Podcasts about Dizzy Gillespie

Participants: John Steppling, Hiroyuki Hamada, and Dennis Riches. Topics covered: Trump becomes Bush, the pale criminal, Franz Fanon on colonial war and mental disorders, is the Israel-Iran conflict a controlled demolition of the Zionist state? curbing one's enthusiasm for schadenfreude, BBC obeys Israeli state censorship rules, the Scofield Bible and its influence on American politics, the color of marble. Music track: “Tin Tin Deo” by Dizzy Gillespie (public domain).

A partir de 1942, los músicos empezaron a entrar y salir de la banda de Lunceford. El primero en abandonar fue el arreglista Roger Segure, que tenía dos razones para dejar la banda: no le gustaba la idea de que Stan Kenton, Woody Herman y todo tipo de bandas se aprovecharan del estilo de Lunceford y también pensaba que Jimmie Lunceford y Harold Oxley le habían estafado. Con José Manuel Corrales.

My guest, Bobby Sanabria, is a 7 time Grammy nominee. He is noted drummer, percussionist, composer, arranger, conductor, producer, documentary filmmaker, bandleader...and most important to me, educator. He has played with some of the all time greats, including Dizzy Gillespie, Mongo Santamaria, Tito Puente, Celia Cruz, Ruben Blades, Randy Brecker, to named a few. He was named Percussionist of the Year in 2011 and 2013 by Jazz Journalist Association. He has a radio show in the New York area entitled, "Latin Jazz Cruise" on WBGO FM (wbgo.org). Simply a magnificent episode not to be missed! Produced, directed, edited and hosted by Stephen E Davis.

Un triple CD como banda sonora del libro del pianista, crítico de jazz y musicólogo francés Laurent Cugny, antiguo director de la Orquesta Nacional de Jazz y profesor emérito de la Sorbona, 'Une histoire du jazz': Original Dixieland Jazz Band ('Tiger rag'), King Oliver´s Creole Jazz Band ('Canal street blues'), Jelly Roll Morton Red Hot Peppers ('Black bottom stomp'), Louis Armstrong & His Hot Five ('Hotter than that'), Bix Beiderbecke Wolverine Orchestra ('Jazz me blues'), Fletcher Henderson ('New king porter stomp'), Lester Young ('These foolish things'), Count Basie and His Orchestra ('Jumpin´at the woodside'), Duke Ellington and His Orchestra ('Echoes of Harlem'), Benny Goodman Orchestra ('Clarinet a la king'), Dizzy Gillespie and His All Stars ('Hot house'), Charlie Parker Ribop Boys ('Roko'), Bud Powell ('Tempus fugit'), Miles Davis Nonet ('Boplicity'), The Stan Getz Quintet ('Thou swell'), Chet Baker Quartet ('I fall in love') y Dave Brubeck ('Take five').Escuchar audio

Nos visita Julio Martí, productor musical, organizador de conciertos de jazz de primer orden - de Miles Davis a Dizzy Gillespie, pasando por Pat Metheny, Herbie Hancock o Diana Krall, y promotor, corresponsable del milagro de las Noches del Botánico cuya nueva edición arranca hoy con Van Morrison. Y Mäbu vuelve a nuestro estudio para presentarnos sus nuevas canciones.DISCO 1 HERBIE HANCOCK Mercy Street (ESCA)DISCO 2 KOOL & THE GANG Get Down On It (3)DISCO 3 QUIQUE GONZÁLEZ Día de Feria (ESCA)DISCO 4 CHAKA KHAN I’m Every Woman (6)DISCO 4 BRANDY CARLILE Late morning lullaby (1)DISCO 5 BETH GIBBONS Tom The Model (2)DISCO 6 MÄBU El Ruido (ESCA)DISCO 7 MÄBU Guerra y Paz (2)DISCO 8 MAXWELL Sumthin’ Sumthin' (3)Escuchar audio

