Podcasts about Vinci

The AI-driven future of espionage is here. In a world where China is building super soldiers and weaponizing AI, the battle to protect America's intelligence dominance has never been more critical. Hear from former NGA Chief Technology Officer Dr. Anthony Vitchie as he reveals the chilling realities of the Fourth Intelligence Revolution - from AI-powered cyber attacks to the democratization of super weapons. This is no science fiction - this is the future of global competition, and the stakes have never been higher.Website:  https://www.anthonyvinci.com/ Dr. Vincis substack: https://vascoduarte.substack.com/p/bonus-saving-democracyhow-ai-is-transforming

Meanwhile... Historians may have found actual DNA from Leonardo da Vinci, Stephen checks in on his fellow Olympic bobsledders, a man was found with over 100 human skulls in his house, a town in Japan appointed a calico cat to run a train terminal, Stephen fearlessly bites into a trending fish-covered donut, Mr. Beast is penniless, a bear broke into a candy store, and Staten Island is back on top! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Programa Nº 1018 de "Voces del Misterio", Temporada 2025/2026. Programa de “Voces del Misterio” Nº 1018, en el que hablamos de niños fantasmas con Rafael de Alba, de los misterios de la ciudad portuguesa de Oporto, de la carta del Ermitaño con Toñi Nieto, de hoteles encantados, con Javier Mauri del cambio climático y con Antonio Reinoso de Leonardo da Vinci. RECORDAROS que este PODCAST NO es el OFICIAL del programa “Voces del Misterio”. Para comentarios sobre los temas tratados o las opiniones de los colaboradores, podeís contactar directamente con el programa a través de su web (https://www.vocesdelmisterio.com) o el correo electrónico: "vocesdelmisterio@gmail.com". Podeís seguirnos a través de la WEB (https://paranormaliaweb.github.io/), FACEBOOK (https://www.facebook.com/paranormaliaweb/) o X (https://x.com/paranormaliaweb). Un saludo.

It's not just science fiction anymore, cloning technology is here and advancing rapidly. How far will this tech take us? Will we be able to clone heroes of history like Leonardo da Vinci? ABC News Correspondent Jim Ryan joined the show to discuss. 

In this episode of One Decision, guest host Rosanna Lockwood and Sir Richard Dearlove, former Chief of MI6, are joined by Dr. Anthony Vinci, the former Chief Technology Officer and Associate Director of Capabilities at the U.S. National Geospatial-Intelligence Agency (NGA), as well as the author of The Fourth Intelligence Revolution: The Future of Espionage and the Battle to Save America. Dr. Vinci discusses how advances in intelligence and technology are reshaping global relationships and creating new challenges.  He also highlights how intelligence is no longer limited to governments and its impact on everyday life. The group also explores how AI is changing the way disinformation is spread, as well as the risks associated with Chinese control over platforms like TikTok, and why democracies are increasingly vulnerable when facing authoritarian surveillance states.  Episode produced by Situation Room Studios. Original music composed and produced by Leo Sidran. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ted speaks with Justin Garcia, a renowned artist and Medici Award winner, discussing his journey in the art world, the intersection of art and science, and the importance of authenticity in art amidst the rise of AI. Justin shares insights on inspiring young artists, the significance of human connection, and his innovative projects that merge art with architecture and social change. The discussion also highlights the unique Neon Project, which combines art and consumable experiences, showcasing the creative potential of art in various forms.TOPICS DISCUSSED01:10 Introduction to Justin Garcia and the Medici Award02:50 The Impact of Leonardo da Vinci on Art and Science04:00 Inspiring the Next Generation of Artists07:00 The Role of AI in Art and Authenticity9:30 Educating Collectors on Authentic Art17:30 Innovative Concepts in Art and Architecture19:10 Reinvigorating the Craft of Architecture20:10 If These Walls Can Talk: Art Therapy for Kids23:00 Building Trust with Vulnerable Children27:00 The Power of Perspective: Victims vs. Survivors29:45 Future Aspirations: Growing Awareness31:00 Innovative Art: The Neon Project37:00 Creating Memorable Experiences CONNECT WITH GUESTJustin GarciaWebsiteLinkedInKEY QUOTES FROM EPISODE"It's a beautiful project.""It's all about creating memories.""I love that idea."

What does it take to build a learning culture that truly sticks? Brad Garfinkel, Vice President of Learning and Development at Members 1st Federal Credit Union shares how a clearly defined culture — grounded in the belief that “we is greater than me” — shapes everything from onboarding and frontline training to leadership development and career pathways. Show Notes:Members 1st VP of Learning and Development Brad Garfinkel offers many practical, inspirational and actionable ways to make learning an integral part of any organization. Culture must be embedded from day one: At Members 1st, learning starts on day one with a consistent message: culture isn't a slogan — it's a daily practice reinforced through onboarding, training, and coaching.“We is greater than me” drives learning design: This simple but powerful mindset shapes how training is built, delivered, and reinforced, helping employees see their role within a larger team and mission.Listening builds credibility for L&D: Brad's organization-wide listening tour helped reposition learning and development as a strategic partner, not just a support function for frontline roles.Personalized pathways outperform one-size-fits-all training: By using flexible learning pathways, hybrid delivery models, and hands-on coaching, Members 1st meets learners where they are — and accelerates growth.Career exploration fuels engagement and retention: Programs like leadership development tracks and internal apprenticeships allow employees to explore new roles, build skills, and envision long-term careers within the organization.Read the book Brad referenced, Attitude is Everything : 10 Life-Changing Steps to Turning Attitude into Action   By Keith HarrellPowered by Learning earned Awards of Distinction in the Podcast/Audio and Business Podcast categories from The Communicator Awards and a Gold and Silver Davey Award. The podcast is also named to Feedspot's Top 40 L&D podcasts and Training Industry's Ultimate L&D Podcast Guide. Learn more about d'Vinci at www.dvinci.com. Follow us on LinkedInLike us on Facebook

