Podcasts about Rounder Records

Welcome to the Appalachian Bluegrass Music Hour with Danny Hensley. A weekly program featuring the latest in Bluegrass Music track distribution by record labels such as Pinecastle, Billy Blue, Compass, Mountain Home Music, Mountain Fever Records, Turnberry Records, Sound Biscuit, Gravy Records, Sugar Hill, Rebel Records, Rounder Records and music distribution sources such as Get it Played and Airplay Direct.

Show #1155 Juneteenth 01. Altered Five Blues Band - Headline Blues (4:07) (Hammer & Chisel, Blind Pig Records, 2026) 02. Magic Sam - Dirty Work Goin' On (4:31) (Magic Touch, Black Magic Records, 1983) 03. Mississippi Heat (ft. Sheryl Youngblood) - I Ain't Evil (4:06) (Don't Look Back, Delmark Records, 2025) 04. Mighty Joe Young - Why, Baby? (5:40) (Blues With A Touch Of Soul, Delmark Records, 1971) 05. Eddie 'Cleanhead' Vinson - Wait A Minute Baby (3:16) (Kidney Stew Is Fine, Delmark Records, 1969) 06. Roosevelt Purifoy - Nothin' But Love (3:49) (Single, Delmark Records, 2026) 07. Mississippi John Hurt - Avalon Blues (2:23) (Avalon Blues, Rounder Records, 1963) 08. Lady Bianca - Blues In The Bedroom (4:16) (Servin' Notice, Magic-O Records, 2012) 09. Corey Harris - I Belong To The Band (2:06) (Fight On! True Blues Vol. 2, Yellow Dog Records, 2026) 10. Jontavious Willis - A Lift Is All I Need (3:31) (West Georgia Blues, Strolling Bones Records, 2024) 11. Anthony Geraci (ft. Sheryl Youngblood) - Where Were You (6:04) (Where Were You, Delmark Records, 2026) 12. Jovin Webb - Pray For Me (4:24) (Son Of A Sinner, Blind Pig Records, 2026) 13. Michael Powers Frequency - Graffiti (4:47) (Onyx Root, Baryon Records, 2004) 14. Bonnie Lee - Since I Fell For You (6:17) (Sweetheart Of The Blues, Delmark Records, 1995) 15. Omar Coleman & Igor Prado - Brown Nosin' Man (3:46) (Old New Funky And Blue, Nola Blue Records, 2026) 16. Amani Burnham - Bluejay (2:49) (Roots & Wings, Blind Pig Records, 2026) 17. Mighty Sam McClain - I'm Tired Of These Blues (6:59) (Give It Up To Love, AudioQuest Music, 1993) 18. Jamiah Rogers - Mojo Man (4:45) (Single, Delmark Records, 2026) 19. Magic Slim & the Teardrops - Sunrise Blues (4:39) (Bad Boy, Blind Pig Records, 2012) Dr. Lonnie Smith - Devil's Haircut (8:23) (Boogaloo To Beck, Scufflin' Records, 2003) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Hello friends! Barton Davies from Nashville born and bred Americana band Breakfield returns to the show for episode 1576! Their debut, self-titled album just came out on Friday via Rounder Records and is available on all the streamers, vinyl, and CD. Go to breakfieldband.com for music, videos, tour dates, and more. Barton was on the show in 2023 under the band name Boy Named Banjo before they changed their name to Breakfield. We have a great conversation about the band's rebranding, making the album Breakfield with producer Sadler Vaden (Jason Isbell), navigating the insanity of the music business, songwriting, touring, the band's beginnings as childhood friends, growing up in Nashville, and more. I had great time catching up with Barton. I'm sure you will too. Let's get down! Find Breakfield on Spotify, Instagram, Facebook Follow us on Instagram, TikTok, X, Facebook, Spotify, Apple Podcasts, or anywhere you pod. Go to johnny-goudie.com for all things Johnny.   If you feel so inclined. Venmo: venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

Welcome to the Appalachian Bluegrass Music Hour with Danny Hensley. A weekly program featuring the latest in Bluegrass Music track distribution by record labels such as Pinecastle, Billy Blue, Compass, Mountain Home Music, Mountain Fever Records, Turnberry Records, Sound Biscuit, Gravy Records, Sugar Hill, Rebel Records, Rounder Records and music distribution sources such as Get it Played and Airplay Direct.

Welcome to the Appalachian Bluegrass Music Hour with Danny Hensley. A weekly program featuring the latest in Bluegrass Music track distribution by record labels such as Pinecastle, Billy Blue, Compass, Mountain Home Music, Mountain Fever Records, Turnberry Records, Sound Biscuit, Gravy Records, Sugar Hill, Rebel Records, Rounder Records and music distribution sources such as Get it Played and Airplay Direct.

Welcome to the Appalachian Bluegrass Music Hour with Danny Hensley. A weekly program featuring the latest in Bluegrass Music track distribution by record labels such as Pinecastle, Billy Blue, Compass, Mountain Home Music, Mountain Fever Records, Turnberry Records, Sound Biscuit, Gravy Records, Sugar Hill, Rebel Records, Rounder Records and music distribution sources such as Get it Played and Airplay Direct.

Welcome to the Appalachian Bluegrass Music Hour with Danny Hensley. A weekly program featuring the latest in Bluegrass Music track distribution by record labels such as Pinecastle, Billy Blue, Compass, Mountain Home Music, Mountain Fever Records, Turnberry Records, Sound Biscuit, Gravy Records, Sugar Hill, Rebel Records, Rounder Records and music distribution sources such as Get it Played and Airplay Direct.

Welcome to the Appalachian Bluegrass Music Hour with Danny Hensley. A weekly program featuring the latest in Bluegrass Music track distribution by record labels such as Pinecastle, Billy Blue, Compass, Mountain Home Music, Mountain Fever Records, Turnberry Records, Sound Biscuit, Gravy Records, Sugar Hill, Rebel Records, Rounder Records and music distribution sources such as Get it Played and Airplay Direct.

Welcome to the Appalachian Bluegrass Music Hour with Danny Hensley. A weekly program featuring the latest in Bluegrass Music track distribution by record labels such as Pinecastle, Billy Blue, Compass, Mountain Home Music, Mountain Fever Records, Turnberry Records, Sound Biscuit, Gravy Records, Sugar Hill, Rebel Records, Rounder Records and music distribution sources such as Get it Played and Airplay Direct.

Welcome to the Appalachian Bluegrass Music Hour with Danny Hensley. A weekly program featuring the latest in Bluegrass Music track distribution by record labels such as Pinecastle, Billy Blue, Compass, Mountain Home Music, Mountain Fever Records, Turnberry Records, Sound Biscuit, Gravy Records, Sugar Hill, Rebel Records, Rounder Records and music distribution sources such as Get it Played and Airplay Direct.

Welcome to the Appalachian Bluegrass Music Hour with Danny Hensley. A weekly program featuring the latest in Bluegrass Music track distribution by record labels such as Pinecastle, Billy Blue, Compass, Mountain Home Music, Mountain Fever Records, Turnberry Records, Sound Biscuit, Gravy Records, Sugar Hill, Rebel Records, Rounder Records and music distribution sources such as Get it Played and Airplay Direct.

My guest this week is Bill Nowlin, co-founder of Rounder Records.Bill joins me to talk about Rounder's extraordinary 50 year legacy as one of the most important, influential and best loved independent labels in American roots music.We chat about how Rounder started, after Bill was randomly assigned  Ken Irwin as his college roommate, and how, along with Marian Leighton Levy, they grew Rounder from a small enterprise releasing a couple of records a year into a successful label, responsible for the career of one of the most awarded artists in the history of the Grammys. Bill shares how they discovered Alison Krauss, via a demo tape she wasn't even the lead vocalist on, and subsequently signed her when she was just a teenager. We talk about how Alison's success, along with that of other artists like George Thorogood, helped Rounder establish themselves and how Rounder managed to position themselves at the forefront of industry developments, including releasing the first ever bluegrass CD.We also chat about some of the iconic records Rounder put out over the years, from artists like JD Crowe, Norman Blake, Tony Rice, Tony Trischka and Alison Krauss, and how the founders eventually decided to sell Rounder. That led to a new label, Down the Road Records which, in a lovely full circle moment, put out Alison Krauss and Union Station's return to bluegrass 'Arcadia' in 2025.This was a fascinating conversation about a fascinating legacy.If you want to hear more about Rounder's history, I can highly recommend Bill's book Vinyl Ventures: My Fifty Years at Rounder Records and David Menconi's Oh, Didn't They Ramble: Rounder Records and the Transformation of American Roots Music Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!)Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates:InstagramFacebook- Review us on Apple Podcasts

Show #1143 Full Go Around 01. Selwyn Birchwood - Damaged Goods (6:29) (Electric Swamp Funkin' Blues, Alligator Records, 2026) 02. Big Harp George - Blues Shoveler (4:56) (Unreleased Single, 2026) 03. Seth James - I'm In Trouble (4:04) (Motormouth, Qualified Records, 2026) 04. Russ Green - 12 Feet Of Water (5:35) (Stone Cold, Overton Music, 2026) 05. Gina Coleman - Graveyard Dream Blues (4:30) (Uncrowned: A Tribute To Ida Cox, Guitar One Records, 2026) 06. Bob Corritore & Johnny Rawls - I Love The South (4:39) (Ernestine Blues, VizzTone Records, 2026) 07. Mike Guldin - Luck Runs Dry (3:36) (While I Can, Blue Sky Tunes, 2026) 08. Ken Whiteley - It's Not Over Yet (4:12) (Keep Going, Pyramid Records, 2026) 09. Amani Burnham - Bleeding Heart (7:54) (Roots & Wings, Blind Pig Records, 2026) 10. Roy Book Binder - Bad Luck Blues (3:52) (Travelin' Man, Adelphi Records, 1971) 11. Roy Book Binder & Fats Kaplin - One Meat Ball (4:24) (Ragtime Millionaire, Blue Goose Records, 1977) 12. Roy Book Binder - Gonna Get Myself A Motorhome (2:31) (Bookeroo!, Rounder Records, 1988) 13. Roy Book Binder - Can't Do That No More (3:28) (Singer-Songwriter Bluesman, PEGleg Records, 2001) 14. Roy Book Binder - Trouble in the Streets (3:17) (Singer-Songwriter Bluesman, PEGleg Records, 2001) 15. Roy Book Binder - Full Go Around (2:39) (The Good Book, PEGleg Records, 2013) 16. Country Joe & the Fish - Super Bird (2:08) (Electric Music For The Mind And Body, Vanguard Records, 1967) 17. Country Joe & the Fish - Death Sound (4:27) (Electric Music For The Mind And Body, Vanguard Records, 1967) 18. Country Joe McDonald - Movieola (2:51) (Paris Sessions, Vanguard Records, 1973) 19. Country Joe McDonald - Kiss My Ass (3:16) (Vietnam Experience, Rag Baby Records, 1986) 20. Country Joe McDonald - Blues for Michael (6:53) (Superstitious Blues, Rag Baby Records, 1991) 21. Country Joe McDonald - Yankee Doodle (He's No Fool) (2:00) (Bear's Sonic Journals: Sing Out!, Owsley Stanley Foundation, 2024) 22. Roy Book Binder - Hacksaw (2:01) (The Good Book, PEGleg Records, 2013) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

