Podcasts about Vinci

نقشه دنیا فقط تصویر نیست. همیشه تفسیر بوده. برای همین نقشه‌ای که از جهان می‌شناسیم داره بهمون دروغ می‌گه.همیشه با نقشه قصه گفتیم، این بار می‌خوایم قصه‌ی نقشه رو بگیم.متن: بهجت بندری، علی بندری، با راهنمایی آرش رئیسی‌نژاد | ویدیو و صدا: DASTAN GROUP - www.dastanads.comبرای دیدن ویدیوی این اپیزود اگر ایران هستید وی‌پی‌ان بزنید و روی لینک زیر کلیک کنیدیوتیوب بی‌پلاسکانال تلگرام بی‌پلاسمنابع و لینک‌هایی برای کنجکاوی بیشترThe History of Cartography: Celebration of Volume 4, Cartography in the European EnlightenmentThe History Of The First World Map | Face Of The World | TimelineIntroduction to CartographyWhy all world maps are wrongLooking at Interesting Old Maps for 10 MinutesMappa Mundi: The greatest map of the medieval world | BBC GlobalThe biggest mistakes in mapmaking history - Kayla WolfHow Leonardo da Vinci made a "satellite" map in 1502Presenting the Modern World for the American Public: Maps and Public Education in World War IIPropaganda Maps to Strike Fear, Inform, and Mobilize – A Special Collection in the Geography and Map Division | Worlds RevealedCartographic propaganda - WikipediaThe Great War and Modern Mapping: WWI in the Map Division | The New York Public Library Hosted on Acast. See acast.com/privacy for more information.

Host Natalie Grueninger interviews Dr Stephen Campbell about Leonardo da Vinci's life, work, and the myths that surround him. They explore his early years in Florence, his Milanese network, anatomical studies, and his later years in France. The conversation examines common misconceptions, highlights key works such as 'The Last Supper' and the 'Sala delle Asse', and considers why Leonardo's fragmented biography continues to captivate modern audiences. Learn more about Dr Campbell https://arthist.jhu.edu/directory/stephen-j-campbell/ Buy the book! https://press.princeton.edu/books/hardcover/9780691193687/leonardo-da-vinci Find out more about your host at https://www.nataliegrueninger.com Support Talking Tudors on Patreon!  

In this episode I discuss Leonardo da Vinci's staircase in the Chateau de Chambord and the unfolding Kingdom to demonstrate the progression in the life of a believer.

Taylor McCall's The Art of Anatomy in Medieval Europe (Reaktion, 2023) is the first history of medieval European anatomical images. Richly illustrated, The Art of Anatomy in Medieval Europe explores the many ways in which medieval surgeons, doctors, monks, and artists understood and depicted human anatomy. Taylor McCall refutes the common misconception that Renaissance artists and anatomists such as Leonardo da Vinci and Andreas Vesalius were the fathers of anatomy who performed the first human dissections. On the contrary, she argues that these Renaissance figures drew upon centuries of visual and written tradition in their works. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Since the founding of America's first centralized modern intelligence agency during World War II, today's guest Anthony Vinci says that current agencies have undergone several revolutions in how espionage was done. But Vinci says we're in the midst of a fourth revolution, changing the rules of espionage for nations and non-state actors alike.In this episode of From the Crows' Nest, host Ken Miller is joined by Vinci, a former intelligence officer and author of “The Fourth Intelligence Revolution: The Future of Espionage and the Battle to Save America.” Vinci says new asymmetric approaches to espionage combined with emerging technology has democratized intelligence, putting civilians at risk and threatening to leave America's agencies at a disadvantage if they don't adapt.To learn more about today's topics or to stay updated on EMSO and EW developments, visit our homepage.

Sylwestrowa noc 1502. Czterech najbardziej bezwzględnych wojowników Włoch przekracza bramę miasta… nie wiedząc, że za kilka godzin ucichnie ich oddech .

Happy Thanksgiving to all! -The SOFREP Team Thanks again to our sponsor BÆRSkin Get the BÆRSkin Hoodie 4.0 for 60% Off! Click the link: https://baer.skin/rad Anthony Vinci, PhD, is a technology and national-security executive, entrepreneur, and former U.S. intelligence official. He earned his doctorate in International Relations from the London School of Economics, after earlier studies in philosophy at Reed College and the University of Oxford. Vinci served as an intelligence officer in multiple global theaters before being appointed the first Chief Technology Officer and Associate Director for Capabilities at the National Geospatial-Intelligence Agency, where he led major initiatives in artificial intelligence, geospatial intelligence modernization, and public-private technology partnerships. In the private sector, he has founded and led technology companies focused on geospatial analytics and artificial intelligence, and has held senior roles at major firms including Bridgewater Associates. He continues to work at the intersection of emerging technology and national security and serves as an adjunct senior fellow with leading national-security research organizations.See omnystudio.com/listener for privacy information.

Taylor McCall's The Art of Anatomy in Medieval Europe (Reaktion, 2023) is the first history of medieval European anatomical images. Richly illustrated, The Art of Anatomy in Medieval Europe explores the many ways in which medieval surgeons, doctors, monks, and artists understood and depicted human anatomy. Taylor McCall refutes the common misconception that Renaissance artists and anatomists such as Leonardo da Vinci and Andreas Vesalius were the fathers of anatomy who performed the first human dissections. On the contrary, she argues that these Renaissance figures drew upon centuries of visual and written tradition in their works. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Taylor McCall's The Art of Anatomy in Medieval Europe (Reaktion, 2023) is the first history of medieval European anatomical images. Richly illustrated, The Art of Anatomy in Medieval Europe explores the many ways in which medieval surgeons, doctors, monks, and artists understood and depicted human anatomy. Taylor McCall refutes the common misconception that Renaissance artists and anatomists such as Leonardo da Vinci and Andreas Vesalius were the fathers of anatomy who performed the first human dissections. On the contrary, she argues that these Renaissance figures drew upon centuries of visual and written tradition in their works. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

Taylor McCall's The Art of Anatomy in Medieval Europe (Reaktion, 2023) is the first history of medieval European anatomical images. Richly illustrated, The Art of Anatomy in Medieval Europe explores the many ways in which medieval surgeons, doctors, monks, and artists understood and depicted human anatomy. Taylor McCall refutes the common misconception that Renaissance artists and anatomists such as Leonardo da Vinci and Andreas Vesalius were the fathers of anatomy who performed the first human dissections. On the contrary, she argues that these Renaissance figures drew upon centuries of visual and written tradition in their works. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Taylor McCall's The Art of Anatomy in Medieval Europe (Reaktion, 2023) is the first history of medieval European anatomical images. Richly illustrated, The Art of Anatomy in Medieval Europe explores the many ways in which medieval surgeons, doctors, monks, and artists understood and depicted human anatomy. Taylor McCall refutes the common misconception that Renaissance artists and anatomists such as Leonardo da Vinci and Andreas Vesalius were the fathers of anatomy who performed the first human dissections. On the contrary, she argues that these Renaissance figures drew upon centuries of visual and written tradition in their works. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Taylor McCall's The Art of Anatomy in Medieval Europe (Reaktion, 2023) is the first history of medieval European anatomical images. Richly illustrated, The Art of Anatomy in Medieval Europe explores the many ways in which medieval surgeons, doctors, monks, and artists understood and depicted human anatomy. Taylor McCall refutes the common misconception that Renaissance artists and anatomists such as Leonardo da Vinci and Andreas Vesalius were the fathers of anatomy who performed the first human dissections. On the contrary, she argues that these Renaissance figures drew upon centuries of visual and written tradition in their works. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

In questo episodio di

Hej Somna!Inatt försöker jag intervjua Leonardo da Vinci, men det spårar ganska snabbt ur i en historia om den verkliga modellen bakom Mona Lisa: Barbara Andersson, nattlig näsandare i en stad där alla andra måste andas genom munnen för att överleva stanken. Vi pratar om leenden som inte alls är så gåtfulla, om gåspennor som rymt, om lepra-rädslor, om misstaget att bli förväxlad med Henrik Fexeus och om hur det känns att ibland titta sig i spegeln och tänka: ”jaha, jag är kanske ett litet monster ändå”.Leonardo berättar (motvilligt) om hur han jagar Barbara genom medeltida gator täckta av diverse… rester, hur fulhet kan bli en kärleksskjuts och hur en tavla kan bli kvar i ett lager samtidigt som hjärtat går sönder och sen ändå går vidare. Till slut hamnar vi hos en 100 000 år gammal get, en getstege upp till himlen, en butter Petrus med nyckelskåp och evigheten tillsammans med geten.Det är som det är. Det som händer händer. Och just nu finns ingenting vi kan göra åt det.Nu börjar vi.Sov Gott!Mer om Henrik, klicka här: https://linktr.ee/HenrikstahlLyssna utan reklam, få extraavsnitt, spellistor med mera på: https://somnamedhenrik.supercast.com/ Hosted on Acast. See acast.com/privacy for more information.

