic48:26 Marijuana News: Ukraine's Medical Cannabis Legislation54:32 Bipartisan Support for Clean Slate Act01:00:11 Pennsylvania's Push for Marijuana Legalization01:04:25 CBD as a Natural Insecticide01:10:26 Wave to the Wind: A Phil Lesh Tune01:13:18 The Other One: A Grateful Dead Epic Boston GardenSeptember 30, 1993 (31 years ago)Grateful Dead Live at Boston Garden on 1993-09-30 : Free Borrow & Streaming : Internet ArchiveINTRO: Here Comes Sunshine Track #1 0:08 – 1:48 Released on Wake of the Flood, October 15, 1973, the first album on the band's own “Grateful Dead Records” label. The song was first performed by the Grateful Dead in February 1973. It was played about 30 times through to February 1974 and then dropped from the repertoire. The song returned to the repertoire in December 1992, at the instigation of Vince Welnick, and was then played a few times each year until 1995. Played: 66 timesFirst: February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast: July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA But here's the thing: Played 32 times in 1973 Played 1 time in 1974 Not played again until December 6, 1992 at Compton Terrace in Chandler, AZ - 18 years Then played a “few” more times in 1993, 94 and 95, never more than 11 times in any one year. I finally caught one in 1993 at the Rosemont Horizon in Chicago with good buddies Marc and Alex. My favorite version is Feb. 15, 1973 at the Dane County Coliseum in Madison, WI SHOW No. 1: Spoonful Track #2 :50 – 2:35 "Spoonful" is a blues song written by Willie Dixon and first recorded in 1960 by Howlin' Wolf. Released in June, 1960 by Chess Records in Chicago. Called "a stark and haunting work",[1] it is one of Dixon's best known and most interpreted songs.[2]Etta James and Harvey Fuqua had a pop and R&B record chart hit with their duet cover of "Spoonful" in 1961, and it was popularized in the late 1960s by the British rock group Cream. Dixon's "Spoonful" is loosely based on "A Spoonful Blues", a song recorded in 1929 by Charley Patton.[3] Earlier related songs include "All I Want Is a Spoonful" by Papa Charlie Jackson (1925) and "Cocaine Blues" by Luke Jordan (1927).The lyrics relate men's sometimes violent search to satisfy their cravings, with "a spoonful" used mostly as a metaphor for pleasures, which have been interpreted as sex, love, and drugs. The Rock and Roll Hall of Fame listed Howlin' Wolf's "Spoonful" as one of the "500 Songs that Shaped Rock and Roll".[9] It is ranked number 154 on Rolling Stone magazine's 2021 list of the "500 Greatest Songs of All Time",[10] up from number 221 on its 2004 list. In 2010, the song was inducted into the Blues Foundation Hall of Fame "Classics of Blues Recordings" category.[12] In a statement by the foundation, it was noted that "Otis Rush has stated that Dixon presented 'Spoonful' to him, but the song didn't suit Rush's tastes and so it ended up with Wolf, and soon thereafter with Etta James".[12] James' recording with Harvey Fuqua as "Etta & Harvey" reached number 12 on Billboard magazine's Hot R&B Sides chart and number 78 on its Hot 100 singles chart.[13] However, Wolf's original "was the one that inspired so many blues and rock bands in the years to come". The British rock group Cream recorded "Spoonful" for their 1966 UK debut album, Fresh Cream. They were part of a trend in the mid-1960s by rock artists to record a Willie Dixon song for their debut albums. Sung by Bob Weir, normally followed Truckin' in the second set. This version is rare because it is the second song of the show and does not have a lead in. Ended Here Comes Sunshine, stopped, and then went into this. When it follows Truckin', just flows right into Spoonful. Played: 52 timesFirst: October 15, 1981 at Melkweg, Amsterdam, NetherlandsLast: December 8, 1994 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USA MUSIC NEWS: Lead In Music Rich Girl Lake Street Dive Lake Street Dive: Rich Girl [4K] 2018-05-09 - College Street Music Hall; New Haven, CT (youtube.com) 0:00 – 1:13 "Rich Girl" is a song by Daryl Hall & John Oates. It debuted on the Billboard Top 40 on February 5, 1977, at number 38 and on March 26, 1977, it became their first of six number-one singles on the BillboardHot 100. The single originally appeared on the 1976 album Bigger Than Both of Us. At the end of 1977, Billboard ranked it as the 23rd biggest hit of the year. The song was rumored to be about the then-scandalous newspaper heiress Patty Hearst. In fact, the title character in the song is based on a spoiled heir to a fast-food chain who was an ex-boyfriend of Daryl Hall's girlfriend, Sara Allen. "But you can't write, 'You're a rich boy' in a song, so I changed it to a girl," Hall told Rolling Stone. Hall elaborated on the song in an interview with American Songwriter: "Rich Girl" was written about an old boyfriend of Sara [Allen]'s from college that she was still friends with at the time. His name is Victor Walker. He came to our apartment, and he was acting sort of strange. His father was quite rich. I think he was involved with some kind of a fast-food chain. I said, "This guy is out of his mind, but he doesn't have to worry about it because his father's gonna bail him out of any problems he gets in." So I sat down and wrote that chorus. [Sings] "He can rely on the old man's money/he can rely on the old man's money/he's a rich guy." I thought that didn't sound right, so I changed it to "Rich Girl". He knows the song was written about him. Lake Street Dive at Salt Shed Lake Street Dive is an American multi-genre band that was formed in 2004 at the New England Conservatory of Music in Boston.[1] The band's founding members are Rachael Price, Mike "McDuck" Olson, Bridget Kearney, and Mike Calabrese. Keyboardist Akie Bermiss joined the band on tour in 2017 and was first credited on their 2018 album Free Yourself Up; guitarist James Cornelison joined in 2021 after Olson left the band. The band is based in Brooklyn and frequently tours in North America, Australia, and Europe. The group was formed in 2004 as a "free country band"; they intended to play country music in an improvised, avant-garde style.[3] This concept was abandoned in favor of something that "actually sounded good", according to Mike Olson.[4] The band's name was inspired by the Bryant Lake Bowl, a frequent hang out in the band's early years, located on Lake Street in Minneapolis. Great show last Thursday night my wife and I went with good friends JT and Marni and Rick and Ben. Sitting in the back near the top of the bleachers with a killer view of the Chicago Sky line looking west to southeast and right along the north branch of the Chicago River. Beautiful weather and a great night overall. My first time seeing the band although good buddies Alex, Andy and Mike had seen the at Redrocks in July and all spoke very highly of the band which is a good enough endorsement for me. I don't know any of their songs, but they were very good and one of their encores was Rich Girl which made me smile because that too is a song from my high school and college days, that's basically 40+ years ago. Combined with Goose's cover of the 1970's hit “Hollywood Nights” by Bob Seger and the Silver Bullet Band it was a trip down memory lane. I would recommend seeing this band to any fan of fun music. They were all clearly having a great time. Katie Pruitt opened and came out to sing a song with LSD. In 2017, Pruitt was awarded the Buddy Holly Prize from the Songwriters Hall of Fame[4] and signed with Round Hill Records.[5] Her EP, OurVinyl Live Session EP was released in March 2018.[6] She was named by Rolling Stone as one of 10 new country artists you need to know[7] and by NPR as one of the 20 artists to watch, highlighting Pruitt as someone who "possesses a soaring, nuanced and expressive voice, and writes with devastating honesty".[8] On September 13, 2019, Pruitt released "Expectations", the title track from her full-length debut. Additional singles from this project were subsequently released: "Loving Her" on October 21, 2019,[9] and "Out of the Blue" on November 15, 2019.[10] On February 21, 2020, Pruitt's debut album, Expectations, was released by Rounder Records.[11][12] She earned a nomination for Emerging Act of the Year at the 2020 Americana Music Honors & Awards.[13] In the same year, she duetted with Canadian singer-songwriter Donovan Woods on "She Waits for Me to Come Back Down", a track from his album Without People.[14] In 2021 the artist was inter alia part of the Newport Folk Festival in July. Recommend her as well. 2. Move Me Brightly: Grateful Dead Lighting Director Candace Brightman Candace Brightman (born 1944)[1] is an American lighting engineer, known for her longtime association with the Grateful Dead. She is the sister of author Carol Brightman. Brightman grew up in Illinois and studied set design at St John's College, Annapolis, Maryland.[1] She began working as a lighting technician in the Anderson Theater, New York City, and was recruited by Bill Graham to operate lighting at the Fillmore East.[3] In 1970, she operated the house lights at the Chicago Coliseum with Norol Tretiv.[4] She has also worked for Janis Joplin, Joe Cocker and Van Morrison. After serving as house lighting engineer for several Grateful Dead shows, including their 1971 residency at the Capitol Theatre, Port Chester, she was recruited by the band's Jerry Garcia to work for them full-time.[1] She started working regularly for the Dead on their 1972 tour of Europe (which was recorded and released as Europe 72), and remained their in-house lighting engineer for the remainder of their career.[1] One particular challenge that Brightman faced was having to alter lighting setups immediately in response to the Dead's improvisational style. By the band's final tours in the mid-1990s, she was operating a computer-controlled lighting system and managing a team of technicians.[5] Her work inspired Phish's resident lighting engineer Chris Kuroda, who regularly studied techniques in order to keep up with her standards. Brightman continued working in related spin-off projects until 2005.[1][7] She returned to direct the lighting for the Fare Thee Well concerts in 2015, where she used over 500 fixtures. Now facing significant financial and health related issues. 3. Neil Young and New Band, The Chrome Hearts, Deliver 13-Minute “Down By The River” on Night One at The Capitol Theatre My buddies and I still can't believe Neil with Crazy Horse did not play their Chicago show back in May this year. Thank god he's ok and still playing but we are bummed out at missing the shared experience opportunity that only comes along when seeing a rock legend like Neil and there aren't many. SHOW No. 2: Broken Arrow Track #5 1:10 – 3:00 Written by Robbie Robertson and released on his album Robbie Robertson released on October 27, 1987. It reached number 29 on the RPM CanCon charts in 1988.[23]Rod Stewart recorded a version of "Broken Arrow" in 1991 for his album Vagabond Heart.[24] Stewart's version of the song was released as a single on August 26, 1991,[25] with an accompanying music video, reaching number 20 on the US Billboard Hot 100 chart and number two in Canada. This ballad is not to be confused either with Chuck Berry's 1959 single or Buffalo Springfield's 1967 song of the same name, written by Neil Young. "Broken Arrow" was also performed live by the Grateful Dead from 1993 to 1995 with Phil Lesh on vocals.[28] Grateful Dead spinoff groups The Dead, Phil Lesh and Friends, and The Other Ones have also performed the song, each time with Lesh on vocals.[29] Played: 35 timesFirst: February 23, 1993 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast: July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA SHOW No. 3: Lucy In The Sky With Diamonds Track #9 2:46 – 4:13 "Lucy in the Sky with Diamonds" is a song by the English rock band the Beatles from their May, 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written primarily by John Lennon with assistance from Paul McCartney, and credited to the Lennon–McCartneysongwriting partnership.[2] Lennon's son Julian inspired the song with a nursery school drawing that he called "Lucy – in the sky with diamonds". Shortly before the album's release, speculation arose that the first letter of each of the nouns in the title intentionally spelled "LSD", the initialism commonly used for the hallucinogenic drug lysergic acid diethylamide.[3] Lennon repeatedly denied that he had intended it as a drug song,[3][4] and attributed the song's fantastical imagery to his reading of Lewis Carroll's Alice in Wonderland books.[3] The Beatles recorded "Lucy in the Sky with Diamonds" in March 1967. Adding to the song's ethereal qualities, the musical arrangement includes a Lowrey organ part heavily treated with studio effects, and a drone provided by an Indian tambura. The song has been recognised as a key work in the psychedelic genre. Among its many cover versions, a 1974 recording by Elton John – with a guest appearance by Lennon – was a number 1 hit in the US and Canada. John Lennon said that his inspiration for the song came when his three-year-old son Julian showed him a nursery school drawing that he called "Lucy – in the Sky with Diamonds",[4] depicting his classmate Lucy O'Donnell.