Podcasts about Crescent City

The shipwreck of the Brother Jonathan is one of the Pacific Coast's deadliest maritime disasters.   In 1865, the ship crashed into a rock and sank off the coast of Crescent City, California, killing more than 200 people and taking a fortune in gold with it to the ocean floor.    OPB’s Kami Horton takes us on board to understand what happened that day, and learn about the people the ship carried before its demise, from all walks of life and all over the world.    Watch Kami Horton's "Oregon Experience" documentary, The Wreck of the Brother Jonathan.   For more Evergreen episodes and to share your voice with us, visit our showpage. Follow OPB on Instagram, and follow host Jenn Chávez too. You can sign up for OPB’s newsletters to get what you need in your inbox regularly.   Don’t forget to check out our many podcasts, which can be found on any of your favorite podcast apps: Hush  Timber Wars Season 2: Salmon Wars Politics Now Think Out Loud And many more! Check out our full show list here.  

In this episode, Brian welcomes Doug from Oregon for an intense and deeply detailed account of a roadside Sasquatch encounter that took place in February 2006 along Highway 199 between Grants Pass, Oregon, and Crescent City, California.Doug explains how a late-night drive home through the dark, winding canyon near the Collier Tunnel and The Narrows turned into one of the most unforgettable moments of his life when his headlights and orange truck lights revealed a massive upright figure walking along the road.Doug describes the creature as unlike the classic bulky depictions many people imagine. Instead, he saw something towering, lean, powerful, and athletic, with the build of an enormous basketball player.He estimates it stood somewhere around ten feet tall or more, with long arms, massive shoulders, a narrow waist, pronounced musculature, pale gray skin, dark charcoal-gray hair, and orange-red eyes that appeared to catch the light as Doug passed in his 1995 Chevy dually. The creature did not run, panic, or react aggressively. It simply kept walking, calm and natural, as Doug drove by close enough to see its face, body structure, stride, hands, feet, and skin in startling detail.The conversation moves beyond the sighting itself into the emotional aftermath of seeing something so rare and impossible to easily explain. Doug talks about the shock, excitement, fear, and frustration that followed, especially after sharing the story with people who dismissed him or made him feel ridiculed. Over time, encouragement from his wife and conversations with Native friends, outdoorsmen, hunters, and other witnesses helped him become more open about what he saw.He also shares related local accounts from the same region, including sightings near Siskiyou Forks Road, Bluff Creek, Bald Hills Road, the Klamath River, Monkey Creek, and other deeply remote parts of Northern California and Southern Oregon.Brian and Doug also dig into one of the biggest questions surrounding roadside Sasquatch encounters: why would such an elusive creature be seen walking near or on a road? Brian offers the possibility that, like other animals, Sasquatch may sometimes use roads as the path of least resistance while moving from one area to another.Doug adds his own thoughts about the rugged terrain, river corridors, steep granite slopes, and hidden access points in the area where his encounter occurred. The discussion touches on Native traditions, flesh-and-blood theories, spiritual questions, government secrecy, missing people, wilderness fear, and the strange mix of curiosity and danger that seems to follow this phenomenon.Email BrianGet Our FREE NewsletterGet Brian's Books Leave Us A VoicemailVisit Our WebsiteBecome a supporter of this podcast: https://www.spreaker.com/podcast/sasquatch-odyssey--4839697/support.Have you had a Bigfoot encounter, Sasquatch sighting, Dogman experience, or other cryptid or paranormal encounter? We'd love to hear your story. Email brian@paranormalworldproductions.com to be featured on a future episode of Sasquatch Odyssey.Sasquatch Odyssey is a leading Bigfoot and cryptid podcast exploring real encounters, field research, and scientific analysis of the Sasquatch phenomenon.Follow the show and turn on automatic downloads so you never miss an episode.

This episode of the Relatables Baddies Book Club is a must-listen for fans of the Throne of Glass series. The hosts dive into the latest chapters of the book, discussing the intricate plot twists and character developments that have left them both intrigued and frustrated. As they navigate the world of Crescent City, they uncover clues and theories about the mysterious murders and the true nature of the characters. With their signature banter and humor, the hosts dissect the story, sharing their thoughts and predictions for the upcoming chapters. The conversation is filled with lively discussions about the characters' motivations and relationships, particularly the complex dynamic between Selena and Dorian. The hosts also touch on the themes of morality and the gray areas between good and evil, raising questions about the characters' choices and actions. As they near the end of the book, they speculate about the potential outcomes and surprises that await them. One of the highlights of this episode is the hosts' analysis of the Amulet and its significance in the story. They also discuss the character of Kale, who is revealed to be a skilled assassin with a mysterious past. The hosts' predictions for the finale are also a must-listen, as they share their theories about the killer's identity and the ultimate fate of the characters. If you're a fan of the Throne of Glass series or just looking for a engaging discussion about a great book, this episode is a must-listen. Join the hosts as they dive into the world of Crescent City and share their thoughts, theories, and predictions for the rest of the series. join patreon to listen to all of the Throne of Glass episodes now! Relatables PatreonSee omnystudio.com/listener for privacy information.

You didn't think the Boozy Blondes were done with New Orleans, did you? For this NOLA episode, Molly and Chrissy are back in one of their favorite cities — but this time, they're skipping some of the usual suspects and sharing fresh finds, new favorites, hidden gems, and spots that surprised them along the way. From cocktails and eats to can't-miss vibes, they're proving there's always something new to discover in the Crescent City. Whether you're planning your next trip or just dreaming of a New Orleans escape, grab a drink and come wander the streets with the Boozy Blondes.Check out the Boozy Blonde blog for bonus content and exclusive links to what we reference in this episode.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://boozyblondes.com/blog⁠⁠Enjoy social drinking? Join the party and on our social media to find out the Drink of the Episode, Giveaways and more:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://boozyblondes.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/boozy.blondes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/boozyblondes/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@boozyblondespodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Shop our logo store:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.zazzle.com/store/benjamin_designs/products⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Our YouTube Channel! ⁠⁠⁠⁠⁠https://www.youtube.com/@boozyblondespodcast⁠

The Creature Code welcomes Jennifer Talley June 8th, 2026 EP: 010 Topic: Ghosts of the Crescent City: New Orleans Magic, Energetic Cultures & Paracon Secrets with Jennifer Talley Welcome back to Creature Code Podcast! There is no city in the world quite like New Orleans. It's a place where the veil is permanently thin, built on layers of history, jazz, Voodoo, and spirits. In today's episode, we are joined by the incredible Jennifer Talley—a veteran paranormal investigator, New Orleans resident, and the co-founder of the city's premier New Orleans Paracon. Jennifer Talley is a true expert on the unique spiritual tapestry of the Big Easy. We dive deep into the city's distinct "energetic cultures," exploring how its rich French, Spanish, African, and Caribbean roots have created a haunt like nowhere else on Earth. From chilling active investigations in the French Quarter to the secret history behind organizing a massive paranormal convention in America's most haunted city, she shares some of her most mind-bending, unexplainable stories. If you love history, hauntings, and the deep magic of New Orleans, pull up a chair—this is an interview you won't want to miss. About Jennifer: Jennifer Talley is one of the premiere paranormal investigators in New Orleans and the co-founder of the first New Orleans Paracon. With years of experience and connections within all energetic cultures she is the face of New Orleans Paranormal Society and a renowned medium!

Cousins Síle (Sheila) and Teamhair (Tara) continue their book by book coverage of the Sarah J. Maas universe with the Crescent City (CC) series in season 3! The duo is committed to no cross Sarah J. Maas universe spoilers while covering a specific series. Check out the series by season outline below: Season 1: The A Court of Thorns and Roses (ACOTAR) Series Season 2: The Throne of Glass (TOG) Series Season 3: Crescent City (CC) Series – beginning mid-June 2026! Season 4: The Maasverse! – coming fall 2026! Questions or comments? Write to: sandtfaemail@gmail.com.

Dr. GiGi and Jacques talk with Matthew and Jennifer Fenner, owners of High Note Winery, who share their journey from home winemakers in Paso Robles to opening a tasting room in Crescent City. The Fenners discuss sourcing grapes from California and Oregon, producing Bordeaux-style wines, and creating a community gathering space featuring live music on weekends. Hosts: GiGi “Doc” Reed MD, Jacques Kepner; Producers: GiGi “Doc” Reed MD, Jacques Kepner Beginning and end music from freepd.com, in the public domain. The opinions expressed here are those of the individual participants. Curry Coast Community Radio takes no position on issues discussed in this program. If you enjoy this program and want to hear more like it, consider supporting Curry Coast Community Radio. Here’s How.

680. Celebrate a milestone with us! In this episode, we are marking the 13th anniversary of the podcast and the 14th anniversary of the Anthology project as a whole. To honor the occasion, we are sitting down with legendary local historian and author Ed Branley, the NOLA History Guy, to reflect on another  year of storytelling. Tune in as we look back at what we and Ed have accomplished over the last 12 months, dive into our favorite recent discoveries, and discuss the ever-evolving history of the Crescent City. Thank you for being part of our journey for over a decade! Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 222 years. Order your copy today! This week in the Louisiana Anthology. Pisatuntema. Myths of the Louisiana Choctaw. II    Soon after the earth (yahne) was made, men and grasshoppers came to the surface through a long passageway that led from a large cavern, in the interior of the earth, to the summit of a high hill, Nan' chaha. There, deep down in the earth, in the great cavern, man and the grasshoppers had been created by Aba, the Great Spirit, having been formed of the yellow clay.    For a time the men and the grasshoppers continued to reach the surface together, and as they emerged from the long passageway they would scatter in all directions, some going north, others south, east, or west.    But at last the mother of the grasshoppers who had remained in the cavern was killed by the men and as a consequence there were no more grasshoppers to reach the surface, and ever after those that lived on the earth were known to the Choctaw as eske ilay, or 'mother dead.' However, men continued to reach the surface of the earth through the long passageway that led to the summit of Nan' chaha, and, as they moved about from place to place, they trampled upon many grasshoppers in the high grass, killing many and hurting others.    The grasshoppers became alarmed as they feared that all would be killed if men became more numerous and continued to come from the cavern in the earth. They spoke to Aba, who heard them and soon after caused the passageway to be closed and no more men were allowed to reach the surface. But as there were many men remaining in the cavern he changed them to ants and ever since that time the small ants have come forth from holes in the ground. This week in Louisiana history. May 29, 1948. The Desire streetcars stopped running. This week in New Orleans history. May 29, 1985: Businessman Tom Benson officially purchased the New Orleans Saints, preventing the team from potentially relocating to another city. This week in Louisiana. French Market Creole Tomato Festival June 7'8 (traditionally the first weekend of June) French Market District, 1008 N. Peters Street New Orleans, LA 70116 Website: frenchmarket.org Email: info@frenchmarket.org Phone: (504) 636‑6400 The French Market Creole Tomato Festival celebrates the arrival of Louisiana's beloved Creole tomatoes with food booths, cooking demonstrations, live music, and family activities throughout the historic French Market: Creole Tomato Dishes: Chefs and vendors showcase tomato‑based specialties and seasonal favorites. Live Music: Performances across multiple stages in the French Market and Dutch Alley. Family Activities: Kids' crafts, second‑line parades, and interactive food‑themed events. Postcards from Louisiana. Brass-a-holics play at Lundi Gras. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