We are really lucky to get lots of listener suggestions for the show, more good questions than we can possibly answer in a mailbag episode once or twice a year. So we're starting a new segment we call… Decoder Rings Back! Every month, host Willa Paskin will personally call up a listener to answer their question. In this inaugural installment of Decoder Rings Back, Willa calls up listener Dustin Malek about his cultural mystery: Why did the Mona Lisa, of all paintings, become the most famous in the world, bar none? Willa shares the story of daring heist that turned Leonardo da Vinci's enigmatic smiling subject into a celebrity.Future episodes of Decoder Rings Back will only be available to Slate Plus subscribers. So if you want to be sure not to miss them, sign up for Slate Plus! You'll get exclusive episodes and ad-free listening not just on our show, but all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify, or visit slate.com/decoderplus for access wherever you listen. This episode was produced by Max Freedman. Decoder Ring is also produced by Katie Shepherd and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Sources for This EpisodeCumming, Laura. “The man who stole the Mona Lisa,” The Guardian, August 5, 2011.Hoobler, Dorothy, and Thomas Hoobler. “Stealing Mona Lisa,” Vanity Fair, April 16, 2009.Hoobler, Dorothy, and Thomas Hoobler. The Crimes of Paris: A True Story of Murder, Theft, and Detection, Bison Books, 2010.Isaacson, Walter. Leonardo da Vinci, Simon & Schuster, 2018.Roberts, Sam. “Happy Birthday to the Man Who Stole the Mona Lisa and Took It to Italy,” The New York Times, October 7, 2022.Sassoon, Donald. “Mona Lisa: The Best-Known Girl in the Whole Wide World,” History Workshop Journal, Spring 2001.Sassoon, Donald. Mona Lisa: The History of the World's Most Famous Painting, HarperCollins, 2016.“The Theft That Made The 'Mona Lisa' A Masterpiece,” NPR, July 30, 2011.Zug, James. “Stolen: How the Mona Lisa Became the World's Most Famous Painting,” Smithsonian Magazine, June 15, 2011. Hosted on Acast. See acast.com/privacy for more information.

We are really lucky to get lots of listener suggestions for the show, more good questions than we can possibly answer in a mailbag episode once or twice a year. So we're starting a new segment we call… Decoder Rings Back! Every month, host Willa Paskin will personally call up a listener to answer their question. In this inaugural installment of Decoder Rings Back, Willa calls up listener Dustin Malek about his cultural mystery: Why did the Mona Lisa, of all paintings, become the most famous in the world, bar none? Willa shares the story of daring heist that turned Leonardo da Vinci's enigmatic smiling subject into a celebrity.Future episodes of Decoder Rings Back will only be available to Slate Plus subscribers. So if you want to be sure not to miss them, sign up for Slate Plus! You'll get exclusive episodes and ad-free listening not just on our show, but all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify, or visit slate.com/decoderplus for access wherever you listen. This episode was produced by Max Freedman. Decoder Ring is also produced by Katie Shepherd and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Sources for This EpisodeCumming, Laura. “The man who stole the Mona Lisa,” The Guardian, August 5, 2011.Hoobler, Dorothy, and Thomas Hoobler. “Stealing Mona Lisa,” Vanity Fair, April 16, 2009.Hoobler, Dorothy, and Thomas Hoobler. The Crimes of Paris: A True Story of Murder, Theft, and Detection, Bison Books, 2010.Isaacson, Walter. Leonardo da Vinci, Simon & Schuster, 2018.Roberts, Sam. “Happy Birthday to the Man Who Stole the Mona Lisa and Took It to Italy,” The New York Times, October 7, 2022.Sassoon, Donald. “Mona Lisa: The Best-Known Girl in the Whole Wide World,” History Workshop Journal, Spring 2001.Sassoon, Donald. Mona Lisa: The History of the World's Most Famous Painting, HarperCollins, 2016.“The Theft That Made The 'Mona Lisa' A Masterpiece,” NPR, July 30, 2011.Zug, James. “Stolen: How the Mona Lisa Became the World's Most Famous Painting,” Smithsonian Magazine, June 15, 2011. Hosted on Acast. See acast.com/privacy for more information.

We are really lucky to get lots of listener suggestions for the show, more good questions than we can possibly answer in a mailbag episode once or twice a year. So we're starting a new segment we call… Decoder Rings Back! Every month, host Willa Paskin will personally call up a listener to answer their question. In this inaugural installment of Decoder Rings Back, Willa calls up listener Dustin Malek about his cultural mystery: Why did the Mona Lisa, of all paintings, become the most famous in the world, bar none? Willa shares the story of daring heist that turned Leonardo da Vinci's enigmatic smiling subject into a celebrity.Future episodes of Decoder Rings Back will only be available to Slate Plus subscribers. So if you want to be sure not to miss them, sign up for Slate Plus! You'll get exclusive episodes and ad-free listening not just on our show, but all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify, or visit slate.com/decoderplus for access wherever you listen. This episode was produced by Max Freedman. Decoder Ring is also produced by Katie Shepherd and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Sources for This EpisodeCumming, Laura. “The man who stole the Mona Lisa,” The Guardian, August 5, 2011.Hoobler, Dorothy, and Thomas Hoobler. “Stealing Mona Lisa,” Vanity Fair, April 16, 2009.Hoobler, Dorothy, and Thomas Hoobler. The Crimes of Paris: A True Story of Murder, Theft, and Detection, Bison Books, 2010.Isaacson, Walter. Leonardo da Vinci, Simon & Schuster, 2018.Roberts, Sam. “Happy Birthday to the Man Who Stole the Mona Lisa and Took It to Italy,” The New York Times, October 7, 2022.Sassoon, Donald. “Mona Lisa: The Best-Known Girl in the Whole Wide World,” History Workshop Journal, Spring 2001.Sassoon, Donald. Mona Lisa: The History of the World's Most Famous Painting, HarperCollins, 2016.“The Theft That Made The 'Mona Lisa' A Masterpiece,” NPR, July 30, 2011.Zug, James. “Stolen: How the Mona Lisa Became the World's Most Famous Painting,” Smithsonian Magazine, June 15, 2011. Hosted on Acast. See acast.com/privacy for more information.

