Podcasts about Crescent City

Join us for an exciting new episode of the 4 Tales Podcast as we sit down with comic book writer Newton Lilavois, the creative force behind Crescent City Monsters, Sequential Love, and Kisha: Demon Eater. We dive deep into Newton's storytelling process, his love for blending horror, culture, and heart, and how his heritage influences his work. Whether you're a longtime fan or just discovering his powerful, supernatural tales, this interview offers a behind-the-scenes look at the mind of one of indie comics' most distinctive voices. Don't miss it!Follow Newton's work at https://dream-fury-comics.myshopify.com/Subscribe to our YouTube channel at https://bit.ly/4TalesYoutubeFollow Danny's books at https://www.4thwallpros.com/Check out Kyrun's books at https://www.tauruscomics.com

We rarely post reruns, but this show from last December is quite relevant in light of the magnitude 8.8 earthquake off the coast of Russia's Kamchatka Peninsula last Tuesday. The subsequent tsunami watch along the West Coast soon became a tsunami advisory, and later, a tsunami warning was issued for the North Coast. Although the tsunami peaked at 3.6 feet in Crescent City, it was another good lesson for everyone living in a tsunami hazard area.And if you are wondering why Crescent City is so often on the receiving end of tsunamis, check out this 2008 article by local expert Lori Dengler et al.The Vulnerability of Crescent City, California, to Tsunamis Generated by Earthquakes in the Kuril Islands Region of the Northwestern PacificOriginal show notes:What's the difference between a strike-slip fault and a subduction zone? Can a local 7.0-magnitude earthquake? And what on earth was going on with all that weird footage of Humboldt Bay last week, in the wake of the quake?Jay Patton, of Cal Poly Humboldt's geology department, is here to talk us through it all. Check out his blog here.Support the show

A massive 8.8 earthquake off Russia's Kamchatka Peninsula triggered tsunami alerts for Hawaii, Alaska, and the U.S. West Coast. Waves up to 5.7 feet hit Hawaii; Crescent City, CA saw 3.6 feet. Evacuations were ordered, then lifted. Please Like, Comment and Follow 'Broeske & Musson' on all platforms: --- The ‘Broeske & Musson Podcast’ is available on the KMJNOW app, Apple Podcasts, Spotify or wherever else you listen to podcasts. --- ‘Broeske & Musson' Weekdays 9-11 AM Pacific on News/Talk 580 AM & 105.9 FM KMJ | Facebook | Podcast| X | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

In Part 2, we pick up where we left off in Part 1. Carolyn and I talk about making decisions and intentionality vs. circumstance, need, and necessity. We then go on to talk more about Carolyn's lifelong love of sports. She shares the story of her maternal grandmother coming from The Philippines to live with them and how they'd watch games together. It was the days when, in much of the country, if you wanted to watch Major League Baseball, it was all Atlanta Braves, all the time (thanks to TBS, of course). Carolyn became a Braves fan, especially a fan of Dale Murphy. She watched football, too. She didn't watch the Giants on TV much, because every game wasn't televised in those days. But she could easily hop on Muni to see a game at Candlestick Park. Her dad often picked them up, showing up at the ballpark around the seventh inning, getting in free, and watching the end of the game with Carolyn and her friends and/or sisters. We go on a short sidebar about bundling up in San Francisco—at Candlestick and if you just wanted to go to the beach. In addition to Candlestick, she went to Warriors games a bit and also various sporting events at Cow Palace. Her dad learned how to bowl and would take his kids with him. We fast-forward a bit to hear about Carolyn's years in high school, when she went to the all-girl school Mercy High (which is now closed). Later, she took the same bus, the 29, to SF State that she had taken to Mercy. State was the only college she applied to. We talk a little about her decision not to leave San Francisco for school. In high school, she had decided that she wanted to be a sports writer. In fact, she aimed to become the first woman anchor at ESPN. We rewind a bit to talk about some of the journalism Carolyn did in high school. She had her own column in the school paper called “Off the Bench.” She shares a fun story of calling the Braves' front office to arrange for an interview with her favorite player—Murphy—the next time Atlanta rolled into town. In her third semester at SF State, Carolyn got pregnant. Around this time, she also took her first Asian-American Studies class, something that kicked in for her and stays with her to this day. She dove in head-first. I ask Carolyn whether and how much of that history her parents were aware of. She says that, for them, much of it was just things going on in their lives in the city they came to—things like the strike at SF State or the demonstrations at the I-Hotel in Manilatown. Learning more and more about the history of her people in the US lead Carolyn to confront her dad. “Why did you bring us here?” she'd ask. She ended up raising her first child, a mixed-race kid, as a single parent around this time in her life. She had figured that her son's dad would bring the kid the Blackness in his life, and she'd bring the Filipino-ness. Her own ideas of how best to raise the kid had to evolve, and they did, she says. She eventually returned to State and graduated. She lived in South City for a hot minute, held three jobs, and raised her son. She never felt that she couldn't leave The Bay. It was more, “Why would I?” Then, because if you know Carolyn Sideco, well, you know … then we talk about New Orleans. New Orleans is why and how Carolyn came into my life. My wife is borderline obsessed with The Crescent City. I'd been there some earlier in my life, growing up not too far away and having some Louisiana relatives. Erin and I spent three weeks in fall 2022 in a sublet in Bywater, Ninth Ward. That NOLA fever caught on for me then, and I'm hooked. Back home sometime after that, Carolyn came across Erin's radar. “There's a woman in San Francisco who seems to love New Orleans as much as I do and she has a house there!” Erin would tell me. In 2024, at a vegan Filipina pop-up at Victory Hall, we finally met this enigmatic woman. We ended up spending Mardi Gras this year at Carolyn's house in New Orleans—Kapwa Blue. “New Orleans has been calling me for about 20 years,” Carolyn says. One of her younger sisters lived there awhile. Her oldest son served in AmeriCorps there for three years and kept living in New Orleans four more. Carolyn and other members of her family visited often. This was around the time that Hurricane Katrina hit and devastated Southern Louisiana. A little more than a decade ago, Carolyn learned of the historical markers in the area that told the stories of Filipinos being the first Asians to settle in that part of the world. (Longtime listeners of Storied: SF might recall that Brenda Buenviaje hails from just across the Mississippi River from New Orleans.) As Carolyn learned more and more of the Filipino history in the region, that calling started to make more and more sense. Three years ago or so, her oldest son got married in New Orleans. That visit told Carolyn that she, too, could live there. Her husband devised a plan, and with some of Carolyn's cousins, they bought a house in the Musician's Village part of town, near the Ninth Ward—the aforementioned Kapwa Blue. They intended to bring that same sense of community her parents found and participated in back in San Francisco all those decades ago to their new neighborhood New Orleans. In addition to the house, Carolyn helped found tours of Filipino history in New Orleans and the surrounding area. Find them Bayou Barkada Instagram at @bayoubarkada Back in The City these days, Carolyn has her own sports consultancy called Coaching Kapwa (IG). “I call myself ‘Your sports relationship coach,'” she says. This means that she provides comfort and advice to anyone interacting with any of the various sports ecosystems. She aims to apply the idea of kapwa to an otherwise competition-driven sports landscape. We end the podcast (and the season) with Carolyn's interpretation of the theme of Storied: San Francisco, Season 7: Keep it local. She shares what that idea means for her here as well as how it pertains to her time in New Orleans. We'll be taking August off as far as new episodes go. I'll be busy putting together the first episodes of Season 8 and getting ready for the season launch party/art opening. “Every Kinda People” kicks off at Mini Bar on Sept. 4. That's also the theme of the next 20 or so episodes of this show. As always, thank you deeply and sincerely for listening/reading/sharing/liking/commenting/DMing/emailing/subscribing/rating/showing up and really any type of interaction you do with this passion project of mine. If you're not already, please sign up for our monthly newsletter over on the About page. See you in September!