Vi tycker synd om dom äldre som inte får dricka sin sprit i grupp, pratar om allas enorma besatthet kring snön, om hur man bör bete sig i telefon och drömmer om att få äta köttbullar med Leonardo da Vinci…

Vinci le Olimpiadi Invernali Milano Cortina con FIERA MILANO - ⁠unlocktheolympicwintergames.fieramilano.it La nuova locomotiva d'Europa, ma è davvero così? Ascolta il podcast STORIE di BRAND - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://spotify.openinapp.co/zp15q⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Entra nel Canale TELEGRAM - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://t.me/storiedibrand⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Storie su YOUTUBE - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@StoriediBrand⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

There is no better way to explore the art and politics of the Sforza court in Milan than through the eyes of Leonardo da Vinci. Leonardo spent most of his early career employed by Ludovico il Moro, the regent and eventual Duke of Milan. This episode ties together the drama and intrigue of Sforza court politics with the work Leonardo did during his First Milanese Period (1482-1499). Some of Leonardo's most innovative painting arrived in this period. Beyond his Last Supper, the Renaissance master also worked on court portraits. Looking at both Lady with an Ermine and La Belle Ferronniere, we unpack the history of the ladies of the Sforza court and the complex social structures in Leonardo's Milan. Additionally, we explore the sophistication of Leonardo's style and ingenuity, especially as precursors to his Mona Lisa. This conversation ultimately ties the complicated threads that unite art, court culture, politics, gender, and romance in Renaissance Milan. Support/Watch/Follow: https://linktr.ee/italian_renaissance_podcastWorks Discussed: Leonardo da Vinci, Genevra de' Benci, ca. 1478 https://www.nga.gov/artworks/50724-ginevra-de-benci-obverseLeonardo da Vinci, Lady with an Ermine, ca. 1490 https://artsandculture.google.com/asset/lady-with-an-ermine-leonardo-da-vinci/HwHUpggDy_HxNQ?hl=en-GBLeonardo da Vinci and workshop, La Belle Ferronniere, ca. 1497 https://collections.louvre.fr/en/ark:/53355/cl010062372Salai, Head of Christ the Redeemer, 1511 https://ambrosiana.it/opere/testa-di-cristo-redentore/Get additional content by becoming a Patron: patreon.com/TheItalianRenaissancePodcast Support the show

This week- Where is it illegal to own one guinea pig? What was Leonardo da Vinci able to do with both hands? Who was the voice of E.T.? Listen, laugh and learn with Nick & Roy.  Brought to you by Tom's Place in Kensington Market in Toronto. It's the Pre-Black Friday Sale.  

O Google finalmente uniu Android e iPhone, facilitando a transferência de fotos e arquivos de forma nativa. Elon Musk está no mesmo nível de Leonardo da Vinci, Jesus Cristo e LeBron James, segundo classificação do próprio Grok. O Spotify agora importa playlists de outras plataformas, a Galaxy Store da Samsung tá dando cupons de até 90% em apps. A IA deu um salto: o ChatGPT liberou chats em grupo no Brasil para até 20 pessoas, e o Google lançou o Nano Banana Pro. Mas atenção: o Google liberou uma atualização urgente para o Chrome, corrigindo a sétima falha de dia zero que estava sendo atacada.

Ad Amici In Affitto con La Marghe e Maxi B si raccontano momenti di vita come quella volta che Maxi vinse al Lotto. O come quella persona che ancora oggi non ha ritirato i suoi 300 mila franchi vinti alla Lotteria Romanda.Voi avete mai vinto qualcosa?Buon ascolto.

Walter Isaacson is a Professor of History at Tulane. He has been the editor of Time Magazine, the CEO and Chairman of CNN, and the CEO of the Aspen Institute. He is the author of Elon Musk (2023), Leonardo da Vinci (2017), Steve Jobs (2011), Einstein: His Life and Universe (2007), Benjamin Franklin: An American Life (2003), and Kissinger: A Biography (1992). Isaacson is a graduate of Harvard College and Pembroke College of Oxford University, where he was a Rhodes Scholar. He began his career at The Sunday Times in London and then New Orleans' Times-Picayune. He joined TIME in 1978 and served as a political correspondent, national editor, and editor of digital media before becoming the magazine's 14th editor in 1996. He became chairman and CEO of CNN in 2001, and then president and CEO of the Aspen Institute in 2003. Learn more about your ad choices. Visit megaphone.fm/adchoices

Just when you thought the Fortnum's Christmas tale was complete, the shop quietly unveiled its most spectacular secret in centuries. Hidden for two years behind a cheerful Zebedee Helm collage, a brand-new Double Helix Staircase has now risen at the heart of 181 Piccadilly. Inspired by Leonardo da Vinci and hand-built by master craftspeople in Sussex, it is part architectural marvel, part swirling artwork, and entirely Fortnum's. This unexpected addendum returns us to Piccadilly for a second helping, celebrating a staircase that is already becoming a landmark in its own right.

When Walter Isaacson, the legendary biographer of Steve Jobs, Albert Einstein, Benjamin Franklin, and Leonardo da Vinci, started shadowing Elon Musk, he found himself following "a guy who was one of the most popular people on the planet, and ended up with a guy who's the most controversial." Today on the show, Isaacson unpacks the transformation. (This episode first aired in September 2023.) Learn more about your ad choices. Visit megaphone.fm/adchoices

https://TakingTheLandPodcast.comWhat if the greatest treasures in your life look like old, faded paintings on the wall that nobody notices?SUBSCRIBE TO PREMIUM FOR MORE:• ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe for only $3/month on Supercast⁠: https://taking-the-land.supercast.com/⁠• ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe for only $3.99/month on Spotify⁠: https://podcasters.spotify.com/pod/show/taking-the-land/subscribe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• ⁠Subscribe for only $4.99/month on Apple Podcasts⁠: https://apple.co/3vy1s5b⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠In this powerful message, Pastor Joe Campbell preaches from 1 Samuel 16 about David, the forgotten shepherd boy whom God saw as a king. Using the stunning story of Leonardo da Vinci's “Salvator Mundi” painting that went from 120 dollars on a stairway wall to 450.3 million dollars at auction, Pastor Campbell drives home a convicting question:What priceless value has God placed in your life, your church and your nation that you are walking past every day?Chapters00:00 Premium Sermon Podcast intro & PC Thursday explanation00:44 Pastor Campbell greets pastors, missionaries and families01:13 The unseen value right in front of you03:25 “Lost in America” – the 450 million dollar Da Vinci painting05:06 Text: 1 Samuel 16 and David the forgotten son07:12 Abraham, Noah and Moses and their missing years11:05 The burning bush and God's call after failure13:26 Elijah on Carmel, in the cave and finding purpose in pain15:41 Elisha and the power of a mantle in the silent years16:27 If the painting could talk – feeling common and overlooked18:56 Joseph's 20 years of pain, prison and testing20:00 Pastor Campbell's own early calling and poverty in Mounds, Illinois23:34 What if Jesus has been “lost in your house”?24:58 The epidemic of loneliness and the silent plague in this generation27:16 David left with the sheep while everyone else is invited28:08 Learning to see hidden potential in your home and church29:45 Before and after: James Martinez walks into church with 9 cents33:32 Roxanne the blind worshiper walking through flood water to church35:22 “What's your excuse?” Convicting comparison with partying days37:43 Investing in people you do not yet recognize38:04 Old photo of Pastor Campbell and what Pastor Mitchell saw39:33 Getting launched to Phoenix and explaining real ministry40:14 Altar call: salvation and surrender to God's callingShow NotesALL PROCEEDS GO TO WORLD EVANGELISMLocate a CFM Church near you: https://cfmmap.orgWe need five-star reviews! Tell the world what you think about this podcast at: • Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://apple.co/3vy1s5b • Podchaser: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.podchaser.com/podcasts/taking-the-land-cfm-sermon-pod-43369v