We are really lucky to get lots of listener suggestions for the show, more good questions than we can possibly answer in a mailbag episode once or twice a year. So we're starting a new segment we call… Decoder Rings Back! Every month, host Willa Paskin will personally call up a listener to answer their question. In this inaugural installment of Decoder Rings Back, Willa calls up listener Dustin Malek about his cultural mystery: Why did the Mona Lisa, of all paintings, become the most famous in the world, bar none? Willa shares the story of daring heist that turned Leonardo da Vinci's enigmatic smiling subject into a celebrity.Future episodes of Decoder Rings Back will only be available to Slate Plus subscribers. So if you want to be sure not to miss them, sign up for Slate Plus! You'll get exclusive episodes and ad-free listening not just on our show, but all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify, or visit slate.com/decoderplus for access wherever you listen. This episode was produced by Max Freedman. Decoder Ring is also produced by Katie Shepherd and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Sources for This EpisodeCumming, Laura. “The man who stole the Mona Lisa,” The Guardian, August 5, 2011.Hoobler, Dorothy, and Thomas Hoobler. “Stealing Mona Lisa,” Vanity Fair, April 16, 2009.Hoobler, Dorothy, and Thomas Hoobler. The Crimes of Paris: A True Story of Murder, Theft, and Detection, Bison Books, 2010.Isaacson, Walter. Leonardo da Vinci, Simon & Schuster, 2018.Roberts, Sam. “Happy Birthday to the Man Who Stole the Mona Lisa and Took It to Italy,” The New York Times, October 7, 2022.Sassoon, Donald. “Mona Lisa: The Best-Known Girl in the Whole Wide World,” History Workshop Journal, Spring 2001.Sassoon, Donald. Mona Lisa: The History of the World's Most Famous Painting, HarperCollins, 2016.“The Theft That Made The 'Mona Lisa' A Masterpiece,” NPR, July 30, 2011.Zug, James. “Stolen: How the Mona Lisa Became the World's Most Famous Painting,” Smithsonian Magazine, June 15, 2011. Hosted on Acast. See acast.com/privacy for more information.

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The Cognitive Crucible is a forum that presents different perspectives and emerging thought leadership related to the information environment. The opinions expressed by guests are their own, and do not necessarily reflect the views of or endorsement by the Information Professionals Association. During this episode, Anthony Vinci, author of The Fourth Intelligence Revolution, discusses how the battlefield has shifted from physical territory to the human brain. From China's influence within U.S. education and gaming to the subtle "mind hacking" potential of AI-generated misinformation, Anthony breaks down the strategic landscape of modern information operations. Join us for a deep dive into the risks posed by TikTok, the crisis of masculinity in the digital age, and how we can build individual resilience against an era of total surveillance. Recording Date: 8 Jan 2026 Resources: Cognitive Crucible Podcast Episodes Mentioned #100 Rand Waltzman on the Metaverse and Immersive Virtual Reality #212 Libby Lange on Algorithmic Cognitive Warfare The Fourth Intelligence Revolution: The Future of Espionage and the Battle to Save America by Anthony Vinci The Age of Surveillance Capitalism: The Fight for a Human Future at the New Frontier of Power by Shoshana Zuboff Princeton Review Link to full show notes and resources Guest Bio: Anthony Vinci is the author of The Fourth Intelligence Revolution: The Future of Espionage and the Battle to Save America (Henry Holt, 2025). He served as the first Chief Technology Officer at the National Geospatial-Intelligence Agency (NGA) where he was one of the first leaders to bring AI into intelligence. Earlier in his career he served in Iraq, Africa, and Asia. After leaving the world of intelligence, Vinci became an executive at a private equity firm and CEO of VICO, an AI company that is bringing the intelligence revolution to the rest of us by democratizing intelligence analysis. He is an Adjunct Senior Fellow at the Center for a New American Security (CNAS) and received his PhD in International Relations from the London School of Economics. About: The Information Professionals Association (IPA) is a non-profit organization dedicated to exploring the role of information activities, such as influence and cognitive security, within the national security sector and helping to bridge the divide between operations and research. Its goal is to increase interdisciplinary collaboration between scholars and practitioners and policymakers with an interest in this domain. For more information, please contact us at communications@information-professionals.org. Or, connect directly with The Cognitive Crucible podcast host, John Bicknell, on LinkedIn. Disclosure: As an Amazon Associate, 1) IPA earns from qualifying purchases, 2) IPA gets commissions for purchases made through links in this post.

Delivered on October 8, 2025 at the Istituto Lombardo Accademia di Scienze e Lettere in Milan, Italy as part of their Leonardo da Vinci lecture series.