As the qualifying period for the Oct. 11 election closed earlier this month, multiple seats were left without qualifiers. A majority of these vacant seats are in rural parts of northern Louisiana. Report for America Corps Member Alex Cox tells us more. A yearlong federal investigation resulted in the arrests of four local lawmen accused of participating in a paid scheme in order to bypass immigration laws. Now, residents in Western Louisiana parishes are left trying to make sense of it all. Joseph Cranney has been investigating this story for The Times Picayune/ New Orleans Advocate. He joins us with the details.New Orleans is on the short list to host the 2028 Democratic National Convention, where the party will select its ticket for the next presidential election and adopt a policy platform. The news was recently revealed by executive director of the Louisiana Democratic Party, Dadrius Lanus.Lanus joins us for more on New Orleans's bid to host the DNC, and why he thinks the Crescent City is the ideal spot.—Today's episode of Louisiana Considered was hosted by Karen Henderson. Our managing producer is Alana Schreiber. We receive production and technical support from Garrett Pittman, Adam Vos and our assistant producer, Aubry Procell. You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, the NPR App and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

Myself and The Speakeasy Podcast co-host Greg Benson were both in New Orleans last week at the Tales of the Cocktail festival, and so were Alexandre Gabriel, master distiller and blender at Maison Ferrand & Planteray rum, plus Matt Pietrek, spirits author & publisher, who lives in the Crescent City. AND Alexandre and Matt had just published (with Matt's WonkPress company) "The Rum Never Sets: A History of Naval Rum", so we all decided to get in the pool (where else to tape a podcast about naval rum?!) and talk about Mr Fogg, Alexandre's journey from being a cognac distiller to a rum blender, naval rum, historical research, and a whole lot more - enjoy! Oh, and we drank Mr Fogg Navy Rum, the latest Planteray rum that pays homage to Michael Fogg, who you will learn about in the podcast, and the book, and HERE: https://planterayrum.com/limited-edition/mister-fogg-navy-rum/Oh, and HERE the link if you'd like to WATCH this - yep, we recorded video! Link: https://www.youtube.com/watch?v=uI975RFZXxIThis episode is a dual-cast collab with The Speakeasy, the longest-running spirits / bar / cocktail podcast around, to which you should certainly subscribe, link: https://open.spotify.com/episode/3K545VNuOTdTSICk7D2jvB?si=1jQuzjaiTFuZtZM4qjHlGABuy The Rum Never Sets: https://www.wonkpress.com/products/the-rum-never-sets?srsltid=AfmBOooimTmyM_c6CZ6aiSmWIAXTX0OdkGo1XM5w6Mylq3wt8Be6HetEGreg Benson on IG: https://www.instagram.com/100proofgreg/?hl=enThe Speakeasy on IG: https://www.instagram.com/speakeasypodcast/?hl=enAlexandre Gabriel on IG: https://www.instagram.com/alexandregabriel.masterblender/?hl=enPlanteray on IG: https://www.instagram.com/planterayrum/?hl=enMatt Pietrek on IG: https://www.instag Get in touch with Duff!Podcast business enquiries: consulting@liquidsolutions.org (PR friends: we're only interested in having your client on if they can talk for a couple of hours about OTHER things than their prepared speaking points or their new thing, whatever that is, for a few hours. They need to be able to hang. Oh, plus we don't edit, and we won't supply prepared or sample questions, or listener or “reach” stats, either.) Retain Philip's consulting firm, Liquid Solutions, specialised in on-trade engagement & education, liquor brand creation and repositioning: philip@liquidsolutions.orgPhilip on Instagram: https://www.instagram.com/philipsduff/ Philip on Facebook: Philip Duff Philip on X/Twitter: Philip Duff (@philipduff) / Twitter Philip on LinkedIn: linkedin.com Old Duff Genever on Instagram: Old Duff Genever (@oldduffgenever) • Instagram photos and videos Old Duff Genever on Facebook: facebook.com Old Duff Genever on X/Twitter: ...

Thankfully we went for a part 2 because there is just SO much to cover and say!

These books are infact BRICKS. Very good books. But you may want to buckle up because good grief do we have a lot to cover. Especially with ACOTAR 6 coming our way!!!

The podcast makes another visit to Florida. UIAAA Connection #237 – Tammie Talley, CAA, Director of Athletics – Duval County Public Schools, is now available. Tammy Talley grew up in Jacksonville before moving to Crescent City,where she competed in multiple sports. A collegiate volleyball athlete, Tammy later served as the building athletic director at two schools before stepping into her current leadership role. She shares insights from her work on the LTC518 development team, helping launch the course in Austin. Tammy also holds the position of secretary for the FIAAA. Her advice to new and experienced athletic directors includes finding a reliable mentor and never hesitating to ask questions that lead to growth, clarity, and stronger leadership. Please Listen, Learn, and Share! You can subscribe to UIAAA TV on YouTube! This podcast is also available on Amazon Music, Apple Podcasts, Breaker, Castbox,Google Podcasts, iHeartRadio, Overcast, Pocket Casts, RadioPublic, Spotify, Stitcher, and YouTube.

632. Chip Lococo discusses his novel, The Devil's Jazz:
A Gripping Historical Thriller of Murder, Music, and Madness in 1918 New Orleans, about the infamous Axman of New Orleans. “They have never caught me and they never will... I have been, am, and will be the worst spirit that ever existed either in fact or the realm of fancy.” — The Axman       In the haunted heart of New Orleans, as World War I draws to a close, a sinister presence stalks the streets. A brutal serial killer—known only as the Axman—emerges from the shadows, targeting the city's Sicilian immigrant community with chilling precision. Inspired by true events, The Devil's Jazz resurrects one of America's most disturbing unsolved murder cases in a city steeped in music, mystery, and myth. Retired detective Giancarlo Rabito is pulled back into the darkness when the killings begin. The press fans hysteria. The public panics. And when the Axman sends a blood-chilling letter to the newspapers — promising death unless every home plays jazz on a chosen night — the city answers with a desperate and defiant flood of music.       Chip LoCoco was born and raised in New Orleans, Louisiana, where he attended Jesuit High School and received his BA degree from Loyola University in 1990 with a concentration in History. He then went on to receive his JD degree from Loyola University Law School in 1993 and joined his father's firm, Many & LoCoco, after being sworn in as an attorney in October, 1993. Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 221 years. Order your copy today! This week in the Louisiana Anthology. Julie Kane, poet laureate of Louisiana, 2011-2013. “Moonrise on the Cane River.” "The moon is a surprised white face over the darkening river Even before a pair of blue-grey wings swoops down Between the O of its mouth and the O of a surfacing fish, And the phone rings, and it's you in Baton Rouge Grilling a silver catfish and staring at the moon." This week in Louisiana history. June 28, 1861. First Civil War battle engagement for Louisiana Tigers, at Seneca Dam on Potomac River. This week in New Orleans history. Hurricane Audrey. June 28, 1957. On June 27, the Hurricane Audrey reached peak sustained winds of 145 mph, making it a major hurricane. Without decreasing windspeed, it made landfall between the mouth of the Sabine River and Cameron, Louisiana the following day. Audrey killed at least 416 people, the majority of which were in Cameron Parish. This week in Louisiana. Essence Fest July 3-6, 2025 Various venues New Orleans, LA     What began in 1995 as a one-time event to celebrate Essence Magazine's 25th anniversary has blossomed into an annual festival, which has welcomed hundreds of thousands of guests to the Crescent City each year over the past two decades. Often referred to as “a party with a purpose,” the Essence Festival of Culture promotes, celebrates, and explores health & wellness, spirituality, beauty & style, food, community & culture, entertainment, entrepreneurship, and much more within the African American community.     Attendees are invited to engage in panel discussions, shopping, meet-and-greets, activities, and of course, nonstop live music featuring some of the best in R&B, soul, funk, gospel, and hip-hop each and every Fourth of July weekend.     Essence Fest returns for its 31st year from July 3-6, 2025. Lineups will be announced closer to the event, but past headliners include Janet Jackson, Charlie Wilson, Usher, and Birdman & Friends, who will also honor three decades of Cash Money Millionaires. Postcards from Louisiana. Phillip Manuel sings with Michael Pellera Trio play at Snug Harbor on Frenchmen St. in New Orleans.  Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

In this episode of Joyously Free!, host Joanie Lindenmeyer talks with Patrick Quivey, a retired clinical social worker and senior warden of St. Paul's Episcopal Church in Crescent City, to explore the unique dynamics of small church communities. Patrick shares his journey from aspiring minister to social worker and his eventual connection with St. Paul's, […]

