Mexican-American actor
POPULARITY
53 episodes with Anthony Quinn
76 episodes with Anthony Quinn
12 episodes with Anthony Quinn
13 episodes with Anthony Quinn
161 episodes with Anthony Quinn
6 episodes with Anthony Quinn
4 episodes with Anthony Quinn
4 episodes with Anthony Quinn
2 episodes with Anthony Quinn
On Mission: Impossible weekend, it seemed right for Have You Ever Seen to feature a flick all about an impossible mission to climb a cliff, get inside a Greek island fortress and blow up some enormous German blasters. Our 667th episode talks about that trek, but also about revenge and wartime honour. Gregory Peck, Anthony Quinn and David Niven lead a fine cast in The Guns Of Navarone, as they and their team try to save the lives of 2000 men. The actors are skillfully guided with tension and even humour by J. Lee Thompson, who was on the roll of his life directing Cape Fear the year after he made this Oscar-winning WWII film. So to celebrate America's Memorial Day, enjoy Ryan's monologue about The Magnificent Six killing a whole whack of Nazis. Well, Actually: at the 38:30 mark, "then became a Russian citizen" should have been "then became a BRITISH citizen". Also, David Niven was one of the Oscar hosts in 1974 when he was onstage during the streaker's appearance (Elizabeth Taylor actually presented Best Picture). When you succeed the way the Navarone guys do, you owe yourself a treat like Sparkplug Coffee. Use our "HYES" promo code and score yourself a onetime 20% discount. The website: sparkplug.coffee/hyes. Subscribe to Have You Ever Seen in your podcast app and also on YouTube (@hyesellis in YouTube's search bar). Rate and review us when you scrounge up some time too. Contact options: email (haveyoueverseenpodcast@gmail.com), Bluesky (ryan-ellis and bevellisellis) or Twi-X (@moviefiend51 and @bevellisellis).
EPISODE 86 - “ANNA MAY WONG: CLASSIC CINEMA STAR OF THE MONTH” - 5/5/2025 Anna May Wong was once the most famous Chinese woman in the world. The trailblazing actress, philanthropist, and fashion icon appeared in over 60 films and was a celebrated star, yet, at the time, she was not allowed to kiss a Caucasian man on screen, which limited the roles she could take, and she was not allowed to buy a house in Beverly Hills. A strange dichotomy, indeed. In recent years, she has enjoyed a much-deserved resurgence. Known as a Trailblazer and a cultural icon, she paved the way for generations of Asian and Asian American actors by proving that talent and perseverance could transcend racist casting conventions. Her life and career continue to influence conversations about diversity, representation, and the politics of race in Hollywood. This week, she is our Star of the Month. SHOW NOTES: AVA GARDNER MUSEUM: If you would like to make a donation to help support the Ava Gardner Museum in Smithfield, N.C. (Ava'a hometown!), please click on the following link: https://ava-gardner-museum.myshopify.com/products/donations Sources: Not Your China Doll (2924), by Katie Gee Salisbury; Anna May Wong: From Laundryman's Daughter to Hollywood Legend (2012), by Graham Russell Gao Hodges; Anna May Wong: A Complete Guide to Her Film, Stage, Television, and Radio Work (2010), by Philip Leibfried and Chei Mi Lane; Perpetually Cool: The Many Lives of Anna May Wong (2003), by Anthony B. Chan; “Anna May Wong: 13 Facts About Her Trailblazing Hollywood Career,” April 30, 2024, By Minhae Shim Roth; “Anna May Wong's Long Journey from Hollywood to the Smithsonian,” March 2024, by Ryan Lintelman, Natural Museum of American History; “Anna May Wong Will Be the First Asian American on US Currency,” October 18, 2022, by Soumya Karlamangla; “Anna May Wong is Dead At 54; Actress Won Movie Fans in '24; Appeared with Fairbanks in ‘Thief of Bagdad,' Made Several Films Abroad,” February 4, 1961, The New York Times; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Phantom Of The Opera (1943), starring Claude Rains, Eddy Nelson, & Suzanna Foster; The Spider Woman Strikes Back (1946), starring Gale Sondergaard & Brenda Joyce; White Savage (1943), starring Maria Montez, Jon Hall, and Sabu; Ali Baba and the Forty Thieves (1944), starring Maria Montez & Jon Hall; It Grows On Trees (1952), Irene Dunne & Dean Jagger; Impact (1949), starring Brian Donlevy, Ella Raines, Helen Walker, & Anna May Wong; The Red Lantern (1919), starring Alla Nazimova; The Toll of the Sea (1922), staring Kenneth Harlan & Anna May Wong; The Thief of Baghdad (1924), starring Douglas Fairbanks & Anna May Wong; Picadilly (1929), starring Gilda Gray & Anna May Wong; Daughter of the Dragon (1931), starring Anna May Wong and Warner Orland; Shanghai Express (1932), starring Marlene Dietrich & Anna May Wong; The Hatchet Man (1932), starring Loretta Young; The Mask of Fu Manchu (1932), starring Myrna Loy; The Son-Daughter (1932), starring Helen Hayes; Tiger Bay (1934), starring Anna May Wong; Chu Chen Chow (1934), starring Anna May Wong; Java Head (1934), starring Anna May Wong; Limehouse Blues (1934), starring George Raft, Jean Parker, & Anna May Wong; The Good Earth (1937), starring Paul Muni & Luise Rainer; Daughter of Shanghai (1937), starring Anna May Wong & Philip Ahn; King of Chinatown (1939), starring Anna May Wong & Sidney Toler; Dangerous to Know (1938), starring Gail Patrick & Anna May Wong; Island of Lost Men (1939), starring Anna May Wong & J. Carrol Naish; Bombs Over Burma (1942), starring Anna May Wong; Lady From Chungking (1942), starring Anna May Wong; Portrait in Black (1960), starring Lana Turner, Anthony Quinn, & Sandra Dee; Learn more about your ad choices. Visit megaphone.fm/adchoices
Lost Command es una película bélica estadounidense dirigida por Mark Robson, protagonizada por Anthony Quinn, Alain Delon, George Segal, Michèle Morgan y Claudia Cardinale. La trama se desarrolla durante la Guerra de Independencia de Argelia (1954-1962), un conflicto que sumió a Francia en una profunda crisis política y social. Tras la derrota francesa en Indochina, el ejército, liderado por personajes como el coronel Raspeguy (Quinn), busca reafirmar su autoridad en Argelia. Sin embargo, la brutal represión militar y las divisiones internas en Francia —entre quienes exigían mano dura y quienes rechazaban la violencia— agudizaron el conflicto. La película explora estos dilemas morales, la lealtad de las tropas y el impacto de la guerra en ambos bandos. Te lo cuentan Juan Pastrana y Esaú Rodríguez. Y recuerda que puedes encontrar el blog 📽️ Todo sobre mi Cine Bélico en https://todosobremicinebelico.blogspot.com/ Casus Belli Podcast pertenece a 🏭 Factoría Casus Belli. Casus Belli Podcast forma parte de 📀 Ivoox Originals. 📚 Zeppelin Books (Digital) y 📚 DCA Editor (Físico) http://zeppelinbooks.com son sellos editoriales de la 🏭 Factoría Casus Belli. Estamos en: 🆕 WhatsApp https://bit.ly/CasusBelliWhatsApp 👉 X/Twitter https://twitter.com/CasusBelliPod 👉 Facebook https://www.facebook.com/CasusBelliPodcast 👉 Instagram estamos https://www.instagram.com/casusbellipodcast 👉 Telegram Canal https://t.me/casusbellipodcast 👉 Telegram Grupo de Chat https://t.me/casusbellipod 📺 YouTube https://bit.ly/casusbelliyoutube 👉 TikTok https://www.tiktok.com/@casusbelli10 👉 https://podcastcasusbelli.com 👨💻Nuestro chat del canal es https://t.me/casusbellipod ⚛️ El logotipo de Casus Belli Podcasdt y el resto de la Factoría Casus Belli están diseñados por Publicidad Fabián publicidadfabian@yahoo.es 🎵 La música incluida en el programa es Ready for the war de Marc Corominas Pujadó bajo licencia CC. https://creativecommons.org/licenses/by-nd/3.0/ El resto de música es bajo licencia privada de Epidemic Music, Jamendo Music o SGAE SGAE RRDD/4/1074/1012 de Ivoox. 🎭Las opiniones expresadas en este programa de pódcast, son de exclusiva responsabilidad de quienes las trasmiten. Que cada palo aguante su vela. 📧¿Queréis contarnos algo? También puedes escribirnos a casus.belli.pod@gmail.com ¿Quieres anunciarte en este podcast, patrocinar un episodio o una serie? Hazlo a través de 👉 https://www.advoices.com/casus-belli-podcast-historia Si te ha gustado, y crees que nos lo merecemos, nos sirve mucho que nos des un like, ya que nos da mucha visibilidad. Muchas gracias por escucharnos, y hasta la próxima. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
El fallecimiento del papa Francisco ha devuelto a las salas de cine la película 'Cónclave' (2024), premiada en la última ceremonia de los Oscar. Aprovechamos la actualidad vaticana para regresar sobre los papas que han sido en el cine y las series. Y lo hacemos, como siempre, con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares y Sergio del Molino. Además, hemos leído esta semana 'La biblioteca desaparecida', un libro ahora traducido del historiador italiano Luciano Canfora sobre la biblioteca de Alejandría, que despeja mitos como la importancia del incendio (o incendios) que sufrió la biblioteca, especialmente el provocado por Julio César cuando asedió la ciudad. Por último, Altares recomienda 'Los pecadores', estreno cinematográfico que mezcla blues y vampiros.