No More Excuses: Accepting God's Invitation to the Eternal Banquet In the Gospel of Luke, Jesus tells the parable of the Great Banquet, . . . where invited guests offer excuses . . . work, property, and relationships . . . to avoid attending the feast. Their refusal represents how worldly concerns can distract us from God's invitation to eternal life. The master then opens his banquet to the poor and outcast, symbolizing God's inclusive call to all who are willing to respond. The Homily connects this Gospel to St. Paul's teaching on the Body of Christ: every member has a unique gift meant to serve and build the unity of the Church, not for personal pride or division. When we neglect our role or elevate worldly pursuits . . . success, possessions, or relationships . . . above God, we disrupt both community and communion with Him. We are reminded that at every Mass, we are invited to the Lord's banquet. The question is whether we will accept His invitation to eternal life or let passing concerns keep us away. The faithful are urged to use their gifts in love, serve one another, and prioritize the eternal over the temporary. Listen to this Meditation Media. Listen to: No More Excuses: Accepting God's Invitation to the Eternal Banquet ---------------------------------------------------------------- Art Work Restored mural painting by the Italian Renaissance Artist Leonardo da Vinci, dated to c. 1495–1498. The painting represents the scene of the Last Supper of Jesus with the Twelve Apostles, as it is told in the Gospel of John. ---------------------------------------------------------------- Gospel Reading: Luke 14: 15-24 First Reading: Romans 12: 5-16

How does a three-person L&D team support 23,000 associates across seven states? In this episode, Chris Chappell, Director of Learning & Development at Weis Markets, shares how servant leadership, clear career paths, and just-in-time video microlearning are elevating the employee experience—and the customer experience—across retail, manufacturing, and logistics. Show Notes:Weis Market's Chris Chappell offers many key takeaways to empower team members to succeed. His top points include: Lead as a servant, not a boss. Chris Chappell centers L&D on servant leadership—meeting associates' needs, anchoring to mission, and role-modeling behaviors so people trust and follow. Career paths + strong leadership = retention. Provide clear growth paths and accountable leaders. Weis Markets' leadership development now spans five levels and correlates with higher engagement and reduced turnover that is 20–25 points lower than retail averages. Make learning “in the moment.” Snapshot video microlearning—accessed via QR codes embedded in SOPs—powers fast cross-training (e.g., moving a bakery associate to deli) and reduces friction during call-offs. Do fewer things, better. “Ruthless prioritization” keeps work aligned to mission, strategy, core operations, and compliance. The team consolidated ~1,798 courses to ~800 and is rebuilding high-value content for mobile delivery in Workday Learning. Build a distributed training network. Centralize standards and content, then empower expert trainers across departments to deliver. Add feedback loops with structured homework and report-outs so learners hold themselves accountable. Powered by Learning earned Awards of Distinction in the Podcast/Audio and Business Podcast categories from The Communicator Awards and a Gold and Silver Davey Award. The podcast is also named to Feedspot's Top 40 L&D podcasts and Training Industry's Ultimate L&D Podcast Guide. Learn more about d'Vinci at www.dvinci.com. Follow us on LinkedInLike us on Facebook

Aspen Ideas to Go teamed up with our friends at the podcast “Life in Seven Songs” for this special episode recorded live at the Aspen Ideas Festival. Host Sophie Bearman interviews biographer and historian Walter Isaacson about seven songs that tell a story of his life and upbringing in New Orleans. Isaacson was the president and CEO of the Aspen Institute from 2003 to 2018, and is the author of “Leonardo da Vinci,” “Einstein: His Life and Universe,” and “Elon Musk,” among others. His latest book, “The Greatest Sentence Ever Written,” is out on November 17. “Life in Seven Songs” is a production of The San Francisco Standard.

La Renaissance, ce renouveau artistique, intellectuel et scientifique qui transforma l'Europe à partir du XVe siècle, ne naquit pas par hasard à Florence. Cette cité toscane réunissait alors des conditions politiques, économiques et culturelles uniques qui en firent le berceau d'un mouvement sans équivalent dans l'histoire occidentale.D'abord, Florence était une république riche et indépendante. Sa prospérité reposait sur le commerce et surtout sur la banque. La puissante famille Médicis, à la tête d'un empire financier, finançait non seulement les États d'Europe, mais aussi les artistes, les architectes et les penseurs. Cosme de Médicis puis Laurent le Magnifique comprirent que la gloire artistique pouvait servir la gloire politique. En soutenant des figures comme Botticelli, Léonard de Vinci ou Michel-Ange, ils firent de Florence une vitrine éclatante de leur influence et un centre culturel de premier plan.La structure politique de la cité joua aussi un rôle majeur. Florence n'était pas une monarchie mais une république oligarchique, où la liberté de pensée et le débat intellectuel avaient plus de place qu'ailleurs. Les humanistes florentins, inspirés par la redécouverte des textes grecs et latins, replacèrent l'homme au centre de la réflexion — une rupture avec la vision médiévale dominée par la religion. Des penseurs comme Marsile Ficin ou Pic de la Mirandole défendirent l'idée d'un être humain libre, doué de raison et capable de s'élever par le savoir.Florence bénéficiait aussi d'un héritage artistique exceptionnel. La proximité avec les ruines romaines, la maîtrise artisanale des ateliers et la tradition gothique italienne fournirent une base solide à l'innovation. Les artistes florentins expérimentèrent de nouvelles techniques : la perspective, la peinture à l'huile, l'étude du corps humain. Brunelleschi révolutionna l'architecture avec la coupole de Santa Maria del Fiore, symbole éclatant du génie florentin.Enfin, la concurrence entre les cités italiennes – Venise, Milan, Rome – stimula l'émulation. Chaque ville voulait attirer les meilleurs artistes pour affirmer sa puissance. Mais Florence garda une avance intellectuelle : elle ne se contenta pas de produire des œuvres, elle inventa une nouvelle manière de penser l'art et le savoir.Ainsi, la Renaissance florentine fut bien plus qu'une explosion de beauté : elle fut le fruit d'une société ouverte, prospère et avide de connaissance, où l'art devint le miroir d'une nouvelle idée de l'homme et du monde. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

What can today's biotech innovators learn from the greatest thinkers in history? In this special episode, we're bringing you a live recording from BIO on the BAYOU featuring a fireside chat between Elaine Hamm, PhD, and Walter Isaacson — renowned biographer of Steve Jobs, Jennifer Doudna, Leonardo da Vinci, Albert Einstein, and other groundbreaking innovators. Together, they explore the power of curiosity, resilience, and imagination in shaping scientific discovery. From the origins of creativity to the ethical challenges of AI and gene editing, this conversation shines a light on the shared traits that drive humanity's boldest breakthroughs. In this episode, you'll learn: Why history's greatest innovators were powered by relentless curiosity — not just intellect. What resilience looks like across centuries, from Leonardo da Vinci to modern-day misfits shaping the future. How scientists, universities, and the public can rebuild trust, communicate science better, and rekindle a shared sense of wonder. Tune in for an inspiring conversation that blends science, storytelling, and the timeless human drive to explore the unknown — straight from the BIO on the BAYOU stage. Links: Connect with Walter Isaacson and check out his new book The Greatest Sentence Ever Written. Connect with Elaine Hamm, PhD, and learn about Tulane Medicine Business Development and the School of Medicine. Connect with Ian McLachlan, BIO from the BAYOU producer. Check out BIO on the BAYOU. Learn more about BIO from the BAYOU - the podcast. Bio from the Bayou is a podcast that explores biotech innovation, business development, and healthcare outcomes in New Orleans & The Gulf South, connecting biotech companies, investors, and key opinion leaders to advance medicine, technology, and startup opportunities in the region.