For much of the Crescent City's history, days began with the cries of roaming street vendors and the percussive thwack of butchers' meat cleavers echoing out from the municipal markets. Generations of New Orleanians—Black and white, enslaved and free, men and women, wealthy and working class—gathered in public to feed the city.In Nourishing Networks: The Public Culture of Food in New Orleans (Oxford UP, 2025), historian Dr. Ashley Rose Young illuminates the central role of food in shaping the vibrant culture of New Orleans. While the city's dynamic culinary scene fostered bonds between some communities, under the surface, groups viciously vied for control over who bought and sold food and where they could do it. Dr. Young traces the intricate systems of food vendors and their customers, and how those relationships were affected by race, gender, ethnicity, and socioeconomic status. She shows how vendors and customers alike exercised considerable influence over the city's food economy and the laws that regulated it by negotiating prices, shaping taste preferences, liaising with government officials, and even openly defying ordinances they felt were unfair. The power each group gained and lost determined the success of their businesses, the well-being of their families, and their ability to shape food retail and local laws to meet their needs.Nourishing Networks vividly depicts a city that throughout its history has struggled to feed its population safely and affordably, and in documenting those challenges, it offers lessons for building a better food future. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

For much of the Crescent City's history, days began with the cries of roaming street vendors and the percussive thwack of butchers' meat cleavers echoing out from the municipal markets. Generations of New Orleanians—Black and white, enslaved and free, men and women, wealthy and working class—gathered in public to feed the city.In Nourishing Networks: The Public Culture of Food in New Orleans (Oxford UP, 2025), historian Dr. Ashley Rose Young illuminates the central role of food in shaping the vibrant culture of New Orleans. While the city's dynamic culinary scene fostered bonds between some communities, under the surface, groups viciously vied for control over who bought and sold food and where they could do it. Dr. Young traces the intricate systems of food vendors and their customers, and how those relationships were affected by race, gender, ethnicity, and socioeconomic status. She shows how vendors and customers alike exercised considerable influence over the city's food economy and the laws that regulated it by negotiating prices, shaping taste preferences, liaising with government officials, and even openly defying ordinances they felt were unfair. The power each group gained and lost determined the success of their businesses, the well-being of their families, and their ability to shape food retail and local laws to meet their needs.Nourishing Networks vividly depicts a city that throughout its history has struggled to feed its population safely and affordably, and in documenting those challenges, it offers lessons for building a better food future. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

For much of the Crescent City's history, days began with the cries of roaming street vendors and the percussive thwack of butchers' meat cleavers echoing out from the municipal markets. Generations of New Orleanians—Black and white, enslaved and free, men and women, wealthy and working class—gathered in public to feed the city.In Nourishing Networks: The Public Culture of Food in New Orleans (Oxford UP, 2025), historian Dr. Ashley Rose Young illuminates the central role of food in shaping the vibrant culture of New Orleans. While the city's dynamic culinary scene fostered bonds between some communities, under the surface, groups viciously vied for control over who bought and sold food and where they could do it. Dr. Young traces the intricate systems of food vendors and their customers, and how those relationships were affected by race, gender, ethnicity, and socioeconomic status. She shows how vendors and customers alike exercised considerable influence over the city's food economy and the laws that regulated it by negotiating prices, shaping taste preferences, liaising with government officials, and even openly defying ordinances they felt were unfair. The power each group gained and lost determined the success of their businesses, the well-being of their families, and their ability to shape food retail and local laws to meet their needs.Nourishing Networks vividly depicts a city that throughout its history has struggled to feed its population safely and affordably, and in documenting those challenges, it offers lessons for building a better food future. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For much of the Crescent City's history, days began with the cries of roaming street vendors and the percussive thwack of butchers' meat cleavers echoing out from the municipal markets. Generations of New Orleanians—Black and white, enslaved and free, men and women, wealthy and working class—gathered in public to feed the city.In Nourishing Networks: The Public Culture of Food in New Orleans (Oxford UP, 2025), historian Dr. Ashley Rose Young illuminates the central role of food in shaping the vibrant culture of New Orleans. While the city's dynamic culinary scene fostered bonds between some communities, under the surface, groups viciously vied for control over who bought and sold food and where they could do it. Dr. Young traces the intricate systems of food vendors and their customers, and how those relationships were affected by race, gender, ethnicity, and socioeconomic status. She shows how vendors and customers alike exercised considerable influence over the city's food economy and the laws that regulated it by negotiating prices, shaping taste preferences, liaising with government officials, and even openly defying ordinances they felt were unfair. The power each group gained and lost determined the success of their businesses, the well-being of their families, and their ability to shape food retail and local laws to meet their needs.Nourishing Networks vividly depicts a city that throughout its history has struggled to feed its population safely and affordably, and in documenting those challenges, it offers lessons for building a better food future. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

Welcome to Season 6, Episode 13, covering Chapters 52-55 of "Crescent City, House of Sky and Breath”  by Sarah J. Maas. As always, this show is NOT for little ears and contains potential triggers due to the nature of the chapter topics. For more info about your hosts, or to reach out to us with your fan-cast and playlist suggestions, you can follow us on Facebook (https://www.facebook.com/MaasiveFansBookClubandPodcast), Instagram (https://www.instagram.com/maasivefanspodcast/), or email maasivefanspodcast@gmail.comJoin the Maas-ive Fans Book Club Discord Server here: https://discord.gg/sNCfaBvutc Read Kelsey's fan fic on Wattpad here: https://www.wattpad.com/user/kelseyreadnwrite

For much of the Crescent City's history, days began with the cries of roaming street vendors and the percussive thwack of butchers' meat cleavers echoing out from the municipal markets. Generations of New Orleanians—Black and white, enslaved and free, men and women, wealthy and working class—gathered in public to feed the city.In Nourishing Networks: The Public Culture of Food in New Orleans (Oxford UP, 2025), historian Dr. Ashley Rose Young illuminates the central role of food in shaping the vibrant culture of New Orleans. While the city's dynamic culinary scene fostered bonds between some communities, under the surface, groups viciously vied for control over who bought and sold food and where they could do it. Dr. Young traces the intricate systems of food vendors and their customers, and how those relationships were affected by race, gender, ethnicity, and socioeconomic status. She shows how vendors and customers alike exercised considerable influence over the city's food economy and the laws that regulated it by negotiating prices, shaping taste preferences, liaising with government officials, and even openly defying ordinances they felt were unfair. The power each group gained and lost determined the success of their businesses, the well-being of their families, and their ability to shape food retail and local laws to meet their needs.Nourishing Networks vividly depicts a city that throughout its history has struggled to feed its population safely and affordably, and in documenting those challenges, it offers lessons for building a better food future. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

For much of the Crescent City's history, days began with the cries of roaming street vendors and the percussive thwack of butchers' meat cleavers echoing out from the municipal markets. Generations of New Orleanians—Black and white, enslaved and free, men and women, wealthy and working class—gathered in public to feed the city.In Nourishing Networks: The Public Culture of Food in New Orleans (Oxford UP, 2025), historian Dr. Ashley Rose Young illuminates the central role of food in shaping the vibrant culture of New Orleans. While the city's dynamic culinary scene fostered bonds between some communities, under the surface, groups viciously vied for control over who bought and sold food and where they could do it. Dr. Young traces the intricate systems of food vendors and their customers, and how those relationships were affected by race, gender, ethnicity, and socioeconomic status. She shows how vendors and customers alike exercised considerable influence over the city's food economy and the laws that regulated it by negotiating prices, shaping taste preferences, liaising with government officials, and even openly defying ordinances they felt were unfair. The power each group gained and lost determined the success of their businesses, the well-being of their families, and their ability to shape food retail and local laws to meet their needs.Nourishing Networks vividly depicts a city that throughout its history has struggled to feed its population safely and affordably, and in documenting those challenges, it offers lessons for building a better food future. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

For much of the Crescent City's history, days began with the cries of roaming street vendors and the percussive thwack of butchers' meat cleavers echoing out from the municipal markets. Generations of New Orleanians—Black and white, enslaved and free, men and women, wealthy and working class—gathered in public to feed the city.In Nourishing Networks: The Public Culture of Food in New Orleans (Oxford UP, 2025), historian Dr. Ashley Rose Young illuminates the central role of food in shaping the vibrant culture of New Orleans. While the city's dynamic culinary scene fostered bonds between some communities, under the surface, groups viciously vied for control over who bought and sold food and where they could do it. Dr. Young traces the intricate systems of food vendors and their customers, and how those relationships were affected by race, gender, ethnicity, and socioeconomic status. She shows how vendors and customers alike exercised considerable influence over the city's food economy and the laws that regulated it by negotiating prices, shaping taste preferences, liaising with government officials, and even openly defying ordinances they felt were unfair. The power each group gained and lost determined the success of their businesses, the well-being of their families, and their ability to shape food retail and local laws to meet their needs.Nourishing Networks vividly depicts a city that throughout its history has struggled to feed its population safely and affordably, and in documenting those challenges, it offers lessons for building a better food future. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

For much of the Crescent City's history, days began with the cries of roaming street vendors and the percussive thwack of butchers' meat cleavers echoing out from the municipal markets. Generations of New Orleanians—Black and white, enslaved and free, men and women, wealthy and working class—gathered in public to feed the city.In Nourishing Networks: The Public Culture of Food in New Orleans (Oxford UP, 2025), historian Dr. Ashley Rose Young illuminates the central role of food in shaping the vibrant culture of New Orleans. While the city's dynamic culinary scene fostered bonds between some communities, under the surface, groups viciously vied for control over who bought and sold food and where they could do it. Dr. Young traces the intricate systems of food vendors and their customers, and how those relationships were affected by race, gender, ethnicity, and socioeconomic status. She shows how vendors and customers alike exercised considerable influence over the city's food economy and the laws that regulated it by negotiating prices, shaping taste preferences, liaising with government officials, and even openly defying ordinances they felt were unfair. The power each group gained and lost determined the success of their businesses, the well-being of their families, and their ability to shape food retail and local laws to meet their needs.Nourishing Networks vividly depicts a city that throughout its history has struggled to feed its population safely and affordably, and in documenting those challenges, it offers lessons for building a better food future. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts

A special bonus episode with a special guest! Celebrating 100 episodes with discussions on producer Pete's bleep sound effect of choice, our favorite males and what to look forward to in season 3. Cross Sarah J. Maas universe characters are mentioned but no plot points are discussed. Send voice memos or emails to sandtfaemail@gmail.com and check @mortallands on Instagram for the complete Crescent City schedule ahead of our June 17th launch!   Season 1: A Court of Thorns and Roses (ACOTAR) series Season 2: Throne of Glass (TOG) series Season 3: Crescent City (CC) series – premieres June 17, 2026! Season 4: Maasverse – coming soon!