STANDAR SEMANAL.-georgia on my mind,.VINILOS MITICOS DEL JAZZ.-927.Thelonious Monk - Brilliant Corners.-JAZZACTUALIDAD.SEDAJAZZ KIDS BAND-RAM SESSIONS Brilliant Corners es un álbum de estudio de 1957 del pianista de jazz estadounidense Thelonious Monk . Fue su tercer álbum para Riverside Records y el primero en el sello que incluía composiciones propias. Brilliant Corners se grabó en tres sesiones, entre octubre y diciembre de 1956, con dos quintetos diferentes. «Ba-lue Bolivar Ba-lues-Are» y «Pannonica», esta última con Monk tocando la celesta , se grabaron el 9 de octubre con los saxofonistas Ernie Henry y Sonny Rollins , el bajista Oscar Pettiford y el baterista Max Roach . La primera composición se tituló como una interpretación fonética de la pronunciación exagerada de Monk de «Blue Bolivar Blues»; esto hacía referencia al Hotel Bolívar de Manhattan, donde residía la heredera y mecenas del jazz Pannonica de Koenigswarter . [ 1 ] El 15 de octubre, Monk intentó grabar la canción principal con la misma banda durante una sesión de cuatro horas. La complejidad de la composición se convirtió en un reto para la banda, que intentó veinticinco tomas, y Henry y Pettiford se enfadaron con Monk. Monk intentó facilitarle la grabación a Henry no tocando durante su solo. [ 1 ] Durante una de las tomas, el productor Orrin Keepnews y otros en la sala de control no pudieron oír la interpretación de Pettiford; revisaron el micrófono de su bajo para ver si estaba roto, pero finalmente se dieron cuenta de que estaba haciendo una pantomima. Como no se completó ninguna toma, Keepnews editó la versión del álbum a partir de varias tomas. "Bemsha Swing" se grabó el 7 de diciembre, con Paul Chambers reemplazando a Pettiford en el bajo y el trompetista Clark Terry reemplazando a Henry; Monk grabó una versión para piano solo de " I Surrender Dear " el mismo día. La canción principal tiene una estructura poco convencional que se aleja tanto de la forma estándar de una canción como de las estructuras del blues. Su forma ternaria emplea una sección A de ocho compases, seguida de una sección B de siete compases y una sección A modificada de siete compases, e incluye un tema de doble compás en cada segundo estribillo y acentos rítmicos complejos . [ "Bemsha Swing" fue la única composición del álbum que Monk había grabado previamente. La Sedajazz Kids Band, cuyos integrantes tienen una media de 14 años, presentan un repertorio de funky blues, latin, flamenco jazz y hard bop, trabajado en la asignatura de combo, bajo la dirección de Fco. Angel Banco Latino. Desde el colectivo Sedajazz estamos muy felices de presentar el nuevo trabajo de la Sedajazz Kids Band titulado Ram Session, un concierto en directo grabado en La Rambleta Valencia el 14 de Julio de 2024. El sonido fue realizado por Jorge Perez y el video por Chechu Berlanga. El repertorio es el resultado de un curso trabajando temas de funky blues, latin, flamenco jazz y hard bop, con composiciones de Don Pullen, Art Pepper, Perico Sambeat, Dirty Dozen, Roy Hargrove, Dizzy Gillespie, y arreglos de Latino Blanco, Toni Belenguer y Perico Sambeat. El grupo está formado por jóvenes estudiantes del Taller Sedajazz en la asignatura de combo, bajo la dirección de Fco. Angel Blanco Latino. Este trabajo está inspirado en la música con la que Latino empezó en el Jazz con Los Urones, grupo liderado por Nacho Ros, un pianista valenciano. En ese grupo estaban también Paquito Vidre a la guitarra, Mari Mar en la voz y Julio Valls al bajo. A veces se unían Perico Sambeat, Eladio Reinon y Ramon Cardo. La edad media de los componentes de la Sedajazz Kids Band es de 14 años, y el resultado es muy satisfactorio. Estamos seguros de que os encantará escucharlos. Este es el segundo trabajo con esta formación después de su disco Rumbo a New Orleans, con el que hicieron numerosas presentaciones con gran éxito. Créditos Ximet Reillo: Saxo Soprano y Alto Luis Coronado: Saxo Alto Hugo Coronado: Trompeta David Bonet: Trombón Azul Prada: Guitarra Pau Montalt: Batería Pau Baena: Piano Fco. Angel Blanco Latino: Bajo eléctrico, Contrabajo, Dirección Grabado en directo el 14 de Julio de 2024 en La Rambleta Valencia Jorge Perez: Sonido, mezcla y mastering Josep Asensio: Asistente de sonido Chechu Berlanga: Video Pedro Gallego: Ayudante de producción Temas 1. Poodie Pie (Don Pullen. Arr. Latino Blanco) 07:16 2. Red car (Art Pepper. Arr. Latino Blanco) 08:24 3. Big Alice (Don Pullen. Arr. Latino Blanco) 08:02 4. Tipping (Horace Silver) 05:06 5. Blue March (Benny Golson. Arr. Latino Blanco) 11:32 buy track 6. Barri de la Coma (Perico Sambeat) 07:15 7. Night in Tunisia (Dizzy Gillespie. Arr. Latino Blanco) 05:18 8. Charlie Dozen (Dirty Dozen. Arr. Toni Belenguer) 10:31 9. The New Boogaloo (Marcus Printup. Arr. Toni Belenguer)) 06:30 10. Mercy Mercy Mercy (Joe Zawinul. Arr. Toni Belenguer) 10:07 11. Mr Clean (Freedie Hubbard) 10:06

Daniela Soledade canta 'Corcovado', 'Cobra criada', 'Only love is allowed' y 'País tropical', de Jorge Ben, en su disco 'Deco tropical'. A sus 85 años, Alaíde Costa rinde homenaje a la también cantante Dalva de Oliveira (1917-1972), con el disco 'Uma estrela para Dalva': 'Tatuado', 'Há um Deus', 'Estrela do mar', 'A grande verdade' y 'Ave María no morro' -con María Bethânia-. Del homenaje a Garoto, del trío de guitarras de Paulo Bellinati -con Swami Jr. y Daniel Murray-, 'Duas contas', 'Lamentos do morro' y 'Tristezas de um violão'. Y los pianistas antillanos Alain Jean-Marie y Mario Canonge firman un disco que se grabó durante un concierto a dúo en el Olympia de París en enero de 2009: 'Divini' y 'Con alma' de Dizzy Gillespie.Escuchar audio

Des de principis dels anys 40 del segle XX, el segell discogr

Vocalist and composer Andromeda Turre hails from New York City and was raised within the legacy of jazz's foremost voices—immersed in the presence of legends like Dizzy Gillespie, Max Roach and Ray Charles. As the daughter of trombonist Steve Turre and cellist Akua Dixon, this lineage does more than inform her artistry; it offers a foundation from which she redefines boundaries, bridging heritage with innovation. Educated at Boston Conservatory and Berklee College of Music, Turre bridges classical, contemporary, and theatrical frameworks into jazz, creating a voice uniquely her own. Andromeda Turre - photo credit Michael Webber

Si quieres pasar dos horas entretenidas a continuación te ofrecemos el menú: ADIVINA LA PELÍCULA Orquesta Sinfónica. EL NIÑO JUDÍO, preludio. SAN TORAL Dizzy Gillespie – BANG BANG. Chuck Berry. JHONNY B. GOODE. PROMOCIONES Alfredo Kraus. ADIÓS PARA SIEMPRE de Sangre de Reyes. Dizzy Gillespie – CHERRY, CHERRY. EFEMÉRIDES Jimi Hendrix. ARE YOU EXPERIENCED. Juan Diego Flórez. […] The post Los Tres Tenores 21/05/2025 first appeared on Ripollet Ràdio.