[5] Julian later recalled: "I don't know why I called it that or why it stood out from all my other drawings, but I obviously had an affection for Lucy at that age. I used to show Dad everything I'd built or painted at school, and this one sparked off the idea."[5][6][7]Ringo Starr witnessed the moment and said that Julian first uttered the song's title on returning home from nursery school.[4][8][9] Lennon later said, "I thought that's beautiful. I immediately wrote a song about it." According to Lennon, the lyrics were largely derived from the literary style of Lewis Carroll's novel Alice in Wonderland.[3][10] Lennon had read and admired Carroll's works, and the title of Julian's drawing reminded him of the "Which Dreamed It?" chapter of Through the Looking Glass, in which Alice floats in a "boat beneath a sunny sky".[11] Lennon recalled in a 1980 interview: It was Alice in the boat. She is buying an egg and it turns into Humpty-Dumpty. The woman serving in the shop turns into a sheep and the next minute they are rowing in a rowing boat somewhere and I was visualizing that.[3] Paul McCartney remembered of the song's composition, "We did the whole thing like an Alice in Wonderland idea, being in a boat on the river ... Every so often it broke off and you saw Lucy in the sky with diamonds all over the sky. This Lucy was God, the Big Figure, the White Rabbit."[10] He later recalled helping Lennon finish the song at Lennon's Kenwood home, specifically claiming he contributed the "newspaper taxis" and "cellophane flowers" lyrics.[8][12] Lennon's 1968 interview with Rolling Stone magazine confirmed McCartney's contribution.[13] Lucy O'Donnell Vodden, who lived in Surbiton, Surrey, died 28 September 2009 of complications of lupus at the age of 46. Julian had been informed of her illness and renewed their friendship before her death. Rumours of the connection between the title of "Lucy in the Sky with Diamonds" and the initialism "LSD" began circulating shortly after the release of the Sgt. Pepper's Lonely Hearts Club Band LP in June 1967.[24][25] McCartney gave two interviews in June admitting to having taken the drug.[26][27] Lennon later said he was surprised at the idea the title was a hidden reference to LSD,[3] countering that the song "wasn't about that at all,"[4] and it "was purely unconscious that it came out to be LSD. Until someone pointed it out, I never even thought of it. I mean, who would ever bother to look at initials of a title? ... It's not an acid song."[3] McCartney confirmed Lennon's claim on several occasions.[8][12] In 1968 he said: When you write a song and you mean it one way, and someone comes up and says something about it that you didn't think of – you can't deny it. Like "Lucy in the Sky with Diamonds," people came up and said, cunningly, "Right, I get it. L-S-D," and it was when [news]papers were talking about LSD, but we never thought about it.[10] In a 2004 interview with Uncut magazine, McCartney confirmed it was "pretty obvious" drugs did influence some of the group's compositions at that time, including "Lucy in the Sky with Diamonds", though he tempered this statement by adding, "[I]t's easy to overestimate the influence of drugs on the Beatles' music." In 2009 Julian with James Scott Cook and Todd Meagher released "Lucy", a song that is a quasi-follow-up to the Beatles song. The cover of the EP showed four-year-old Julian's original drawing, that now is owned by David Gilmour from Pink Floyd.[59] Lennon's original handwritten lyrics sold at auction in 2011 for $230,000. A lot of fun to see this tune live. Love that Jerry does the singing even though his voice is very rough and he stumble through some of the lyrics. It is a Beatles tune, a legendary rock tune, and Jerry sings it like he wrote it at his kitchen table. Phil and Friends with the Quintent cover the tune as well and I believe Warren Haynes does the primary singing on that version. Warren, Jimmy Herring and Phil really rock that tune like the rock veterans they are. The version is fun because it opens the second set, a place of real prominence even after having played it for six months by this point. Gotta keep the Deadheads guessing. Played: 19 timesFirst: March 17, 1993 at Capital Centre, Landover, MD, USALast: June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA MJ NEWS: Ukrainian Officials Approve List Of Medical Marijuana Qualifying Conditions Under Country's New Legalization Law2. Federal Marijuana And Drug Convictions Would Be Automatically Sealed Under New Bipartisan Senate Bill3. Pennsylvania Police Arrest An Average Of 32 People For Marijuana Possession Every Day, New Data Shows As Lawmakers Weigh Legalization4. CBD-Rich Hemp Extract Is An Effective Natural Insecticide Against Mosquitoes, New Research Shows SHOW No. 4: Wave To The Wind Track #10 5:00 – 6:40 Hunter/Lesh tune that was never released. In fact, the Dead archives say that there is no studio recording of the song. Not a great song. I have no real memory of it other than it shows up in song lists for a couple of shows I attended. Even this version of the tune is really kind of flat and uninspiring but there are not a lot of Phil tunes to feature and you can only discuss Box of Rain so many times. Just something different to talk about. Played: 21 timesFirst: February 22, 1992 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast: December 9, 1993 at Los Angeles Sports Arena, Los Angeles, CA, USA OUTRO: The Other One Track #16 2:30 – 4:22 "That's It for the Other One" is a song by American band the Grateful Dead. Released on the band's second studio album Anthem of the Sun (released on July 18, 1968) it is made up of four sections—"Cryptical Envelopment", "Quadlibet for Tenderfeet", "The Faster We Go, the Rounder We Get", and "We Leave the Castle". Like other tracks on the album, is a combination of studio and live performances mixed together to create the final product. While the "We Leave the Castle" portion of the song was never performed live by the band, the first three sections were all featured in concert to differing extents. "Cryptical Envelopment", written and sung by Jerry Garcia, was performed from 1967 to 1971, when it was then dropped aside from a select few performances in 1985. "The Faster We Go, the Rounder We Get", written by Bill Kreutzmann and Bob Weir and sung by Weir, became one of the band's most frequently performed songs in concert (usually denoted as simply "The Other One"). One of the few Grateful Dead songs to have lyrics written by Weir, "The Faster We Go, the Rounder We Get" became one of the Dead's most-played songs (being performed a known 586 times[2]) and most popular vehicles for improvisation, with some performances reaching 30+ minutes in length. The song's lyrics reference the influence of the Merry Pranksters and in particular Neal Cassady.[2] Additionally, the line "the heat came 'round and busted me for smilin' on a cloudy day" - one of my favorite Grateful Dead lyrics - refers to a time Weir was arrested for throwing a water balloon at a cop from the upstairs of 710 Ashbury, the Dead's communal home during the ‘60's and early ‘70's before the band moved its headquarters, and the band members moved, to Marin County just past the Golden Gate Bridge when driving out of the City. In my experience, almost always a second set tune. Back in the late ‘60's and early ‘70's either a full That's It For The Other One suite or just The Other One, would be jammed out as long as Dark Star and sometimes longer. During the Europe '72 tour, Dark Star and the full Other One Suite traded off every show as the second set psychedelic rock long jam piece. Often preceded by a Phil bass bomb to bring the independent noodling into a full and tight jam with an energy all of its own. The Other One got its name because it was being written at the same time as Alligator, one of the Dead's very first tunes. When discussing the tunes, there was Alligator and this other one. I always loved the Other One and was lucky enough to see the full That's It For The Other One suite twice in 1985 during its too brief comeback to celebrate the Dead's 20th anniversary. Played: 550 timesFirst: October 31, 1967 at Winterland Arena, San Francisco, CA, USALast: July 8, 1995 at Soldier Field in Chicago Birthday shout out: Nephew, Jacob Mishkin, star collegiate baseball player, turns 21and all I can say is “no effing way!” Happy birthday dude! And a Happy and healthy New Year to those celebrating Rosh Hashanah which begins this week. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
Welcome to Season 04 Episode 02 - the "Grape Pie" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Dr. Karl Boelter, Board President of the Fredonia Jazz Society; Mr. Alberto Rey, Distinguished Professor Emeritus, Dept. of Visual Arts and New Media at SUNY Fredonia; Mr. Nyles Emile, director of the PAC production Fairview; and Mr. John McCutcheon, folk artist and historian. Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Thanks for listening! Time Stamps Dr. Karl Boelter/Fredonia Jazz Festival 1:26 Mr. Alberto Rey/Edvard Munch 18:38 Arts Calendar 35:15 Mr. Nyles Emile 37:13 Mr. John McCutcheon 45:57 Media "It's A Wonderful Day for Pie" from the television series Family Guy, Season 08 Episode 01 "Road to the Multiverse" "Waiting for Amalia", from the album Alegria de Casa; Anat Cohen and the Trio Brasileiro, May 2016; from a performance at the Tiny Desk Concert, September 2, 2020; Anat Cohen, clarinet; Marcello Gonçalves, guitar. "Louisiana," from the album Anat Cohen Quartetinho, Anat Cohen, composer; Anzic Records, Oct 7th 2022. "The Wind that Shakes the Barley", from the album The Wind that Shakes the Barley, Rounder Records, January 1977; John McCutcheon, hammer dulcimer "Immigrant", from the album Welcome the Traveler Home, John McCutcheon, composer/performer; Appalseed Productions, September 2010. Artist Links Karl Boelter Fredonia Jazz Festival Tickets Alberto Rey Munch tickets John McCutcheon John McCutcheon tickets SUNY Fredonia Box Office Website BECOME AN OPERA HOUSE MEMBER!
No matter where you are in your career, you'll benefit from listening to 3Q. 3Q provides a window into the careers of some of the best in the music business. Every episode is an insider's view of the realities of life as a music executive. Topics include issues of empowerment, uncertainty, trust, finances, etc; issues that will impact you both personally and professionally. The executives we interview represent every aspect of the industry including but not limited to A&R, Marketing, Music Supervision, Artist Management, Promotion, and more.About Liza:Liza has spent +15 years working at record labels including Rounder Records, Concord, and Universal Music Group both in marketing and streaming. Artist campaign highlights include: Alison Krauss, Steve Martin, Bobby Rush, Bela Fleck, Dolores O'Riordan, Sierra Hull, JD McPherson, The Beatles, The Rolling Stones, Lil Wayne, The Motown Catalog, and Janet Jackson. She now runs Salt Lick Incubator, a non-profit that supports emerging artists through grants, The Salt Lick Sessions series, writing camps, retreats, mentorship, and community building.
Journalist David Menconi has documented the people and sounds of North Carolina's music scene for almost three decades. In this episode, Ben and guest co-host Dolph Ramseur speak with David about his book Step It Up and Go: The Story of North Carolina Popular Music, from Blind Boy Fuller and Doc Watson to Nina Simone and Superchunk, and how the music of “The Old North State” is both reflected in, and a reflection of, its people. David Menconi spent 28 years writing for the Raleigh News & Observer and was Piedmont Laureate in 2019. His other works include Ryan Adams: Losering, A Story of Whiskeytown" (University of Texas Press, 2012); "Comin' Right at Ya: How a Jewish Yankee Hippie Went Country, or, the Often Outrageous History of Asleep at the Wheel. (co-written with Ray Benson, University of Texas Press, 2015). You can follow him on twitter at @NCDavidMenconi. Guest co-host Dolph Ramseur is the founder of Ramseur Records and a member of the North Carolina Hall of Fame. If you enjoy this episode, make sure to check out David's second appearance on our show in episode #286 Rounder Records and the Transformation of American Roots Music. If you're enjoying The Road to Now, please consider joining us on Patreon, giving us a 5 star rating/review on Apple podcasts and sharing this episode with a friend who might also enjoy it. Thank you! This is a rebroadcast of RTN #182, which originally aired on October 19, 2020. This reair was edited by Ben Sawyer.