There are few sure things nowadays, but one thing we can guarantee is that today somewhere in the Mountain State this song is being sung, whistled, hummed or at least thought of about every 15 minutes.The truth is that The Flood has avoided doing ”Take Me Home, Country Roads” for about a half century now. It's not that the guys don't like it; on the contrary, just the opening line (Al-most heeeeaven, West Virginnnnia….) will always tease out a smile in our band room.But, well, gee, it just seemed almost like a cliché, you know? A bunch of West Virginians singing it was kind of like the boys down in San Antone doing “Home on the Range” or “Deep in the Heart of Texas” or a Crescent City crew doing “Saints Go Marching In.”That all changed, though, earlier this year. When everybody watched a stadium full of people at the Super Bowl in New Orleans spontaneously joining in on “Country Roads” following that Rocket Mortgage commercial, band manager Pamela Bowen looked at Charlie and said, “It might be time….”It is. The instrumentation is right nowadays. Jack Nuckols has dusted off his fiddle. Bowen has learned enough banjo to contribute something. Randy Hamilton has just the right voice for the lead. Danny Cox and Sam St. Clair grew up knowing that harmony. It was just a matter of getting it together in time for today. Happy West Virginia Day, y'all!About The Song“Take Me Home, Country Roads” was born, not in West Virginia, but in neighboring Maryland. Its first public performance was on New Year's weekend 1970 at the tiny Cellar Door coffeehouse in the Georgetown section of Washington, DC.The idea for tune started a few weeks earlier when songwriters Bill Danoff and his girlfriend Taffy Nivert — who performed together as “Fat City” —  were driving to a family reunion in Massachusetts, Neal Augenstein writes in Washington's WTOP.com. (Incidentally, if Danoff and Nivert's names are familiar it might be because they later renamed their group “Starland Vocal Band,” known for the 1976 hit “Afternoon Delight.”)For the “Country Roads” debut, Len Jaffe, a D.C. area singer/songwriter, was at the Cellar Door and later told Augenstein, “The road they were actually on was Clopper Road, in Gaithersburg, a little two-lane blacktop” at the time, but now an exit off Interstate 270.“When they got to the ‘Almost heaven …' part,” Jaffe added, “at first it was going to be ‘Massachusetts,' because that's where Bill was from. But they didn't like the vibe, so they used 'West Virginia.' They had never been to West Virginia.”That was the same weekend that John Denver would hear the song which would become his first platinum single. On Dec. 29, 1970, Denver played the first of a string of solo shows at the Cellar Door, where Danoff and Nivert were the opening act. Later that evening in the couple's Georgetown home, Denver asked if they had any new songs he could hear.“Get out that song you're writing for Johnny Cash,” Taffy said, and Danoff pulled out what at that point consisted of only the chorus and a single verse. Denver loved it immediately and helped Danoff and Nivert complete the lyrics and arrangement overnight. Then that very evening, Denver played the new song at the coffeehouse.“We just finished a brand new song,” Denver said on stage, “and I haven't even learned the words yet.” He taped the lyrics to the mic stand and, as an encore, the three of them did the song cold.“It was a five-minute standing ovation,” Jaffe told Augenstein. “The walls were vibrating. I thought the club was going to implode.”The following month in New York, as part of his Poems, Prayers & Promises album, Denver recorded the song with Danoff and Nivert doing the harmony vocals.West Virginia ConnectionsOkay, now, wait a minute. So the song debuted in D.C. after being written in Maryland by folks whose minds were set traveling to New England. Where the heck does West Virginia come into this story? Actually, Danoff says that from the start there were Mountain State connections to “Country Roads.” The portion of the lyric's bridge says “the radio reminds me of my home far away," a line he says is quintessentially West Virginian. That's because it is an allusion to his Springfield, Mass., childhood when he grew up in the ‘50s listening to “Saturday Night Jamboree” broadcasts each week from Wheeling's WWVA.“It was a powerful station,” he said, “and we got it clearly in Springfield at nighttime.”Danoff also had other West Virginia associations to draw from. For instance, he was a good friend of actor Chris Sarandon, a Beckley native who was once married to actress Susan Sarandon. But even more than that, Danoff recalled a group of hippies from a West Virginia commune who used to sit in the front row of the little clubs in which his and Taffy's band used to play.“They brought their dogs and were a very colorful group of folks; that's how West Virginia began creeping into the song,” he said.Mountain Mama's ReceptionIn the Mountain State, "Take Me Home, Country Roads” has, of course, received an enthusiastic response for more than 50 years now.In 2017, the state's tourism office announced it had obtained the rights to use the song in its marketing efforts. "'Country Roads' has become synonymous with West Virginia all over the world," said tourism commissioner Chelsea Ruby. "It highlights everything we love about our state: scenic beauty, majestic mountains, a timeless way of life, and most of all, the warmth of a place that feels like home whether you've lived here forever or are just coming to visit." The opening "Almost heaven" phrase became a primary tourism slogan.The song is the theme song of West Virginia University. Since 1972 it has been performed during every home football pregame show. It also is played after every home victory when fans are encouraged to stay in the stands and sing along with the team.On Sept. 6, 1980, at the invitation of then-Gov. Jay Rockefeller, Danoff, Nivert and Denver performed it to a sold-out crowd of Mountaineer fans at the dedication of WVU's Mountaineer Field.In 2014, the state legislature adopted it one of four official state songs (along with "West Virginia Hills," "This Is My West Virginia" and "West Virginia, My Home Sweet Home”).But About That GeographyFrom the start, however, some West Virginians have groused about the lyrics' sketchy geography. Blue Ridge Mountains? Shenandoah River? To local folks, that sounded a bit more like western East Virginia than their home turf.Some, with a grin, even propose a little judicious editing, maybe something like: Almost heaven, West Virginia, Snowshoe Mountain, Monongahela River….In the end, though, most mountaineers choose to love the song anyway, and, if anyone asked, they just say the song cleverly refers to the state's historical rather than contemporary geography.Still, those dicey directions always supply an easy punchline for smart-alecky Virginians: “Why, son, that's why West Virginia is just almost heaven.…”More Tunes for Mountain Mama Day?Finally, if you need more extensive soundtrack for today's West Virginia Day celebrations, remember the “Special Blends” section of the free Radio Floodango music streaming service includes a selection of Flood-centric Mountain State tunes. Click below for details: This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

In this episode of Joyously Free!, host Joanie Lindenmeyer talks with Thomas Kelem, director of Del Norte and Tribal Lands Pride, to discuss the upcoming Pride celebration in Crescent City on June 21st and Lindenmeyer's book talk at the Del Norte Public Library on June 19th. The conversation highlights themes of community, inclusivity, resilience, and […]

In this episode of the Doc & Jacques radio variety show, Dr. Gigi Reed and Jacques Kepner interviewed Thomas Kelem, coordinator of the Del Norte Pride Festival, and Dan Friestman, Exalted Ruler of the Crescent City Elks Lodge. Kelem highlighted the upcoming Pride Parade on June 21st in Crescent City, themed “Stars of the Community,” […]

Louisiana Eats hit a major milestone last week – 15 years on the air. That's well over 500 episodes featuring somewhere around a thousand different voices! This week, we bring you three interviews from our archives that celebrate some late, great Louisiana legends. We begin with a tribute to Chef Paul Prudhomme, his wife Kay, and their lost French Quarter restaurant, K-Paul's. We revisit an unforgettable conversation we had with Sandy Hanson and her brother-in-law, Chef Frank Brigtsen, after Paul died in 2015. Both Sandy and Frank were K-Paul veterans from the restaurant's earliest days. They share memories of their time there and the profound impact both Kay and Paul had on their lives. Then, we bring you the voices of two late New Orleans TV icons. The first is broadcast pioneer Terry Flettrich Rohe. Those who grew up in the Crescent City in the 1950s may remember Terry as "Mrs. Muffin" on a WDSU-TV daily children's program that she hosted for almost a decade. She was also the producer and host of Midday, one of the network's most popular programs. The second is seafood magnate Al Scramuzza, who passed away in May at the age of 97. Al's comical and campy TV ads dominated the airwaves for decades – and each of them he wrote, produced, and starred in. But even before his commercials made him a household name, Al was combining his acumen for business and marketing to turn a profit. All the while, he played a major role in the mudbug's rise to culinary fame. For more of all things Louisiana Eats, be sure to visit us at PoppyTooker.com.

Louisiana Eats hit a major milestone last week – 15 years on the air. That's well over 500 episodes featuring somewhere around a thousand different voices! This week, we bring you three interviews from our archives that celebrate some late, great Louisiana legends. We begin with a tribute to Chef Paul Prudhomme, his wife Kay, and their lost French Quarter restaurant, K-Paul's. We revisit an unforgettable conversation we had with Sandy Hanson and her brother-in-law, Chef Frank Brigtsen, after Paul died in 2015. Both Sandy and Frank were K-Paul veterans from the restaurant's earliest days. They share memories of their time there and the profound impact both Kay and Paul had on their lives. Then, we bring you the voices of two late New Orleans TV icons. The first is broadcast pioneer Terry Flettrich Rohe. Those who grew up in the Crescent City in the 1950s may remember Terry as "Mrs. Muffin" on a WDSU-TV daily children's program that she hosted for almost a decade. She was also the producer and host of Midday, one of the network's most popular programs. The second is seafood magnate Al Scramuzza, who passed away in May at the age of 97. Al's comical and campy TV ads dominated the airwaves for decades – and each of them he wrote, produced, and starred in. But even before his commercials made him a household name, Al was combining his acumen for business and marketing to turn a profit. All the while, he played a major role in the mudbug's rise to culinary fame. For more of all things Louisiana Eats, be sure to visit us at PoppyTooker.com.

