Podcast appearances and mentions of Robert Whitehead

We're back with Season 2 of Big Shot! In this episode of Big Shot, we're joined by Fran Weissler, a seven-time Tony award-winning producer and one-half of the dynamic duo behind Chicago, the longest-running American musical. Fran's journey epitomizes Jewish chutzpah, marked by bold choices—from leaving her first marriage to making decisive moves in her Broadway career. Today, Fran shares with us stories from her journey, including breaking into Broadway at the age of 50 and producing Othello with a star-studded cast featuring James Earl Jones and Christopher Plummer. We also talk about her successful marriage and business partnership of 55 years, how Fran navigated challenges working with chauvinists and demanding actors, and how she finally started to slow down a little bit at the age of 90.  — In This Episode We Cover:  (02:35) Fran's childhood and life before Broadway (07:04) Why Fran decided to end her first marriage (08:59) How Fran met Barry and got started in theater (15:02) The early days of NAMCO producing plays for Catholic schools (19:00) Fran's first Broadway show, Othello, with James Earl Jones (21:52) How Fran got Christopher Plummer to play Iago (31:34) What it was like to win a Tony for Othello (33:33) How firing Peter Coe accelerated Fran's career as a producer  (45:30) Fran's chutzpah (48:20) How Fran and Barry balance each other out as a team  (51:14) How Fran handled working with the chauvinist Anthony Quinn  (1:00:15) A compromise made with Kathleen Turner (1:03:26) The Queen of Broadway: Fran's identity separate from Barry (1:05:28) Fran and Barry's rare, beautiful marriage (1:09:32) How Fran and Barry revived Chicago and made the longest-running American show (1:19:11) Fran's advice for aspiring producers — Referenced:  NAMCO: https://www.namcousa.com/ Othello at the Winter Garden Theater (1982): https://playbill.com/productions/othellobroadway-winter-garden-theatre-1982 James Earl Jones: https://www.imdb.com/name/nm0000469/ Christopher Plummer: https://www.imdb.com/name/nm0001626/ Lucy Kroll: https://en.wikipedia.org/wiki/Lucy_Kroll Stratford Festival: https://www.stratfordfestival.ca/ Lou Pitt: https://www.imdb.com/name/nm1018725/ Zoe Caldwell: https://www.imdb.com/name/nm0129807/ Robert Whitehead: https://www.imdb.com/name/nm0925723/ Medea 1982 playbill: https://playbill.com/production/medea-cort-theatre-vault-0000003496 Chicago: https://chicagothemusical.com/ Phantom of the Opera: https://us.thephantomoftheopera.com/ When Kathleen Turner Brought Maggie the Cat Back to Broadway: https://playbill.com/article/when-kathleen-turner-brought-maggie-the-cat-back-to-broadway Zorba the Greek 1983 playbill with Anthony Quinn: https://playbill.com/production/zorba-broadway-theatre-vault-0000012262 Encores: https://en.wikipedia.org/wiki/Encores The economics of Broadway shows: https://thehustle.co/the-economics-of-broadway-shows/ — Where to find Fran Weissler:  Website: https://www.namcousa.com/ Where To Find Big Shot:  Website: ⁠https://www.bigshot.show/ YouTube: ⁠https://www.youtube.com/@bigshotpodcast⁠   TikTok: https://www.tiktok.com/@bigshotshow⁠    Instagram: ⁠https://www.instagram.com/bigshotshow/⁠   Harley Finkelstein: ⁠https://twitter.com/harleyf⁠  David Segal: ⁠https://twitter.com/tea_maverick⁠ Production and Marketing: ⁠⁠https://penname.co

In this week's lesson from the book of Romans, Dr. Robert Whitehead, Lead Pastor of New Zion Baptist Church, begins our final series on the cooperation for the Gospel by looking at Paul's motivations & intentions. Open your Bible to Romans 15:14-33 and join us as we continue to see how God's righteousness for the unrighteous is revealed in the Gospel of Jesus Christ.Thank you for joining us today!To learn more about the Friday Men's Breakfast please visit our website at https://wcchapel.org/fridaymensbreakfast

Randy accomplished his mission of finding a movie that has proved elusive. This week, JD and Randy watched "To the Death," a 1993 Darrell Roodt film, the official CANNON sequel to the 1991 "American Kickboxer." Starring John Barrett, Michel Qissi, and the charming Robert Whitehead. Is it better than its canon and non-canon predecessors? Tune in to hear where we fall in this debate and whether Randy's search for this film was worth the effort.