In this episode of Transform Your Workplace, host Brandon Laws sits down with Lawrence "Larry" Armstrong—architect, artist, and author of Layered Leadership: Drive Double-Digit Growth and Dominate Your Competition with Creative Strategies and Execution. Larry shares how his unique blend of art and business has shaped his multidimensional approach to leadership. Through vivid metaphors and real-world examples, Larry breaks down his "layered" model of leadership, emphasizing balance, vision, and execution. He explains why curiosity and creativity are essential traits for leaders, how developing a strong "number two" can multiply impact, and why personal wellness and financial health form the foundation for sustainable success. Listeners will come away with practical ideas for leading more intentionally, staying curious, and helping teams grow in both structure and creativity. Key Timestamps 00:00 – Welcome to Transform Your Workplace and introduction to Xenium HR's Custom HR Support 01:00 – Introducing Lawrence Armstrong and the concept of "layered leadership" 03:00 – How the idea of layers connects art, architecture, and leadership 06:00 – The importance of building a foundation before chasing growth 09:00 – The "rocket" metaphor for balanced leadership 10:00 – Leonardo da Vinci and the power of whole-brain leadership 12:00 – Why curiosity and discomfort fuel long-term growth 13:00 – Delegate vs. abdicate: developing fluency in all aspects of your business 14:00 – The Tinker Toy exercise for visualizing leadership growth 16:00 – The power of developing a strong "number two" 18:00 – Books that shaped Larry's leadership approach 23:00 – Why personal health and financial wellness matter for leaders 25:00 – The "fleet of ships" metaphor and agile leadership at scale 27:00 – Building innovation into every layer of the organization 30:00 – How being an artist makes Larry a better CEO 32:00 – Leadership legacy and lessons from Layered Leadership A QUICK GLIMPSE INTO OUR PODCAST Podcast: Transform Your Workplace, sponsored by Xenium HR Host: Brandon Laws In Brandon's own words: "The Transform Your Workplace podcast is your go-to source for the latest workplace trends, big ideas, and time-tested methods straight from the mouths of industry experts and respected thought leaders." About Xenium HR Xenium HR is on a mission to transform workplaces by providing expert outsourced HR and payroll services for small and medium-sized businesses. With a people-first approach, Xenium helps organizations create thriving work environments where employees feel valued and supported. From navigating compliance to enhancing workplace culture, Xenium offers tailored solutions that empower growth and simplify HR. Whether managing employee relations, payroll processing, or implementing impactful training programs, Xenium is the trusted partner businesses rely on to elevate their workplace experience. Discover how Xenium can transform your workplace: https://www.xeniumhr.com/ Connect with Brandon Laws: LinkedIn Instagram About Connect with Xenium HR: Website LinkedIn Facebook Twitter Instagram YouTube

In SuperAdaptability: How to Transcend in an Age of Overwhelm, Max McKeown argues that the key to thriving under uncertainty is adaptability—being able to change with your environment, again and again, getting better each time.McKeown is a leading strategy thinker, coach to Fortune 100 companies, and an award-winning author. In his new book, he reveals how figures as different as Frida Kahlo, Leonardo da Vinci, and Simone Biles all relied on the same pattern of thinking to adapt to radically changing circumstances.In his conversation with Adam Job, senior director at the BCG Henderson Institute, he discusses the difference between adaptability and resilience, and how to scale adaptability from one person to a team to an entire organization.Key topics discussed: 01:14 | The power of adaptive intelligence03:03 | Adaptability vs. resilience05:15 | The RUN loop: Recognize, understand, necessary action09:08 | How to help others become more adaptable11:57 | How to make your company more adaptable16:19 | Applying the loop logic to innovation23:56 | Real life stories of adaptability29:23 | Bringing adaptability to life with illustrationsAdditional inspirations from Max McKeown:The Strategy Book: How to Think and Act Strategically to Deliver Outstanding Results (FT Publishing International, 2024)