This playlist is 63% vinyl friendly. Very poor. The Vertere DG-1 Dynamic Groove. One commentator queried whether ‘the design wandered in the direction of form over function‘, but this, the company’s entry level version, was voted in What Hi-Fi‘s updated 2025 ‘20 very best turntables of (the magazine’s) lifetime‘… but it had detractors elsewhere. My first thought was ‘sandwich’ and lo and behold the review mentions the plinth’s ‘three layers of acrylic reinforced with a steel chassis to give a rigid yet well-damped structure‘ with that middle layer, from a distance, reminding me of some marbled cheese. Near £2k for one standard version spotted on eBay and £3550 for a DG-1S updated model, with a bullet pointed spec to match. When you get up to these prices (and way, way beyond) manufacturers are duty bound to work overtime to justify their prices. NB: Apologies. A bit of a glitch in recording my parts for this show but they just about do the job. Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here. Lyric of Playlist 149 On another day and in another frame of mind it could have gone to Baby Rose but much aided by a gorgeous key change backdrop, the gold star sticker goes to Banderas! It’s hard to tell though if their ‘There is no rehearsal. No second chance. No false start. No better circumstances… ‘ words of wisdom would change much with the type of peeps in their video. 00.00 (Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info. 00.41 NEW ORDER – Doubts Even Here (Instrumental) (Cargo Demo) (2019 Remaster) – Movement, Definitive Edition Boxset – Warner Music – 2023 Doubts Even Hear? I should coco, and if you want ‘tentative’ in your music then this has it in shed loads. My guess is this maybe wasn’t Hooky’s first stab at the track in the band’s rehearsal room but you can nearly hear him finding his way into and over the ARP Quadra’s strings. 05.15 COCTEAU TWINS – Road River and Rail (Live) – Stream only – 2026 Live in 1991 but only very recently uploaded to the net, a mixing desk recording from The Warfield, in San Francisco and a rare treat to hear Liz this clear in a gig setting. At your leisure, search out the rest of the gig. There’s no visual from the above show, so here’s a barely rescued – but previously unseen/unpublished – photo of mine. Liz and Simon soundchecking at Newcastle’s Tiffany’s, 19.4.84. Photo credit / copyright: Dec Hickey 08.37 JOHN CALE – Thoughtless Kind (M:FANS) – M:FANS, 2LP – Double Six – 2016 A pedestrian, sledgehammer beat and a more forceful take on the lyrics than found in the ex-Velvet Underground man’s original. To my ears, they’re better suited here. 13.59 EMERSON, LAKE & PALMER – Take A Pebble * – Emerson, Lake & Palmer, LP – Island – 1970 I bought this album maybe four or five years after release and without doubt after having heard maybe just one of the three tracks on it I had taken to. I wouldn’t have been listening to any radio that might have played this album, so I’m guessing I borrowed it from a mate – very likely Phil Harris or Tom Locke (RIP). Greg Lake’s vocals were the thing for me back then and on my National Panasonic SG-1070L I’d have skipped Keith Emerson’s often lengthy rock-orchestral leaning keyboard workouts from all three… and likewise it’s a massive edit on the show for Take A Pebble. 17.33 BABY ROSE – Stop The Bleeding – Through And Through, LP – Secretly Canadian – 2023 If I thought the vibrato in Baby Rose’s vocal on the last 41 Rooms’ show entry (‘Go’) reminded me of Anonhi/Antony and the Johnsons then this does so with knobs on… as it maybe sounds even more of a song and arrangement the latter could have penned. 21.17 A RACE OF ANGELS – Golden – Broadcast No. 1, CD only – Luv Classics – 2005 It’s not often a CD gets a visual look in on 41 Rooms but the majority of Broadcast No. 1’s tracks have been or are on course for inclusion… and there was no vinyl. A 21st century left field folk soul beaut. Saluting Yeofi Andoh once again. 23.56 KRAFTWERK – Boing Boom Tschak * – Electric Cafe, LP – Kling Klang / EMI – 1986 The German maestros with some playful mid ’80s electro. Who else could it be? 27.01 BESIDE (with BERNARD FOWLER) – Odeon (Dance Mix) – 12″ – Celluloid – 1984 In 1984 the only place I’d have heard this was on John Peel’s radio shows – and he was partial to some electro. With the other side playlisted on 41 Rooms years ago, that would make this Afrika Bambaataa-produced 12″ a bargain to me these days, at less than the price of a pint on Discogs. Back in 1984, ordering it on import from Bedford’s HMV (as I did) its £5.29 price tag would seemingly have between five and ten pints plus worth! 32.37 MIDNIGHT STAR – Midas Touch (Vocal Extended Remix) – 12″ – Solar – 1986 With Electro roots, some breezy mid ’80s glitzy dance which has aged far better than – ‘Look away now’ (or don’t look at all) – the clothes and hair in the video. 38.42 ROZALLA – Born To Luv Ya – 12″ – Pulse-8 – 1990 At some point, when I do get to wade through the Record Mirror‘s I have from the the late ’80s/early ’90s I’d put a quiet fiver on the late James Hamilton having used ‘bubbling’ in a review of this particular mix of the tune. Par for the course lyrics but given some decent beats Rozalla has a voice that more than matches. 43.00 THOMAS LEER – Forgive and Forget – 1982, CD only – Klanggalerie – 2015 When I first happened on the 1982 CD recordings I thought Leer had re-found his youthful energy in the ‘now’. It’s in the title, Dec… so, a ‘series of tracks for unreleased album circa 1982‘ states the man himself. That would put them around the time of his Letter From America and Contradictions EPs but way before the ‘pop’ album, The Scale Of Ten. Forgive and Forget is though definitely a dry run for that album’s belter, Control Yourself. 47.23 MINT ROYALE – I Don’t Care – See You In The Morning, CD only – Faith & Hope Records Limited – 2005 Aagghh, it’s another CD… but needs must, as no vinyl surfaced and by this point Neil Claxton was flying solo as Mint Royale. 51.48 OSCAR FARRELL (feat SAMPHA) – Dream Therapy (George FitzGerald remix) – Download only – ? – 2026 The So Far South EP original rightly has many admirers but I’m more with this moodier take. Screenshot 55.22 NOSTALGIX – Mess With Me – Download only – Confession – 2019 Out of Vancouver, British Columbia, she seems through the years to have occasionally just digitally floated singular tracks out there. 58.32 SUICIDE – Ghost Rider – Self-titled, LP – Red Star Records – 1977 There’d be a bunch of my early ’80s mates who’d have gone for the album but it’s only this track that grabbed me. 01.01.01 CABARET VOLTAIRE – Nag Nag Nag (Live 2025 Single Edit) – Download only (for now) – Mute – 2026 ‘Updating’ and then capturing – just ‘right’ – this classic track’s first live outing in forty five or so years could have gone wrong but all involved nailed it, and seeing as I caught four of the Cabs’ six gigs last year there’s a good chance I was in on this actual recording. In fact, given the advances in sound technology Nag is likely sounding better in the room than it would have done live back in 1979-82… something I never witnessed. 01.05.10 THE SOUND – Heartland (Mike Read session, 1980) – The BBC Recordings – 2CD only – Renascent – 2004 If Adrian Borland and crew were pushing for a radio session in their early throws (who wasn’t) I’d have thought John Peel would have got in there first. The band did subsequently do a Peel session but here Mike Read edged it and the band were firing. 01.08.19 JOY DIVISION – Warsaw – An Ideal For Living, 7″ EP – Enigma – 1978 I never owned this original 7″ but somewhere around 1980-81 and through the back pages of the inkie press I bought the subsequent 12″ from an ‘MJ’ in Crewe who reckoned in an enclosed note he’d leant Steve Morris £60 to pay for the sleeves. When I sold the single years later I thought I’d kept the note… but if I did, it then went AWOL. 01.10.40 TURNSTILE – Dreaming – Never Enough, LP – Roadrunner – 2025 They’ve eased up here on their early hardcore leanings which might go some way to why this tune gets a thumbs up from me and those who take occasionally take a punt on an album because of the sleeve could still be in for a shock. 01.13.00 TV21 – Ideal Way Of Life – A Thin Red Line, LP – Deram – 1981 Other tracks on the album have already graced 41 Rooms as indeed they did back in Winkles in 1981-82. 01.15.27 THE TEARDROP EXPLODES – Went Crazy – Kilimanjaro, LP – Mercury – 1980 Julian in 1980. Sounding ‘quirky pop’ in 2026? 01.18.03 NATURAL SCIENTIST – See Through You – 7″ – Dental Records – 1982 Even though I bought their Terminal Velocity debut 12″ at the time, this their follow up somehow by-passed me for four decades 01.22.07 IRMA THOMAS – My Heart’s In Memphis – My Heart’s In Memphis – The Songs Of Dan Penn, CD only – Rounder Records – 2000 Criminally, only seven thousand plus peeps have ever viewed the fan video online of Irma on an outside stage, live in New Orleans from 2003 and I nearly went with its muffled sound here, as the more she gets in to the song the more she really lives it. 01.25.53 STEVIE WONDER – (I) Don’t Know Why (I Love You) – 7″ – Tamla Motown – 1968-9 For the UK release Motown couldn’t quite make up there mind on the title – but this stark outpouring and arrangement is still a killer, even though it was maybe trumped for radio play by the lusher, romantic appeal of the b-side, My Cherie Amour. 01.28.25 MT JONES – I Don’t Understand – Joy, LP – ? – 2026 New(ish) blue-eyed retro soul with as much effort on the visual. A fab single but I’ve got a feeling an album of his accentuated vocal might be too much for me. We’ll see. 01.31.49 WILLIE HUTCH – Hurt So Bad – Season For Love, LP – RCA – 1970 Before his switch to maybe his more spiritual Brother’s Gonna Work It Out home of Motown. 01.34.39 BANDERAS – This Is Your Life (PanoΣigma Edit) – Stream only – ? – 2019 Just the one album, squarely aimed at the mainstream, and some cerebral tunes from these two shaven-headed girls. I’m not sure how much the decent lyrics and sumptuous key change helped but this was their biggest UK hit. Even in the sometimes throwaway nature of ‘pop’ charts, quality will out. 01.39.36 DIANA BROWN & BARRIE K SHARPE – Eating Me Alive * – 12″ – FFRR – 1992 ‘Weaving together many different dance music sounds of the late sixties/early seventies, including such as vintage Jackson 5 and Norman Whitfield era Temptations, Timmy Thomas beats and Chicago Transit Authority guitar chords (“I’m a man, yes I am, and I love you so”), this brilliant intensely driving jiggly chugger has been promoed as a twinpack with 0-104.7-0bpm Undisputed Mix Part 1 & Part II, 0-104.7bpm Original Groundbeat, 0-105.25-0bpm Funky Funky Sugar Heavy Groundbeat Mix, 0-105.4bpm One Trip Too Many Mix, more recently influenced grooving 115.8-0bpm Groundbeat House Ensemble/Instrumental, hi-hat hustled 118.7bpm Undercover Dub Mix 1 and 118.6bpm Undercover Dub Mix 2, Dianamite!‘ – James Hamilton, Record Mirror (Music Week), 20.6.92 Any time I re-edit etc I really should remember the source of the original… and there’s a heavy 41 Rooms re-edit going on here. Whatever. James Hamilton’s ‘vintage Jackson 5’ reference is spot on and the bridges and chorus are so strong they make the verses sound absolutely tepid. Weird. 01.45.08 RHYTHIM IS RHYTHIM – Strings Of Life (‘Original Piano Mix’) – 12″ – Transmat – 1987 ‘So enduringly popular and still steadily selling that it could follow A Guy Called Gerald up the chart, Derrick ‘Mayday’ May’s synthetic strings stabbed and sawed techno pioneeringly jerky instrumental leaper is now out here in its frantic acidic 130/129 1/5-130-0bpm Exclusive Remix, more scrubbingly hustling organ accented 128 1/5-127 4/5-128-128 1/5bpm Flam-boy-ant Mix, and piano emphasising jerkier 122 1/5-122-121 2/5-121 1/5bpm Piano Mix, flipped by the washing machine ‘sizzled’ 129-129 1/3bpm ‘Kaos’ plus the ‘Magic Juan’ Atkins created jiggly wriggling Model 500 ‘Off To Battle’ in its 125 2/3-126 1/5bpm 2emix and 126 1/5-126 2/3bpm Original Version‘. – James Hamilton, Jocks, 3.89 ‘Based on a piano sequence by May’s friend Michael James. He dropped in for a visit at May’s house and sat down to play a piano ballad he had been working on called, “Lightning Strikes Twice”. This piece went into May’s sequencer and was kept there until May decided to listen to it all the way through. He found some portions which interested him, and he started to work with it. The song was originally at 80 BPM before May increased the tempo, chopped it up into loops, and added percussion and string samples’. Wikipedia The history of this stark track is interesting. I called this ‘near punk like, house / techno’ on the show, what with its crude/rough arrangement feeling like it nearly takes four minutes to settle… just in time for it to sound like it’s breaking down on the outro! And it’s become a classic! Enough to warrant a bunch of remixes and the mighty ‘live with orchestra’ version that follows. 01.52.18 RHYTHIM IS RHYTHIM – Strings Of Life (Live, Weather Festival, Paris, France) – Stream only – 2015 Derrick May, with Francesco Tristano (ex-Aufgang) loving it big time on extra keyboards, with the weight of the full Philharmonic Orchestra Lamoureux, under the direction of Dzijan Emin… and all beautifully captured by ‘producer, Amos Rozenberg and Paramax Films in 4K with 9 Cinema cameras by Samuel Petit for Arte TV‘… it says somewhere. Strings Of Life, indeed. Catch the video in the usual places. Show 150 will upload April 5. Dec x The post Post Punk Plus Podcast Playlist 149 – Original upload 1.3.26 appeared first on 41Rooms.