Welcome to our new series, “The Beat Goes On,” where we will celebrate the work and enduring influence of Jack Kerouac, Allen Ginsberg, William Burroughs, and the other writers whom we identify as “The Beats.” - that crop of artists who worked to expand our consciousness, exploring the hidden possibilities of post WW2 America in the 1950s - Other significant names to be explored: Diane Di Prima, Tuli Kupferberg, Ed Sanders, Delmore Schwarz, Anne Waldman, Carolyn Cassidy, and many others.We will also include jazz musicians like Miles Davis, John Coltrane and Dizzy Gillespie, whose sinuous Bebop lines influenced the expansive prose of Kerouac and poetry of Ginsberg, and comedians like Lenny Bruce, Lord Buckley, Brother Theodore and Dick Gregory with their scathing critique and unmasking of our nation's hypocrisy beneath the self-deceptive rhetoric of American exceptionalism.  And, then there are their artistic children like Hunter S. Thompson, Charles Bukowski, Tom Waits and Lou Reed…. The list goes on.First off: we need to define that confusing term “beat”… Once the satirists were able to pin them down, the Beats and their devotees were labelled “Beatniks” (a cold war epithet) and put into a farcical box. This is where I, as a child, first became aware of them through the character of Maynard G. Krebs on the Dobie Gillis show. The child-like, pre-hippie with the dirty sweatshirt and goatee, indelibly played by Bob Denver, later of Gilligan fame. He was a gentle figure of fun, not to be taken seriously. But, the truth goes so much deeper. Kerouac defined Beat as short for “beatitude” - a state of grace, a codex for the maturing “peace and love” Baby Boom generation coming up - those in search of existence's deeper meaning beyond the consumerist and war-like American culture being offered as our only option.Well, boy, do we need them now! HENRY MILLER INTERVIEWOur inaugural offering is a 1964 interview with the writer Henry Miller, of TROPIC OF CANCER, TROPIC OF CAPRICORN, and THE ROSY CRUCIFIXION TRILOGY fame, among many others. This is an insightful, in depth look at a artist of gargantuan influence. Miller was interviewed by Audrey June Wood  in Minneapolis during a speaking tour; he considered this interview to be one of his best. Miller discourses on some of his favorite books and authors and the struggle of writing well. It was released on Smithsonian/ Folkways Records.Strictly speaking, Miller was not a Beat - he preceded them, and out lived many of them, making it to 88 in 1980, but he was their spiritual and artistic pathfinder.Living hand to mouth, on the edge, abroad in Paris, writing free form in a raw, explicit, semi-autobiographical manner, telling the truth about sex, love, art, and struggle - he set the artistic compass for the Beats - as Dostoevsky and Walt Whitman had done before him. They are all part of a chain - a chain of searchers, and we are fortunate to have these lights to guide us on our own personal journeys to self realization. Please enjoy…THE BEAT GOES ON. 

CHARLIE PARKER “CHARLIE PARKER'S REBOPPERS” New York, November 26, 1945Billie's bounce, (1,3) Now's the time, (1,3) Thriving from a riff Anthropology, Meandering (3), Ko-ko (2,3)Miles Davis (tp-1) Dizzy Gillespie (tp-2,p-3) Charlie Parker (as) Argonne Thornton (p-4) [aka Sadik Hakim (p) ] Curly Russell (b) Max Roach (d) PAOLO FRESU & URI CAINE “THINK” Cavalicco, Italy, October 10-12, 2008Blood money, Darn that dream, Doxy, Roberto StrepitosoPaolo Fresu (tp,flhrn) Uri Caine (p,el-p) + Alborada String Quartet : Anton Berovski, Nico Ciricugno (vln) Sonia Peana (viola) Piero Salvatori (cello) CHET BAKER/ART PEPPER SEXTET “PICTURE OF HEATH” Hollywood, CA, November 20 & 21, 1956Picture of Heath, For miles and miles, C.T.A. Continue reading Puro Jazz 12 de mayo, 2025 at PuroJazz.

CHARLIE PARKER “CHARLIE PARKER'S REBOPPERS” New York, November 26, 1945Billie's bounce, (1,3) Now's the time, (1,3) Thriving from a riff Anthropology, Meandering (3), Ko-ko (2,3)Miles Davis (tp-1) Dizzy Gillespie (tp-2,p-3) Charlie Parker (as) Argonne Thornton (p-4) [aka Sadik Hakim (p) ] Curly Russell (b) Max Roach (d) PAOLO FRESU & URI CAINE “THINK” Cavalicco, Italy, October 10-12, 2008Blood money, Darn that dream, Doxy, Roberto StrepitosoPaolo Fresu (tp,flhrn) Uri Caine (p,el-p) + Alborada String Quartet : Anton Berovski, Nico Ciricugno (vln) Sonia Peana (viola) Piero Salvatori (cello) CHET BAKER/ART PEPPER SEXTET “PICTURE OF HEATH” Hollywood, CA, November 20 & 21, 1956Picture of Heath, For miles and miles, C.T.A. Continue reading Puro Jazz 12 de mayo, 2025 at PuroJazz.

Tonight's Jazz Feature is by one of trumpet master and Jazz pioneer John Birks "Dizzy" Gillespie's finest groups. It's both fun and serious and an off the wall tribute to some music from the Caribbean, hence the title: Jambo Caribe. The music is by Dizzy's long standing Quintet with James Moody on tenor saxophone and flute, Kenny Barron on piano, Christopher White on bass and vocal, Rudy Collins on drums and added on some tunes Kansas Fields on percussion and surdo drum. Dizzy of course on trumpet and some vocals. The selections include some calypso flavored tunes that are fun and serious at the same time and some straight up Jazz. This album was recorded in November of 1964 in Chicago and although it's a lesser known album from Dizzy's vast output it demonstrates Dizzy's always serious approach to music and his love of entertaining people with style and humor. Enjoy Jambo Caribe, tonight's Jazz Feature.

Diese Sendung hat Joachim Böskens zusammengestellt. Das LIVE – Anspiel diesmal ist : „Lady be good” – der Titelsong des gleichnamigen Musicals aus dem Jahr 1924. Folgende Titel sind zu hören: 1. Spiral Dance – Branford Marsalis Quartet 8:21 2. Lover Man – Silje Nergaard & Hakon Kornstad 3:58 3. Lady be good – Dizzy Gillespie 3:50 4. Equilibrio – Luah 4:33 5. Who cares – Fred Astaire & Benny Goodman Orchestra 2:53 6. Let's Jazul – Ingolf Burkhardt & Jazul 4:56 7. So far – Sophie Trost Combo 4:22 8. My favorite Things – Alexandrina Simeon Quintett & Benny Brown 7:00 Für Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

In deze aflevering van Dansen en de blues praat Ben van den Dungen met een man die vanuit zijn liefde voor jazz een platenmaatschappij is begonnen, welke is uitgegroeid tot één van de toonaangevende jazzlabels van Europa en zelfs van de wereld. Hij stond aan de wieg van talloze tijdloze en beroemde jazzproducties met grote jazz sterren. Om er een paar te noemen: Art Blakey, Chet Baker, Stan Getz, Lionel Hampton, Feddie Hubbard en Dizzy Gillespie. Te gast in deze aflevering is Wim Wigt. Dit is deel 5 van 6.Art Blakey zei ooit: "jazz has to be danceable and has to have the blues". Dansen en de blues is een podcast over jazz met kleurrijke gasten waarbij sterke verhalen, indringende gesprekken en een flinke dosis swingende muziek de boventoon voeren.Abonneer je snel en laat een goede waardering achter. Wil je meer weten? Kijk dan op dansenendeblues.nl en volg ons op Instagram en Facebook @dansenendeblues.