What if I told you that you could make a HUGE difference in the world and it would be the most fun, easy as breathing thing for you to do AND your life would end up better than you'd ever imagined...? Let's talk about it inside the ep. Also shout out to Sarah J Maas and her Crescent City and ACOTAR novels for their aid in the rise of womankind xxMy links to all the things inc my app: https://linktr.ee/esthersuniverse Rate the pod 5 stars please! Love Esther x

This week on the Insider Report, Kat and Bruce give the scoop on what is going on in the area, including the Chetco Library event schedule; One King 1st Annual Music Festival in Crescent City; Anne: Vignettes From Avonlea at the Tolowa Dee-Ni' Event Center; “Strait Country”, Buck Ford's Tribute To George Strait; Afternoon Indie […]

Join hosts Tami Larson and Dennis Strazulo as they dive into the vibrant atmosphere of JazzFest 2025, with this episode recorded at The Broadside in New Orleans during the 10th Annual Crawfish Festival. In this episode, the first of several generated from JazzFest, the focus is on the experiences of the captivating, modern New Orleans funk band, The Rumble, authors of  a sound they dub "New Orleans Mardi Gras Funk!" Special guest co-host, Wally Ingram, joins the first part of the episode, engaging with The Rumble's co-founder and soulful guitarist, Ari Teitel and its super talented keyboard player, Andriu  “Yano” Yanovski, as they reflect on their hard working paths to success as Grammy nominated musicians. The conversation flips to Ari, Andriu and the hosts delving into Wally's storied journey playing with the likes of Timbuk 3, David Lindley, Sherly Crow, Phil Lesh, Bob Weir, Bonnie Raitt, Jackson Browne, Crowded House, George Clinton, and David Nelson, making Wally a  beloved percussionist/drummer across music genres. As these remarkable artists muse about their influences and mentors, Wally shares stories of his role as mentor for his bass-playing daughter Lydia's friend, Paolo Pesce and his rising band, Great Big Cow, while exuding praise and respect for the New Orleans music scene and much more!Ari and Andriu visit with Tales From  The Green Room fresh off their set with The Gangsters of Love, performing the music of Johnny “Guitar” Watson on the opening day of the  Crawfish Festival. When not playing with The Rumble you can catch Ari playing with Ivan Neville's Dumpstaphunk and Andriu jamming with David Shaw of The Revivalists, or sitting in with a myriad of ensembles around The Crescent City and across the USA.  The duo also make up the-thirds of the sensational improv band, AX3.The backstage banter continues as the hosts chat it up with other members of The Rumble - leader and co-founder Chief Joseph Boudreaux, Jr., trumpet player Aurelien "Sunpie" Barnes, bassist TJ Norris, and  inspirational drummer Trenton O'Neal -  moments before they hit the stage on day two of Crawfish Fest. The artists explore the band's formation, intentional approach, and dynamic performances. The band members also delve into their cultural and musical heritage with engaging anecdotes, industry insights, and a celebration of New Orleans' rich musical tradition. This episode captures the essence of The Rumble's journey and their undeniable impact on New Orleans music and beyond!Catch The Rumble at High Sierra Music Festival 2025 July 3-6!Episode Photo Gallery by Chris Applebaum Images – 4/28/25 Episode Photo Gallery by Chris Applebaum Images – 4/29/25HighlightsThere's something about the groove here. It's different. I kind of always say I don't trust a drummer who hasn't spent some time in New Orleans. Yeah. I mean, it's just, it's in the air. You feel it, you're so spoiled down here, man. It's just amazing. It's unifying too!-Wally Ingram praising the New Orleans music scene Detroit's got such a rich musical tradition, and I had a chance to come up under a lot of the greats and people like Ralph Armstrong, who played with Mahavishnu Orchestra and got a chance to play with Allan Barnes, sax player from Donald Byrd and the Blackbyrds. I had great teachers like Rodney Whitaker, the great upright bass player in Detroit. So I got a strong foundation in blues bebop, R&B, and then played in church and also in Michigan there was a strong jam band community, so I was kind of always in and out of that.-Ari Teitel on learning from the greats in his home state of MichiganIt opens you up. You stay open for the moments, for those times when you might go off script. But that's where the magic is. That's the sauce. Those are the moments I freaking live for. You're on the edge, you don't know what's gonna happen, and then you come up. Especially if I were playing with like Wally or Andrew, I'm confident in that unknown. It will present a lot of opportunities for some great moments, and  in those moments you discover some new musical ground and then everybody shares a smile.-Ari Teitel on how his jazz training opens him up to magical musical momentsWhen I was 19, I met Clyde Stubblefield. in Madison, Wisconsin. A friend of mine brought him to see me play, and I met him and I asked him if he teaches lessons. He goes, no, no man, just play. Just come down every Monday night. I'm at this club. Just come down. So I would go down there and watch him play. Just like what you guys were talking about. And he would say, oh yeah, you're that guy. A drummer, okay, you're up next set. And you'd have to just sit in with his band, which is a full R&B band with horns and they'd be like, oh shit. Clyde's got another drummer. Shit. So you'd have to sit in with his band and hold your own. He was very open to that. And we became great friends his whole life and we played together a lot.-Wally Ingram on learning from legendary James Brown drummer, Clyde StubblefieldI was at the show seeing Robert Randolph when I was 11 years old. My dad got everybody in the section to point at me…this kid, this kid! So he calls me up. I played for two minutes and then his guitar tech came to usher me off. Like, okay, that was it. Good job buddy. And then Rob Randolph waved him off, and said, no, no, no, he's staying up. So I  played a whole 20 minutes with him. He lifted me up. Yeah. Put me on top of a chair. I didn't know it was happening, my legs were flailing!-Ari Teitel reflecting on his big moment on stage with Robert Randolph at age 11 I didn't really know the function of a keyboard in a band fully until I heard about Ray Charles and heard what he did for the first time. I had never played a Rhodes piano. It felt insane the first time I played one. It was Ray Charles really that opened my mind. And then it was like Art Tatum and Oscar Peterson. And that was cool with my parents 'cause they were classically proficient. But then it started to deepen. Then you, obviously, learn about Miles Davis

Jenna Bush Hager sits down with bestselling author Sarah J. Maas, the powerhouse behind Throne of Glass, A Court of Thorns and Roses, and Crescent City. As ACOTAR celebrates its tenth anniversary, Sarah reflects on her early writing days, the manuscript she scrapped, and the debut that changed everything. She opens up about the impact of BookTok, balancing motherhood with deadlines, and why fantasy and romance offer more than just escapism — they offer hope.

Eighty four year-old Irma Thomas is the “Soul Queen of New Orleans.” Galactic is a band that’s spent the last three decades generating uncompromising funk music. Now, these cornerstones of the Crescent City are sharing a new collaboration — Audience With The Queen. Stewards of sonic heart that they are, Galactic fits perfectly alongside Thomas’ incomparable voice. And we expect “Where I Belong” will become a setlist staple for both artists.

Special Guest Luke McCambley, also known as the Orange Runner, discusses his path from boxing to becoming a cartoonist interested in running, baseball, and trains. Dave shares about his Crescent City 10k experience and Trevor mounts yet another campaign to return to running consistency. The post office is generally praised by all despite its quirks.

