Podcast appearances and mentions of Richard M Jones

LUIS RUSSELL HOT SIX and HEEBIE JEEBIE STOMPERS HOT SIX – Chicago, March 10, 192629th and Dearborn, Sweet MumtazGeorge Mitchell (cnt) Kid Ory (tb) Albert Nicholas /Users/robertobarahona/Desktop/Soulseek.dmg(cl,as,sop) Barney Bigard (ts) Luis Russell (p) Johnny St. Cyr (bj) Richard M. Jones (speech-1) HEEBIE JEEBIE STOMPERS – Chicago, November 17, 1926Plantation joys, Please don't turn me down, Dolly mineBob Shoffner (cnt) Preston Jackson (tb) Darnell Howard (cl,as) Barney Bigard (ts) Luis Russell (p) Johnny St. Continue reading Puro Jazz 25 Junio 2024 at PuroJazz.

LUIS RUSSELL HOT SIX and HEEBIE JEEBIE STOMPERS HOT SIX – Chicago, March 10, 192629th and Dearborn, Sweet MumtazGeorge Mitchell (cnt) Kid Ory (tb) Albert Nicholas /Users/robertobarahona/Desktop/Soulseek.dmg(cl,as,sop) Barney Bigard (ts) Luis Russell (p) Johnny St. Cyr (bj) Richard M. Jones (speech-1) HEEBIE JEEBIE STOMPERS – Chicago, November 17, 1926Plantation joys, Please don't turn me down, Dolly mineBob Shoffner (cnt) Preston Jackson (tb) Darnell Howard (cl,as) Barney Bigard (ts) Luis Russell (p) Johnny St. Continue reading Puro Jazz 25 Junio 2024 at PuroJazz.

Unusual sessions during the Depression - black big bands active in Chicago in the 1930's (most musicians from the previous decade) playing good jazz! . .Richard M. Jones (with Artie Starks, Preston Jackson, Herschel Evans, Louis Metcalf, Ed Saint, others), Frankie Half Pint Jaxon (with Guy Kelly, Al Wynn, Dalbert Bright, Dave Young, others), and Reuben "River" Reeves (with Gerald Reeves, Franz Jackson, Norval Morton, Tubby Hall, others) --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Great jazz sides by Richard M. Jones' Jazz Wizards, featuring Shirley Clay, William Franklin, Roy Carew, Omer Simeon, Artie Starks, Johnny St. Cyr, Willie Hightower and others, playing the compositions and arrangements of the New Orleans pianist, composer and talent scout Jones. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

The New Orleans trombone player Preston Jackson was an active participant in Southside jazz bands in the 1920's . .here he is featured with Richard M. Jones Jazz Wizards (Shirley Clay, Artie Starks, Johnny St. Cyr, George Reynolds, Clifford "Snags" Jones), Bertha "Chippie" Hill and his own Uptown Band (featuring Jones' musicians) and also Luis Russell's Heebie Jeebie Stompers with Bob Shoffner, Darnell Howard, Barney Bigard and St. Cyr. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Author and historian Richard M. Jones joines me to discuss the British cargo ship Lulworth Hill. Just after midnight on 19 March 1943, the Lulworth Hill was torpedoed by the Italian U-Boat Leonardo da Vinci. The ship split in two and sank within just 90 seconds. Only 14 out of 47 made it to a small, cramped liferaft. They were stranded in a tiny lifeboat, with very little fresh water and food. The unbearable heat, dehydration, starvation took their toll on the men, all while sharks continually circled them. After 50 days adrift, only Colin Armitage and Kenneth Cooke were alive when they were rescued. This is the story of their unbelievable suffering and survival.For show notes, additional reading, photos, and sources, please visit https://shipwrecksandseadogs.com/blog/2023/04/27/lulworth-hill/.