Join us for a deep dive into the frothy, fragrant world of one of cocktail culture's most legendary creations as author John Shelton Reed joins the show to discuss his book, The Ramos Gin Fizz. John traces the fascinating history of this iconic New Orleans libation, from its invention at the Imperial Cabinet Saloon in 1888 to its reign as a Crescent City institution requiring the synchronized effort of "a dozen bar hands" shaking in rotation. He unpacks the lore behind its eccentric creator Henry C. Ramos, the exacting technique that demands a full twelve minutes of shaking, and how the drink became a political touchstone during the Huey Long era. The conversation explores why this notoriously labor-intensive cocktail has captured the imagination of bartenders and drinkers for well over a century. John also reflects on the role of specialty drinks in defining a city's identity and how the Ramos Gin Fizz endures as a symbol of New Orleans' unique spirit. John's books: https://johnshelton.weebly.com/books.html _____________________________________ WATCH OUR VIDEOS ON YOUTUBE: https://www.youtube.com/bartenderatlarge FOLLOW US ON INSTAGRAM: Erick Castro: www.instagram.com/HungryBartender Bartender at Large: www.instagram.com/BartenderAtLarge FOLLOW US ON TIKTOK: Erick Castro: https://www.tiktok.com/@hungrybartender?_t=ZT-8uBekAKOGwU&_r=1 Bartender at Large: www.tiktok.com/BartenderAtLarge

Air Week: May 25-31, 2026 Imperial Records, Pt. 11 – 1957-58 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angeles in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we conclude our Imperial series with part eleven, focusing on Imperial’s R&B releases from the end of 1957 and the beginning of 1958. There’s a new hit-maker in town as Imperial signs the young heartthrob, Ricky Nelson as well as other Rockabilly, Rock and Pop acts. Chudd begins to move the label away from Rhythm & Blues and that great New Orleans sound that brought the hits over the past decade. Fats is still able to chart and does so with gusto as “What Will I Tell My Heart,” “Wait & See,” “When I See You,” “Sick & Tired” and “The Big Beat” all make the charts. Ernie Freeman scores one of Imperial’s best-sellers with his cover of the Bill Justis tune, “Raunchy” and Bobby Mitchell records the first version of “I’m Gonna Be A Wheel Someday.” 1958 is a great place for us to stop as we’ve covered Imperial’s R&B heyday over the past eleven week’s on your source for the “soul that came before Rock n’ Roll,” the “Juke In The Back.”  LISTEN BELOW

Is there any place more magical in the summer than the public library? In Episode 46, "Stacked for Summer: Library Picks & Programs," Lit Gals Anna, Morgan, and Martie are showing some major love to our favorite community hubs. Before heading out on their summer hiatus, the trio is sharing their favorite tips for diving into library programs and curating the perfect warm-weather reading stacks for everyone from preschoolers to adults. Tune in, get inspired to visit your local branch, and load up on great stories to carry you through the sunny months until the Gals return in the fall!The Lit Gals are proud to be part of the Keep Indiana Learning network and are excited to also be airing on the KINL Podcast network this season!Books Shared - Young Readers:Danny Go's Volcano Adventure (Danny Go!) Just One More Sleep (Jamie Lee Curtis & Laura Cornell)Middle Grade & YA:The Unlikely Tale of Chase and Finnegan (Jasmine Warga)Authors: Kwame Alexander,  Ally Carter, John Feinstein, Jason Reynolds Adult:The Blue Book (Elin Hilderbrand)House of Flame and Shadow, Crescent City #3 (Sarah J. Maas)The God of the Woods (Liz Moore) My Name Is Emilia del Valle (Isabel Allende) 

ACOFAE Podcast Presents: Stormbreaker:"'The Wastes' are just Brooklyn." You know how Jessica Marie loves a New York setting and how Laura Marie loves purple? Put those things together and add in some storms and some trauma and you've got Storm Breaker, and you've got ACOFAE'S attention. Poet Graves is 19, engaged, and ready to rebel at college, even if she doesn't know it yet. Poet has a secret and keeping it under wraps from new friends, old lovers, and new more than friends, is a huge priority. Rook is a stranger from the Wastes and he may or may not have the same secret as Poet. Throw in a school setting with warring houses and initiation rituals and Poet has her work cut out for her. Oh and her parents are the worst. Join ACOFAE as they explore a future Manhattan, the only place left on earth. TW / CW: parental abuse For additional TW/CW information for your future reads, head to this site for more: https://triggerwarningdatabase.com/ Spoilers: Storm Breaker by Nisha J. Tuli, Silo series Mentions: The Hunger Games, Crescent City, ACOTAR, ACOSF, Six of Crows, Doctor Who, The Raven Scholar, Hamilton, Fourth Wing *Thank you for listening to us! Please subscribe and leave a 5-star review and follow us on Instagram at @ACOFAEpodcast and on our TikToks! TikTok: ACOFAELaura : Laura Marie ( https://www.tiktok.com/@acofaelaura) ACOFAEJessica : Jessica Marie (https://www.tiktok.com/@acofaejessica) Instagram: @ACOFAEpodcast https://www.instagram.com/acofaepodcast/ @ACOFAELaura https://www.instagram.com/acofaelaura/