Nästan 300 kvinnor avrättades för att vara i lag med djävulen under häxprocesserna i 1600-talets Sverige. Hur kunde det ske och vad representerar Häx-gestalten i kulturen idag? Lyssna på alla avsnitt i Sveriges Radio Play. I den aktuella boken ”Häxor: När satans raseri svepte in över Sverige” berättar författaren Cecilia Düringer och illustratören Pompe Hedengren om den masshysteri som under åtta år rasade i landet, ”Det stora oväsendet”. DAGENS HÄXA – EN SYMBOL FÖR FRIGÖRELSE OCH UPPRORHäxan är också en rollfigur som frekvent dykt upp populärkulturen – ibland som en ondskefull gestalt, men ofta som en representant för frigörelse och uppror. Samtal med filmkritiker Joakim Silverdal. JAZZENS GEOPOLITIK – SOUNDTRACK TO A COUP D'ETAT I den Oscarsnominerade dokumentären ”Soundtrack to a coup d'etat” berättas historien om kalla krigets koloniala kamp genom ett prisma av den tidens stora jazzmusiker – Louis Armstrong, Dizzy Gillespie, Nina Simone. TRE AKTUELLA JAZZSÅNGARE ATT HÅLLA ÖGONEN PÅJazzradions Märet Öman om tre aktuella jazzsångare som just nu utmärker sig: Amanda Sedgwick; Dina Grundberg och Emmalisa Hallander. BJÖRN GUSTAFSSON, EN PINGVIN OCH STEVE COOGANI den bioaktuella "The Penguin Lessons" möter vi den brittiska skådespelaren Steve Coogan – i samspel med Björn Gustafsson och en pingvin. Vår reporter Björn Jansson, har pratat med Steve Coogan, som spelar en brittisk cynisk internat-lärare, som omvänds av en pingvin. ESSÄ: EN ANNAN PASSION – VAD VAR DET DE HÖRDE I LEIPZIG 1727?Bachs Matteuspassionen är en klassiker bland klassiker. Men det var inte självklart att det skulle bli så. Karin Nykvist funderar verkets här och nu.Programledare: Saman BakhtiariProducent: Eskil Krogh Larsson

Prestamos atención a uno de los músicos más interesantes de la historia del jazz, un bopper elegante como ninguno, uno de los mejores herederos de las enseñanzas y descubrimientos de Charlie Parker, el señor Phil Woods. Ante el inmenso legado discográfico del saxofonista, he querido dar un somero repaso a sus discos más relevantes o los que, a criterio mi criterio, son más significativos, comenzando por una de sus primeras grabaciones, Woodlore, de 1955, recuperando tambien alguna sesión previa de su juventud con el guitarrista Jimmy Rane. Despues pasamos por discos como 'Pairing off' (1956), 'Warm Woods' (1957), ‘Rights of swing' (1961), ‘Alive and well in Paris' (1968), 'Recorded live at Jimmy´s (con Michel Legrand)' (1975), 'The New Phil Woods Album' (1975), 'I Rewmember' (1978) y 'Dizzy Gillespie Meets Phil Woods Quintet' (1986) En cada una de las composiciones mostradas, Phil demuestra la gran pericia con su instrumento, el saxo alto, así como su buen gusto para el fraseo y genialidad como compositor. No menos importantes son los músicos con los que se ha ido cruzando a lo largo de su vida, y en este programa nos encontraremos con otros historicos del jazz como Teddy Kotick, Joe Morello, Tommy Flanagan, Philly Joe Jones, Gene Quill, Dizzy Gillespie, Curtis Fuller, Sahib Shihab, Henry Texier, Daniel Humair, Michel Legrand, Grady Tate, Hal Galper o Tom Harrell.

Entrevista a DAVID PASTOR, presenta el álbum ‘The Abraxas Sessions volume 4. Dizzyness: an approach to Dizzy Gillespie' Más información en: https://www.lossonidosdelplanetaazul.com

Music includes: After Yor Gone by the Benny Goodman Quartet, If You Were Mine by Billie Holiday, Harlem Airshaft by Duke Ellington, Manteca by Dizzy Gillespie, Boplicity by Miles Davis and I Love paris by Cecil Taylor. 

Nesta edição, o maestro João Maurício Galindo respondeu às perguntas dos ouvintes. Ele explicou por que não existem concertos para instrumentos populares como o cavaquinho, o berimbau e o acordeão, abordou a ideia de escrever óperas para televisão, além de falar sobre o uso do breu por músicos de cordas para produzir som.Além disso, o maestro esclareceu o conceito de música neoclássica, detalhando sua relação com o classicismo e o romantismo, e como compositores como Stravinsky e Prokofiev contribuíram para o movimento. Ainda, comentou sobre a fusão do jazz com a música clássica, destacando a "third stream" de Gunter Schuller, e outros exemplos notáveis como o disco Perceptions de Dizzy Gillespie.Descubra as respostas completas no resumo do Pergunte ao Maestro desta semana.

It's time for another history series, listener! Patrick leads you through the development and history of bebop, the style that marked the beginning of modern jazz. In this second episode, we follow bebop's spread and learn about the musicians who took up the style, with a focus on four who rose to prominence: Dizzy Gillespie, Charlie Parker, Thelonious Monk and Miles Davis.  Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart,Djinn RecordsStitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Welcome to the latest episode of Lunch with Shelley with today's special guest Harry Schnipper.  Harry is the owner of Blues Alley, the world renowned and oldest continuously operating Jazz Supper Club in America!  Nestled in the heart of Georgetown, Blues Alley – which is celebrating its' 60th anniversary - has been referred to as the house that Dizzy built, (that would be Dizzy Gillespie of course), and it has hosted some of the most notable jazz musicians in the world, as well as many favorite local musicians too. At its helm, Harry is an expert producer, lecturer, educator and presenter of nightly nightclub entertainment. Over the course of many decades, he has perfected the art of curating his nightclub calendar while simultaneously fulfilling the role of his own non-profit jazz music education organization. We are at Harry's and my frequent lunch spot – the dug out at Billy Martins - so join us for a conversation about all things Jazz, great DC venues, famous artists, great music and more at www.lunchwithshelley.com or wherever you get your favorite podcast, and in the meantime Peace, Love and Lunch!

