Podcasts about Storyville

Jelly Roll Morton a tout appris à Storyville, le quartier des plaisirs de la Nouvelle-Orléans : le piano, mais aussi le billard, les jeux d'argent, les cartes et les arnaques en tout genre. Sans oublier les femmes. Car à force de fréquenter les prostituées de Storyville, Jelly Roll a acquis ses galons de souteneur. Il est désormais un parfait escroc, avec son col en fourrure et un diamant sur sa dent de devant. Sans oublier le calibre .38 pour protéger ses économies. Mais vers 1917 son destin bascule. Lorsqu'on ferme Storyville, l'inventeur du jazz est contraint de prendre la route, direction Chicago !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Like many musicians, Kerry started singing and performing when he was a kid in church. At age 7 he was singing solos in front of the entire congregation. Then came piano lessons to learn to read and write music. He really loved to sing though, so he concentrated on his vocals. He performed all throughout his school years, all the way up through college at George Mason University. The West Coast was calling him so in 1988 on a wing and a prayer he heads out to L.A.!! He settles in and meets some great musicians and starts to perform out there, singing in some experimental Rock bands like Acid Clown. In 1991 he came up with the concept of The Thrillbillyz and, along with the help of some great musician friends, was able to record a four song demo at Fox Studios in Glendale, CA and work with the owner/engineer Rich Fox. In 1993 ,after several years of performing around Southern California as The Thrillbillyz, Hurley moves back to the East Coast and his hometown of Roanoke, Virginia. Roanoke definitely is not as big of a market as L.A. but it has a growing music scene and Hurley jumps in head first. He re-forms The Thrillbillyz and starts playing shows like crazy. He continues to write and work on his originals and in 1994 takes his band into Flat Five Studios in Salem, VA and records the album “Romp!” and releases it in 1995. Ten of the eleven songs are originals and a few of the songs (Franklin County Moonshine & Sweet Leaf) wind up on the radio in regular rotation on the area's biggest Rock station 96.3 WROV. The band played constantly in support of it's record and through it's association with Buzz Casey and WROV was able to open up for quite a few National acts like Government Mule, Storyville, Foghat, Loverboy, Johnny Winter, Matchbox 20 and many more!!! The band played and enjoyed success for the next 5 years and in 2000 everyone went their own musical ways. Hurley had been singing on the side for a Blues band called Blues Hangover from 96 to 98 and traveled quite a bit with them, winning several Blues Contests and traveling to Memphis, TN in 97 to compete in the Blues Foundation's International Blues Challenge. It was a great learning experience. In 2001 Hurley wound up joining The Fat Daddy Band and that very same year went down and won the Charlotte Blues Society's contest and in 2002 went to Memphis again to represent them at the IBC and made it to the finals (one of ten bands out of 150). For the next 14 years he would front that band and continue to write songs. He put out 2 cd's with The Fat Daddy Band - “From The Soul”(2003) and “Live & Lovin' It!”(2005). 

New Orleans is a city of neighborhoods. 73 of them. Each one of these neighborhoods has its own flavor, its unique characteristics, and residents who can tell you about people who were brought up there and went on to do something notable. Claus Sadlier grew up in Old Metairie. It’s possible you don’t know who Claus is. If you’ve stopped at a coffee shop to grab a cup of joe to go - Claus is the guy who invented the paper cup you got your coffee in. Back in the early 90’s, when to-go coffee was still sold in Styrofoam cups, Claus created an insulated paper cup. And sold the design to Dixie Cups for $170 million. Claus went on to invent other stuff as well. Then in 2013, having conquered the world, he followed his heart back to New Orleans. He bought a home in the French Quarter and decided to use some of his good fortune to celebrate a singular New Orleans neighborhood and its claim to fame: prostitution. In September 2024, after years of research, planning and design, Claus Sadlier opened The New Orleans Storyville Museum. It’s been many years since New Orleans had a legal sex-worker district. But we’re still a city that proudly runs on our reputation for fun - from restaurants, bars, and drinking on the street, to music festivals and corporate conventions. A lot of this hospitality and tourist industry – and its allied occupations like security, sanitation, and infrastructure maintenance – is powered by people who don’t make a lot of money. As the city gets more prosperous, these folks, who are the heart and soul of New Orleans’ economy, don’t benefit from gentrification if they don’t own a house. And if they’re renting, they can end up being priced out of their neighborhood. That’s where Oji Alexander’s business, People’s Housing Plus, comes in. People's Housing Plus is a property development company. They buy land, build houses, and sell or rent them. But only to low and moderate income New Orleanians. By controlling every step of the process, from financing through construction, houses are affordable. And with a stewardship program that continues after a sale, continued maintenance is affordable too. It’s sometimes hard to describe to people who don’t live in New Orleans exactly what makes it such a unique place. Yes, it’s physically beautiful to look at, the food’s great, there’s always good music, it’s relatively affordable, and the climate is – with a few exceptions – mostly pleasant. But none of that adequately explains the actual experience of living here. The next time you’re looking for a way to explain what that’s like, you might point to this episode of Out to Lunch. You could describe it like this: “In a historic building on the most exclusive tree-lined avenue in the city, as streetcars rattle by, a successful design engineer who invented the paper coffee cup and built a museum celebrating jazz, gambling and prostitution, has lunch with a property developer building houses for low income citizens – and nobody’s in a hurry to get anywhere when it’s over.” Out to Lunch was recorded live over lunch at Columns in Uptown New Orleans. You can find photos from this show by Jill Lafleur at itsneworleans.com.See omnystudio.com/listener for privacy information.