BONUS: Saving Democracy—How AI Is Transforming the Battlefield for Our Minds In this very special BONUS episode, we speak with Anthony Vinci, former CTO and Associate Director of the National Geospatial-Intelligence Agency (NGA) and author of The Fourth Intelligence Revolution. Anthony has been at the frontlines of modernizing the intelligence community for the age of AI, and in this episode, he lays out a stark warning: we are entering an era where machines don't just augment intelligence—they transform it. But the real battlefield isn't just digital; it's cognitive, economic, and societal. From Startup Founder to Intelligence Modernizer "When I started my career, it was kind of the last dot-com boom... then I went into intelligence and became a case officer who goes out and recruits sources. I went to Iraq and places like this."   Anthony's career has uniquely zigzagged between the tech industry and the intelligence community. Starting in a New York startup during the 2000 dot-com era, he later became a case officer before returning to the startup world. When NGA needed someone to bring AI and modern technology into the agency, Anthony's rare combination of intelligence experience and tech entrepreneurship made him the ideal candidate. At NGA, he led the effort to implement computer vision and machine learning into workflows that were historically manual—where analysts would literally print satellite imagery and examine it with magnifying glasses. Nine years later, NGA now produces intelligence reports with "no human hands" involved. The Automation Arms Race "I believe where we're entering now is where the machine, the AI, has to do the analysis itself. Period. And it never comes to a person."   The volume of data has surpassed what humans can process, regardless of how sophisticated our tools become. Anthony points to a recent Anthropic report showing Chinese actors used Claude to automate 80-90% of a cyber espionage campaign. He believes we're approaching a world where 100% of cyber operations—both offensive and defensive—will be automated. The parallel he draws is striking: just as quantitative hedge funds trade in microseconds without human intervention because competitors do the same, cyber warfare and eventually physical drone warfare will follow this pattern. The only way to defend against automated attacks is to automate your defense. How Social Media Already Threatens Democracy "The longer a user was on TikTok, the more they used it, the more benevolent view of human rights in China that user had. So it's actually working, and it's so subtle, you can't even see it unless you do these big statistical studies."   The threat isn't theoretical—it's measurable. Researchers at Rutgers demonstrated that TikTok doesn't just censor content about the Uyghurs or Tiananmen Square; prolonged use of the platform actually shifts users' views on Chinese human rights. And that's just one piece of evidence, there are more! Unlike the 2016 election interference where the Russian Internet Research Agency placed targeted ads, modern influence operations work through algorithmic content selection. The platform doesn't need to show you propaganda; it simply needs to decide what you don't see. AI Will Hack Our Minds "AI is a dialogue. AI becomes this arbiter of information... This is really, really different when it comes to information operations. It's more like what I used to do as a case officer, where I'm trying to convince you of something."   Recent studies in Science and Nature demonstrate that AI systems trained for political persuasion are dramatically more effective than traditional advertising—not through persuasive rhetoric, but by overwhelming users with an abundance of "facts" (which aren't always factual). Anthony warns that the 2026 and 2028 elections will see widespread use of these tools. More alarming: Anthropic research shows that just 250 documents can poison a large language model. Foreign adversaries don't need millions of data points to corrupt the AI systems we increasingly rely on for information. The Fourth Intelligence Revolution: What Must Change "The first thing that we need to do is to compete in intelligence in those fields as well... economics, science, technology. And doing that requires intelligence to work with private companies, with the public."   Anthony outlines a three-part solution:   Expand intelligence scope: Move beyond traditional political and military focus to include economic, scientific, and technological competition with China and other adversaries through a whole-of-society approach Automate everything: Embrace AI across all intelligence functions—it's the only way to compete against adversaries who are already automating Democratize resilience: Since everyone is now a target of foreign information operations, we can't rely solely on government protection. Citizens must learn to think like intelligence officers Think Like an Intelligence Officer "No matter how trusted the source, they're always going to look at another source. If you read the New York Times, go read Newsmax, or vice versa. And if they both say the same thing, that probably means it's true, or more true."   Anthony offers practical advice for personal information resilience. First, acknowledge you are personally being targeted—this isn't paranoia, it's the new reality. Second, triangulate information like an analyst: never trust a single source, and deliberately seek out opposing viewpoints. Third, think like a technology officer: before adopting any new app or platform, research who made it and assess the risks. This doesn't mean avoiding risky technologies entirely—it means using them with awareness and mitigation strategies like VPNs, limiting shared information, or using multiple accounts. Name the Threat "One thing is to think about the threat and to think that there may be someone who's targeting you... not just generally—me as an individual."   The core message is clear: the threat to democracy is the capability of adversaries to influence our views to go against our own interests. Whether it's voting behavior, economic decisions, or social cohesion, foreign actors now have the tools to target individuals at scale with personalized influence campaigns. The first step in defense is naming this threat openly. The book The Fourth Intelligence Revolution provides both the warning and a framework for response.   About Anthony Vinci   Anthony Vinci is the former CTO and Associate Director of the National Geospatial-Intelligence Agency (NGA) in the USA, and author of The Fourth Intelligence Revolution. He has flip-flopped between the tech industry and intelligence throughout his career—starting in a New York startup during the dot-com boom, becoming a case officer who served in Iraq, founding and exiting a tech startup, and then returning to government to modernize NGA for the age of AI. He is now CEO of Vico, a startup building AI for intelligence analysis.   You can link with Anthony Vinci on his website and subscribe to his Substack, 3 Kinds of Intelligence.

What is “America” not only as a political entity but in our imagination? How can we properly envision America, without repeating clichés that frame America as either reactionary or revolutionary, repressive or liberatory? I spoke with Eyal Peretz about his book American Medium, which looks at Hollywood to re-imagine the concept of "America" through the medium of film. By considering six fundamental American movies: John Ford's Young Mr. Lincoln and The Man Who Shot Liberty Valance, Francis Ford Coppola's The Godfather, Steven Spielberg's West Side Story, and Sofia Coppola's Lost in Translation and Marie Antoinette, Peretz explains how these films do more than represent America and envision a new way to ground human life in our secular age. Eyal Peretz is Professor of Comparative Literature at Indiana University and the author of seminal books on Melville, de Palma, Diderot, da Vinci, as well as film, art, and philosophy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

First up on the podcast, scholars are on a quest to find Leonardo da Vinci's DNA. With no direct descendants, the hunt involves sampling the famous polymath's papers, paintings, and distant cousins. Contributing Correspondent Richard Stone talks with host Sarah Crespi about what researchers hope to learn from Leonardo's genes and the new field of “arteomics.” Next on the show, new evidence for poisoned arrows from 60,000 years ago complicates our picture of hunting during the Pleistocene. Sven Isaksson, a professor of archaeological science at Stockholm University, joins the podcast to discuss the discovery of poisonous residues on microliths—the tiny, worked stone points used on arrows and spearheads. These findings could push back the origins of this toxic technology by 50,000 years. This week's episode was produced with help from Podigy. About the Science Podcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Pendant plus de cinq siècles, ils n'étaient qu'une hypothèse, un détail mystérieux dans des carnets griffonnés à l'envers. Aujourd'hui, des chercheurs italiens viennent de confirmer leur existence : des tunnels souterrains conçus par Léonard de Vinci ont bien été découverts sous le château des Sforza, à Milan.Le Castello Sforzesco est l'un des symboles les plus imposants de la Renaissance italienne. Construit au XVe siècle par la puissante famille Sforza, il servait à la fois de résidence, de forteresse et de centre de pouvoir militaire. C'est précisément dans ce contexte que Léonard de Vinci arrive à Milan, vers 1482, au service du duc Ludovic le More. L'artiste n'est alors pas seulement peintre : il est aussi ingénieur militaire, architecte et stratège.Dans ses célèbres carnets, Léonard dessine des plans complexes de fortifications, de bastions… et de galeries souterraines. Longtemps, les historiens ont cru qu'il s'agissait de projets théoriques, voire de simples exercices intellectuels. Mais les technologies modernes ont changé la donne.En 2024, une équipe de chercheurs italiens a utilisé des techniques de radar à pénétration de sol, de scans laser et de modélisation 3D pour explorer les fondations du château. Les résultats sont sans appel : plusieurs galeries étroites et voûtées, situées à plusieurs mètres sous terre, correspondent précisément aux schémas de Léonard de Vinci. Certaines relient différentes parties du château, d'autres semblent mener vers l'extérieur des remparts.À quoi servaient ces tunnels ? Les hypothèses convergent vers un usage militaire et stratégique. Ces passages permettaient de déplacer des soldats discrètement, de ravitailler la forteresse en cas de siège, ou encore d'offrir une voie de fuite aux dirigeants. L'une des galeries pourrait même avoir été conçue pour permettre au duc de rejoindre rapidement les troupes stationnées à l'extérieur du château.Ce qui rend cette découverte fascinante, c'est la précision de Léonard de Vinci. Ses dessins, vieux de plus de 500 ans, se révèlent d'une exactitude remarquable, tant dans les proportions que dans l'orientation des structures. Ils confirment que Léonard ne se contentait pas d'imaginer : il concevait des ouvrages destinés à être construits et utilisés.Aujourd'hui encore, une grande partie de ces tunnels reste inaccessible au public, pour des raisons de sécurité et de conservation. Mais leur validation scientifique éclaire d'un jour nouveau le génie de Léonard de Vinci et rappelle que la Renaissance ne s'est pas seulement jouée sur les murs des palais, mais aussi sous terre, dans l'ombre des stratégies et de l'ingénierie.Une preuve de plus que, cinq siècles plus tard, Léonard de Vinci continue de révéler ses secrets. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

