Podcasts about Plantation

Find out whether Nelly & Lawrence Lewis still remained at Mount Vernon in the wake of her grandmother's death. Agree if Martha Washington was never the same person after George had passed away. Discover who in the Washington Family would officially inherit Mount Vernon following Martha's death. Learn what Nelly and her three siblings inherited from the Mount Vernon Estate. Get a better understanding behind Martha's inheritance from her first marriage to Daniel Parke Custis regarding the number of enslaved people she owned. Find out the number of enslaved people George Washington noted per his 1799 Will including what happened to them in 1801, one year before Martha's death. Agree if it's fair to say that Nelly had grieved heavily following her grandparents passing. Determine just how long it took for Nelly & Lawrence's estate in Woodlawn, three miles from Mount Vernon, to get built. Get an in depth analysis behind the endless array of duties which Nelly Custis Lewis performed as plantation mistress at Woodlawn. Compare and contrast the achievements between planter and that of plantation mistress. Hosted on Acast. See acast.com/privacy for more information.

0:00 Intro 0:09 Racist 5:41 Business 12:27 Morning alarm Learn more about your ad choices. Visit megaphone.fm/adchoices

Professor Andrew Bayliss discusses the origins and geography of Sparta, a fertile but mountain-locked valley. He explains the unique dual kingship and the Spartan "plantation cult" society, which relied on the brutal enslavement of the Helots. Bayliss also notes early military overconfidence, exemplified by their defeat at Tegea.1949

 How did a small band of Norman soldiers in 1170 begin 800 years of English control over Ireland?  It started as a deal between rival Irish kings. It ended in plantation, dispossession, and a divided island.  This is the story of how a short-term alliance became a centuries-long occupation, and why it still shapes politics in Ireland today.  Anglo-Normans enter Ireland: Diarmait seeks Strongbow's help. Henry II claims authority; Dublin-centred foothold established. The Pale forms; Normans adopt Irish ways, Old English. Henry VIII breaks with Rome; declares himself King of Ireland. Surrender and regrant changes land and inheritance rules. Elizabeth I's conquest; Nine Years' War threatens English control. Battle of Kinsale defeat; O'Neill's submission follows. Flight of the Earls ends Gaelic political power. Plantation of Ulster seeds division leading to later partition. Cromwell's massacres; “To Hell or to Connacht” resettlement. Full interactive transcript, subtitles and key vocabulary available on the website: https://www.leonardoenglish.com/podcasts/conquest-of-ireland ---You might like:

Full Text of Readings Thursday of the Eighth Week in Ordinary Time Lectionary: 350 The Saint of the day is Venerable Pierre Toussaint Venerable Pierre Toussaint's Story Born in modern-day Haiti and brought to New York City as a slave, Pierre Toussaint died a free man, a renowned hairdresser, and one of New York City's most well-known Catholics. Plantation owner Pierre Bérard made Toussaint a house slave and allowed his grandmother to teach her grandson how to read and write. In his early 20s, Pierre, his younger sister, his aunt, and two other house slaves accompanied their master's son to New York City because of political unrest at home. Apprenticed to a local hairdresser, Pierre learned the trade quickly and eventually worked very successfully in the homes of rich women in New York City. When his master died, Pierre Toussaint was determined to support himself, his master's widow, and the other house slaves. He was freed shortly before the widow's death in 1807. Four years later, he married Marie Rose Juliette, whose freedom he had purchased. They later adopted Euphémie, his orphaned niece. Both preceded Pierre in death. He attended daily Mass at St. Peter's Church on Barclay Street, the same parish that Saint Elizabeth Ann Seton had attended. Pierre Toussaint donated to various charities, generously assisting blacks and whites in need. He and his wife opened their home to orphans and educated them. The couple also nursed abandoned people who were suffering from yellow fever. Urged to retire and enjoy the wealth he had accumulated, Pierre responded, “I have enough for myself, but if I stop working I have not enough for others.” Pierre originally was buried outside St. Patrick's Old Cathedral, where he was once refused entrance because of his race. His sanctity and the popular devotion to him caused his body to be moved to the present location of St. Patrick's Cathedral on Fifth Avenue. Pierre Toussaint was declared Venerable in 1996. Reflection Pierre was internally free long before he was legally free. Refusing to become bitter, he daily chose to cooperate with God's grace, eventually becoming a compelling sign of God's wildly generous love.Saint of the Day, Copyright Franciscan Media

Pursuant to crop retirement programs, over a million acres marginal, flood-prone sites have been restored to mostly even-aged hardwood plantation the Arkansas-Louisiana-Mississippi delta, but what are the benefits and near-term tradeoffs? Dr. Brian Davis discusses new graduate research examining Wetland Reserve Easements and what they're doing well--improving water quality, supporting biodiversity, restoring broken landscapes. But today's conversation also provides thoughtful insight into what could be one of the most pressing habitat questions facing Deep South duck hunters and waterfowl conservationists today. At least for the time being.      Visit the Legendary Brands That Make MOJO's Duck Season Somewhere Podcast Possible: MOJO Outdoors  Alberta Professional Outfitters Society Benelli Shotguns Bow and Arrow Outdoors Create the X Habitat Management App Ducks Unlimited  Flash Back Decoys GetDucks.com Migra Ammunitions onX Maps  Use code GetDucks25 to save 25% Sitka Gear SoundGear Use code GetDucks20 to save 25% Tom Beckbe USHuntList.com   Like what you heard? Let us know! • Tap Subscribe so you never miss an episode. • Drop a rating—it's like a high-five in the duck blind. • Leave a quick comment: What hit home? What made you laugh? What hunt did it remind you of? • Share this episode with a buddy who lives for duck season.   Want to partner? Have or know a story to share? Contact: Ramsey Russell ramsey@getducks.com

This week we look into Loyd Hall Plantation in Louisiana! There are interesting historical stories about this place and if true they explain some of what is experienced there nowadays!Check out Cowboy Revolution Apparel https://cowboyrevolution.com/?ref=adamgytCode: ADAMGYT Check out our sources below for more info and to continue learning!Please Rate & Review us wherever you get your Podcasts! Mail us something: GYT PodcastPO Box 542762Grand Prairie, TX 75054Leave us a Voicemail or shoot us a text!430-558-1304Our WebsiteWWW.GraveYardPodcast.comPatreonhttps://www.patreon.com/GraveYardTalesYoutube: Youtube.com/c/GraveYardTalesRumble – GraveYard Tales PodcastDo you want GraveYard Merch?!?!Go to https://graveyardtales.dashery.com/ to get you some! Thank You Darron for our Logo!! You can get in touch with Darron for artwork by searching Darron DuBose on Facebook or Emailing him at art_injector@yahoo.comThank you to Brandon Adams for our music tracks!! If you want to hear more from Brandon check him out at:Soundcloud.com/brandonadamsjYoutube.com/brandonadams93Or to get in touch with him for compositions email him at Brandon_adams@earthlink.netOur ContactsWWW.GraveYardPodcast.comEmail us at: GraveYardTalesPodcast@gmail.comFind us on social media:X(Twitter): @GrveYrdPodcastFacebook: @GraveYardTalesPodcastInstagram: @GraveYardTalesPodcastSourceshttps://touringlouisianaplantations.wordpress.com/2016/06/13/loyd-hall-plantation-cheneyville-la/https://www.weirdsouth.com/post/who-s-haunting-the-halls-of-louisiana-s-loyd-hallhttps://www.bon-voyage.co.uk/activities/loyd_hall_plantation_homehttps://www.carolana.com/NC/Civil_War/civil_war_battles_skirmishes_louisiana.htmhttps://civilwartalk.com/threads/the-carnival-of-death.24095/https://wbrparish.org/953/The-Antebellum-Periodhttps://64parishes.org/entry/plantation-slavery-in-antebellum-louisianahttps://www.youtube.com/watch?v=13uyF_FX2Hohttp://bayouboeuflouisiana.blogspot.com/2013/12/stop-7.htmlhttps://www.doa.la.gov/media/tuudzphu/louisiana_state_historical_land_records_and_their_relevance_to_genealogists.pdfhttps://npgallery.nps.gov/GetAsset/c5d4b451-2ff8-474a-b1f6-bf48eb399c7ahttps://en.wikipedia.org/wiki/Loyd_Hall_Plantationhttps://rapidesgenealogy.org/history/loydhall.htmhttps://www.chron.com/life/travel/weekend-getaways/article/Ghost-stories-of-the-past-at-Louisiana-plantation-5938488.phphttps://www.louisianalife.com/whats-the-truth-behind-haunted-louisiana/https://www.kalb.com/2024/05/29/haunted-history-loyd-hall-plantation/https://www.bon-voyage.co.uk/activities/loyd_hall_plantation_homehttps://www.onlyinyourstate.com/louisiana/most-haunted-places-la/https://www.hauntedrooms.com/louisiana/haunted-places/haunted-hotels/loyd-hall-plantationhttps://www.legendsofamerica.com/la-hauntedplantations/https://www.louisianatravel.com/bed-breakfasts/loyd-hall-plantation