This week on RITY... The mini theme is The Life Cycle Of A Cicada... A hit Beatles song inspired by a photo inside the January 1965 issue of National Geographic Magazine... A Little Feat song that was partially written at CVG airport... A song Ace Frehley wrote after being electrocuted... Deep cuts from Joe Walsh, Storyville, The Henry Paul Band, Boston, REO Speedwagon, Blackberry Smoke, and much more! For more info on the show, visit reelinwithryan.com

This week, we're pulling back the curtain on American music history—and asking who really gets to define it. Grammy-winning Blues musician and cultural historian Chris Thomas King drops in to break down why everything we've been taught about the origins of the blues is wrong. Because Chris is letting it be known: it didn't start on Mississippi plantations—he's taking us to Congo Square, Creole New Orleans, and Storyville, where he argues the blues was born out of resistance, freedom, and Saturday night defiance. From ancient African instruments to the invention of “jazz” as a sanitizing label, this conversation reclaims the radical roots of Black music—and why they still matter. To learn more, find Chris at https://www.christhomasking.com/ and check out his book "The Blues: The Authentic Narrative of My Music and Culture." — This podcast is brought to you by PushBlack, the nation's largest non-profit Black media company. You make PushBlack happen with your contributions at BlackHistoryYear.com. Most folks do 5 or 10 bucks a month, but truly, anything helps. Thanks for supporting the work. With production support from Leslie Taylor-Grover and Brooke Brown, Black History Year is produced by Cydney Smith, Darren Wallace, and Len Webb, who also edits the show. Lilly Workneh is our Executive Producer and Black History Year's host is Darren Wallace. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

HEAR THE FULL EPISODE/COMMENTARY BY SUBSCRIBING AT PATREON.COM/REELPOLITIK: https://www.patreon.com/posts/episode-324-jack-122635113, OR WATCH ALONG WITH US IN OUR VIDEO COMMENTARY: https://www.patreon.com/posts/tokyo-girls-2017-122644976 Low-key subscriber-only fully listed episode today! Farages Fucked Face is back for his fourth appearance on RP in 2025, in a sign of our increasing desperation and inability to book big guests. This time it's a two-hander, in which I sit down with him to watch a documentary about Japanese idol culture, which aired as part of the BBC's Storyville series under the name TOKYO GIRLS in 2017. We do live commentary on the whole film, but before that we chat a little about movies and even some politics.

Several years ago I did an episode or two with the Historic New Orleans Collection about the Storyville red light district. They had an excellent small exhibit about Storyville. Well now, there is a whole museum dedicated to Storyville. I'm joined today by the museum's founder and curator, Claus Sadlier.

Hyvää uutta vuotta Rock Around The Blogista! Tässä jaksossa Sami Ruokangas ja Juha Kakkuri käyvät läpi vuoden 2024 parhaita levyjä ja keikkoja. Mikä sai kyyneleet silmiin, kosketti ja jäi mieleen? Keskeinen ikuisuusaihe on myös esillä: Rolling Stonesin vuoden 1999 harvinainen pienen teatterin keikka on nyt julkaistu tallenteena ja Juha muistelee keikkaa paikallaolleena. Oma jännittävä tarinansa on se, kuinka Juha sai ajalla ennen internetiä tiedon tuosta keikasta ja lopulta lipun. Kuuntele, viihdy ja sivisty! Seuraa ja kommentoi meitä somessa: https://www.instagram.com/samiruokangas https://www.facebook.com/RockAroundTheBlogFinland Jakson soittolista: https://open.spotify.com/playlist/3Y2txSIyPeCUDwilXIRpnY?si=2b3cd289334e4478 Menossa ovat mukana Emilia Sisco, Helsingin Sanomat, Espoon Kulttuurikeskus, Unna Kortehisto, Aretha Franklin. Billie Holiday, Sami Kantelinen, Seppo Salmi, Jukka Sarapää, Jukka Eskola, Pope Puolitaival, Sellosali, Grammy-palkinto, The Black Crowes, Tavastia, Guns N´Roses, Bruce Springsteen, The Magpie Salute, Rich Robinson, Sven Pipien, Rolling Stones, Faces, Small Faces, Classic Rock, Pearl Jam, Neil Young, The Coward Brothers, Elvis Costello, T Bone Burnett, Ian Hunter, Michael Monroe, Bob Dylan, Mott The Hoople, David Bowie, Benmont Tench, Tom Petty & The Heartbreakers, Taylor Hawkins, Foo Fighters, Jeff Beck, Lucinda Williams, Def Leppard, Phil Collen, Joe Elliott, Cheap Trick, Ross Halfin, Metallica, Slash, Johnny Depp, T. Rex, Marc Bolan, Mick Ronson, The Black Keys, Ohio Players, Sakke Koivula, Peer Günt, Alice Cooper, Flow, New York Dolls, Alexandra Palace, Canned Heat, Robban Hagnäs, Wentus Blues Band, Savoy-teatteri, Tullikamarin Klubi, Fito de la Parra, Count Basie Orchestra, John Lee Hooker, Jimmy Vivino, GA-20, Shepherd's Bush Empire, Keith Richards, Tower Records, Ronnie Wood, Quireboys, Spike, Black Eyed Sons, Nigel Mogg, Luke Morley, Thunder, Chris Johnstone, Frankie Miller, Rod Stewart, Eagles, Cher, Ray Charles, Tom Waits, U2, Radiomafia, Record Store Day, Black Friday, Black And White Records, Bruce Dickinson, Iron Maiden, Judas Priest, Thin Lizzy, Robert Trujillo, Kirk Hammett, Sam Cooke, Muddy Waters, Howlin´Wolf, Jools Holland, Storyville, Helge Tallqvist, 22 Pistepirkko, Ina Forsman, Marjo Leinonen, Kulttuuritalo, Olympiastadion, G Livelab, Malmitalo, Hound Dog Taylor, Tim Carman, Josh Kiggans, Pat Faherty, Cody Nilsen, Matthew Stubbs, Charlie Musselwhite, Canyon Lights, Heather Gillis, Steve Conte, KK's Priest, Barcelona Rock Fest, Deep Purple, Simon McBride, Steve Morse, Bob Ezrin, Pink Floyd, Hanoi Rocks, Ben Granfelt, Ian Gillan, Ian Paice ja Lemmy Kilmister.