My guest this week is Tony Trischka, who returns to chat about the New York bluegrass scene in the early 1970s.New York and the surrounding area played a huge role in the development of bluegrass and in the genesis of what would become known as New Acoustic music. Tony talks about the early days of his career, including the bands Country Cooking and Breakfast Special and the overlap between that scene and the birth of Rounder Records. We also chat about some of the musicians who came out of the New York scene in the 1960s and 70s, including David Grisman, Andy Statman, Stacy Phillips, Russ Barenberg and Bela Fleck, and how those players began to collaborate with the musicians emerging from the San Francisco Bay Area and Nashville scenes.Tony also talks about his early solo albums, including Banjoland, Hill Country and (a personal favourite of mine) A Robot Plane Flies over Arkansas.It was, as always, a treat chatting with Tony. I hope you enjoy this one.If you missed the David Grisman Quintet episodes we mention, you'll find them here:Part 1 (Darol & Mike) - https://podcasts.apple.com/gb/podcast/celebrating-50-years-of-the-david-grisman-quintet-part/id1556697198?i=1000711133817Part 2 (Todd) - https://podcasts.apple.com/gb/podcast/celebrating-50-years-of-the-david-grisman-quintet-part/id1556697198?i=1000712407689Part 3 (David) - https://podcasts.apple.com/gb/podcast/celebrating-50-years-of-the-david-grisman-quintet-part/id1556697198?i=1000713402530 Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

Show #1132 Xmas Without Spinner 01. Parlor Greens - Auld Lang Syne (3:03) (Single, Colemine Records, 2025) 02. Boni Jane - Be My Santa Claus (2:55) (Single, self-release, 2025) 03. The New Bardots - A Pocket Full Of Christmas (2:49) (Single, Bongo Boy Records, 2024) 04. Andy B.AND - Xmas Eve On Venice Beach (4:47) (Tellin' Myself Weird Li'l Stories, Deko Entertainment, 2025) 05. The Doohickeys - Santa Is A Stoner (4:03) (Merry Happy Whatever, Forty Below Records, 2025) 06. Kelly Finnigan - I Can't Wait (For Christmas Time) (2:57) (Single, Colemine Records, 2025) 07. Misty Blues - Coal In My Stockings (4:11) (Single, Guitar One Records, 2025) 08. Mountain Rio - It's Christmas In Ukraine (2:53) (Christmas Hoedown, self-release, 2025) 09. Ollee Owens - Kris Kringle Jingle (2:27) (Single, Ollee Owens Music, 2025) 10. Anne Harris - Christmas Time Is Here (2:10) (Single, Rugged Road Records, 2020) 11. Johnny Vernazza - Sonny Boy's Christmas Blues (3:39) (Home By Christmas, self-release, 2025) 12. McCrary Sisters - Go Tell It On The Mountain (4:59) (A Very McCrary Christmas, Rounder Records, 2019) 13. The Bobs - Too Many Santas (3:59) (Too Many Santas!, Rounder Records, 1996) 14. DPB (David Paul Brooks ft. Journey Eiland & Ouiwey Collins) - The Wonders Of Christmas (3:10) (Single, DPB Muzik, 2025) 15. Nola Blue Revue - Please Come Home for Christmas (3:23) (Single, Nola Blue Records, 2025) 16. Mick Kolassa - Beale Street Christmas Jam (3:28) (Uncle Mick's Christmas Album, Endless Blues Records, 2021) 17. Roomful Of Blues - Good Morning Blues (5:03) (Roomful Of Christmas, Bullseye Blues, 1997) 18. Ray Charles - The Little Drummer Boy (5:30) (The Spirit Of Christmas, Columbia Records, 1986) 19. The Wave Benders - Little Drummer Boy (2:34) (Surfin' Christmas, Dwell Records, 1996) 20. Bobby Christina's Caravan - Funky Mistletoe (4:59) (Various Artists-Walking In A Winter Wonderland, Nola Blue Records, 2025) 21. Allison August - Just Don't Feel Like Christmas (3:02) (Single, MoMojo Records, 2025) 22. Joe Forte & Beth Shelby - I Can Get You On The Naughty List (3:28) (Single, self-release, 2025) 23. Will Wilde - Christmas Eve Blues (4:48) (Single, VizzTone Records, 2025) 24. Paul Gilbert - Every Christmas Has Love (4:56) ('TWAS, Mascot Records, 2021) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Show #1131 Beardo's Birthday Bash 2025 01. Elvin Bishop & Charlie Musselwhite - What The Hell Is Going On? (3:06) (100 Years Of Blues, Alligator Records, 2020) 02. Johnny Cash - Cocaine Blues (2:45) (At Folsom Prison, Columbia Records, 1968) 03. Ten Years After - Real Life Blues (4:35) (Pure Blues, Chrysalis Records, 1995) 04. Tracy Nelson - Seesaw (3:47) (The Soul Sessions, Rounder Records, 2009) 05. Little Feat - Forty-Four Blues / How Many More Years (6:32) (Little Feat, Warner Bros Records, 1971) 06. Hour Glass - B.B. King Medley (7:11) (Duane Allman-An Anthology, Capricorn Records, 1972) 07. James Harman - Helsinki Laundromat Blues (9:39) (Mark Hummel's Blues Harp Meltdown Vol. 1, Mountain Top Productions, 2001) 08. Tom Waits - The Soul Of A Man (3:30) (God Don't Never Change, Alligator Records, 2016) 09. Hans Theessink - Where The Southern Crosses The Dog (4:33) (Journey On, Blues Groove Records, 1997) 10. Tedeschi Trucks Band - The Storm (6:35) (Made Up Mind, Masterworks, 2013) 11. Ann Peebles - I'm Gonna Tear Your Playhouse Down (2:46) (45 RPM Single, Hi Records, 1972) 12. Washboard Chaz Blues Trio - On The Street (2:38) (On The Street, self-release, 2010) 13. Tino Gonzales & Los Reyes Del K.O. - We All Lose (5:09) (Funky Tortillas, Blues Boulevard, 2009) 14. Curved Air - Hide And Seek (6:17) (Air Conditioning, Warner Bros Records, 1970) 15. Dorothy Ellis - Drill Daddy Drill (3:01) (45 RPM Single, Federal Records, 1952) 16. Fleetwood Mac - Oh Well (Pts.1+2) (8:53) (45 RPM Single, Reprise Records, 1969) 17. Bobby Bland - Member's Only (4:10) (Member's Only, Malaco Records, 1985) 18. Carlos Del Junco & The Blues Mongrels - My Favourite Uncle (4:12) (Mongrel Mash, Big Reed Records, 2011) 19. Cassandra Wilson - Last Train To Clarksville (5:16) (New Moon Daughter, Blue Note Records, 1995) 20. Elles Bailey - Hell Or High Water (3:43) (Road I Call Home, Outlaw Music, 2019) 21. Mick Clarke - New Star Over Texas (4:28) (Tell The Truth, BGO Records, 1991) 22. Thorbjørn Risager & The Black Tornado - Long Forgotten Track (4:25) (Too Many Roads, Ruf Records, 2014) 23. Sue Foley - Dallas Man (3:30) (Pinky's Blues, Stony Plain Records, 2021) 24. Frank Zappa - Little Umbrellas (3:04) (Hot Rats, Bizarre/Reprise Records, 1969) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Bill Nowlin was a co-founder of Rounder Records in the early 1960s and is a co-founder of Down the Road Records. He most recently co-edited "Native American Major Leaguers," (Society for American Baseball Research, 2025), with  Rob Daugherty. Also this episode, MTV is closing it's music stations, Craig went to see Turnstile and our favorite records from the third quarter, 2025.Bill Nowlin:Down the Road Recordshttps://www.downtheroadrecords.com/"Native American Major Leaguers" at SABRhttps://sabr.org/latest/sabr-digital-library-native-american-major-leaguers/Errata: The original name of the Cleveland Guardians was the Columbus Buckeyes in 1896. The Cleveland Blues were National League team from 1879 to 1884. The team was merged into the Brooklyn Greys in 1885.Episodes mentioned:138 - Béisbol, Fiestas y Monster Dogs w/ Jesús Granadoshttps://www.buzzsprout.com/875794/episodes/12208260Please consider supporting Hooks & Runs by purchasing books, including those featured in this episode (if any were), through our store at Bookshop.org. Here's the link. https://bookshop.org/shop/hooksandruns Hooks & Runs - https://hooksandruns.buzzsprout.comEmail: hooksandruns@protonmail.comCraig on Bluesky (@craigest.bsky.social)Rex (Krazy Karl's Music Emporium) on Facebookhttps://www.facebook.com/people/Krazy-Karlz-Music-Emporium/100063801500293/Hosts Emeriti:Andrew Eckhoff on TikTokhttps://www.tiktok.com/@hofffestEric on Facebookhttps://www.facebook.com/ichaboderic/Music: "Warrior of Light" by ikolics (via Premium Beat)   www.premiumbeat.com/artist/ikoliksThis podcast and this episode are copyright Craig Estlinbaum, 2025.

Episode 337: Ken Pomeroy, who turned 23 days after this interview, is a fresh voice not just from the Oklahoma lineage of great roots songwriting and musicianship, but also from a new generation of Native American voices in popular music. She talks about her Cherokee heritage and the stewardship that comes with it, plus her emotional bond to music in this introspective hour. You'll also hear incisive and sometimes sad songs from her acclaimed national debut Cruel Joke, out this spring on Rounder Records.   