El fallecimiento del papa Francisco ha devuelto a las salas de cine la película 'Cónclave' (2024), premiada en la última ceremonia de los Oscar. Aprovechamos la actualidad vaticana para regresar sobre los papas que han sido en el cine y las series. Y lo hacemos, como siempre, con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares y Sergio del Molino. Además, hemos leído esta semana 'La biblioteca desaparecida', un libro ahora traducido del historiador italiano Luciano Canfora sobre la biblioteca de Alejandría, que despeja mitos como la importancia del incendio (o incendios) que sufrió la biblioteca, especialmente el provocado por Julio César cuando asedió la ciudad. Por último, Altares recomienda 'Los pecadores', estreno cinematográfico que mezcla blues y vampiros.
El fallecimiento del papa Francisco ha devuelto a las salas de cine la película 'Cónclave' (2024), premiada en la última ceremonia de los Oscar. Aprovechamos la actualidad vaticana para regresar sobre los papas que han sido en el cine y las series. Y lo hacemos, como siempre, con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares y Sergio del Molino. Además, hemos leído esta semana 'La biblioteca desaparecida', un libro ahora traducido del historiador italiano Luciano Canfora sobre la biblioteca de Alejandría, que despeja mitos como la importancia del incendio (o incendios) que sufrió la biblioteca, especialmente el provocado por Julio César cuando asedió la ciudad. Por último, Altares recomienda 'Los pecadores', estreno cinematográfico que mezcla blues y vampiros.
National Bulldogs are beautiful day. Entertainment from 1995. German ace the Red Baron shot down, Texas won its independence from Mexico, Spain declared war on the U.S. Todays birthdays - Anthony Quinn, Queen Elizabeth 2, Charles Grodin, Iggy Pop, Paul Davis, Tony Danza, Andie McDowell, Robert Smith. Prince died.Intro - God did good - Dianna Corcoran https://www.diannacorcoran.com/ Billy does your bulldog bite - Sawyer BrownAs it was - Harry StylesDrunk (Don't wanna go home) - Elle King Miranda LambertBirthdays - In da club - 50 Cent http://50cent.com/Candy - Iggy Pop65' Love Affair - Paul DavisFriday, I'm in love - The CureSoft & Wet - PrinceExit - Keeping the ring - Jessie Lynn https://www.jessielynn.net/ countryundergroundradio.comhttps://coolcasts.cooolmedia.com/
Karin Winegar is a long-time journalist who recently completed a 30 + year labor of love when Horse Lovers – Unpacking The Female Fascination With Horses. Karins work has been featured in the New York Times, Conde Nast and The Western Horseman. Karins love for animals made her want to be a veterinarian and her love was eventually channeled to the written word. Karin was a reporter for the Minneapolis Star and along the way interviewed such heavyweights as Dick Cavett, Joan Rivers, Anthony Quinn and Rodney Dangerfield who wore a bathrobe to the interview! Horse Lovers – Unpacking The Female Fascination reveals women as risk takers, romantics, independents so much more. She untangles the roots of female horse craziness, sizes it up, assesses its causes and effects and explores in depth who women are and why women feel and do what they do. It is a trail of exaltations, adventures and inquiries. It is about a colorful worldwide culture, about vivid lives and about a unique form of love. Sit back and enjoy!
It's been just 100 years since silent films were all the rage in Hollywood, followed by talkies, moving color, digital, and now AI. Please join me in welcoming two experts in the film world who join us to talk about the ever-changing world of Hollywood, Valentina Castellani Quinn, president of Quinn Studios Entertainment, and Marvin Williams, founder of Big M Entertainment Pictures, discussing their latest venture on the Sony Pictures Studios lot to combine the best of Hollywood with the latest technologies. Valentina's father-in-law was Anthony Quinn, and she talks about the timing of this venture with Sony, once Columbia Pictures, which produced one of Mr. Quinn's greatest films, Lawrence of Arabia. The film's poster hangs proudly in the halls of Sony to celebrate its 100-year anniversary making motion pictures. Marvin, best known for producing “The Jungle Book,” among other classics, said he plans to combine the past with the future of Hollywood projects by merging AI technology with art. He says much like Netflix, Apple, and Hulu, streaming is where it's at. At least for now. Will they transform older films with AI technology? We be talking about that, too. We'll also discuss some new ventures, including involvement with the Canne Film Festival and a very “passionate” film development that's in the works as well. Please tune into #DeborahKobyltLIVE, the #LittleItalyPodcast and #LittleItalyOfLAPodcast on all video and audio podcast platforms to hear our discussion. I'm your host, #DeborahZaraKobylt, and I thank you for joining us.
Es ist der Film, der Anthony Quinn für immer zum Paradegriechen machen wird. Die Rolle des Alexis Sorbas scheint ihm auf den Leib geschrieben: Sorbas, der Lebenskünstler, die Träume hochfliegend, die Niederlagen tiefgehend und doch so, dass Sorbas lachend darüber hinwegtanzt.
"MARY BETH HUGHES - CLASSIC CINEMA STAR OF THE MONTH" - 3/03/2025 For those of you who don't know the charms of MARY BETH HUGHES, when she was under contract at MGM, she was dubbed "the poor man's LANA TURNER." It was a rather unfair assessment since MGM gave Lana all the plum roles, and Mary Beth got her hand-me-downs. But still, Mary Beth had great comic chops, and no one played bitchy, hard-boiled blondes as well as she. Despite her beauty and talent, she never managed to get out of B-pictures. She did have small parts in great films like The Women (1939) and The Ox-Bow Incident (1942). She played the good girl as often as she played the bad girl, but when she played bad....you were in for a treat. Her pouty lips, snappy dialogue, and petulant attitude lit up many a lackluster production. This week, we celebrate her as our Star of the Month. SHOW NOTES: Sources: The Official Mary Beth Hughes Website; “Mary Beth Hughes, Born in Alton, Benign Groomed for Stardom in Movies,” January 4, 1939, Alton Evening Telegraph; “Mary Beth Hughes,” October 1971, by T.P. Turton, Films in Review; “Mary Beth Hughes Stars In A New Shampoo,” December 20, 1976, People Magazine; Mary Beth Hughes: She Never Gave Up,” December 2015, by Dave White, Classic Images; “The Look of Mary Beth Hughes,” June 6, 2019, www.grandoldmovies.com; http://www.briansdriveintheater.com/marybethhughes.html Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned: The Women (1939), starring Norma Shearer, Joan Crawford, & Rosalind Russell; The Ox-Bow Incident (1942), starring Henry Fonda, Harry Morgan, Dana Andrews, MBH, & Anthony Quinn; Broadway Serenade (1939), starring Jeanette MacDonald & Lew Ayres; Dancing Co-Ed (1939), starring Lana Turner & Richard Carlson; These Glamour Girls (1939), starring Lana Turner & Lew Ayres: Fast and Furious (1939), starring Franchot Tone & Ann Sothern; Free, Blonde & 21 (1940), starring Lynn Bari, MBH, & Joan Davis; Star Dust (1940), starring Linda Darnell & John Payne; Four Sons (1940), starring Don Ameche, Alan Curtis, Eugenia Leontivich, & MBH; Lucky Cisco Kid (1940), starring Cesar Romero, Dana Andrews, & MBH; The Great Profile (1940), staring John Barrymore & MBH; Sleepers West (1941), starring Lloyd Nolan & MBH: Ride on Vaquero (1941), starring Cesar Romero & MBHs; Charlie Chan In Rio (191410, starring Sidney Toler & MBH; Dressed To Kill (1941), starring Lloyd Nolan & MBH; Design For Scandal (1941), starring Rosalind Russell & Walter Pidgeon; The Cowboy and The Blonde (1941), starring MBH & George Montgomery; Blue, White, and Perfect, (1942), starring Lloyd Nolan & MBH; The Night Before The Divorce (1942), starring Lynn Bari, Joseph Allen, & MBH; Orchestra Wives (1942), starring Ann Rutherford & George Montgomery: Over My Dead Body (1942), starring Milton Berle & MBH; Timber Queen (1944), starring Richard Arlen & MBH; Men On Her Mind (1944), starring MBH; I Accuse My Parents, (1944), starring MBH & Robert Lowell; The Lady Confesses (1945), starring MBH & Hugh Beaumont; The Great Flamarion (1945), starring Erich von Stroheim, MBH, & Dan Duryea; Holiday Rhythm (1950), starring MBH & David Street; Young Man With A Horn (1950), starring Kirk Douglas, Lauren Bacall, & Doris Day; Highway Dragnet (1954), starring Richard Conte & Joan Bennett; Loophole (1955), starring Barry Sullivan, Charles MacGraw, & Dorothy Malone; Gun Battle At Monterey (1957), starring Sterling Hayden & MBH; How's Your Love Life? (1971), starring John Agar, Leslie Brooks, Grant Willians, & MBH; The Working Girls (1974), starring Sarah Kennedy, Laurie Rose, & Cassandra Peterson; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Jim and Patrick pick their movies this time, and Patrick picks a blaxploitation classic starring Anthony Quinn and Yaphet Kotto, while Jim picks a cult Japanese yakuza film in Branded to Kill.
Lee and Leah are joined this week by returning guests hosts Matt and Vaughn to talk about Barry Shear's "Across 110th Street (1972)", starring Anthony Quinn, Yaphet Kotto, and Anthony Franciosa. Don't be another punk errand boy, and tune it to listen to the hosts talk about what they've watched, and what they thought about this 1970s American crime drama, that does more than just nod at the Blaxploitation genre. "Across 110th Street" IMDB Find Matt at the Movie Melt podcast. Find Vaughn at the Motion Picture Massacre podcast. Featured Music: "Quicksand" & " Across 110th Street" by Bobby Womack.