Klaus, Elijah, and Rebekah have been trapped in the cemetery to work out their problems this week, and the tensions are high! Marcel tries to help Rebekah out but ends up making bad deals and being banished. Davina settles back into the land of the living after a deeply traumatizing time dead. Finally, Rebekah leaves New Orleans??? Remember to rate, review, and share, brothers! Follow us on Instagram and TikTok @doppelgangerspodcast! --- Support this podcast: https://podcasters.spotify.com/pod/show/doppelgangerspodcast/support

durée : 00:59:18 - Michel Petrucciani Trio, avec Gary Peacock & Roy Haynes, proximité & éternité - par : Nicolas Pommaret - Un double-album inédit de Michel Petrucciani, au Montmartre de Copenhague, le 3 juillet 1988, en compagnie de Gary Peacock et de Roy Haynes. “Michel Petrucciani Trio - Jazz Club Montmartre CPH 1988” paraît chez Storyville.

Chris joins Mark on the Blues Cruise to discuss life in the blues and playing drums for Stevie Ray Vaughan and Double Trouble. Chris is one of the founding members of Stevie Ray Vaughan's band Double Trouble. Chris moved to Austin in 1975 and joined Double Trouble in 1978. After forming successful partnerships with bandmates Tommy Shannon and Reese Wynans, Double Trouble recorded and performed with Vaughan until his death in 1990. Layton and Shannon later formed supergroups such as the Arc Angels, Storyville, and Grady. Chris is now the drummer for the Kenny Wayne Shepherd Band.

Singer/songwriter Bob Gibson was a defining figure in the folk music revival starting in the late 1950s, but a crushing dependence on heroin and other drugs sank his career, his marriage and many of his long-time friendships.Gibson — who wrote songs like “Abilene” and “There's a Meeting Here Tonight” that were performed by artists such as Peter, Paul and Mary, The Limeliters and Simon and Garfunkel, as well as The Byrds, The Smothers Brothers and others — hit rock bottom in the late '60s.The Road Down“I left the business in '66,” Gibson wrote in his autobiography, I Come for to Sing. “It seemed to me working in clubs, being on the road, being in show business and around musicians caused me to use drugs. I thought if I got away from that, everything would be fine.”To that end, he spent almost three years in a country hideaway with his young family trying to get clean, but ultimately, he wrote, the hiatus failed its mission.The early 1970s found Gibson relocating again, this time to the West Coast, commuting for occasional gigs in clubs in Chicago and Los Angeles. “I was just hanging in,” he wrote, “doing the same set of songs, and I wasn't writing or learning.”Enter ShelBut then he reconnected with an old friend — writer/artist Shel Silverstein — who helped “in jarring me out of this,” Gibson said. “Shel would come up there and we'd write songs.”Meanwhile, what he called “a classic music business snafu” torpedoed his last major label release, so in 1974 — re-energized by the songs he had written with Shel — Gibson started one of the country's first-ever artist-owned record companies. In those days, his new Legend Enterprises label was a novel approach to making records.Bob's Funky In The Country was its first release, recorded live at the legendary Amazingrace Coffeehouse in Evanston, Ill., near Chicago.Buoyed by a rave review in Billboard magazine, the album gave the fledgling label a fine start, but it was quickly undermined by Gibson himself: The first stop on the road to promote his new album was a few months in rehab. By the time Bob was ready to travel again, the momentum had moved on.The SongA highlight of that lovely album — “Two Nineteen Blues” — is built around Gibson's imaginative reworking of several long-standing blues motifs.His chorus (“I'm going down to the river / Gonna take along my rocking chair”) comes from well-known versions of “Trouble in Mind” as sung by everyone from folkie Cisco Houston to soulful Sam Cooke to country's Johnny Cash.And the song's hook (“Gonna lay my head down on some lonesome railroad line / And let the two-nineteen come along and pacify my mind”) has even deeper blues roots.No less an authority than the great Jelly Roll Morton said “Mamie's Blues” — from which the line comes — was “no doubt the first blues I heard in my life. Mamie Desdunes, this was her favorite blues. She hardly could play anything else more, but she really could play this number.”Desdunes (sometimes written Desdoumes) was a well-known singer and pianist in “The District,” as New Orleanians called the area now generally remembered as “Storyville.”What's in a Name?Blues historian Elijah Wald notes the old song's title is often given as “2:19 Blues,” as if referring to a train time; however, jazz historian Charles Edward Smith recalled Morton explaining that the 219 was the train that “took the gals out on the T&P (Texas and Pacific railroad) to the sporting houses on the Texas side of the circuit.”Despite all its lyrical borrowings from blues antiquity, “Two Nineteen Blues” is unmistakably a Bob Gibson creation. He brought to it a completely new melody and fresh lyrics brimming with his trademark sass and winking understatement. For example, Bob sealed the deal in a final verse that finds his antagonist in a small-town jail, where: I hit the judge and I run like hell And the sheriff he's still askin' ‘round ‘bout me.Our Take on the TuneFor folks who know The Flood only from its studio albums, this is the first tune they may have ever heard from the band.That's because this rollicking composition was what the guys played on the opening track of their very first commercial album nearly a quarter of a century ago now. And speaking of names, because of a design error, the song was erroneously listed on that inaugural album as “Rocking Chair,” a name it has retained in the Floodisphere ever since.A lot changes in a band over the decades, but good old tunes — under whatever name — are like cherished letters from home. Here's a version from a recent rehearsal. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Plato único para este episodio de la Wurlitzer. El doble álbum que os traigo acaba de ser publicado por el sello danés Storyville y en él se recoge la actuación del trío de Petrucciani que, en 1988, estaba formado por Gary Peacock al contrabajo y Roy Haynes a la batería. Sobre las tablas del legendario Jazzhus Montmartre, estos tres músicos exploran la música sobre las líneas de los originales del álbum Michel Plays Petrucciani (publicado un año antes) y un puñado de versiones clásicas. Una joya que estaba inédita y que ahora ya podemos disfrutar. Sonarán: Michel Petrucciani Trio - 13th Michel Petrucciani Trio - She Did It Again Michel Petrucciani Trio - Mr. KJ Michel Petrucciani Trio - Autumn Leaves Michel Petrucciani Trio - Giant Steps Michel Petrucciani Trio - La Champagne Michel Petrucciani Trio - It's A Dance Michel Petrucciani Trio - My Funny Valentine Michel Petrucciani Trio - Someday My Prince Will Come Os animo a comentar vuestra experiencia con la escucha. Gracias por escuchar con cariño y dejar tu corazón en el audio, aunque no lo parezca, esta chorradita es importante. Apoya este proyecto desde 1,49€ al mes. Tan solo tienes que pulsar el botón azul que tienes en la cabecera de este canal Y gracias infinitas, ya que tu aportación nos permite mejorar cada programa. Este programa, como siempre, está dedicado especialmente a nuestros patrocinadores: Joao Sampaio, RLP, Iñaki Del Olmo, Mechimariani, L Ibiricu Traba, Nachoigs, David, Alfonso Ladrón, Nacho Ruíz, Javier Carmona, Ana López, Raúl Espinosa, La Última Frontera Radio, Gustavo, Ruth, Carmen Neke, Manuel García, Rebeca Tatiana, Michel y nuestros queridos anónimos.