In this week's lesson from the book of Romans, Dr. Robert Whitehead, Senior Pastor of New Zion Baptist Church, leads us in a discussion about God's justice and mercy. Open your Bible to Romans 9:14-29 and join us as we continue to see how God's righteousness for the unrighteous is revealed in the Gospel of Jesus Christ. Thank you for joining us today!To learn more about the Friday Men's Breakfast please visit our website at https://wcchapel.org/fridaymensbreakfast

In this week's lesson from the book of Romans, Robert Whitehead, Pastor of New Zion Baptist Church, continues our series on the Biblical teaching of  justification where God declares sinners to be righteous by grace through faith in Jesus Christ. Open your Bible to Romans 4:1-12 and join us as we continue to see how God's righteousness for the unrighteous is revealed in the Gospel of Jesus Christ.

In this week's installment from the Israelites' Journey in the wilderness, Robert Whitehead, Senior Pastor of New Zion Baptist Church, gives a message from Deuteronomy 4:1-11, 32-40.

In this week's installment from the Israelites' Journey in the wilderness, Robert Whitehead, Pastor of New Zion Baptist Church, gives a message from Numbers 9-10.

Robert Whitehead of London, a self-described “Business Man” who was “no Churchman and not a Jesus worshipper, much as I admire him,” wrote to Robert Eisler on New Year's Eve of 1929, asking “if it is a frequent occurrence that men see The Christ; and are there occasions known when the visions are free from religiosity and at the same time full of life and power?” These questions came in light of Whitehead's dramatic experience when he had seen a blazing vision of Christ in his home. In letters between the two men over the next few years, Eisler gave a startling psychoanalytic interpretation of the dream, which he eventually published. In this episode, I talk about Eisler's only known attempt to psychoanalyze anyone else with psychoanalyst and religion scholar Marsha Hewitt. Guest: Marsha Hewitt (Trinity College, University of Toronto) Voice of Robert Eisler: Logan Crum Additional voices: Logan Marshall Music: “Shibbolet Baseda,” recorded by Elyakum Shapirra and His Israeli Orchestra. Funding provided by the Ohio University Humanities Research Fund and the Ohio University Honors Tutorial College Internship Program. Special thanks to the Warburg Institute. Bibliography and Further Reading Eisler, Robert. The Messiah Jesus and John the Baptist According to Flavius Josephus' Recently Rediscovered ‘Capture of Jerusalem' and Other Jewish and Christian Sources. London: Methuen & Co, 1931. ———. “Eine Jesusvision des. 20 Jahrhunderts psychologisch untersucht.” Zeitschrift für Religionspsychologie 11 (1938): 14-41. Follow us on Twitter: @averysquarepeg Associate Professor Brian Collins is the Drs. Ram and Sushila Gawande Chair in Indian Religion and Philosophy at Ohio University. He can be reached at collinb1@ohio.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Robert Whitehead of London, a self-described “Business Man” who was “no Churchman and not a Jesus worshipper, much as I admire him,” wrote to Robert Eisler on New Year's Eve of 1929, asking “if it is a frequent occurrence that men see The Christ; and are there occasions known when the visions are free from religiosity and at the same time full of life and power?” These questions came in light of Whitehead's dramatic experience when he had seen a blazing vision of Christ in his home. In letters between the two men over the next few years, Eisler gave a startling psychoanalytic interpretation of the dream, which he eventually published. In this episode, I talk about Eisler's only known attempt to psychoanalyze anyone else with psychoanalyst and religion scholar Marsha Hewitt. Guest: Marsha Hewitt (Trinity College, University of Toronto) Voice of Robert Eisler: Logan Crum Additional voices: Logan Marshall Music: “Shibbolet Baseda,” recorded by Elyakum Shapirra and His Israeli Orchestra. Funding provided by the Ohio University Humanities Research Fund and the Ohio University Honors Tutorial College Internship Program. Special thanks to the Warburg Institute. Bibliography and Further Reading Eisler, Robert. The Messiah Jesus and John the Baptist According to Flavius Josephus' Recently Rediscovered ‘Capture of Jerusalem' and Other Jewish and Christian Sources. London: Methuen & Co, 1931. ———. “Eine Jesusvision des. 20 Jahrhunderts psychologisch untersucht.” Zeitschrift für Religionspsychologie 11 (1938): 14-41. Follow us on Twitter: @averysquarepeg Associate Professor Brian Collins is the Drs. Ram and Sushila Gawande Chair in Indian Religion and Philosophy at Ohio University. He can be reached at collinb1@ohio.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