En este episodio conversamos con el antropólogo y psicólogo Luxio Ugarte, autor del libro Paleopsicología del arte rupestre (Editorial Almuzara), donde investiga desde una mirada psicodinámica y antropológica las huellas artísticas del pasado. Repasamos temas tan amplios como fascinantes: desde los orígenes del arte en la prehistoria hasta las tradiciones culturales que aún sobreviven. También abordamos los misterios que atraviesan el tiempo: los enigmas detrás de Leonardo da Vinci, los relieves y pinturas del desierto de Tassili, y las pinturas rupestres de lugares tan distintos como Australia o los territorios de los antiguos pueblos en Estados Unidos. Luxio nos guía por un recorrido enigmático: ¿qué expresaban los autores prehistóricos con sus símbolos y formas? ¿Qué dimensiones psicológicas y culturales subyacen al arte rupestre? ¿Cómo conectar esas expresiones ancestrales con la sensibilidad humana contemporánea? Producción: Informa Radio. Dirección: Blanca Martín y Antonio Sanz Colaboradores: Fermín Mayorga, Jaime Barrientos, Javier Hdez. Sinde, Víctor Haas y Eduardo Rega. Entrevista con Luxio Ugarte sobre su libro Paleopsicología del arte rupestre.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Episodio exclusivo para suscriptores de Se Habla Español en Apple Podcasts, Spotify, iVoox y Patreon: Spotify: https://open.spotify.com/show/2E2vhVqLNtiO2TyOjfK987 Patreon: https://www.patreon.com/sehablaespanol Buy me a coffee: https://www.buymeacoffee.com/sehablaespanol/w/6450 Donaciones: https://paypal.me/sehablaespanol Contacto: sehablaespanolpodcast@gmail.com Facebook: www.facebook.com/sehablaespanolpodcast Twitter: @espanolpodcast Hola, ¿cómo va todo? Por aquí ya nos estamos preparando para el frío, porque hace un año empezó justo en noviembre, aunque más bien en la segunda mitad del mes. Pero bueno, si la temperatura es parecida a la que tuvimos entonces, no está mal. Hizo mucho frío comparado con Madrid, pero nada del otro mundo. Con ropa de abrigo se arregla todo. Así que, me conformo con que este año sea más o menos igual. En cuanto a la noticia de hoy, está relacionada con lo que sucedió hace poco en el Museo del Louvre de París. No sé si lo habrás visto en las noticias. Si no es así, te lo cuento. Bueno, en realidad, te lo iba a contar igualmente. Para eso estoy aquí. Bueno, el caso es que el domingo 19 de octubre, a plena luz del día y mientras el museo del Louvre estaba abierto al público, cuatro ladrones disfrazados de obreros accedieron al interior de una sala del museo utilizando un montacargas. Un montacargas es un ascensor que se utiliza para subir y bajar cosas pesadas, de mucho peso. Pues bien, en apenas siete minutos, los ladrones se llevaron ocho joyas de la Corona francesa, entre ellas una diadema de perlas que perteneció a la emperatriz Eugenia y un conjunto de collar y pendientes de zafiros de la reina María Amelia. Y luego, durante la huida, dejaron caer una corona que resultó dañada. El valor estimado del botín supera los 88 millones de euros. Por si no lo sabes, en este contexto, el botín es la cantidad de dinero robada. Por ejemplo, los ladrones que robaron el banco se llevaron un botín de 1 millón de euros. Volviendo a la noticia del Louvre, la policía francesa ha detenido ya a varios sospechosos. Sin embargo, las joyas aún no han sido recuperadas. Bueno, eso es lo que pasó en París, pero yo siempre suelo hablarte de algo ocurrido en España. Y, como te decía antes, guarda cierta relación con el robo de las joyas francesas, aunque no es igual, ni mucho menos. Te hablo de la desaparición de un cuadro del pintor Pablo Picasso. Y antes de escuchar la noticia, como hago siempre, voy a darte algo de contexto. Y en este caso tengo que hablarte del autor de la obra desaparecida. Pablo Picasso nació en Málaga en 1881, y fue uno de los creadores del cubismo, un estilo que revolucionó el arte en el siglo XX. Además de pintar, también trabajó en escultura, cerámica, grabado y diseño teatral. Vivió gran parte de su vida en Francia y dejó un legado inmenso, con obras muy famosas como el Guernica o Las señoritas de Avignon. La obra de la que hablaremos hoy se titula Naturaleza muerta con guitarra, pintada en 1919. Es una composición de objetos cotidianos, como una guitarra y una botella, representados con formas geométricas y colores planos, típica del estilo cubista. Aunque no es una de sus piezas más conocidas, tiene un gran valor artístico y económico. Por cierto, si alguna vez vienes a España y quieres ver obras de Picasso, puedes visitar el Museo Reina Sofía en Madrid, donde se encuentra el famoso Guernica; el Museo Picasso Málaga, en su ciudad natal, que alberga una colección variada de pinturas, cerámicas y dibujos; el Museo Picasso Barcelona, con más de 4.000 obras, especialmente de su etapa juvenil; y el Museo Thyssen-Bornemisza, también en Madrid, que expone algunas de sus obras dentro de su colección de arte moderno. Y dicho todo esto, ya estamos preparados para escuchar la noticia de Radio Nacional de España. Como te explicaba antes, trata sobre la desaparición del cuadro de Picasso Naturaleza muerta con guitarra. Escucha con atención y te sigo contando cosas. “Estamos ahora en Granada, donde debería estar expuesto un Picasso desaparecido, ‘Naturaleza muerta con guitarra', pintado en 1919, salió de Madrid para ser prestado. La Policía Nacional investiga el extravío o robo, María Martín. Sí, era una de las obras que iban a exhibirse en la muestra ‘Bodegón' de la Fundación Caja Granada, pero nunca llegó. En estos momentos, la Policía Nacional trata de averiguar dónde desapareció este pequeño cuadro de Pablo Picasso datado en 1919 y asegurado en 600.000 euros. Se sabe que el cuadro ‘Naturaleza muerta con guitarra' salió del inmueble del propietario en Madrid, después la pieza se trasladó al almacén de la empresa, que contaba con medidas de seguridad, y días después trasladaron esta y otras obras de arte en un furgón hasta Deifontes, donde los conductores hicieron noche. Se desconoce en qué punto desapareció. Lo que sí se sabe es que no llegó a Granada. La investigación sigue abierta y, por el momento, no hay detenciones.” Un caso extraño, ¿verdad? Bueno, pues luego te cuento qué pasó en realidad, porque entre el día que escuché la noticia y el día de la grabación de este episodio, ya se ha resuelto esa desaparición. Pero antes vamos con las palabras que pueden resultar más complicadas. Expuesto: Que está visible o mostrado al público, especialmente en una exposición o museo. Ejemplos: El cuadro estuvo expuesto en el Museo del Prado durante tres meses. Los documentos confidenciales no deben estar expuestos en lugares públicos. Extravío: Pérdida de algo, especialmente cuando no se sabe dónde está. Ejemplos: El extravío del paquete ocurrió durante el transporte. Se denunció el extravío de una obra de arte muy valiosa. Exhibir: Mostrar algo públicamente para que otros lo vean, especialmente en una exposición. Ejemplos: Van a exhibir esculturas de artistas jóvenes en la galería. El museo exhibe una colección de arte moderno. Muestra: Exposición o presentación de obras, productos o elementos para que sean vistos por el público. Ejemplos: La muestra de fotografía estará abierta hasta el domingo. En la muestra se incluyen obras de Picasso y Dalí. Datado: Que tiene una fecha asignada, especialmente en documentos u obras de arte. Ejemplos: El manuscrito está datado en el siglo XV. El cuadro está datado en 1919, poco después de la Primera Guerra Mundial. Asegurado: Que tiene un seguro que cubre su valor en caso de pérdida o daño. Ejemplos: El coche está asegurado contra robos y accidentes. La obra de arte estaba asegurada en 600.000 euros. Inmueble: Edificio o propiedad que no se puede mover, como una casa o un local. Ejemplos: El cuadro fue retirado del inmueble del propietario en Madrid. Compraron un inmueble en el centro de la ciudad para abrir una tienda. Furgón: Vehículo cerrado y grande usado para transportar mercancías o equipaje. Ejemplos: Las obras fueron trasladadas en un furgón con medidas de seguridad. El furgón llegó a la galería con varias cajas de arte. Hacer noche: Pasar la noche en un lugar durante un viaje. Ejemplos: Los conductores hicieron noche a mitad de camino antes de seguir a Granada. Vamos a hacer noche en Zaragoza y continuar el viaje mañana. Muy bien. Pues ahora tienes que entender todo lo que vamos a escuchar por segunda vez. “Estamos ahora en Granada, donde debería estar expuesto un Picasso desaparecido, ‘Naturaleza muerta con guitarra', pintado en 1919, salió de Madrid para ser prestado. La Policía Nacional investiga el extravío o robo, María Martín. Sí, era una de las obras que iban a exhibirse en la muestra ‘Bodegón' de la Fundación Caja Granada, pero nunca llegó. En estos momentos, la Policía Nacional trata de averiguar dónde desapareció este pequeño cuadro de Pablo Picasso datado en 1919 y asegurado en 600.000 euros. Se sabe que el cuadro ‘Naturaleza muerta con guitarra' salió del inmueble del propietario en Madrid, después la pieza se trasladó al almacén de la empresa, que contaba con medidas de seguridad, y días después trasladaron esta y otras obras de arte en un furgón hasta Deifontes, donde los conductores hicieron noche. Se desconoce en qué punto desapareció. Lo que sí se sabe es que no llegó a Granada. La investigación sigue abierta y, por el momento, no hay detenciones.” Te adelanto que la desaparición se ha resuelto y no han arrestado a nadie. Por lo tanto, ¿qué habrá pasado? Bueno, luego te lo cuento. Así mantengo el suspense, el misterio. Ahora voy a contarte la noticia con otras palabras. En la información nos dicen que en Granada debía presentarse una pintura de Pablo Picasso, pero que nunca llegó al lugar previsto. La obra, titulada Naturaleza muerta con guitarra y realizada en 1919, fue enviada desde Madrid como parte de un préstamo para una exposición artística. La Policía Nacional está intentando esclarecer si se trata de una pérdida accidental o de un posible robo. El cuadro iba a formar parte de una muestra organizada por la Fundación Caja Granada, pero no se encuentra en el sitio donde debía exhibirse. En la noticia nos cuentan que la pieza salió de la vivienda del propietario en Madrid, y que fue trasladada a las instalaciones de una empresa especializada en transporte de arte, una empresa que contaba con sistemas de seguridad, claro. Días después, se cargó el cuadro junto a otras obras en un vehículo cerrado y se dirigieron a una localidad que se llama Deifontes, donde los conductores pasaron la noche. El día que apareció la noticia no se había determinado en qué momento exacto se produjo la desaparición. Lo único confirmado es que nunca llegó a Granada. Seguro que estás dándole vueltas a la cabeza pensando en qué pasó realmente. Pues no te preocupes que te lo cuento en un minuto, justo después de volver a escuchar la noticia. “Estamos ahora en Granada, donde debería estar expuesto un Picasso desaparecido, ‘Naturaleza muerta con guitarra', pintado en 1919, salió de Madrid para ser prestado. La Policía Nacional investiga el extravío o robo, María Martín. Sí, era una de las obras que iban a exhibirse en la muestra ‘Bodegón' de la Fundación Caja Granada, pero nunca llegó. En estos momentos, la Policía Nacional trata de averiguar dónde desapareció este pequeño cuadro de Pablo Picasso datado en 1919 y asegurado en 600.000 euros. Se sabe que el cuadro ‘Naturaleza muerta con guitarra' salió del inmueble del propietario en Madrid, después la pieza se trasladó al almacén de la empresa, que contaba con medidas de seguridad, y días después trasladaron esta y otras obras de arte en un furgón hasta Deifontes, donde los conductores hicieron noche. Se desconoce en qué punto desapareció. Lo que sí se sabe es que no llegó a Granada. La investigación sigue abierta y, por el momento, no hay detenciones.” Venga, te lo cuento ya. En realidad, el cuadro de Picasso no desapareció y tampoco fue un robo, sino simplemente un olvido. La obra no llegó a ser cargada en el camión de transporte. De hecho, el cuadro se quedó dentro del edificio del propietario, porque los encargados de recogerlo lo olvidaron allí. Subieron al camión otras obras, pero no esa. Y el asunto se resolvió porque una vecina entró al edificio, vio un paquete en el suelo y se lo subió a su casa pensando que era de Amazon. Así de sencillo. Qué cosas pasan, ¿verdad? En este caso, el cuadro de Picasso no se perdió. Pero a lo largo de la historia, muchas obras de arte han sido robadas o han desaparecido misteriosamente. Uno de los robos más famosos fue el de La Gioconda, también conocida como La Mona Lisa, de Leonardo da Vinci. En 1911, un empleado del Museo del Louvre se llevó la pintura escondida bajo su abrigo. El cuadro fue recuperado dos años después, pero durante la investigación incluso se llegó a interrogar a Picasso como sospechoso. Otro caso emblemático es el de El grito, del noruego Edvard Munch. Esta obra fue robada dos veces: la primera en 1994 y la segunda en 2004. Afortunadamente, en ambas ocasiones se pudo recuperar. También está el robo en el Museo Gardner de Boston, en 1990, donde desaparecieron once obras maestras de artistas como Rembrandt, Vermeer y Degas, valoradas en más de 100 millones de euros. Hasta hoy, muchas de esas piezas siguen sin aparecer. Incluso el propio Picasso ha sido víctima de robos auténticos. En 2010, su obra La paloma con guisantes verdes fue sustraída en París y aún no ha sido recuperada. Bueno, por suerte, la noticia de hoy ha terminado con final feliz, y espero que te haya servido para aprender cosas nuevas del español y del artista Pablo Picasso. Y antes de despedirme, vamos a repasar las palabras y expresiones que hemos visto hoy en detalle: Expuesto: Que está visible o mostrado al público, especialmente en una exposición o museo. Extravío: Pérdida de algo, especialmente cuando no se sabe dónde está. Exhibir: Mostrar algo públicamente para que otros lo vean, especialmente en una exposición. Muestra: Exposición o presentación de obras, productos o elementos para que sean vistos por el público. Datado: Que tiene una fecha asignada, especialmente en documentos u obras de arte. Asegurado: Que tiene un seguro que cubre su valor en caso de pérdida o daño. Inmueble: Edificio o propiedad que no se puede mover, como una casa o un local. Furgón: Vehículo cerrado y grande usado para transportar mercancías o equipaje. Hacer noche: Pasar la noche en un lugar durante un viaje. Si alguna vez haces noche en Madrid, recuerda que puedes ver algunas obras de Picasso en varios museos de la capital. No dejes pasar esa oportunidad. Por mi parte, es todo por hoy. Te agradezco mucho que sigas ahí apoyándome y te espero la próxima semana con más contenido exclusivo solo para ti. Adiós. Escucha este episodio completo y accede a todo el contenido exclusivo de Se Habla Español. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/171214