Folks in Central Louisiana sometimes refer to their beloved section of the state as “CENLA.” There was a time when some wags might have referred to the city of Alexandria and the area around it as “Sinla.” Historian Michael Wynne joins host Errol Laborde, and podcast producer Kelly Massicot, to talk about discoveries from researching his new book, "Flaunting their finery and audaciousness: The Notorious Brothels, Gambling Houses, Opium Dens and Saloons of Alexandria (Central Louisiana)." Wynne has tales to tell about the period from the late 1800's into the World War I era, when some cities had a bawdy reputation that paralleled New Orleans' famous Storyville. This discussion is a surprising slice of life that once ran contrary to its bible belt reputation. But part of the story is why it disappeared.

D.C. Anderson is a film/tv and theater actor raised in Elyria, Ohio and based in New York. Film/tv roles include Mariama Diallo's MASTER, Judy Sam Roman's RICH BOY RICH GIRL, Joseph Cedar's NORMAN, Nathan Adloff's MILES, Kevin Arbouet and Judy San Roman's FAIR MARKET VALUE and television's BILLIONS, EXTRAPOLATIONS, THE ENEMY WITHIN, THE BLACKLIST, LADY BLUE and THE MYSTERIES OF LAURA. Theatre credits include Broadway's THE PHANTOM OF THE OPERA and Off Broadways QUEEN OF THE MIST and STORYVILLE. National tours of THE PHANTOM OF THE OPERA, MARTIN GUERRE, THE LIFE AND ADVENTURES OF NICHOLAS NICKLEBY. Regional acting work with the Guthrie, Steppenwolf, Goodspeed, Great Lakes Shakespeare Festival, Ogunquit Playhouse, Florida Studio Theatre, Northlight, Skid Road Theater, Conservatory Theater, Apollo Theater and Wellfleet Harbor Actor's Theater companies, Penobscot. Developmental projects at Rep Theater of St Louis and Asolo Rep. Projects include FOUNTAIN, THE DISAPPEARING MAN, THE ASTONISHING TIMES OF TIMOTHY CRATCHIT and DUST AND SHADOW. His first theatrical performance was as Gideon's young son, Jether, in GIDEON by Paddy Chayefsky at the Black River Playhouse. High school theater followed: 'Sancho' in MAN OF LA MANCHA, 'Tevye' in FIDDLER ON THE ROOF. Then came college at Baldwin Wallace College (now Baldwin Wallace University) : 'John' in THE LION IN WINTER, 'Tom' in THE GLASS MENAGERIE, 'Curly' in OKLAHOMA, 'El Gallo' in THE FANTASTICKS, 'Pavlo' in THE BASIC TRAINING OF PAVLO HUMMEL. Graduate School: 'Frank Strang' in EQUUS, 'Proteus' in TWO GENTLEMEN OF VERONA. D.C. has 13 full length albums of original songs and covers available for listening and purchase on internet music services including FOOL MOON, TIME WAS, YOU WERE THERE, THE BOX UNDER THE BED, ALL IS CALM ALL IS BRIGHT, I AM STILL, BALLAD, OUR STORY, BLUE SUMMER DAY, CLOSE COMPANIONS, COLLECTED, SARASOTA and HOUSE CONCERT (2022). In 2023 he will release I ONCE WAS CLAY. He was also the man behind the very first Broadway Cares/Equity Fights AIDS benefit Christmas recording - 1993's CABARET NOEL. His next benefit recording project was for the National Multiple Sclerosis Society in 2010 - it's called 'IN MY ROOM'. Click for CD info, including tracks, artists' bios, etc. Listen on Spotify, Apple and YouTube

A powerful audio diary from Gaza: Two Gazans film a year under attack by Israel. Aya and Khalid's stories are two of four featured in a new BBC World Service and Storyville documentary, Life and Death in Gaza. The film, and the radio documentary, form part of a group of programmes on BBC, marking one year on from 7 October and the war between Israel and Hamas.Also on the programme: Why North Korea is blowing up roads next to South Korea; why Google wants to go nuclear; a big advance in treatment for cervical cancer. And Al Pacino explains why, at the age of 84, he has decided to publish his memoirs.(Photo: Khalid and his son. Credit: BBC)

In dieser Episode von „Storyville“ begrüßen Konstantin und Carolin Georgiou ihren Gast Denis Helmke zu einem humorvollen und nostalgischen Gespräch über das Musical Tanz der Vampire.

In dieser Episode von Storyville sprechen Constantin Giorgio und Caroline über das gruselige und lustige Addams Family Musical. Erfahre, warum diese Produktion ein Muss ist – mit skurrilen Kostümen, mitreißenden Songs und vielen Lachern!

You have heard of Basin Street and its blues? Well intersecting that street on the edge of New Orleans' French Quarter is “Conti,” a street that was part of the neighborhood that gave Basin its reputation because of the surrounding Storyville red-light district. Storyville has been closed since 1917 but now there is a great new museum that creates an immersive journey into the city's, and the district's, past. Claus Sadlier, the owner/curator of the New Orleans Storyville Museum, joins Louisiana Life Executive Editor Errol Laborde, and podcast producer Kelly Massicot, to discuss the museum including its virtual visuals, holograms, videos, vintage photographs, narrations and artifacts. Sadlier is also a compelling storyteller with tales to tell about the district – including the music actually played in the bordellos. It wasn't just the blues.