Jaume Segalés y su equipo hablan del baile de carnaval en la Fundación Carlos de Amberes y de cine cláscio. Hoy en Km0, tras repasar la actualidad informativa y deportiva, profundizamos en los siguientes asuntos: Folía de Carnaval (baile de máscaras con música y danzas históricas) Hoy hablamos de un plan absolutamente sorprendente y original, ideal para celebrar San Valentín, que aúna Arte, música y danza en un lugar espectacular: Folía de Carnaval, una fiesta de máscaras exclusiva en Madrid. Hoy viernes 14 de febrero a las 19:30 en la Capilla de la Fundación Carlos de Amberes (c/ Claudio Coello, 99), la compañía de danza histórica Armonía Danza, en colaboración con la propia Fundación Carlos de Amberes, presenta su espectáculo Folía de Carnaval. Una experiencia participativa que recrea los bailes de máscaras de los siglos XVI y XVII al más puro estilo de las antiguas fiestas palaciegas. Con una cuidada iluminación y con decorados y vestuarios de época, 7 bailarines y un maestro de ceremonias desplegarán una experiencia escénica única combinando danza y teatro, con coreografías históricas renacentistas y barrocas al son de la música de Vivaldi o Lully, entre otros. Todo ello rodeado de una atmósfera elegante, íntima y festiva, en la que el elenco guiará al público, que también irá enmascarado, a lo largo de la representación. La velada culminará con un cóctel en la que se fusionará la música barroca y la electrónica. Una propuesta verdaderamente original creada por los directores de la compañía Armonía Danza, su fundadora Sofía Grande, a quien entrevistamos, y el coreógrafo Marco Bendoni. Sección de cine clásico Es sesión continua Antolín de la Torre hoy nos habla sobre El último tren de Gun Hill (Last Train from Gun Hill). Película estadounidense del género western dirigida por John Sturges, estrenada en 1959 y protagonizada por Kirk Douglas, Anthony Quinn, Carolyn Jones y Earl Holliman. Matt Morgan (Kirk Douglas) es un sheriff que busca venganza tras la violación y el asesinato de su mujer. Morgan advierte que los asesinos dejan una marca distintiva que le lleva hacia su viejo amigo Craig Belden (Anthony Quinn), un hombre que le trata muy bien hasta que se descubre que su hijo Rick está implicado en el asesinato. Morgan está determinado a capturar a Rick y decide hacerlo en el tren de las 9:00 en Gun Hill. Pero Rick sufre un percance con los hombres de Belden que intentan matarle para impedir que alcance a su hijo.
On this Episode... Chris Nelson, Anthony Quinn and Ray Trevino from Austin's own "Port of Monks" were in the house for a lively episode to say the least... We had a great chat about the band, the state of the music industry, music streaming and a whole bunch of other eye opening things... We also got to play 2 of their singles including their yet to be released single "Ego Creature"... For more info on the guys, please go to https://www.instagram.com/portofmonks/ Much Love, Enjoy ;) Recorded on January 23rd, 2025 Sponsored by Iron Wolf Ranch and Distillery https://ironwolfranch.com/
Kevin and Chris cover Chris Columbus' 1991 film Only the Lonely starring John Candy, Maureen O'hara, Ally Sheedy, and Anthony Quinn. Next episode will focus on Clint Eastwood, for the wondering listener(s)! If you like what you heard, please rate us a 5/5 on Apple, Spotify, or Podbean, and review us on Apple. Submit your mailbags to us at thesearcherspodcast@gmail.com. We'll read both on air. Follow us on Letterboxd.com if you'd like to see what we've recently watched and/or reviewed. Ben, Chris, & Kevin Our episode catalogue: https://searchersfilmpodcast.podbean.com/
Take some of the biggest stars of the day and send them on an adventure to destroy some guns?! Count us in! As a second world war rages, a group of disparate men with unique skills are assembled for one task: to destroy the Nazi naval guns on the Greek island of Navarone and save the lives of 2000 British soldiers. Can they do it? We hope so! Sad movies make us sad. Next week: a fake documentary? Vietnam War found footage? Questions? Comments? Suggestions? You can always shoot us an e-mail at forscreenandcountry@gmail.com Full List: https://www.pastemagazine.com/movies/war-movies/the-100-greatest-war-movies-of-all-time Facebook: https://www.facebook.com/forscreenandcountry Twitter: https://www.twitter.com/fsacpod Our logo was designed by the wonderful Mariah Lirette (https://instagram.com/its.mariah.xo) The Guns of Navarone stars Gregory Peck, David Niven, Anthony Quinn, Stanley Baker, Anthony Quayle, James Darren, Irene Papas, Gia Scala, Allan Cuthbertson and Richard Harris; directed by J. Lee Thompson. Learn more about your ad choices. Visit megaphone.fm/adchoices
ZOOMER SQUAD: OLDER CANADIANS SEE INCOME IMPROVEMENT SINCE 1976, BUT LAG BEHIND WORKING-AGE ADULTS SINCE THE 1990S Libby Znaimer is joined by Anthony Quinn, Chief Operating Officer of CARP, Bill VanGorder, Advocacy and Education Officer of CARP and John Wright, veteran pollster. A new Canadian Cancer Society report highlights the financial strain of cancer diagnoses in Canada, with patients and families facing an average cost of $33,000. While Ontario recently announced extra support for caregivers, questions remain about its effectiveness. Meanwhile, the holiday GST break on some food items has faced widespread criticism. SYRIA'S UNCERTAIN FUTURE POST-ASSAD REGIME Libby is joined by Dr. Amos Guiora, Professor of Law at the University of Utah and a former legal advisor to the IDF in Gaza and Dr. Elliot Tepper, Professor of International Relations at Carleton University. The Assad regime in Syria collapsed after rebel forces, led by Hayat Tahrir al-Sham, seized Damascus. The group, once linked to ISIS and Al-Qaeda, is still considered a terrorist organization by the U.S. and Western nations. This marks a major setback for Iran and Russia, with uncertain regional implications. A NEW STUDY REVEALS THE STAGGERING COSTS CANCER PATIENTS FACE Libby is joined by Dr. Jennifer Gillis, Director of Surveillance for the Canadian Cancer Society. The financial burden of cancer is significant, with total costs to society projected at $37.7 billion in 2024. This includes $30.2 billion in health system expenses and $7.5 billion for patients and caregivers. In the first year after diagnosis, lifetime costs for patients and caregivers average nearly $33,000.
We sit down with actor Bruce Davison. With almost 300 IMDB credits, shelves full of awards and a slew of illustrious co-stars and stories about A-listers whom he befriended pre-fame-and-fortune, Bruce is brimming with fantastic tales that feature some of the most influential figures in visual media history. Bruce joins us to talk about his career, from his start in the '60s, all the way to current projects coming soon to a streaming platform near you!Bruce's film career took off with a jolt as he found himself starring in the provocatively X-Rated, coming of age saga, Last Summer. Bruce takes us back to the set with Richard Thomas and Barbara Hershey where soundtrack contributor, Robbie Robertson taught him first guitar chords.We talk about Bruce's childhood, growing up in a military family in Philadelphia, the practical career advice he received from director Robert Aldrich: Be a character actor! Wisdom he gained from Anthony Quinn and the horror and heartbreak behind his Golden Globe-winning performance in 1989's Longtime Companion, the first theatrical feature to address the AIDS epidemic, which was written by Fritz's step-brother, Craig Lucas!We dive further into Bruce's remarkable Hollywood history with a round of IMDB Roulette (patent-pending) which takes us into private gambling parties with Dino, Desi, Billy, Lucy and Frank Sinatra! Sunday afternoons with Scorsese and DePalma at Margot Kidder's beach house. And we learn the truth behind why Bruce appears as only an extra in Close Encounters. His pal Stephen Spielberg said, “No one want so see the guy from Willard stepping off a spaceship.”Just how often does Bruce have to answer a question about Rats? To whom does he give credit for the greatest scenes he's ever performed…? The writers. David E. Kelley, Taylor Sheridan, Craig Lucas and beyond. Additionally, did you know that Bruce is a talented painter? We sample his works and hear about his inspirations.We get backstage insights from the set of Ozark and Bruce shares dish on his latest projects, including movies with Beau Bridges and Dee Wallace.Plus, Fritz and Weezy are recommending Return of the King: The Fall and Rise of Elvis Presley, and The Remarkable Life of Ibelin, both on Netflix. And get ready for a Keri Russell deep dive, beginning with The Diplomat which will pull you happily into all four seasons of Felicity!Path Points of Interest:Bruce Davison IMDBBruce Davison WikipediaBruce Davison on IG25 Miles to NormalCamera (2024)Suitable Flesh (2023)The Remarkable Life of Ibelin - NetflixReturn of the King: The Fall and Rise of Elvis Presley on NetflixThe DiplomatFelicity
English novelist Anthony Quinn has met and interviewed Martin Amis on several occasions. Their first encounter followed the publication of London Fields in 1989, the second during the publicity storm that came with Amis's 1995 novel The Information.In this episode, he and Jack discuss Amis's last novel, Inside Story, published in 2020. Although Anthony struggled with it in his first reading, he later came to consider it a masterful valedictory that encompasses all the best and worst of Amis as a man, and as a writer. Described by some as 'The Big Book of Mart', Inside Story is part memoir, part novel, and part writing manual. As well as revising Amis's final words of wisdom and warning to writers, Anthony and Jack cover the great romantic and literary loves of Amis's life, from Saul Bellow and his godfather Phillip Larkin, to the inimitable Christopher Hitchens. Crucially, Anthony reveals who he believes Amis loved most of all the people in his life. FOLLOW US ON TWITTER/ X: @mymartinamis
ZOOMER SQUAD: EXPERTS WARN OF FLU SURGE IN CANADA AS AUSTRALIA FACES RECORD SURGE Libby Znaimer is joined by Anthony Quinn, Chief Operating Officer of CARP, Rudy Buttignol, C.M. President of CARP and John Mykytyshyn, Conservative Activist, Political Consultant, and President of Bradgate Research Group. Experts warn of a potential flu surge in Canada, following Australia's record-breaking flu season. With vaccination rates lower than expected, health officials stress the importance of getting flu shots. Meanwhile, the ongoing Canada Post strike disrupts services ahead of the holiday season. Adding to the uncertainty, the promised $250 rebates are now in question, with initial exclusions now seemingly overturned. TORONTO'S FOOD BANK USAGE REACHES RECORD HIGH Toronto's food banks are facing unprecedented demand, with 40% scaling back services. Over a million people used food banks last year, and nearly half were first-time visitors. Neil Hetherington, CEO of Daily Bread Food Bank, and John Stapleton, Social Policy Fellow join Libby Znaimer to discuss. SEVERE SNOW SQUALLS PARALYZE MUSKOKA Libby is joined by Sgt. Kerry Schmidt, OPP Highway Safety Division to discuss the ongoing situation in Muskoka as it faces severe snow squalls, causing chaos with a state of emergency in Gravenhurst, hundreds without power, and Highway 11 at a standstill.