Les noms de famille n'ont pas toujours existé. Pendant des siècles, dans la plupart des sociétés, on se contentait d'un seul prénom. Mais quand les populations ont commencé à croître, il est devenu difficile de distinguer tous les “Jean” ou “Pierre” d'un même village. C'est alors qu'ont commencé à apparaître, dès le Moyen Âge, les noms de famille, d'abord en Europe, pour préciser l'identité d'une personne. Et la plupart de ces noms viennent de quatre grandes origines : le métier, le lieu, la filiation et une caractéristique physique ou morale.1. Les noms issus du métierC'est l'une des sources les plus courantes. On désignait les gens par ce qu'ils faisaient : Jean le Boulanger, Pierre le Charpentier, Jacques le Berger. Avec le temps, ces surnoms sont devenus des noms de famille transmis à leurs enfants. En France, on retrouve par exemple Boulanger, Marchand, Charpentier, ou Berger. En anglais, cela a donné Smith (forgeron), Baker (boulanger) ou Taylor (tailleur).2. Les noms liés à un lieuD'autres personnes étaient identifiées par leur origine géographique. On disait Marie de Lyon ou Guillaume du Bois. Ces mentions sont devenues des noms de famille : Delacroix, Dupont, Dubois, Deschamps. En Italie, on trouve Da Vinci (“de Vinci”, le village natal de Léonard). Ces noms reflètent souvent l'endroit où vivait l'ancêtre — un pont, un champ, une rivière — et servent encore aujourd'hui de témoins de l'histoire locale.3. Les noms patronymiquesCertains noms viennent directement du prénom du père. En France, cela a donné Martin, Henry, ou Laurent. Mais dans d'autres langues, on l'exprime plus clairement : en anglais, Johnson signifie “fils de John”, Anderson “fils d'Andrew”. En Russie, Ivanov veut dire “fils d'Ivan”, et en Islande, ce système est encore vivant : le fils d'un homme nommé Olaf s'appellera Olafsson, et sa fille Olafsdóttir.4. Les noms descriptifs ou surnomsEnfin, beaucoup de noms de famille venaient d'un trait physique ou de caractère. Petit, Legrand, Lenoir, Leblanc, Fort, ou Lemoine décrivaient une particularité, parfois flatteuse, parfois moqueuse. En Allemagne, Klein signifie “petit”, et en Espagne, Delgado veut dire “mince”.Peu à peu, ces surnoms se sont transmis d'une génération à l'autre, devenant héréditaires à partir du XIVᵉ siècle environ. Ainsi, les noms de famille sont de véritables fossiles linguistiques : ils racontent l'origine, le métier ou le caractère de nos ancêtres, et forment une mémoire vivante de notre histoire collective. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

L'idée que les gauchers seraient plus créatifs que les droitiers est ancienne, séduisante… mais scientifiquement controversée. Elle repose sur une intuition simpliste : si le cerveau gauche contrôle la main droite et le cerveau droit contrôle la main gauche — et que le cerveau droit serait “le siège de la créativité” — alors les gauchers, plus “droit cérébral”, devraient être plus imaginatifs. Mais la réalité, révélée par plusieurs études, est bien plus nuancée.Une étude publiée en 2009 par Shobe et al. dans la revue Brain and Cognition a testé cette hypothèse sur des étudiants américains. Les chercheurs ont mesuré leur “pensée divergente” — la capacité à produire des idées originales — et ont comparé droitiers, gauchers et “inconsistants” (ceux qui utilisent les deux mains selon la tâche). Résultat : les gauchers n'étaient pas systématiquement plus créatifs. En revanche, les personnes au faible degré de latéralisation (ni totalement droitières, ni totalement gauchères) obtenaient de meilleurs scores de créativité. Leur cerveau semblait mieux équilibré entre les deux hémisphères, favorisant des connexions inhabituelles entre des idées éloignées.Cette découverte a inspiré une hypothèse neurolinguistique : la communication interhémisphérique — facilitée par un corps calleux plus actif — pourrait être un atout pour la pensée créative. Autrement dit, ce n'est pas la main utilisée qui compte, mais la souplesse du cerveau à mobiliser ses deux côtés.Des recherches plus récentes, notamment une méta-analyse publiée en 2019, confirment ces nuances : il n'existe aucune corrélation stable entre la main dominante et les performances créatives. Les différences observées sont faibles, variables selon les tests, et largement influencées par d'autres facteurs : culture, environnement familial, éducation artistique, exposition à la nouveauté.Enfin, le cliché du “génie gaucher” vient aussi de l'histoire : Léonard de Vinci, Picasso, Mozart, ou Jimi Hendrix étaient gauchers, ce qui a renforcé l'idée d'un lien mystérieux entre gaucherie et talent. Mais statistiquement, la majorité des créateurs reconnus sont droitiers — simplement parce qu'ils sont plus nombreux.En somme, les gauchers ne sont pas plus créatifs par nature, mais leur cerveau légèrement différent peut favoriser une pensée moins conventionnelle chez certains individus. La créativité, elle, reste surtout une compétence entraînée, nourrie par la curiosité, l'ouverture et la diversité des expériences — bien plus que par la main que l'on utilise pour écrire. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Watch every episode ad-free & uncensored on Patreon: https://patreon.com/dannyjones Giampiero Ambrosi is a writer, journalist, and producer of documentary films such as "Bad Influence" on Netflix and "The Royal Stunt", an investigation into the hidden world of art forgery. https://giampiero.com SPONSORS https://brooklynbedding.com - Use code DANNY for 30% off site wide. https://shopmando.com - Use code DANNY for 20% off plus FREE shipping. https://trueclassic.com/danny - Upgrade your wardrobe and SAVE on TrueClassic today. https://whiterabbitenergy.com/?ref=DJP - Use code DJP for 20% off EPISODE LINKS https://giampiero.com FOLLOW DANNY JONES https://www.instagram.com/dannyjones https://twitter.com/jonesdanny OUTLINE 00:00 - Tony Tetro - world's top art forger 14:25 - investigating James Stunt's art collection 34:25 - how James Stunt made millions on fake art 40:29 - the lost Leonardi da Vinci painting 55:42 - what happened to Tony Tetro & James Stunt 01:06:00 - how Tony Tetro became a forger 01:13:03 - why older paintings are harder to forge 01:25:11 - how CIA used Jackson Pollock art as a weapon 01:38:25 - the problem with artists' foundations 01:45:55 - why such great art was made during the renaissance 01:53:42 - how modern art has evolved 02:07:03 - the dark side of kid influencers 02:11:10 - Roblox & section 230 02:19:52 - how to fix social media 02:25:44 - the doomsday clock 02:38:08 - BrandArmy & social media poisoning kids Learn more about your ad choices. Visit podcastchoices.com/adchoices

1911, PARIS, FRANÇA - A Monalisa, pintura de Leonardo da Vinci dos anos 1500 já era uma obra de arte conhecida e admirada no século 20. Mas o roubo dela, em plena luz do dia em um dos museus mais famosos do mundo, o Louvre, levou sua fama para outro patamar.