„Garderoben Gespräche“ trifft auf „Storyville“ in einer einmaligen Crossover-Episode! Die beiden Schwestern Lea und Sophia Weiss aus der Theaterwelt plaudern mit Gastgeber Konstantin Georgiou über alles, was vor und hinter der Bühne schiefgehen kann – und das mit einer gehörigen Portion Selbstironie. Während Konstantin den tiefen Blick ins Storytelling wirft, liefern Lea und Sophia die besten Anekdoten aus dem Backstage-Alltag. Ob Kostümchaos oder peinliche Patzer – diese Episode zeigt, dass Theater nicht nur auf der Bühne Drama bietet. Für alle, die gerne hinter die Kulissen schauen und dabei herzlich lachen wollen, ist diese Folge ein wahres Schmankerl! Hier findet ihr "Garderoben Gespräche" bei: Instagram : https://www.instagram.com/garderobengespraeche/ Spotify: https://open.spotify.com/show/1f789KVqsJAIXqXR7KP60o?si=ebf331ed9fc647c2 #Theater #Podcast #GarderobenGespräche #Storyville #LeaWeiss #SophiaWeiss #KonstantinGeorgiou #Backstage #Theaterliebe #Storytelling #CrossoverEpisode #Theaterleben #Requisiten #Theatergeschichten #Improvisation #Humor #Kostümchaos #Theaterpodcast #Schauspieler #BehindTheScenes #Bühnenkunst #Theaterproduktion #Kreativität #Unterhaltung #Theaterfans #Theaterinsider #Drama #Komödie #BackstageStories #Theaterwelt

In dieser humorvollen Crossover-Episode von „Garderoben Gespräche“ und „Storyville“ plaudern die Schwestern Lea und Sophia Weiss gemeinsam mit Konstantin Georgiou über skurrile Backstage-Anekdoten, Requisiten-Pannen und die Magie des Theaters. Ein unterhaltsamer Einblick in das Theaterleben voller Lacher und Storytelling-Insights!

In der heutigen Episode von "Storyville" tauchen wir erneut in das spannende Thema Künstliche Intelligenz ein, diesmal mit einem besonderen Fokus auf deren Einsatz im Storytelling. Die Drehbuchautoren Konstantin Georgiou und Denis Kundic diskutieren zusammen mit Drehbuchautorin Nira Bozkurt die Vor- und Nachteile dieser Technologie.

The interview begins at the top of the episode. For more information about the hall of fame, visit www.FARHOF.org. 

Twilight Decoded: The Originals S1E15 "Le Grand Guignol" and S1E16 "Farewell to Storyville" by Twilight Decoded: A Twilight Podcast

This week on Talkin' Blues, a conversation with drummer Chris Layton (Stevie Ray Vaughan, Arc Angels, Storyville, Kenny Wayne Shepherd).   Special thanks to Chris Layton, Miki Mulvehill and Gary Vaughan for this very special episode.

Bob Wallis was a good trumpet player who played in Acker Bilk's first groups before founding his own. These 1957-61 recordings sample the first part of his bandleading career featuring Bilk, Keith "Avo" Avison on trombone, Doug Richmond on clarinet, Hugh Rainey on banjo, Dick Heckstall-Smith on soprano sax, a very young, pre-Cream Ginger Baker on drums and others . . all playing in a solid four beat New Orleans style --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Sally Asher is a historian, photographer and tour guide who specializes in the bawdy days of the early 20th century in New Orleans and the life and death of the Storyville bordello district. Asher joins Louisiana Life Executive Editor Errol Laborde, along with producer Kelly Massicot, to discuss how the city adapted to two major concerns of the times: prostitution and boozing. In both cases New Orleans has its own creative solutions. As a photographer she also has fascinating stories to tell including the time when the Dali Lama met Dr. John and who was most impressed with whom.

Baroness Kidron is one of the country's foremost drama and documentary directors. Her long list of credits includes ‘Storyville', 'Oranges Are Not the Only Fruit', 'Victoria and Abdul' and 'Bridget Jones: The Edge of Reason'. She now sits as a crossbench peer and is the founder of the Five Rights Foundation. For the past five years, she has been one of the most instrumental figures in ensuring better protection for children through the passage of measures such as the Online Safety Bill. On this week's programme we discuss Bridget Jones, controlling the tech giants, ad funded public service broadcasters and what can be done to protect children from online abuse.“The tech companies go in and out of the White House, and in and out of Downing Street, like they've got a cat flap.When I started on this journey, 11 years ago, I was treated like a middle-aged woman who didn't understand the new rock and roll. I am actually quite pleased to say that a lot of people have joined me in saying, actually, this is bad for democracy.”To support our journalism please sign up now for £1.99 per month: www.patreon.com/BeebWatch/membership @BeebRogeremail: roger@rogerboltonsbeebwatch.com Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Baroness Kidron is one of the country's foremost drama and documentary directors. Her long list of credits includes ‘Storyville', 'Oranges Are Not the Only Fruit', 'Victoria and Abdul' and 'Bridget Jones: The Edge of Reason'. She now sits as a crossbench peer and is the founder of the Five Rights Foundation. For the past five years, she has been one of the most instrumental figures in ensuring better protection for children through the passage of measures such as the Online Safety Bill. On this week's programme we discuss Bridget Jones, controlling the tech giants, ad funded public service broadcasters and what can be done to protect children from online abuse.“The tech companies go in and out of the White House, and in and out of Downing Street, like they've got a cat flap.When I started on this journey, 11 years ago, I was treated like a middle-aged woman who didn't understand the new rock and roll. I am actually quite pleased to say that a lot of people have joined me in saying, actually, this is bad for democracy.”To listen to this podcast now and support our journalism sign up now for £1.99 per month: www.patreon.com/BeebWatch/membership @BeebRogeremail: roger@rogerboltonsbeebwatch.com Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Today's interview begins at 2:53To learn more about today's guest and purchase his book visit - www.richardvacca.comTo learn more about FARHOF visit - www.farhof.org

New Orleans used to have a legal red light district, and it was THRIVING at the turn of the 20th century. But then, of course, war happened and messed it all up!!! Stupid war!  Follow American Filth on Instagram.  See omnystudio.com/listener for privacy information.