Was that a coincidence or synchronicity? The Radio 8 Ball Show gives you practice seeing into your subconscious by noticing musical synchronicities. We speak today to the founder and host of the Radio 8 Ball Show, Andras Jones. With the song "When I Dream" by Bart Davenport. We define synchronicity, then Andras describes one of the most profound synchronicities of his life when he unexpectedly ran into his brother in Vienna. He says that such coincidences suggest that the world is more magical than we usually recognize. He talks about how he was influenced by his father, Richard M. Jones, a dream academic and author. Andras Jones will be performing his "Radio 8 Ball Show" at the upcoming IASD conference in Ashland Oregon, June 18-22. We play a clip from a song by Bart Davenport who will be the musical guest on the show. Find out about the conference at ASDreams.org We end up talking about how to ask good questions to inspire synchronicity. Check out the free Radio8Ball app. BIO: Andras Jones is the host & creator of Radio8Ball: musical divination where questions are answered by picking songs at random and interpreting them like musical tarot cards. He calls this “consulting The Pop Oracle”. Andras will be presenting Radio8Ball with Bart Davenport as the musical guest on June 19th at the annual conference of International Association of the Study of Dreams (IASD). You may also know Andras as an actor in films like “A Nightmare On Elm Street: The Dream Master”, as a host of The World Is Wrong podcast, and as an author of “Accidental Initiations: In The Kabbalistic Tree of Olympia”, and as a songwriter as well. Find our guest at: PreviouslyYours.com, Radio8Ball.com, TheWorldIsWrongPodcast.com and on FB @andras.jones, IG @andrasjones and Twitter @andrasjones and also on Spotify: https://open.spotify.com/artist/48BUJRgspycszUcUSsQsoa and Amazon: https://www.amazon.com/stores/Andras-Jones/author/B007F380TI Intro music is Water over Stones and outro music is Everything both by Mood Science. Today's ambient music is created by Rick Kleffel. The audio can be found at Pandemiad.com. Many thanks to Rick Kleffel for also engineering the show, to Tony Russomano for answering the phones and to Ewa Malady for audio editing. Show aired on April 29 2023. The Dream Journal is produced at and airs on KSQD Santa Cruz, 90.7 FM, streaming live at KSQD.org 10-11am Saturday mornings Pacific time.  Catch it live and call in with your dreams or questions at 831-900-5773 or at onair@ksqd.org. Contact Katherine Bell with feedback, suggestions for future shows or to inquire about exploring your own dreams with her at katherine@ksqd.org, or find out more at ExperientialDreamwork.com. Available on all major podcast platforms. The complete KSQD Dream Journal podcast page can be found at ksqd.org/the-dream-journal. Thanks for being a Dream Journal listener! Rate it, review it, subscribe and tell your friends.

One of the joys of doing Dream Power Radio is that I get exposed to things I'd probably never learn about otherwise. This is how I became aware of a wonderful app that's not only fun to use but helps give you insights much in the way that dreams do. Radio8ball is the creation of multi-disciplinary artist Andras Jones. Before creating the app he'd spent over two decades hosting the Radio8ball show on radio and podcast and in live performances. In this episode Andras takes us through Radio8ball's journey and talks about:• How his father's dreamwork inspired his own work• What's a Pop Oracle?• How Radio8ball combines entertainment with the sacred• Why he says Radio8ball is a little like “picking musical Tarot cards”• How synchronicity comes into play with this• How he came up with the app• What I learned when I played Radio8ball Andras Jones is a multi-disciplinary artist (writer, musician, actor, producer) who has brought his many fields of endeavor together in an interactive performance format he calls Radio8Ball. Participants “consult The Pop Oracle” by asking questions which are answered by picking songs at random. The songs are performed live by the guest songwriter and interpreted…like communal dreams. This synchronistic format, which Andras has been presenting on radio, live stages, podcasts, in classrooms and at conferences since 1998, shares many similarities with dream seminars his father, Richard M. Jones, led at colleges and universities like Evergreen, Cornell, UC Santa Cruz, Brandeis and Harvard and wrote about in books like The Dream Poet, The New Psychology of Dreaming & Experiment At Evergreen. At the International Association for the Study of Dreams conference in Ashland in June, Andras Jones will be presenting a Radio8Ball show as a key note on June 19th with guest songwriter Bart Davenport. For more on Radio8Ball, including the podcast, and how to download the Radio8Ball app: http://www.radio8ball.com/ And for more on Andras Jones: http://www.previouslyyours.com/ Feeling stuck? At a crossroads? Unsure how to get what you want out of life? Dreams are the fastest and clearest way to understand yourself. Sign up here for a complementary Dream Discovery Session with me and never leave your dreams on your pillow again! https://calendly.com/thedreamcoach53/30min