THE ZOOMER SQUAD: PM TRUDEAU'S $250 REBATE EXCLUDES RETIREES Jane Brown is filling in for Libby Znaimer today. She is joined by Anthony Quinn, Chief Operating Officer of CARP, Bill VanGorder, Chief Advocacy and Education Officer and John Mykytyshyn, Conservative Activist, Political Consultant and President of Bradgate Research Group. Today: we get reaction from the Zoomer Squad regarding the fact that retirees are excluded from the Trudeau government's $250 rebate for working Canadians. It's an issue that many of our listeners expressed disappointment over during last week's Free For All Friday. Bill and Anthony also give us an update on what CARP members have been saying regarding the Canada Post strike and how the disruption of service has been impacting them. GETTING CLARITY ON AMBULANCE FEES IN ONTARIO Jane Brown is joined by Dr. Jamie Spiegelman, internal medicine and critical care physician at Humber River Hospital. Another hot topic during last week's Free For All Friday had to do with ambulance fees: our listeners want more clarity about fees for ambulance services. Dr. Spiegelman provides more clarity on the role that paramedics play and adds more insight into the fees associated with calling an ambulance. ANTI-ISRAEL RIOT IN MONTREAL Jane Brown is now joined by Eli Mogil, Partner with McCarthy Tétrault LLP and Hank Topas, Quebec Regional Director of B'nai Brith Canada. Our panel reacts to the violent anti-Israel riot that unfolded in Montreal over the weekend, Second Cup taking swift action against anti-Semitism and the way Toronto Police handled the anti-Israel protest that took place at Bathurst and Sheppard-a neighbourhood that is home to a large Jewish community.
THE ZOOMER SQUAD: HOW CANADA POST STRIKE IS IMPACTING SENIORS Libby Znaimer is joined by Rudy Buttignol, President of CARP, Anthony Quinn, Chief Operating Officer of CARP, John Mykytyshyn, Conservative Activist, Political Consultant and President of Bradgate Research Group. The Canada Post strike is still on. How is it going to impact the senior demographic? And, we continue the discussion about OAS. HOW WILL OTTAWA AND TRUMP APPROACH IMMIGRATION POLICY Libby Znaimer is joined by Guidy Mamann, a Toronto immigration lawyer and Partner at Mamman & Sandaluk LLP Immigration Lawyers, and Kelly Sundberg, an Associate Professor at Mount Royal University and a former CBSA Officer. We unpack what Prime Minister Justin Trudeau said in his short video over the weekend that detailed Ottawa's shift in regards to its immigration policy. And, what will the Canada-U.S. border look like under a second Trump Presidency? BIDEN ADMINISTRATION ALLOWS UKRAINE TO USE LONG-RANGE MISSILES INSIDE RUSSIA Libby Znaimer is joined by Andrew Rasiulis with The Canadian Global Affairs Institute and Dr. Eric Ouellett, Professor in the Department of Defence Studies at Royal Military College of Canada. The war between Russia and Ukraine reached the grim milestone of 1,000 days over the weekend. The Biden administration is now allowing Ukraine to use ATACMS inside Russia. How will this development be received by Russian President Vladimir Putin and how impactful will this be for Ukraine?
REMEMBRANCE DAY SPECIAL Libby Znaimer is first joined by the Honourable Lt. General Richard Rohmer as well as Major Jim Parks, veterans of WW2. They are followed by Retired Major John Stewart who served on numerous deployments with the Canadian Armed Forces including in Afghanistan (from 2003 to 2004). On today's Remembrance Day episode, we hear the stories of Canadian veterans who served in World War 2, as well as those of a veteran who served in numerous deployments with the Canadian Armed Forces including in Afghanistan from 2003 to 2004. THE ZOOMER SQUAD: WHAT REMEMBRANCE DAY MEANS TO ZOOMERS Libby Znaimer is now joined by Anthony Quinn, Chief Operating Officer of CARP, Bill VanGorder, Chief Advocacy and Education Officer and Bob Richardson, a public affairs consultant. Remembrance is vivid for the Zoomer generation - some were alive during World War 2. Certainly our parents went through it. We talk about the significance of this day. A DEEP DIVE INTO A REPORT CALLING FOR ACTION TO ADDRESS NEEDS OF AGING VETERANS Libby Znaimer is joined by Dr. Madison Brydges, Health Policy Researcher at the National Institute on Ageing (NIA). The NIA is calling for a detailed plan to address the needs of aging veterans, including a special emphasis on mental health, chronic pain, social isolation and resources around long-term care.
We're bringing you another of our Soundtracking Everyman Film Club's today, recorded in front of an audience at Everyman King's Cross. The guests on this occasion are Sir Ian McKellen and Anand Tucker, star and director of Patrick Marber's The Critic. Based on a novel by Anthony Quinn, The Critic tells the story of a powerful theatre critic in 1930s London who gets embroiled in a tangled web of deceit and murder.
THE ZOOMER SQUAD: WHAT DO CANADIANS THINK ABOUT THE U.S. ELECTION? Libby Znaimer is joined by Anthony Quinn, Chief Operating Officer of CARP, Rudy Buttignol, President of CARP and John Wright, a veteran pollster. This week: who will win the U.S. election? Will it be Donald Trump or Kamala Harris? And, what do Canadians think about it all, especially Zoomers? Our panel reacts to the latest. REUSABLE BAGS: DO YOU HAVE TOO MANY OF THEM? Libby Znaimer is joined by Ellen Roseman, a consumer advocate and journalist and Ashley Wallis, Associate Director of Environmental Defence. If you regularly go shopping, it's a problem you've likely encountered: the accumulation of more reusable bags than you know what to do with. It begs the question: just how environmentally friendly are these bags? HOW TURNING BACK THE CLOCK CAN IMPACT ROAD SAFETY Libby Znaimer is joined by Toronto Police Acting Superintendent Matt Moyer of Traffic Services and Matthew Camden, Senior Research Associate with Virginia Tech Transportation Institute Division of Freight, Transit, and Heavy Vehicle Safety. Over the weekend, Daylight Saving Time came to an end and our clocks have turned back an hour. How exactly does this impact our driving and general road safety? Our guests weigh in.
A young fan of action films is given a magic ticket to be literally inside the latest film starring his favorite action star (Arnold Schwarzenegger). Co-starring Austin O'Brien, Charles Dance, Bridgette Wilson, Frank McRae, Anthony Quinn and F. Murray Abraham. This is a cross-over episode with our friends from the Growin' Up Rock Podcast! Check out their upcoming episode (Sunday, Nov. 3) where we discuss the Last Action Hero soundtrack track-by-track!
De México para el mundo, nominado 4 veces a los premios de la academia (Oscar), ganador en 2 ocasiones en menos de 4 años, como actor de reparto. Nacido en Ojinaga, Chihuahua. México. Y a los 5 años emigra con su familia a Estados Unidos para buscar un mejor bienestar, ahí es donde se nacionaliza estadounidense. Recordado por la gran película “Zorba el Griego”, “Los Cañones de Navarone” y su increíble interpretación al lado de Keanu Reeves en la película “Un paseo por las nubes”. Los llevaremos a su tremenda y sufrida infancia en épocas revolucionarias en México, su traslado al país extranjero, sus diversos oficios, su amor por el séptimo arte, sus inicios hasta su encumbramiento total y siendo uno de los favoritos de Hollywood. Se casó en 4 ocasiones, y tuvo más de 12 hijos.