Robert Whitehead of London, a self-described “Business Man” who was “no Churchman and not a Jesus worshipper, much as I admire him,” wrote to Robert Eisler on New Year’s Eve of 1929, asking “if it is a frequent occurrence that men see The Christ; and are there occasions known when the visions are free from religiosity and at the same time full of life and power?” These questions came in light of Whitehead’s dramatic experience when he had seen a blazing vision of Christ in his home. In letters between the two men over the next few years, Eisler gave a startling psychoanalytic interpretation of the dream, which he eventually published. In this episode, I talk about Eisler’s only known attempt to psychoanalyze anyone else with psychoanalyst and religion scholar Marsha Hewitt. Guest: Marsha Hewitt (Trinity College, University of Toronto) Voice of Robert Eisler: Logan Crum Additional voices: Logan Marshall Music: “Shibbolet Baseda,” recorded by Elyakum Shapirra and His Israeli Orchestra. Funding provided by the Ohio University Humanities Research Fund and the Ohio University Honors Tutorial College Internship Program. Special thanks to the Warburg Institute. Bibliography and Further Reading Eisler, Robert. The Messiah Jesus and John the Baptist According to Flavius Josephus’ Recently Rediscovered ‘Capture of Jerusalem’ and Other Jewish and Christian Sources. London: Methuen & Co, 1931. ———. “Eine Jesusvision des. 20 Jahrhunderts psychologisch untersucht.” Zeitschrift für Religionspsychologie 11 (1938): 14-41. Follow us on Twitter: @averysquarepeg Associate Professor Brian Collins is the Drs. Ram and Sushila Gawande Chair in Indian Religion and Philosophy at Ohio University. He can be reached at collinb1@ohio.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Robert Whitehead of London, a self-described “Business Man” who was “no Churchman and not a Jesus worshipper, much as I admire him,” wrote to Robert Eisler on New Year’s Eve of 1929, asking “if it is a frequent occurrence that men see The Christ; and are there occasions known when the visions are free from religiosity and at the same time full of life and power?” These questions came in light of Whitehead’s dramatic experience when he had seen a blazing vision of Christ in his home. In letters between the two men over the next few years, Eisler gave a startling psychoanalytic interpretation of the dream, which he eventually published. In this episode, I talk about Eisler’s only known attempt to psychoanalyze anyone else with psychoanalyst and religion scholar Marsha Hewitt. Guest: Marsha Hewitt (Trinity College, University of Toronto) Voice of Robert Eisler: Logan Crum Additional voices: Logan Marshall Music: “Shibbolet Baseda,” recorded by Elyakum Shapirra and His Israeli Orchestra. Funding provided by the Ohio University Humanities Research Fund and the Ohio University Honors Tutorial College Internship Program. Special thanks to the Warburg Institute. Bibliography and Further Reading Eisler, Robert. The Messiah Jesus and John the Baptist According to Flavius Josephus’ Recently Rediscovered ‘Capture of Jerusalem’ and Other Jewish and Christian Sources. London: Methuen & Co, 1931. ———. “Eine Jesusvision des. 20 Jahrhunderts psychologisch untersucht.” Zeitschrift für Religionspsychologie 11 (1938): 14-41. Follow us on Twitter: @averysquarepeg Associate Professor Brian Collins is the Drs. Ram and Sushila Gawande Chair in Indian Religion and Philosophy at Ohio University. He can be reached at collinb1@ohio.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Robert Whitehead of London, a self-described “Business Man” who was “no Churchman and not a Jesus worshipper, much as I admire him,” wrote to Robert Eisler on New Year’s Eve of 1929, asking “if it is a frequent occurrence that men see The Christ; and are there occasions known when the visions are free from religiosity and at the same time full of life and power?” These questions came in light of Whitehead’s dramatic experience when he had seen a blazing vision of Christ in his home. In letters between the two men over the next few years, Eisler gave a startling psychoanalytic interpretation of the dream, which he eventually published. In this episode, I talk about Eisler’s only known attempt to psychoanalyze anyone else with psychoanalyst and religion scholar Marsha Hewitt. Guest: Marsha Hewitt (Trinity College, University of Toronto) Voice of Robert Eisler: Logan Crum Additional voices: Logan Marshall Music: “Shibbolet Baseda,” recorded by Elyakum Shapirra and His Israeli Orchestra. Funding