Congratulations to NFL fans in nine cities across America!   Commissioner Roger Goodell has just given you the proverbial one finger salute. The man in charge of America’s fall pro football league has no problem asking you to pay up, shut-up, and watch meaningless August preseason football games at your NFL stadium every year.   Meanwhile, Commissioner Goodell and his band of merry billionaire owners have just pilfered a league record nine regular season home games this fall and moved them them overseas.  That’s two more games than in 2025 and four more than in 2024 or previous years. Notice the trend? I was excited a few weeks ago in reviewing the list of 2026 NFL opponents for each team.  My two favorite black and gold NFL teams (the New Orleans Saints and Pittsburgh Steelers) were slated to play this fall in the Louisiana Superdome. Until… The greedy NFL pirated the Saints’ Week 7 home game against the Steelers and moved it to be played…in Paris, France!?? Sacre Bleu! Yes, we know that French explorers founded New Orleans in 1718.  In 1803, the United States acquired the city and a vast region located west of the Mississippi River in what became known as the Louisiana Purchase for a bargain price of $15 million. New Orleans’ tourist appeal relies heavily on its French roots.  The city’s famous French Quarter features street signs reminding visitors and locals of the city’s French history. You can stroll down Rue Royale (Royal Street) to enjoy a few biegnets and Community Coffee at Cafe Du Monde. Magnifique! Even the New Orleans Saints’ team logo features a French fleur de lis. Yes, I will begrudgingly give credit to someone in the NFL’s scheduling office for coming up with the idea of sending the New Orleans Saints to play a game in Paris. But why did the NFL rob Saints fans of a chance to watch our beloved WhoDats play the vaunted Pittsburgh Steelers in the Superdome? Saints fans wouldn’t be nearly as torqued if the league had selected a different home game this fall against (let’s say) the Cleveland Browns or Las Vegas Raiders. C’est parti pour les Steelers… (Here we go Steelers…) Pittsburgh Steelers fans aren’t necessarily thrilled about moving the road game in New Orleans all the way to France, either.  The six-time Super Bowl champions have one of the NFL’s largest traveling contingents. Visitors to New Orleans in late October are treated to some of the best weather of the year in the Crescent City.  Local hotels, restaurants, bars and retailers are going to miss cashing-in on 10,000 or more fans of the Pittsburgh Steelers that weekend, too. Thanks for nothing, NFL! The Week 7 game on October 25 in Paris, France will probably still feature thousands of Terrible Towels being waved by fans in attendance. You have to wonder how much money those French football fans will be charged to buy them, though. This migration onto the world stage by the NFL is quite deliberate Commissioner Roger Goodell (it’s OK to “boo” right here) first sent the Arizona Cardinals to play a regular season NFL game vs. the San Francisco 49ers in Mexico City in 2005.  Since then, the league has continued to add more and more regular season games played outside of the United States. London is the leader in number of NFL games played outside the continental United States. A total of 48 NFL games have been played in London since 2007.  In fact, a minimum of two NFL games have been played in London annually since 2013. This year will feature three consecutive weeks of NFL regular season games being played in London during October.  But why? The unfortunate Jacksonville Jaguars have been dispatched to London a total of 14 times over the past 13 seasons.  As usual, J-ville travels to Jolly ol’ England again this fall.  The Jaguars are scheduled to play the Philadelphia Eagles on October 11 in London. Many observers (including me) believe that the Jacksonville NFL franchise is going to be relocated to London at some point in the not-too-distant future. Germany has become a popular recent destination for NFL teams.  Five games have already been played on German soil since 2022.  The New England Patriots and Detroit Lions will play in Munich this season on November 15. Mexico City has hosted four NFL regular season games since 2016.  The Minnesota Vikings and San Francisco 49ers will play a Sunday night game in Mexico City on November 22. Brazil will host its third NFL regular season game in three years. The Baltimore Ravens and Dallas Cowboys will play in Rio de Janeiro on Sunday, September 27. Australia gets its first NFL game, too.  The San Francisco 49ers and Los Angeles Rams are being dispatched to Melbourne for a Week 1 encounter on September 10. Rounding out the NFL’s frequent flier schedule will be the Cincinnati Bengals and Atlanta Falcons flying to Madrid, Spain for a game on November 8. The NFL’s nine game international schedule is a new record.  There were seven games played overseas in 2025 and “just” five in 2024. Have you figured out why the NFL is doing this? If you guessed, “To make even more money!”, you are correct! Don’t believe the NFL’s baloney about “growing the game internationally”.  It’s all about this massive financial private enterprise growing their already bloated bank accounts. The NFL earns millions from the ticket sales, concessions, merchandise, and rights it receives to play regular season games in international venues. Even more importantly, the league is setting the proverbial hooks right now.  They want millions of new international fans to become addicted to American pro football each fall. These countries represent fresh sources of potential income for the NFL. Online broadcasters such as Amazon Prime Video, Netflix, YouTube, Peacock, and Paramount+ are expected to generate massive new international revenue sources for the NFL. Math lesson – How many people are watching these online providers in the US and other countries? These numbers may surprise you.  Let’s start with Netflix. According to one source, these six countries have the most Netflix subscribers: USA – 66.7 million United Kingdom – 18.4 million Brazil – 16.6 million Germany – 16.6 million Mexico – 13.9 million France – 13.6 million Purely by coincidence (cough), the NFL will be playing at least one regular season football game in each of those countries this fall! Did you know that Amazon Prime Video has more than 160 million viewers in the United States alone?  It is already available in 240 other countries worldwide. As for YouTube, I was surprised to learn that India is their number one country for viewership with 491 million YouTubers.  They claim that the US has 253 million YouTube customers.  Next comes Brazil (144 mm), Mexico (84 mm), and Japan (79 mm). Peacock (owned by NBC Universal) boasts of 36 million mostly-US subscribers.    Paramount + (which also owns CBS) claims have 79 million subscribers in 29 different countries. Traditional NFL television outlets better watch out – soon! That villainous NFL Commissioner Roger Goodell (feel free to “boo” him again here) dropped hints recently that the NFL may utilize its right to opt-out of several existing television deals as early as the fall, 2029 football season. The NFL’s current TV deals began in 2021 and run for 11 years.  That means that Fox Sports, CBS, and NBC should be “safe” through the football year 2032. Maybe. A voluntary renegotiation with one or more of the current broadcasters to extend their deals (at a significantly higher price, of course) may be underway even now. The NFL has begun receiving greater pushback from the public recently. Last week, restaurant and bar associations in Iowa and Wisconsin demanded congressional investigations as to the NFL’s “one-size-fits-all” new distribution plan for its Sunday Ticket package.  The NFL will provide just one untested internet-based online distribution this fall after retail customers enjoyed years of service via satellite. Smartly, the football giant wants to avoid closer oversight now as franchise owners focus on a gigantic pot of international gold on the horizon. The crafty NFL is playing a game of chess with football fans and US broadcasters There is no reason for the NFL to push too hard right now.  Franchise owners are booking record profits.  The NFL doesn’t have a viable competitor trying to steal some of their massively popular pro football audiences. Yet. The NFL has built a 32-team professional football monopoly in the United States.  It is seeking to expand its empire worldwide and reap even greater profits and franchise valuations. Football fans can still have the last laugh The NFL has slowly grown interest in its product over several decades.  Traditional television networks now have advertisers salivating to reach an average of 19 million mostly male viewers generally within the prime buying demographic of ages 25 to 49. The NFL has quietly grown a new audience.  Millions of casual and professional gamblers are now wagering on weekly NFL games via a variety of online betting providers. Tapping into the international market is another attempt by this behemoth sports enterprise called the NFL to expand its financial reach into more untapped markets. “Joe NFL Fan” in the United States must prepare for these changes.  Should he spend more money to start watching a growing portion of his weekly slate of NFL games online or simply go on an NFL TV diet soon? Barring any new fall football competition, the NFL appears confident that the loss of any former US-based viewers will be minimal when compared to adding millions of new international customers. This process is unfolding right in front of your eyes like a deliberate game of chess. The NFL confidently believes they have you trapped.  They have not declared, “Checkmate” just yet. The giant sports enterprise called the NFL is going to eventually force you to start paying to watch their product soon.  Or, you can opt out and enjoy your weekends without the NFL. Those choices are coming – sooner than you think. The post Welcome to the in-FL appeared first on SwampSwamiSports.com.

Air Week: May 18-24, 2026 Imperial Records, Pt. 10 – 1957 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angeles in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part ten, focusing on Imperial’s R&B releases from 1957. Fats Domino continues his hit streak as both “Blue Monday” and “I’m Walkin'” top the R&B chart and “Valley of Tears” stalls at #2. These 3 singles would also crack the pop top 10! Dave Bartholomew records a cult favorite about the Signifying Monkey and produces some great sides from James “Sugarboy” Crawford, Faye Adams and Chris Kenner. Blues shouter Roy Brown returns to the charts in ’57 on Imperial with “Let The Four Winds Blow” and a cover of Buddy Knox’s Rockabilly hit, “Party Doll.” The line between R&B and Rock n’ Roll is blurred as we keep those records spinning on part ten of the Imperial Records Story on this week’s “Juke In The Back.”  LISTEN BELOW

Subscribe to our Patreon for our after-party → https://www.patreon.com/c/lamebcpod Surprise, besties — Ellie's on maternity leave (baby's here, everyone's safe, screaming and crying we love her), so Melissa's husband Zeke is filling in, and yes, he has not read a single word of Crescent City. We dragged him through House of Flame and Shadow Chapters 29–35 anyway: Bryce gets shackled by her absolute trash bag of a father, the Autumn King helps himself to Truth-Teller (rude), Ithan goes necromancer-shopping to un-kill Sigrid (we have Thoughts on resurrection cheapening a death, thank you), Jesiba Roga continues to live in Melissa's head as Joe Rogan for reasons no one can explain, Lidia FINALLY reveals herself by dunking on The Hawk in an elevator — RIP the coolest name with the least impactful death — and then casually saves the entire gang before nuzzling Ruhn goodbye and yeeting herself off a cliff (with a bullet, just for fun). If your boyfriend/husband/situationship has ever side-eyed your SJM obsession, this is the episode to put on in the car — Zeke is the everyman ambassador and he's doing his best. Spoilers through HoFaS Ch. 35, plus ACOTAR and Throne of Glass at large, so reader beware. New chapters every week, Patreon afterparty as always, and somebody please bully Zeke into starting Red Rising in the comments.   Website→ https://www.lamebookclubpod.com/ Merch → https://www.lamebookclubpod.com/category/all-products Patreon → https://www.patreon.com/c/lamebcpod IG → https://www.instagram.com/lamebookclubpod/ Spotify → https://open.spotify.com/show/2exV4FVCLeN7mYfxcNs9cB?si=36805589642e442c Apple → https://podcasts.apple.com/us/podcast/l-a-m-e-book-club-podcast/id1703598706 PODCAST BUSINESS ENQUIRES: lamebcpodcast@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Air Week: May 11-17, 2026 Imperial Records, Pt. 9 – 1956, Pt. 2 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angeles in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part nine, focusing on Imperial’s R&B releases from the second half of 1956. Fats Domino has the biggest hit of his entire career with “Blueberry Hill,” a tune that Dave Bartholomew did not think he should record. It sold millions and millions and topped the R&B charts and landing at a whopping #2 on the pop chart. Matt The Cat presents the story behind that monumental release as well as spinning some great and seldom heard vocal group records from The Barons, The Victorials, The Dukes and The Honey Bees, a female group. We’ll also dig on some solid R&B releases from Johnny Fuller, Ernie Freeman and Gloria Jean Pitts as we keeps those records spinning on part nine of the Imperial Records Story on this week’s “Juke In The Back.” LISTEN BELOW

Air Week: May 4-10, 2026 Imperial Records, Pt. 8 – 1956, Pt. 1 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angeles in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part eight, focusing on Imperial’s R&B releases from the first half of 1956. Fats Domino keeps the momentum going after breaking through to the Pop Charts in 1955 with “Ain’t It A Shame.” In early ’56, he scores with “Bo Weevil, “My Blue Heaven” and “I’m In Love Again” and will have the biggest hit of his entire career later in the year. Bobby Mitchell leaves to The Toppers to become a solo star and scores the only charting record of his entire career this year with “Try Rock and Roll.” Dave Bartholomew is behind Mitchell’s breakout record as well as 2 charting singles for Smiley Lewis the year and more great releases from The Spiders, who are now being billed at Chuck Carbo & The Spiders. Out in LA, Imperial is still making some great vocal group records with the Jewels and The Barons and Matt The Cat keeps those records spinning as he features part eight of the Imperial Records Story on this week’s “Juke In The Back.” LISTEN BELOW