This podcast is about Billie Holiday, one of the most popular singers of the jazz age. Lady Day was born born Eleanora Fagan in 1915. While surviving a difficult childhood she developed a unique vocal style, improvisational skills, and pioneered a new way of manipulating phrasing and tempo. Holiday won a recording contract in 1935 and immediately produced her first big hit. "What a Little Moonlight Can Do", became an instant jazz standard. Billie Holiday remained a very popular recording artist and concert performer through the 1940s and '50s. She died of cirrhosis in 1959, at the young age of 44. Holiday won four Grammy Awards, and was inducted into the Grammy Hall of Fame, the National Rhythm & Blues Hall of Fame, and the Rock & Roll Hall of Fame. You're going to hear Lady Day help teach a course in music history on New World A Coming in 1944. She performs on the popular Arthur Godfrey Show on CBS Radio in 1947 which also features the Mariners, one of the first popular integrated singing quartets. You'll also hear Billie Holiday interviewed on CBC Radio in 1951, and she performs live at Storyville in Boston on WMEX Radio in 1953. http://krobcollection.com

Author and screenwriter Mark Frost grew up in a show business family, worked at famous Guthrie Theater in Minneapolis, before heading to Hollywood to work for Steven Bochco, who revolutionized television with "Hill Street Blues," where Mark as on the writing crew with David Milch and also worked with another Ojai resident, Mimi Leder. Not long after he joined David Lynch to co-create "Twin Peaks," the show that attained cult status as soon it was aired. Frost has also written and/or directed "Storyville," "The Fantastic Four," and "Greatest Game Every Played." Among his popular books on golf and baseball are "Game 6," about the Reds-Red Sox World Series that captivated the world and marked a moment when baseball became a big business. He also wrote the golf classic, "The Match: The Day the Game of Golf Changed Forever." We talk about the WGA strike, since settled, and Mark's history with previous strikes, as well as Ojai environmental issues (Mark is a key leader with the Ojai Defense Fund, founded by our mutual friend John Broesamle, who just passed," and his new projects, including a book on Franklin Delano Roosevelt, from whom an uncle worked as his press agent. We did not talk about "Seven Samurai," Harvard admission policies or the James Webb Space Telescope.

*Note: We decided to delay our planned episode for this week, so instead we are releasing one of the bonus episodes from our Patreon feed. Sources: Pamela D Arcineaux, "The Storyville Madam Who Challenged Jim Crow, and Won," The Historic New Orleans Collection, available at https://www.hnoc.org/publications/first-draft/storyville-madam-who-challenged-jim-crow-and-won Storyville Guidebooks to Sin, Images Available at https://www.hnoc.org/virtual/storyville/guidebooks-sin "The Sex Workers of Storyville," The Historic New Orleans Collection, available at https://www.hnoc.org/virtual/storyville/sex-workers-storyville Rotten Tomatoes: https://www.rottentomatoes.com/tv/interview_with_the_vampire/s01 Caroline Framke, https://variety.com/2022/tv/reviews/interview-with-the-vampire-review-amc-anne-rice-1235388669/  Gilbert King, https://www.smithsonianmag.com/history/the-portrait-of-sensitivity-a-photographer-in-storyville-new-orleans-forgotten-burlesque-quarter-166324443/ "Brothels & Music"  The Historic New Orleans Collection, https://www.hnoc.org/virtual/storyville/music-and-musicians Jelly Roll Morton to Earle Cornwall, 27 April 1938, http://hnoc.minisisinc.com/thnoc/catalog/3/1214  Light Townsend Cummins, Judith Kelleher Schafer, Edward F. Haas, and Michael L. Kurtz, Louisiana: A History (Malden, MA:Wiley Blackwell, 2014, 6th edition) 313-15.

Content Warning: This episode depicts serial murder, including extreme violence, with mentions of intimate partner violence. Viewer discretion is advised.Jake and his two guest co-hosts, Louis Danowsky and Alex Darvin, tackle the case of the Storyville Slayer, a serial killer who terrorized New Orleans in the early 90s. Find out how the killer managed to baffle everyone from the police to the nation's most popular talk show.Link to the full interview depicted in the episode:https://youtu.be/ARpbwa5s2SM?si=uHilHaYGeiJH1cK6

Join the Boozy Bitches as they delve into the disturbing story of the Storyville Slayer.  Was it a single serial killer terrorizing New Orleans?  Or were there multiple serial killers involved?   Listen to the facts and decide for yourself.  As of today, the majority of the crimes remain unsolved.  For more info, visit our website>>>   https://boozybanterwithfriends.comConnect with us on Instagram>>>    https://www.instagram.com/boozybanterwithfriends/

This one is a doozy so listen with caution! Between 1991 and 1996 over 24 women were murdered and discovered years later in New Orleans. When the alledged killer, "Clay," calls in to the Howard Stern show in 1997, that's when pieces of this 24 year-old cold case starts to come together. Listening to the timeline, it will still make you question if "Clay" was the person who killed all of these women or was someone else involved. Sources:Wikipedia CrackedRedditHuffpostCriminalMinds.FandomFollow us!Facebook, Instagram, Tik Tokhorrificheartland@gmail.com

In the shadows of New Orleans' vibrant history and festive celebrations lies a chilling tale of serial killings that haunted the city in the mid-90s. We go deep into The Storyville Slayings, where over 25 black sex workers met a gruesome fate at the hands of a man named Russell Ellwood. Watch this podcast episode in video format on Patreon here Our new Shaken and Disturbed Patreon perks and tiers are live NOW! Help support our show for as little as $5 a month! We now have Sussy Radish stickers and video podcasts available at certain levels! Your support keeps the show running and the bills paid so that we can keep making and publishing new episodes! Sign up for Patreon here: http://patreon.com/shakenanddisturbed Want Shaken and Disturbed merch? T-shirts, pillows, hoodies, phone cases, stickers and more are now available here: Shaken and Disturbed MERCH STORE And if you've already signed up for Patreon, thank you, Mom and Dad love you.