Barrence Whitfield in conversation with David Eastaugh https://www.facebook.com/BarrenceWhitfieldSavages White adopted the stage name Barrence Whitfield to avoid being mistaken for superstar Barry White and began performing as Barrence Whitfield & the Savages. The band garnered a strong reputation for explosive stage performances, described as "raucous and rough, in high gear from the moment they hit the stage." Whitfield himself was described as "a soul screamer in the spirit of Little Richard, Wilson Pickett, Solomon Burke, and early Don Covay." In 1984, the band released their self-titled debut album, mostly comprising cover versions of obscure soul and R&B songs. It received good critical reviews. The following year, they released a second album, Dig Yourself, on Rounder Records. Their music was heard by English radio DJ Andy Kershaw, who taped a Boston performance for airplay in Britain, and brought them to the UK for a tour.

John Strohm is a musician, songwriter, lawyer, and music industry executive originally from Bloomington, Indiana. He began his career as a drummer in Indiana's punk scene before co-founding the indie rock band Blake Babies. He also played guitar and drums in The Lemonheads and has released several solo records, including his most recent in 2023.Strohm became a prominent entertainment attorney in Nashville, representing artists like Bon Iver, The Civil Wars, and Alabama Shakes. He later served as President of Rounder Records from 2017 to 2022. Currently, he is a partner at the law firm Frost Brown Todd. He also has a Substack called Ready For Nothing. In this episode, we talk about John's journey from musician to attorney, how he found his first big client, his thoughts on AI, what he's looking for in an artist, and many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

Sintonía: "Silver Bell" - Country Cooking"Do-Re-Mi" - Woody Guthrie; "Church Street Blues" - Norman Blake; "J´etais au bal" - LeJeune/Menard/Smith; "Annie Is My Darling Medley/The Red Shoes" - Joseph Cormier; "Sly Old Crow/Old Blair Store" - John McCutcheon; "Corazón viajero" - Tish Hinojosa; "One Dime Blues" - Etta Baker; "Reels: The Pure Drop/The Flax in Bloom" - Pierre Bensusan; "College Hornpipe" - Mark O´Connor; "Duncan & Brady" - Johnson Mountain Boys; "Aloha Means I Love You" - Tau Moe Family; "Bill Cheatham" - Bela Fleck/Bill Keith/Tony Trischka; "I Caught A Keeper" - Barry & Holly Tashian; "Baby Please Don´t Go" - Bill Morrissey & Greg Brown; "Old Country Stomp" - Jody Stecher & Kate BrislinTodas las músicas extraídas de la recopilación (2xCD) "Hills of Home: 25 Years of Folk Music On Rounder Records" (Rounder, 1995)Relación de emisión de los anteriores 4 programas de este coleccionable: 1.- "Hand Picked/Bluegrass" emitido el 26/05/2025 2.- "Louisiana Spice" emitido el 26/06/2025 3.- "Deep Blue" emitido el 29/07/2025 4.- The Real Music Box Bonus Disc (Txiringuito Sessions, nº 9) emitido el 05/08/2025Escuchar audio

Ken Pomeroy is a 22-year-old Oklahoma born singer songwriter whose songs have wide open spaces where animals and memories run wild. Her Cherokee name, ᎤᏍᏗ ᏀᏯ ᏓᎶᏂᎨ ᎤᏍᏗᎦ, roughly translates to "little wolf," and on her recent album, Cruel Joke (in stores now from Rounder Records) you can hear the influence of her Native American heritage in the natural images of her songs like "Coyote," "Wolf In Sheep's Clothing," and "Cicadas," (featuring John Moreland) the latter of which was recently featured in Sterlin Harjo's milestone Hulu series, Reservation Dogs. The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends. This episode is dedicated to the recently departed Mick Ralphs (Bad Company, Mott The Hoople), and the film composer Lalo Schifrin.

Anderson East is a GRAMMY-nominated artist and songwriter originally from Athens, Alabama. Known for songs like “This Too Shall Last,” he blends R&B, soul, and roots rock into a sound all his own. In 2019, he received a GRAMMY nomination for Best American Roots Performance for “All On My Mind.” His new album, Worthy, was released on May 30, 2025, via Rounder Records.In this episode, we talk about Anderson's musical roots, working with Dave Cobb, the making of Worthy, how he approaches genre and songwriting, and many other stops along the way.This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

When a band has seven GRAMMY wins and thirty-one GRAMMY nominations among them, they're a supergroup. So let's be clear: I'm With Her is a supergroup. The trio of Sarah Jarosz, Aoife O'Donovan, and Sara Watkins are close friends who say that great songs can come from a good trip to the grocery store. I've had all three on the pod before, but never together.The latest album by I'm With Her is Wild and Clear Blue on Rounder Records.NOTE: here are my past interviews with Jarosz, O'Donovan, and Watkins.

Episode 320: JD Clayton is one of the first emerging artists to release music in an era of new leadership at the historic Rounder Records in Nashville. He's an open-hearted guy who got the songwriting bug growing up in Fort Smith, AR and who then found his songs and his way on stage led to organic growth. His 2023 album Long Way From Home got him out on the road in a big way and led to some high profile opening shows. He produced his new album Blue Sky Sundays, a fresh and catchy take on country rock, with his brotherly band. He seems to embody the ethos of his feel-good song “High Hopes & Low Expectations.”   

After a couple of weeks off for rest and recalibration, Badass Records is back with a new episode, and this one features the fantastic Cole Bales of Black Light Animals.Cole is a son, a brother, a boyfriend, a bandmate times two, and he's my guest for Episode No. 164.Black Light Animals has an upcoming RecordBar gig. That's Thursday, May 1st at RecordBar. They also have a new album out. It's called Last Call Love Songs, and you can find it digitally or get yourself a vinyl copy via their Bandcamp, or at blacklightanimalsband.com. Cole's also a member of The Freedom Affair, and they have a gig, Friday, May 2nd at The Madrid. So, please check them out, too.My conversation with Cole involved growing up, the art of recording and producing, bandmates, family, and -- of course -- a few of his favorite albums. Those were these:The White Album (1968), The BeatlesGeorge Harrison's All Things Must Pass (1970)Exile on Main Street (1972), The Rolling StonesThe Black Keys' Brothers (2010)Tranquility Base Hotel & Casino (2018), The Arctic MonkeysIt was both a pleasure and a joy meeting Cole and chatting with him. Follow @blacklightanimalsband on Instagram, and make sure you're dialed in with all that Cole has going on.Cheers.copyright disclaimer: I do not own the rights to the audio clips contained within this episode. They are snippets from a track called, "Rich Woman" by Robert Plant and Alison Krauss, and it's the leadoff track from their 2007 release, Raising Sand (c/o Rounder Records, distributed by Concord).

It took a long time after I first read David Menconi's work to finally meet him, and longer still to sit with him for an extended conversation, but fortunately, the time has finally come. And if the saying “good things come to those who wait” applies here, if I was indeed waiting years for that Tuesday afternoon interview in late September 2024, then it is doubly appropriate now that our conversation sees the light of day in this podcast nearly another half a year afterwards. Decades after first reading his work, more than a year after first meeting him, and another stretch of months after interviewing him, now is the moment for all of this to come together. It all feels a bit fortuitous, a feeling which is echoed in our conversation, especially regarding the subject of David Menconi's latest book. David Menconi was a staff writer at the Raleigh News & Observer for 28 years, beginning in 1991, when the music scene in the region was exploding nationwide. He has also written for Rolling Stone, Billboard, Spin and New York Times. His latest book is titled Oh, Didn't They Ramble: Rounder Records and the Transformation of American Roots Music. David Menconi spoke with me at the IBMA conference in his adopted hometown of Raleigh, North Carolina, in a conversation which touches on the remarkable story of Rounder Records, a music label whose story, as David put it, is the kismet story. A label formed by three idealistic folkies fresh out of college, it went on to champion the music of artists ranging from Alice Gerard to Alison Krauss, from the Blake Babies to Billy Strings, and from Ted Hawkins to Tony Rice. David talks about the Rounder Records story, the current state of the music industry, the challenges faced by writers and musicians alike, as well as the significant history of bluegrass music in the city of Raleigh and the state of North Carolina and more, including music excerpts from Rounder Records artists like Norman Blake and George Thorogood in this episode Southern Songs and Stories. David Menconi Songs heard in this episode:Tony Rice “Monroe's Hornpipe”, from The Bluegrass Album Band, Volume 6“Tango Cool“ by Ted Gioia & Mark Lewis, from Tango Cool, excerpt“Ginseng Sullivan” by Norman Blake, from Back Home In Sulphur Springs, excerpt“Move It On Over” by George Thorogood & the Destroyers, from Move It On Over, excerpt“Away From the Mire” by Billy Strings, from HomeThanks for being here! We hope you can help spread awareness of what we are doing. It is as easy as telling a friend and following this podcast on your platform of choice. You can find us on Apple here, Spotify here and YouTube here — hundreds more episodes await, filled with artists you may know by name, or musicians and bands that are ready to become your next favorites. This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. Thanks to everyone at the International Bluegrass Music Association for helping to make this interview possible, and to Jaclyn Anthony for producing the radio adaptations of this series on WNCW, where we worked with Joshua Meng, who wrote and performed our theme songs. This is Southern Songs and Stories: the music of the South and the artists who make it. - Joe Kendrick

When mandolinist Sierra Hull was little, her dad told her she was really good "for a ten year old." The older Hull knew Sierra had a fiery passion for the instrument and he knew exactly how to motivate his daughter. He went on to say that if she wanted to go to jams and porch-play for the rest of her life, she'd learned enough. He gave her realistic advice that, if she wanted to dedicate her life to music, she would have to work really hard. Because "that 10 year old cute thing is gonna wear off." Sierra, who would draw pictures of herself playing at the Grand Ole Opry with Alison Krauss and doodle album covers with the Rounder Records logo, took his advice to heart and got to work.Since then, Hull has shared the stage with more heroes than one could count, she's inspired a new generation of younger players, she's released five albums, and is considered a master of the mandolin. Originally from the small town of Byrdstown, Tennessee, her new album, 'A Tip Toe High Wire,' is set for release March 7. In our Basic Folk conversation Sierra reflects on how growing up in a small town shaped her musical identity alongside bluegrass, gospel, and family traditions. She shares memories of family gatherings filled with music featuring Aunt Betty and Uncle Junior, the profound influence of church hymns, and how these experiences continue to resonate in her playing and songwriting.Sierra also discusses the significance of 'A Tip Toe High Wire,' her first independent release, highlighting the freedom and growth that come with that independence. She emphasizes the importance of authenticity in her music, allowing herself to explore new sounds while remaining grounded in her bluegrass roots. Elsewhere in the episode, she opens up about her personal growth, the pressures of being labeled a child prodigy, and her journey toward embracing imperfection in her art. We also dive into what we'll call her "Stevie Nicks Era" with the amazing cover-art on the new record. Sierra enjoys playing with elaborate styles in her album artwork and red carpet looks (helloooo CMA Awards). With a candid perspective on the challenges of the music industry, she encourages listeners to find joy in the process while appreciating the beauty of vulnerabilityAlso woo hoo!!! Happy Basic Folk 300!!!!Follow Basic Folk on social media: https://basicfolk.bio.link/  Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews  Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

Liz Longley has released 10+ records both independently and with labels such as Rounder Records, raised $150,000 on Kickstarter (the 4th most largest campaign by an independent artist at the time) to buy her finished album back from her former label, and has been critically acclaimed by Billboard, Newsweek, and Pop Matters. We talk to Liz about creators having the power in the music industry, touring as self care, time management with toddlers, balance, the wilderness, and more.Get more access and support this show by subscribing to our Patreon, right here.Links:Liz LongleyPaul Basile / Great ElkParlor in the RoundEp 78 - Tim EastonPaul MoakChatham RabbitsEp 39 - Joe HenryEp 60 - Lori McKennaEp 7 - BJ BarhamClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