====> Entra nella Free Library⁠Trovi glossari, testi, esercizi e materiali extra!Cosa succede quando due grandi artisti si incontrano e si scontrano?Con il podcast di oggi impariamo di più sul rapporto tra i geni italiani Leonardo da Vinci e Michelangelo.What happens when two great artists meet and clash?With today's podcast, we learn more about the relationship between the Italian geniuses Leonardo da Vinci and Michelangelo.⁠====> Read the text while you're listening!Buon ascolto!

The Last Supper is one of the most famous paintings in the world, created by Leonardo da Vinci in the late 1400s. It shows the moment Jesus tells his twelve disciples that one of them will betray him, capturing their shock and emotion. The painting covers an entire wall in a monastery in Milan, Italy. Over the centuries, it has been damaged and restored many times, but it remains a masterpiece of art and storytelling. This episode explores how Leonardo painted it, the meaning behind the scene, and why it continues to amaze viewers today.

Wissenschaftler haben in Abstrichen von einer Kreidezeichnung, die Leonardo da Vinci zugeschrieben wird, menschliche DNA gefunden – darunter ein Y-Chromosom. Der Nachweis, dass es sich tatsächlich um Leonardos Erbgut handelt, könnte schwierig werden. Lange, Michael www.deutschlandfunk.de, Forschung aktuell

What is “America” not only as a political entity but in our imagination? How can we properly envision America, without repeating clichés that frame America as either reactionary or revolutionary, repressive or liberatory? I spoke with Eyal Peretz about his book American Medium, which looks at Hollywood to re-imagine the concept of "America" through the medium of film. By considering six fundamental American movies: John Ford's Young Mr. Lincoln and The Man Who Shot Liberty Valance, Francis Ford Coppola's The Godfather, Steven Spielberg's West Side Story, and Sofia Coppola's Lost in Translation and Marie Antoinette, Peretz explains how these films do more than represent America and envision a new way to ground human life in our secular age. Eyal Peretz is Professor of Comparative Literature at Indiana University and the author of seminal books on Melville, de Palma, Diderot, da Vinci, as well as film, art, and philosophy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Merriam-Webster's Word of the Day for January 5, 2026 is: marginalia • mahr-juh-NAY-lee-uh • noun Marginalia is a plural noun that refers to notes or other marks written in the margins of a text, and also to nonessential matters or items. // I loved flipping through my literature textbooks to find the marginalia left behind by former students. // She found the documentary's treatment of not only the major events but also the marginalia of Scandinavian history fascinating. See the entry > Examples: “Marginalia have a long history: Leonardo da Vinci famously scribbled thoughts about gravity years before Galileo Galilei published his magnum opus on the subject; the discovery was waiting under our noses in the margins of Leonardo's Codex Arundel.” — Brianne Kane, Scientific American, 19 Sept. 2025 Did you know? In the introduction to his essay titled “Marginalia,” Edgar Allan Poe wrote: “In getting my books, I have always been solicitous of an ample margin; this not so much through any love of the thing in itself, however agreeable, as for the facility it affords me of penciling suggested thoughts, agreements and differences of opinion, or brief critical comments in general.” At the time the essay was first published in 1844, marginalia was only a few decades old despite describing something—notes in the margin of a text—that had existed for centuries. An older word, apostille (or apostil), refers to a single annotation made in a margin, but that word is rarely used today. Even if you are not, like Poe, simply ravenous for scribbling in your own books, you likely know marginalia as a telltale sign that someone has read a particular volume before you.

What is “America” not only as a political entity but in our imagination? How can we properly envision America, without repeating clichés that frame America as either reactionary or revolutionary, repressive or liberatory? I spoke with Eyal Peretz about his book American Medium, which looks at Hollywood to re-imagine the concept of "America" through the medium of film. By considering six fundamental American movies: John Ford's Young Mr. Lincoln and The Man Who Shot Liberty Valance, Francis Ford Coppola's The Godfather, Steven Spielberg's West Side Story, and Sofia Coppola's Lost in Translation and Marie Antoinette, Peretz explains how these films do more than represent America and envision a new way to ground human life in our secular age. Eyal Peretz is Professor of Comparative Literature at Indiana University and the author of seminal books on Melville, de Palma, Diderot, da Vinci, as well as film, art, and philosophy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In our latest episode, Abigail covers Santa Maria delle Grazie, arguably one of the most famous UNESCO world heritage sites. This convent in Milan, Italy, contains The Last Supper by Leonardo da Vinci, a mural painting that is over 500 years old. Come hear about the history, travel tips for visiting and so much more. Support our Sponsors and Affiliates at no extra cost to you and help make planning your trip easier: Hardshell Luggage: https://amzn.to/3FHDWZ0  VRBO: https://vrbo.tpk.mx/ZScq7wqQ  AirHelp (Helps you get refunds for cancelled or delayed flights): https://airhelp.tp.st/jfs3ZFOO  Barvita (Code ABIGAILVACCA gets you 15% off your first order): https://barvita.co/?ref=ABIGAILVACCA Follow Global Treasures on Social Media and check out my blog: Blog: Globaltreasurestravel.com  Facebook: https://www.facebook.com/profile.php?tid=100093258132336 Tiktok: https://www.tiktok.com/@globaltreasurespodcast

12/24/2025 Christmas Eve Lessons & Carols Chris Breslin Images Lesson 3 – Sunlight in the Forest (Charles Burchfield Lesson 6 – Christ in the Rubble (Kelly Lattimore) Lesson 8 – Adoration of the Magi (Leonardo da Vinci)

The message explored the theological truth that Jesus Christ is not merely a part of our lives, but the center around which everything finds its meaning and purpose. Drawing from Colossians 1, we were reminded that in Christ "all things were created" and "in him all things hold together." Through reflections on both the nativity scene and Leonardo da Vinci's depiction of the Last Supper, we saw how Jesus brings together people from vastly different backgrounds—shepherds and wise men, zealots and tax collectors, doubters and deniers—reconciling all things to himself through the cross.