The effects of plantocracy, slavery, racism, capitalism, and white supremacy have had a lasting impact on labor and life in the South. Listen as Aaron and Damien discuss the piece “May Day: Exporting the Southern Plantocracy” by Sherronda J. Brown, Tea Troutman, and Aarohi Sheth in Scalawag, which explores and analyzes the ways the ruling class in the South has combined anti-Blackness and anti-labor politics to exploit the working class, and highlights how the exploitation of Southern labor may be replicated across the country, and what we learn and take away from this incredible piece in our continued learning and unlearning work and fight for collective liberation. Follow us on social media and visit our website! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Leave us a voice message⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch store⁠⁠⁠⁠⁠⁠⁠

Lance - Monologue about mixing College Sports with Politics

The Civil War was unnecessary. Muslims in San Diego incident. "Chud the Builder" never getting out! Tommy Robinson rally.

Thomas Jefferson was the primary author of the Declaration of Independence; he was a driving force in America's religious freedoms and the separation of church and state; and he doubled the size of the U.S. with the Louisiana Purchase. He also owned approximately 600 people in his lifetime. This episode explores his great achievements, as well as the failings in his personal life, particularly regarding slavery.

La courgette fait partie des légumes les plus accessibles au potager. Dans cette séquence du Jardin RTL, Pierre le cultivateur la présente comme un légume "inratable", notamment grâce à ses grosses graines, faciles à semer, et à sa forte productivité. Un atout pour les jardiniers débutants comme pour ceux qui veulent obtenir rapidement des récoltes généreuses. Au mois de mai, il n'est plus vraiment temps de lancer des semis en godet, commencés plus tôt au printemps. En revanche, le semis de courgettes en pleine terre reste possible. Pierre conseille de travailler la terre en surface, de déposer deux à trois graines dans un trou de 4 à 5 centimètres, puis d'arroser. Après la levée, il faut éclaircir pour ne garder qu'un plant, en respectant environ un mètre d'espace entre chaque pied. Autre solution : acheter des plants de courgettes en jardinerie, au marché ou auprès de voisins. Avant la plantation, mieux vaut réhydrater la motte pour préserver les racines. Pierre recommande aussi de planter au moins deux pieds afin de favoriser la pollinisation entre fleurs mâles et fleurs femelles. Côté entretien, il conseille d'ajouter un peu de compost, d'arroser tous les trois à quatre jours avec un bon paillage, et d'éviter de mouiller le feuillage pour limiter les maladies comme l'oïdium.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In this episode, Kiran Chawla is joined by Megan Kelly as they reflect on the tragic fire that engulfed the historic Nottoway Plantation in Louisiana exactly one year ago. The fire ignited on May 15th 2025, sending shockwaves through the community as what started as a manageable blaze rapidly escalated into a devastating inferno.Firefighters faced numerous challenges, including a lack of adequate water pressure and the building's age, which lacked modern fire safety codes. Kiran and Megan delve into how these factors contributed to the fire's rapid spread and the emotional toll it took on those connected to this symbol of Louisiana's complex history.Timestamps03:42 The Complex History of Nottoway05:46 Reactions and Emotions07:42 The Day of the Fire12:32 The Aftermath of Destruction21:30 Miss Judy's Story24:51 Investigating the Cause38:57 Ongoing Investigations44:00 The Future of NottawayLocal Sponsors for this episode include:Neighbors Federal Credit Union:Another Chance Bail Bonds:Family Worship Center Church

Amare Nugent, a 5-foot-11, 178-pound cornerback at American Heritage High School in Plantation, Florida, committed to Florida on Jan. 24. He was Florida's first 2027 commitment. Since then, Florida's added 13 more commits and counting. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Marcus McDonald is co-founder and leader of the Charleston Reparations Task for and lead organizer for Black Lives Grassroots Charleston. He is also a descendent of persons enslaved on the Boone Plantation in South Carolina. On this podcast he breaks down their demand for the return of plantation land to Gullah Geechee control - as a reparations reservation.https://www.instagram.com/chs_blm/ https://www.instagram.com/charleston4reparations/ 

D'où vient précisément le café qu'on boit ? Comment être sûr qu'il ne pousse pas sur des terrains déboisés ? Pour répondre à ces questions, de grands industriels et négociants internationaux lancent une cartographie mondiale des parcelles de café pour aider les pays producteurs à répondre aux nouvelles normes européennes. En effet, les pays producteurs doivent prouver que le café ne provient pas de zone de déforestation et mettre en place une traçabilité stricte des grains de café. Grâce à des images satellites de très haute résolution, il est maintenant possible d'identifier chaque caféier qui pousse entre les arbres, parcelle par parcelle. Sept des plus grands groupes mondiaux du café se sont associés à Airbus pour cartographier toutes les plantations du monde et s'assurer qu'elles n'entraînent pas de déforestation.  Acteur du projet, Laurent Sagarra, directeur « Engagement » de la multinationale du café JDE Peet's, détaille le fonctionnement de l'outil : « Airbus a développé un outil d'intelligence artificielle qui analyse des milliards de photos satellite. Cet outil est entraîné sur la base de toutes les données que tous les acteurs du secteur qui font partie du projet ont récupérées. Et donc, on entraîne, on éduque un outil à analyser ces milliards de photos pour pouvoir ''mapper'' toutes les placettes de café sur la planète. On arrive ainsi à faire un travail qui nous mettrait des années et des années si on devait le faire à la main. » L'enjeu est important surtout en Afrique de l'Est où les exploitations de café sont très morcelées. Rien qu'en Éthiopie, plus de cinq millions d'agriculteurs possèdent en moyenne un demi-hectare de terres. Identifier toutes les parcelles est donc un vrai défi pour ne pas faire d'erreur. « Si on n'a pas les meilleures données, on risque d'exclure une parcelle, exclure dix parcelles, exclure 1 000 parcelles... C'est exclure des agriculteurs. C'est dire à ces agriculteurs : "Vous ne pouvez plus vendre sur le marché européen." Pour eux, en termes d'impact sur leur vie, c'est énorme », souligne Laurent Sagarra.  À lire aussiAu Kenya, le secteur du café en pleines réformes mis en difficulté Des millions de petites exploitations à identifier La cartographie, appelée « Projet Canopée », sera mise à jour tous les un ou deux ans, et mise à disposition gratuitement sur une plateforme géospatiale ouverte et transparente, accessible aux producteurs et aux gouvernements, dès maintenant pour l'Afrique de l'Est. Une initiative bien accueillie par les acteurs du secteur en Éthiopie, à l'image d'Abdi Itana, conseiller en développement durable dans le secteur du café : « Aujourd'hui, nous utilisons la carte mondiale Global Forest Watch, mais elle ne montre pas l'évolution dynamique au niveau de chaque exploitation agricole. On ne fait pas bien la différence entre l'exploitation et la forêt. » Selon lui, ces données complèteront le système de traçabilité numérique mis en place par le premier pays producteur de café d'Afrique : « Tout sera enregistré, et un identifiant numérique sera attribué à l'agriculteur, incluant la superficie et le périmètre de sa parcelle. Ainsi, quand les agriculteurs vendront leurs produits à un collecteur ou à un acheteur, la quantité sera enregistrée sur leur carte d'identité, et on saura qui achète quoi et combien. Au final, chaque mouvement de café en Éthiopie sera enregistré dans ce système. » Des outils essentiels à moins d'un an de l'entrée en vigueur des nouvelles règles européennes sur la déforestation, prévue en décembre 2026 pour les gros producteurs et en juin 2027 pour les plus petits. À lire aussiPourquoi l'arabica est le café le plus bu (et pourquoi ça ne durera peut-être pas)