Galen and Robyn Bolton, founder of Mile Zero, dive deeper into the courage required for leadership, the role of curiosity in innovation, and the power of mindset. They explore how leaders unknowingly stifle innovation, why possibility is always in the room, and how asking better questions leads to better decisions. Robyn shares wisdom from her Invisible Board of Directors, lessons from Dizzy Gillespie and Diana Krall, and practical strategies for embracing risk. Pour a glass, take notes, and get ready to rethink leadership and innovation. Subscribe, leave a review, and join the VIP community for exclusive content! Cheers!

durée : 00:03:20 - Le Regard culturel - par : François Angelier - En un coffret de 16 CD, le producteur Stéphane Lerouge offre un parcours complet des musiques de films de Lalo Schifrin et donne à entendre l'univers sonore d'un des plus grands musiciens contemporains, entre Stravinsky et Dizzy Gillespie.

durée : 00:59:43 - No quiero bailar - par : Nathalie Piolé - Incroyable mais vrai : ce soir Dizzy Gillespie ne veut pas danser.

Hoje na dada_radio, programa o Mundo é um Som apresenta Trilha Sonora para um golpe de estado com: Max Roach & Abbey Lincoln; Dizzy Gillespie; Melba Liston, mais o extra play com Damon Locks & Rob Mazurek; Imiscível (Marques & Rodrigues); Conde Favela Sexteto; Alzira E & Corte e The… Source

“Just keep going.”—Dave ChappelleFeaturing, in order of appearance:Kevin Hart, Questlove, Mo Amer, Bill Burr, Pras, Michelle Wolf, and Jon StewartContains music by:Dizzy Gillespie, Charlie Parker, Thelonious Monk, Max Roach, Miles Davis, Milt Jackson, and Stevie WonderRecorded in Ohio, Summer 2020Executive Produced by Talib Kweli, yasiin bey, Dave Chappelle, Noah Gersh, Jamie Schefman, Nick Panama, Kenzi Wilbur, and Miles HodgesProduced by Noah Gersh and Jamie Schefman for SALTProduction Manager: Liz LeMayRecording Engineer: Federico LopezRecording Engineer: Adrián Bruque for NPNDAssistant Editors: Danny Carissimi and Noah Kowalski Senior Sound Designer: Russell TopalTranscription Supervisor: Sam BeasleyMixer: Jordan GalvanPodcast Artwork: Rachel EckStill Photography: Mathieu BittonThe Midnight Miracle is a Luminary Original Podcast in partnership with Pilot Boy Productions and SALT.Special thanks to Paul Adongo, Cipriano Beredo, Elaine Chappelle, Ivy Davy, Rikki Hughes, Kyle Ranson-Walsh, Sina Sadighi, Mark Silverstein, and Carla Sims.Photography made available courtesy of Pilot Boy Productions, Inc. Copyright © 2021 by Pilot Boy Productions, Inc., all rights reserved.

Karl Perazzo is a World Class percussionist who has played with Carlos Santana for 33 years. He's played with the best in Pop, Jazz, Rock and Latin music including Cal Tjader, Dizzy Gilespie, Sheila E., Mariah Carey, Paquito D'Rivera, Tito Puente and Ruben Blades. He's performed on American Bandstand, Soul Train and the American Music Awards.My featured song is “It Don't Matter” from the album East Side Sessions by my band, Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------Connect with Karl at:Instagram (@karlpperc)—---------------------------------------ROBERT'S SINGLES:“THE RICH ONES ALL STARS” is Robert's latest single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Text us about this show.Anyone who has spent any time around the NE Wisconsin music scene knows about John Harmon. John is a world class jazz pianist and composer who studied under the great Oscar Peterson and played with the likes of Ray Brown and Milt Jackson. In the 1970s he formed the progressive jazz band Matrix who turned out six critically accaimed albums and toured the world. John's sons, Noah and Zach, are both extremely talented musicians. Noah, a keyboard player, is part of Kyle Megna and the Monsoons and Zach is a polyrhythmic drummer who has played with a number of artists both in LA and NE Wisconsin. Put them together and you have an incredible jazz trio with some deep musical roots called The Harmon Boyz."The Fly" performed by Matrixwritten by John Harmon℗ 1979 Warner Records Inc. Used with permission of John Harmon."Happy" written and performed by Eric Koppa℗ 2024 Eric Koppa Music. Used with permission of Eric Koppa.Face Your EarsExplore home recording and music creation with Rich and Justin on 'Face Your Ears'!Listen on: Apple Podcasts SpotifySupport the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2025 by Project X Productions. All rights reserve...

Saxophonist Branford Marsalis has won Grammys, played with artists including Miles Davis, Dizzy Gillespie and Sting, and was the leader of Jay Leno's house band. In recent years, he has also been scoring movies and playing more classical music.    He dropped by Paul's office while was in Ottawa to perform with the National Art Centre Orchestra. He talks about life on the road, his recent homecoming to New Orleans, teaching, American politics, and of course, music.

What's up, dudes? Peace on earth, goodwill towards men and women and chickens and bears… and Dizzy Gillespie! Yes, Mike Westfall of Advent Calendar House and Tim Babb from Can't Wait for Christmas are with me to talk all about the 1979 special “John Denver & the Muppets: A Christmas Together!”Advent Calendar HouseFB: @adventcalendarhouseTwitter: @adventcalhouseIG: @adventcalendarhouseCan't Wait for Christmas FB: @CantWaitForChristmasPodIG: @cantwaitforchristmaspodTwitter: @ChristmasPodGive us a buzz! Send a text, dudes!Check us out on Facebook, Twitter, Instagram, Totally Rad Christmas Mall & Arcade, Teepublic.com, or TotallyRadChristmas.com! Later, dudes!

The 15th UN General Assembly of September 1960 may not seem like the most avant-garde topic for a cinematically adventurous documentary, but don't tell that to director Johan Grimonprez. His stunningly creative “Soundtrack to a Coup d'Etat,” recently named to the Oscar Shortlist for Best Documentary Feature, is a cinematic high point of 2024 and also one of the year's most thoroughly engaging historical/political dramas.   Johan joins Ken on the pod to discuss the events surrounding the truncated political independence that was “granted” to the Congo (now the Democratic Republic of the Congo) in June 1960 by the Belgian government. Soon after, Belgium (Johan's home country) and the US joined forces with the UN leadership to undermine the Congo's newly elected prime minister, Patrice Lumumba, who had emerged as a dynamic leader of the nascent united Africa movement. Lumumba's downfall plays out in the bitterly divided 15th UN Assembly. Nikita Khruschev, Malcolm X and Fidel Castro appear alongside jazz legends Louis Armstrong, Dizzy Gillespie, Max Roach, Abbey Lincoln and others, who also play a key role in the story… and in the soundtrack.   “Soundtrack to a Coup d'Etat” is released by Kino Lorber.   Hidden Gem: “Theremin: An Electronic Odyssey” “Close-Up”   Follow: @topdocspod on Instagram and X    The Presenting Sponsor of "Top Docs" is Netflix.