Uh-oh!  LIV Golf lost its financial life preserver this week. The Saudi Public Investment Fund (PIF) is pulling the Saudi P-LUG on LIV Golf at the conclusion of this season in late August. Meanwhile, PGA Tour players and cheerleaders like Golf Channel’s Brandel Chamblee are doing the expected “I told you so” round of high fives late this week. LIV Golf announced a restructuring plan Thursday “to support a transition from a foundational launch phase to a diversified, multi-partnered investment model”. Let me offer a simpler translation.  The Saudi money tree has dried up.  They are desperately seeking very wealthy people or cash-rich companies needing a billion-dollar annual tax loss. Oddly, no one has confirmed (or denied) whether the Saudi Public Investment Fund has officially parted ways with funding LIV Golf. The league’s Sugar Daddy cannot be happy with losing an estimated $5 billion over five golf seasons beginning in 2022. Thursday’s announcement by LIV Golf included the addition of an independent board led by a couple of investment bankers.  Good luck finding those new pigeons, gents! New Orleans’ first-ever LIV Golf event was expected to be played in late June.  Whose bad idea was that?  Not to worry.  This week, we learned that the New Orleans LIV tournament has been “postponed” (perhaps) until this fall. Louisiana’s state tourism group will receive a refund of more than $1 million already paid to LIV Golf to come to town.  However, the state’s taxpayers have already invested $2 million in making needed improvements to bring the former City Park layout (now renamed Bayou Oaks) into condition for a pro golf tournament. At least Crescent City golfers will be able to enjoy the brand new driving range and other course improvements which have been made. What are the chances that LIV Golf finds new backers and survives into next year? Despite all of that flowery rhetoric, LIV Golf’s current business model simply doesn’t work. The league initially paid more than $1 billion in signing bonuses to major golf champions such as Jon Rahm, Bryson DeChambeau, Phil Mickelson, Cameron Smith, and Bubba Watson.  Other top names signed for less than $100 million each. Brooks Keopka and Patrick Reed have recently left LIV Golf.  They both joined LIV Golf during its first year in 2022 and played through 2025. The two major champions negotiated their own exit plans over the winter.  Koepka then cut a deal with the PGA Tour to return this spring.  Patrick Reed was required to wait until the PGA Tour’s FedEx Cup concludes in late August before he returns to the tour. LIV Golf’s biggest success has come in a few foreign countries starved to see some of the top professional golf stars. Tour events in Australia and South Africa were sold-out this spring with more than 100,000 fans during their LIV Golf tournaments.  LIV Golf’s worldwide events are also quite expensive to transport people, equipment, and facilities to different countries every two weeks. The league has played about half of its tournament schedule in the US. Those events have generally failed to attract significant crowds or revenue. LIV Golf pays its golfers a total prize money worth $30 million at each event in 2026. If a US event draws a total of 40,000 fans at (let’s say) $50 average ticket prices, that generates only $2 million in ticket revenue.  The math doesn’t work. LIV Golf’s television package with FOX Sports (which has been covered in a few previous posts) does not provide the league any significant revenue, either.  Playing in foreign countries brings major challenges for television.  Time zone differences have caused a few events to fall during the overnight hours back in the US. It would require take a drastic reduction in LIV Golf’s tournament purses (back down into the $3-$5 million range) to give the league any chance of treading water financially. Such a payday reduction would likely cause top LIV Golf names like Jon Rahm and Bryson DeChambeau to leave once their contracts expire.  DeChambeau’s LIV agreement is set to expire at the end of this summer. What type of investor wants to spend their money on such a risky business venture with its top attractions leaving?  Not many – if any. Then again, the PGA Tour’s own financial picture isn’t all that great, either The PGA Tour has always remained closely guarded when it comes to its own financial affairs.  Some at PGA headquarters may want to pop some champagne bottles upon hearing of LIV Golf’s likely demise. In reality, the PGA Tour’s accountant should counsel them to put the bubbly back into the bar – at least for now. Did you know that the PGA Tour abruptly (and very quietly) ended two long-time events staged in Hawaii? The PGA Tour has held at least one annual golf tournament in Hawaii since 1965.  Honolulu has played host to the Sony Open in Oahu for 51 years. Another tournament called the Sentry (Insurance) Open was added in Maui beginning in 1999.  It featured the winners of each of the prior year’s PGA golf tournaments along with other leading money winners. Attendance at both events has never been particularly strong.  However, January’s television coverage of golf being played in the warm sunshine of Hawaii had been great in attracting home TV audiences and the title golf sponsors. The PGA Tour just said “Aloha” to these long-time events beginning next year Cancellation of these two long-running PGA men’s golf events in Hawaii next year are not the only departures from the PGA Tour after 2026, either. Farmer’s Insurance ended its long-time sponsorship of the PGA event in San Diego earlier this spring. The insurance provider had been the title sponsor at Torrey Pines in San Diego for the past 17 years. Other long-time PGA Tour sponsors such as Genesis (Los Angeles), Charles Schwab (Fort Worth) and Wyndham Hotels (Greensboro) face renewal decisions in 2026. Primary PGA Tour sponsors are becoming increasingly skeptical about making significant multi-year financial commitments at increasing costs.  The average PGA Tour title sponsorship now costs nearly $15 million per year with a multi-year commitment required from the sponsor. These title companies expect more than just goodwill when forking-out a significant percentage of their annual advertising budget to sponsor a one week pro golf tournament. Why are PGA title sponsorships priced so high today? Let’s go back a few decades.  Phil Mickelson first teed-up on the PGA Tour in the summer of 1992.  He’s now 55 and was one of the first PGA Tour golfers signed by LIV Golf in 2022. Tiger Woods has, for practical purposes, retired from the PGA Tour.  He turned 50 last December and now qualifies to play on the PGA Champions (Senior) Tour. There was a dramatic increase for PGA tournament payouts during Tiger and Phil’s careers.  Fans of both golfers helped to generate a renewed interest in the game over the past 30 years. The total prize pool for ALL PGA Tour events in 1994 was $57 million.  By 2024, the men’s golf tournament payouts had increased almost tenfold to $551 million. Unfortunately, both Phil Mickelson and the oft-injured and recently out-of-sight Tiger Woods are no longer factors in recent years. The competition from LIV Golf beginning in 2022 absolutely contributed to the PGA Tour maintaining and boosting its tournament payouts.  It was done to prevent other major PGA stars from jumping over to the new LIV Golf league. Guess who has been footing the bill for those huge increases in tournament payouts? Tournament title sponsors, of course! A golf tournament’s title sponsor generally covers all of the costs associated with bringing a PGA Tour event to each community.  The money goes to pay for operational costs on the ground plus that rising amount of tournament prize money being paid to the players. That good ol’ economic concept of the elasticity of demand is in effect right now. The loss of PGA Tour long-time tournament title sponsors has resulted in a reduction in the number of annual events. Many PGA weekly tournaments feature a rather watered-down field with few of the top 50 players bothering to show up.  Some may not like the golf course.  Others are taking time to prepare for future events or spend the week with their families. Tournament title sponsors, though, are left with a field with few “name” golfers.  That leads to lower local attendance and reduced national television exposure for the title sponsor of that particular golf tournament. Today’s top PGA Tour fan favorites include Rory McIlroy and Scottie Scheffler. A little renewed competition from young major champion golfers like LIV Golf’s Bryson DeChambeau, Jon Rahm, and Cam Smith would definitely boost interest at some of the PGA Tour’s most neglected tournament stops. The PGA Tour’s most recent media rights deals with CBS and NBC/Golf Channel provides annual revenue of $700 million through the year 2030.  It would be a smart business decision for the PGA Tour to add the primary stars of LIV Golf into the mix long before the next round of TV rights negotiations. The PGA Tour shouldn’t gloat about LIV Golf’s financial failure A $3 billion life preserver was provided to the PGA Tour in early 2024 from private equity partner Strategic Sports Group.  That cash infusion has kept the long-term golf league in respectable financial shape. Half of the $3 billion was utilized to create a new long-term bonus incentive program for the golfers.  Current PGA stars earn a portion of their bonus money based on their annual performance.  Importantly, they are required to remain a PGA member in order to collect that money in the future. The other half of the $3 billion from Strategic Sports Group was slated for “PGA Tour business.”  What exactly does that mean?  Is it being used to cover tournament losses?  What about the cost of funding former PGA players’ retirement accounts?  Nobody knows for sure. Phil Mickelson had deep suspicions about how the PGA Tour was being managed.  That is one reason why Lefty jumped to LIV Golf in 2022.  He claimed that the PGA Tour had been unfair to its players by retaining the exclusive rights to sell and market highlights of individual golfers to social media sites without compensation going back to the players. An increasing lack of trust between top PGA Tour management and several key players came to a head once LIV Golf came knocking in 2022. How can the PGA Tour patch things up with LIV golfers if that league folds soon? Yes, I do have a few ideas. Come back next time for Part 2.  Let’s work out a plan so that golf fans emerge as the winners! The post Hey, PGA Tour! Most fans WANT LIV Golfers Back! appeared first on SwampSwamiSports.com.

We've arrived: the club's final finale of the Throne of Glass (TOG) series by Sarah J. Maas. We're talking origin stories and life spans. We're doing more lectio divina. We're sharing details on the upcoming Crescent City season. Safe if you've read the full Throne of Glass series. No cross Sarah J. Maas universe spoilers.   Season 1: A Court of Thorns and Roses (ACOTAR) series Season 2: Throne of Glass (TOG) series

Subscribe to our Patreon for our after-party → https://www.patreon.com/c/lamebcpod Buckle up, besties!! Chapters 15 through 21 of House of Flame and Shadow are the ones that sent the entire fandom into a full-blown spiral, and we're getting into ALL of it. From a hologram info-dump that has readers divided, to a single sentence that may have just confirmed one of the biggest theories in the SJM universe, to a moment so brutal and unexpected our jaws are still on the floor — this stretch of holdfast is packed. We're breaking down the plot holes that have everyone yelling "wait, he can do WHAT?!", connecting dots between Crescent City, ACOTAR, and Throne of Glass, debating whether a certain character was always secretly the villain, and asking the question no one wants to answer: did Bryce just bring something terrible into a brand new world? Plus theories on who bought out you-know-who, why Azriel reacted THAT way to the hologram, and a Ruhn moment we genuinely cannot stop thinking about. If you've read these chapters, you already know. If you haven't — what are you waiting for?! Website→ https://www.lamebookclubpod.com/ Merch → https://www.lamebookclubpod.com/category/all-products Patreon → https://www.patreon.com/c/lamebcpod IG → https://www.instagram.com/lamebookclubpod/ Spotify → https://open.spotify.com/show/2exV4FVCLeN7mYfxcNs9cB?si=36805589642e442c Apple → https://podcasts.apple.com/us/podcast/l-a-m-e-book-club-podcast/id1703598706 PODCAST BUSINESS ENQUIRES: lamebcpodcast@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of Joyously Free!, host Joanie Lindenmeyer welcomes Sylas Ryan for a second appearance on the show to discuss critical housing initiatives in Del Norte County. Highlighting housing projects like the Battery Point housing complex, Sylas addresses the severe housing shortage, its ties to the job market, and the need for supportive services for unhoused individuals. The conversation emphasizes community building through shared spaces and compassionate action, inspired by the ‘Good Samaritan' principle. Personal stories underscore the urgency for collective efforts to foster resilience and well-being. Host: Joanie Lindenmeyer; Producer: Joanie Lindenmeyer Music is from freepd.com, in the public domain. The opinions expressed here are those of the individual participants. Curry Coast Community Radio takes no position on issues discussed in this program. If you enjoy this program and want to hear more like it, consider supporting Curry Coast Community Radio. Here’s how.