A quiet dirt road, a beautiful old house, and a history that refuses to stay buried. We head to Fonti Flora Plantation in Blair, South Carolina, where even the basic facts feel unsettled, including conflicting accounts of when the home was built and why so many sources disagree. From there, the story opens into a classic haunted plantation timeline: enormous acreage tied to a dowry, generational losses that literally gamble the land away, and Civil War damage that still leaves physical scars, including a fire started in the parlor and reports of charred walls hidden behind furniture. We also talk through the deeper layers that make paranormal locations feel heavy: arrowheads turning up after rainstorms that hint at Indigenous history, family members dying inside the home across decades, and the sad disappearance of stillborn grave markers that once stood near the house. We don't skip the hard topics either. Plantation history always includes slavery, and we wrestle with what it means to hear claims of “better treatment,” how oral histories shape what survives, and what's left undocumented. Then the haunting claims take over. We share reports of a violin playing in the attic that stops the moment someone approaches, doors pulled shut from the other side, and a documentary investigation that leans on familiar paranormal investigation tools like EVPs, a spirit box, and SLS mapping. The most unsettling turn is the Hat Man conversation, including our take that this presence may be personal and targeted rather than tied to a single haunted location. If you're into haunted history, ghost hunting evidence, and the psychology of fear, you'll have plenty to chew on. Subscribe for more paranormal stories, share this with the friend who can't resist a haunted house documentary, and leave a review if you want us to cover more haunted plantations and investigations. What's your read on Fonti Flora: lingering history, smart tech making patterns, or something that's actually there?Thank you for listening to the Paranormal Peeps Podcast. Check us out on Facebook Paranormal Peeps Podcast or Coldspot Paranormal Research and on Instagram coldspot_paranormal_researchSupport the show

Host Diana Korte speaks with historian and University of Georgia professor Daniel Rood, author of 2 books. His newest title is “IN THE SHADOW OF THE GREAT HOUSE. A History of the Plantation in America.” In a narrative that sweeps across 400 years of American history, Rood reveals that the plantation did not die after the Civil War. It metastasized.  From the advent of sharecropping in the late 19th century to the rise of cotton in mid-20th century California to today's chicken processing plants which sit on the same land once occupied by plantations and staffed largely by migrant workers, the plantation has cast a long shadow over American life.  Dan Rood specializes in the history of Atlantic slavery and its intersections with the histories of technology, agriculture, and capitalism.

Stan’s guest this week is UGA professor Daniel Rood, talking about his new book, In the Shadow of the Great House: A History of the Plantation in America (W.W. Norton, 2026), a new history of American slavery and American capitalism. The plantation traces its roots to the Portuguese conquest of an island in the Atlantic ...Continue Reading »

Professor Daniel Rood, author of “In the Shadow of the Great House: A History of the Plantation in America,” recounts how the plantation model grew into an enormous economic industry on the backs of slave labor.

Dan has some older tales for us this week. We start our journey of horror at the Ferry Plantation House where not just one but many ghosts seem to be hanging around, especially one accused witch, Grace. Then we go explore seances with Daniel Dunglas Home- was he a fraudster or were his seances real, you tell us! Lynze has four different ghosty tales this week. From catching something creepy on a sleep app to a spirit caught in a couch to the spirit of a man who insists he must come in and ending with a little boy and his toy. Enjoy!  Wet Hot Bad Magic Summer Camp 2026: Have you heard?! We have some amazing friends joining us at camp! Astonishing Legends and True Crime Campfire will both be bringing their shows to the live stage this summer! If you want to see them and us, get your tickets at badmagicproductions.com  Do you want to get all of our episodes a WEEK early, ad free? Want to help us support amazing charities? Join us on Patreon! Want to be a Patron? Get episodes AD-FREE, listen and watch before they are released to anyone else, bonus episodes, a 20% merch discount, additional content, and more! Learn more by visiting: https://www.patreon.com/scaredtodeathpodcast. Send stories to mystory@scaredtodeathpodcast.com Send everything else to info@scaredtodeathpodcast.com Please rate, review, and subscribe anywhere you listen. Thank you for listening! Follow the show on social media: @scaredtodeathpodcast on Facebook and IG and TT Website: https://www.badmagicproductions.com/ Facebook: https://www.facebook.com/scaredtodeathpodcast Instagram: https://bit.ly/2miPLf5 Mailing Address: Scared to Death c/o Timesuck Podcast PO Box 3891 Coeur d'Alene, ID 83816 Opening Sumerian protection spell (adapted): "Whether thou art a ghost that hath come from the earth, or a phantom of night that hath no home… or one that lieth dead in the desert… or a ghost unburied… or a demon or a ghoul… Whatever thou be until thou art removed… thou shalt find here no water to drink… Thou shalt not stretch forth thy hand to our own… Into our house enter thou not. Through our fence, breakthrough thou not… we are protected though we may be frightened. Our life you may not steal, though we may feel SCARED TO DEATH." Subscribe to SiriusXM Podcasts+ to listen to new episodes of Scared to Death ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

11. Professor Daniel Rood: Daniel Rood compares plantation systems in Cuba, Brazil, and California, identifying modern iterations in multinational ethanol production and agricultural exploitation. He details how California planters engineered labor systems to maintain power and profit margins after the Civil War. (11)1800 SUGAR CANE

10. Professor Daniel Rood: Daniel Rood discusses General Sherman's march through Georgia and the missed opportunity to dismantle the plantation system during Reconstruction. The segment covers Field Order 15, the impact of Lincoln's assassination, and how planters regained land from enslaved families. (10)1877 PLANTATION REMAINS.