Caroline Spence has released 5 records independently and via Rounder Records, has written and/or recorded with Emmylou Harris, Lori McKenna, Matt Berninger (The National), and Sarah Jarosz, and toured with Mary Chapin Carpenter, John Moreland, Tyler Childers, and American Aquarium. We talk to Caroline about being in relationship with your creativity, awareness of, and moving beyond defining yourself externally or through your creative output, losing respect for the music industry, accepting that your wants and goals change over time, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Caroline SpenceEp 22 - Group Text (Erin Rae, Kelsey Waldon, Caroline and Michaela Anne)‘The Artist's Way'Nonesuch RecordsWilcoEp 60 - Lori McKennaEp 27 - Mary GauthierEddie's AtticEp 13 - Becca MancariClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

We had the pleasure of interviewing Amythyst Kiah over Zoom video!GRAMMY-nominated singer-songwriter Amythyst Kiah shares her new album, Still + Bright via Rounder Records. Produced by Butch Walker (Taylor Swift, Green Day and Weezer) and recorded at his Nashville studio, the 12-track album is a vital new addition to Kiah's body of work, one largely dedicated to exploring the struggle and joy of true self-discovery. While her 2021 Wary + Strange details her grief, anger, and abandonment, Still + Bright is her liberation from the events of her earlier life, examining the vast expanse of her inner world, passions, self-exploration and realization, with a darkly cinematic twist. The project – which Rolling Stone hailed is “poised to be a major moment for the east Tennessee-raised singer-songwriter” – expands upon the wild definitions of Americana music. From gothic love songs with haunting vocals (“Silk and Petals feat. Butch Walker”) to a furiously stomping fantasy-inspired folk epic (“I Will Not Go Down” feat.Billy Strings"), or an ode to meditation laced with lush mandolin lines and lovely fiddle melodies (“S P A C E”), the album affirms her as an artist of both daring originality and uncompromising depth. The album is a collision of her love of indie rock, garage guitars and symphonic metal, flawlessly melded with the visceral lyricism and songwriting she's renowned for in the roots community.The project – which features collaborations with S.G. Goodman, Billy Strings and Avi Kaplan (Pentatonix) – also marks a complete transformation in Kiah's songwriting process: her first time opening up her approach and working with co-writers on an album. The album features co-writes with punk legend Tim Armstrong, Sadler Vaden (guitarist/vocalist for Jason Isbell's 400 Unit) and Sean McConnell (Brittney Spencer, Bethany Cosentino).Kiah is currently on the road on her Still + Bright Tour, plus she recently was announced as direct support for select dates of Larkin Poe's The Bloom Tour.About Amythyst Kiah:With an unforgettable voice that's both unfettered and exquisitely controlled, the Tennessee-bred singer/songwriter is a “fantastic fingerpicker, dynamo singer and profound songwriter [who] defies all sorts of stereotypes” (Guitar Player). Her 2021 release of Wary + Strange earned glowing features and reviews from The New York Times, NPR Morning Edition, Pitchfork, and Rolling Stone, plus performances on Jimmy Kimmel Live! and CBS Saturday Morning. Kiah is also a member of Our Native Daughters—an all-women-of-color supergroup whose standout track “Black Myself” (written by Kiah) earned a Grammy Award nomination for Best American Roots Song. She recently joined Iron & Wine on their summer tour, and has shared stages with The Who, Jason Isbell and the 400 Unit, CAM and more.  We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #AmythystKiah #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