DIZZY GILLESPIE “JAZZ FOR A SUNDAY AFTERNOON” “Village Vanguard”, New York, October 1, 1967Blues for Max (2), Lullaby of the leaves (2,3)Dizzy Gillespie (tp) Garnett Brown (tb-1) Pepper Adams (bar) Ray Nance (vln-2) Chick Corea (p) Richard Davis (b) Elvin Jones (d-3) Mel Lewis (d) RAMSEY LEWIS “SONGS FROM THE HEART – RAMSEY PLAYS RAMSEY” c. 2009 The Spark, Clouds in reverie, Sharing her journeyRamsey Lewis (p) Larry Gray (b) Leon Joyce (d) “THE TRUE STORY OF BEARS AND THE INVENTION OF THE BATTERY” Brooklyn, NY, April 20, 2024The First Question, Raise four, Oska TCaleb Wheeler Curtis (stritch,tp,sopranino-sax,ts) Sean Conly (b) Michael Sarin (d) Continue reading Puro Jazz 09 de enero, 2025 at PuroJazz.

We hear the first work Brahms wrote for a solo instrument and a stunning Wieniawski Polonaise played by a 13-year-old violinist. We also meet a teenage baritone who has been drawn to community activism since childhood, a guitarist who plays an arrangement of Dizzy Gillespie's Night in Tunisia, and a young pianist who shares a special tip she got from piano superstar Lang Lang...play like a grandma!Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

DIZZY GILLESPIE / SONNY STITT / SONNY ROLLINS “SONNY SIDE UP” New York, December 19, 1957The eternal triangle, On the sunny side of the street (dg vcl)Dizzy Gillespie (tp,vcl) Sonny Stitt, Sonny Rollins (ts) Ray Bryant (p) Tommy Bryant (b) Charlie Persip (d) ESPERANZA SPALDING “CHAMBER MUSIC SOCIETY” Englewood, N.J., October 8-10, 2009 & January 14-19, 2010Little fly, Chacarera, Wild is the wind, Inutil paisagem (gp vcl) Esperanza Spalding (vcl,b) acc by Leo Genovese (p,melodica) Ricardo Vogt (g) Entcho Todorov (vln) Lois Martin (viola) David Eggar (cello) Terri Lyne Carrington (d) Quintano Cinalli (perc) Gretchen Parlato (vcl) JEFF “TAIN” WATTS “BAR TALK” New York ?, December 3-5, 2001JC is the man, …Like the roseRavi Coltrane (sop,ts) Branford Marsalis, Michael Brecker (ts) Gregoire Maret (hca) David Budway, Joey Calderazzo (p) Henry Hey (keyboards) Paul Bollenback, Hiram Bullock (g) James Genus, Eric Revis (b) Jeff “Tain” Watts (d) Robert Thomas (perc) Continue reading Puro Jazz 26 de diciembre, 2024 at PuroJazz.

DIZZY GILLESPIE Y CHANO POZO New York, December 22, 1947 Algo bueno [Woody'n you]Dizzy Gillespie (tp,vcl) Dave Burns, Elmon Wright, Benny Bailey, Lammar Wright, Jr. (tp) William Shepherd, Ted Kelly (tb) Howard Johnson, John Brown (as) Joe Gayles, George “Big Nick” Nicholas (ts) Cecil Payne (bar) John Lewis (p) Al McKibbon (b) Kenny Clarke (d) Chano Pozo (bgo,cga,vcl) CHARLIE PARKER / MACHITO AND HIS AFRO CUBAN ORCHESTRA New York, January, 1949 Okiedoke (1) Caravan (2)Mario Bauza, Frank “Paquito” Davilla, Bob Woodlen (tp) Gene Johnson, Fred Skerritt (as) Jose Madera, Sr. Continue reading Puro Jazz 9 de diciembre, 2024 at PuroJazz.

John Santos is a 7x Grammy nominated Latin percussionist. He's one of the world's foremost exponents of Afro-Latin music. He's performed or recorded with Carlos Santana, Dizzy Gillespie, Tito Puente, Eddie Palmieri, Paquito D'Rivera, The Buenavista Social Club, Billy Cobham, Regina Carter and Arturo Sandoval among many others.My featured song is “It Don't Matter” from the album East Side Sessions by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------ROBERT'S SINGLES:“SOSTICE” is Robert's newest single, with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with John at:www.johnsantosofficial.com Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