9. Professor Daniel Rood: Professor Daniel Rood explores the evolution of the American plantation system, focusing on the transition from tobacco to cotton exports. He highlights the expertise and knowledge provided by enslaved people and the tragic economic scale of the internal human trafficking system. (9)1868 VIRGINIA

12. Daniel Rood reveals the tragic fate of thousands of black Loyalists abandoned by the British at Yorktown. He details how the revolution solidified the uncompromising southern plantation system as a military strategy. (12)1933 SOUTH CAROLINA

9. Daniel Rood connects modern California cotton booms to historical plantation capitalism and labor exploitation. He explains how 17th-century sugar production in Barbados pioneered industrial agriculture, mass enslavement, and racialized labor concepts. (9)1800 SUGAR CANE PLANTATION

Daily Dad Jokes (09 Apr 2026) Christmas Joke Button - 101 eye rolling dad jokes for the festive season! Amazon. The perfect gift for Kris Kringle, Secret Santa and of course for dad! Click here here to view! The official Daily Dad Jokes Podcast electronic button now available on Amazon. The perfect gift for dad! Click here here to view! Email Newsletter: Looking for more dad joke humor to share? Then subscribe to our new weekly email newsletter. It's our weekly round-up of the best dad jokes, memes, and humor for you to enjoy. Spread the laughs, and groans, and sign up today! Click here to subscribe! Listen to the Daily Dad Jokes podcast here: https://dailydadjokespodcast.com/ or search "Daily Dad Jokes" in your podcast app. Jokes sourced and curated from reddit.com/r/dadjokes. Joke credits: VordovKolnir, _radio_ACTIVE_man_, SharkM754, SharkM754, Charles_Deetz, TooOldToBePunk, the_grass_guy_man, Geoduckwhisperer, Bikertov, Ideal_Jerk, disgruntled6, AutomaticSpecify3031, , AutomaticSpecify3031, s777tew, ASK_ABT_MY_USERNAME, Ochevesako, Man-e-questions, houndoom92 Subscribe to this podcast via: iHeartMedia Spotify iTunes Google Podcasts YouTube Channel Social media: Instagram Facebook Twitter TikTok Discord Interested in advertising or sponsoring our show? Contact us at mediasales@klassicstudios.com Produced by Klassic Studios using AutoGen Podcast technology (http://klassicstudios.com/autogen-podcasts/) Learn more about your ad choices. Visit megaphone.fm/adchoices

Daily Dad Jokes (09 Apr 2026) Christmas Joke Button - 101 eye rolling dad jokes for the festive season! Amazon. The perfect gift for Kris Kringle, Secret Santa and of course for dad! Click here here to view! The official Daily Dad Jokes Podcast electronic button now available on Amazon. The perfect gift for dad! Click here here to view! Email Newsletter: Looking for more dad joke humor to share? Then subscribe to our new weekly email newsletter. It's our weekly round-up of the best dad jokes, memes, and humor for you to enjoy. Spread the laughs, and groans, and sign up today! Click here to subscribe! Listen to the Daily Dad Jokes podcast here: https://dailydadjokespodcast.com/ or search "Daily Dad Jokes" in your podcast app. Jokes sourced and curated from reddit.com/r/dadjokes. Joke credits: VordovKolnir, _radio_ACTIVE_man_, SharkM754, SharkM754, Charles_Deetz, TooOldToBePunk, the_grass_guy_man, Geoduckwhisperer, Bikertov, Ideal_Jerk, disgruntled6, AutomaticSpecify3031, , AutomaticSpecify3031, s777tew, ASK_ABT_MY_USERNAME, Ochevesako, Man-e-questions, houndoom92 Subscribe to this podcast via: iHeartMedia Spotify iTunes Google Podcasts YouTube Channel Social media: Instagram Facebook Twitter TikTok Discord Interested in advertising or sponsoring our show? Contact us at mediasales@klassicstudios.com Produced by Klassic Studios using AutoGen Podcast technology (http://klassicstudios.com/autogen-podcasts/) Learn more about your ad choices. Visit megaphone.fm/adchoices

Find out why the historic Ferry Plantation in Virginia Beach, Virginia, has been called “the House of a Thousand Voices” as you listen to Nicolle's personal stories of investigating there. This episode includes a few recordings from her investigations, and on a technical note, for that reason, could not be post-processed as normal. (Those old audio files didn't play well with today's post-processing.)Buy “Please, don't call me psychic. Stories from my paranormal life,” on Amazon.Visit and subscribe to Nicolle's YouTube channel: https://www.youtube.com/@NicolleMorockCreativeSubscribe to Nicolle's newsletter, find her books, or book a Reiki or Emotion Code session at https://www.nicollemorock.com/The talented Mr. Jeremy Moss http://jeremymosscomposer.com/ provides theme music. (Listen through the end of the podcast to hear the whole theme song.)Connect with Nicolle at www.peeppodcast.com and follow at https://www.facebook.com/P.E.E.P.PodcastGet merchandise at https://www.teepublic.com/user/peep-podcast

Episode #417 of BGMania: A Video Game Music Podcast. Today on the show, Bryan and Bedroth are celebrating absolutely nothing out of the ordinary. Just a completely standard episode featuring music from a handful of well-known games, exactly as you remember them. From sweeping orchestral moments to high-energy electronic tracks and everything in between, this episode moves across a wide range of styles while staying firmly grounded in the worlds they came from. No surprises here... just familiar music, familiar games, and the kind of connections that longtime fans will recognize immediately. So sit back, relax, and enjoy a perfectly normal journey through video game music. Nothing unusual, nothing questionable, and definitely nothing that would make you stop and go, “Wait… is that right?” Email the show at bgmaniapodcast@gmail.com with requests for upcoming episodes, questions, feedback, comments, concerns, or any other thoughts you'd like to share! Special thanks to our Executive Producers: Jexak, Xancu, Jeff & Mike. EPISODE PLAYLIST AND CREDITS Everything Is Going to Be Ok from Dark Cloud 2 [Tomohito Nishiura, 2003] Plantation from Django Unchained: Antebellum Edition [Leo Foxx, 2017] Glacial Peak from Frosty No Dai Bōken [Naoki Kodaka, 1996] Fighting of the Spirits from Phantasmonauts [Hiroya Hatsushiba, 2003] A World Divided from Madden NFL 99 [Michael Pendowski feat. John Madden, 1998] Mohg, Lord of Blood from Animal Crossing: New Horizons [Kazumi Totaka, 2020] Color Your Night from The Legend of Zelda: Ocarina of Time [Koji Kondo feat. Eiji Aonuma & Shigeru Miyamoto, 1998] Ultra Necrozma from Alien Zombie Death [Chad Warden, 2014] Storm Eagle from Thunder Spirits [Toshiharu Yamanishi & Tomomi Ootani, 1992] Yummy from Big Delicious Saucier Mommies [Lady Domina, 2011] Mist of Rage from World of Warcraft: Wrath of the Lich King [Russell Brower, 2008] KUNA! Itzaland! from Mario Kart 8 Deluxe [Kenta Nagata feat. Atsuko Asahi, 2017] Type-03 -Fulgore's Theme- from Death Stranding 2: On the Beach [Ludvig Forssell, 2025] Magical Voice Shower from Lapone Conspiracy [Avu-chan feat. Smooth McGroove, 2019] LINKS Patreon: https://patreon.com/bgmania Website: https://bgmania.podbean.com/ Discord: https://discord.gg/cC73Heu Facebook: BGManiaPodcast X: BGManiaPodcast Instagram: BGManiaPodcast TikTok: BGManiaPodcast YouTube: BGManiaPodcast Twitch: BGManiaPodcast PODCAST NETWORK Very Good Music: A VGM Podcast Listening Religiously

From Rodney Laney: I Blame The Public School System https://www.comedydynamics.com/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