provided by the Ohio University Humanities Research Fund and the Ohio University Honors Tutorial College Internship Program. Special thanks to the Warburg Institute. Bibliography and Further Reading Eisler, Robert. The Messiah Jesus and John the Baptist According to Flavius Josephus’ Recently Rediscovered ‘Capture of Jerusalem’ and Other Jewish and Christian Sources. London: Methuen & Co, 1931. ———. “Eine Jesusvision des. 20 Jahrhunderts psychologisch untersucht.” Zeitschrift für Religionspsychologie 11 (1938): 14-41. Follow us on Twitter: @averysquarepeg Associate Professor Brian Collins is the Drs. Ram and Sushila Gawande Chair in Indian Religion and Philosophy at Ohio University. He can be reached at collinb1@ohio.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Robert Whitehead of London, a self-described “Business Man” who was “no Churchman and not a Jesus worshipper, much as I admire him,” wrote to Robert Eisler on New Year’s Eve of 1929, asking “if it is a frequent occurrence that men see The Christ; and are there occasions known when the visions are free from religiosity and at the same time full of life and power?” These questions came in light of Whitehead’s dramatic experience when he had seen a blazing vision of Christ in his home. In letters between the two men over the next few years, Eisler gave a startling psychoanalytic interpretation of the dream, which he eventually published. In this episode, I talk about Eisler’s only known attempt to psychoanalyze anyone else with psychoanalyst and religion scholar Marsha Hewitt. Guest: Marsha Hewitt (Trinity College, University of Toronto) Voice of Robert Eisler: Logan Crum Additional voices: Logan Marshall Music: “Shibbolet Baseda,” recorded by Elyakum Shapirra and His Israeli Orchestra. Funding provided by the Ohio University Humanities Research Fund and the Ohio University Honors Tutorial College Internship Program. Special thanks to the Warburg Institute. Bibliography and Further Reading Eisler, Robert. The Messiah Jesus and John the Baptist According to Flavius Josephus’ Recently Rediscovered ‘Capture of Jerusalem’ and Other Jewish and Christian Sources. London: Methuen & Co, 1931. ———. “Eine Jesusvision des. 20 Jahrhunderts psychologisch untersucht.” Zeitschrift für Religionspsychologie 11 (1938): 14-41. Follow us on Twitter: @averysquarepeg Associate Professor Brian Collins is the Drs. Ram and Sushila Gawande Chair in Indian Religion and Philosophy at Ohio University. He can be reached at collinb1@ohio.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Robert Whitehead of London, a self-described “Business Man” who was “no Churchman and not a Jesus worshipper, much as I admire him,” wrote to Robert Eisler on New Year’s Eve of 1929, asking “if it is a frequent occurrence that men see The Christ; and are there occasions known when the visions are free from religiosity and at the same time full of life and power?” These questions came in light of Whitehead’s dramatic experience when he had seen a blazing vision of Christ in his home. In letters between the two men over the next few years, Eisler gave a startling psychoanalytic interpretation of the dream, which he eventually published. In this episode, I talk about Eisler’s only known attempt to psychoanalyze anyone else with psychoanalyst and religion scholar Marsha Hewitt. Guest: Marsha Hewitt (Trinity College, University of Toronto) Voice of Robert Eisler: Logan Crum Additional voices: Logan Marshall Music: “Shibbolet Baseda,” recorded by Elyakum Shapirra and His Israeli Orchestra. Funding provided by the Ohio University Humanities Research Fund and the Ohio University Honors Tutorial College Internship Program. Special thanks to the Warburg Institute. Bibliography and Further Reading Eisler, Robert. The Messiah Jesus and John the Baptist According to Flavius Josephus’ Recently Rediscovered ‘Capture of Jerusalem’ and Other Jewish and Christian Sources. London: Methuen & Co, 1931. ———. “Eine Jesusvision des. 20 Jahrhunderts psychologisch untersucht.” Zeitschrift für Religionspsychologie 11 (1938): 14-41. Follow us on Twitter: @averysquarepeg Associate Professor Brian Collins is the Drs. Ram and Sushila Gawande Chair in Indian Religion and Philosophy at Ohio University. He can be reached at collinb1@ohio.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Chrisanthi Giotis speaks with Saffron Howden, Brooke Littlewood and Robert Whitehead about what is happening to regional media due to CoVid-19 and is there any good news on the horizon for our struggling papers.