Air Week: April 27-May 3, 2026 Imperial Records, Pt. 7 – 1955, Pt. 2 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angels in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part seven, focusing on Imperial’s R&B releases from the second half of 1955. Last week in the first part of 1955, Matt The Cat alluded to Fats Domino’s big crossover breakthrough and in June it happened when “Ain’t It A Shame” topped the R&B chart and crossed over to a whopping #10 on the Pop chart. It became the biggest selling R&B record of 1955 and along with Chuck Berry’s “Maybellene” helped to usher in Rock n’ Roll. Though 1955 was a strong year for Fats, Dave Bartholomew, The Spiders and Imperial’s New Orleans roster, the Los Angeles vocal groups were also making a dent with The Barons and The Jewels having a few solid releases. Blues legend Roosevelt Sykes stops by Imperial for a quick few singles, while guitarist Jimmy Nolen gives us a glimpse of his future greatness. Matt The Cat keeps those records spinning as he features part seven of the Imperial Records Story on this week’s “Juke In The Back.”  LISTEN BELOW

Like the episode? Let us know with a quick text![This podcast is best experienced on our YouTube channel, which includes pictures, names, titles, and subtitles for each of the people we interviewed.]Host Allison Gaillard introduces a different kind of Run Your Story podcast episode featuring Ainsley's Angels participants from the Crescent City Classic, including Greater New Orleans members and families who traveled from Texas.Interviews with riders, runners, parents, and volunteers highlight how the organization creates inclusion not only during races but also through post-race community and celebration.Guests describe enjoying the crowd, costumes, encouragement, and the Ainsley's Angels after-party, while sharing personal impacts such as increased community participation, friendships, and support for families of people with disabilities.John explains the chapter's growth, equipment (18 chariots and two trail chairs), and fundraising model for race entries.Allison encourages listeners to join or start a chapter, promotes the launch of Ainsley's Angels Southern Alabama with a first race on September 26, thanks supporters and partners, including UCP of Mobile and Gaillard Tech Services, and closes by urging others to help people “run their story.”Support the showFor more details on Run Your Story happenings, visit https://runyourstory.com/For web development or tech services, visit https://gaillardts.com/Go Run Your Story and take a piece of this story with you! Follow us on Facebook and Instagram for the latest news on upcoming episodes. Support me on Patreon!Can't wait to hear Your Run Story!! Thank you to all of our Patreon supporters!Kristen RatherSteve TaylorMary TrufantSuzanne CristSuzanne ClarkAnna SzymanskiDave McDonaldKarla McInnisJames ContrattoJordan DuBoseCristy EvansSharonda ShulaNell GustavsonMeredith NationsAllyson SwannChris StrayhornKaren SaldivarStefan ClaytonRachael McRaeScott Thornhill

In PCJ Pops, the Pop Culture Junkies share their recommendations on what to experience in pop culture, today and yesterday.Shauna says to dive into the Crescent City book series by Sarah J. Maas, the author of the ACOTAR (A Court of Thorns and Roses) series. Start with the first novel in the series. House of Earth and Blood.We have affordable and rewarding Patreon tiers! Be the first to hear new and uncensored content, if you dare! Click here: https://www.patreon.com/popculturejunkiepodcast/posts Apple Podcast: https://podcasts.apple.com/us/podcast/pop-culture-junkie/id1536737728 Spotify:https://open.spotify.com/show/7k2pUxzNDBXNCHzFM7EL8W Website: www.popculturejunkie.com Facebook: PopCultureJunkiePodcast Instagram: @pop.culturejunkie Threads:@pop.culturejunkie Bluesky: @pop-culture-junkie.bsky.social Email: junkies@popculturejunkie.com Shauna on Instagram: @shaunatrinidad  Shauna on Threads: @shaunatrinidad Olivia on Instagram: @livimariez 

Air Week: April 20-26, 2026 Imperial Records, Pt. 6 – 1955, Pt. 2 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angels in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part six, focusing on Imperial’s R&B releases from the first half of 1955. We’re splitting 1955 up into 2 parts to really focus on this pivotal year for Imperial and the world of music in general. Rhythm & Blues was really hitting the mainstream in ’55 and beginning to get its new name, Rock ‘n Roll. Before Fats Domino crossed over later in the year, he enjoyed a few million-sellers in early ’55 with “Thinking Of Your” and “Don’t You Know.” He’d soon score one of the first true Rock n’ Roll hits a few months later with “Ain’t It A Shame.” Dave Bartholomew kept busy producing Fats’ records as well as putting out great singles from relatively unknowns like Joan Scott, The Hawks and Billy Tate. The Spiders continued to score hits in ’55 and Pee Wee Crayton was releasing some solid sides that unfortunately missed the national R&B charts. Matt The Cat keeps those records spinning as he features part six of the Imperial Records Story on this week’s “Juke In The Back.”  LISTEN BELOW

Even the most stubborn owners of a failing business eventually must face the facts that their business may never become profitable. LIV Golf is owned by Saudi Arabia’s Public Investment Fund (PIF).  The oil-rich nation’s investment conglomerate is worth more than $1 trillion.  It holds a variety of assets which are generally expected to deliver a reasonable rate of return to the fund. To date, LIV Golf has run through an estimated $5 billion of Saudi PIF funds during its first four years of operation. The sports media (chasing rumor after rumor hoping for bad news) pounced on a story this week that the Saudi PIF may be ending their support for LIV Golf soon. How soon?  No one knows. That hasn’t stopped the anti-LIV Golf crowd from generating headlines about a looming closure of the upstart league. LIV Golf president Scott O’Neill emerged Thursday prior to the opening round of the tour’s event in Mexico City to say that the league is fully funded through the August, 2026 season ending events. He was asked, “What about next year”?  No comment. At some point, every business needs to be able to stand on its own.  The Saudi group was initially excited and proud to begin a worldwide professional golf operation.  It hoped to rival the PGA Tour and the DP World (European) tours. Losing $1 billion per year only amounts to about 1% of the Saudi PIF assets. Make no question about it, the Saudis’ investment in LIV Golf has become a giant money pit with no end in sight. How did we get here? By early 2022, the Saudi PIF hired golf legend Greg Norman to put together a new worldwide golf league. Norman dangled plenty of bonus signing money (well over $100 million in several cases) to lure some of the PGA Tour’s biggest stars to jump leagues that spring. At least $1 billion would eventually be paid just to have these players under contract for three to four years (depending on each player’s negotiated deal).  American golf stars such as Phil Mickelson, Brooks Koepka, Dustin Johnson, and Bryson DeChambeau all made the leap to LIV Golf. The new LIV Golf League initially offered tournament purses of $25 million (now up to $30 million) to a field of just 54 (or so) players.  That was nearly three times the $8 million average tournament purse being offered by the US-based PGA Tour. Each LIV event (prior to 2026 when the league went to a 72-hole format) initially featured a 54-hole competition. Reminder – LIV is the number 54 in Roman numerals.  In addition to individual titles, LIV golfers also participate on a season-long four-man team.  Every tournament pays an extra $5 million to the three teams posting the lowest total scores for the week. It appeared that money seemed to be no object to the Saudi PIF.  Each year has seen insufficient revenues to cover massive losses. LIV Golf plays more than half of its events outside of the United States.  That presents a big problem in trying to attract a US television audience. A tournament in Singapore, Australia, or South Africa will be played in a time zone which makes “live” TV coverage in the US quite unattractive to home viewers.  Who is going to watch golf on television during the overnight hours? LIV Golf’s actual on-air television coverage itself (which I find more interesting to watch than most PGA Tour events) has been hampered by poor distribution. The year 2025 brought the current television deal with FOX Sports.  However, finding LIV Golf on television from day-to-day on one of several different FOX outlets is akin to playing “Whack-a-Mole” daily. It’s quite confusing and almost as if FOX is intentionally trying to bury the golf coverage.  See for yourself at this link. The Saudi Public Investment Fund spent at least $1 billion just for signing bonuses for the players.  LIV Golf has then lost about $1 billion per year on bloated tournament purses and oversized operating expenses.  Television audiences have been shrinking (primarily due to lousy TV placement) instead of growing. The trends are not the friends of LIV Golf. “Insanity is doing the same thing over and over again and expecting different results” That saying is often attributed to genius Albert Einstein.  It definitely applies to the Saudi owners of LIV Golf as Season #5 nears the halfway point. The media pounced on information which surfaced this week that LIV Golf is likely “toast” – perhaps even before the end of this season in late August. The usual suspects (including LIV Golf’s biggest “hater” – Brandel Chamblee at Golf Channel) have reacted with “I told you so!” glee. Not me. I fully admit to have been rooting for LIV Golf to find its niche in professional golf. Remember the ABA? My youthful self in the 1970’s was a big supporter of the American Basketball Association. I still shoot hoops with my ABA red, white, and blue basketball! The ABA’s innovative three-point shot helped to make its basketball games rather unique and more fun.  This creative new league also placed an emphasis on higher-scoring contests in contrast to the NBA’s more deliberate playing style of the 1970’s. The ABA placed franchises into growing markets such as Denver, San Antonio, Indianapolis, Salt Lake City, and Louisville.  Yes, there were numerous franchise failures in the ABA.  The league was woefully undercapitalized and lost millions trying to play in weak markets. ABA franchises outbid the NBA for the services of future Hall-of-Fame stars like Julius (Dr. J.) Erving, Moses Malone, George Gervin, Rick Barry, Dan Issel, and David Thompson. The league also attracted a younger audience to games and on television to watch the league’s higher scoring and entertaining contests. In 1976, four ABA teams (Denver, San Antonio, Indianapolis and the Virginia Squires-turned New York/New Jersey Nets) agreed to join the NBA.  Salt Lake City was able to lure the NBA’s Jazz away from New Orleans to Utah a few years later in 1979. Some basketball fans laughed at the ABA’s basketball.  Many traditionalists made fun of the ABA’s 3-point line. Years later, it was the NBA which added four key ABA franchises and the league’s 3-point shot. Yes, the ABA helped to shape today’s NBA. Likewise, PGA Tour golfers have benefited from the presence of LIV Golf LIV Golf started poaching golfers away from the PGA Tour in 2022.  Almost immediately, the PGA Tour began raising its tournament purses to keep other remaining golf stars from contemplating their own exit to LIV. LIV Golf’s limited its fields to 54 (or so) golfers with “no-cut” events.  That insured every player would receive a minimum paycheck for their weekly efforts. By contrast, most PGA Tour events begin with a field of 144 to 156 golfers.  Half of the field is cut after the opening 36 holes. Those sent home early leave without earning a dime for their troubles that week. Taking its cue from LIV golf’s star-laden but smaller tournament fields, the PGA Tour began creating several “no cut” tournaments a few years ago featuring only the highest ranked 70 golfers.  That type of event may not have occurred without LIV Golf’s competitive presence. Some media critics have laughed at LIV Golf’s 4-man team competitions within each tournament. Perhaps the media should take note that the TGL (Tomorrow’s Golf League) recently concluded its second year of indoor golf competitions.  This popular weekly made-for-television golf series features four-man teams comprised of top PGA stars! Let’s see.  Higher purses, smaller “no cut” fields, and team competitions.  None of those were on the scene for PGA players prior to LIV Golf’s entry in 2022. Truth – LIV Golf has been a flop in the US Competing in the United States against the established PGA Tour has been tougher than expected for LIV Golf.  Few top US golf courses have been willing to commit to months of course preparation and the financial obligations required to host a top-level men’s golf tournament. Several LIV Golf events in America have come and gone since 2022.  Cities like Houston, Dallas, Miami, Tulsa, and Chicago have hosted a LIV Golf tournament in previous years but not in 2026. This year’s remaining LIV Golf schedule brings the tour to several US markets.  LIV plays in northern Virginia/DC metro (May 7-10), New Orleans (June 25-28), New Jersey/NYC metro (August 6-9), and Indianapolis (August 20-23).  The LIV team competition season finale is in Detroit (August 27-30). Louisiana Governor Jeff Landry and his economic development team have invested $5 million of state taxpayer dollars to pay LIV Golf to play its June 25-28 event at the newly renovated Bayou Oaks at City Park (formerly City Park South).  An additional $2 million is being spent right now to prepare this venerable public golf course for the upcoming LIV Golf tournament. Pinocchio would chuckle knowing that the Pelican State officials claim that the LIV Golf New Orleans event is going to inject $40 million into the local economy during late June. As a former resident of the New Orleans area, locals know why major hotels are readily available and cheaper during the summertime.  It is exceptionally hot and steamy in the Crescent City by late June.  The conditions may be miserable for both golf fans and the players. Regardless, the State of Louisiana is now holding its collective breath that LIV Golf won’t shut down operations prior to playing its inaugural New Orleans tournament in two months. Around the world, LIV Golf has been more successful Sold-out LIV Golf tournaments in Australia and South Africa this spring brought LIV’s group of top golf stars to golf-starved countries.  Fans openly welcomed the LIV Golf stars and seemed to enjoy the league’s party-like atmosphere. LIV Golf’s 2026 schedule has taken the golfers to Saudi Arabia (of course), Hong Kong, Singapore, and, this week, Mexico.  Upcoming overseas events are scheduled for South Korea (May 28-31), Spain (June 4-7), and the United Kingdom (July 23-26). The costs of taking the LIV Golf’s traveling show via jet to tournaments around the globe is staggering.  PGA Tour events in the US are usually scheduled within a one-day driving distance.  That reduces transportation costs for the television broadcast trucks, crews and players. The clock is ticking for LIV Golf Let’s give LIV Golf a mulligan for its first two years of operation.  Since then, the losses have continued to be unsustainable.  By any reasonable measure, LIV Golf should cut its losses and end operations by the end of the 2026 season in late August. Perhaps the Saudi Public Investment Fund might forge a partnership with the DP World Tour to bring men’s golf to worldwide locations where LIV Golf has performed well. The top names in LIV Golf have been paid multi-million dollar signing bonuses.  They’ll be fine.  The remaining talented golfers at LIV Golf will find another home to play professionally soon. Just like basketball’s ABA did for the stalwart NBA, LIV Golf has made a lasting impact upon professional golf and, especially, the PGA Tour. The post LIV on Life Support appeared first on SwampSwamiSports.com.