TanStack, a collection of popular open-source software libraries, is back in the news cycle this week with the announcement of TanStack DB. TanStack DB extends TanStack Query with collections, live queries, and optimistic UI mutations to keep UIs reactive, consistent, and lightning fast.VS Code marks its 100th release of v1 with updates like: enabling Next Edit Suggestions (NES) be default, adding custom instructions and reusable prompts for a chat agent inside a project's .github folder, and new tools at the AI agent's disposal for better results.There's a new component library available called Basecoat UI that claims to bring the magic of shadcn/ui with no React required. No matter if a website's built using HTML, Flask, Rails, or another JS framework, Basecoat uses HTML and Tailwind, and a hint of Alpine.js when needed, to provide accessible, modern components that are also compatible with shadcn/ui themes.News:Paige - Basecoat UI - framework agnostic component libraryJack - TanStack DBTJ - VS Code 1.100Bonus News:Apparently we should all just f'ing use HTMLParcel v2.15 jumps on the Rust bandwagonGoogle is testing a new “AI Mode”Google's logo changeMax once again becomes HBO MaxWhat Makes Us Happy this Week:Paige - House of Earth and Blood (#1 in Crescent City series) Jack -  Grand Sumo May 2025 TournamentTJ - Coast of MichiganThanks as always to our sponsor, the Blue Collar Coder channel on YouTube. You can join us in our Discord channel, explore our website and reach us via email, or talk to us on X, Bluesky, or YouTube.Front-end Fire websiteBlue Collar Coder on YouTubeBlue Collar Coder on DiscordReach out via emailTweet at us on X @front_end_fireFollow us on Bluesky @front-end-fire.comSubscribe to our YouTube channel @Front-EndFirePodcast

Hosts Jim DeRogatis and Greg Kot talk with author Cary Baker about the musical tradition of street performance, also known as busking. The hosts also review the solo album from TV On The Radio lead singer Tunde Adebimpe and hear feedback from listeners on recent episodes.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Arvella Gray, "John Henry," I Blueskvarter Chicago 1964, Volume Two, Jefferson, 2000The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Tunde Adebimpe, "Magnetic," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Ate The Moon," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Pinstack," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Drop," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Blue," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "Somebody New," Thee Black Boltz, Sub Pop, 2025Tunde Adebimpe, "ILY," Thee Black Boltz, Sub Pop, 2025Tracy Chapman, "Stand By Me (Live At The Late Show With David Letterman)," Greatest Hits, Elektra, 2015Moondog, "Nocturne Suite Part 1," On The Streets of New York, Mississippi, 2019Cortelia Clark, "Bye, Bye, Love," Blues in the Street, RCA, 1966George Coleman, "Innocent Little Doggy," Bongo Joe, Arhoolie, 1969Fantastic Negrito, "Nobody Makes Money," Fantastic Negrito EP, Blackball Universe, 2014Violent Femmes, "Blister In The Sun," Violent Femmes, Slash, 1983Ted Hawkins, "Strange Conversation," The Next Hundred Years, Geffen, 1994Mary Lou Lord, "St. Swithin's Day," Real, Deep Music, 1993Lucinda Williams, "Ramblin' On My Mind," Ramblin' on My Mind, Folkways, 1979Dom Flemons, "Charmin Betsy," Black Cowboys, Smithsonian Folkways, 2018Emmylou Harris, "Crescent City," Cowgirl's Prayer, Asylum, 1993Stan Rogers, "Barrett's Privateers," Fogarty's Cove, Barn Swallow, 1977Tsunami, "In A Name," Deep End, Simple Machines, 1992See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Maddie gone for the day so Jen and Calli talk about Throne of Glass (with a little Crescent City from Calli) and catch up on a lot of other things, including what we've been up to and what we've been watching lately. It's nice to be back after a couple weeks off.

Last week, Robert Francis Prevost was elected as the new pope. Prevost, now known as Pope Leo XIV, is the first American pope in the Vatican's history. Although he was born and raised in Chicago, a local genealogist and historian quickly traced his family's lineage to New Orleans. Jari Honora, family historian at the Historic New Orleans Collection, tells us more about what he discovered about the pope's familial ties to the Crescent City.Venture Global, the U.S.'s second largest producer of liquified natural gas, plans to build a second terminal in south Louisiana, this time in the sparsely populated Cameron Parish. The proposed terminal was recently granted a permit by the Department of Energy, its fifth LNG-related approval since President Trump took office. Verite News' Tristan Baurick tells us how residents are responding to the news.Scott Cowen has worn many hats. College football player, infantry officer, professor and president of Tulane University when Hurricane Katrina hit. He became a prominent voice for restoring the city's infrastructure, reforming the public school system and enhancing Tulane's athletic programs.More  recently, he's authored several books, including  “Lead and Succeed,” a leadership guide for recent graduates and early career professionals.  Cowen joins us to discuss his varied career and share his leadership advice for young people.—Today's episode of Louisiana Considered was hosted by Karen Henderson. Our managing producer is Alana Schreiber. We receive production and technical support from Garrett Pittman, Adam Vos and our assistant producer, Aubry Procell. You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, the NPR App and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

New Orleans began her love affair with coffee three centuries ago. Any local of a certain age can remember the grown-ups of their childhood spending hours around the kitchen table drinking a strong French roast blended with chicory. This week we sit down with a cup of coffee and some folks who can tell us the story of coffee in New Orleans. First, Patrick Brennan, of the famous Brennan restaurant clan, talks about leaving the family business to strike out on his own in the artisan coffee market. Patrick tells us about Congregation Coffee, his roasting business and Algiers Point neighborhood coffee shop. Next, we hear from Suzanne Stone and David Feldman, as we take a deep dive into their book, New Orleans Coffee: A Rich History. They tell the story of coffee in the Crescent City, which came to the forefront in the late 1700s. Finally, we chat with graphic artist Sharon Dunn Dinkins Dymond, who, in the 1970s, discovered a cache of 19th- and early 20th-century product labels that tell the tale of New Orleans' early love affair with coffee. She reproduces the beautiful, chromolithographed labels on postcards and ceramic serving ware for her company, Fabled Labels. For more of all things Louisiana Eats, be sure to visit us at PoppyTooker.com.

New Orleans began her love affair with coffee three centuries ago. Any local of a certain age can remember the grown-ups of their childhood spending hours around the kitchen table drinking a strong French roast blended with chicory. This week we sit down with a cup of coffee and some folks who can tell us the story of coffee in New Orleans. First, Patrick Brennan, of the famous Brennan restaurant clan, talks about leaving the family business to strike out on his own in the artisan coffee market. Patrick tells us about Congregation Coffee, his roasting business and Algiers Point neighborhood coffee shop. Next, we hear from Suzanne Stone and David Feldman, as we take a deep dive into their book, New Orleans Coffee: A Rich History. They tell the story of coffee in the Crescent City, which came to the forefront in the late 1700s. Finally, we chat with graphic artist Sharon Dunn Dinkins Dymond, who, in the 1970s, discovered a cache of 19th- and early 20th-century product labels that tell the tale of New Orleans' early love affair with coffee. She reproduces the beautiful, chromolithographed labels on postcards and ceramic serving ware for her company, Fabled Labels. For more of all things Louisiana Eats, be sure to visit us at PoppyTooker.com.

In this very special episode, we're joined by the incredibly talented Elizabeth Evans, the voice behind the Throne of Glass and Crescent City series—and now, the newly re-recorded A Court of Thorns and Roses audiobooks, releasing in celebration of the series' 10-year anniversary! We go behind the scenes with Elizabeth to talk about her acting background, narration process, and what it's like to bring some of the most iconic characters in fantasy to life. From crafting distinct voices for the Archeron sisters to navigating the emotional depth of Kingdom of Ash and the explosive ending of House of Sky and Breath, this conversation is a deep dive into the Maasverse you won't want to miss!

Send us a textWe continue our tandem read of Empire of Storms and Tower of Dawn with EOS chapters 11-13 and TOD chapters 4-7. Full schedule on IG @DTFaePodcast. Summon us @DTFaePodcast We like our coffee icy and our books spicy! Oh, and we're totally Down To Fae. A podcast for fantasy romance readers and fans of authors like Sarah J. Maas, Jennifer L. Armentrout, Rebecca Yarros and Carissa Broadbent. Follow along as your delulu hosts discuss your favorite romantasy books in a chapter-by-chapter read, re-read or refresher.