Big Tech companies have built a better trap for profiting from consumers' attention than the traditional media can offer. ShutterstockMedia companies around the world are in an existential funk. The tech giants - Facebook, Google, Apple and Amazon - have built a better mousetrap for profiting from consumers’ attention than the traditional media can offer. To add insult to injury, they use the media companies’ journalism as bait but don’t want to pay for it. Big Tech firms also don’t see themselves as publishers and operate untroubled by demands for responsibility that come with being one. No wonder that, according to a new international survey, media companies are increasingly unhappy with their lot. In this episode of Media Files, Matthew Ricketson and Andrew Dodd talk with the survey’s author, Robert Whitehead. Whitehead, a former editor-in-chief of The Sydney Morning Herald in the days when the masthead still made millions for what was then called Fairfax Media, shares his thoughts on what media companies could do and whether their calls for regulatory change will succeed. Additional credits Recording and production: Gavin Nebauer and Andy Hazel. Theme music: Susie Wilkins. Image Shutterstock The authors do not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and have disclosed no relevant affiliations beyond their academic appointment.

This week, James chats with South African toy photographer Robert Whitehead, known for his cinematic toy photography under the name @Shundeez_Official. Robert is a filmmaker who discovered toy photography about 5 years ago. Since then, he's made it his full time job.    You can find new episodes of this podcast and daily articles on creativity and toy photography on our website, toyphotographers.com. Find us on Facebook and on Instagram. Subscribe to our weekly email round up so that you never miss a post, and join our new communities on MeWe and Flickr.     

Story: Ein reicher Drogenhändler hat einen Weg gefunden, Menschen in willenlose Cyborgs zu verwandeln. Auf seiner Südseeinsel will er eine Privatarmee aufbauen, was eine Spezialeinheit verhindern will. Doch die Mission scheitert, und der einzige Überlebende soll nun ebenfalls ein Roboter werden. Sein Bruder, ein Agent der DEA, will nun versuchen, dies zu verhindern. Release: (-) Cyborg Cop Genre: Action, Science Fiction, Martial Art Land: USA 1993 Laufzeit: ca. 95 min. FSK: BPjM Restricted Regie: Sam Firstenberg Drehbuch: Greg Latter, Glenn A. Bruce Mit David Bradley, John Rhys-Davies, Todd Jensen, Alonna Shaw, Ron Smerczek, Anthony Fridjhon, Robert Whitehead, Frank Notaro, Steven Leader, ... https://youtu.be/TzuviBzGFW0