Kiah nasceu em Chattanooga, Tennessee, Estados Unidos. Seu pai (que também é seu administrador de turnê) cantou e tocou percussão em uma banda na década de 1970. Sua mãe cantou na igreja enquanto crescia. Ela frequentou uma escola de artes e aprendeu sozinha a tocar violão. Quando ela tinha 17 anos, sua mãe suicidou, e cantar em seu funeral foi sua primeira grande experiência pública Se formou na East Tennessee State University, onde concluiu o programa de Bluegrass, Old Time e Country Music e se juntou à banda da escola. Em turnês, trabalha com a banda 'Her Chest of Glass' e também com a 'Our Native Daughters' Lançou seu primeiro álbum, Dig em 2013. O álbum foi produzido por ela e gravado no East Tennessee State University Recording Lab Wary class Strange foi lançado pela Rounder Records em 2021, produzido por Tony Berg. Gravou três vezes, com três produtores diferentes antes de se sentir feliz com o som. Pela Rolling Stone foi incluído na lista dos "25 Melhores Álbuns Country/Americana de 2021". Sua música "Wild Turkey" foi nomeada pela Variety como uma das 50 melhoresmúsicas de 2021. Kiah também apareceu (junto com Rhiannon Giddens, Leyla McCalla e Allison Russell) no álbum Songs of Our Native Daughters(2019). Ganhou uma indicação ao Grammy de Melhor Canção de Americana de 2020 por sua música "Black Myself Na vida pessoal se descreveu como amante de ficção científica e de fala engraçada". Hoje mora em Johnson City, Tennessee. Discografia: Dig (2013) Her Chest Of Glass (2017) Wary + Strange (2021) Pensive Pop (2022) Pré lançamento: Still + Bright chega em 24 de outubro e explora a vasta extensão de seu mundo interior: sua afinidade profundamente enraizada com filosofias orientais e tradições espirituais, uma conexão quase mística com o mundo natural Na playlist destacamos a obra prima Tender Organs, a segunda música. Com vocal gospel/soul espetacular, vale a pena conhecer.
Interview begins at :45 Follow John and learn more about him at www.folkmusic.com Learn about FARHOF and the Boch Center at www.farhof.org.
Acclaimed genre-crossing songwriter and interpreter Madeleine Peyroux takes stock of her songwriting over the years and shares insights into the creation of her latest album. PART ONEPaul and Scott talk music books, the value of recording, and whether or not performers should stick to a strict or loose interpretation of a song when performing live. PART TWOOur in-depth conversation with Madeleine PeyrouxABOUT MADELEINE PEYROUXMadeleine Peyroux moved to Paris with her mother at the age of 12 and began singing with street musicians while still a teenager. She eventually joined the Lost Wandering Blues and Jazz Band, with whom she toured Europe. After being discovered by Atlantic Records she released her debut album, Dreamland, in 1996. Madeleine's commercial breakthrough came with the Gold-selling album Careless Love in 2004 and it's single, the self-penned “Don't Wait Too Long,” which was released by Rounder Records and topped the jazz charts. The follow-up album, Half the Perfect World, hit the Top 40 on Billboard's US album chart. Her 2009 album, Bare Bones, was the first to feature all original material. She moved to Decca Records for the Standing on the Rooftop album in 2011 and has since released four additional studio albums. Her latest effort, Let's Walk, features all original material and continues to showcase her masterful blending of jazz, blues, folk, pop, and more.
Welcome to Season 03 Episode 16 - the "May Day" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Mr. Ray Bonilla on John Singer Sargent; Dr. Robert Strauss on Live at the Met's Madama Butterfly; Sparky and Rhonda Rucker. Notes from the Aisle Seat is available from most of your favorite podcast sites, including Apple Podcast, Google Podcast, Stitcher, Spotify, and Amazon Prime Music, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Thanks for listening! Time Stamps Ray Bonilla/John Singer Sargent 01:43 Dr. Robert Strauss/Madama Butterfly 19:30 Arts Calendar 36:10 Sparky and Rhonda Rucker 40:34 Media "Faery Song", written and performed by Lisa Thiel, from the album Invocation of the Graces, 2010 "Un bel di", from the opera Madama Butterfly; music by Giacomo Puccini, libretto by Luigi Illica and Giuseppe Giacosa; performed by Asmik Grigorian, soprano, from the May 2024 Metropolitan Opera production, Xian Zhang, conductor La finta giardiniera, K. 196: Ouverture. Allegro molto; W.A.Mozart, composer, Orchestra da Camera Fiorentina, Giuseppe Lanzetta, conductor "Stranger Blues", from the album Treasures and Tears, performed by Sparky and Rhonda Rucker, Rounder Records 1990 "Beltane", from the album The Claws of Dawn, performed by An Danzza, 2018 Artist Links Mr. Ray Bonilla Dr. Robert Strauss Sparky and Rhonda Rucker BECOME AN OPERA HOUSE MEMBER!
This week Joe is featuring Guitarist and Vocalist Duke Robillard from his 1987 Rounder Records recording titled “Swing.”
Can you write a song on an island? Dave talked about capturing the seeds of songs, mixing with Chris Shaw, signing Nataniel Rateliff, Clap Your Hands and Say Yeah, and Ween to Rounder Records, and finding inspiration in Native Instruments Kontakt. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Dave Godowsky, a veteran in the music industry, having spent the past 20+ years in Management, A&R, and Artist Relations. On the label front, he served as Director of A&R for Rounder Records (where he discovered and signed artists including Nathaniel Rateliff and Delta Spirit) and GM at Partisan Records (home to artists like IDLES, Fontaines DC, and Deer Tick). On the management front, he served as VP for Danny Goldberg at GoldVE, managing the careers of artists including Against Me!, Okkervil River, Speedy Ortiz, and Cass McCombs. On the technology front, Godowsky handles all artist and industry relations for the pioneering audio tech innovator iZotope, and now Native Instruments, and Plugin Alliance . A songwriter and producer himself, Godowsky has released three records, and co-written/collaborated with many others including Adam Duritz (Counting Crows), Lianne LaHavas, and Gene Ween (Ween). He has toured nationwide, including performances at major festivals and on the Late Show with David Letterman. Godowsky was named one of Billboard's "30 Under 30" and has been profiled by the Boston Globe for his industry and musical contributions. He currently lives with his wife and 18-month-old son in Maine. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://gracedesign.com/ https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://iZotope.com use code ROCK10 to get 10% off! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/0kydSMaB05NOHklabBVrH6?si=2299ff470a794d0b If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/438
In this bonus episode Greg adds a song to the Desert Island Jukebox in honor of Rounder Records, which is memorialized in a new book by David Manconi. Become a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundopsJoin our Facebook Group: https://bit.ly/3sivr9TSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Show #1032 Twenty is Plenty 01. Saverio Maccne - Endless Nights Blues (4:30) (Southern Light, Velvet Utopia, 2023) 02. Marcel Smith - Nothing Left To Burn (4:32) (From My Soul, Little Village Records, 2023) 03. Walker Tex - Change (3:23) (Single, self-release, 2023) 04. Randy Lee Riviere - Do Or Don't (2:59) (Blues Sky, New Wilderness Records, 2023) 05. 11 Guys Quartet - Blues Beyond Midnight (3:01) (11 x 11, VizzTone Records, 2023) 06. BB & The Blues Shacks - I Go To Bed With A Worry (3:22) (Lonesome In The Moonlight, Rhythm Bomb Records, 2023) 07. Ray Bonneville - Night Cab (4:02) (On The Blind Side, Stonefly Records, 2023) 08. Robert Connely Farr - Things They Tellin' You (3:32) (Pandora Sessions, self-release, 2023) 09. Chris O'Leary - Who Robs A Musician (4:02) (The Hard Line, Alligator Records, 2024) 10. Bob Corritore & Friends - I'm Evil (5:36) (Phoenix Blues Rumble, SWMAF/VizzTone Records, 2023) 11. Mike Bourne Band - Dangerous Game (8:06) (Cruisin' Kansas City, Blue Heart Records, 2023) 12. Nick Wade - Lonesome Copperhead Snake (3:26) (Feeling Good is Good Enough, self-release, 2023) 13. Emanuel Casablanca - Morning Wood (2:58) (Strung Out On Thrills, Vinyl Recording Group, 2024) 14. Danielle Nicole - Love On My Brain (4:33) (The Love You Bleed, Forty Below Records, 2024) 15. Derrick Dove & the Peacekeepers - You And My Guitar (3:48) (Rough Time, self-release, 2023) 16. Ryan T Higgins - It's Time And I Can Feel It (5:27) (Mad Love, self-release, 2023) 17. JJ Cale (ft. Eric Clapton) - Roll On (4:45) (Roll On, Rounder Records, 2009) 18. Sandy Carroll - Code Blue (3:23) (Love On It, Blue Heart Records, 2023) 19. Rï Wolf & the Prairie Hawks - Bomb City Baby (3:37) (Rï Wolf & the Prairie Hawks, self-release, 2024) 20. Mike Zito & Albert Castiglia - Hill Country Jam (13:44) (Blood Brothers Live In Canada, Gulf Coast Records, 2023) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.
From Sourced Network Productions, it's the Hot Jazz Network, with host, George Cole. Welcome everyone to the Hot Jazz Network podcast. I'm your host George Cole. Today, our very special guest is the one and only Eric Schoenberg, proprietor of Schoenberg Guitars and the Dean of Acoustic Guitars in America.Eric is primarily a finger-style guitarist who started out 50 years ago as a folkie and has since broadened his scope to many other kinds of music. Basically, when a song perks up his ears, it will try to find a place on his guitar. In 1963, Eric started teaching, which continued till just a couple of years ago. In the late 60s he became the second half of a duo with his cousin, Dave Laibman, helping Dave perform his amazing, groundbreaking arrangements of classical ragtime. This resulted in their album, Contemporary Ragtime Guitar, on Folkways Records. In the early 70s he starting drifting into a life of performing, touring the US & Europe playing solo fingerstyle guitar, playing the classical rags, folk music, blues, country, Beatles, etc. Since then he has written a book, Fingerpicking Beatles, released two solo albums, Acoustic Guitar and Steel Strings, on Rounder Records, a duet CD, Late Night Conversations with Richard Scholtz, on Live Music Recordings, and several contributions to anthologies. He has run a concert series, owned and run a guitar shop, Eric Schoenberg Guitars, in Tiburon, CA, and produced a line of high-end classic steel-string guitars, Schoenberg Guitars.