In 1881, African American educator and political leader Booker T. Washington founded Tuskegee Institute in Tuskegee, Alabama. The school's mission was to provide practical education and vocational training in fields such as agriculture and mechanics to African Americans in the post-Reconstruction South. Tuskegee ultimately became a world-renowned agricultural and industrial school for African Americans – and actually for all people. Today, we're speaking with Duke University's Jarvis McInnis about his award-winning book Afterlives of the Plantation: Plotting Agrarian Futures in the Global Black South. Interview Transcript Jarvis, I cannot tell you how much I appreciate this book. And hopefully we'll make a link to the Franklin Humanities gathering (https://youtu.be/rfSy1lWWOwA?si=dVcWH3xDBuBStEEc) that we had for your book launch. As I said at that time, and I'll say it right now, this book resonated with me so deeply because of my rural upbringing. My experience as a son, a grandson of farmers and agricultural workers. And someone who grew up in the 4-H Club down South. Hopefully we will get to some of those topics as we go through. So, let's start off with a real basic idea. Could you give our readers an overview of what the book is? And also, about what you mean by the Afterlives of the Plantation. Yes, absolutely. Thank you so much for that question, Norbert. The book is an effort to think about the cultural and intellectual and political ties between Southern African Americans and Afro-Caribbean people in the late 19th to early 20th Century as they were responding to the legacies of slavery, right? This is the period after emancipation, and across the hemisphere. And so, I'm really interested in the way that they are sharing ideas as they are confronting the new modes of racial oppression that emerged in slavery's aftermath. In the United States, you have Jim Crow, right? Segregation, and other forms of violence and dispossession like lynching and land dispossession and so forth and so on. And then in the Caribbean, in Latin America, you have institutions like the European colonialism, and US imperialism, right? And so that is the afterlife of slavery. They're emancipated, but it's not a period of full citizenship, right? Of full access to the rights and privileges of citizenship. And so in telling that story, I center Booker T. Washington's school, the Tuskegee Institute, which was founded on the site of an abandoned and burned cotton plantation in Alabama in 1881. And this is getting at the second part of your question. I became really fascinated by what it meant to establish a school, to establish a future-oriented institution, that's committed to uplifting Black people. To establish that on the site, on the ruins of a burned plantation. And, in some ways, I became curious about that as an undergraduate student because I'm a graduate of Tougaloo College, in Tougaloo, Mississippi, which is a historically black college much like Tuskegee. And much like Tuskegee, Tougaloo was also founded on the site of a former cotton plantation. And I saw that this idea, or this practice, this logic of transforming these sites of violence into something that is more liberatory and more emancipatory was really a strategy that Black people used throughout the US South and throughout the Caribbean. Throughout much of the Americas where slavery and the plantation had existed. I placed Tuskegee, and particularly its approach to agriculture, at the center of that story to demonstrate how an institution rooted in the US South is not backward. It's not pre-modern. That's firmly rural, but that rurality... they're taking the knowledge that's cultivated there and disseminating it to other Black people in other parts of the world to aid in their struggles toward freedom and citizenship. I think this is an important point to make. And I know we've had conversations about this as you were developing the book. And I'll just say again, out of my rural Southern agricultural background, I often found a sense that people thought, oh, well you must be backward. Oh, you must come from this... and that's not a good thing. I can only imagine that people of this time must have thought, well, shouldn't people want to move away from agriculture? Why would you want to be invested in this thing that was a part of former enslavement? How do you think about this in light of this notion of agrarian futures? You would think people would want to move away from that. What is your understanding of sort of this move towards agriculture and seeing this as something for the future and even modern. That's such a great question. And I, you know, I have to say that I came to agriculture relatively late in the project. I was initially most interested in what Tuskegee was doing with Black aesthetics: with photography and with music and with literature. I'm a literary scholar after all. But as I sat with Tuskegee's aesthetic output, I realized the significance of agriculture within that. And as I began to explore the ways that Tuskegee was being disseminated to other parts of the Black world, to places like Haiti, to places like Puerto Rico. And as they were admitting students from those particular colonies at that time. Now some of them are countries; Puerto Rico is still a territory. But I realized that what other Black people, both in the US South and abroad, were interested in was its agrarian vision. Was the work, the research that someone like George Washington Carver was doing at Tuskegee and as a mode of self-help. And so I really had to wrestle with that because it was outside of how I had conceived of agriculture. And in many ways, writing this book transformed my own understanding of what the modern was. And, you know, forced me to, or perhaps invited me, to think about agriculture to understand it as intellectual. To understand it certainly as a skill, in all of these ways that I had not really given much thought to it previously. But as I sat with George Washington Carver's bulletins. As I sat with Tuskegee's extension initiatives. As I sat with the knowledge that they were producing, the various print cultural artifacts, the newspapers. And again, the agricultural bulletins and so forth and so on. I realized, wait a minute. This is a site of knowledge production, and its modern up-to-date knowledge production that actually still has a lot of sound basis that can be used in contemporary agriculture to this very day. And so, it radically transformed my understanding of Tuskegee, of a figure like Booker T. Washington. who as we know, is a much-maligned figure in Black studies and American studies because of his conservative politics. But agriculture gave me another way into that institution and to think about, again, the significance of the cultural and intellectual contributions of the US South at this particular period. Thank you for that. I want to talk about a particular section of the text that has to do with both the agricultural philosophy, but also this idea of sharing information, and you've made some reference to it. So, I grew up, as I mentioned, going and being a part of the 4-H program, which was a part of the Cooperative Extension System. And Tuskegee, in many ways, helped form and helped inform what extension would look like. Which ultimately became a thing, federally, in 1914. But I want to read this one passage from your text, and you say: "In 1897, the state of Alabama passed legislation allocating $1,500 to establish an agricultural experiment station on campus. The station also known as the Experiment Plot." And plot is something you come back to. And I would love to hear your thoughts about this garden plot and the Experiment Plot and just the metaphor of plot throughout your text. "But the station also known as the Experiment Plot, was managed by George Washington Carver. Washington insisted that the experiment station ' should not be used for scientific experiments of interest only to experts. Should deal with the fundamental problems with which the Negro Farmers of Alabama were daily confronted.' The results of Carver's experiments were thus published in bulletins that were then distributed among farmers throughout Alabama and the broader US South." And then you go on and talking about the different courses that were made available. But I wanna get this one quote from the Tuskegee student. And you said the Tuskegee student observed: 'Tuskegee Institute is primarily a school for the masses of our people. Both old and young and in all degrees of development.' I mean, Tuskegee was doing something that other land grant institutions would eventually take on, is this idea of sharing knowledge and using this. As a means of uplift and I would say even citizen building. What are your thoughts about that sort of perspective? Yeah. Yeah. I'm going to try to wrap all of those questions up into one response. We'll see how successful I am. I know I gave you a lot. Well, one of the things that I wanted to say, that I did not get a chance to say in my response to your previous question is that, you know, the majority of African Americans lived in the South in this particular period. And many of them viewed agriculture as a viable future. And that was one of the aspects of, you know, doing research on this book that was transformative for me. Was understanding that they did not hold this same necessarily, sort of, denigrating attitudes toward agriculture. In part because the United States was largely agricultural writ large, right? [00:11:00] And so it was across the country, across the color line, was regarded as a viable pathway. But it is the case that Booker T. Washington was attempting to rebrand agriculture, to re-signify it. Because there were a number of African Americans who did not want to have anything to do with it because it reminded them of the degradation of slavery. And so, what Washington said was he said, hey, you know, that there's a distinction between working and being worked, right? Being worked means degradation. Working for oneself, right? Being independent is a mode of civilization, is what he argued. And so what I argue in the book is that Washington is attempting to resignify labor, to make it something that is regarded as self-proprietorial, right? And that is a necessary tool in not just labor but agricultural labor in particular. But we can add, I would say, industrial labor also as something that is self-proprietorial and that is a part of that citizenship making project. So, I wanted to be sure to home in on that aspect of your previous question. And then I think the way into this next question is to talk a little bit about the plot. The slave garden plot. So, this idea in the book, right? The subtitle is Plotting Agrarian Futures. And there are multiple residences of the plot throughout the book. But the easiest way to, sort of, describe it is that it is an elaboration on the slave garden plot. The patches of land that enslaved people could cultivate throughout the Americas to grow foods to nourish themselves, because the rations that were provided from the plantation owners, those rations were too meager, right? A number of scholars and theorists across disciplines have theorized that the slave garden plot was a site of resistance to the plantation system. In part because it is enabling them to survive, to live, to nourish their bodies, right? But also because of what they did on the plot, right? Not only growing food, but also perhaps growing flowers. There's one scholar who regards it as the botanical gardens of the dispossessed, right? And so this idea that on these garden plots where they could cultivate food for themselves, their time was their own. They weren't growing food for sale on the global market, necessarily, or other cash crops for sale in the global market. They were growing foods that perhaps have been a part of their diets in Africa. And in addition to that, they were engaging in communal practices, singing, dancing, and sometimes perhaps even plotting revolutions, right? Another valence of the plot. And so, a scholar like Sylvia Winter establishes a kind of dichotomy between the plot and the plantation under enslavement. And when I realized that Tuskegeeans were also trying to encourage Black folks to grow food, and in doing so helping them to circumvent the predatory practices of sharecropping, of tenant farming, that would have those sharecroppers and tenant farmers to buy their foods from the local commissary and to remain