The time has come, the book club has begun its discussion on the FULL Throne of Glass series by Sarah J. Maas. In this extra special episode, the cousins are joined by a handful of the most active club members who've been with Mortal Lands since the beginning, and boy do opinions vary. Safe if you've read the full Throne of Glass series. No cross Sarah J. Maas universe spoilers. Keep an eye on Instagram for announcements on Season 3 which will cover Crescent City!   Season 1: A Court of Thorns and Roses (ACOTAR) series Season 2: Throne of Glass (TOG) series

Air Week: April 13-19, 2026 Imperial Records, Pt. 5 – 1954 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angels in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part five, focusing on Imperial’s R&B releases from 1954. Fats Domino is still Imperial’s biggest star, but he only scores 2 charting records in ’54, while a new vocal group out of New Orleans, The Spiders, rack up 3. Their debut single, “I Didn’t Want To Do It,” establishes them as the most successful vocal group on Imperial. Pee Wee Crayton joins the roster, filling out an already stacked list of blues greats that includes T-Bone Walker. We’ll hear 14 year old future great, James Booker as Little Booker making his debut on Imperial and some great vocal group records from Bobby Mitchell & The Toppers, The Hawks and The Bees. Matt The Cat keeps those records spinning as he features part five of the Imperial Records Story on this week’s “Juke In The Back.”  LISTEN BELOW

Welcome to Episode 097 veteran drummer and percussionist JOHN SPEICE, prominently based in the Austin scene. Best known for work with Grammy-winning Latin ensemble Grupo Fantasma and its psychedelic-funk offshoot Brownout, including their beloved Black Sabbath-inspired side trip Brown Sabbath. Throughout his career, Speice has been core to a diverse array of bands like Money Chicha, Hairy Apes BMX, and Caramelo Haze, also collaborating with Black Pumas, Daniel Johnston, Golden Dawn Arkestra, Trio Asesino, Jon Muq, among many others. I first saw John Speice electrify with a one-off version of Marco Benevento Trio at Megalomaniacs Ball 2011 in New Orleans over Jazz Fest. In addition to giving us the lowdown on the Apes reunion, we get the scoop on a half-dozen of his super-dope bands.  John breaks down a bit of basic history and the musical/cultural impact of classic and contemporary cumbia/chicha styles. He reflects on how they've been interpreted/expounded upon since breaking through stateside some years ago. A friend for a dozen years, this pod conversation is many moons in the making. Give Thanks 4 John Speice!  0:00 - episode 097 preview 3:00 - Golden Road Gathering 5:00 - Four Peaks Medicinals 6:00 - Bub & Pop Podcast plug 7:15 - The Upful Update 14:00 - introducing JOHN SPEICE 16:00 - INTERVIEW - Speice [73m] 1:28:30 - introducing JOHNNY WOODSTOCK 1:31:10 - INTERVIEW - Woodstock [56m] 2:27:00 - afterglow: SCOTT T. Salutes BOB WEIR Johnny Woodstock is a radio personality/programmer and music enthusiast/historian who hails from Jerzadelphia, currently located in Dallas, formerly based outta New Orleans. We trace similar roots coming of age in the Philly area Grateful Dead/Phish scenes dating back over 30 years ago, Johnny Woodstock dubbed me many of my first Dead tapes. Host of "Sounds of New Orleans" on KNON NOW, the digital streaming sister station of KNON 89.3 FM.  His show focuses on the "Crescent City magic" like brass bands, Second-Line rhythms, NOLA funk, Mardi Gras Indian music, plus Interviews with New Orleans legends. Prior to moving to Texas, Woodstock hosted "Midnight Music" on the world-renowned New Orleans station WWOZ 90.7 FM.  Johnny is father to MaryElla Woodstock, who joins the pod for a quick check in: she's KNON's youngest DJ (at age 10) hosting "Kidz Star Radio". She frequently assisted her father on his shows before launching her own. During his stint in NOLA, Johnny managed the box office at the legendary Blue Nile nightclub on Frenchmen Street. Eventually found his soulmate Tiffany through mutual pal Mike DIllon, a year later they made MaryElla, before eventually decamping to Dallas to live merrily ever after. Find out what's in a nickname, and the colorful, heartwarming story of a pretty great guy. At the conclusion, Johnny says goodbye to famed Philly radio DJ & Deadhead legend Pierre Robert [WMMR], followed by some words on the dearly departed Bob Weir. The episode wraps with a heartfilling, tear-jerking purge from the grate Scott T., ruminating on the essence and energy that defined Cowboy Bobby, the mysterious and mystical Spirit of the Suwannee, and the unquestionable, transformational power of a song. John Speice links Money Chicha Caramelo Haze GRUPO FANTASMA Brownout Hairy Apes BMX Jon Muq Johnny Woodstock links Sounds Of New Orleans with Johnny Woodstock on KNON NOW Johnny Woodstock : Spiritual Chaos album KNON's Mary Ella Woodstock Is Now on the Air. She's 8. recent B.Getz appearances: In Search of D'Angelo - Delta Bravo Observation Team w/BG [2/26]  Peace & Lovecast - Ode to Genius [D'Angelo ep w/ BG segment [2/26] Behind the Dopey - BG talks RHCP on Dopey Podcast - 4/26 CHECK OUT OUR SPONSORS Four Peaks Medicinals Golden Road Gathering BISS LIST  AARON SCHWARTZ ART LAZYMOON DESIGN for promo/poster art needs Bub and Pop Podcast Support the Upful LIFE Send B.G. a coupla' dollas 4 makin U holla! Upful LIFE Patreon EMAIL the SHOW PLEASE LEAVE A REVIEW on Apple Podcasts Listen/Comment on Spotify Theme Song: "Mazel Tov"- CALVIN VALENTINE  

Want a better life? Move out of California. Well, sorta. According to a new study from the California Policy Lab, the Golden State's high cost of living is still squeezing residents and pushing them out of the state. Guest: Evan White, Executive Director of California Policy Lab California is suing the Trump administration again, this time over the president's executive order to give the US Postal Service new powers to oversee voting by mail. An affordable housing project in Crescent City plans to restart construction soon after a series of setbacks. Jane Vaughan, Jefferson Public Radio Learn more about your ad choices. Visit megaphone.fm/adchoices

Air Week: April 6-12, 2026 Imperial Records, Pt. 4 – 1953 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angels in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part four, focusing on Imperial’s R&B releases from 1953. Fats Domino dominated the Imperial roster, racking up four charting singles in ’53, one going all the way to #2 nationally. Lew Chudd sent bluesman T-Bone Walker to New Orleans to work with bandleader and producer Dave Bartholomew and record at Cosimo Matassa’s famous J&M Recording Studio, while the “unsung hero” of this series, Lil’ Son Jackson continued recording in Fort Worth, TX. We’ll hear the debut singles from Bobby Mitchell & The Toppers as well as some rare sides from Lil’ Willie Gibson, “Boogie Bill” Webb and Rose Mitchell. Matt The Cat keeps those records spinning as he features part four of the Imperial Records Story on this week’s “Juke In The Back.”  LISTEN BELOW

Air Week: March 30-April 5, 2026 Imperial Records, Pt. 3 – 1951-52 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angels in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part three, focusing on the last half of 1951 and all of 1952. Due to a disagreement with Lew Chudd, Imperial was without Dave Bartholomew for most of this period, but Fats Domino kept crankin’ out the hits with producer and songwriter Al Young, including his first R&B #1, “Goin’ Home.” Lil’ Son Jackson, T-Bone Walker and Big Jay McNeely released some great records during this period and Smiley Lewis had his first charting record with “The Bells Are Ringing.” Bartholomew returned to the fold in April of ’52 and produced some scorchers from Fats, Tommy Ridgley and a beautiful, obscure single with Allen Matthews. Matt The Cat keeps those records spinning as he features part three of the Imperial Records Story on this week’s “Juke In The Back.”  LISTEN BELOW

Alan Smason, theatre critic & founder of Crescent City Theater Awards, joins Ian Hoch to talk about the 2nd Annual Crescent City Theater Awards.