Show #1029 Beardo's Birthday Bash 2023 01. Robin Sylar (ft. Wes Race) - Shot Time (4:11) (Tricked Out, Topcat Records, 2004) 02. Jason Ricci & New Blood - Rocket Number 9 (10:37) (Rocket Number 9, Eclecto Groove Records, 2007) 03. Magic Sam - Everything Gonna Be Alright (2:54) (45 RPM Single, Cobra Records, 1958). 04. Leo Kottke - Vaseline Machine Gun (3:18) (6 and 12-String Guitar, Takoma Records, 1969) 05. David Migden & the Twisted Roots – I WSH U HRM (4:18) (Lit Up Like A Fruit Machine, self-release, 2022) 06. Papa George – Blackjack (Jenny Fairfax mix) (3:16) (Down At The Station, self-release, 2006) 07. Barry Venn's False Pretences – Crossroads (4:54) (True Lies, Intuition Records, 1997) 08. Virgil & the Accelerators - Silver Giver (8:49) (The Radium, Mystic Records, 2011) 09. Carlos del Junco & Bill Kennear - Big Road Blues (4:57) (Blues, Big Reed Records, 1993) 10. Rory Block - Big Road Blues (3:12) (Mama's Blues, Rounder Records, 1991) 11. Bonnie Raitt - Big Road (4:00) (The Lost Broadcast: Phildelphia 1972, Leftfield Media, 2010) 12. Walter Trout - Brother's Keeper (7:01) (Blues For The Modern Daze, Provogue Records, 2012) 13. Sérgio Bap - Kitungo Blues (2:07) (Soundcloud, self-release, 2014) 14. Sue Foley - Run (4:03) (The Ice Queen, Stony Plain Records, 2018) 15. Bo Ramsey (ft. Mark Knopfler) - Wounded Dog (3:58) (How Many Miles, self-release, 2022) 16. Beth Hart & Joe Bonamassa - Can't Let Go (4:03) (Seesaw, J&R Adventures, 2013) 17. Ali Farka Touré & Ry Cooder - Amandrai (9:26) (Talking Timbuktu, World Circuit Records, 1994) 18. Jeff Beck - Head for Backstage Pass (2:44) (Wired, Epic Records, 1976) 19. Sugar Pie Desanto - Can't Let You Go [1961] (2:45) (In the Basement: The Chess Recordings, Chess Records/UMG, 2018) 20. Eric Clapton & Jimmy Page - Tribute to Elmore (2:07) (Blues Anytime Vol 1: An Anthology of British Blues, Immediate Records, 1968) 21. Frankie Miller – The Devil Gun (3:38) (Frankie Miller … That's Who! The Complete Chrysalis Recordings 1973-1980, Chrysalis Records, 2011) 22. Guy Tortora – Willie Dixon (6:13) (Prodigal Songs, Turtledove Records, 2011) 23. Frank Zappa (with Mike Douglas Orchestra) - Black Napkins (4:12) (The Mike Douglas Show, October 28, 1976) 24. Ezra Collective - Live Strong (7:36) (Where I'm Meant To Be, Partisan Records, 2022) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.
Korby speaks with John Strohm, a musician, songwriter, attorney and former label head who has been involved in music for more than 4 decades, from playing guitar for the Lemonheads to serving as president of Rounder Records. Along the way he's worked with a hit list of influential artists: Bon Iver, The Civil Wars, Phoebe Bridger, The Alabama Shakes, and more.
Ellis Paul doesn't just write songs; he's a guitar-carrying reporter who covers the human condition and details the hopes, loves, losses of those he observes, turning their stories into luminous pieces of music that get under your skin and into your bloodstream. And much like the artists who have influenced him, everyone from Joni Mitchell, Bob Dylan and Paul Simon to the singer-songwriter who is undoubtedly his greatest inspiration, Woody Guthrie, Paul weaves deeply personal experiences with social issues and renders them as provocative works that are as timely as they are timeless. Born and raised in Maine, Paul attended Boston College on a track scholarship and in the evenings became a fixture on the city's open mic circuit. After winning a Boston Acoustic Underground songwriter competition, he caught the ear of folk luminary Bill Morrissey, who produced his indie album Say Something in 1993. This led to a seven- album contract with Rounder Records and the 1994 album, Stories.His songs have appeared in several blockbuster films (Me, Myself, and Irene; Shallow Hal, Hall Pass) and have been covered by award winning country artists (Sugarland, Kristian Bush, Jack Ingram). Through a steady succession of albums of his own – a remarkable 23 releases so far – and a constant touring presence around the world, Paul's audience has grown into a loyal legion of fans. Learn more about Ellis Paul at www.ellispaul.comHost Lee Zimmerman is a freelance music writer whose articles have appeared in several leading music industry publications. Lee is a former promotions representative for ABC and Capital Records and director of communications for various CBS affiliated television stations. Lee authored "Americana Music - Voices, Visionaries & Pioneers of an Honest Sound," as well as his recent book about legendary producer and engineer Jim Gains "Thirty Years Behind The Glass," both are now available on Amazon and other outlets.Lee also played a key role in securing airplay for Jimmy Buffett's first major hit, “Margaritaville” so you can blame him for the fact that it's become something akin to a Parrot heads' national anthem! During his time at Capital records Lee also worked with such legends as Paul McCartney, Bob Seger, the Steve Miller Band, and others. You can contact Lee at lezim@bellsouth.net and find him online at https://www.storiesbeyondthemusic.comPodcast producer/cohost Billy Hubbard is a Tennessee based Americana Singer/Songwriter and former Regional Director of A&R for a Grammy winning company, as well as a music and podcast producer. Billy is also the venue developer, booking manager, and co-founder of the iconic venue "The Station" in East Tennessee. As an artist Billy is endorsed by Godin's Simon & Patrick Guitars and his YouTube channel has over 3 million viewers. Billy's new self titled album was released on Spectra Records October 2023 on iTunes and all major outlets! Learn more about Billy online at http://www.BillyHubbard.comMy Backstage Pass intro/outro music credit; Billy Hubbard "Waiting' on The Wind"
In this encore presentation, we hear from mandolin virtuoso Sierra Hull.About Sierra Hull: In her first 25 years alone, singer/songwriter/multi-instrumentalist Sierra Hull hit more milestones than many musicians accomplish in a lifetime. After making her Grand Ole Opry debut at the age of 10, the Tennessee-bred virtuoso mandolinist played Carnegie Hall at age 12, then landed a deal with Rounder Records just a year later. Now 28-years-old, Hull is set to deliver her fourth full-length for Rounder: an elegantly inventive and endlessly captivating album called 25 Trips.How to Connect with Sierra:https://www.sierrahull.com/http://www.facebook.com/SierraHullMusichttp://instagram.com/sierradawnhullSierra Hull on YouTubeSierra Hull on Spotifyhttps://itunes.apple.com/us/artist/sierra-hull/id278182972http://bandsintown.com/sierrahullAbout the Host - Belinda Ellsworth is a Speaker, Trainer, Best-Selling Author, and Podcaster She has been a professional speaker, mover, and shaker for more than 25 years. Having built three successful companies, she has helped thousands of entrepreneurs make better decisions, create successful systems, and build business strategies using her "Four Pillars of Success" system.Belinda has always had a passion and zest for life with the skill for turning dreams into reality.How to Connect with Belinda:Facebook -https://www.facebook.com/workfromyourhappyplaceLinkedIn - https://www.linkedin.com/in/belindaellsworthInstagram -https://www.instagram.com/workfromyourhappyplace/Website - www.workfromyourhappyplace.com Join my membership program and discover the art of creating and sharing amazing experiences with like-minded people, all from the comfort of your own home. You get to connect with others online, learn new skills and techniques, and grow your network without ever having to leave your computer screen. To know more, click on the link https://workfromyourhappyplace.com/vip/This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4939248/advertisement
In the Carolinas today talking with author David Menconi, enjoying the entire backstory about writing his new book 'Oh Didn't They Ramble, Rounder Records and the Transformation of American Roots Music.' The UT grad and former writer for Rolling Stone and Spin (and music critic for the Raleigh News and Observer), talks about the iconic record label Rounder Records, how the forward from Robert Plant from Led Zep came together, those interviews with Allison Krauss, Bela Fleck and Patterson Hood; how radio joined in with the evolution of Americana music, the true story behind the book title "Oh Didn't They Ramble...' , plus a special shout out to Texas Music Hall of Fame singer Monte Warden and the Wagoneers. Join us!About the Spotlight Conversations podcast:Join me as I invite friends inside my cozy linoleum free recording studio to talk about all things media - radio, television, music, voiceovers - if they've worked in media, we're talkin'! Unscripted and nearly always entertaining, each guest gets real about their careers in the entertainment biz; from where they started to how it's going. Join us in the studio where drinks are always on ice; music + media are the conversation starters. New episodes every other Tuesday. Social media links, website and more hereFollow and subscribe to my podcast hereBehind the scenes:A very special thank you to friends who helped bring the Spotlight Conversations podcast together:Booth Announcer: Joe Szymanski ('Joe The Voice Guy')Theme Song Composer: Mark Sparrow, SongBird StudiosPhoto: Al Torres PhotographyAirwaves Publicity: Radio Free RaleighHouston Radio Platinum
From its founding in 1970, Rounder Records was different. What started as the passion project for three New England music lovers who wanted to preserve and proselytize folk and roots music, eventually grew into a record label with an eclectic catalogue featuring long-forgotten bands, promising musicians such as George Thorogood and Allison Krauss, and even an album just called “Hollerin'” (which is exactly what it says it is). Along the way, Rounder Records became indispensable in transforming American folk music. In this episode, we learn more about the history of Rounder Records from music historian David Menconi, author of the new book Oh, Didn't They Ramble: Rounder Records and the Transformation of American Roots Music (UNC Press, 2023). You can hear David Menconi's playlist of key tracks from the Rounder catalogue on Spotify by clicking here. This episode was edited by Gary Fletcher.
Today's episode features a discussion with Tobias LaMontagne (@tobiaslamontagne) an accomplished filmmaker based in Massachusetts, US. With a diverse range of experience in creating music videos, narrative films, and promotional content, Tobias has worked with esteemed clients such as Sony Music Entertainment, Rounder Records, and RCA Records, among others.His unique style, heavily influenced by classical cinema, showcases colorful and abstract imagery, combined with meticulously crafted set pieces and striking cinematography. Tobias's work has been showcased in national and international film festivals, including the PBS Online Film Festival, the National Film Festival for Talented Youth (NFFTY), and the Scout Film FestivalOur conversation today focuses on but is not limited to:stop motion videoart directioncreating uniquely styled music videosworking with a client when they are also an artistwhen to execute your client's ideas and revisions vs. suggesting your own ideas due to your expertisethe difference in finding joy creating for yourself vs creating for clientsIf you're listening on Spotify you can now interact with us directly by typing your thoughts, opinions, or questions in the Q & A section. We read them and publish them. It's a great way to make these episodes more of a two conversation so be sure to add your two cents after each episode!Here is the music video created by Tobias that we repeatedly reference in this episode for Ray LaMontagne's new single "Broken Sky": https://www.youtube.com/watch?v=bZI3F1TrEQ8Here is the LinkTree to everything involving Tobias's business and creative work: https://linktr.ee/tobiaslamontagneThanks to Tamron Americas for being our lead sponsor this episode! You can check out their website below to see their full lineup of camera lenses or visit your nearest photo retailer to purchase their products:https://tamron-americas.com/Make a donation via PayPal for any amount you feel is equal to the value you receive from our podcast episodes! Donations help with the fees related to hosting the show:https://paypal.me/podcasttpm?country.x=CA&locale.x=en_USThanks for listening!Go get shooting, go get editing, and stay focused.@sethmacey@mantis_photography@thephotographermindsetSupport the show
In Part Two of our conversation with Ken Irwin & Marian Leighton Levy, we continue diving in to the fifty-plus year history of Rounder Records, which they helped found alongside Bill Nowlin. They tell us why J.D. Crowe & The New South's 1975 release (Rounder 0044) was so pivotal for the aspiring label (and so unlikely as well). Ken also takes us to the exact moment he first heard the voice of Alison Krauss of the Bluegrass Music Hall of Fame, and we learn more about her rise as one of the most celebrated vocalists in American roots music history. Ken & Marian also share some of their pick hits from the Rounder catalog, and we put Ken's knowledge of the label's stock numbers to the test. Enjoy the second half of our in-depth conversation with this pair of Rounders (and Bluegrass Music Hall of Famers), Ken Irwin & Marian Leighton Levy! Be sure to check out the new book on the history of Rounder Records, written by David Menconi, 'Oh, Didn't They Ramble.' Click here to learn more! This episode is brought to you by the following sponsors: -- Samson's Haircare: samsonshaircare.com (Use code BLUEGRASS to save 10%.) -- LawnChair USA: lawnchairusa.com/wallsoftime (Use code WALLSOFTIME to save 10%.) -- Best Self Co: bestself.co (Use code BLUEGRASS to save 15%)
Third of Never/Electric Forgiveness founder Jon Dawson talks to author David Menconi, whose new book Oh Didn't They Ramble details the history of the legendary Rounder Records label.As a man of few words, just let me say, Rounder Records made me. . and vicey-versey.— George Thorogood, Rounder Records artistLong one of my favorite music writers, David Menconi has blessed us with a wonderful yarn about the most unlikely of success stories imaginable. Rounder Records has long been the tiny label that somehow could and did. They were ahead of their times in almost every imaginable way and succeeded by going against every grain and trend. An excellent book and a blast to read.— Patterson Hood, writer, performer and co-founder, Drive-By TruckersThe Rounders felt a calling to share what they loved and ended up making history while trying to preserve it. The sheltered sounds of traditional American roots music have gratefully been amplified by Rounder's passion for sharing the good news. This was their business of music…The story of Rounder Records has been well and fully told in this fine book revealing a mission of the heart.— Alison Krauss, Rounder Records artistFeaturing a forward by Robert Plant, Oh Didn't They Ramble is available at your favorite independent bookstore. To order online, visit www.quailridgebooks.com.For more information visit www.DavidMenconi.com.