in cycles of debt. And that of course, that they had an experiment station that they called an Experiment Plot. I thought, okay, this is the post emancipation iteration of the slave garden plot. It stands as a counterpoint to the plantation system, and it is imbued with these logics and ethics of care. And one of those logics and ethics of care is the dissemination of knowledge, right? Ensuring that rural Black farmers who were perhaps too old to attend Tuskegee, or could not afford to do so, that they could come to campus and learn the most up-to-date agricultural knowledge, right? And for those who couldn't come to campus, to attend the Tuskegee Farmers Conference, they would take the Jessup Agricultural Wagon into the countryside and teach them about crop rotation. Teach them about how to grow certain food crops, right? Teach them about how to grow certain plants to beautify their homes and so forth and so on. And so I think about that dissemination of knowledge, right? Whether it's those farmers coming to campus or Tuskegee taking those ideas into the countryside, as an ethic of care that is connected to the way that the plot exists as a counter to the plantation. Yeah. Wow, this is really wonderful. I love how you're able to weave in this agricultural philosophy that had deep resonance with people of the rural American South. But you also saw this as something that moved beyond the borders of the American South, and thus in your subtitle, the Global Black South. How did Tuskegee get involved in this transnational sharing of knowledge, and working in the Caribbean, and particularly, Puerto Rico, Haiti? Tell us a little bit more about that experience. Absolutely. Absolutely. Tuskegee really began to recruit students from the broader diaspora in the latter part of the 19th Century. So, around 1897. Certainly, the Caribbean, certainly Cuba and Puerto Rico, following the Spanish American War. And Booker T. Washington sent a Tuskegee student who was actually fluent in Spanish into Florida, and then later on to Havana, to recruit students to Tuskegee. He understood, he believed, that because they were experiencing conditions that were very similar to African Americans, they too were responding to the afterlife of slavery in the plantation. Given that emancipation in Cuba and Puerto Rico, in particular had just occurred in the late 1880s, he believed that their conditions were very similar to those of African Americans and that they could benefit from agricultural and industrial education as well. And there was a reformer by the name of Grace Mins. She was based in Boston. And she ensured that Booker T. Washington's autobiography, Up From Slavery, was translated into Cuban Spanish. And then that autobiography was then disseminated. A thousand copies were disseminated throughout the island of Cuba. And so as a result of that, he inspired, or the model of self-help that Washington depicted in Up From Slavery, inspired a host of Afro-Cuban readers. Students and parents and government officials and educational officials then begin to write to Tuskegee, write to Washington, wanting entry into the school. It's also translated into French, right? And so, you have French readers, particularly in a place like Haiti coming to Tuskegee. Someone by the name of the Jean Price Mars, who was the foremost Haitian intellectual of the 20th Century, actually met Washington in France when Washington was traveling there on vacation and became inspired by that model. A year later, he comes to the United States to attend the 1904 World's Fair and then spends two weeks at Tuskegee, learning those ideas and wanting to take them back to Haiti. So, through translation, right? Into different languages, those ideas then circulate throughout the Black world, but also through efforts to actively recruit students from those other places that Washington understood as experiencing a similar condition as African Americans. People whom he understood could benefit, he believed, could benefit from agricultural and industrial education. Great. And one of the things I loved in the way you talked about this in the text is you talked about not only translation but transplantation. And I thought that was an interesting turn of phrase because of what you were trying to communicate through that term. I want to, sort of, bring us up to some things that are currently happening. We just had a conference and you were a participant on a panel on humanistic issues around addressing food waste. And I've got to say, this was one of the panels that people really leaned into, that were really caught up by it. And you made some really insightful interventions based on some of the work that you've done in your book. So, you spoke about the anti-waste ethos at Tuskegee and I really found that interesting. Could you speak to that for a moment? Absolutely. Well, first I want to say thank you again for the opportunity to participate in that symposium. I really enjoyed it, and it really gave me an opportunity to think about various dimensions of a kind of anti-waste ethos at Tuskegee. And I think that there are a couple of different ways in which it manifested at the institution. So first there's a kind of metaphorical dimension to waste at Tuskegee. When Booker T. Washington writes to George Washington Carver to hire him, to recruit him to the institution. He said, I can't pay you a lot of money, but we have been tasked with helping to transform formerly enslaved people from conditions of waste to full manhood. Right? And so there is that sort of metaphorical, or what I would argue in the book is a kind of ontological understanding of waste, given the degraded status of the enslaved. And then there's a kind of philosophical dimension to waste as well. One, so Washington, Tuskegee, they are informed by the progressive era, right? It's a progressive era institution that's guided by a commitment to thrift and economy. And so, they're very much interested in a kind of practical attitude toward not being wasteful, right? To being thrifty with money, but also with resources. And what we see is, you know, complaints about food waste in the dining hall at Tuskegee, right? A very practical issue for a poor rural institution wherein the students are growing the food, right? Wherein the students are making the bricks, right? Are helping to transform this plantation into a school. We can't afford to waste food, right? But they're also teaching students and Black folks in the countryside how to preserve fruits and vegetables. There are these photographs of them teaching folks how to can and preserve fruits and veggies, right? To ensure that they have food throughout the winter months, so that they are not stricken by hunger and poverty and starvation. So that they aren't forced to borrow additional money from the plantation owners if they are indeed in sharecropping and tenant farming arrangements. And so, the last aspect I suppose of waste at Tuskegee that I want to highlight here is a kind of ecological one. Where in George Washington Carver is calling on farmers to take advantage of the quote unquote waste that is on their farms, right? The cow manure, right? To regenerate the soil. The swamp muck, right? The dead leaves, the night soil; to use that waste to regenerate the soil, to replenish it, right? In addition to practices of crop rotation and so forth and so on. And so that ecological dimension of waste is really important for understanding Tuskegee's ecological vision. I think this is so important because conversations around regenerative agriculture, and going back to, sort of, broader notions of traditional farming practices, minimizing the use of chemicals, people were talking about this. Folks like Carver were trying to find ways of using very little resources to help support the growers that he worked with. And we're hearing these echoes again and again. I'm so grateful that you illuminated that throughout your text. Thank you. I am not the only one who seems to have appreciated that because you won the 2026 Association for the study of African American Life and History Book Prize and the 2025 On the Brink book Award from the University of New Mexico School of Architecture and Planning. Why do you think this narrative of agricultural liberation is resonating with people so strongly? You know, first of all, Norbert, I just have to say how honored I am that the book has received these recognitions. And that it's finding its audiences. Audiences that I couldn't have imagined. Imagine my seeing my face when I opened the email to see that it had been acknowledged by both of these institutions. But especially the architecture and planning. I thought, oh my goodness. I, could not have, I could not have imagined this. So, I just want to say that I'm grateful first and foremost. You know, as I've been talking to people, you know, and as I've been moving around and talking to readers at my book tour, or people have been writing to me via email, what I've found is that the historians really appreciate the archival richness, and robustness of the text, right? So, the historians, the literary scholars, they really appreciate that aspect of the book. Many people, I think, also really appreciate the fact that it is giving us a new way to think about Tuskegee and Booker T. Washington. A place and a person who we thought we knew, right? And not in a flat way; a way that holds the complexity of that institution in place. And throughout the text, I really try to wrestle with the critiques, the valid and legitimate critiques that are coming from people like Ida B. Wells Barnett, and WEB Du Bois, about the limits of Booker T. Washington's political philosophy. But at the same time, I say, but if we don't acknowledge what they were doing through agriculture and by extension through aesthetics, then we're missing a really important part of this story, right? And I think that the book is giving us a model for thinking about how to engage in criticism that is both generative and productive, I suppose, right? Like how do we hold them to a particular standard where we say, you know, here are the limits of your political vision, but at the same time, this is what you enabled, right? And that's what the text is trying to do. And I think, you know, others have shared that they appreciate that it honors the intelligence and sophistication and dignity of Black rural people, of Black Southerners, who in my opinion, are often written out of Black studies in a way that is substantive. In a way that honors their contributions, especially in this period. The South is a space that people are simply fleeing from because of Jim Crow. And I'm saying, wait, what about the people who remain rooted in the land, on the land, either in the US South or in other sort of rural places throughout the diaspora. And then finally, I think that the book seems to be connecting to people who really care about our world. Who really care about the state of environmental degradation that we have found ourselves in as a result of institutions like the plantation, of monocrop agriculture, of industrialization in the way that it abuses, and misuses the earth. And so, because the book is invested in thinking about regeneration and repair, and about more sustainable methods from the past that can be useful for our present. I think that it seems to be connecting with readers who are interested in issues like climate change and environmental catastrophe. So that's what I suspect, based on some of the feedback that I have received. But I just want to reiterate just how grateful I am that it is finding its audience. BIO Jarvis C. McInnis holds a BA in English from Tougaloo College in Jackson, Mississippi, and a Ph.D. in English & Comparative Literature from Columbia University in the City of New York.  Jarvis is an interdisciplinary scholar of African American & African Diaspora literature and culture, with teaching and research interests in the global south (primarily the US South and the Caribbean), sound studies, performance studies, and visual culture. Jarvis's research has been supported by numerous grants and fellowships, including the Mellon Mays Undergraduate Fellowship, the Ford Foundation Pre-doctoral and Dissertation Fellowships, and Princeton University's Department of African American Studies postdoctoral fellowship. His work appears or is forthcoming in journals and venues such as Callaloo, MELUS, Mississippi Quarterly, Public Books, and The Global South.