La prehistoria discográfica del Conjunto Casino nos permite recordar al cantante y maraquero Juan Fuentes quien protagonizara las primeras grabaciones de este emblemático conjunto en 1942 para la etiqueta norteamericana Víctor. "A mí qué", original del percusionista y rumbero Jesús Guerra, antecedía a otra guaracha: "La mulata arrebatá". Creación de otro compositor cubano de esos años: Don Raymat. Buen recuerdo para Juan Fuentes, conocido en el ambiente musical, de mediados de los años 30 y primeros 40, con el sobrenombre de "Bolita". Junto a él las voces del tresero Esteban Grau y Roberto Espí con algo del repertorio que entonces presentaba el "Casino" en el escenario del Cabaret habanero "Zombie Club". "Con la lengua afuera" de Agustín Ribot y "Rumba quimbumba" del contrabajista Cristóbal Dobal nos permiten seguir recordando a este buen cantante cubano. Así recordamos hoy al que fuera el primer cantante guarachero del Conjunto Casino. Juan Fuentes "Bolita", falleció el 5 de enero de 1997 en Miami. Había nacido en La Habana el 11 de diciembre de 1909. Y una versión más reciente de la rumba de Cristóbal Dobal: "Apretando" es la excusa perfecta para acercarnos a la destacada labor del percusionista venezolano Carlos Emilio Landaeta. Con el singular sobrenombre de "pan con queso" desarrolló una notable trayectoria artística desde mediados de los años 40 del siglo XX. Desde entonces su paso por diferentes agrupaciones como la orquesta de Luis Alfonso Larraín, la Sonora "Caracas" y "Billo Caracas Boys" asentó un largo camino que lo llevó a la creación de su septeto "Sonero Clásico del Caribe" en el año 1976. Respetuoso admirador de la música popular cubana, y del Caribe en general, fue hasta el final de sus días un ferviente guardian y difusor del repertorio sonero nuestro. Hoy recordamos al gran "Pan con queso" y a su "Sonero Clásico del Caribe" desde una producción del año 1980, con varios clásicos cubanos en las voces de Jesús Gómez, Johnny Pérez y Rogelia "Canelita" Medina. "Déjame gozar mulata" de Miguel Matamoros; "La Cazuelita" de Gelasio Delis y el son montuno "Corazón de chivo" de Arsenio Rodríguez completan este breve tributo al entrañable músico venezolano. Carlos Emilio Landaeta falleció el 30 de septiembre de 1991. Había nacido en la ciudad de Caracas el 4 de noviembre de 1920. Con el apoyo discográfico de la etiqueta "Tropicana" fundada por Adolfo Seeman, productor de la emisora habanera CMOX, sobresaliente por sus programaciones dedicadas al jazz, vieron la luz estas grabaciones en 1960, repartidas en dos álbumes. Acompañaron a Frank Emilio en lo que fue el preámbulo de una larga hermandad musical: Gustavo Tamayo en güiro; Papito Hernández en contrabajo; Tata Güines en las tumbadoras, y Guillermo Barreto en pailas y drums. "Habana", en clave bolero swing, original de Fernando Mulens; "Algo bueno", firmado por Dizzy Gillespie y Chano Pozo y "No te importe saber" de René Touzet. El ya clásico "Gandinga, mondongo y sandunga", de Frank Emilio, y "Scheherezada cha cha chá", del binomio Piloto y Vera, ya con la posterior formación de "Los Amigos" con Cachaito López en contrabajo, completan nuestra banda sonora de hoy. Unos minutos para recordar la presencia del violinista, arreglista y compositor urugüayo Federico Britos en la escena cubana de los años 60. Amante del riquísimo mundo melódico y armónico del Brasil, Britos junto a sus colegas Federico Vigil y Mario Lagarde, completó una singular formación bautizada como "Los Federicos" pasando a ser, durante esa convulsa década, referente importante para sus contemporáneos. Un lujo compartir el arte de Federico Britos en tres tiempos: primero con aquellos "Federicos" de los años 60s, luego con "Los amigos" y finalmente desde una reciente colaboración con la Orquesta "Failde" para una formidable producción de la etiqueta estatal EGREM del año 2019.

Listen to the final episode in our three-part series celebrating the 100th anniversary of the birth of trombonist J.J. Johnson, one of the greatest jazz icons to emerge from Indianapolis. On this edition, we'll focus on Johnson's work in third stream music––a term coined by the conductor and composer Gunther Schuller in 1957 as a blend of classical and jazz music. Johnson was involved in the early development of third stream music and the genre left a lasting influence on his work. Johnson composed several important third steam works, including “Perceptions”, a composition for solo trumpet and large jazz orchestra. The piece was commissioned by the jazz legend Dizzy Gillespie and recorded for Verve Records in 1961.  Hear excerpts from “Perceptions” and other third stream compositions by Johnson.

Stan Getz y Charlie Byrd ('Desafinado'), Herbie Mann ('Samba de uma nota só'), Cal Tjader y Clare Fischer ('Se é tarde me perdoa'), Lalo Schifrin ('Silvia', 'Lalo´s bossa nova'), Herbie Mann y Baden Powell ('Consolação'), Ike Quebec ('Loie'), Luiz Bonfá ('Lamento no morro'), Sergio Mendes ('Tristeza de nós dois', 'Disa'), George Shearing ('Pensativa'), Paul Winter Sextet ('Insensatez'), Coleman Hawkins ('Um abraço no Bonfá'), Zoot Sims ('Recado bossa nova part 1'), Dizzy Gillespie ('Desafinado') y Stan Getz y Charlie Byrd ('Samba triste).Escuchar audio

Participants: John Steppling, Hiroyuki Hamada, Max Parry, and Dennis Riches. Topics covered: NATO long-range missiles used against Russia, reckless escalation of the war, imperialism, colonialism, slavery, historiography of famine and revolution. Music track: "Tin Tin Deo" by Dizzy Gillespie (public domain).

We have a singer and song writer in the house!!

durée : 01:04:54 - Club Jazzafip - Ces fascinantes machines à quatre roues ont de tout temps inspiré les compositions musicales des artistes. Notre partition prend la route avec Dizzy Gillespie, Bobby McFerrin, Chet Baker, Gainsbourg ....

Today's show begins with a reminder to vote on or before Election Day, Nov 5, 2024. Let's start with a tribute to Dizzy Gillespie's run for President in 1964. That's followed by Ella's Vote for Mr. Rhythm. A new posthumous release from trumpeter Roy Hargrove has a track, Kamala's Dance (written for Roy's daughter). After that is just some music I have been listening to this past week. Playlist  Artist ~ Name ~ Album Dizzy Gillespie ~ Salt Peanuts ~ Groovin' High Ella Fitzgerald ~ Vote For Mister Rhythm ~ The Complete Decca Singles Vol. 1: 1935-1939 Roy Hargrove ~ Kamala's Dance ~ Grande-Terre Roy Hargrove ~ Ethiopia ~ Grande-Terre Jackie McLean ~ Star Eyes ~ Nature Boy The Dave Brubeck Quartet ~ The City Is Crying ~ Jazz Impressions of Japan David Borgo ~ Relational View ~ Persistence Steve Davis ~ Milestones ~ We See Wayne Shorter ~ Orbits ~ Celebration, Volume 1