The story of Rounder Records is one of the most unlikely success stories in American roots music. Two of the historic record label's three founders, Ken Irwin & Marian Leighton Levy join us to tell the tale in this extensive, in-depth, two-part interview. We learn how this set of outlaw romantics journeyed from the counter-culture to the Bluegrass Music Hall of Fame, and learn many lessons along the way, like the importance of "knowing that you don't know" and how to travel across the entire country on only eleven cents! Enjoy the first part of our conversation with this legendary pair of Rounders. Be sure to check out the new book on the history of Rounder Records, written by David Menconi, 'Oh, Didn't They Ramble.' Click here to learn more! This episode is brought to you by the following sponsors: -- Samson's Haircare: samsonshaircare.com (Use code BLUEGRASS to save 10%.) -- LawnChair USA: lawnchairusa.com/wallsoftime (Use code WALLSOFTIME to save 10%.) -- Best Self Co: bestself.co (Use code BLUEGRASS to save 15%)
In this special extended Into The Music, the one and only Eddie Angel, guitarist for Los Straitjackets, is here to talk about rock & roll, playing guitar, paying your dues, and so much more. We discuss not only Los Straitjackets, but his solo work, The Planet Rockers, The Neanderthals, and playing with rock & roll legend Nick Lowe. Plus there are plenty of tunes from an array of Eddie's musical undertakings. Sit back and simply enjoy a great conversation with Eddie Angel!"Aerostar" (Angel), "Calhoun Surf*" (Amis), "Funky Twine" (Amis/Angel/Lester/Curry), "Kawanga!" (Angel), "Pacifica*" (Angel/Amis), and "Close To Champaign" (Angel/Amis/Lester) performed by Los StraitjacketsAll songs ℗2013, 2004, and 1999 Yep Roc Records except * ℗ 1995 & 1996 Rounder Records, a division of Concord Music Group, Inc. "Itchy Chicken" performed by Eddie AngelWritten by Eddie Angel℗ 2013 Yep Roc Records."Gotta Rock" performed by The Planet RockersWritten by The Planet Rockers ℗1997 Spinout Records."Lurch" performed by The NeanderthalsWritten by Eddie Angel ℗1999 Spinout Records."Tokyo Bay" performed by Nick Lowe with Los StraitjacketsWritten by Nick Lowe℗2020 Yep Roc Records.All songs used with permission of Eddie Angel.Support the showSupport the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions, Appleton, WI.Producer: Rob MarnochaRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie AngelThis podcast copyright ©2024 by Project X Productions. All rights reserved.
Click to listen to episode (5:03).Sections below are the following:Transcript of AudioAudio Notes and AcknowledgmentsImagesExtra InformationSourcesRelated Water Radio EpisodesFor Virginia Teachers (Relevant SOLs, etc.)Unless otherwise noted, all Web addresses mentioned were functional as of 9-1-23. TRANSCRIPT OF AUDIO From the Cumberland Gap to the Atlantic Ocean, this is Virginia Water Radio for the weeks of September 4 and September 11, 2023. MUSIC – ~22 sec – Lyrics: “Wake up in the morning and get to work; wake up in the morning and get to work. Got a lot of work to do, gonna go do it, gotta get to it.” That's part of “Get to Work,” by the Harrisionburg- and Rockingham County, Va.-based band, The Steel Wheels, from their 2019 album, “Over the Trees.” It sets the stage for a water-and-work quiz game, honoring Labor Day by exploring some water-related jobs. In this game, I'll read 10 short samples of people describing their work connected to water; you'll have a couple of seconds of river sounds to guess the job, then I'll tell you the answer. Let's get to it! No. 1. I manage places where marine or freshwater creatures are grown for food, restoration, or other purposes. [RIVER SOUNDS - ~2 SEC] That's an aquaculturist. No. 2. I ply big rivers on large, flat vessels full of coal, grains, and other goods. [RIVER SOUNDS - ~2 SEC] That's a crew member on a river barge. No. 3. I'm a scientist who studies fish. [RIVER SOUNDS - ~2 SEC] That's an ichthyologist. No. 4. I'm a scientist who studies inland waters, both fresh and salty. [RIVER SOUNDS - ~2 SEC] That's a limnologist. No. 5. I respond to often dangerous emergencies with the aid of trucks, hoses, pumps, and other equipment. [RIVER SOUNDS - ~2 SEC] That's a firefighter. No. 6. I use filters, chemicals, and tests to treat water going from sources to customers. [RIVER SOUNDS - ~2 SEC] That a water-supply plant worker. No. 7. I use filters, chemicals, and tests to treat used water and send it back to water sources. [RIVER SOUNDS - ~2 SEC] That's a wastewater-treatment plant worker. No. 8. I board huge ships in open waters, then guide the ships safely into port. [RIVER SOUNDS - ~2 SEC] That's a harbor pilot. No. 9. I work to ensure safe, accessible, and effective use of a water-recreation facility. [RIVER SOUNDS - ~2 SEC] That's a swimming pool manager, lifeguard, or water exercise instructor. And No. 10. I use powerful drills to provide access to groundwater. [RIVER SOUNDS - ~2 SEC] That's a water-well contractor. Other water-related jobs include boat building, farming, public health, managing lakes and dams, managing watersheds, identifying wetlands, and lots more. As Labor Day comes and goes, here's a big thank you to people who work to provide, manage, navigate, protect, and teach and learn about our common wealth of water. Thanks also to The Steel Wheels for permission to use part of “Get to Work.” We close with some more music, this time by renowned musician and former Charlottesville, Virginia, resident John McCutcheon. From his 1998 album “Four Seasons: Autumnsongs,” here's about 35 seconds of “Labor Day.” MUSIC – ~36 sec – Lyrics: “Labor Day, Labor Day, September or the first of May. To all who work this world we say, ‘Happy Labor Day.'” SHIP'S BELL Virginia Water Radio is produced by the Virginia Water Resources Research Center, part of Virginia Tech's College of Natural Resources and Environment. For more Virginia water sounds, music, or information, visit us online at virginiawaterradio.org, or call the Water Center at (540) 231-5624. Thanks to Ben Cosgrove for his version of “Shenandoah” to open and close this episode. In Blacksburg, I'm Alan Raflo, thanking you for listening, and wishing you health, wisdom, and good water. AUDIO NOTES AND ACKNOWLEDGEMENTS The river sounds heard in this episode were recorded by Virginia Water Radio beside the New River at Radford, Va., on October 6, 2013. “Get to Work,” from the 2019 album, “Over the Trees,” is copyright by The Steel Wheels, used with permission. More information about The Steel Wheels is available online at http://www.thesteelwheels.com/. This music was used previously by Virginia Water Radio in Episode 558, 1-4-21. “Labor Day,” from the 1998 album “Four Seasons: Autumnsongs,” on Rounder Records, is copyright by John McCutcheon/Appalsongs and Si Kahn/Joe Hill Music, used with permission of John McCutcheon. More information about John McCutcheon is available online at http://www.folkmusic.com/. Thanks to John Plunkett of Appalseed Productions for his help in acquiring permission to use this music. More information about Appalseed Productions is available online at https://appalseed-productions-2.square.site/. Click here if you'd like to hear the full version (2 min./22 sec.) of the “Shenandoah” arrangement/performance by Ben Cosgrove that opens and closes this episode. More information about Mr. Cosgrove is available online at http://www.bencosgrove.com. IMAGES (Except as otherwise noted, photographs are by Virginia Water Radio.) A Virginia Tech worker testing fire-hyrdrant pressure on the university campus in Blacksburg, March 10, 2017.A well-drilling rig at a Montgomery County, Virginia, residential project, June 20, 2014.A barge transporting stone on the Ohio River at Huntington, West Virginia, November 6, 2011.A commercial ship on the Chesapeake Bay as viewed from Kent Island, Maryland, September 22, 2010.EXTRA INFORMATION ABOUT LABOR DAY The following information is from U.S. Department of Labor, “History of Labor Day,” online at https://www.dol.gov/general/laborday/history. “Before it was a federal holiday, Labor Day was recognized by labor activists and individual states. After municipal ordinances were passed in 1885 and 1886, a movement developed to secure state legislation. New York was the first state to introduce a bill, but Oregon was the first to pass a law recognizing Labor Day, on February 21, 1887. During 1887, four more states – Colorado, Massachusetts, New Jersey and New York – passed laws creating a Labor Day holiday. By the end of the decade Connecticut, Nebraska and Pennsylvania had followed suit. By 1894, 23 more states had adopted the holiday, and on June 28, 1894, Congress passed an act making the first Monday in September of each year a legal holiday.” SOURCES USED FOR AUDIO AND OFFERING MORE INFORMATION American Society of Limnology and Oceanography, “What is Limnology?” Online at https://www.aslo.org/what-is-aquatic-science/what-is-limnology/. Encyclopedia Britannica, “May Day,” by Meg Matthais, online at https://www.britannica.com/topic/May-Day-international-observance. Fire Safety USA, “All [Product] Categories,” online at https://firesafetyusa.com/collections/all-products. National Oceanic and Atmospheric Administration/National Ocean Service, “What is aquaculture?” Online at this link. NPR, “Harbor Pilots Reap High Rewards for Dangerous Job,” by Gloria Hillard, March 21, 2012. NPR, “What is May Day?” For the most part, the opposite of capitalism,” by Emma Bowman, May 1, 2023. Tennessee Valley Authority, “Commodities Shipped on the River,” online at https://www.tva.com/environment/managing-the-river/commodities-shipped-on-the-river. University of New Mexico, “Position Classification Description: Aquatics Manager,” online at https://jobdescriptions.unm.edu/detail.php?v&id=I6001. U.S. Department of Labor, “History of Labor Day,” online at https://www.dol.gov/general/laborday/history. U.S. Environmental Protection Agency, “Learn About Private Water Wells,” online at https://www.epa.gov/privatewells/learn-about-private-water-wells. Virginia Cooperative Extension/Virginia Household Water Quality Program, “Wellcheck Contractor List,” online at https://www.wellwater.bse.vt.edu/wellcheck-contractor-list.php. Karen Zraik, “What is Labor Day? A History of the Workers' Holiday,” New York Times, September 4, 2023 (first published in 2018).RELATED VIRGINIA WATER RADIO EPISODES All Water Radio episodes are listed by category at the Index link above (http://www.virginiawaterradio.org/p/index.html). See particularly the “Overall Importance of Water” subject category. Following are links to some other episodes on Labor Day or water-related labor.Episode 279, 8-24-15 – Oysters, Nitrogen, and the Chesapeake Bay. Episode 378, 7-24-17 – The Complicated Challenge of Cleaner Water. Episode 436, 9-3-18 – Labor Day, “Sandy Boys,” and the Big Sandy River. Episode 578, 5-24-21 – Water Well Construction is an Ancient and Modern Human Practice. Episode 635, 8-29-22 – A Fishing Focus for Labor Day, Featuring the Northern Neck Chantey Singers FOR VIRGINIA TEACHERS – RELATED STANDARDS OF LEARNING (SOLs) AND OTHER INFORMATION Following are some Virginia Standards of Learning (SOLs) that may be supported by this episode's audio/transcript, sources, or other information included in this post. 2020 Music SOLs SOLs at various grade levels that call for “examining the relationship of music to the other fine arts and other fields of knowledge.” 2018 Science SOLs Grades K-5: Earth and Space Systems3.7 – There is a water cycle and water is important to life on Earth. Grades K-5: Earth Resources3.8 – Natural events and humans influence ecosystems.4.8 – Virginia has important natural resources. Grade 66.6 – Water has unique physical properties and has a role in the natural and human-made environment.6.8 – Land and water have roles in watershed systems.6.9 – Humans impact the environment and individuals can influence public policy decisions related to energy and the environment. Earth ScienceES.6 – Resource use is complex.ES.8 – Freshwater resources influence and are influenced by geologic processes and human activity.ES.10 – Oceans are complex, dynamic systems subject to long- and short-term variations.