Exploring the Grateful Dead's LegacyIn this episode of the Deadhead Cannabis Show, Larry Mishkin takes listeners on a nostalgic journey through the Grateful Dead's music, focusing on a concert from September 30, 1993, at the Boston Garden. He discusses various songs, including 'Here Comes Sunshine' and 'Spoonful,' while also touching on the band's history and the contributions of key figures like Vince Wellnick and Candace Brightman. The episode also delves into current music news, including a review of Lake Street Dive's performance and updates on marijuana legislation in Ukraine and the U.S.Chapters00:00 Welcome to the Deadhead Cannabis Show03:39 Here Comes Sunshine: A Grateful Dead Classic09:47 Spoonful: The Blues Influence14:00 Music News: Rich Girl and Lake Street Dive24:09 Candace Brightman: The Unsung Hero of Lighting38:01 Broken Arrow: Phil Lesh's Moment to Shine42:19 Lucy in the Sky with Diamonds: A Beatles Classic48:26 Marijuana News: Ukraine's Medical Cannabis Legislation54:32 Bipartisan Support for Clean Slate Act01:00:11 Pennsylvania's Push for Marijuana Legalization01:04:25 CBD as a Natural Insecticide01:10:26 Wave to the Wind: A Phil Lesh Tune01:13:18 The Other One: A Grateful Dead Epic Boston GardenSeptember 30, 1993  (31 years ago)Grateful Dead Live at Boston Garden on 1993-09-30 : Free Borrow & Streaming : Internet ArchiveINTRO:                                 Here Comes Sunshine                                                Track #1                                                0:08 – 1:48 Released on Wake of the Flood, October 15, 1973, the first album on the band's own “Grateful Dead Records” label. The song was first performed by the Grateful Dead in February 1973. It was played about 30 times through to February 1974 and then dropped from the repertoire. The song returned to the repertoire in December 1992, at the instigation of Vince Welnick, and was then played a few times each year until 1995. Played:  66 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA But here's the thing:                         Played 32 times in 1973                        Played 1 time in 1974                        Not played again until December 6, 1992 at Compton Terrace in Chandler, AZ  - 18 years                        Then played a “few” more times in 1993, 94 and 95, never more than 11 times in any one year. I finally caught one in 1993 at the Rosemont Horizon in Chicago with good buddies Marc and Alex. My favorite version is Feb. 15, 1973 at the Dane County Coliseum in Madison, WI SHOW No. 1:                     Spoonful                                                Track #2                                                :50 – 2:35 "Spoonful" is a blues song written by Willie Dixon and first recorded in 1960 by Howlin' Wolf. Released in June, 1960 by Chess Records in Chicago.  Called "a stark and haunting work",[1] it is one of Dixon's best known and most interpreted songs.[2]Etta James and Harvey Fuqua had a pop and R&B record chart hit with their duet cover of "Spoonful" in 1961, and it was popularized in the late 1960s by the British rock group Cream. Dixon's "Spoonful" is loosely based on "A Spoonful Blues", a song recorded in 1929 by Charley Patton.[3] Earlier related songs include "All I Want Is a Spoonful" by Papa Charlie Jackson (1925) and "Cocaine Blues" by Luke Jordan (1927).The lyrics relate men's sometimes violent search to satisfy their cravings, with "a spoonful" used mostly as a metaphor for pleasures, which have been interpreted as sex, love, and drugs. The Rock and Roll Hall of Fame listed Howlin' Wolf's "Spoonful" as one of the "500 Songs that Shaped Rock and Roll".[9] It is ranked number 154 on Rolling Stone magazine's 2021 list of the "500 Greatest Songs of All Time",[10] up from number 221 on its 2004 list. In 2010, the song was inducted into the Blues Foundation Hall of Fame "Classics of Blues Recordings" category.[12] In a statement by the foundation, it was noted that "Otis Rush has stated that Dixon presented 'Spoonful' to him, but the song didn't suit Rush's tastes and so it ended up with Wolf, and soon thereafter with Etta James".[12] James' recording with Harvey Fuqua as "Etta & Harvey" reached number 12 on Billboard magazine's Hot R&B Sides chart and number 78 on its Hot 100 singles chart.[13] However, Wolf's original "was the one that inspired so many blues and rock bands in the years to come". The British rock group Cream recorded "Spoonful" for their 1966 UK debut album, Fresh Cream. They were part of a trend in the mid-1960s by rock artists to record a Willie Dixon song for their debut albums. Sung by Bob Weir, normally followed Truckin' in the second set.  This version is rare because it is the second song of the show and does not have a lead in.  Ended Here Comes Sunshine, stopped, and then went into this.  When it follows Truckin', just flows right into Spoonful. Played:  52 timesFirst:  October 15, 1981 at Melkweg, Amsterdam, NetherlandsLast:  December 8, 1994 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USA  MUSIC NEWS:                              Lead In Music                                                Rich Girl                                                Lake Street Dive                                                Lake Street Dive: Rich Girl [4K] 2018-05-09 - College Street Music Hall; New Haven, CT (youtube.com)                                                0:00 – 1:13 "Rich Girl" is a song by Daryl Hall & John Oates. It debuted on the Billboard Top 40 on February 5, 1977, at number 38 and on March 26, 1977, it became their first of six number-one singles on the BillboardHot 100. The single originally appeared on the 1976 album Bigger Than Both of Us. At the end of 1977, Billboard ranked it as the 23rd biggest hit of the year. The song was rumored to be about the then-scandalous newspaper heiress Patty Hearst. In fact, the title character in the song is based on a spoiled heir to a fast-food chain who was an ex-boyfriend of Daryl Hall's girlfriend, Sara Allen. "But you can't write, 'You're a rich boy' in a song, so I changed it to a girl," Hall told Rolling Stone. Hall elaborated on the song in an interview with American Songwriter: "Rich Girl" was written about an old boyfriend of Sara [Allen]'s from college that she was still friends with at the time. His name is Victor Walker. He came to our apartment, and he was acting sort of strange. His father was quite rich. I think he was involved with some kind of a fast-food chain. I said, "This guy is out of his mind, but he doesn't have to worry about it because his father's gonna bail him out of any problems he gets in." So I sat down and wrote that chorus. [Sings] "He can rely on the old man's money/he can rely on the old man's money/he's a rich guy." I thought that didn't sound right, so I changed it to "Rich Girl". He knows the song was written about him.  Lake Street Dive at Salt Shed Lake Street Dive is an American multi-genre band that was formed in 2004 at the New England Conservatory of Music in Boston.[1] The band's founding members are Rachael Price, Mike "McDuck" Olson, Bridget Kearney, and Mike Calabrese. Keyboardist Akie Bermiss joined the band on tour in 2017 and was first credited on their 2018 album Free Yourself Up; guitarist James Cornelison joined in 2021 after Olson left the band. The band is based in Brooklyn and frequently tours in North America, Australia, and Europe. The group was formed in 2004 as a "free country band"; they intended to play country music in an improvised, avant-garde style.[3] This concept was abandoned in favor of something that "actually sounded good", according to Mike Olson.[4] The band's name was inspired by the Bryant Lake Bowl, a frequent hang out in the band's early years, located on Lake Street in Minneapolis. Great show last Thursday night my wife and I went with good friends JT and Marni and Rick and Ben. Sitting in the back near the top of the bleachers with a killer view of the Chicago Sky line looking west to southeast and right along the north branch of the Chicago River.  Beautiful weather and a great night overall.  My first time seeing the band although good buddies Alex, Andy and Mike had seen the at Redrocks in July and all spoke very highly of the band which is a good enough endorsement for me. I don't know any of their songs, but they were very good and one of their encores was Rich Girl which made me smile because that too is a song from my high school and college days, that's basically 40+ years ago.  Combined with Goose's cover of the 1970's hit “Hollywood Nights” by Bob Seger and the Silver Bullet Band it was a trip down memory lane. I would recommend seeing this band to any fan of fun music.  They were all clearly having a great time. Katie Pruitt opened and came out to sing a song with LSD. In 2017, Pruitt was awarded the Buddy Holly Prize from the Songwriters Hall of Fame[4] and signed with Round Hill Records.[5] Her EP, OurVinyl Live Session EP was released in March 2018.[6] She was named by Rolling Stone as one of 10 new country artists you need to know[7] and by NPR as one of the 20 artists to watch, highlighting Pruitt as someone who "possesses a soaring, nuanced and expressive voice, and writes with devastating honesty".[8] On September 13, 2019, Pruitt released "Expectations", the title track from her full-length debut. Additional singles from this project were subsequently released: "Loving Her" on October 21, 2019,[9] and "Out of the Blue" on November 15, 2019.[10] On February 21, 2020, Pruitt's debut album, Expectations, was released by Rounder Records.[11][12] She earned a nomination for Emerging Act of the Year at the 2020 Americana Music Honors & Awards.[13] In the same year, she duetted with Canadian singer-songwriter Donovan Woods on "She Waits for Me to Come Back Down", a track from his album Without People.[14] In 2021 the artist was inter alia part of the Newport Folk Festival in July. Recommend her as well.  2.     Move Me Brightly: Grateful Dead Lighting Director Candace Brightman Candace Brightman (born 1944)[1] is an American lighting engineer, known for her longtime association with the Grateful Dead. She is the sister of author Carol Brightman. Brightman grew up in Illinois and studied set design at St John's College, Annapolis, Maryland.[1] She began working as a lighting technician in the Anderson Theater, New York City, and was recruited by Bill Graham to operate lighting at the Fillmore East.[3] In 1970, she operated the house lights at the Chicago Coliseum with Norol Tretiv.[4] She has also worked for Janis Joplin, Joe Cocker and Van Morrison. After serving as house lighting engineer for several Grateful Dead shows, including their 1971 residency at the Capitol Theatre, Port Chester, she was recruited by the band's Jerry Garcia to work for them full-time.[1] She started working regularly for the Dead on their 1972 tour of Europe (which was recorded and released as Europe 72), and remained their in-house lighting engineer for the remainder of their career.[1] One particular challenge that Brightman faced was having to alter lighting setups immediately in response to the Dead's improvisational style. By the band's final tours in the mid-1990s, she was operating a computer-controlled lighting system and managing a team of technicians.[5] Her work inspired Phish's resident lighting engineer Chris Kuroda, who regularly studied techniques in order to keep up with her standards. Brightman continued working in related spin-off projects until 2005.[1][7] She returned to direct the lighting for the Fare Thee Well concerts in 2015, where she used over 500 fixtures. Now facing significant financial and health related issues. 3.    Neil Young and New Band, The Chrome Hearts, Deliver 13-Minute “Down By The River” on Night One at The Capitol Theatre My buddies and I still can't believe Neil with Crazy Horse did not play their Chicago show back in May this year.  Thank god he's ok and still playing but we are bummed out at missing the shared experience opportunity that only comes along when seeing a rock legend like Neil and there aren't many.   SHOW No. 2:                     Broken Arrow                                                Track #5                                                1:10 – 3:00 Written by Robbie Robertson and released on his album Robbie Robertson released on October 27, 1987.  It reached number 29 on the RPM CanCon charts in 1988.[23]Rod Stewart recorded a version of "Broken Arrow" in 1991 for his album Vagabond Heart.[24] Stewart's version of the song was released as a single on August 26, 1991,[25] with an accompanying music video, reaching number 20 on the US Billboard Hot 100 chart and number two in Canada. This ballad is not to be confused either with Chuck Berry's 1959 single or Buffalo Springfield's 1967 song of the same name, written by Neil Young. "Broken Arrow" was also performed live by the Grateful Dead from 1993 to 1995 with Phil Lesh on vocals.[28] Grateful Dead spinoff groups The Dead, Phil Lesh and Friends, and The Other Ones have also performed the song, each time with Lesh on vocals.[29] Played:  35 timesFirst:  February 23, 1993 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  SHOW No. 3:         Lucy In The Sky With Diamonds                                    Track #9                                    2:46 – 4:13 "Lucy in the Sky with Diamonds" is a song by the English rock band the Beatles from their May, 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written primarily by John Lennon with assistance from Paul McCartney, and credited to the Lennon–McCartneysongwriting partnership.[2] Lennon's son Julian inspired the song with a nursery school drawing that he called "Lucy – in the sky with diamonds". Shortly before the album's release, speculation arose that the first letter of each of the nouns in the title intentionally spelled "LSD", the initialism commonly used for the hallucinogenic drug lysergic acid diethylamide.[3] Lennon repeatedly denied that he had intended it as a drug song,[3][4] and attributed the song's fantastical imagery to his reading of Lewis Carroll's Alice in Wonderland books.[3] The Beatles recorded "Lucy in the Sky with Diamonds" in March 1967. Adding to the song's ethereal qualities, the musical arrangement includes a Lowrey organ part heavily treated with studio effects, and a drone provided by an Indian tambura. The song has been recognised as a key work in the psychedelic genre. Among its many cover versions, a 1974 recording by Elton John – with a guest appearance by Lennon – was a number 1 hit in the US and Canada. John Lennon said that his inspiration for the song came when his three-year-old son Julian showed him a nursery school drawing that he called "Lucy – in the Sky with Diamonds",[4] depicting his classmate Lucy O'Donnell.[5] Julian later recalled: "I don't know why I called it that or why it stood out from all my other drawings, but I obviously had an affection for Lucy at that age. I used to show Dad everything I'd built or painted at school, and this one sparked off the idea."[5][6][7]Ringo Starr witnessed the moment and said that Julian first uttered the song's title on returning home from nursery school.[4][8][9] Lennon later said, "I thought that's beautiful. I immediately wrote a song about it." According to Lennon, the lyrics were largely derived from the literary style of Lewis Carroll's novel Alice in Wonderland.[3][10] Lennon had read and admired Carroll's works, and the title of Julian's drawing reminded him of the "Which Dreamed It?" chapter of Through the Looking Glass, in which Alice floats in a "boat beneath a sunny sky".[11] Lennon recalled in a 1980 interview: It was Alice in the boat. She is buying an egg and it turns into Humpty-Dumpty. The woman serving in the shop turns into a sheep and the next minute they are rowing in a rowing boat somewhere and I was visualizing that.[3] Paul McCartney remembered of the song's composition, "We did the whole thing like an Alice in Wonderland idea, being in a boat on the river ... Every so often it broke off and you saw Lucy in the sky with diamonds all over the sky. This Lucy was God, the Big Figure, the White Rabbit."[10] He later recalled helping Lennon finish the song at Lennon's Kenwood home, specifically claiming he contributed the "newspaper taxis" and "cellophane flowers" lyrics.[8][12] Lennon's 1968 interview with Rolling Stone magazine confirmed McCartney's contribution.[13] Lucy O'Donnell Vodden, who lived in Surbiton, Surrey, died 28 September 2009 of complications of lupus at the age of 46. Julian had been informed of her illness and renewed their friendship before her death. Rumours of the connection between the title of "Lucy in the Sky with Diamonds" and the initialism "LSD" began circulating shortly after the release of the Sgt. Pepper's Lonely Hearts Club Band LP in June 1967.[24][25] McCartney gave two interviews in June admitting to having taken the drug.[26][27] Lennon later said he was surprised at the idea the title was a hidden reference to LSD,[3] countering that the song "wasn't about that at all,"[4] and it "was purely unconscious that it came out to be LSD. Until someone pointed it out, I never even thought of it. I mean, who would ever bother to look at initials of a title? ... It's not an acid song."[3] McCartney confirmed Lennon's claim on several occasions.[8][12] In 1968 he said: When you write a song and you mean it one way, and someone comes up and says something about it that you didn't think of – you can't deny it. Like "Lucy in the Sky with Diamonds," people came up and said, cunningly, "Right, I get it. L-S-D," and it was when [news]papers were talking about LSD, but we never thought about it.[10] In a 2004 interview with Uncut magazine, McCartney confirmed it was "pretty obvious" drugs did influence some of the group's compositions at that time, including "Lucy in the Sky with Diamonds", though he tempered this statement by adding, "[I]t's easy to overestimate the influence of drugs on the Beatles' music." In 2009 Julian with James Scott Cook and Todd Meagher released "Lucy", a song that is a quasi-follow-up to the Beatles song. The cover of the EP showed four-year-old Julian's original drawing, that now is owned by David Gilmour from Pink Floyd.[59] Lennon's original handwritten lyrics sold at auction in 2011 for $230,000. A lot of fun to see this tune live.  Love that Jerry does the singing even though his voice is very rough and he stumble through some of the lyrics.  It is a Beatles tune, a legendary rock tune, and Jerry sings it like he wrote it at his kitchen table. Phil and Friends with the Quintent cover the tune as well and I believe Warren Haynes does the primary singing on that version.  Warren, Jimmy Herring and Phil really rock that tune like the rock veterans they are. The version is fun because it opens the second set, a place of real prominence even after having played it for six months by this point.  Gotta keep the Deadheads guessing. Played:  19 timesFirst:  March 17, 1993 at Capital Centre, Landover, MD, USALast: June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA  MJ NEWS: Ukrainian Officials Approve List Of Medical Marijuana Qualifying Conditions Under Country's New Legalization Law2.      Federal Marijuana And Drug Convictions Would Be Automatically Sealed Under New Bipartisan Senate Bill3.      Pennsylvania Police Arrest An Average Of 32 People For Marijuana Possession Every Day, New Data Shows As Lawmakers Weigh Legalization4.      CBD-Rich Hemp Extract Is An Effective Natural Insecticide Against Mosquitoes, New Research Shows   SHOW No. 4:         Wave To The Wind                                    Track #10                                    5:00 – 6:40 Hunter/Lesh tune that was never released.  In fact, the Dead archives say that there is no studio recording of the song.  Not a great song.  I have no real memory of it other than it shows up in song lists for a couple of shows I attended.  Even this version of the tune is really kind of flat and uninspiring but there are not a lot of Phil tunes to feature and you can only discuss Box of Rain so many times.  Just something different to talk about. Played:  21 timesFirst:  February 22, 1992 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  December 9, 1993 at Los Angeles Sports Arena, Los Angeles, CA, USA  OUTRO:                   The Other One                                    Track #16                                    2:30 – 4:22 "That's It for the Other One" is a song by American band the Grateful Dead. Released on the band's second studio album Anthem of the Sun (released on July 18, 1968) it is made up of four sections—"Cryptical Envelopment", "Quadlibet for Tenderfeet", "The Faster We Go, the Rounder We Get", and "We Leave the Castle". Like other tracks on the album, is a combination of studio and live performances mixed together to create the final product. While the "We Leave the Castle" portion of the song was never performed live by the band, the first three sections were all featured in concert to differing extents. "Cryptical Envelopment", written and sung by Jerry Garcia, was performed from 1967 to 1971, when it was then dropped aside from a select few performances in 1985. "The Faster We Go, the Rounder We Get", written by Bill Kreutzmann and Bob Weir and sung by Weir, became one of the band's most frequently performed songs in concert (usually denoted as simply "The Other One"). One of the few Grateful Dead songs to have lyrics written by Weir, "The Faster We Go, the Rounder We Get" became one of the Dead's most-played songs (being performed a known 586 times[2]) and most popular vehicles for improvisation, with some performances reaching 30+ minutes in length. The song's lyrics reference the influence of the Merry Pranksters and in particular Neal Cassady.[2] Additionally, the line "the heat came 'round and busted me for smilin' on a cloudy day"  - one of my favorite Grateful Dead lyrics  - refers to a time Weir was arrested for throwing a water balloon at a cop from the upstairs of 710 Ashbury, the Dead's communal home during the ‘60's and early ‘70's before the band moved its headquarters, and the band members moved, to Marin County just past the Golden Gate Bridge when driving out of the City. In my experience, almost always a second set tune.  Back in the late ‘60's and early ‘70's either a full That's It For The Other One suite or just The Other One, would be jammed out as long as Dark Star and sometimes longer.  During the Europe '72 tour, Dark Star and the full Other One Suite traded off every show as the second set psychedelic rock long jam piece.  Often preceded by a Phil bass bomb to bring the independent noodling into a full and tight jam with an energy all of its own. The Other One got its name because it was being written at the same time as Alligator, one of the Dead's very first tunes.  When discussing the tunes, there was Alligator and this other one. I always loved the Other One and was lucky enough to see the full That's It For The Other One suite twice in 1985 during its too brief comeback to celebrate the Dead's 20th anniversary. Played:  550 timesFirst:  October 31, 1967 at Winterland Arena, San Francisco, CA, USALast:  July 8, 1995 at Soldier Field in Chicago Birthday shout out: Nephew, Jacob Mishkin, star collegiate baseball player, turns 21and all I can say is “no effing way!”  Happy birthday dude! And a Happy and healthy New Year to those celebrating Rosh Hashanah which begins this week. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Welcome to Season 04 Episode 02 - the "Grape Pie" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Dr. Karl Boelter, Board President of the Fredonia Jazz Society; Mr. Alberto Rey, Distinguished Professor Emeritus, Dept. of Visual Arts and New Media at SUNY Fredonia; Mr. Nyles Emile, director of the PAC production Fairview; and Mr. John McCutcheon, folk artist and historian. Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Thanks for listening! Time Stamps Dr. Karl Boelter/Fredonia Jazz Festival 1:26 Mr. Alberto Rey/Edvard Munch 18:38 Arts Calendar 35:15 Mr. Nyles Emile 37:13 Mr. John McCutcheon 45:57 Media "It's A Wonderful Day for Pie" from the television series Family Guy, Season 08 Episode 01 "Road to the Multiverse" "Waiting for Amalia", from the album Alegria de Casa; Anat Cohen and the Trio Brasileiro, May 2016; from a performance at the Tiny Desk Concert, September 2, 2020; Anat Cohen, clarinet; Marcello Gonçalves, guitar. "Louisiana," from the album Anat Cohen Quartetinho, Anat Cohen, composer; Anzic Records, Oct 7th 2022. "The Wind that Shakes the Barley", from the album The Wind that Shakes the Barley, Rounder Records, January 1977; John McCutcheon, hammer dulcimer "Immigrant", from the album Welcome the Traveler Home, John McCutcheon, composer/performer; Appalseed Productions, September 2010. Artist Links Karl Boelter Fredonia Jazz Festival Tickets Alberto Rey Munch tickets John McCutcheon John McCutcheon tickets SUNY Fredonia Box Office Website BECOME AN OPERA HOUSE MEMBER!      