While more than 7 million people visit the Vatican Museums each year, few of them realize there is much more to this extraordinary collection than just the Raphael Rooms and the Sistine Chapel. The Pinacoteca, or "painting gallery," of the Vatican Museums opened in 1932 and includes masterpieces by Giotto, Raphael, Leonardo da Vinci, Caravaggio, and Bernini. 

Voir la Joconde de Léonard de Vinci reste un passage obligé pour les touristes qui visitent Paris. Ils sont pourtant souvent déçus de ne pas pouvoir mieux l'observer, en raison de sa petite taille et de l'amas d'observateurs se prenant en selfie devant le tableau. Le 28 janvier, le Musée du Louvre et le chef de l'Etat, Emmanuel Macron, ont annoncé un vaste plan de rénovation pour améliorer l'accueil des 9 millions de visiteurs qui se rendent au Louvre chaque année. Le chantier prévoit une nouvelle entrée, et le déménagement de la Joconde dans une salle qui lui sera entièrement dédiée.Code source revient sur l'histoire du célèbre tableau de Léonard de Vinci avec Yves Jaeglé, journaliste au service culture du Parisien.Cet épisode a été diffusé pour la première fois le 17 février 2025.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Thibault Lambert, Pénélope Gualchierotti, Clara Garnier-Amouroux et Clémentine Spiler - Réalisation et mixage : Julien Montcouquiol - Musiques : François Clos, Audio Network. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Anthony Vinci is a former DIA case officer who went on to serve at the National Geospatial-Intelligence Agency before entering the private sector. His new book, The Fourth Intelligence Revolution, bridges the divide between the intelligence community and the tech world. Anthony spoke with True Spies producer Morgan Childs about why this new era puts intelligence in the hands of everyday people, and about what individuals and governments can do to prepare. From SPYSCAPE, the home of secrets. A Cup And Nuzzle production. Series producer: Joe Foley. Produced by Morgan Childs. Learn more about your ad choices. Visit megaphone.fm/adchoices

Prova Shopify a 1 € - shopify.it/sdb Steve jobs è tornato la guida di Apple e l'azienda è tornata ai vertici dell'innovazione mondiale, ma qualcosa si annida dentro di lui. Vinci le Olimpiadi Invernali Milano Cortina con FIERA MILANO - ⁠⁠⁠⁠⁠⁠⁠unlocktheolympicwintergames.fieramilano.it⁠⁠⁠⁠⁠ Un grazie speciale a Marco Champier di VITE SCOMODE per aver dato la voce a Steve Wozniak ❤️ Ascolta la prima puntata - ⁠⁠https://open.spotify.com/episode/6PC4PzMgcdjmzjrbnaU4Nc?si=Jn-c40IrQ8ucyFegbac3Aw⁠⁠ Ascolta l'analisi di 1984 su Brandy - ⁠⁠https://open.spotify.com/episode/6bLtzKgDPpU3Iir6SXSsGV?si=bc016ccafa6140a6⁠⁠ Canale Instagram: ⁠⁠⁠⁠https://www.instagram.com/storiedibrand/⁠⁠⁠⁠ Canale Telegram: ⁠⁠⁠⁠https://t.me/storiedibrand⁠⁠⁠⁠ - Copertina realizzata da Damiano Stingone: ⁠⁠⁠⁠https://linktr.ee/damianostingone⁠⁠⁠⁠ Sound design: Antonio Mezzadra Supporto autoriale: Francesco Marchi  Voci: Marco Champier, Francesco Marchi, Laura Moretti, Giuseppe Corona Learn more about your ad choices. Visit megaphone.fm/adchoices

De la mano de nuestro companero Jesus Ortega y en absoluta exclusiva para 'El Colegio Invisible', mantuvimos esta interesante y extensa charla con el best-seller Dan Brown, autor del exito internacional 'El Codigo da Vinci'.

In this conversation, Anthony Vinci explains that "AI is going to be able to do more and more of what people do." He describes a future where "AI is going to get better and better at doing what people do," and highlights that leaders must understand "how do you figure out what AI is good at and then implement it to do that" and "how do you manage your workforce so that they are able to partner with that AI." He warns that leaders often "overestimate what AI can do and underestimate it at the same time," and stresses the importance of "getting that balance right." As he shared, "sometimes they can sense that, oh, AI can do anything," while others say "it will never do that," and both assumptions can mislead decision making. He offers direct guidance for staying relevant: "The number one thing I would recommend is literally to just go use AI for thirty minutes a day." He urges leaders to "push the envelope" and "see where the holes are, what it won't do." Vinci describes how workflow—not just technology—defines whether AI succeeds. Implementation requires understanding "the process and the workflow," recognizing that AI adoption "is going to be small parts," and building "those pieces over time." He explains the subtle dangers of influence, noting that AI can "change your mind" without you realizing it. The threat is not dramatic deepfakes but "what if it just changes one word?" or "an adjective and makes something seem slightly different." To stay resilient, he urges people to "think like a spy," recognize that "there might be a bad actor on the other side," and build habits of "triangulating information." He emphasizes cognitive agility: "We still need to learn to do it so that you can think about mathematics and understand mathematics," and he connects this to thinking and writing in an AI-driven world. Even with powerful tools, "you're still going to have to keep yourself sharp." Vinci closes by discussing perspective, explaining how "living abroad" showed him how much people assume about how the world works. He encourages listeners to embrace the belief that "maybe this assumption that you have in life is wrong," because "the difference between being okay or good at something you do and being great is this ability to take a step back and question whatever you see in the world." Get Anthony's book, The Fourth Intelligence Revolution, here: https://shorturl.at/rjpNF Claim your free gift: Free gift #1 McKinsey & BCG winning resume www.FIRMSconsulting.com/resumePDF Free gift #2 Breakthrough Decisions Guide with 25 AI Prompts www.FIRMSconsulting.com/decisions Free gift #3 Five Reasons Why People Ignore Somebody www.FIRMSconsulting.com/owntheroom Free gift #4 Access episode 1 from Build a Consulting Firm, Level 1 www.FIRMSconsulting.com/build Free gift #5 The Overall Approach used in well-managed strategy studies www.FIRMSconsulting.com/OverallApproach Free gift #6 Get a copy of Nine Leaders in Action, a book we co-authored with some of our clients: www.FIRMSconsulting.com/gift