Send Us Your Questions & Feedback!What starts as a “quick” window treatment install can easily turn into a ten-day grind—and that's where real growth happens.In this episode of No Strings Attached, I break down a real-world job that tested everything: exterior shades, multiple sliding door screens, and complex triangular window screens. The kind of project that exposes gaps in planning, materials, measuring, and labor—fast.If you're a window treatment installer, blinds and shades professional, or interior designer, you'll recognize the challenges immediately: Miscalculations and reorders  Leveling issues and tricky window shapes  Underestimated labor and install time  The pressure to still deliver a clean, professional result We also talk about what doesn't get said enough in the window covering industry—the hidden cost of saying “yes” before you feel ready. From my early days installing plantation shutters on corner windows, tackling bay windows, learning drapery installs, to selling motorized shades when automation was still new, this episode is about learning in motion.Because the truth is: you don't grow when you feel ready—you grow when you step into jobs that stretch you.I also connect the dots between job-site decisions and investing, sharing lessons from real estate experiences in Brazil and how overthinking can slow progress. Playing it safe might keep you busy, but it can quietly cap your potential.This episode is about calculated risk, craftsmanship, and building confidence through experience—without compromising your standards.

Florida U.S. Representative Cory Mills is one of the most unscrupulous politicians and businesspeople in the state, or nation.Colonial history in what is now Florida typically revolves around the Spanish, but for a period between the 1760s and 1780s, the English occupied the state. Andrew Turnbull tried establishing a British-style plantation in the New Smyrna Beach area with disastrous results. Greg Holbrook, Executive Director at the New Smyrna Museum of History, tells us all about it.

“M” is for Mulberry Plantation (Berkeley County). Completed in 1714 Mulberry is one of the most distinctive eighteenth-century houses in America.

On this special edition of The Newsroom, we're telling the story of the Black Rock Plantation House. At first glance, it's a mid-19th-century farmhouse. But dig deeper, and it sits at the intersection of multi-generational stories — including the families of enslavers and enslaved people.Over the last few months, WHQR's Aaleah McConnell and Rachel Keith traveled with descendants of those families as they work to understand their history — which is also the history of America. It is, at times, an ugly history that's hard to confront, but it's also an inspiring story of resilience. Now, 250 years after the founding of our country, it seems more appropriate than ever to tell it.

Today on Joe Oltmann Untamed, we're kicking off with raw, powerful footage of New Zealand's true patriots performing the Haka shirts screaming “Kiwis First” a worldwide battle cry from people fed up with being treated like slaves on their own land. From Indian migrants dropping cash on Irish homes while locals beg to rent, to undercover mosques popping up in East Wall and streets in Portugal and France turning into open-air Ramadan camps, the pattern is crystal clear. Mass migration is erasing cultures, replacing citizens, and leaving native families locked out of their own dreams.We bring it home that Americans are second-class in our own country. Homeless vets get nothing while illegals get hotel rooms, criminal aliens with 30+ charges walk free after killing our people, and Angel Families get silenced in statehouses. The judiciary protects predators, Netflix pushes transgender propaganda at kids, and leaders sell us out for power and profit. This isn't progress; it's deliberate replacement and betrayal.This episode is a full-throttle wake-up call for every parent, taxpayer, and patriot who's had enough of watching our way of life get dismantled piece by piece. We're connecting the dots from Europe's warning signs to Colorado's chaos because if we don't confront this evil head-on, we lose everything. Tune in for the unfiltered truth and the fire to fight back. You won't walk away the same.