This week our host Brandi Starr is joined by Jim Combs, Vice President of Experience Strategy & Research at Human Spark. As VP of Experience Strategy & Research at Human Spark, Jim leads development and integration of digital and traditional brands, products, services, and marketing for global Fortune 1000 companies. Jim is one of those rare individuals who lives and breathes at the experience design intersection of creative, business, and technology. He has over 25 years of experience leading successful teams and global, strategic-level initiatives for clients including Philips Healthcare, 3M, Cox Communications, AT&T, UPS, The Coca-Cola Company, The Home Depot, IHG, Verizon Wireless, Marriott, The WK Kellogg Foundation, Kimberly-Clark, Equifax, Universal Music, Rounder Records, CareFirst Blue Cross Blue Shield, the American Cancer Society, and Macy's. Prior to Human Spark, Jim served as Experience Director for T3 in Atlanta, Georgia, and has previously held executive positions with Slalom Consulting, WebMD, Moxie Interactive, Sapient, and IBM. He started his career in the music business as a marketing and sales lead for CBS Records in the heyday of vinyl records before leaving after five years when CDs were released to be a pioneer in new media, eCommerce, and enterprise digital transformation. He continues to compose, record, release, and perform his own music which can be heard on radio and streaming channels around the world. Jim holds a Master's Degree in Interactive Telecommunications from New York University's Tisch School of the Arts and graduated from the University of Oklahoma with a Bachelor of Arts in Journalism: Radio, TV, Film. On the couch in this weeks' episode, Brandi and Jim will tackle Deciphering Customer Desires: From Insights to Brand Promise Delivery. Links: Get in touch with Jim Combs on: LinkedIn Twitter Instagram Facebook Human Spark Subscribe, listen, and rate/review Revenue Rehab Podcast on Apple Podcasts, Spotify, Google Podcasts , Amazon Music, or iHeart Radio and find more episodes on our website RevenueRehab.live
Doug Stone talks to jazz musicians about life, music, recent and upcoming performances, equipment and current events on this Tenor Talk Podcast recording. A different jazz musician is featured in each episode. This episode features Clarence Johnson III and was recorded January 14, 2020. Known for his fierce and often sultry saxophone sound and astounding virtuosity, New Orleanian Clarence Johnson III enjoys a successful career as a recording and performing artist, an educator, and also appears in films and television. Most recently, Clarence, a 2 time winner of Offbeat Magazine's “Best of the Beat” Best Saxophonist Award, was honored with a Lifetime Achievement Cultural Ambassador Heartbeat Award from Offbeat Magazine and Positive Vibrations Foundation in 2017. Clarence is currently celebrating the national release of his latest recording, "Watch Him Work." Johnson has appeared on the recordings of such artists at Tori Amos ("Boys for Pele" WEA, 1996), Bruce Hornsby as part of a tribute to Keith Jarrett ("Long as You're Living Yours" RCA, 2000), and Davell Crawford ("The B-3 and Me" Rounder Records, 1998). Johnson's resume also includes past work with the Delfeayo Marsalis Quintet, the New Orleans Jazz Orchestra, Dr. John, members of the Neville Brothers, Allen Toussaint, Jimmy Smith, David "Fathead" Newman, John Scofield, and members of the Meters. Additionally he's performed with orchestras that have backed such international acts as Aretha Franklin, The Temptations, Kirk Franklin, Gladys Knight, the O'Jays, Billy Preston, and Wynton Marsalis. Learn more about Clarence here: https://www.facebook.com/CJ3SAX/https://open.spotify.com/artist/3oBDGjZXrKrUtqHdqq8l0E https://youtube.com/playlist?list=PL7kMuikSH6hb4DCdI4KDTasHJftaAPcrU Let's connect: Website: https://www.dougstonejazz.com/ Instagram: https://www.instagram.com/dougstonejazzsaxophone/ Facebook: https://www.facebook.com/profile.php?id=100089874145057 If you want to learn more about jazz improvisation and be part of the Doug Stone Jazz community get on our email list! https://www.dougstonejazz.com/about Head over to the Doug Stone Jazz Shop for some fun jazz merch: https://www.dougstonejazz.com/product-page/just-play-the-changes-long-sleeved-shirt #dougstonejazz #jazz #podcast #musicianlife #musicians #tenorsaxophone #jazzmusicians #jazzinterview #musicianlife
Show #1012 Without Your Host It's long and good, but without your host. So check this playlist to see what's playing. 01. Coco Montoya - Beyond The Blues (4:27) (Suspicion, Alligator Records, 2000) 02. Ann Rabson - Gonna Stop You From Giving Me The Blues (4:45) (Music Makin' Mama, Alligator Records, 1997) 03. Ray Bonneville - Gust Of Wind (4:40) (Gust Of Wind, Stony Plain Records, 1999) 04. Clarence 'Gatemouth' Brown - Sometimes I Slip (6:32) (Alright Again!, Rounder Records, 1987) 05. Magic Sam - I Feel So Good (I Wanna Boogie) (4:47) (West Side Soul, Delmark Records, 1967) 06. Paula Lockheart - Sweet Marijuana Brown (2:35) (It Ain't The End Of The World, Flying Fish Records, 1979) 07. Lonnie Brooks - Evil Twin (3:56) (Roadhouse Rules, Alligator Records, 1996) 08. Chicken Shack - The Road Of Love (3:30) (100 Ton Chicken, Blue Horizon Records, 1969) 09. Charlie Musselwhite - Little Star (5:21) (Continental Drifter, PointBlank Records, 1999) 10. Beaucoup Blue - Desert Spring (4:52) (Free To Fall, self-rlease, 2009) 11. Lisa Cee - Bright Shiny World (5:28) (My Turn, Rip Cat Records, 2012) 12. Cream - Born Under A Bad Sign (3:13) (Wheels Of Fire, Polydor Records, 1968) 13. Geoff Muldaur - The World Is Not My Home (4:44) (The Secret Handshake, Hightone Records, 1998) 14. San Pedro Slim - Having A Hard Time (5:59) (Another Night On The Town, Tramp Records, 1997) 15. Angela Strehli - Go On (3:11) (Blonde & Blue, Zensor/Rounder Records, 1992) 16. Jean-Jacques Milteau - Beale Street (3:46) (Merci d'Être Venus, Odeon Records, 1996) 17. BB King (ft. Joe Cocker) - Dangerous Mood (4:54) (Deuces Wild, MCA Records, 1997) 18. Eric Clapton - Kind Hearted Woman Blues (4:06) (Me And Mr. Johnson, Reprise Records, 2004) 19. Kay Kay & the Rays - Big Bad Girl (3:47) (Big Bad Girl, Topcat Records, 2004) 20. Jason Ricci & New Blood - The Eternal Is (5:29) (Rocket Number 9, Eclecto Groove Records, 2007) 21. Delbert McClinton & Dick 50 - Do It (2:48) (Acquired Taste, New West Records, 2009) 22. Ruby Turner - You Can't Do That (3:16) (Guilty, Indigo Records, 1996) 23. Harpface And The Heat - You Will Never Know (5:39) (Harpface And The Heat, Rockwerk Records, 1996) 24. Amazing Rhythm Aces - Sensual Woman (4:18) (Nothin' But The Blues, self-release, 2004) 25. Julien Kasper Band - Trash Day (4:49) (Trance Groove, Toulcat Records, 2009) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.