In this episode Teresa Martin and guest Dick Golden, host of Siriux XM Real Jazz explore the uniquely American form of music and its history on the Cape -- including Storyville in Harwich and Ella Fitzgerald's near Cape residency.

In 1997, a man called into the Howard Stern Show claiming that he was responsible for a series of murders that occurred in New Orleans between 1991 and 1995. Over two DOZEN murders that the public had barely heard about because the police refused to tell them. To this day, MANY of the victims have gone unidentified and most of these cases have remained unsolved… So JOIN US this week as we discuss the elusive, unidentified killer dubbed The Storyville Slayer. BUY YOUR BLACK TRUE CRIME TOUR TICKETS TODAY *BUY NOW, PAY LATER OPTION AVAILABLE* : www.blacktruecrime.com/ Follow us on INSTAGRAM: @BlackTrueCrimePodcast Subscribe to our YOUTUBE Channel: www.youtube.com/c/blacktruecrimepodcast Join our PATREON for full video episodes and exclusive content: www.patreon.com/blacktruecrimepodcast For MERCH, visit: www.blacktruecrime.com/shop-merch JOIN OUR FB GROUP: https://www.facebook.com/blacktruecrimepodcast Howard Stern audio clip: https://www.youtube.com/watch?v=HBRAY3N3FXw&t=1s Intro & Outro music credits: Horror by Paradox Beats Original Beat production ownership is retained by the original producer where applicable. This beat is being used with private/owned leasing rights GRANTED by the producer(s). This audio is 100% free to listen to on this show. --- Send in a voice message: https://anchor.fm/blacktruecrimepodcast/message

Guitarist and songwriter David Grissom is on the show this week! Anyone who knows anything about the guitar knows Grissom is a monster player, and has been a key element of albums for Joe Ely and John Mellencamp, and then with the band Storyville. But what I wasn't really aware of was his extensive list of session work he did here in Nashville during the early 2000's. For a good 10 years or so, Nashville session work was kind of his main thing. He played on huge records for artists like Trisha Yearwood, Martina McBride, Lee ann Womack, Montgomery Gentry, Billy Ray Cyrus and Brooks and Dunn. But he also maintained his work on the rootsier side of things, writing for, touring with or playing on records for Buddy Guy, John Mayall, Eliza Gilkyson, Chris Isaak, Rita Coolidge and lots more. So all this to say we had alot to talk about. I wanted to dig into that session scene in the early 2000's and see what was going on at that point. We had a great talk about all the aspects of his career, making some of the classic records he was involved in, how he got into music in the first placxe and his current band and regular gigs around Austin, TX. We also get a little nerdy and talk about his signature Paul Reed Smith guitars closer to the end.You can get all the info on David, his recordings, live albums, and weekly gig at: www.davidgrissom.comListen to the accompanying playlist for this episode here, which features the artist's own music, plus many of the songs that were discussed during the show.Please leave a review on Apple Podcasts - it really helps get the show heard by more folks! Just Click Here, and scroll down a bit and you'll be able to leave a glowing review. Thank you!This episode is brought to you by Izotope - check out their amazing recording software at: www.izotope.comThanks for your support, and your fearless host, Steve Dawson can be found at: www.stevedawson.ca

In the early twentieth century, New Orleans Alderman Sidney Story promoted an ordinance to create a 38-block vice district that allowed legal sex work. Known by most as Storyville, this notorious red-light district not only helped New Orleans its reputation as a city of sin but also became an integral part of early Jazz.   This week's episode, The Notorious Storyville of New Orleans, is a companion to The Fiery Tomb of Josie Arlington. Help Southern Gothic grow by becoming a Patreon Supporter today! Listen to some of the music to come out of Storyville on our Spotify Playlist - Southern Gothic: Storyville, New Orleans Connect with Southern Gothic Media: Join our New Facebook Group! Website: SouthernGothicMedia.com Merch Store: https://www.southerngothicmedia.com/merch Pinterest: @SouthernGothicMedia Facebook: @SouthernGothicMedia Instagram: @SouthernGothicMedia Twitter: @SoGoPodcast

There is excellent Black Folklife, Indian Folklore, Black Music, AND educational oral history in Kentucky and nationally that Jack Dappa Blues Heritage Preservation Foundation archives and builds a repository for. In this episode, I discuss Storyville, Oklahoma, Freedmen, Blues, and the People of the Blues To Raise Cultural and Ethnic awareness of Black American Traditional Music, Traditional Art, Folklore, Oral Histories, and the Black Experience in America. I'm asking for donations to Jack Dappa Blues Heritage Preservation Foundation because their mission means a lot to me, and I hope you'll consider celebrating with me. Your contribution will make an impact. Every little bit helps. Thank you for your support. https://www.facebook.com/donate/6035802536450984/ paypal.me/LamontJack --- Send in a voice message: https://anchor.fm/africanamericanfolklorist/message Support this podcast: https://anchor.fm/africanamericanfolklorist/support

Josie Arlington, one of the most infamous Madams in New Orleans' red-light district, Storyville was born Mary Anna Deubler to impoverished German immigrants in 1864.  Theories abound as to exactly why or when Josie entered the world of sex work, but by at least the age of seventeen she was working in the brothels of New Orleans. Entrepreneurial in spirit, Josie worked to create a life greater than what she knew, first owning the ‘Chateau Lobrano,' and then with the creation of Storyville she built and operated The Arlington at 225 North Basin Street. The Arlington was considered one of the finest brothels in the city.  Yet despite her flourishing business and increasing wealth, what Josie wanted most was to be a respected woman of New Orleans society. Josie would never get her wish in life, but she left behind a legacy that exceeds just her life. Even her tomb is unique with carved torches and a bronze maiden knocking on the door. And if the stories are true the flames continue to burst into life and the maiden knocks on the door of the tomb, forever attempting to gain entry. Help Southern Gothic grow by becoming a Patreon Supporter today! Connect with Southern Gothic Media: Join our New Facebook Group! Website: SouthernGothicMedia.com Merch Store: https://www.southerngothicmedia.com/merch Pinterest: @SouthernGothicMedia Facebook: @SouthernGothicMedia Instagram: @SouthernGothicMedia Twitter: @SoGoPodcast This week's episode is made possible by the following sponsors: Green Chef, a CCOF-certified meal kit company that makes eating well easy with plans to fit every lifestyle. Whether you're Keto, Paleo, Vegan, Vegetarian, Gluten-Free, or just looking to eat more balanced meals, Use code GOTHIC599 to get $5.99 per meal on your 1st box and your 1st box ships Free!! Uncommon Goods makes it easy to find remarkable and truly original gifts for anyone. To get 15% off your next gift, go to UncommonGoods.com/Gothic. Don't miss out on this limited-time offer! Uncommon Goods. We're all out of the ordinary.