THE ZOOMER SQUAD: ARE DRIVING LICENCE RENEWAL RULES FAIR FOR OLDER ZOOMERS? Tasha Kheiriddin is filling in for Libby Znaimer today. She is joined by Anthony Quinn, Chief Operating Officer of CARP, Bill VanGorder, Chief Advocacy and Education Officer of CARP, and veteran pollster John Wright. Tomorrow is the deadline that the Bloc Québécois has set for the Liberals with regards to OAS. And, are the current requirements for older Zoomers fair when it comes to renewing our driver's licences? WHAT A NEW REPORT TELLS US ABOUT FOOD BANK DEPENDENCY Tasha Kheiriddin is now joined by Gail Gould, Executive Director of Bernard Betel Centre and Neil Hetherington, CEO, Daily Bread Food Bank. A new report by Food Banks Canada shows the extent to which Canadians are dependent on food banks and the numbers are staggering. Our guests weigh in on the latest and we explore how food insecurity is impacting older Zoomers especially. THE DEBATE OVER DAYLIGHT SAVING TIME & WHAT YOU NEED TO KNOW ABOUT THE UPCOMING TIME CHANGE Tasha Kheiriddin is now joined by Dr. Patricia Lakin-Thomas, Associate Professor, Department of Biology at York University and Dr. Michael Antle, Professor of Psychology at the University of Calgary. Daylight Saving Time is ending in just a few days. What are the origins of this practice and should we scrap it altogether?
THE FORD GOVERNMENT TURNS TO A FAMILIAR EXPERT AS PART OF PRIMARY CARE STRATEGY Jane Brown is filling in for Libby Znaimer today. She is joined by Anthony Quinn, Chief Operating Officer of CARP, Rudy Buttignol, President of CARP and John Wright, Executive Vice President of Maru Public Opinion. Former Federal Liberal Health Minister Jane Philpott has signed on with Ontario's Doug Ford PCs to try and fix primary care. Listeners share their stories of the challenges they face in accessing primary care in Ontario. WHAT SENIORS NEED TO KNOW ABOUT ACCESSING HIGH-DOSE FLU SHOTS & UPDATED COVID-19 VACCINES Jane Brown is joined by John Papastergiou, a professor at the University of Toronto and pharmacist and owner at Shoppers Drug Mart, as well as Dr. Alon Vaisman, Infectious Diseases Physician at the University Health Network (UHN). Are you 65-plus and have questions about getting the high-dose flu shot? Or maybe you want to learn more about this year's updated COVID-19 shots. Our guests fill us in on what you need to know. FRENCH FRY POLITICS AND U.S. PRESIDENTIAL ELECTION JUST WEEKS AWAY Jane Brown is joined by Brad Polumbo, a conservative commentator and editor-in-chief & Co-Founder of BASEDPolitics, and Larry Haas, a Senior Fellow at the American Foreign Policy Council. On Tuesday, it will be two weeks until the U.S. Presidential election. How tight is the race as of late and where are the candidates at with their respective strategies?
From the Ingles Studio this is your news minute on the Marietta Daily Journal Podcast presented by Credit Union of Georgia. Today is Friday, October 11th, and I'm Keith Ippolito. Man Indicted in Austell Hotel Fire On October 3, Anthony Quinn was indicted on arson charges for allegedly starting a fire at a Knights Inn in Austell in 2021. According to Cobb Superior Court, Quinn, from Ball Ground, Georgia, faces a first-degree arson charge after surveillance footage captured him entering and exiting Room 303 on September 19, 2021. Smoke was soon seen emerging from the room. Investigators concluded that Quinn deliberately set the fire, putting 16 people, including a child, in adjoining rooms at risk. Quinn was also seen leaving the scene in a stolen Ford F-150. Later, he allegedly threatened to set his uncle on fire in Winston, Georgia. That same morning, he was arrested by Douglas County deputies on unrelated charges while on I-20. The fire department responded to extinguish the blaze, and the investigation confirmed the fire was intentionally set by Quinn. For more news about our community, visit mdjonline.com. For the Marietta Daily Journal Podcast, I'm Keith Ippolito. Produced by The BG Podcast Network NewsPodcast CurrentEvents TopHeadlines #BreakingNews #PodcastDiscussion #PodcastNews #InDepthAnalysis #NewsAnalysis #PodcastTrending #WorldNews #LocalNews #GlobalNews #PodcastInsights #NewsBrief #PodcastUpdate #NewsRoundup #WeeklyNews #DailyNews #PodcastInterviews #HotTopics #PodcastOpinions #InvestigativeJournalism #BehindTheHeadlines #PodcastMedia #NewsStories #PodcastReports #JournalismMatters #PodcastPerspectives #NewsCommentary #PodcastListeners #NewsPodcastCommunity #NewsSource #PodcastCuration #WorldAffairs #PodcastUpdates #AudioNews #PodcastJournalism #EmergingStories #NewsFlash #PodcastConversations #podcast #podcasts #podcaster #podcastlife #podcastshow #podcasting #podcasters #podcastersofinstagram #itunes #applepodcasts #spotifypodcast #soundcloud #youtube #radio #radioshow #comedy #music #hiphop #art #entrepreneur #covid #motivation #interview #repost #loveSee omnystudio.com/listener for privacy information.
Pink Floyd's Catalog Sale: A New EraIn this episode of the Deadhead Cannabis Show, Larry Michigan explores the rich history of the Grateful Dead's music, focusing on a specific concert from 1980. He discusses the significance of various songs, including 'Iko Iko' and 'Me and Bobby McGee', while also reflecting on the impact of Chris Christopherson's songwriting. The conversation shifts to current events in the music and cannabis industries, including Pink Floyd's catalog sale and the ongoing challenges faced by the hemp industry. Larry emphasizes the importance of medical marijuana legalization and shares insights on how cannabis enhances the music experience. He concludes with personal strain recommendations and highlights record sales in legal marijuana states. TakeawaysThe Grateful Dead's acoustic sets were a significant part of their live performances.Audience tapes capture the energy of live shows better than soundboard recordings.Chris Christopherson's 'Me and Bobby McGee' remains a classic, showcasing the intersection of music and storytelling.Pink Floyd's recent catalog sale reflects the changing dynamics in the music industry.The Betty Boards represent a pivotal moment in Grateful Dead tape trading history.The hemp industry faces legal challenges that could impact small businesses.A majority of chronic pain patients support the legalization of medical marijuana.Cannabis enhances the enjoyment of music, as confirmed by recent studies.Record sales in legal marijuana states are reaching new heights, indicating a thriving market.Personal strain recommendations can enhance the cannabis experience for users. Chapters00:00Introduction and Context of the Grateful Dead's Music04:50Exploring 'Iko Iko' and Audience Tapes10:42The Significance of 'Monkey and the Engineer'15:24Remembering Chris Christopherson and 'Me and Bobby McGee'22:31Pink Floyd's Catalog Sale to Sony Music28:15The Mystery of the Betty Boards54:16Current Issues in the Hemp Industry01:08:10Support for Medical Marijuana Legalization01:15:50The Impact of Marijuana on Music Enjoyment01:21:09Record Sales in Legal Marijuana States01:25:53Strain Recommendations and Personal Experiences Grateful DeadOctober 7, 1980 (44 years ago)Warfield TheaterSan Francisco, CAGrateful Dead Live at Warfield Theater on 1980-10-07 : Free Download, Borrow, and Streaming : Internet Archive Part of 23 show run in late September to the end of October, 1980 split between the Warfield (September 27th – October 14th) and Radio City Music Hall in NYC (October 22 – 31st) Each show opened with an acoustic set followed by two full electric sets. These were the last shows where the Dead played acoustic sets. Songs from all of these concerts were pulled for the two related Dead double album releases, Reckoning (acoustic music, released April 1, 1981- the Band's sixth live album and 17th overall) and Dead Set (electric music, released August 26, 1981, the Band's seventh live album and 18th overall). Today's episode is broken up into three acoustic numbers from this show and then three electric numbers. INTRO: Iko Iko Track #1 0:00 – 1:37 "Iko Iko" (/ˈaɪkoʊˈaɪkoʊ/) is a much-coveredNew Orleans song that tells of a parade collision between two tribes of Mardi Gras Indians and the traditional confrontation. The song, under the original title "Jock-A-Mo", was written and released in 1953 as a single by James "Sugar Boy" Crawford and his Cane Cutters but it failed to make the charts. The song first became popular in 1965 by the girl groupthe Dixie Cups, who scored an international hit with "Iko Iko" released in March, 1965. In 1967, as part of a lawsuit settlement between Crawford and the Dixie Cups, the trio were given part songwriting credit for the song. A permanent part of the Dead's repertoire since first played in May, 1977 in St. Louis, almost by accident out of and back into a Not Fade Away. The intro, one verse and back to NFA. Overtime, became a tune that was not frequently played, usually once, maybe twice, a tour, but whenever it was played it created a party atmosphere out of whatever the mood had been prior to its playing. Perfect song for Jerry with the call and response chorus that everyone joined in on. The song that “fastened my seatbelt on the bus” when I saw it for the first time at my second show ever in Syracuse in 1982 with good buddy Mikey. Once you hear it live, you are always looking for it at future shows. I love this song as do many Deadheads. But getting to hear it played acoustically is a real treat and a great way to open this “hometown” show. Jerry played it right up until the end. Played: 185 timesFirst: May 15, 1977 at St. Louis Arena, St. Louis, MO, USALast: July 5, 1995 at Riverport Amphitheatre, Maryland Heights, MO, USA SHOW No. 1: Monkey And The Engineer Track #4 0:48 – 2:25 Jesse Fuller tune Jesse Fuller (March 12, 1896 – January 29, 1976) was an American one-man band musician, best known for his song "San Francisco Bay Blues". Starting in the 1950's after a number of non-music related jobs, Fuller began to compose songs, many of them based on his experiences on the railroads, and also reworked older pieces, playing them in his syncopated style. His one-man band act began when he had difficulty finding reliable musicians to work with: hence, he became known as "The Lone Cat". Starting locally, in clubs and bars in San Francisco and across the bay in Oakland and Berkeley, Fuller became more widely known when he performed on television in both the Bay Area and Los Angeles. In 1958, at the age of 62, he recorded an album, released by Good Time Jazz Records.[3] Fuller's instruments included 6-string guitar (an instrument which he had abandoned before the beginning of his one-man band career), 12-string guitar, harmonica, kazoo, cymbal (high-hat) and fotdella. He could play several instruments simultaneously, particularly with the use of a headpiece to hold a harmonica, kazoo, and microphone. In the summer of 1959 he was playing in the Exodus Gallery Bar in Denver. Bob Dylan spent several weeks in Denver that summer, and picked up his technique of playing the harmonica by using a neck-brace from Fuller.