The advertising agency business is rapidly changing making learning and development more essential than ever. In this episode of Powered by Learning, Sean McGlade, Senior Vice President of Talent and Learning Solutions at the 4As, shares how the association provides agencies of all sizes with innovative learning experiences that keep their business leaders, media strategists and technical and creative teams ahead of the competition. 4As Sean McGlade explains how his organization equips member agencies to upskill talent, embrace AI, and build future-ready teams. Here are some of his key takeaways. Learning is a stabilizer during change. Communicating and investing in L&D helps employees feel supported and confident as industries evolve.AI is reshaping roles—and training must evolve too. The 4As is using AI to personalize on-demand learning and enhance creativity while keeping the human element central.Cohort and community learning strengthen culture. Bringing learners together fosters engagement, inclusion, and real-world application.Subscription models reduce barriers to professional development. The 4As new approach simplifies access to learning while meeting agencies where they are.Partnerships and curation amplify impact. A small but mighty L&D team at the 4As collaborates with subject-matter experts and members to deliver relevant, high-quality training at scale.Learn more about the 4AsPowered by Learning earned Awards of Distinction in the Podcast/Audio and Business Podcast categories from The Communicator Awards and a Gold and Silver Davey Award. The podcast is also named to Feedspot's Top 40 L&D podcasts and Training Industry's Ultimate L&D Podcast Guide. Learn more about d'Vinci at www.dvinci.com. Follow us on LinkedInLike us on Facebook

Michael speaks with Anthony Vinci, a former CIA officer and the first Chief Technology Officer of the National Geospatial-Intelligence Agency. Anthony discusses his new book, "The Fourth Intelligence Revolution: The Future of Espionage and the Battle to Save America," arguing that AI has launched a revolution where "machines are going to spy on machines." Anthony warns that the new cyber threats mean every American is now a target, demanding a new strategy. He also explains why the U.S. must rethink policy to aggressively engage in economic espionage to counter China's broad surveillance strategy.

High performers know pressure well—but peace is the real advantage. This episode reveals how to keep your excellence without exhaustion, and why performance is no longer who you are—it's a tool you use.What happens when excellence becomes exhaustion? In this episode of The Recalibration, Julie Holly explores the hidden edge of high performance—how to honor the drive that built your success while releasing the pressure that's been quietly costing your peace.High-capacity humans often carry an invisible burden: success that feels heavy. You've mastered focus, discipline, and devotion—but sustaining it has started to feel like survival. Julie unpacks why that happens through the lens of Identity-Level Recalibration (ILR)—the psychology-backed, faith-rooted pathway that transforms performance from pressure into peace.Through story work and neuroscience, Julie explains how misalignment at the identity level keeps the nervous system locked in output mode, confusing productivity with safety. She draws from history and culture—Leonardo da Vinci, Walt Disney, and Serena Williams—to show how mastery without margin eventually breaks down, and why true brilliance requires rhythm, not nonstop output.Listeners will learn that excellence isn't something to escape—it's something to steward. You don't need to dismantle your drive; you just need to direct it. Because performance is no longer who you are—it's a tool you use.ILR isn't another mindset tactic or productivity hack—it's the root-level recalibration that makes every other tool effective again.Today's Micro Recalibration:“Where has my gift for excellence become a grip?” Pause and notice where your strength is trying to control instead of contribute. Awareness is the first step toward sustainable mastery.If this episode gave you language you've been missing, please rate and review the show so more high-capacity humans can find it. Explore Identity-Level Recalibration→ Follow Julie Holly on LinkedIn for more recalibration insights → Schedule a conversation with Julie to see if The Recalibration is a fit for you → Download the Misalignment Audit → Subscribe to the weekly newsletter → Join the waitlist for the next Recalibration cohort This isn't therapy. This isn't coaching. This is identity recalibration — and it changes everything.

Au début du XIᵉ siècle, bien avant Léonard de Vinci ou les frères Wright, un moine bénédictin anglais nommé Eilmer de Malmesbury rêva de s'élever dans les airs. Né autour de 980, Eilmer vivait dans l'abbaye de Malmesbury, dans le sud-ouest de l'Angleterre, un haut lieu d'érudition où il étudiait les sciences, l'astronomie et les textes antiques. À une époque où l'on croyait encore que voler relevait du sacrilège ou de la magie, son ambition était audacieuse : imiter les oiseaux.Vers 1010, Eilmer décida de passer à l'acte. Inspiré, dit-on, par la lecture du mythe d'Icare et peut-être par des observations de cerfs-volants venus d'Orient, il conçut un système d'ailes articulées, fabriquées avec du bois, du tissu et des plumes. Il les fixa à ses bras et à ses pieds, convaincu qu'en comprenant le mouvement du vent, il pourrait planer comme un faucon. Selon le chroniqueur Guillaume de Malmesbury, qui rapporta son exploit un siècle plus tard, Eilmer monta au sommet d'une tour de l'abbaye — probablement haute d'une vingtaine de mètres — et se jeta dans le vide.Contre toute attente, il vola. Porté par le vent, son étrange machine glissa dans l'air sur environ 200 mètres avant de perdre de la portance et de s'écraser lourdement. Le moine survécut, mais ses deux jambes furent brisées. Il resta infirme pour le reste de ses jours, continuant à vivre dans l'abbaye, sans jamais retenter l'expérience. Il aurait cependant déclaré que son erreur avait été de ne pas ajouter une queue, pour stabiliser son vol, montrant qu'il avait compris avant l'heure une notion fondamentale de l'aérodynamique.L'histoire d'Eilmer de Malmesbury, souvent considérée comme la première tentative documentée de vol humain, mêle légende et vérité. Les chroniqueurs médiévaux, fascinés, le décrivirent comme un esprit visionnaire, témoin d'une époque où la science naissante côtoyait encore le merveilleux.Aujourd'hui, il est célébré comme un précurseur de l'aviation, un rêveur en robe de bure qui osa défier la pesanteur dix siècles avant les pionniers modernes. Son saut, à la fois naïf et génial, symbolise la soif immémoriale de l'humanité : celle de comprendre le ciel… et d'y trouver sa place. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In this landmark 800th episode of Skin Anarchy, Dr. Ekta Yadav sits down with the legendary Anastasia Soare, founder of Anastasia Beverly Hills and one of the most influential figures in modern beauty. Known globally as the Queen of Brows, Anastasia joins Dr. Ekta to discuss her newly released book, Raising Brows: My Story of Building a Billion-Dollar Beauty Empire. In this intimate conversation, she reflects on her remarkable journey—from her early years as a Romanian immigrant to becoming the visionary behind one of the most iconic brands in beauty history.What began as a simple observation—that eyebrows were being overlooked—sparked a revolution. Inspired by Leonardo da Vinci's studies on facial proportion, Anastasia developed her signature Golden Ratio method, shaping not only brows but the direction of the entire beauty industry. Her commitment to craftsmanship, precision, and empowerment turned Anastasia Beverly Hills into a global symbol of artistry and integrity.Anastasia opens up about the discipline, mentorship, and mindset that built her empire—offering wisdom that transcends business. She shares her mother's lessons in humility, her belief that fear must never dictate one's path, and the philosophy that has guided her from the salon floor to international fame: “If there's no seat at the table, build your own.”Episode 800 is more than a milestone—it's a celebration of resilience, creativity, and the pursuit of excellence. Tune in to hear Anastasia Soare's powerful story and discover the legacy behind Anastasia Beverly Hills—and now, behind her new book Raising Brows.Shop Raising Brows: My Story of Building a Billion-Dollar Beauty Empire and Anastasia Beverly Hills CosmeticsCHAPTERS:0:02 – Introduction & Welcome1:03 – Starting Over in a New Country3:06 – Entering the Beauty Industry4:41 – The Birth of the Brow Technique6:22 – Creating a New Beauty Category8:19 – The Philosophy of Giving Your Best11:05 – The Rise of ABH & Social Media Breakthrough13:07 – Building Confidence & Carving Your Own Path16:23 – Leadership, Mentorship & Lessons in DisciplinePlease fill out this survey to give us feedback on the show!Don't forget to subscribe to Skin Anarchy on Apple Podcasts, Spotify, or your preferred platform.Reach out to us through email with any questions.Sign up for our newsletter!Shop all our episodes and products mentioned through our ShopMy Shelf! Hosted on Acast. See acast.com/privacy for more information.