Economists like to say nobody wins a trade war. The counter point is the American auto industry. Foreign carmakers have opened dozens of factories in the U.S. over the last 40 years, largely due to conflicts over trade.The Gulf States Newsroom's Stephen Bisaha shares some of that history and why it might not repeat itself with the current trade war.For the eighth time, acclaimed painter and sculptor James Michalopoulos is the official poster artist for the New Orleans Jazz & Heritage Festival. This time, he's spotlighting the Crescent City's Grammy Award-winning band, Tank and the Bangas, led by vocalist Tarriona “Tank” Ball. Michalopoulos joins us to discuss capturing the essence of a festival in his artwork.LSU has  long offered an undergraduate nursing program, but in the past, students have had to complete their training elsewhere. But next fall, the university will offer a new Bachelor of Science in Nursing program, along with a Master of Public Health degree and an epidemiology program.Jennifer Manning, Associate Dean for Undergraduate Nursing Programs at LSU, tells us more about this new program and how she hopes it will address the nationwide nursing shortage.__Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schreiber and our assistant producer is Aubry Procell. Our engineer is Garrett Pittman.You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, the NPR App, and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

A bill that would crack down on restaurant reservation apps is making its way through the Louisiana Legislature and could soon pass in the House. The bill would ban certain apps from arranging reservations without explicit contracts with restaurants. Reporter Wesley Mueller discussed this with Greg LaRose, host of the new podcast, “Light Switch,” from the Louisiana Illuminator. This past Monday, athletes gathered for the 139th Boston Marathon, which also marked 50 years since Bob Hall became the first wheelchair user to complete the course, which soon ushered in a wave of wheelchair racing at marathons.And this past weekend, another racer raised the bar.  Brian Marelo, 15, won first place in the wheelchair racing division of the Crescent City Classic. He joins us along with his mother Gwenn Marelo, board president of the Spina Bida Foundation of Louisiana, to talk about  his racing journey and opportunities for adaptive sports in the state.The New Orleans' Jazz and Heritage Festival is upon us, and this Saturday, hip hop legend and NOLA native Lil Wayne will take the main stage with The Roots for the first time at the festival. The Gulf States Newsroom's Joseph King tells us why this is a big moment for hip hop artists at Jazz Fest.___Today's episode of Louisiana Considered was hosted by Alana Schreiber. Our managing producer is Alana Schrieber. Matt Bloom and Aubry Procell are assistant producers. Our engineer is Garrett Pittman.You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, Google Play and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

JJ, Jamie are Austin review and react to AEW's Dynamite from New Orleans (4-23-25). They get into all the Crescent City goodness of Jamie Hayter and Kris Statlander, MJF's scheming, Master P ???????, and the Young Bucks all out BANGER vs Kevin Knight and Mike Bailey. They also talk about WrestleMania 41, NXT STand & Deliver, the Raw after WM, IF there is a new PPV picks champion, plus So Much More!!!!!!--------------------------------------------------------Intro Music:VOYAGER 1 by John Tasoulas | https://soundcloud.com/john-tasoulasMusic promoted by https://www.free-stock-music.comCreative Commons Attribution 3.0 Unported LicenseLicense: Creative Commons Attribution license (reuse allowed)

Today, we're honored to be joined by a true cultural torchbearer — saxophonist, composer, bandleader, and Big Chief of the Congo Square Nation… Donald Harrison.From second-line rhythms in New Orleans to classical orchestration, nouveau swing to trap-infused jazz — Donald Harrison's musical reach is nothing short of cosmic. In this episode, we dive deep into his creative process, his groundbreaking orchestral work like the Congo Square Suite, and his vision for connecting ancestral sounds with modern innovation, including his mind-bending new project in quantum improvisation.We talk about how his music reflects the shared soul between cities like Charleston and New Orleans — and what audiences can expect when he headlines the Charleston Jazz Festival on April 27.Plus, we explore how Harrison is shaping the future of music through mentorship, multi-genre storytelling, and a lifetime of turning sound into spirit.So whether you're tuning in from the Lowcountry or the Crescent City, from a porch swing or a subway ride — get ready to travel through rhythm, history, and heart.

Despite tough odds, the Crescent City Classic Race survived the pandemic and is coming back stronger, bigger, and more local. Eric Stuart, Crescent City Classic Race Director, joins Ian to talk about what's different about this year's race.

Send us a textWe're kicking off our tandem read of Empire of Storms and Tower of Dawn with EOS chapters 1-5 and TOD chapter 1. Full schedule on IG @DTFaePodcast. Summon us @DTFaePodcast We like our coffee icy and our books spicy! Oh, and we're totally Down To Fae. A podcast for fantasy romance readers and fans of authors like Sarah J. Maas, Jennifer L. Armentrout, Rebecca Yarros and Carissa Broadbent. Follow along as your delulu hosts discuss your favorite romantasy books in a chapter-by-chapter read, re-read or refresher.

New Orleans has a new superintendent of schools. Last week, the Orleans Parish School Board selected Fateama Fulmore, the district's former deputy superintendent, to take on the role. Aubri Juhasz, education reporter for WWNO and WRKF, tells us more about the system's new leader and what challenges lie ahead is This year, the Tennessee Williams Theatre Company of New Orleans is celebrating its 10th anniversary. The production company honors the life of the legendary playwright , who wrote some of his most famous works while living in the Crescent City.Founding Co-Artistic Director Augustin Correro tells us more about this milestone, along with actors Benjamin Dougherty and Leslie Claverie who star in the company's latest production, "Orpheus Descending.”This weekend, the annual French Quarter Fest returns to the heart of New Orleans. The four-day celebration features local musical groups and out of town guests, as well as a variety of food selections. Festival CEO and president Emily Madero joins us with the details. __Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schreiber and our assistant producer is Aubry Procell. Our engineer is Garrett Pittman.You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, the NPR App, and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

From "Cardoons" to "Misbeliefs," "Huckabucks" to "Second Lines" – the Big Easy has a lingo all its own, built on generations of immigrants finding their way to the port of New Orleans, the French Quarter, and finally a life in this city. For centuries, Africans, Southeast Asians, Europeans, and Caribbean Islanders have worked to make a home here, resulting in the hodgepodge of culture New Orleans is today. On this week's show, we examine two immigrant groups who loom large in the story of the Crescent City. With begin with historian Justin Nystrom, who discusses the influence that Sicilian Americans have had on our city's foodways. Surprisingly, that influence didn't begin with the heavy influx of Sicilians who populated the city during the late 1880s, but with a first wave of Italian immigrants who arrived on our shores in the 1830s. Then, Liz Williams joins us with memories of her Sicilian grandmother, Nana Elisabetta, who arrived in the Crescent City at the age of 18. Liz's book, "Nana's Creole Italian Table," is filled with recipes and family lore. Finally, we sit down with Tulane History Professor Laura Kelley. Her book, "The Irish in New Orleans," tells the history of Irish immigrants in the Crescent City and how they shaped Louisiana culture in some unexpected ways. For more of all things Louisiana Eats, be sure to visit us at PoppyTooker.com.

From "Cardoons" to "Misbeliefs," "Huckabucks" to "Second Lines" – the Big Easy has a lingo all its own, built on generations of immigrants finding their way to the port of New Orleans, the French Quarter, and finally a life in this city. For centuries, Africans, Southeast Asians, Europeans, and Caribbean Islanders have worked to make a home here, resulting in the hodgepodge of culture New Orleans is today. On this week's show, we examine two immigrant groups who loom large in the story of the Crescent City. With begin with historian Justin Nystrom, who discusses the influence that Sicilian Americans have had on our city's foodways. Surprisingly, that influence didn't begin with the heavy influx of Sicilians who populated the city during the late 1880s, but with a first wave of Italian immigrants who arrived on our shores in the 1830s. Then, Liz Williams joins us with memories of her Sicilian grandmother, Nana Elisabetta, who arrived in the Crescent City at the age of 18. Liz's book, "Nana's Creole Italian Table," is filled with recipes and family lore. Finally, we sit down with Tulane History Professor Laura Kelley. Her book, "The Irish in New Orleans," tells the history of Irish immigrants in the Crescent City and how they shaped Louisiana culture in some unexpected ways. For more of all things Louisiana Eats, be sure to visit us at PoppyTooker.com.

Okay besties, time for a heated debate… Mia & Karly are dropping their official Sarah J. Maas book rankings! In this episode, the girls rank all 16 books from Throne of Glass, A Court of Thorns and Roses, and Crescent City, comparing their favorites (and least favorites) and discussing the plot points that made them scream, cry, and throw the books across the room. You might just be surprised by what book ends up on top for both Mia & Karly… Plus, the girls are ranting about how NYC just had its first 80-degree day, Aries season is in full swing, and we are fully defrosted and ready to thrive. Tune in for chaotic book opinions, seasonal rants, and all the usual nonsense.

Wherein we light it up.  Guess how many tomes line our shelves: gwritersanon@gmail.com  Flip our Facebook page (Ghost Writers, Anonymous).  