Former chief technology officer of the National Geospatial-Intelligence Agency, Dr. Anthony Vinci, joins Matt to explain why intelligence has broken out of the classified world—and why everyday citizens are now on the front lines. Anthony walks through three past “intelligence revolutions” and argues we've entered a fourth, driven by China and AI: intelligence expanding beyond war and politics into economics and tech, a “whole-of-society” competition that pulls in companies and universities, and a shift from targeting governments to targeting entire populations. They discuss “inanity of evil” disinformation operations, China's push toward a global panopticon, the case for treating economic espionage as tier-one national security, and the coming collision of AI, autonomy, and trust—ending with what it means to “think like an intelligence officer” without becoming the thing we're fighting. Subscribe and share to stay ahead in the world of intelligence, global issues, and current affairs. Order The Fourth Intelligence Revolution: https://us.macmillan.com/books/9781250370907/thefourthintelligencerevolution/ Learn more on Anthony's website: https://www.anthonyvinci.com/ Subscribe to Anthony's Substack: https://anthonyvinci.substack.com/ Please share this episode using these links Audio: https://pod.fo/e/365bae YouTube: https://youtu.be/D4ZagwI5Z3o Support Secrets and Spies Become a “Friend of the Podcast” on Patreon for £3/$4: https://www.patreon.com/SecretsAndSpies Buy merchandise from our shop: https://www.redbubble.com/shop/ap/60934996 Buy us a coffee: https://buymeacoffee.com/secretsandspies Subscribe to our YouTube page: https://www.youtube.com/channel/UCDVB23lrHr3KFeXq4VU36dg For more information about the podcast, check out our website: https://secretsandspiespodcast.com Connect with us on social media Bluesky: https://bsky.app/profile/secretsandspies.bsky.social Instagram: https://instagram.com/secretsandspies Facebook: https://facebook.com/secretsandspies Spoutible: https://spoutible.com/SecretsAndSpies Follow Chris and Matt on Bluesky: https://bsky.app/profile/chriscarrfilm.bsky.social https://bsky.app/profile/mattfulton.net Secrets and Spies is produced by F & P LTD. Music by Andrew R. Bird Photo by Joy Asico Secrets and Spies sits at the intersection of intelligence, covert action, real-world espionage, and broader geopolitics in a way that is digestible but serious. Hosted by filmmaker Chris Carr and writer Matt Fulton, each episode examines the very topics that real intelligence officers and analysts consider on a daily basis through the lens of global events and geopolitics, featuring expert insights from former spies, authors, and journalists.

durée : 00:03:51 - Une semaine dans leurs vies - Patrouilleur du réseau Vinci, Alain Munda parcourt chaque jour avec son fourgon plus de 300 km entre le Gard, l'Hérault et les Bouches-du-Rhône pour veiller sur les automobilistes de l'A9 et l'A54. Durant ses pauses, il en profite pour créer du lien avec les usagers de l'autoroute. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:04:05 - Une semaine dans leurs vies - Patrouilleur du réseau Vinci, Alain Munda parcourt chaque jour avec son fourgon plus de 300 km entre le Gard, l'Hérault et les Bouches-du-Rhône pour veiller sur les automobilistes de l'A9 et l'A54. Il est souvent confronté au mauvais comportement de certains usagers qui mettent des vies en danger. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:03:47 - Une semaine dans leurs vies - Patrouilleur du réseau Vinci, Alain Munda parcourt chaque jour plus de 300 km entre le Gard, l'Hérault et les Bouches-du-Rhône pour veiller sur les automobilistes de l'A9 et l'A54. Son bureau, c'est son fourgon et il en prend soin. Visite guidée. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:04:12 - Une semaine dans leurs vies - Patrouilleur du réseau Vinci, Alain Munda parcourt chaque jour avec son fourgon plus de 300 km entre le Gard, l'Hérault et les Bouches-du-Rhône pour veiller sur les automobilistes de l'A9 et l'A54. Mais sa vie a failli basculer l'an dernier. Un automobiliste l'a percuté en pleine intervention. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The Sforza Altarpiece (Pala Sforzesca) is among the single most important works of art commissioned by Ludovico il Moro. Through this painting, we can trace both the heavy religious history of Milan and the dynastic ambitions of the Sforza court. By investigating this painting, we can further understand the atmosphere leading to the decline of Sforza power. Additionally, this painting shows the dramatic influence of the convergence of styles in Milan, from Leonardo da Vinci to the Flemish masters. With this comes the complicated attribution of the work, which until very recently, had remained unknown. Work Discussed: Giovanni Angelo Mirofoli (Master of the Sforza Altarpiece), Madonna Enthroned with Child, the Doctors of the Church and the Family of Ludovico il Moro (Sforza Altarpiece), 1495 https://pinacotecabrera.org/collezioni/collezione-on-line/madonna-in-trono-con-il-bambino-i-dottori-della-chiesa-e-la-famiglia-di-ludovico-il-moro-pala-sforzesca/Support/Watch/Follow: https://linktr.ee/italian_renaissance_podcastGet additional content by becoming a Patron: patreon.com/TheItalianRenaissancePodcast Support the show

durée : 00:04:05 - Une semaine dans leurs vies - Patrouilleur du réseau Vinci, Alain Munda parcourt chaque jour avec son fourgon plus de 300 km entre le Gard, l'Hérault et les Bouches-du-Rhône pour veiller sur les automobilistes de l'A9 et l'A54. Son quotidien, souvent dangereux, est fait d'imprévus et de rencontres mais surtout d'interventions. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

نقشه دنیا فقط تصویر نیست. همیشه تفسیر بوده. برای همین نقشه‌ای که از جهان می‌شناسیم داره بهمون دروغ می‌گه.همیشه با نقشه قصه گفتیم، این بار می‌خوایم قصه‌ی نقشه رو بگیم.متن: بهجت بندری، علی بندری، با راهنمایی آرش رئیسی‌نژاد | ویدیو و صدا: DASTAN GROUP - www.dastanads.comبرای دیدن ویدیوی این اپیزود اگر ایران هستید وی‌پی‌ان بزنید و روی لینک زیر کلیک کنیدیوتیوب بی‌پلاسکانال تلگرام بی‌پلاسمنابع و لینک‌هایی برای کنجکاوی بیشترThe History of Cartography: Celebration of Volume 4, Cartography in the European EnlightenmentThe History Of The First World Map | Face Of The World | TimelineIntroduction to CartographyWhy all world maps are wrongLooking at Interesting Old Maps for 10 MinutesMappa Mundi: The greatest map of the medieval world | BBC GlobalThe biggest mistakes in mapmaking history - Kayla WolfHow Leonardo da Vinci made a "satellite" map in 1502Presenting the Modern World for the American Public: Maps and Public Education in World War IIPropaganda Maps to Strike Fear, Inform, and Mobilize – A Special Collection in the Geography and Map Division | Worlds RevealedCartographic propaganda - WikipediaThe Great War and Modern Mapping: WWI in the Map Division | The New York Public Library Hosted on Acast. See acast.com/privacy for more information.