Journalist David Menconi has documented the people and sounds of North Carolina's music scene for almost three decades. In this episode, Ben and guest co-host Dolph Ramseur speak with David about his book Step It Up and Go: The Story of North Carolina Popular Music, from Blind Boy Fuller and Doc Watson to Nina Simone and Superchunk, and how the music of “The Old North State” is both reflected in, and a reflection of, its people. David Menconi spent 28 years writing for the Raleigh News & Observer and was Piedmont Laureate in 2019. His other works include Ryan Adams: Losering, A Story of Whiskeytown" (University of Texas Press, 2012); "Comin' Right at Ya: How a Jewish Yankee Hippie Went Country, or, the Often Outrageous History of Asleep at the Wheel. (co-written with Ray Benson, University of Texas Press, 2015). You can follow him on twitter at @NCDavidMenconi. Guest co-host Dolph Ramseur is the founder of Ramseur Records and a member of the North Carolina Hall of Fame. If you enjoy this episode, make sure to check out David's second appearance on our show in episode #286 Rounder Records and the Transformation of American Roots Music.  If you're enjoying The Road to Now, please consider joining us on Patreon, giving us a 5 star rating/review on Apple podcasts and sharing this episode with a friend who might also enjoy it. Thank you! This is a rebroadcast of RTN #182, which originally aired on October 19, 2020. This reair was edited by Ben Sawyer.   

Interview begins at :45 Follow John and learn more about him at www.folkmusic.com Learn about FARHOF and the Boch Center at www.farhof.org.

Acclaimed genre-crossing songwriter and interpreter Madeleine Peyroux takes stock of her songwriting over the years and shares insights into the creation of her latest album. PART ONEPaul and Scott talk music books, the value of recording, and whether or not performers should stick to a strict or loose interpretation of a song when performing live. PART TWOOur in-depth conversation with Madeleine PeyrouxABOUT MADELEINE PEYROUXMadeleine Peyroux moved to Paris with her mother at the age of 12 and began singing with street musicians while still a teenager. She eventually joined the Lost Wandering Blues and Jazz Band, with whom she toured Europe. After being discovered by Atlantic Records she released her debut album, Dreamland, in 1996. Madeleine's commercial breakthrough came with the Gold-selling album Careless Love in 2004 and it's single, the self-penned “Don't Wait Too Long,” which was released by Rounder Records and topped the jazz charts. The follow-up album, Half the Perfect World, hit the Top 40 on Billboard's US album chart. Her 2009 album, Bare Bones, was the first to feature all original material. She moved to Decca Records for the Standing on the Rooftop album in 2011 and has since released four additional studio albums. Her latest effort, Let's Walk, features all original material and continues to showcase her masterful blending of jazz, blues, folk, pop, and more. 

This week Joe is featuring Guitarist and Vocalist Duke Robillard from his 1987 Rounder Records recording titled “Swing.” 

Can you write a song on an island? Dave talked about capturing the seeds of songs, mixing with Chris Shaw, signing Nataniel Rateliff, Clap Your Hands and Say Yeah, and Ween to Rounder Records, and finding inspiration in Native Instruments Kontakt. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Dave Godowsky, a veteran in the music industry, having spent the past 20+ years in Management, A&R, and Artist Relations. On the label front, he served as Director of A&R for Rounder Records (where he discovered and signed artists including Nathaniel Rateliff and Delta Spirit) and GM at Partisan Records (home to artists like IDLES, Fontaines DC, and Deer Tick). On the management front, he served as VP for Danny Goldberg at GoldVE, managing the careers of artists including Against Me!, Okkervil River, Speedy Ortiz, and Cass McCombs. On the technology front, Godowsky handles all artist and industry relations for the pioneering audio tech innovator iZotope, and now Native Instruments, and Plugin Alliance .  A songwriter and producer himself, Godowsky has released three records, and co-written/collaborated with many others including Adam Duritz (Counting Crows), Lianne LaHavas, and Gene Ween (Ween). He has toured nationwide, including performances at major festivals and on the Late Show with David Letterman. Godowsky was named one of Billboard's "30 Under 30" and has been profiled by the Boston Globe for his industry and musical contributions. He currently lives with his wife and 18-month-old son in Maine. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://gracedesign.com/ https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://iZotope.com use code ROCK10 to get 10% off! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/0kydSMaB05NOHklabBVrH6?si=2299ff470a794d0b If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/438

In this bonus episode Greg adds a song to the Desert Island Jukebox in honor of Rounder Records, which is memorialized in a new book by David Manconi. Become a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundopsJoin our Facebook Group: https://bit.ly/3sivr9TSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Show #1032 Twenty is Plenty 01. Saverio Maccne - Endless Nights Blues (4:30) (Southern Light, Velvet Utopia, 2023) 02. Marcel Smith - Nothing Left To Burn (4:32) (From My Soul, Little Village Records, 2023) 03. Walker Tex - Change (3:23) (Single, self-release, 2023) 04. Randy Lee Riviere - Do Or Don't (2:59) (Blues Sky, New Wilderness Records, 2023) 05. 11 Guys Quartet - Blues Beyond Midnight (3:01) (11 x 11, VizzTone Records, 2023) 06. BB & The Blues Shacks - I Go To Bed With A Worry (3:22) (Lonesome In The Moonlight, Rhythm Bomb Records, 2023) 07. Ray Bonneville - Night Cab (4:02) (On The Blind Side, Stonefly Records, 2023) 08. Robert Connely Farr - Things They Tellin' You (3:32) (Pandora Sessions, self-release, 2023) 09. Chris O'Leary - Who Robs A Musician (4:02) (The Hard Line, Alligator Records, 2024) 10. Bob Corritore & Friends - I'm Evil (5:36) (Phoenix Blues Rumble, SWMAF/VizzTone Records, 2023) 11. Mike Bourne Band - Dangerous Game (8:06) (Cruisin' Kansas City, Blue Heart Records, 2023) 12. Nick Wade - Lonesome Copperhead Snake (3:26) (Feeling Good is Good Enough, self-release, 2023) 13. Emanuel Casablanca - Morning Wood (2:58) (Strung Out On Thrills, Vinyl Recording Group, 2024) 14. Danielle Nicole - Love On My Brain (4:33) (The Love You Bleed, Forty Below Records, 2024) 15. Derrick Dove & the Peacekeepers - You And My Guitar (3:48) (Rough Time, self-release, 2023) 16. Ryan T Higgins - It's Time And I Can Feel It (5:27) (Mad Love, self-release, 2023) 17. JJ Cale (ft. Eric Clapton) - Roll On (4:45) (Roll On, Rounder Records, 2009) 18. Sandy Carroll - Code Blue (3:23) (Love On It, Blue Heart Records, 2023) 19. Rï Wolf & the Prairie Hawks - Bomb City Baby (3:37) (Rï Wolf & the Prairie Hawks, self-release, 2024) 20. Mike Zito & Albert Castiglia - Hill Country Jam (13:44) (Blood Brothers Live In Canada, Gulf Coast Records, 2023) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Show #1029 Beardo's Birthday Bash 2023 01. Robin Sylar (ft. Wes Race) - Shot Time (4:11) (Tricked Out, Topcat Records, 2004) 02. Jason Ricci & New Blood - Rocket Number 9 (10:37) (Rocket Number 9, Eclecto Groove Records, 2007) 03. Magic Sam - Everything Gonna Be Alright (2:54) (45 RPM Single, Cobra Records, 1958). 04. Leo Kottke - Vaseline Machine Gun (3:18) (6 and 12-String Guitar, Takoma Records, 1969) 05. David Migden & the Twisted Roots – I WSH U HRM (4:18) (Lit Up Like A Fruit Machine, self-release, 2022) 06. Papa George – Blackjack (Jenny Fairfax mix) (3:16) (Down At The Station, self-release, 2006) 07. Barry Venn's False Pretences – Crossroads (4:54) (True Lies, Intuition Records, 1997) 08. Virgil & the Accelerators - Silver Giver (8:49) (The Radium, Mystic Records, 2011) 09. Carlos del Junco & Bill Kennear - Big Road Blues (4:57) (Blues, Big Reed Records, 1993) 10. Rory Block - Big Road Blues (3:12) (Mama's Blues, Rounder Records, 1991) 11. Bonnie Raitt - Big Road (4:00) (The Lost Broadcast: Phildelphia 1972, Leftfield Media, 2010) 12. Walter Trout - Brother's Keeper (7:01) (Blues For The Modern Daze, Provogue Records, 2012) 13. Sérgio Bap - Kitungo Blues (2:07) (Soundcloud, self-release, 2014) 14. Sue Foley - Run (4:03) (The Ice Queen, Stony Plain Records, 2018) 15. Bo Ramsey (ft. Mark Knopfler) - Wounded Dog (3:58) (How Many Miles, self-release, 2022) 16. Beth Hart & Joe Bonamassa - Can't Let Go (4:03) (Seesaw, J&R Adventures, 2013) 17. Ali Farka Touré & Ry Cooder - Amandrai (9:26) (Talking Timbuktu, World Circuit Records, 1994) 18. Jeff Beck - Head for Backstage Pass (2:44) (Wired, Epic Records, 1976) 19. Sugar Pie Desanto - Can't Let You Go [1961] (2:45) (In the Basement: The Chess Recordings, Chess Records/UMG, 2018) 20. Eric Clapton & Jimmy Page - Tribute to Elmore (2:07) (Blues Anytime Vol 1: An Anthology of British Blues, Immediate Records, 1968) 21. Frankie Miller – The Devil Gun (3:38) (Frankie Miller … That's Who! The Complete Chrysalis Recordings 1973-1980, Chrysalis Records, 2011) 22. Guy Tortora – Willie Dixon (6:13) (Prodigal Songs, Turtledove Records, 2011) 23. Frank Zappa (with Mike Douglas Orchestra) - Black Napkins (4:12) (The Mike Douglas Show, October 28, 1976) 24. Ezra Collective - Live Strong (7:36) (Where I'm Meant To Be, Partisan Records, 2022) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Korby speaks with John Strohm, a musician, songwriter, attorney and former label head who has been involved in music for more than 4 decades, from playing guitar for the Lemonheads to serving as president of Rounder Records. Along the way he's worked with a hit list of influential artists: Bon Iver, The Civil Wars, Phoebe Bridger, The Alabama Shakes, and more.