ACOFAE Podcast Presents: Series Fatigue: The Dryad Storm by Laurie Forest Being excited about a new release can be scary. Being excited about a new release that is ALSO the conclusion to the series is another level of excited/scary. When that new release that is also the conclusion of the series then turns out to be a DNF for BOTH Laura Marie and Jessica Marie, then the question becomes? Was it them? or Is it really that bad? The Black Witch Chronicles comes to an end with The Dryad Storm, the book that was such a DNF that is sparked a question about fatigue and the willingness to journey through the slog. How much is the reader's time worth? When do you take ownership of your reading and acknowledge that you are not having fun? What other series suffer from series fatigue? If any? All that and more is discussed as ACOFAE Laura and ACOFAE Jessica pinpoint where the series lost them and why. "Anything for the pod, but not this." TW / CW: For additional TW/CW information for your future reads, head to this site for more: https://triggerwarningdatabase.com/ Spoilers: The Black Witch Chronicles by Laurie Forest (specifically The Dryad Storm and The Demon Tide), and SJM Universe Mentions: Moulin Rouge, Teen Wolf, Dexter, Crescent City, Throne of Glass, ACOTAR series (ACOTAR/ACOMAF/ACOWAR/ACOFAS) by Sarah J. Maas, The Vampire Diaries, The Originals, From Blood and Ash (FBAA) by Jennifer L. Armentrout (JLA), Spark of the Everflame by Penn Cole, Dramione, Legendborn and Oathbound by Tracy Deonn, Daughters of the Moon series, The Folk of the Air series by Holly Black, Game of Thrones by George R.R. Martin (GRRM), A Trial of the Sun Queen, Shadowhunters by Cassandra Clare (Cassie Clare), Shatter Me series by Tahereh Mafi, Iron Flame by Rebecca Yarros *Thank you for listening to us! Please subscribe and leave a 5-star review and follow us on Instagram (https://www.instagram.com/acofaepodcast/) at @ACOFAEpodcast and on our TikToks! TikTok: ACOFAELaura : Laura Marie (https://www.tiktok.com/@acofaelaura?) ( https://www.tiktok.com/@acofaelaura) ACOFAEJessica : Jessica Marie (https://www.tiktok.com/@acofaejessica?) (https://www.tiktok.com/@acofaejessica) Instagram: @ACOFAEpodcast (https://www.instagram.com/acofaepodcast/) https://www.instagram.com/acofaepodcast/ @ACOFAELaura (https://www.instagram.com/acofaelaura/) https://www.instagram.com/acofaelaura/

Send us a textOur Throne of Glass deep dive continues with Queen of Shadows chapters 41-48.Intro: 00:00:00Deep Dive: 00:06:26Summon us @DTFaePodcast We like our coffee icy and our books spicy! Oh, and we're totally Down To Fae. A podcast for fantasy romance readers and fans of authors like Sarah J. Maas, Jennifer L. Armentrout, Rebecca Yarros and Carissa Broadbent. Follow along as your delulu hosts discuss your favorite romantasy books in a chapter-by-chapter read, re-read or refresher.

Jijo Reed, recognized by LA WEEKLY and NEW YORK POST as "Top Trendsetter in 2023" is an Emmy Winning Producer, 16 time Telly Award Winner, and Executive Producer of over 80 feature films and/or series.Latest feature films include Crescent City starring Alec Baldwin and Terrence Howard, THE BLACKENING directed by Tim Story for MRC, Village Roadshow's CINNAMON, and MENDING THE LINE starring Brian Cox (Succession)... also, MACHINE GUN KELLY'S LIFE IN PINK 2022 documentary for Hulu/Disney and BACK ON THE STRIP with Kevin Hart and Tiffany Haddish.A high point in his career is when he deep dived to the wreck site of TITANIC in the Russian submersible, MIR 1, while directing and producing a documentary about the famed, ill-fated ship...during which he became one of the very few men in the entire world to dive the actual wreckage of TITANIC at 2.5 miles below sea level. More people have been to outer space than this depth of the ocean. His "ground breaking, cinematic" footage of Titanic is recognized globally. Reed states: "This was the most life changing project of my career."Also, Reed was Visual Effects Supervisor for THE AVENGERS S.T.A.T.I.O.N 3D interactive exhibit, the innovative and revolutionary experience which is currently a main attraction in Times Square, NY and Las Vegas.Jijo was Executive Producer of the 2013 OBAMA PRESIDENTIAL INAUGURATION Concert in Washington DC featuring WIL I AM and JOHN LEGEND. Additionally, he has produced screen media for live music concert tours, including EMINEM's MTV Awards performance and GUNS & ROSES.In 2004, Jijo created the hit VH1 show "CELEBRITY REHAB" which has won numerous awards and has helped people all over the world overcome addictionThroughout the 1990's, he worked as Post Supervisor on the audio/visual ad campaigns of studio films such as Martin Scorsese's CASINO, Jim Cameron's TRUE LIES, STAR TREK, DIE HARD, LETHAL WEAPON 4, THE UNFORGIVEN, and many others.Jijo Reed is a third generation Los Angeles native and the grandson of Alan Reed who was the voice of FRED FLINSTONE and acted in such movies as Breakfast At Tiffany's and Postman Always Rings Twice. Jijo is also the nephew of FRED ASTAIR'S choreographer, Hermes Pan.

The long awaited episode...for nearly a year... Find out exactly how Erica really feels about the last installment of the Crescent City series by Sarah J Maas. The Betches read it, reviewed it, and have a whole heck of a lot to say about it! Follow us on Instagram for previews of next week's episode and more bookish content! @books_n_betchesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