Story: Ein reicher Drogenhändler hat einen Weg gefunden, Menschen in willenlose Cyborgs zu verwandeln. Auf seiner Südseeinsel will er eine Privatarmee aufbauen, was eine Spezialeinheit verhindern will. Doch die Mission scheitert, und der einzige Überlebende soll nun ebenfalls ein Roboter werden. Sein Bruder, ein Agent der DEA, will nun versuchen, dies zu verhindern. Release: (-) Cyborg Cop Genre: Action, Science Fiction, Martial Art Land: USA 1993 Laufzeit: ca. 95 min. FSK: BPjM Restricted Regie: Sam Firstenberg Drehbuch: Greg Latter, Glenn A. Bruce Mit David Bradley, John Rhys-Davies, Todd Jensen, Alonna Shaw, Ron Smerczek, Anthony Fridjhon, Robert Whitehead, Frank Notaro, Steven Leader, ... https://youtu.be/TzuviBzGFW0

Robert Whitehead and Brian Clark: In April of 1986, the day after their play The Petition, staring Hume Cronyn and Jessica Tandy, began its short lived run on Broadway, writer/producer Brian Clark and producer/director Robert Whitehead sat down with colleague Robert Pesola to discuss bringing serious work to Broadway. The two frame the discussion somewhat ominously; beginning by acknowledging that in the 80's bringing a serious play to Broadway is somewhat of a "deadly" prospect. They cover the state of the theatre in America and the dearth of talented professional playwrights due to the draw of film and television. They candidly discuss the relevance of critics from the New York Times and their influence on the success of a show. Whitehead talks about theatre as a dicey investment and his methods for securing funds to produce shows. The pair concludes by demystifying the concept of a "Golden Age" of American theatre, explaining that in this industry there is always hardship. But, they resolutely maintain that even (and especially) in times of distress the theatre will and must go on. Originally recorded - April 1, 1986. Running Time - 1:16:25 ©1986 SDCF

In April of 1986, the day after their play "The Petition", staring Hume Cronyn and Jessica Tandy, began its short lived run on Broadway, writer/producer Brian Clark and producer/director Robert Whitehead sat down with colleague Robert Pesola to discuss bringing serious work to Broadway. The two frame the discussion somewhat ominously; beginning by acknowledging that in the 80's bringing a serious play to Broadway is somewhat of a "deadly" prospect. They cover the state of the theatre in America and the dearth of talented professional playwrights due to the draw of film and television. They candidly discuss the relevance of critics from the New York Times and their influence on the success of a show. Whitehead talks about theatre as a dicey investment and his methods for securing funds to produce shows. The pair concludes by demystifying the concept of a "Golden Age" of American theatre, explaining that in this industry there is always hardship. But, they resolutely maintain that even (and especially) in times of distress the theatre will and must go on.

Six-time Tony winner Julie Harris (The Belle of Amherst), Marilu Henner (The Tale of the Allergist's Wife), Richard Kind (The Tale of the Allergist's Wife), Hal Linden (Tony for The Rothschilds), Brad Oscar (The Producers), Steven Weber (The Producers) discuss what makes for good entertainment; how actors collaborate with the rest of the creative staff, especially directors; and what makes an audience laugh. Additionally, there is a short tribute to producer Robert Whitehead (Master Class, A Few Good Men, Medea) who recently passed away.

Actors Julie Harris ("The Belle of Amherst"), Marilu Henner ("The Tale of the Allergist's Wife"), Richard Kind ("The Tale of the Allergist's Wife"), Hal Linden ("Cabaret"), Brad Oscar ("The Producers"), Steven Weber ("The Producers") discuss what makes for good entertainment; how actors collaborate with the rest of the creative staff, especially directors; and what makes an audience laugh. Additionally, there is a short tribute to producer Robert Whitehead ("Master Class, A Few Good Men, Medea") who recently passed away.