This is a Grave Talks CLASSIC EPISODE! PART TWOIn Virginia Beach, Virginia, the Ferry Plantation House stands as one of the area's most historically rich—and paranormally active—sites. While it's unclear exactly when reports of spirits first began, stories of unexplained activity have followed the home throughout the 20th century and well into the present day.The house is believed to be occupied by as many as eleven distinct spirits, each tied to different periods of its long history. Among the most well-known are Henry, believed to have been enslaved on the property, and Erik, a young boy said to have died inside the home. Visitors and investigators report footsteps, voices, apparitions, and interactions that suggest the house is anything but empty.Cody Green, Vice President of Friends of the Ferry Plantation House and Paranormal Director, explores the history of Ferry Plantation House and the many spirits believed to remain there.Find out more about the house at ferryplantation.org.#TheGraveTalks #FerryPlantationHouse #HauntedVirginia #VirginiaBeach #ParanormalPodcast #HistoricHauntings #GhostStories #HauntedHistoryLove real ghost stories? Want even more?Become a supporter and unlock exclusive extras, ad-free episodes, and advanced access:

This is a Grave Talks CLASSIC EPISODE!In Virginia Beach, Virginia, the Ferry Plantation House stands as one of the area's most historically rich—and paranormally active—sites. While it's unclear exactly when reports of spirits first began, stories of unexplained activity have followed the home throughout the 20th century and well into the present day.The house is believed to be occupied by as many as eleven distinct spirits, each tied to different periods of its long history. Among the most well-known are Henry, believed to have been enslaved on the property, and Erik, a young boy said to have died inside the home. Visitors and investigators report footsteps, voices, apparitions, and interactions that suggest the house is anything but empty.Cody Green, Vice President of Friends of the Ferry Plantation House and Paranormal Director, explores the history of Ferry Plantation House and the many spirits believed to remain there. Find out more about the house at ferryplantation.org.#TheGraveTalks #FerryPlantationHouse #HauntedVirginia #VirginiaBeach #ParanormalPodcast #HistoricHauntings #GhostStories #HauntedHistoryLove real ghost stories? Want even more?Become a supporter and unlock exclusive extras, ad-free episodes, and advanced access:

This is a Grave Talks CLASSIC EPISODE!For years, the question of whether Bellgrove Plantation is truly haunted has drawn paranormal investigators from across the country. Numerous groups have attempted to document what so many visitors report—including investigators from Ghost Hunters—yet nearly everyone who enters the plantation comes away with the same conclusion: something is undeniably present.Those who have explored Bellgrove describe apparitions, disembodied voices, unexplained sounds, and strange lights appearing throughout the property. Among the most striking reports are repeated sightings of a girl in white standing on the balcony, an African-American girl wearing a yellow dress and turban, and a soldier whose appearance was so vivid that witnesses could make out the color of his hair.From its past to the spirits believed to remain, this is a deep look at a location where the unexplained refuses to fade.#TheGraveTalks #BellgrovePlantation #HauntedPlantation #ParanormalPodcast #GhostHunters #HistoricHauntings #SouthernHauntings #ParanormalActivity #Apparition #GhostSoldierLove real ghost stories? Want even more?Become a supporter and unlock exclusive extras, ad-free episodes, and advanced access:

The Church, not the government, holds the real answer to helping those in need. On today's edition of Family Talk, Dr. James Dobson continues his conversation with Star Parker about her book, Uncle Sam's Plantation. She explains why welfare programs have devastated black families, and how Christians can become the true safety net for struggling families. Learn more on Dr. James Dobson's Family Talk, right here at __________ on __________. To support this ministry financially, visit: https://www.oneplace.com/donate/707/29?v=20251111

They had visited historic places before. Old buildings, heavy histories, beautiful locations shaped by things long gone. Oak Alley Plantation was supposed to be one of those stops — scenic, calm, and rooted firmly in the past.But something shifted the moment they reached the second floor.There was no announcement. No obvious sign of danger. Just a sudden weight that didn't belong to either of them — grief that felt borrowed, as if it had been waiting. A name surfaced without context. Antoinette. And with it came a strange request: to stay, to see, to experience the world again through living eyes.They left Louisiana believing distance would be enough. That night proved otherwise.#RealGhostStories #Paranormal #HauntedPlantation #OakAlley #NewOrleansGhosts #TrueGhostStory #HauntedHistory #SpiritualAttachment #GhostPodcast Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

In “Podcast Plantation,” Ern & Iso pull the curtain back on the creator game—crabs-in-a-barrel mentality, gatekeeping, bots, bans, and industry roadblocks that try to slow down independent voices. They talk ownership, impact vs numbers, why the algorithm matters, and why the next generation of creators collaborates differently than the old guard.Plus: RIP Kevin Johnson (Philadelphia Eagles) and a quick clarification on the mix-up.

This is a Grave Talks CLASSIC EPISODE! PART TWOThe Ferry Plantation House is one of the oldest and most storied homes in Virginia Beach, with a history that stretches back centuries—and so do reports of unexplained activity. Rumors of hauntings have followed the house throughout the 20th century and continue well into the present day.We explore both the history and the hauntings of the Ferry Plantation House with Cody Green, Vice President of Friends of the Ferry Plantation House and Paranormal Director. The home is believed to be inhabited by as many as 11 spirits, including Henry, a former enslaved man, and Erik, a young boy said to have died in the house.From unexplained sounds and movement to personal encounters with unseen presences, the Ferry Plantation House has become one of Virginia's most actively reported haunted locations. Are these simply echoes of the past—or are the spirits of Ferry Plantation still sharing their stories today?Find out more about the house at ferryplantation.org#TheGraveTalks #FerryPlantationHouse #HauntedVirginia #HistoricHauntings #ParanormalPodcast #HauntedHistory #UnexplainedEncounters #VirginiaBeach #HauntedLocations #ClassicEpisode Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

This is a Grave Talks CLASSIC EPISODE!The Ferry Plantation House is one of the oldest and most storied homes in Virginia Beach, with a history that stretches back centuries—and so do reports of unexplained activity. Rumors of hauntings have followed the house throughout the 20th century and continue well into the present day.We explore both the history and the hauntings of the Ferry Plantation House with Cody Green, Vice President of Friends of the Ferry Plantation House and Paranormal Director. The home is believed to be inhabited by as many as 11 spirits, including Henry, a former enslaved man, and Erik, a young boy said to have died in the house.From unexplained sounds and movement to personal encounters with unseen presences, the Ferry Plantation House has become one of Virginia's most actively reported haunted locations. Are these simply echoes of the past—or are the spirits of Ferry Plantation still sharing their stories today?Find out more about the house at ferryplantation.org#TheGraveTalks #FerryPlantationHouse #HauntedVirginia #HistoricHauntings #ParanormalPodcast #HauntedHistory #UnexplainedEncounters #VirginiaBeach #HauntedLocations #ClassicEpisode Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

A really fun show this week with stories that are somewhat traditional and somewhat not! We hope you enjoy the variety. Dan takes us to Ohio for a dybbuk box tale, which is wildly interesting. Then we head to North Carolina to explore the Duke mansion. Lynze has three short stories this week. She covers a new kind of fear based coping mechanism, then takes us to Myrtle's Plantation and lastly, we fist fight a ghost together! Do you want to get all of our episodes a WEEK early, ad free? Want to help us support amazing charities? Join us on Patreon!Want to be a Patron? Get episodes AD-FREE, listen and watch before they are released to anyone else, bonus episodes, a 20% merch discount, additional content, and more! Learn more by visiting: https://www.patreon.com/scaredtodeathpodcast.Send stories to mystory@scaredtodeathpodcast.comSend everything else to info@scaredtodeathpodcast.comPlease rate, review, and subscribe anywhere you listen.Thank you for listening!Follow the show on social media: @scaredtodeathpodcast on Facebook and IG and TTWebsite: https://www.badmagicproductions.com/Facebook: https://www.facebook.com/scaredtodeathpodcastInstagram: https://bit.ly/2miPLf5Mailing Address:Scared to Deathc/o Timesuck PodcastPO Box 3891Coeur d'Alene, ID 83816Opening Sumerian protection spell (adapted):"Whether thou art a ghost that hath come from the earth, or a phantom of night that hath no home… or one that lieth dead in the desert… or a ghost unburied… or a demon or a ghoul… Whatever thou be until thou art removed… thou shalt find here no water to drink… Thou shalt not stretch forth thy hand to our own… Into our house enter thou not. Through our fence, breakthrough thou not… we are protected though we may be frightened. Our life you may not steal, though we may feel SCARED TO DEATH." Subscribe to SiriusXM Podcasts+ to listen to new episodes of Scared to Death ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.