Something a little outside of the normal scope of Countermelody for today's episode: Earlier this year I published a bonus episode on the fascinating singer/songwriter Benard Ighner (1945-2017) and his modern-day standard “Everything Must Change,” which I re-present today. The song has had a profound effect on me ever since I heard the version by the great Oleta Adams on her 1990 solo debut album, Circle of One. At the time I assumed that Oleta herself had written it, but I came to discover that it was penned by Ighner and first recorded by Quincy Jones on his 1974 album, Body Heat, and that since then many, many pop and jazz singers of the past fifty years have covered the song. All these different versions have both delighted and fascinated (as well as occasionally mystified and frustrated) me. The song itself is both fatalistic and hopeful, which is exactly the place I find myself as Election Day in the US approaches. Intrigued by both the song and its composer, I dug deeper and discovered all I could about Benard Ighner. An autodidactic musical polymath, Ighner rubbed shoulders with some of the greatest pop and jazz musicians of his time, and not just the hundreds of singers and instrumentalists who have jumped on the “Everything Must Change” bandwagon! This song brings out either the very best or the very worst of those who interpret it. In choosing my favorite versions, I have veered toward those who embrace understatement rather than vocal caterwauling and children's choruses. The episode begins with examples of Ighner's early work from the late sixties and early seventies, including pseudonymous encounters with Dizzy Gillespie (as Benard Ito) and Lalo Schifrin (as Alexander Saint Charles); proceeding through songs he wrote and produced for Shirley Bassey, Marlena Shaw, and Carmen McRae; as well as two excerpts from his solo album, a one-off 1978 Japanese release entitled Little Dreamer. We then hear ten different versions of the song, including, among others, Nina Simone, June Christy, Peggy Lee, Sarah Vaughan, Minako Yoshida (sung to her own Japanese translation), a recent magisterial live performance by Oleta Adams, and, even Ighner himself, who, alongside his other many musical talents, possessed a velvety baritone voice of exceptional beauty, poise, and power. May this episode provide hope, courage, and insight for all of those who do believe that we can overcome the mad popularity-contest antics of this election cycle and lean toward a future in which morality and hope can still prove to be guiding principles. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.

The most unexplored areas of the earth are its vast waterways. Humans can't breath underwater and thus our explorations of the seas are very limited. We often wonder if stories about mysterious and sometimes ferocious sea creatures are inspired by our imaginings of what could be below the surface of the water or if they are based on true experiences. When deep sea explorations do manage to send back pictures, some very unique and weird creatures are revealed. They help to make some of the legends we have heard about monsters in the water, more believable. On this episode, we are going to explore the myths and legends and possible true stories of sea monsters. The Moment in Oddity features the Cornell Pumpkin and This Month in History features Dizzy Gillespie. Check out the website: http://historygoesbump.com Show notes can be found here: https://historygoesbump.blogspot.com/2024/10/hgb-ep-561-legends-of-sea-monsters.html Become an Executive Producer: http://patreon.com/historygoesbump Music used in this episode:  Main Theme: Lurking in the Dark by Muse Music with Groove Studios (Moment in Oddity) "Vanishing" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ (This Month in History) "In Your Arms" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Outro Music: Happy Fun Punk by Muse Music with Groove Studios Other music used in this episode: Something in the Sea - Trailer and Sounds of the Sea 6 by Sascha Ende at https://filmmusic.io Licensed under Creative Commons: By Attribution 4.0 creativecommons.org/licenses/by/4.0/

PropsAndPraise everybody as we bring you another edition of A Cup Of J.O.E. with selections ranging from Dizzy Gillespie & Machito to Amber Navran. Thank you so so much for joining us so ENJOY!!!! & BLACK LIVES STILL MATTER!!!!For more info and tracklisting, visit: https://thefaceradio.com/a-cup-of-j-o-e/Tune into new broadcasts of A Cup of J.O.E, LIVE ,Wednesdays from 9 AM - NOON EST / 2 - 5 PM GMT//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Akira Tana is an acclaimed jazz drummer. He formed the band TanaReid with bassist Rufus Reid, and they sometimes add pianist Kei Akagi and call themselves the Asian-American Jazz Trio. He's played with a host of superstar musicians including Sonny Stitt, Sonny Rollins, Dizzy Gillespie, Ruth Brown and Lena Horne.  My featured song is “No One's Fool” from the album PGS 7 by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“THE GIFT” is Robert's new single featuring his song arranged by Grammy winning arranger Michael Abene. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES” is Robert's recent single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with Akira at:www.akiratana.com Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

This episode of The Other Side of the Bell, featuring trumpeter, Sal Cracchiolo, is brought to you by Bob Reeves Brass. Tickets for the Youth Trumpet Scholars Trumpet Trilogy can be purchased here. About Sal Cracchiolo: Salvator William Cracchiolo II was born in Long Beach, California as the son of two talented music teachers.  His father, Sal Cracchiolo I, owned a music studio where he taught piano and played professional accordion.  His mother, Edith, was his first trumpet teacher and started Sal on trumpet at the age of 12.  He played in concert, marching and jazz band in high school.  By his Junior and Senior year of High School, he was attending Cerritos College playing in their jazz and concert bands. He started working as a professional musician at 15 in nightclubs with various R & B and Latin bands.   In 1975 he started a long musical friendship with Poncho Sanchez, which ultimately let to 18 albums.  Between working with Poncho, in the 1980s, he was a member of the Pasadena City College Big Band under the direction of saxophonist, Gary Foster.  While in this band, Sal played with such jazz greats as Warren Marsh, Lee Konitz, and Peter Erskine. In the late-80s, Poncho traveled internationally.  Since then, with Poncho and other acts, Sal has traveled to 45 countries globally.  With Poncho, he has played and recorded with Dizzy Gillespie, Freddie Hubbard, Cal Tjader, Chick Corea, Stanley Turentine, Tito Puente, Mongo Santamaria, Clare Fischer, Gary Foster, Arturo Sandoval, Eddie Harris, Joey DeFrancesco, Dianne Reeves, Justo Almario, Andy Martin, Celia Cruz and Pete Escovedo.  He performed for and with these artists at the Monterey, Playboy, Concord, and Nice Jazz Festivals plus many others throughout the U.S., Europe, Canada, Mexico, South America, Thailand and Japan. He has also done worldwide tours with such artists as Tom Jones, Vicki Carr, Harry Connick and Brian Setzer. He was with the Clayton/ Hamilton Jazz Orchestra and has played with them since 2003. The CHJO has been rated as the #1 Big Band in the USA by Downbeat Magazine from 2007 to 2010.  He also performing with his own sextet featuring his wife, Melanie Jackson, on vocals  In 2001 “Fly” was nominated for a Latin Grammy. He has performed on the latest albums of Michael Buble, Gladys Knight, Joss Stone, Jamiroquoi, and Dr. Dre and on various sountracks for HBO. In 2001,  their CD, “Fly”, was nominated for a Latin Grammy.  In 2002 they performed at the Du Maurier Vancouver International Jazz Festival.  In 2003 they will be performing for the warm-up for the Playboy Jazz Festival. In 2004 through 2006  Sal and Melanie's sextet was sponsored by the California Arts Council.