LUIS RUSSELL HOT SIX – Chicago, March 10, 1926 29th and Dearborn, Sweet Mumtaz George Mitchell (cnt) Kid Ory (tb) Albert Nicholas (cl,as,sop) Barney Bigard (ts) Luis Russell (p) Johnny St. Cyr (bj) Richard M. Jones (speech-1) HEEBIE JEEBIE STOMPERS – Chicago, November 17, 1926 Plantation joys, Please don’t turn me down, Dolly mine Bob […]

 New Orleans jazz pioneer Richard M. Jones wrote “Trouble in Mind” about a century ago, and singer Bertha “Chippie” Hill made it a hit with a 1926 recording that had Jones himself on piano and a youngster by the name of Louis Armstrong on cornet. Since then, of course, the song's been recorded by everyone from Big Bill Broonzy to Dinah Washington and Nina Simone. Music historians even call this tune the anthem of the classic blues genre, but actually its roots go even deeper. At least two different African American spirituals dating all the way back to the 1880s have similar themes in their lyrics. Now, The Flood has been doing “Trouble in Mind” for decades now; recently, Veezy Coffman gave it a whole new feel by bringing her big beautiful bari sax to bear on it. Hey, take a listen.

Songs include: On the Sunny Side of the Street, 12th Street Rag, Walking the Street, Annie Street Rock, 52nd Street Theme and 42nd Street. Performers include: Hal Kemp, June Christy, Alberta Hunter, Nat King Cole, Dizzy Gillespie, Richard M. Jones and Bob Crosby.

 Here’s a song that grew up in the after-dark world of New Orleans at the turn of the last century. “Trouble in Mind” was written by a pioneer jazzman named Richard M. Jones, who grew in the Crescent City and, while still a teenager, was pounding piano in the houses of New Orleans’ red-light district known as Storyville. He also sometimes led a small band that included other jazz forefathers like cornet player Joe Oliver, who later would be crowned “King Oliver.” But back to the song. In the the spring of 1924 “Trouble in Mind” was among the first blues recordings ever made. But it was two years later, in 1926 in Chicago, that singer Betha “Chippie” Hill popularized it with a rendition she recorded for Okeh Records with Richard Jones on piano and another young horn man, a 25-year-old Louis Armstrong, on cornet. Since those days, this song of New Orleans has been revisited by everyone from Big Bill Broonzy to Dinah Washington and Nina Simone. Here’s the latest Flood take on the tune from a recent rehearsal.