David Grier Interview: 3-time IBMA Guitar Player of The Year, David talks about playing with Clarence and Roland White, why he left Rounder Records... why, after all these years, he finally started singing on his latest album, what picks him up during bad times, and more: Cool Guitar & Music T-Shirts, ELG Merch!: http://www.GuitarMerch.com 3-time International Bluegrass Music Association Guitar Player of The Year award winner, David has been playing bluegrass since he was a kid. First, with his father Lamar - who was a member of “Bill Monroe's Bluegrass Boys,” and later as a solo artist who's recorded on 15 LPs. David was a member of Psychograss and is the founder of The Helen Highwater String Band Subscribe & Website: https://www.everyonelovesguitar.com/subscribe Support this show: https://www.everyonelovesguitar.com/support
Susan Piver is the New York Times bestselling author of nine books, an internationally renowned Buddhist meditation teacher and public speaker, and former record industry professional, having worked at legendary independent Hip-Hop label Tommy Boy, as well as Rounder Records where she helped Alison Krauss achieve a Platinum album. Susan has been a guest on Oprah twice, has been a speaker at Harvard and Google, and founded the worlds largest online only meditation center - The Open Heart Project. But as she shares throughout the course of this highly engaging conversation with Jaymee, all of these accomplishments pale in comparison to her eventually discovering the writings and teachings of Chögyam Trungpa Rinpoche (posthumously), which indirectly led to a life-altering encounter with Shambhala Publications founder Samuel Bercholz, who became her Tibetan Buddhist teacher (and still is to this day). Jaymee surprises Susan with an (unannounced) pop in visit from Samuel deep into an episode that has been rank with generous smatterings of praise and tears of gratitude shed by her prior to his arrival, creating a sincere moment of magic for her on the anniversary of a car accident that almost took her life. The conversation between Jaymee and Susan is like hearing two long lost friends who have never met each other, an hour drenched in an ocean of openness and shared devotion. SUSAN / WEB: www.openheartproject.com SUSAN / INSTAGRAM: @susan.piver LOVE IS THE AUTHOR PODCAST: produced, edited, and hosted by Jaymee Carpenter. INSTAGRAM: @loveistheauthor CONTACT/MGMT/INFO: lacee@loveistheauthor.com
#antones #fabulousthunderbirds #stevierayvaughan #austinmusicians Angela discusses her long career and talks about her friends in the music biz: Stevie Ray Vaughan, Muddy Waters, Huey Lewis, Gregg Allman, Janis Joplin and more. In the early 1960s, Strehli learned the harmonica and bass guitar before becoming a vocalist. In 1966 she visited Chicago, and attended concerts given by Howlin' Wolf, Muddy Waters and Buddy Guy. In her final university year, Strehli and Lewis Cowdrey formed the Fabulous Rockets. Strehli then sang as a backing vocalist for James Polk and the Brothers and assisted with Storm, which had been formed by Cowdrey and Jimmie Vaughan. In 1972, she was a founding member of Southern Feeling, along with W. C. Clark and Denny Freeman. Three years later Strehli became the stage manager and sound technician at Antone's, a nightclub in Austin, Texas. By 1986, Strehli had recorded Stranger Blues (EP) which help launch Antone's own record label. Her debut album was Soul Shake (1987, Antone's Records), and she appeared on Dreams Come True, with Lou Ann Barton and Marcia Ball (1990). Her own effort Blonde and Blue (1993, Rounder Records) assisted in building the Austin, Texas blues scene, alongside nightclub owner Clifford Antone, Kim Wilson, Stevie Ray Vaughan and Jimmie Vaughan. In 1998, Strehli released Deja Blue, and Blue Highway followed in 2005. Mark Hummel www.markhummel.com Patreon https://www.patreon.com/markhummel Accidental Productions https://www.youtube.com/channel/UCOOnWFbj8SGiV34ixhO0Cwg
CLICK HERE to listen to episode audio (4:22).Sections below are the following: Transcript of Audio Audio Notes and Acknowledgments Images Sources Related Water Radio Episodes For Virginia Teachers (Relevant SOLs, etc.). Unless otherwise noted, all Web addresses mentioned were functional as of 10-7-22. TRANSCRIPT OF AUDIO From the Cumberland Gap to the Atlantic Ocean, this is Virginia Water Radio for the weeks of October 10 and October 17, 2022. This revised episode from October 2015 is part of a series this year of episodes related to trees and shrubs. MUSIC – ~12 sec – instrumental. In this episode, we feature music about an annual turning point that inspires humans but shuts down trees. Have a listen for about 40 seconds. MUSIC – 40 sec – Lyrics: “Leaves turn green and then grow bright to every color, every type, and finally in the wind let go, to fall and paint the earth below. Roots so deep, the trunk so high, her arms reached up into the sky; through her veins all colors run from everywhere to everyone.” You've been listening to part of “Colors,” by John McCutcheon, on his 1998 album “Four Seasons: Autumnsongs,” from Rounder Records. Prior to moving to Atlanta in 2006, Wisconsin native John McCutcheon was a long-time resident of Charlottesville, Virginia. The song's full lyrics describe a growing appreciation of the variety of fall leaf colors and their power to inspire and invigorate people. But for deciduous trees—that is, those that lose all of their leaves annually—autumn colors and falling leaves are signs of internal changes leading to the relative inactivityof winter dormancy. Reduced water movement is one of the key changes. Leaf drop follows the sealing off of a leaf's veins from the stem vessels that carry water and dissolved materials to and from the leaf during the growing season. During that growing season, evaporation of water from leaves—called transpiration—and the cohesion between water molecules are the main driving forces pulling water up from roots through woody stems to the leaves. This water movement provides tree cells the vital fluid needed for the cells' structures and biochemical reactions that allow survival and growth. That growth stops during winter dormancy, and water movement is much reduced. After leaf fall, left behind on winter twigs are characteristic marks called leaf scars containing bundle scars showing the previous growing season's points of fluid transfer between stems and leaves. Above or beside the leaf scars are overwintering buds, harboring the tissues that will become next year's leaves and colors. Thanks to John McCutcheon and Appalseed Productions for permission to use this week's music, and we close with about 20 more seconds of “Colors.” MUSIC – ~23 sec – instrumental. SHIP'S BELL Virginia Water Radio is produced by the Virginia Water Resources Research Center, part of Virginia Tech's College of Natural Resources and Environment. For more Virginia water sounds, music, or information, visit us online at virginiawaterradio.org, or call the Water Center at (540) 231-5624. Thanks to Stewart Scales for his banjo version of “Cripple Creek” to open and close this episode. In Blacksburg, I'm Alan Raflo, thanking you for listening, and wishing you health, wisdom, and good water. AUDIO NOTES AND ACKNOWLEDGEMENTS This Virginia Water Radio episode revises and replaces Episode 285, 10-12-15. “Colors” from the 1998 album “Four Seasons: Autumnsongs,” on Rounder Records, is copyright by John McCutcheon/Appalsongs and Si Kahn/Joe Hill Music, used with permission of John McCutcheon. More information about John McCutcheon is available online at http://www.folkmusic.com/. Thanks to Erin Grace Deedy of Appalseed Productions for her help in acquiring permission to use this music. More information about Appalseed Productions is available online at https://appalseed-productions-2.square.site/. Click here if you'd like to hear the full version (1 min./11 sec.) of the “Cripple Creek” arrangement/performance by Stewart Scales that opens and closes this episode. More information about Mr. Scales and the group New Standard, with which Mr. Scales plays, is available online at http://newstandardbluegrass.com. IMAGES (Unless otherwise noted, photographs are by Virginia Water Radio.) Red Maple in Blacksburg, Va., October 6, 2022. Sugar Maple in Blacksburg, Va., October 6, 2022.Two Sugar Maples with a Pignut Hickory in between, on the Virginia Tech campus in Blacksburg, October 11, 2022. Sourwood on Brush Mountain near Blacksburg, Va., October 9, 2022. Blueberry shrub on Brush Mountain near Blacksburg, Va., October 9, 2022.Black Gum twig showing bud above a crescent-shaped leaf scar; the leaf scar contains three white bundle scars. Photo by John Seiler, Virginia Tech Department of Forest Resources and Conservation; used with permission.SOURCES Used for Audio John R. Seiler, John W. Groninger, and W. Michael Aust, Forest Biology Textbook, Virginia Tech, Blacksburg, Va., 2022. Access requires permission of the Virginia Tech Department of Forest Resources and Conservation, online at https://frec.vt.edu/; phone (540) 231-5483; e-mail: frec@vt.edu. F. Stuart Chapin, III, et al., Principles of Terrestrial Ecosystem Ecology, Second Edition, Springer Science+Business Media, New York, N.Y, 2011. Steven G. Pallardy, Physiology of Woody Plants, Third Edition, Elsevier/Academic Press, Burlington, Mass., 2008. U.S. Forest Service, “Why Leaves Change Color,” U.S. Forest Service, online (as a PDF) at https://www.fs.usda.gov/Internet/FSE_DOCUMENTS/stelprd3817419.pdf. For More Information about Trees and Shrubs in Virginia and Elsewhere Center for Watershed Protection, “Trees and Stormwater Runoff,” online at https://www.cwp.org/reducing-stormwater-runoff/. Chesapeake Bay Program, “Field Guide: Plants and Trees,” online at https://www.chesapeakebay.net/discover/field-guide/critters?s=&fieldGuideType=Plants+%26+Trees&fieldGuideHabitat=. eFloras.org, “Flora of North America,” online at http://www.efloras.org/flora_page.aspx?flora_id=1. James P. Engel, “Shrubs in the Understory,” February 2012, online at http://www.whiteoaknursery.biz/essays/ShrubsinUnderstory.shtml. Oscar W. Gupton and Fred C. Swope, Trees and Shrubs of Virginia, University Press of Virginia, Charlottesville, 1981. Sanglin Lee and Alan Raflo, “Trees and Water,” Virginia Water Resources Research Center, Virginia Water Central Newsletter, pages 13-18, online at https://vtechworks.lib.vt.edu/handle/10919/49367. Penn State Extension, “Trees, Shrubs, and Groundcovers Tolerant of Wet Sites,” prepared by N. Robert Nuss, and reviewed and revised by Scott Guiser and Jim Smellmer, October 2007, online at https://extension.psu.edu/trees-shrubs-and-groundcovers-tolerant-of-wet-sites. Plant Virginia Natives, “Virginia Native Shrubs—Backbone of Our Landscape,” undated, online at https://www.plantvirginianatives.org/virginia-native-shrubs. 622 - Texas A&M University AgriLife Extension, “How Trees Grow,” online at https://agrilife.org/treecarekit/introduction-to-tree-care/how-trees-grow/. U.S. Department of Agriculture/U.S. Forest Service, Forests of Virginia, 2018, Resource Update FS-264, Asheville, N.C., 2020; available online at https://www.fs.usda.gov/treesearch/pubs/59963. U.S. Department of Agriculture/U.S. Forest Service, “State and Private Forestry Fact Sheet—Virginia 2022,” online (as a PDF) at https://apps.fs.usda.gov/nicportal/temppdf/sfs/naweb/VA_std.pdf. U.S. Department of Agriculture/U.S. Forest Service/Climate Change Resource Center, “Forest Tree Diseases and Climate Change,” online at https://www.fs.usda.gov/ccrc/topics/forest-disease. U.S. Department of Agriculture/U.S. Forest Service/Northern Research Station (Newtown Square, Penn.), “Forest Disturbance Processes/Invasive Species,” online at https://www.nrs.fs.fed.us/disturbance/invasive_species/.” U.S. Department of Agriculture/Natural Resources Conservation Service, “PLANTS Database,” online at https://plants.usda.gov. Virginia Botanical Associates, “Digital Atlas of the Virginia Flora,” online at http://www.vaplantatlas.org/index.php?do=start&search=Search. Virginia Department of Conservation and Recreation/Natural Heritage Program, “The Natural Communities of Virginia: Ecological Groups and Community Types,” online (as a PDF) at https://www.dcr.virginia.gov/natural-heritage/natural-communities/document/comlist07-21.pdf. Virginia Department of Conservation and Recreation/Natural Heritage Division, online at https://www.dcr.virginia.gov/natural-heritage/. Virginia Department of Forestry, “Virginia's Forests,” online at https://dof.virginia.gov/. Some of the useful pages at that site are the following:“Benefits of Trees,” online at https://dof.virginia.gov/education-and-recreation/learn-about-education-recreation/benefits-of-tree/;“Common Native Trees of Virginia,” 2020 edition, online (as a PDF) at https://dof.virginia.gov/wp-content/uploads/Common-Native-Trees-ID_pub.pdf;Tree and Forest Health Guide, 2020, online (as a PDF) at https://dof.virginia.gov/wp-content/uploads/Tree-and-Forest-Health-Guide.pdf;“Trees for Clean Water Program,” online at https://dof.virginia.gov/urban-community-forestry/urban-forestry-community-assistance/virginia-trees-for-clean-water-grant-program/;“Virginia Statewide Assessment of Forest Resources,” November 2020, online (as a PDF) at https://www.stateforesters.org/wp-content/uploads/2021/02/2020-VA-Statewide-Assessment.pdf(see page 19 for statistics on forested land; p. 21 for economic benefits; and p. 23 for water quality benefits);“Tree Identification,” online at https://dof.virginia.gov/education-and-recreation/learn-about-education-recreation/tree-identification/. Virginia Forest Landowner Education Program, Virginia Cooperative Extension and Virginia Tech College of Natural Resources and Environment, online at https://forestupdate.frec.vt.edu/. Virginia Forest Products Association, online at https://www.vfpa.net/. Virginia Native Plant Society, online at http://vnps.org/. Herbert S. Zim and Alexander C. Martin, as revised by Jonathan P. Latimer et al., Trees—A Guide to Familiar American Trees, St. Martin's Press, New York, N.Y., 2001. RELATED VIRGINIA WATER RADIO EPISODES All Water Radio episodes are listed by category at the Index link above (http://www.virginiawaterradio.org/p/index.html