[ Monkey And The Engineer was played by the pre-Dead group Mother McCree's Uptown Jug Champions in 1964. The song was performed by the Grateful Dead in acoustic sets in 1969, 1970, 1980 and 1981. Also performed by Bob Weir with Kingfish. A fun tune that is perfect for kids as well. Good one to get them hooked into the Dead on! Played: 38 timesFirst: December 19, 1969 at Fillmore West, San Francisco, CA, USALast: February 12, 1989 at Great Western Forum, Inglewood, CA, USA MUSIC NEWS: Intro Music: Me and Bobby McGee Kris Kristofferson - Me And Bobby McGee (1979) (youtube.com) 0:00 – 1:27 "Me and Bobby McGee" is a song written by American singer-songwriter Kris Kristofferson and originally performed by Roger Miller. Fred Foster shares the writing credit, as Kristofferson wrote the song based on a suggestion from Foster.[1] Foster had a bit of a crush on Barbara "Bobbie" McKee who was a secretary on Nashville's music row. When he pitched the title to Kristofferson, he misheard the name as "Me and Bobby McGee," and the name stuck. Kristofferson found inspiration for his lyrics from a film, 'La Strada,' by Fellini, and a scene where Anthony Quinn is going around on this motorcycle and Giulietta Masina is the feeble-minded girl with him, playing the trombone. He got to the point where he couldn't put up with her anymore and left her by the side of the road while she was sleeping," Kristofferson said. A posthumously released version by Janis Joplin topped the Billboard Hot 100 in 1971, making the song the second posthumously released No. 1 single in U.S. chart history after "(Sittin' On) The Dock of the Bay" by Otis Redding. Gordon Lightfoot released a version that reached number 1 on the Canadian country charts in 1970. Jerry Lee Lewis released a version that was number 1 on the country charts in December 1971/January 1972 as the "B" side of "Would You Take Another Chance on Me". Billboard ranked Joplin's version as the No. 11 song for 1971. Janis Joplin recorded the song for inclusion on her Pearl album only a few days before her death in October 1970. Singer Bob Neuwirth taught it to her while Kristofferson was in Peru filming The Last Movie with Dennis Hopper.[5] Kristofferson did not know she had recorded the song until after her death. The first time he heard her recording of it was the day after she died.[6]Record World called it a "perfect matching of performer and material."[7] Joplin's version topped the charts to become her only number one single; her version was later ranked No. 148 on Rolling Stone's 2004 list of The 500 Greatest Songs of All Time. In 2002, the 1971 version of the song by Janis Joplin on Columbia Records was inducted into the Grammy Hall of Fame. The song is the story of two drifters, the narrator and Bobby McGee. The pair hitch a ride from a truck driver and sing as they drive through the American South before making their way westward. They visit California and then part ways, with the song's narrator expressing sadness afterwards. Due to the singer's name never being mentioned and the name "Bobby" being gender-neutral (especially in America), the song has been recorded by both male and female singers with only minor differences in the lyrical content. Me And Bobby McGee was first performed by the Grateful Dead in November 1970. It was then played well over 100 times through to October 1974. The song returned to the repertoire for three performances in 1981 after which it was dropped for good. Sung by Weir. RIP Kris Kristofferson Kris Kristofferson, the iconic country music singer-songwriter and accomplished Hollywood actor, passed away peacefully at his home in Maui, Hawaii, at the age of 88. The family has not disclosed the cause of death. It was confirmed that Kristofferson was surrounded by loved ones during his final moments. In a statement, the family shared: "It is with a heavy heart that we share the news our husband/father/grandfather, Kris Kristofferson, passed away peacefully on Saturday, Sept. 28 at home. We're all so blessed for our time with him. Thank you for loving him all these many years, and when you see a rainbow, know he's smiling down at us all." Tributes poured in from across the entertainment world and fans as the news of Kris Kristofferson's death spread. Barbra Streisand, his co-star in A Star Is Born, praised him as a "special” and “charming" in a post on X. Dolly Parton, who collaborated with Kristofferson, shared on X, "What a great loss. I will always love you, Dolly." Kristofferson's career was nothing short of extraordinary. He achieved stardom as both a country music artist and a successful actor. Throughout his prolific career, Kristofferson earned numerous accolades. These include three Grammy Awards and an induction into the Country Music Hall of Fame in 2004. Additionally, he was nominated for an Academy Award in 1985 for Best Original Song for Songwriter. In 1971, Janis Joplin, who had dated Kristofferson, had a number one hit with "Me and Bobby McGee" from her posthumous album Pearl. It stayed on the number-one spot on the charts for weeks. In 2021, after releasing his final album, The Cedar Creek Sessions, in 2016, Kristofferson announced his retirement from music. His legacy as a musician, actor, and cultural icon leaves a profound impact on both industries. He is survived by his wife, Lisa, his children, and his grandchildren. Pink Floyd sells song rights (Rolling Stone Magazine) After years of in-fighting and near-agreements, Pink Floyd have finally reached a deal to sell the rights to their recorded music catalog to Sony Music, according to the Financial Times.The deal is reported to be worth around $400 million and also includes the rights to the band's name and likenesses. That means, along with gaining full control over Pink Floyd's music, Sony will have the crucial rights for most things Pink Floyd-related, from merch to movies. A rep for Sony Music declined to comment. A source confirmed the veracity of the details to Rolling Stone. In an interview with Rolling Stone in August, Gilmour confirmed that the band was “in discussion” about a potential catalog sale, with the guitarist adding he was tired of the continued in-fighting and “veto system” that has resulted in animosity and delayed reissues over petty issues like liner notes. “To be rid of the decision-making and the arguments that are involved with keeping it going is my dream,” Gilmour said of a catalog sale. “If things were different… and I am not interested in that from a financial standpoint. I'm only interested in it from getting out of the mud bath that it has been for quite a while.” With the Sony deal in place, the label — and not the band — will now bear the responsibility for the next Pink Floyd release, a 50th-anniversary edition of Wish You Were Here that is expected to arrive in 2025. The Sony deal comes 18 months after Pink Floyd made traction on a $500 million agreement to sell their music, only for more bickering between band mates to make the deal “basically dead,” as sources told Variety in March 2023. The Sony deal only includes Pink Floyd's recorded music catalog, which allows for the band to keep its largely Waters-penned publishing catalog and retain ownership of now-apropos lyrics like “Money/It's a crime/Share it fairly, but don't take a slice of my pie” and “We call it riding the gravy train.” What happened to the Betty Boards In May 1986, a storage auction took place in California's Marin County that would altogether change the nature of Grateful Dead tape trading, the group's distribution of its live recordings and, ultimately, the Dead's place in the Library of Congress' National Recording Registry. An advertisement in a local paper drew in a few dozen curious parties anticipating the range of memorabilia and household items that typically become available through the auction of lockers that had fallen into arrears due to lack of payments. Among the items up for auction that day were hundreds of reel-to-reel soundboard tapes of the Grateful Dead originally recorded by Betty Cantor-Jackson during a golden age between 1971-80. The Betty Boards, as copies of these recordings became known, eventually found their way into the collections of longstanding Deadheads and newbies alike, ending some aspects of a tape-trading hierarchy by which certain individuals lorded over their collections, denying access to those who were unfamiliar with the secret handshake. The appearance and subsequent dissemination of these recordings became a source of fascination and speculation for Deadheads in 1986 and the questions have only compounded over the years: How did the tapes fall into the auction? Who won them? How and why were they initially distributed? Are there more recordings that have yet to make it into circulation? And jumping ahead to the present, where are those tapes today? Just what has become of the Bettys? What can be said with certainty is that a new cache of tapes has been unearthed and a plan is underway by Dark Star Orchestra guitarist Rob Eaton, who has painstakingly restored many of the boards, to complete the job and then facilitate their return to the band. Eaton hopes that a series of official releases might follow that will also yield a small royalty to the woman who recorded the reels and then lost them due to her own financial hardship, even if Deadheads owe her a debt of gratitude. Before the auction, before the boards, there was Betty. Betty Cantor was still in her teens when she began setting up mics and helping to record sound at San Francisco venues— first at the Avalon Ballroom and then, the Carousel (the latter during the Grateful Dead's brief stab at venue management in 1968). She worked alongside Bob Matthews, initially assisting with setups during the recording of the Dead's Anthem of the Sun. A true pioneer, as a woman staking her claim in a patriarchal business, she partnered with Matthews into the early 1970s to produce and engineer live multi- track recordings (she had a hand or two in Live/Dead) as well as studio efforts (Aoxomoxoa and Workingman's Dead). While she worked for other artists during this period, she maintained a close relationship with the Grateful Dead, catalyzed by her marriage to crew member Rex Jackson, who would die a few years later in an auto accident. (The philanthropic Rex Foundation is named in his honor.) “My late husband started recording on the road when he was on the equipment crew,” Cantor Jackson explains. “He and I purchased our own gear and tape. I recorded whenever I could get to the gigs. I recorded the Grateful Dead frequently when they were at home venues, I recorded any and all Jerry Garcia Band gigs I could get to for years, in all its configurations, as well as other bands I liked whenever I could. In those days, bands were cool and happy about me getting a feed. Rex was killed in