Who runs the world, girls! Your newest romantasy must read is here. We have the absolute privilege of speaking to author M.M. Reeves about her debut novel Death's Kiss. This book brought Lizzy out of a slump. Imagine if you will a meaner Viktor Krum paired with a Crescent City level love story between women. Reeves and Emily discover their shared love of phantoms. Ultimate family vacations we hope to be a part of in the future. This episode was so big it could not in fact fit in just one. Part 2 will follow next week.Spoilers for Death's Kiss ahead.Send us Fan MailSupport the showConnect with usInstagram: https://bit.ly/ourIGpageTikTok: https://bit.ly/ourTiktokpageIntro and Outro music, Sexy Fashion Beat from Coma-Media 

Air Week: March 23-29, 2026 Imperial Records, Pt. 2 – 1950-51 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angels in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we continue our Imperial series with part two, focusing on the 78s released during the 2nd half of 1950 and into the first half of ’51. Fats, Smiley and Jewel are back, but with the departure of Bartholomew over an argument in late ’50, Imperial turns to more down-home blues recordings. We’ll dig on some stellar records from accomplished bluesmen: Country Jim, Smokey Hogg, Mercy Dee and Lil’ Son Jackson. The future Guitar Slim made his very first records for Imperial before topping the charts in ’54 for Specialty with “The Things That I Used To Do.” Child actor and future music producer H.B. Barnum made his musical debut on shellac with Chudd and Imperial in 1950 and blues icons T-Bone Walker and Big Joe Turner recorded some fine sides for the label as well. Matt The Cat keeps those records spinning as he features part two of the Imperial Records Story on this week’s “Juke In The Back.”  LISTEN BELOW

Folks are familiar with New Orleans' home-grown Creole and Cajun cuisines. But the Crescent City is also the perfect place to taste the diverse and vibrant flavors coming out of Latin America. This week, we pay tribute to chefs who are bringing Latin American fare to local tables. First, we sit down with Ana Castro. In January, Ana was named a semi-finalist for the 2026 James Beard award for Best Chef: South. Ana explains the path she took before she and her sister Lydia opened her much-lauded contemporary Mexican seafood restaurant, Acamaya. Then, we visit father-son duo Carlos and Will Avelar at their family business, Mawi Tortilleria. Will was a rising star in the culinary world when he and his father decided to join forces to provide fresh, authentic corn tortillas to the community. Finally, we hear from Carlos Sanchez, owner of Tournesol Café and Bakery, who spends his days in downtown Covington creating the delicious breads and pastries of his native El Salvador. For more of all things Louisiana Eats, be sure to visit us at PoppyTooker.com.

On this episode of Currently Reading, Kaytee and Meredith are discussing: Bookish Moments: Book adaptations and giving out book recs IRL Current Reads: all the great, interesting, and/or terrible stuff we've been reading lately Deep Dive: How to audiobook Before We Go: our new segment featuring bookish friend posts and something Kaytee is curious about Show notes are time-stamped below for your convenience. Read the transcript of the episode (this link only works on the main site). . . . 1:21 - Bookish Moments of the Week 1:35 - The Count of Monte Cristo by Alexandre Dumas 1:41 - PBS app 2:31 - A Gentleman in Moscow by Amor Towles 3:07 - The Hunger Games by Suzanne Collins 3:46 - A Court of Thorns and Roses by Sarah J. Maas 3:48 - Call Her Daddy podcast w/Sarah J. Maas 4:55 - A Court of Silver Flames by Sarah J. Maas 6:55 - Crescent City by Sarah J. Maas 7:09 - @hollyslitmagic on Instagram 9:15 - All the Lonely People by Mike Gayle 9:31 - The Day the World Came To Town by Jim DeFede 9:48 - Search by Michele Huneven 10:16 - Current Reads 11:00 - The Night She Died by Dorothy Simpson (Meredith, ebook only) 16:52 - Courtroom Drama by Neely Tubati Alexander (Kaytee) 17:02 - Literally A Bookshop 21:30 - The Caretaker by Marcus Kliewer (Meredith) 22:51 - We Used To Live Here by Marcus Kliewer 26:23 - Small Wonder by Barbara Kingsolver (Kaytee) 29:04 - Partita by Barbara Kingsolver (pre-order releases Oct 6, 2026) 29:08 - Demon Copperhead by Barbara Kingsolver 29:44 - A Box Full of Darkness by Simone St. James (Meredith) 29:59 - The Sun Down Motel by Simone St. James 34:02 - The Haunting of Maddy Clare by Simone St. James 35:46 - The Unselected Journals of Emma M Lion (vol. 1) by Beth Brower (Kaytee) 43:15 - How To Listen To Audiobooks 55:14 - Before We Go Kaytee highlights a bookish friend post 56:26 - Greenwood by Michael Christie  56:29 - The Great Alone by Kristen Hannah Meredith brings something she's curious about 57:20 - Wolf Hall by Hilary Mantel 57:35 - Footnotes and Tangents   Support Us: Become a Bookish Friend | Grab Some Merch Shop Bookshop dot org | Shop Amazon Bookish Friends Receive: The Indie Press List with a curated list of five books hand sold by the indie of the month. March's IPL is brought by our lovely friends at An Unlikely Story in Plainville, MA. Love and Chili Peppers with Kaytee and Rebekah - romance lovers get their due with this special episode focused entirely on the best selling genre fiction in the business All Things Murderful with Meredith and Elizabeth - special content for the scary-lovers, brought to you with the behind-the-scenes insights of an independent bookseller From the Editor's Desk with Kaytee and Bunmi Ishola - a quarterly peek behind the curtain at the publishing industry The Bookish Friends Facebook Group - where you can build community with bookish friends from around the globe as well as our hosts Connect With Us: The Show: Instagram | Website | Email | Threads | Substack | Youtube The Hosts and Regulars: Meredith | Kaytee | Mary | Roxanna Production and Editing: Megan Phouthavong Evans Affiliate Disclosure: All affiliate links go to Bookshop unless otherwise noted. Shopping here helps keep the lights on and benefits indie bookstores. Thanks for your support!

Air Week: March 16-22, 2026 Imperial Records, Pt. 1 – 1947-50 Imperial Records was a major player among the indie labels of the late 1940s and the entirety of the 1950s. Started in Los Angels in 1946 by Lew Chudd, a Canadian raised in Harlem, Imperial began filling the ethnic and cultural voids left by the majors at the time. Chudd knew there was a large market for Latino Music in America, so he headed to Mexico City and recorded some Mexican jump bands that sold very well. He then included square dance records which also racked up sales as now square dances could be held without callers. He began recording Rhythm & Blues in 1947 and by ’49, he had hired Dave Bartholomew to scout talent in fertile New Orleans. The Braun Brother had beat him to The Crescent City by recording Paul Gayten and Annie Laurie first, but with Bartholomew’s help, Chudd was able to sign Fats Domino, Smiley Lewis, Archibald and Jewel King, dominating the New Orleans R&B scene. This week, we begin a series looking at the huge impact that Imperial Records had on R&B during the late 1940s into the mid-1950s. In part 1, Matt The Cat will showcase Imperial’s earliest R&B releases from 1947-1950. We’ll see how the boogie woogie stylings of Dick Lewis, “Poison” Gardner, Charlie “Boogie Woogie” Davis and Lloyd Glenn gave way to the New Orleans blues of Tommy Ridgley, Jewel King, Smiley Lewis and Fats Domino, who would become the biggest artist ever on the Imperial label. It’s Imperial Records, part 1 on this week’s “Juke In The Back.” LISTEN BELOW

March 19th might be just another day in other parts of the United States, but here in New Orleans, it's a day when revelers take to the streets in honor of the Feast of St. Joseph. The tradition of food altars dedicated to Jesus' foster father came to the Crescent City in the late 1800s with immigrants from Sicily, where Joseph is the patron saint. What was called Mi-Carême (or Mid-Lent by the Creoles) was a day when fasting was suspended and festivities abounded. On this week's show, we explore the holiday and join in on the celebration. Tony Marino's family were faithful followers of St. Joseph, and today, he keeps the tradition alive at his Bourbon Street home in New Orleans' French Quarter. We sit down with Tony to hear what it takes to pull off his annual street party, complete with altars and a life-sized statue of St. Joseph. Then, Arthur Brocato, third generation of Angelo Brocato's Ice Cream and Confectionary, joins us to share his family's history and explain the special role Brocato's has played in the St. Joseph's Day celebration. Founded in the French Quarter in 1905, the gelateria and pasticceria continues those traditions today on Carrollton Avenue in Mid-City. Finally, historian Laura Guccione joins us to reveal what she's discovered about the fancy dress balls that were once part of the St. Joseph tradition and to explain the mystical tie between the feast day and the Mardi Gras Indians. For more of all things Louisiana Eats, be sure to visit us at PoppyTooker.com.

SPOILERS * SPOILERS * SPOILERS * SPOILERS * SPOILERS If you have not read every single book series written by Sarah J. Maas - which includes Throne of Glass, A Court of Thorns and Roses, and Crescent City, then why are you here? Don't listen to this episode, because there will be spoilers, and we don't want you to get mad at us.  So if you're still here, listen to our thoughts on SJM's episode on Call Her Daddy. Because we are getting NEW ACOTAR books and you know we have thoughts about it.  Join our Patreon for exclusive behind-the-scenes content and let's be friends!Instagram > @Booktokmademe_podTikTok > @BooktokMadeMe