Hey! Normally, I probably won't write a full blog post with an episode, but I felt that this one warranted a little bit of commentary. First of all, I'm sorry that this one took so long to make. I had hoped to release episodes monthly, but life happened and made that much more difficult than I'd previously planned. When I began work on this second episode, COVID-19 was just starting to hit the United States. My initial plan was to try to capture some of the loneliness and isolation and depression and lethargy and fear that came with it. But the more I worked on it, the less happy I was with it. Then, George Floyd was murdered, and protests blazed across the country. So, I set to work trying to capture a small bit of that fervor. Second, and closely related, it was very hard to find the right tone once I'd decided on a theme. I'm a white, straight man with a podcast, which is about the most boring, vanilla thing you could ask for — and the exact sort of person who ought to shut up and listen right now, not the kind who should be doing any of the talking. All I can say is: I'm just trying to be an ally and supporter and friend. I don't know how to do that well. I want to learn. But I also have an artistic impulse, and I'm trying to put that to use to elevate black voices for others to hear. Third, I'm still experimenting with form and style for this podcast. In the first episode, I limited myself to the rule that all sources must have the word "dream" in the title. For this episode, though, I didn't feel that there was one word that accurately summed up what I was trying to capture. There's "injustice," "anger," "protest," "brutality," and many, many others that only begin to get at some of the complexity of the emotions around these problems. So, I allowed myself a bit more slack on this one to pick out sources that fit thematically even if they didn't have exactly the right words in the titles or whatever. I also didn't do as much "chopping" on this one as I did with the first episode. The first episode sounds a bit more like what ransom notes look like: cut and chopped and glued together in all sorts of crazy styles. But I tried to let this one have longer, clearer segments. Again, I'm still experimenting; feel free to send feedback if you like one style or the other. Thanks for listening! Black lives matter! Sources: We'll Never Turn Back "Talk About Suffering" by Lucas Gonze "Exploring Dark Places - Atmosphere" by Dom Almond "Air Raid Siren Alarm" by ScreamStudio "Address to the Churches" by Martin Luther King, Jr. "Shredded Trauma" by Soft and Furious "Black Lives Matter OKC Rally 10 July 2016" by Oklahoma Activist "Requiem of the Class War" by b0nn0t "All My Trials" by Elroy Stubbern "Trouble in Mind" by Richard M. Jones "Black Lives Matter - Denver - Day 9" by Thomas Elliot

The great clarinet player Omer Simeon was known for his recordings with Jelly Roll Morton in the 1920's, Earl Hines in the 1930's, Jimmy Lunceford and Kid Ory in the 1940's and Wilbur DeParis in the 1950's . . .here are a series of small group dates from 1929 on which he is featured with Reuben "River" Reeves, Jabbo Smith, Richard M. Jones and the Dixie Rhythm Kings, featuring members of the Earl Hines band. The two small group recordings Simeon did under his own name (one including Hines himself) are included here as well. --- Support this podcast: https://anchor.fm/john-clark49/support

Duke Robillard (Jump The Blues For You); Little Milton (Life Is Like That); Lisa Mann (The Blues Is Alright); Bobby King (Bad Luck); Andrew 'Big Voice' Odom (Wonder Why); Keb' Mo' (That's Alright); Charley Patton (Hang It On The Wall); Blind Boy Fuller (Shake It Baby); Cathy Lemons (It All Went Down The Drain); Trudy Lynn (Left Me Singin' The Blues); Shaun Murphy (Livin' The Blues); Richard M. Jones (Trouble In Mind); Lizzie Miles (I Hate A Man Like You); Hannah Aldridge (Howlin' Bones); Steve Hill (The Collector); Bonnie Mac Band (Ball And Chain).

Your host for this edition is Frank Lloyd Wright.It is entitled A Certain Premium on AlonenessThe Content First Sequence:The Luv'd Ones - Up Down SueMel Torme - Comin' Home, BabyArthur Alexander - You Better Move OnJoe Williams - Get Out of My Life, WomanJake Holmes - Dazed and ConfusedSecond Sequence:Mamie Smith - The Lure of the SouthGladys Bentley - How Much Can I Stand?Monette Moore - Medley: Shine On Your Shoes, Louisiana HayrideLillie Delk Christian (w. Richard M. Jones' Jazz Wizards) - It All Depends On YouKatherine Henderson (w. Clarence Williams' Blue Five) - Take Your Black Bottom OutsideThird Sequence:Louis Armstrong & His Orchestra - Between the Devil and the Deep Blue SeaBennie Moten's Kansas City Orchestra - Missouri WobbleBenny Carter & His Orchestra - ArabesqueJimmie Lunceford & His Orchestra - JazznocracyEarl Hines & His Orchestra - We Found RomanceFourth Sequence:Hugh Masekela - Up, Up and Away (live)The Associations - P.F. SloanThe Yokohama Knights - Where's the Playground, Susie?Dusty Springfield - Magic GardenThe Three Degrees - Everybody Gets to Go to the Moon (live)Summation:Saul Aarons - Capitalistic Boss