a car accident in ‘76. In ‘77 and ‘78, I was put on Grateful Dead road crew salary, taping and handling Bobby's stage setup.” She later began a romantic relationship with Dead keyboardist Brent Mydland but, after that ended, she sensed that she had been frozen out. “Brent and I split up after a few years, with the last year spent in the studio working on his solo project. This put me in the category of the dreaded ‘ex.' I didn't think that could apply to me, but he was a band member. Everyone was paranoid of me being around, so I no longer had access to my studio or the vault.” Trying times followed. In 1986, she found herself in a dire financial predicament and forced out of her home. “All my things were moved to storage facilities. Unable to foot the bill at the storage center, Cantor-Jackson forfeited the rights to her worldly possessions. She remembers contacting the Grateful Dead office to inform them of the situation, but the group took no action, resulting in a public auction of Cantor-Jackson's personal assets, which included more than 1,000 reel-to-reel tapes—mostly Grateful Dead recordings, along with performances by Legion of Mary, Kingfish, Jerry Garcia Band, Old and In The Way, the Keith and Donna Band, and New Riders of The Purple Sage. The majority of the 1,000-plus reels that have come to be known as the Betty Boards were acquired by three principals, none of whom were fervid Deadheads at the time. The first of these individuals set his tapes aside in a storage locker where they remain to this day. A second, who was more interested in the road cases that held the tapes, left them to rot in his barn for a decade. The final party was a couple with a particular interest in progressive rock, who nonetheless held an appreciation for the performances captured on tape. So while some tapes unquestionably were scattered to the wind, following the four- hour event and a second auction for a final lot of tapes held a few weeks later, the three prime bidders each held hundreds of reels. While two of the winning bidders had no plans for the tapes, within a few months the couple decided that they would place the music in circulation. This was our way of getting new material into circulation and also breaking the hierarchy of those collectors who held on to prime shows for themselves. Initially, we started transferring the tapes to VHS Hi-Fi on our own, but soon realized what a daunting task this was going to be. So we reached out to one of our trading buddies who we knew had connections in the Dead trading community. From there, he gathered together what was later to become known as the ‘Unindicted Co-conspirators,' who put in a massive archiving effort to back up the tapes and distribute them.” The individual they selected as their point person was Ken Genetti, a friend and longtime Deadhead. “I went into their house, and I opened up this closet and they had all the stuff arranged on a shelf in order,” Genetti reflects. “For me, it was like King Tut's tomb. I knew immediately what they had when I looked in there. The first thing I saw was Port Chester, N.Y., Feb. 18, 1971, an incredible show which was Mickey [Hart]'s last concert for many years and I said, ‘You've got to be kidding me!' Then I saw Kezar Stadium, San Francisco, Calif., ‘73, my favorite concert I ever went to. I pulled it out and I went, ‘Holy shit!'” They explain: “We had sought to keep the operation as low key as possible because of the potential for a backlash. It wasn't until someone contacted the Grateful Dead office and offered them a copy of the tapes that we knew it was only a matter of time before we would be hearing from their lawyers. When we did hear from them, there was a bit of back and forth between their lawyers and our lawyer, but the bottom line was we had purchased the tapes legally and owned them but didn't own the rights to the music contained on them. Therefore, we could not sell the music on them, which was never our intent anyway. That pretty much left us at a stalemate and, not wanting to stir up any more issues with the Grateful Dead office, is also why we avoided re-digitizing the tapes.” In late 1995, Eaton received a call from a high-school teacher who had purchased one of the lots predominantly for the road cases that held the tapes. The teacher now hoped to sell the reels and wanted Eaton to assess them. In a cluttered barn, Eaton discovered a grimy, mold-infested collection. This might have been the end of the story, but the Betty Boards have proven to be the gift that keeps on giving. The teacher never found a buyer for the tapes—his asking price was a million dollars—and two years ago, facing monetary struggles and fearing that that the bank might foreclose on his home, he contacted Eaton once again to see if he would be willing to take custody of the tapes. The teacher also explained that he had discovered another 50 reels while cleaning out the barn. Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” So through a chain of contacts, he eventually located the couple. While completing his work on the couple's reels, Eaton began researching the original auction, hoping to identify the third individual who had purchased the Bettys. He eventually found him, and in January 2014, the pair entered into discussions about this final batch of tapes, which Eaton hopes to restore. What then? Eaton has a plan that he already has set in motion. “What I'd love to see done—in a perfect world—is I think all the tapes need to go back to the vault,” he says. “I think the people that have purchased these tapes should be compensated. I don't think we're talking huge sums of money but enough to make them relinquish the tapes back to the Grateful Dead. They should be part of the collection. Another thing that's important is if these tapes do get back to the vault, Betty should get her production royalty on anything that gets released, which is completely reasonable. Those were her tapes; those weren't the Dead's tapes. I'd love to see Betty get her due.” SHOW No. 2: Heaven Help The Fool Track #6 1:30 – 3:10Heaven Help the Fool is the second solo album by Grateful Deadrhythm guitaristBob Weir, released in 1978. It was recorded during time off from touring, in the summer of 1977, while Grateful Dead drummer Mickey Hart recovered from injuries sustained in a vehicular accident. Weir returned to the studio with Keith Olsen, having recorded Terrapin Station with the producer earlier in the year. Several well-known studio musicians were hired for the project, including widely used session player Waddy Wachtel and Toto members David Paich and Mike Porcaro. Only "Salt Lake City" and the title track were played live by the Grateful Dead, the former in its namesake location on February 21, 1995,[1] and the latter in an instrumental arrangement during their 1980 acoustic sets.[2] Despite this, Weir has continued to consistently play tracks from the album with other bands of his, including RatDog and Bobby Weir & Wolf Bros. "Bombs Away" was released as a single and peaked at number 70 on the Billboard Hot 100, becoming his only solo song to make the chart.[3] The album itself stalled at number 69, one spot behind his previous album, Ace. The title track was written by Bobby and John Barlow. While a staple at Bob shows with the Midnights, Rob Wasserman, Rat Dog, Wolf Bros., etc., the Dead only played it during these Warfield/Radio City and only as an instrumental arrangement. Played: 17 timesFirst: September 29, 1980 at The Warfield, San Francisco, CA, USALast: October 31, 1980 at Radio City Music Hall, New York, NY, USA Now the electric tunes from today's show: SHOW No. 3: Cold, Rain & Snow Track #10 0:00 – 1:30 "Rain and Snow", also known as "Cold Rain and Snow" (Roud 3634),[1] is an American folksong and in some variants a murder ballad.[2] The song first appeared in print in Olive Dame Campbell and Cecil Sharp's 1917 compilation English Folk Songs from the Southern Appalachians, which relates that it was collected from Mrs. Tom Rice in Big Laurel, North Carolina in 1916. The melody is pentatonic. Campbell and Sharp's version collected only a single verse: Lord, I married me a wife,She gave me trouble all my life,Made me work in the cold rain and snow.Rain and snow, rain and snow,Made me work in the cold rain and snow. In 1965, Dillard Chandler recorded a graphic murder ballad version of the song that ends with the wife being shot by the husband. According to the liner notes on Chandler's album, Chandler learned the song from Berzilla Wallin, who said that the song related to a murder that had occurred in Madison County, North Carolina: Well, I learned it from an old lady which says she was at the hanging of – which was supposed to be the hanging, but they didn't hang him. They give him 99 long years for the killing of his wife... I heard the song from her in 1911. She was in her 50s at that time. It did happen in her girlhood... when she was a young girl... She lived right here around in Madison County. It happened here between Marshall and Burnsville; that's where they did their hanging at that time – at Burnsville, North Carolina. That's all I know, except they didn't hang the man.'[2] Subsequent performances have elaborated a variety of additional verses and variants beyond the single verse presented by Campbell and Sharp. Several verses consistently appear. Some sources for lyrics that appear in some later versions may be from Dock Boggs's 1927 song "Sugar Baby" (Roud 5731),[1] another lament of a henpecked husband, which may have contributed a line about "red apple juice".[4] A British folksong, The Sporting Bachelors (Roud 5556),[1] contains similar themes, but was collected in the 1950s.[2][5] Earlier possible precursors include a series of broadside ballads on the general subject of "Woeful Marriage"; one frequently reprinted nineteenth-century example begins with the words "On Monday night I married a wife", (Roud 1692).[1][6] These British antecedents mostly share common themes and inspirations; the song originated in the local tradition of Big Laurel, Madison County, and relate to a nameless murderer who committed the crime at some time between the end of the Civil War and the end of the nineteenth century. A recent origin is also suggested by the relatively limited number of variations on the tune; most performances use the Campbell-Sharp melody as written.[2] Despite the apparent violence of the lyrics, women feature prominently in the oral tradition of the song. It was collected from "Mrs. Tom Rice", and sung by Berzilla Wallin, who learned it from "an old lady" who remembered the murder trial the song was about. The song is closely associated with the Grateful Dead; a studio version appeared on their first album The Grateful Dead (1967), and the song was a standard part of the Dead's repertoire throughout their career. They would often open with the song, or perform it early in the first set.