I haven't yet said this, but my intention with this and the previous three recordings was a hopscotch survey of Pacific Coast soundscapes. To recollect now, these have been Yoakam Point on the Oregon Coast, Copalis Ghost Forest on the Washington Coast, Keahou on the Big Island of Hawaii and now Preston Island in Crescent City, on the Northern California Coast.This reflection on Preston Island leads me to ponder sites along the lower Columbia River at length, for reasons which will soon reveal themselves.Preston Island is weird. For starters, it's not what anyone would call an island. You can walk right out onto its strange rocky surface from the mainland. The view from the island is breathtaking though, and I thought it made a better album cover than the island itself: The island is relatively flat, but also boulder-strewn and cracked. When I visited, it was foggy, and I felt like I was on the surface of another planet. Something about it seemed unnatural:It all clicked when I found this historical photo:Preston Island was carted off. It was mined down to a nub. Let's get our bearings. Here's an 1880's Crescent City map, and a modern satellite photo. (I guess cardinal north pointing up wasn't yet the rule.)On the map you'll see Preston Island clearly drawn as a landmass, and Hall's Bluff, appearing much less prominently than it does today. I outlined the locations on the satellite image. Here, all the rock contained in those geographical features was mined and dumped in the ocean to create the jetty you see on the upper right of the satellite image. They really moved mountains.This is what Preston Island used to look like, and here it is today, courtesy of Google Street View:Our soundwalk takes us from West 5th Street in Crescent City, over to the beach and up over what's now called Half Butte, to about where this old photo of Hall's Bluff (aka Lover's Rock) was taken in 1876. Look at the tiny figures on top for a sense of scale:The massive Lover's Rock headland, was also carted off to build the jetty. It's harder to match the original photo vantage point with Street View, but it's also just completely gone. But let's get back to Preston Island, that weird scab-land of a place. Let's take a closer look at it, because it gives our soundwalk such unique character about 17 minutes in. At a glance, it seems lifeless. A green hue, coming from chalky veins in the rock, adds to the otherworldliness of the landscape.Tide pools form on the perimeter, among the cracks and fissures in the rock substrate. It's here that I place my recording hat down and the soundscape is instantly transformed. The skitter of crabs and the capillary clicking sounds of tiny shellfish erupt to fill the high frequencies, while the surf sound is attenuated by the topography of the rocks.It's another world. A 2021 article in the Bandon Western World states, “Preston Island has a long history in Crescent City. Originally Preston Peak, the area was a sacred site for the Tolowa Nation.” It is not well known, but the Tolowa were the subject of the most persistent and possibly worst massacres of Native Americans in the USA, starting in 1853, in the Crescent City area. Now, I couldn't corroborate the name “Preston Peak”, but I have to admit I was not surprised to hear that a sacred place to Native Americans was destroyed. There have been others.Pillar RockConsider Pillar Rock (briefly “Pilot Rock”) in the Columbia River. Once a monolith upwards of 75 feet tall, it was dynamited and flattened at the 25 foot level to install a navigation light:The Chinookan name for the monolith was Talapus. A cannery built nearby in 1877 used a likeness similar to Talapus for its canned salmon label, Pillar Rock brand. The rock was dynamited by 1922 when, according to the shipping news, a red navigation light was established. Like Talapus, the spring Chinook fishery in the Columbia was a diminished remnant of what it once was when Pillar Rock Cannery suspended operations in 1947.In a surprising epilogue Pillar Rock is still an actively used trade mark today, in 2025. The company now fishes the waters of Alaska for wild Sockeye to fill the modern day tins.It's remarkable how Euro-Americans changed the landscape and practically wiped out the fishery, but the brand is the thing that perseveres. What does it say about us that this is the way things are?Let's consider the intriguing story of Mount Coffin, up the Columbia River about 40 river miles.Mount CoffinThe geological feature that was first described to the historical record by Lieutenant William R. Broughton in 1792, and given the name “Mount Coffin”, was a Chinookan canoe burial ground. It would have appeared much the same a half century later, when Charles Wilkes visited in 1841, but quite different than the 1900 image above. Imagine, if you will, thousands of dugout cedar canoes perched in the trees on the prominent outcrop, about five feet above ground, in varying states of decay, all with bows pointed more or less toward the ocean. Within these canoes lay the interned bodies of Chinookans of the Skilloot tribe, wrapped in cedar blankets with their belongings placed beside them. That scene came to a swift end in 1841.The U.S. Exploring Expedition, led by Charles Wilkes, camped on Mount Coffin in 1841. When the men accidentally let a campfire spread, it destroyed an estimated 3,000 burial canoes. The Chinookan Indians were distressed to discover that their burial site had been destroyed by the negligence of whites and, according to visiting artist Paul Kane, “would no doubt have sought revenge had they felt themselves strong enough to do so.” (Stealing from The Dead, Oregon Historical Quarterly)Many Upper Chinookan villages were by 1841 entirely depopulated following devastating waves of malaria in the early 1830's, so Paul Kane's observation rings true.Within a century this lowland was completely transformed. The largest lumber mill in the world was built upriver from Mount Coffin.Mount Coffin was completely dynamited and quarried, beginning in 1929. The site is a now home to a chemical plant. Flat as a pancake.Finally let's consider the monolith in the heart of the Columbia Gorge that few realize barely escaped dynamite. So we are told…Beacon RockTo the natives it was Che-che-op-tin. When Lewis & Clark mapped the area in 1805 it was referred to as “Beaten Rock” and on return a year later “Beacon Rock”. Later, the 1841 Wilkes Exploring Expedition labelled it “Castle Rock”, which stuck for the better part of a century. Since 1916, it's been Beacon Rock.Just west of Beacon Rock was a large village Captain Lewis in 1806 called Wah-clel-lah (a Watlala winter village):This village appears to be the winter station of the Wah-clel-lahs and Clahclellars…14 houses remain entire but are at this time but thinly inhabited, nine others appear to have been lately removed, and the traces of ten or twelve others of ancient date were to be seen in the rear of their present village. There was also another village at the very foot of beacon rock. Traces of it remained visible to the trained eye into the 1950's.“BIG BLAST WILL WRECK IT”“Castle Rock to Go” and “Whole Rock is Doomed” read the subheadings in a March 16th, 1906 article in The Oregonian. The article outlined how the owners, a coterie of eight businessmen including Dan Kerns, acting as the Columbia Construction Company, had already cut three 20 to 30 ft. tunnels under the southern aspect of the monolith in preparations to dynamite “the shoulder” of the rock and quarry the stone for building material, eventually removing it entirely. A Wikipedia entry states (without citation), “The United States Army Corps of Engineers planned to destroy the rock to supply material for the jetty at the mouth of the Columbia.” This appears to be incorrect. The Army Corps didn't have that plan. The Columbia Construction Company purported to have a plan to mine an initial two million tons for building material (possibly to include jetty material—there were no contracts) in 1906. Columbia jetty work began 20 years prior to that. The Columbia Construction Company was taken to court, and a jury sided with Portland & Seattle Railway, who argued the tunnels were part of an elaborate ruse to “claim damages from $100,000 to $500,000” from lost mining activity due to the rail line going through their intended quarry site. According to the plaintiffs, it was just a scheme to get the railway to pay dearly for the right of way. The jurors dashed that plan, stipulating a $5000 settlement. Was it an elaborate ruse? Or was the jury predisposed not to trust city businessmen? What was clear, according to The Oregonian, was that, “clergymen, leading citizens, women, teachers, and all classes in Portland and throughout the state were horrified as the proposed destruction of such a majestic landmark.” “I should judge Castle Rock contains 10 million tons of first class building stone,” Kerns said in 1906. Interestingly, that wouldn't have been enough for the massive Columbia jetty system, which ultimately required 13 million tons of rock, when competed in 1939, after half century of construction. Henry J. Biddle took ownership of Beacon Rock from the Columbia Construction Company in 1915, under the condition it would be preserved, and set about realizing his dream to build a trail to the summit.Henry J. Biddle purchased the rock in 1915 for $1 and during the next three years constructed a trail with 51 switchbacks, handrails and bridges. The three-quarter mile trail to the top, completed in April 1918, leads to views in all directions. (Wikipedia)Thanks for listening and reading. I'm thankful for your attention. Preston Island Soundwalk is available on all streaming platforms (Spotify, Apple, Tidal, Amazon, YouTube…) on Friday, February 21st.Thanks for reading Soundwalk! This post is public so feel free to share it. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit chadcrouch.substack.com/subscribe

Romantasy and Fantasy authors! Tune in to learn how the opening pages of House of Earth and Blood hooks readers and pulls them into the rest of the story.Join me and Abigail K. Perry for a deep dive into the opening chapter of the first Crescent City book, House of Earth and Blood, to find out how and why it works. We analyze this first chapter from both a macro and micro perspective to see what kind of promise it makes to the reader, how the author introduces us to the story world, and to figure out why we care so much about these fictional characters.In the episode, you'll hear us talk about:[03:08] A quick summary of the first chapter of House of Earth and Blood, including our thoughts on why the author started the story here[05:05] A big-picture analysis of the first chapter to see what kind of promise it makes to the reader (this part's really fun because Abigail has NOT read the books, so tune in and hear what she picked up on!)[25:50] What it means to write a story with a steep learning curve—and why understanding your target audience makes a big difference when it comes to creating a fictional world for your story[38:50] A deep-dive into the scene structure within the opening chapter (spoiler alert: the scene continues into chapter two—tune in to hear how we landed here)[47:26] Why it's so important to have “on the surface” excitement and action when planting clues and setting things up in your opening chaptersWhether you're writing fantasy, romantasy, or any kind of story that requires world-building, this episode will change how you look at your opening chapter. Plus, you'll get a fantastic peek at how Sarah J. Maas wrote another bestselling fantasy series (so you can do the same when writing your own novel).

New Orleans, Louisiana is home to some of America's greatest musical traditions, and plays an outsized influence on the evolution of everything from jazz through to r&b, rock and funk. Today, the city is still legendary for its second line brass bands and brightly costumed Mardi Gras Indians. But if you've rolled through New Orleans on pretty much any night in the last 30 years, you've probably heard another sound—the clattering, booming, hip-shaking, chant-heavy roll of bounce, a form of hip-hop music, dance and culture unique to the Crescent City. Pulling from the national mainstream but remaking it the way that only New Orleans can, bounce has become a sonic touchstone for an entire generation of residents. For this Hip Deep edition, Afropop digs into the close-knit scene, talking to dancers, producers, MCs, and managers from over 30 years of bounce, all to explore the beat that drives New Orleans—and to find out what it means to the people who bring it to life. Produced by Sam Backer and Jessi Olsen. APWW #761

Join us for a MEGA COMPILATION of every Maasverse Madness segment from our coverage of the ACOTAR series. We'll dive into every connection to the Throne of Glass and Crescent City series throughout the ACOTAR series! SPOILERS FOR ALL OF SARAH J. MAAS'S WORKS. JOIN OUR NEWSLETTER:https://fantasyfangirls.beehiiv.com/subscribe    20% OFF MERCH STORE: https://fantasyfangirls.myshopify.com/discount/PATREONFFG SUPPORT THE SHOW THROUGH OUR AMAZON SHOP: https://www.amazon.com/shop/fantasyfangirlspodcast   ACOSF PLAYLIST:  https://open.spotify.com/playlist/5kWswSukd08D6FxYf8xKSy?si=11a422d356674bc1  Give us a follow: Instagram: ⁠⁠⁠⁠⁠@fantasyfangirlspod⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠@fantasyfangirlspod⁠⁠⁠⁠⁠ Youtube: @fantasyfangirls   Email us your favorite ACOTAR/Maasverse theories: fantasyfangirlspod@gmail.com Listen to the Fantasy Fangirls Podcast on your favorite podcast platform: Spotify - https://open.spotify.com/show/24KydMMzrYfVpDggkFZx4j?si=fd7dc956393041b8    Apple Podcasts - https://podcasts.apple.com/us/podcast/fantasy-fangirls/id1706179464    Visit the Fantasy Fangirls website: https://www.fantasyfangirls.com/   Don't forget to send this podcast to your fellow ACOSF readers! Learn more about your ad choices. Visit megaphone.fm/adchoices