Ellis Paul doesn't just write songs; he's a guitar-carrying reporter who covers the human condition and details the hopes, loves, losses of those he observes, turning their stories into luminous pieces of music that get under your skin and into your bloodstream. And much like the artists who have influenced him, everyone from Joni Mitchell, Bob Dylan and Paul Simon to the singer-songwriter who is undoubtedly his greatest inspiration, Woody Guthrie, Paul weaves deeply personal experiences with social issues and renders them as provocative works that are as timely as they are timeless. Born and raised in Maine, Paul attended Boston College on a track scholarship and in the evenings became a fixture on the city's open mic circuit. After winning a Boston Acoustic Underground songwriter competition, he caught the ear of folk luminary Bill Morrissey, who produced his indie album Say Something in 1993. This led to a seven- album contract with Rounder Records and the 1994 album, Stories.His songs have appeared in several blockbuster films (Me, Myself, and Irene; Shallow Hal, Hall Pass) and have been covered by award winning country artists (Sugarland, Kristian Bush, Jack Ingram). Through a steady succession of albums of his own – a remarkable 23 releases so far – and a constant touring presence around the world, Paul's audience has grown into a loyal legion of fans. Learn more about Ellis Paul at www.ellispaul.comHost Lee Zimmerman is a freelance music writer whose articles have appeared in several leading music industry publications. Lee is a former promotions representative for ABC and Capital Records and director of communications for various CBS affiliated television stations. Lee authored "Americana Music - Voices, Visionaries & Pioneers of an Honest Sound," as well as his recent book about legendary producer and engineer Jim Gains "Thirty Years Behind The Glass," both are now available on Amazon and other outlets.Lee also played a key role in securing airplay for Jimmy Buffett's first major hit, “Margaritaville” so you can blame him for the fact that it's become something akin to a Parrot heads' national anthem! During his time at Capital records Lee also worked with such legends as Paul McCartney, Bob Seger, the Steve Miller Band, and others. You can contact Lee at lezim@bellsouth.net and find him online at https://www.storiesbeyondthemusic.comPodcast producer/cohost Billy Hubbard is a Tennessee based Americana Singer/Songwriter and former Regional Director of A&R for a Grammy winning company, as well as a music and podcast producer. Billy is also the venue developer, booking manager, and co-founder of the iconic venue "The Station" in East Tennessee. As an artist Billy is endorsed by Godin's Simon & Patrick Guitars and his YouTube channel has over 3 million viewers. Billy's new self titled album was released on Spectra Records October 2023 on iTunes and all major outlets! Learn more about Billy online at http://www.BillyHubbard.comMy Backstage Pass intro/outro music credit; Billy Hubbard "Waiting' on The Wind"

In this encore presentation, we hear from mandolin virtuoso Sierra Hull.About Sierra Hull: In her first 25 years alone, singer/songwriter/multi-instrumentalist Sierra Hull hit more milestones than many musicians accomplish in a lifetime. After making her Grand Ole Opry debut at the age of 10, the Tennessee-bred virtuoso mandolinist played Carnegie Hall at age 12, then landed a deal with Rounder Records just a year later. Now 28-years-old, Hull is set to deliver her fourth full-length for Rounder: an elegantly inventive and endlessly captivating album called 25 Trips.How to Connect with Sierra:https://www.sierrahull.com/http://www.facebook.com/SierraHullMusichttp://instagram.com/sierradawnhullSierra Hull on YouTubeSierra Hull on Spotifyhttps://itunes.apple.com/us/artist/sierra-hull/id278182972http://bandsintown.com/sierrahullAbout the Host - Belinda Ellsworth is a Speaker, Trainer, Best-Selling Author, and Podcaster She has been a professional speaker, mover, and shaker for more than 25 years. Having built three successful companies, she has helped thousands of entrepreneurs make better decisions, create successful systems, and build business strategies using her "Four Pillars of Success" system.Belinda has always had a passion and zest for life with the skill for turning dreams into reality.How to Connect with Belinda:Facebook -https://www.facebook.com/workfromyourhappyplaceLinkedIn - https://www.linkedin.com/in/belindaellsworthInstagram -https://www.instagram.com/workfromyourhappyplace/Website - www.workfromyourhappyplace.com Join my membership program and discover the art of creating and sharing amazing experiences with like-minded people, all from the comfort of your own home. You get to connect with others online, learn new skills and techniques, and grow your network without ever having to leave your computer screen. To know more, click on the link https://workfromyourhappyplace.com/vip/This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4939248/advertisement

From its founding in 1970, Rounder Records was different. What started as the passion project for three New England music lovers who wanted to preserve and proselytize folk and roots music, eventually grew into a record label with an eclectic catalogue featuring long-forgotten bands, promising musicians such as George Thorogood and Allison Krauss, and even an album just called “Hollerin'” (which is exactly what it says it is). Along the way, Rounder Records became indispensable in transforming American folk music. In this episode, we learn more about the history of Rounder Records from music historian David Menconi, author of the new book Oh, Didn't They Ramble: Rounder Records and the Transformation of American Roots Music (UNC Press, 2023).   You can hear David Menconi's playlist of key tracks from the Rounder catalogue on Spotify by clicking here.   This episode was edited by Gary Fletcher.

Today's episode features a discussion with Tobias LaMontagne (@tobiaslamontagne) an accomplished filmmaker based in Massachusetts, US. With a diverse range of experience in creating music videos, narrative films, and promotional content, Tobias has worked with esteemed clients such as Sony Music Entertainment, Rounder Records, and RCA Records, among others.His unique style, heavily influenced by classical cinema, showcases colorful and abstract imagery, combined with meticulously crafted set pieces and striking cinematography. Tobias's work has been showcased in national and international film festivals, including the PBS Online Film Festival, the National Film Festival for Talented Youth (NFFTY), and the Scout Film FestivalOur conversation today focuses on but is not limited to:stop motion videoart directioncreating uniquely styled music videosworking with a client when they are also an artistwhen to execute your client's ideas and revisions vs. suggesting your own ideas due to your expertisethe difference in finding joy creating for yourself vs creating for clientsIf you're listening on Spotify you can now interact with us directly by typing your thoughts, opinions, or questions in the Q & A section. We read them and publish them. It's a great way to make these episodes more of a two conversation so be sure to add your two cents after each episode!Here is the music video created by Tobias that we repeatedly reference in this episode for Ray LaMontagne's new single "Broken Sky":  https://www.youtube.com/watch?v=bZI3F1TrEQ8Here is the LinkTree to everything involving Tobias's business and creative work: https://linktr.ee/tobiaslamontagneThanks to Tamron Americas for being our lead sponsor this episode! You can check out their website below to see their full lineup of camera lenses or visit your nearest photo retailer to purchase their products:https://tamron-americas.com/Make a donation via PayPal for any amount you feel is equal to the value you receive from our podcast episodes! Donations help with the fees related to hosting the show:https://paypal.me/podcasttpm?country.x=CA&locale.x=en_USThanks for listening!Go get shooting, go get editing, and stay focused.@sethmacey@mantis_photography@thephotographermindsetSupport the show

  In Part Two of our conversation with Ken Irwin & Marian Leighton Levy, we continue diving in to the fifty-plus year history of Rounder Records, which they helped found alongside Bill Nowlin. They tell us why J.D. Crowe & The New South's 1975 release (Rounder 0044) was so pivotal for the aspiring label (and so unlikely as well). Ken also takes us to the exact moment he first heard the voice of Alison Krauss of the Bluegrass Music Hall of Fame, and we learn more about her rise as one of the most celebrated vocalists in American roots music history. Ken & Marian also share some of their pick hits from the Rounder catalog, and we put Ken's knowledge of the label's stock numbers to the test. Enjoy the second half of our in-depth conversation with this pair of Rounders (and Bluegrass Music Hall of Famers), Ken Irwin & Marian Leighton Levy! Be sure to check out the new book on the history of Rounder Records, written by David Menconi, 'Oh, Didn't They Ramble.' Click here to learn more!   This episode is brought to you by the following sponsors:  -- Samson's Haircare: samsonshaircare.com (Use code BLUEGRASS to save 10%.)  -- LawnChair USA: lawnchairusa.com/wallsoftime (Use code WALLSOFTIME to save 10%.) -- Best Self Co: bestself.co (Use code BLUEGRASS to save 15%)

The story of Rounder Records is one of the most unlikely success stories in American roots music. Two of the historic record label's three founders, Ken Irwin & Marian Leighton Levy join us to tell the tale in this extensive, in-depth, two-part interview. We learn how this set of outlaw romantics journeyed from the counter-culture to the Bluegrass Music Hall of Fame, and learn many lessons along the way, like the importance of "knowing that you don't know" and how to travel across the entire country on only eleven cents! Enjoy the first part of our conversation with this legendary pair of Rounders. Be sure to check out the new book on the history of Rounder Records, written by David Menconi, 'Oh, Didn't They Ramble.' Click here to learn more!   This episode is brought to you by the following sponsors:  -- Samson's Haircare: samsonshaircare.com (Use code BLUEGRASS to save 10%.)  -- LawnChair USA: lawnchairusa.com/wallsoftime (Use code WALLSOFTIME to save 10%.) -- Best Self Co: bestself.co (Use code BLUEGRASS to save 15%)

David Grier Interview: 3-time IBMA Guitar Player of The Year, David talks about playing with Clarence and Roland White, why he left Rounder Records... why, after all these years, he finally started singing on his latest album, what picks him up during bad times, and more: Cool Guitar & Music T-Shirts, ELG Merch!: http://www.GuitarMerch.com 3-time International Bluegrass Music Association Guitar Player of The Year award winner, David has been playing bluegrass since he was a kid. First, with his father Lamar - who was a member of “Bill Monroe's Bluegrass Boys,” and later as a solo artist who's recorded on 15 LPs. David was a member of Psychograss and is the founder of The Helen Highwater String Band Subscribe & Website: https://www.everyonelovesguitar.com/subscribe Support this show: https://www.everyonelovesguitar.com/support