Part of the Ambrosian Library in Milan, Italy, the Ambrosian Art Gallery was founded along with the library by the celebrated Cardinal Federico Borromini in 1609 to house his extensive collection of manuscripts, books, and paintings. The collection today includes “The Portrait of a Musician” attributed by many to Leonardo da Vinci, the “Cartoon for the School of Athens” by Raphael, and “The Basket of Fruit” by Caravaggio. In addition to these great masterpieces, the Ambrosian Art Gallery is also home to the world largest collection of drawings and writings by Leonardo da Vinci, known as the Codex Atlanticus. 

Former Microsoft leader JoAnn Garbin reveals the patterns and principles behind Microsoft's biggest innovation wins.— YOU'LL LEARN — 1) What most people overlook about innovation2) The secret to getting executives on board3) The four patterns responsible for Microsoft's successSubscribe or visit AwesomeAtYourJob.com/ep1103 for clickable versions of the links below. — ABOUT JOANN — JOANN GARBIN is a sustainability and technology entrepreneur with a 25-year track record of leading teams “from nothing to something to scale,” creating numerous innovative products and profitable businesses. During her tenure as Director of Innovation in Microsoft's cloud business, she guided her team in developing billion-dollar opportunities, including the Regenerative Datacenter of the Future. In 2024, she founded Regenerous Labs, a collaboration committed to creating cross-sector transformations. JoAnn is an active alumnus of Villanova University, where she studied mechanical engineering and philosophy. Her fresh eyes and thought leadership were instrumental in driving novel insights into The Insider's Guide to Innovation at Microsoft.• Book: The Insider's Guide to Innovation at Microsoft• Book LinkedIn: The Insider's Guide to Innovation at Microsoft• Book Website: InnovationAtMicrosoft.com• LinkedIn: JoAnn Garbin• Website: JoAnnGarbin.com— RESOURCES MENTIONED IN THE SHOW — • Website: Finding Mastery• LinkedIn: Dean Carignan• Book: Primal Intelligence: You Are Smarter Than You Know by Angus Fletcher• Book: Leonardo da Vinci by Walter Isaacson• Past episode: 447: What Innovators Do Differently with Hal Gregersen— THANK YOU SPONSORS! — • Strawberry.me. Claim your $50 credit and build momentum in your career with Strawberry.me/Awesome• Vanguard. Give your clients consistent results year in and year out with vanguard.com/AUDIO• Quince. Get free shipping and 365-day returns on your order with Quince.com/Awesome• Cashflow Podcasting. Explore launching (or outsourcing) your podcast with a free 10-minute call with Pete.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

From SEAL to Studio: The Art of Grit with Justin Hughes In this week's episode of the Team Never Quit Podcast, Marcus, Melanie, and Hunter sit down with Justin Hughes — former Navy SEAL turned professional oil painter — whose journey from the battlefield to the art studio embodies the essence of transformation, discipline, and creative courage. Based out of Charleston, South Carolina, Justin has redefined what it means to serve and to create. As a self-taught representational artist, he channels the lessons, emotions, and intensity of his time in the SEAL Teams into his paintings, merging the warrior spirit with the sensitivity of the fine arts. His mission is to bridge two seemingly distant worlds — the world of combat and the world of creativity — revealing that both demand vision, perseverance, and heart. Listeners will hear how Justin's childhood in Southeast Asia, and a fateful encounter with Lone Survivor sparked a dream that would change his life forever. His story takes us through the rigors of SEAL training, moments of doubt and triumph, and the eventual transition from military service to artistry — a path shaped by struggle, purpose, and redemption. Through his brushstrokes, Justin explores what it means to be a modern warrior — one who fights not only on the battlefield but also in the soul. Drawing comparisons to the renaissance genius Leonardo da Vinci, Hughes uses his art to express the beauty within discipline and the strength found in vulnerability.  In this episode you will hear: • My dad was a Huey pilot. (8:44) • I grew up all over Southeast Asia (9:20) • I was thinking: Whatever is gonna be the hardest thing to do in the military; wherever that realm is, those are the people that want to be in those jobs the most. That's gotta be where my people are at. (14:41) •  One of the biggest misconceptions of BUDs is you can't just show up and not quit. You still have to be a good team guy. You still have to do the work. You gotta be a performer. You gotta be a pro. We're looking for the whole man. (21:05) • For those of you who don't know what pool competency is. It's the hardest single test in BUDs. (37:55) • When I first started painting, I didn't know any artists. I didn't know anything about art. (62:48) • [Melanie] Q: What's your goal with art? A: Just to be better every day. And continue to provide paintings that are meaningful to people. To glorify the Lord through whatever work I'm doing. (74:30) • I'm still saying “Hooyah! like turrets. (75:25) • It takes a lot of bad work. You've gotta be patient with the process. Sometimes a really good thing will look really bad for a long time for a long time before you can polish it up and make it into something beautiful. So… don't quit. (86:43) Support Justin: www.justinhughesart.com  - IG: justin_hughes_art Support TNQ   - IG: team_neverquit , marcusluttrell , melanieluttrell , huntero13   -  https://www.patreon.com/teamneverquit Sponsors:   - Tractorsupply.com/hometownheroes   - Navyfederal.org        - meetfabiric.com/TNQ   - masterclass.com/TNQ   - Prizepicks (TNQ)   - Dripdrop.com/TNQ   -  cargurus.com/TNQ    - armslist.com/TNQ    -  PXGapparel.com/TNQ   - bruntworkwear.com/TNQ    - Selectquote.com/TNQ    - Groundnews.com/TNQ    - shipsticks.com/TNQ    - strawberry.me/TNQ    - stopboxusa.com {TNQ}    - ghostbed.com/TNQ [TNQ]   -  kalshi.com/TNQ   -  joinbilt.com/TNQ    - Tonal.com [TNQ]   - greenlight.com/TNQ   - PDSDebt.com/TNQ   - drinkAG1.com/TNQ   - Shadyrays.com [TNQ]   - qualialife.com/TNQ [TNQ]   - Hims.com/TNQ   - Shopify.com/TNQ   - Aura.com/TNQ   - TAKELEAN.com [TNQ]   - usejoymode.com [TNQ]

The Trump administration is deploying federal troops into Chicago, claiming ongoing lawlessness. Illinois Governor JB Pritzker described the move as “outrageous and un-American.” Violet Miller, a reporter at the Chicago Sun-Times, explains what’s going on. A new Supreme Court term begins today, and justices are set to decide on cases with massive implications for Trump's authority over government. Maureen Groppe, Supreme Court reporter at USA Today, discusses them. The government shutdown continues with no signs of progress on talks. Lauren Weber at the Washington Post talks through some of the Medicare provisions that have become casualties of the deadlock. Plus, mediators are gathering after Hamas agreed in principle to parts of Trump’s peace deal, Japan is set for its first woman prime minister, and how sketches by Leonardo da Vinci led archaeologists to a big discovery. Today’s episode was hosted by Shumita Basu.