This week we welcome Rhonda Vincent and Matt Gumm! Bluegrass award-winner Rhonda Vincent began her professional music career at the age of five, playing drums with her family's band, the Sally Mountain Show. She picked up the mandolin at eight and the fiddle at ten, performing with the family band at festivals on weekends. Rhonda struck out on her own, singing with Grand Ole Opry star, Jim Ed Brown. Her opportunity eventually led to a deal with Rebel Records. Her work caught the attention of Giant Nashville's president, James Stroud, who signed Vincent to record two contemporary country albums. After Giant, she signed with Rounder Records where her passion for traditional bluegrass music flourished. She made her label debut in 2000 with Back Home Again, recorded with her band, The Rage. She showcases her hard-driving, high-energy contemporary bluegrass on The Storm Still Rages in 2001, One Step Ahead in 2003, Ragin' Live in 2005, All American Bluegrass Girl in 2006, and Good Thing Going in 2008. In 2000, Vincent won her first in a string of seven Female Vocalist of the Year Awards from the International Bluegrass Music Association. In 2001, she won the Entertainer of the Year Award. In 2011, Vincent released a collaboration album with Gene Watson titled Your Money and My Good Looks. During the 2020 Branson Christmas season, Rhonda produced and starred in her own show, Rhonda Vincent Christmas In Branson. She has a brand new album Music Is What I See. Rhonda is constantly thinking of new adventures, songs, opportunities, and she loves the excitement and challenge of putting together a plan at the last minute. Anyone who has ever worked with Rhonda Vincent, knows they must be ready at a moment's notice. There could be an impromptu recording session, a midnight drive to Canada to see Niagara Falls, a video shoot, or even a jam session aboard the Larry's Country Diner/Country's Family Reunion Cruise. Her motto is to always be ready for anything. It's one of the secrets to her success. For more information and tour dates, visit her website: RhondaVincent.com Matt Gumm literally grew up around variety shows at Lake of the Ozarks, so at the age of 30, he takes to the stage like a seasoned pro. Of course, growing up with Thom "Gabby" Gumm as your dad & mentor didn't hurt. In fact, he learned so well, Matt was added to the Main Street Opry act at the age of seven. Long before that, though, he seemed to know what he was going to do with his life. His mom Sandy will tell you that he spent everyday up on his bed, with a make-shift curtain that hung from the ceiling, with wigs and props doing his "show". It was in these very early years that a family friend thought it would be "funny" to buy Matt a toy set of drums. Well, the joke was on him, because Matt started playing those things and he was a natural! All that practice may have been painful at times for the family, but it definitely paid off. While in High School, Matt was the only student chosen out of his class to attend the Missouri Fine Arts Academy because he excelled in Music, Art & Drama. Fresh out of high school, Matt spent 5 years developing his own reputation as a gifted comedian and musician on the stage of the long-running Lee Mace's Ozark Opry in Osage Beach, Missouri. Once again, his family ties drew him back to work along side his dad and mom at the Main Street Opry in Osage Beach. There he honed not only his comedy skills with his dad, but he came into his own with his impersonations. He's brought the house down with his take on such artists as Garth Brooks, Stevie Wonder, Michael Jackson, Tony Bennett, Rod Stewart & Sammy Davis, Jr., just to mention a few. Clay Cooper caught his act and knew he wanted to be the first to introduce Matt to Branson. Currently, he is the craziest addition to Clay Cooper's Country Express where you can experience Matt's family friendly, high- energy fun, visual humor, and surprising abilities on some unusual instruments. When he's not performing, he enjoys spending time with his wife Katie, daughter Norah Sue, and son Nash. Matt has put together his own show titled “Matt Gumm & Company”. The show features his Dad, Sister and Travis Spratt for two-hours of hilarious comedy and great music. The next presentation of this show will be 7:30pm, November 13. For more information call 417-332-2529; or visit ClayCooper.com or MattGumm.com
Show #956 No BS, Just BB 01. Jim Singleton - Place In My Heart (5:45) (8 O'Clock In The Afternoon, Ruf Records, 2015) 02. Eric Bibb - Got To Do Better (4:25) (Painting Signs, EarthBeat, 2001) 03. Kay Kay & the Rays - Stop The Killing (4:14) (Big Bad Girl, Topcat Records, 2004) 04. Sideshow Tramps - Funeral Song (6:31) (Medicine Show, self-release, 2007) 05. Lucky Peterson - Four Little Boys (5:35) (You Can Always Turn Around, Dreyfus Records, 2010) 06. Koko Taylor - Money Is The Name Of The Game (6:48) (Old School, Alligator Records, 2007) 07. Mark Wenner & the BelAirs - Howie's Hammer (3:27) (Mama Tried, Right On Rhythm, 2002) 08. Shirley Johnson - You're Reckless (4:59) (Blues Attack, Delmark Records, 2009) 09. Eden Brent - He'll Do The Same Thing To You (3:58) (Mississippi Number One, Yellow Dog Records, 2008) 10. Blues Disciples - Takin' The Carseat Out (5:29) (Under Construction, Bluesland Records, 2006) 11. Lady Bianca - Slow Down (2:24) (A Woman Never Forgets, Magic-O Records, 2009) 12. Prado Blues Band - Vicky (4:41) (Blues and Swing, Prado Blues Records, 2005) 13. Deb Ryder - Get A Grip (3:22) (Might Just Get Lucky, self-release, 2013) 14. Dutch Tilders - Stoned Again (2:22) (Mine And Some I Adopted, Black Market Music, 2005) 15. Sunday Wilde - Nobody's Fault (2:41) (He Digs Me, self-release, 2014) 16. Jim Wake & Sleepwalker - That's Why I'm Leaving You (2:28) (Not An Ordinary Night, self-release, 2004) 17. Sena Ehrhardt - Chilled To The Bone (4:00) (Live My Life, Blind Pig Records, 2014) 18. Michael Coleman - Do Your Thing! (7:25) (Do Your Thing!, Delmark Records, 2000) 19. Eilen Jewell - I Remember You (3:51) (Queen Of The Minor Key, Signature Sound Recordings, 2011) 20. Little Feat - Rag Top Down (5:25) (Rooster Rag, Rounder Records, 2012) 21. Barry Levenson - Blues For Never Slim (5:34) (Hard Times Won, Storyville Records, 2003) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.
Today we chat with Nashville music publicist, Jules Wortman! Wortman is a veteran public relations and marketing strategist who has developed a number of national and international campaigns for record labels, brands, commercial developments, authors, music, sports entertainment, special events and many others. Her clients include or have included Country Music Television (CMT), Warner Bros. Records, Universal Music, Sony Music, Tim McGraw, Faith Hill, Blake Shelton, and so many more. She currently manages The SteelDrivers, a GRAMMY® winning super group on Rounder Records.
This week we welcome Rhonda Vincent and Bobby Marquez! Bluegrass award-winner Rhonda Vincent began her professional music career at the age of five, playing drums with her family's band, the Sally Mountain Show. She picked up the mandolin at eight and the fiddle at ten, performing with the family band at festivals on weekends. Rhonda struck out on her own, singing with Grand Ole Opry star, Jim Ed Brown. Her opportunity eventually led to a deal with Rebel Records. Her work caught the attention of Giant Nashville's president, James Stroud, who signed Vincent to record two contemporary country albums. After Giant, she signed with Rounder Records where her passion for traditional bluegrass music flourished. She made her label debut in 2000 with Back Home Again, recorded with her band, The Rage. She showcases her hard-driving, high-energy contemporary bluegrass on The Storm Still Rages in 2001, One Step Ahead in 2003, Ragin' Live in 2005, All American Bluegrass Girl in 2006, and Good Thing Going in 2008. In 2000, Vincent won her first in a string of seven Female Vocalist of the Year Awards from the International Bluegrass Music Association. In 2001, she won the Entertainer of the Year Award. In 2011, Vincent released a collaboration album with Gene Watson titled Your Money and My Good Looks. During the 2020 Branson Christmas season, Rhonda produced and starred in her own show, Rhonda Vincent Christmas In Branson. She has a brand new album Music Is What I See. Rhonda is constantly thinking of new adventures, songs, opportunities, and she loves the excitement and challenge of putting together a plan at the last minute. Anyone who has ever worked with Rhonda Vincent, knows they must be ready at a moment's notice. There could be an impromptu recording session, a midnight drive to Canada to see Niagara Falls, a video shoot, or even a jam session aboard the Larry's Country Diner/Country's Family Reunion Cruise. Her motto is to always be ready for anything. It's one of the secrets to her success. For more information and tour dates, visit her website: RhondaVincent.com Bobby Marquez has a charismatic smile and refreshing, heartfelt honky-tonk style that stirs an energy with audiences around the globe. That music has earned the Texas-born singer/songwriter some notable honors with a Grammy considered song, multiple Academy of Western Artists Awards, CMA of Texas Awards and induction into the legendary Wheeling Jamboree. Bobby Marquez has charted songs on the Music Row Chart, Texas Music Chart and several overseas music charts with tours across the U.S., Australia, Ireland and beyond. Bobby Marquez has been seen on national television shows, Larry's Country Diner, The Penny Gilley Show, Better Nashville, Cheyenne Country, Studio 23 Nashville and Country Fix. His music is heard worldwide on radio. Satellite listeners can tune-in to Willie's Roadhouse to hear Marquez's music as well. Marquez's songwriting has been recorded by everyone from Alan Jackson and Ty Herndon to George Strait, Johnny Rodriguez and Rhonda Vincent. Bobby continues to tour, performing to crowded dancehalls, festivals and large concert stages which hehas shared with Ray Price, Mel Tillis, Johnny Rodriguez, Martina McBride, David Ball, Janie Fricke, Johnny Lee and Lonestar... just to name a few. Bobby is also the host and founder of the annual St. Jude Children's Hospital benefit, Country With Heart, as well as the Country Campfire Pickin' virtual concert series. For more information, fans can follow Bobby at www.bobbymarquez.com or www.facebook.com/bobbymarquezmusic.
Welcome to Insights, everyone. Our guest today is Kansas City native Samantha Fish, the magnetic and original blues-rock and Americana artist behind the new studio album, Faster, which is available now via Rounder Records. If you know Samantha, you know she has a great sense of fashion and great musical taste, and she loves performing, especially her new songs. She recorded the new album, on which she channels her blues heroes but always gives it a unique spin, at The Village Studios in LA, a recording complex housed in a 1920's Masonic Temple. This record's a snapshot of where she was in 2020, and ultimately, it's an album about being bold. We're so excited to have her on the show to discuss the new album and what she's been up to recently. So without further ado, here's Samantha Fish.Part of Pantheon Podcasts
The legendary independent roots label Rounder Records was born in 1970. Founder and author Bill Nowlin said “it was a hobby that got out of control.” His new book is the story of three people with no background in business who took an idea and, through hard work and passion, built up something of lasting cultural significance.Bill joins us to take us through those fifty years, with stories about the music business, and his partners, roots music, George Thorogood and The Destroyers, Studio One and Jamaica, 15-year -old prodigy Alison Krauss, her record with Led Zeppelin frontman Robert Plant, and the role of record labels today.Part of Pantheon Podcasts
Cosmic country pioneer, Emmylou Harris collaborator, Keith Richards bestie, and spiritual grandfather of any country-twinged rock of the last half century, the one and only Gram Parsons is celebrated by our new friend John Strohm, president of Rounder Records, founding member of the Blake Babies, and former member of the Lemonheads. Follow John Strohm on Twitter at @johnpstrohm and Rounder Records at @RounderRecords. Learn more about your ad choices. Visit podcastchoices.com/adchoices
On Episode 173, we're joined by West Virginia singer-songwriter John R. Miller. This week, Miller announced that his forthcoming album, Depreciated, will be out July 16 via Rounder Records. In conjunction with the announcement, he released the stirring and rich Appalachia epic "Shenandoah Shakedown." During this one, we talk about recording Depreciated in Nashville, writing about his native West Virginian roots, and how the past year provided him with the time to find more discipline in his craft. This episode's presenting partner is Desert Door Texas Sotol. In addition, this episode is sponsored by WYLD Gallery and The Blue Light Live.New Slang PatreonNew Slang TwitterNew Slang InstagramNew Slang FacebookNew Slang Merch StoreThe Neon Eon PodcastThe Neon Eon Merch StoreSupport the show (https://www.paypal.me/ThomasMooney)
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