In this episode, Grace takes a look and an infamous string of murders that plagued New Orleans, Louisiana between 1991 and 1995.  Dubbed “The Storyville Slayer”, this predator lurked in ...

In this episode the Vampire Insider team hosts Dominque, a Brazilian history student who researched some of the historical accuracies that the writing team have woven into Interview with the Vampire. Dominque shares what they discovered about Storyville and its history, including the real Tom Anderson. The podcast also looks at the way the history of race plays out. Finally Dominque shares their theory about the parallels between the classical Greek story of Electra and the relationship between the three main protagonists. Please come follow us on social media. @vampire_insider on twitter, vampire insider on facebook and reddit, and @vampire_insider_podcast on instagram and please check out Dominque @emos_que on Twitter. Next week the team will be reviewing several themes in the novel The Vampire Lestat, so please be sure to watch for that. Thanks for listening to us each week, and if you do enjoy us, please share us with a friend. --- Send in a voice message: https://podcasters.spotify.com/pod/show/vampire-insider/message

Our heroes confront the monster stalking the citizens of Storyville. What does this bizarre creature want? Can our heroes save Hayden? How will our team reach Penny's dwelling? Support Venture Maidens on Patreon Get merch and learn more at our website Follow us on Twitter @venturemaidens Follow us on Instagram @venturemaidens DM is Celeste Conowitch (@cconowitch) Aoife Flannery is Sage Stafford (@staffofsage) Lluvyras 'Lu' Ssath is Katie Budabin (@lazy_mermaiden) Fittonia 'Toni' Silvertail is Naseem Etemad (@nas_ghoul) Theme Music by Emily Meo Additional Music by Tabletop Audio

Our heroes continue the search for Penny in the changeling town of Storyville. Can our crew pass the cold iron test? Will the Pendragon Inn provide new clues to the archfey's location? What manner of creature is stalking the villagers? Support Venture Maidens on Patreon Get merch and learn more at our website Follow us on Twitter @venturemaidens Follow us on Instagram @venturemaidens DM is Celeste Conowitch (@cconowitch) Aoife Flannery is Sage Stafford (@staffofsage) Lluvyras 'Lu' Ssath is Katie Budabin (@lazy_mermaiden) Fittonia 'Toni' Silvertail is Naseem Etemad (@nas_ghoul) Theme Music by Emily Meo Additional Music by Tabletop Audio

Known as the “Diamond Queen of the Demi–Monde,” Lulu White was one of the most notorious and financially successful madams of the Storyville red-light district of New Orleans. Much of Lulu White's early life remains a mystery, but we do know that she was born in Selma, Alabama in 1868, and over the course of her life, she named Cuba, Alabama, and Jamaica as her birthplaces. Learn more about Lulu White and her legacy on this week's episode of The Oldest Profession Podcast with Kaytlin Bailey. For more resources on this episode, visit our website: https://oldprosonline.org/lulu-white-storyville Theme song by Adra Boo Music by Epidemic Sound

The AMPire Diaries Episode 74: The Originals - “Farewell to Storyville” Alright, it's time for this week's contractually-obligated podcast episode. (Look, Claire Holt's not the only one we can make contract jokes about.) It's also time for: The Trial of Rebekah Mikaelson. That's right, this week, your favorite Vampire Diaries rewatch-slash-first-time watch (and mostly spoiler-free) combination podcast is discussing The Originals' “Farewell to Storyville” (Season 1, Episode 16). Which means we're accidentally doing two intros and talking: - LaToya crying at a Klaus horse. (Obviously, Jill wrote this.) - Jill's great ass and great hypocrisy. (Jill wrote this… and then LaToya finished it.) - Fuck Esther… but… what if she possessed a flop? - The power of MiFi. - The one they call honorable. - Father Kieran: Part of the COVID crew? - Does Cami make a good point this episode? - Klaus and Rebekah's sexual tension. - Our denial over The Originals (Seasons 1-4) leaving Netflix. Whoops. - Once again, much to our dismay, Bex, Sage, and Damon did NOT have a threesome. “TRAPPED IN THE CITY OF THE DEAD” (“Farewell to Storyville”) Whether you're a Vampire Diaries obsessive or newcomer, join along with hosts LaToya Ferguson (@lafergs—Vampire Diaries obsessive), Morgan Lutich (@LorganMutich—Vampire Diaries obsessive), and Jill Defiel (@jiilbobaggins—Vampire Diaries newcomer) on their new podcast journey. Most importantly, get AMPED (and horny) along with them on this journey. Ya gotta get AMPED. Become a patron! https://www.patreon.com/ampdiariespod/ Email us! theampirediariespod@gmail.com Tweet at us! @AMPDiariesPod Instagram... at us! @AMPireDiariesPod Go to our website! http://theampirediariespod.com/ The Official CW Promo for “Farewell to Storyville”: https://www.youtube.com/watch?v=e8eFOwBHsj8 The Mystic Falls Event of the Week for “Farewell to Storyville”: The Trial of Rebekah Mikaelson. The AMPire Diaries is now available to stream on Apple Podcasts, Spotify, Stitcher, and Amazon Podcasts, as well as wherever you get your podcasts. Don't forget to rate (5 STARS, please) and review the podcast. And most importantly, don't forget to get AMPED.