Can people, places, and things point to Jesus-- even non-Christian people, places, and things? Paul tells us that all of nature does that in Romans 1:20. But what about myths and stories and characters from from other cultures? Pastor Chris reflected some on his recent trip to Japan where about 98% of the people are not religious (but love Christmas). Could there be some things in their culture that we could pray that God would use to point them to the Christ of Christmas? Join us as we look at the intriguing and beloved character named Jizo and, along the way, we look at the remarkable story of John the Baptist. The painting associated with this sermon, and the one Pastor Chris referred to, is da Vinci's "St. John the Baptist" (detail) and is viewable in the Epiclesis platform but not in iTunes Podcasts. Pastor Chris's off the cuff memory that it was by Rembrandt was mistaken.

Host Natalie Grueninger interviews Dr Stephen Campbell about Leonardo da Vinci's life, work, and the myths that surround him. They explore his early years in Florence, his Milanese network, anatomical studies, and his later years in France. The conversation examines common misconceptions, highlights key works such as 'The Last Supper' and the 'Sala delle Asse', and considers why Leonardo's fragmented biography continues to captivate modern audiences. Learn more about Dr Campbell https://arthist.jhu.edu/directory/stephen-j-campbell/ Buy the book! https://press.princeton.edu/books/hardcover/9780691193687/leonardo-da-vinci Find out more about your host at https://www.nataliegrueninger.com Support Talking Tudors on Patreon!  

What happens when classic instructional design models meet cutting-edge AI tools? In this episode of Powered by Learning, Transcarent's Director of Learning and Development Sheldon Thomas talks about applying the ADDIE model to a modern healthcare call center environment, from multi-stage onboarding to AI-enabled simulations. Learn how his team balances speed, personalization, and strong design to deliver training that actually changes performance.  Show Notes:Transcarent's Director of Learning and Development Sheldon Thomas shares how his team uses AI-driven role plays, performance coaching, and thoughtful design to prepare team members for complex member conversations. His key takeaways include:Align L&D to business outcomes. Sheldon shares how Transcarent's learning strategy mirrors the company's mission to improve member health outcomes—using the ADDIE model to connect learner needs, performance metrics, and measurable impact.Design a multi-layered onboarding journey. New Performance Development Coaches move through a blended learning experience that combines instructor-led training, self-paced eLearning, performance development coaches, and a “cocooning” phase with supervisors to build both competence and confidence.Use AI role plays to make practice realistic and scalable. AI-driven simulations on Udemy's platform allow health guides to practice complex conversations, demonstrate empathy, and navigate systems in a realistic, time-bound environment—without pulling live agents off the phones.Balance interactivity with meaningful design. While AI tools in Storyline and Rise accelerate development, Sheldon emphasizes that true design goes beyond uploading content—it's about curating experiences that are both Interactive and genuinely engaging.Look ahead to real-time, personalized performance support. Sheldon envisions AI delivering just-in-time coaching immediately after calls and targeting specific skill gaps, moving beyond one-size-fits-all training to truly personalized learning in the flow of work.Powered by Learning earned Awards of Distinction in the Podcast/Audio and Business Podcast categories from The Communicator Awards and a Gold and Silver Davey Award. The podcast is also named to Feedspot's Top 40 L&D podcasts and Training Industry's Ultimate L&D Podcast Guide. Learn more about d'Vinci at www.dvinci.com. Follow us on LinkedInLike us on Facebook

Taylor McCall's The Art of Anatomy in Medieval Europe (Reaktion, 2023) is the first history of medieval European anatomical images. Richly illustrated, The Art of Anatomy in Medieval Europe explores the many ways in which medieval surgeons, doctors, monks, and artists understood and depicted human anatomy. Taylor McCall refutes the common misconception that Renaissance artists and anatomists such as Leonardo da Vinci and Andreas Vesalius were the fathers of anatomy who performed the first human dissections. On the contrary, she argues that these Renaissance figures drew upon centuries of visual and written tradition in their works. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Since the founding of America's first centralized modern intelligence agency during World War II, today's guest Anthony Vinci says that current agencies have undergone several revolutions in how espionage was done. But Vinci says we're in the midst of a fourth revolution, changing the rules of espionage for nations and non-state actors alike.In this episode of From the Crows' Nest, host Ken Miller is joined by Vinci, a former intelligence officer and author of “The Fourth Intelligence Revolution: The Future of Espionage and the Battle to Save America.” Vinci says new asymmetric approaches to espionage combined with emerging technology has democratized intelligence, putting civilians at risk and threatening to leave America's agencies at a disadvantage if they don't adapt.To learn more about today's topics or to stay updated on EMSO and EW developments, visit our homepage.

Sylwestrowa noc 1502. Czterech najbardziej bezwzględnych wojowników Włoch przekracza bramę miasta… nie wiedząc, że za kilka godzin ucichnie ich oddech .

Happy Thanksgiving to all! -The SOFREP Team Thanks again to our sponsor BÆRSkin Get the BÆRSkin Hoodie 4.0 for 60% Off! Click the link: https://baer.skin/rad Anthony Vinci, PhD, is a technology and national-security executive, entrepreneur, and former U.S. intelligence official. He earned his doctorate in International Relations from the London School of Economics, after earlier studies in philosophy at Reed College and the University of Oxford. Vinci served as an intelligence officer in multiple global theaters before being appointed the first Chief Technology Officer and Associate Director for Capabilities at the National Geospatial-Intelligence Agency, where he led major initiatives in artificial intelligence, geospatial intelligence modernization, and public-private technology partnerships. In the private sector, he has founded and led technology companies focused on geospatial analytics and artificial intelligence, and has held senior roles at major firms including Bridgewater Associates. He continues to work at the intersection of emerging technology and national security and serves as an adjunct senior fellow with leading national-security research organizations.See omnystudio.com/listener for privacy information.