[2] Unlike Chandler's recording, in the Dead's version of the lyrics the husband generally laments his mistreatment at his greedy wife's hands, but does not kill her. The lyrics from the Grateful Dead's version were adapted from an earlier recording by Obray Ramsey. Played: 249 timesFirst: May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast: June 19, 1995 at Giants Stadium, East Rutherford, NJ, USA MJ NEWS: Hemp Industry Advocates Ask Court To Halt California's Ban On Products With Any ‘Detectable Amount' Of THC Amid Legal Challenge2. Most Pain Patients And Doctors Support Legalizing Medical Marijuana And Having Insurance Companies Cover The Cost, AMA Study Shows3. Marijuana Enhances Enjoyment Of Music, New Study Finds, Confirming What Every Stoner Already Knows4. Six U.S. States Report Setting New Monthly Marijuana Sales Records M.J. Strains: Blackwater – an indica marijuana strain made by crossing Mendo Purps with San Fernando Valley OG Kush. The strain offers effects that start out mellow but will eventually melt down through your entire body for a classic head to toe euphoric high. A sweet grape aroma that blends well with subtle undertones of lemon and pine. MMJ uses include for relieving symptoms associated with chronic pain, appetite loss and MS. Recommended for late night consumption as it can cause mental cloudiness and detract from productivity. NYSD – this classic strain is sativa leaning, created by Soma Seeds in Amsterdam, a staple for stoners since its inception in 1997. Its name is inspired by the tragic events in NYC on September 11, 2001. It is a product of crossbreeding Mexican sativa and Afghani landrace strains. Has a unique aroma and taste that sets it apart from the crowd. Pure Gas - a hybrid cross of E85 and OG Kush. The parent strains are carefully chosen for their complex terpene profiles and effects. The OG Kush is known for its lemon-pine-fuel taste and an aroma of fuel, skunk, and spice. Additionally, its high-THC content provides a potentially heavy-hitting experience that shines through in the Pure Gas strain. As far as THC level in Pure Gas, it is one of our higher testers and definitely a high-potency strain. Smoking Pure Gas might bring effects similar to that of the OG Kush. The strain may be a creeper, meaning its effects may sneak up on you, so we recommend trying a little at a time, especially if you're new to smoking. Users may experience a deep body relaxation and cerebral high. The strain is definitely one that might activate your munchies, so make sure you have your favorite snack on hand. The overall effects of the Pure Gas strain might make it perfect for a movie night with friends, pre-dinner smoke sessions, and just hanging out. For users who suffer from appetite loss, the strain may help stimulate your hunger. SHOW No. 4: Loser Track #12 4:13 – 6:13 David Dodd: The song seems covered in the Americana dust of so many songs from this period of Hunter's and Garcia's songwriting partnership. Abilene, whether in Texas or Kansas, is a dusty cowtown—at the time in which the song seems to be set, the cattle outnumbered the human inhabitants by a factor of tens. It's easy to see the scene Hunter so casually sets, of a broken-down gambler in a saloon, with a dirt street outside full of armed cowpokes. Appearing, as it does, on Garcia, the song seems to pair naturally with the other gambling song on the album, “Deal.” It could be sung by the same character on a different day, in fact. And it fits in, as I mentioned, with a whole suite of songs that might be set in the same generic America of the late 19th or early 20th centuries: “Brown-Eyed Women,” “Jack Straw,” “Mister Charlie,” “Tennessee Jed,” “Cumberland Blues,” “Candyman,” and others, as well as certain selected covers, such as “Me and My Uncle,” and “El Paso.” Those songs share certain motifs, and among them are the various accoutrements of a gambler's trade, whether dice or cards. Money plays a role—and, in the case of “Loser,” the particular money mentioned helps place the song chronologically. Gold dollar coins were minted from 1849 (the Gold Rush!) to 1889. They were tiny little coins. I have one, and it is amazingly small—between 13 and 15 mm in diameter. “All that I am asking for is ten gold dollars…” C'mon! They're tiny little things. In fact, originally, the line was “one gold dollar,” but that changed at some point to the “ten” The crowning glory of the song, as in many other Garcia/Hunter compositions, is the bridge.The song culminates in this cry of hopefulness: “Last fair deal in the country, Sweet Susie, last fair deal in the town. Put your gold money where your love is, baby, before you let my deal go down—go down.” (It's noted that “Sweet Susie” was dropped at some point, but then, occasionally, brought back. I think it was an optional decoration to the line. Alex Allan, in his Grateful Dead Lyric and Song Finder site, notes that “Sweet Susie” rarely appears after 1972, but that it's sung in performances in 1974 and 1979.) Almost always played as a first set Jerry ballad. This version might have been the high point of this show. So nicely played and sung by Jerry. Played: 353First: February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast: June 28, 1995 at the Palace of Auburn Hills, MI OUTRO: Good Lovin' Track #27 3:25 – 5:04 "Good Lovin'" is a song written by Rudy Clark and Arthur Resnick that was a #1 hit single for the Young Rascals in 1966. The song was first recorded by Lemme B. Good (stage name of singer Limmie Snell) in March 1965 and written by Rudy Clark. The following month it was recorded with different lyrics by R&B artists The Olympics, produced by Jerry Ragovoy; this version reached #81 on the Billboard Pop Singles chart. The tale has been told that Rascal Felix Cavaliere heard The Olympics' recording on a New York City radio station and the group added it to their concert repertoire, using the same lyrics and virtually the same arrangement as The Olympics' version. Co-producer Tom Dowd captured this live feel on their 1966 recording, even though the group did not think the performance held together well. "Good Lovin'" rose to the top of the Billboard Pop Singles chart in the spring of 1966 and represented the Young Rascals' first real hit. "Good Lovin'" is one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll, and was ranked #333 on Rolling Stone's 500 Greatest Songs of All Time list.[4] Writer Dave Marsh placed it at #108 in his 1989 book The Heart of Rock and Soul: The 1001 Greatest Singles Ever Made, saying it is "the greatest example ever of a remake surpassing the quality of an original without changing a thing about the arrangement." A popular version was by the Grateful Dead, who made it a workhorse of their concert rotation, appearing almost every year from 1969 on.[6] It was sung in their early years during the 1960s and early 1970s by Ron "Pigpen" McKernan and later by Bob Weir. The Weir rendition was recorded for the group's 1978 Shakedown Street album and came in for a good amount of criticism: Rolling Stone said it "feature[d] aimless ensemble work and vocals that Bob Weir should never have attempted."[7] On November 11, 1978, the Grateful Dead performed it on Saturday Night Live. Typically, at least by the time I started seeing them, usually played as a second set closer or late in the second set. As good buddy AWell always said, “if they play Good Lovin, everyone leaves with a smile on their face.” Can't argue with that. Played: 442First: May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast: June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA Easy fast on Yom Kippur .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
Silvana vuelve al podcast para hablar con Villalobos respecto a la película que disparó la fama de Fellini afuera de Italia. Una mujer que vive y piensa como niña, un bruto legendario y la mezcla entre miseria y magia que fascinó al director a la hora de filmar entornos como el circo y la religión.
Mike and Pax discuss a listener request; The Last Train from Gun Hill from 1959 starring Kirk Douglas and Anthony Quinn.
This week on the Erotic Thriller Club we are taking a look at the Tony Scott/Kevin Costner film Revenge. With those 2 names attached it can't be that bad right? Is Kevin Costner Robin Williams levels of hairy? Is Mexico Jeep sex now on my bucketlist? Is this movie worse than Meridian? We're answering the big questions.
El libro autobiográfico del diseñador Manuel Cuevas conocido como “el Sastre de los famosos” entre ellos Marilyn Monroe, Ronald Reagan, James Deen, Frank Sinatra, Johnny Cash, The Beatles, The Bee Gees, Bon Dylan, Clint Eastwood, Madonna, Anthony Quinn, Marlos Brando, etc.Y NO SE LE OLVIDE, QUE CUANDO UNO LEE UN LIBRO NO VUELVE A SER EL MISMO.
Hugh Drummond's wedding is delayed yet again when he has to go to Africa to rescue Colonel Nielsen. Join us as Captain Drummond navigates a series of comedic and thrilling events leading up to his wedding day, involving missing trousers, kidnapped colonels, and a daring rescue mission in Africa. With stellar performances from HB Warner, Heather Angel, J. Carrol Naish, and a young Anthony Quinn, this episode is packed with action, humor, and unexpected twists. Tune in for a delightful mix of suspense and comedy! Original Release Date: August 5, 1938
EPISODE 51 - “Richard Conte (Star of the Month) ” - 09/02/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** In the great film noir classic Thieves Highway, a gripping drama that takes on the dirty underbelly of the trucking industry, the spectacular RICHARD CONTE plays Nick Garcos, a world-weary, jaded, World War II vet who returns home. After finding his family's produce business in shambles and his father crippled, he seeks revenge against the crooked rival produce dealer who caused his father's accident. In his gripping portrayal, Conte shows his strengths as an actor. With his square shoulders, cleft chin, and intense eyes, Conte gives the impression that he means business. Conte was just as comfortable playing mobsters and street hoods as he was playing charming, sympathetic leading men. He always projected manly strength, and you knew he was no one you wanted to mess with. So say hello to our Star of the Month, RICHARD CONTE. SHOW NOTES: Sources: Bad Boys: The Actors of Film Noir (2003), by Karen Burroughs; “Conte In the Sun,” March 3, 1946, by Thomas M Pryor, New York Times; “A Star Comes Home,” March 3, 1950, by Louis Berg, Los Angeles Times Magazine; “The Role I Liked Best…” May 20,1950, by Richard Conte, Saturday Evening Post; “Richard Conte: Official Biography,” June 14, 1951, Universal Pictures; “Conte Forms Indie Pix, TV Company,” January 21, 1960, Variety; “Conte Has His Own Method,” February 14, 1960, by Don Albert, Los Angeles Times; “Actor Conte, Wife Reveal Divorce,” July 12, 1962, by Harrison Carroll. LA Herald Examiner; “Richard Conte Getting Offers He Can't Refuse As Ideal Mafia Type,” March 14. 1973, Variety; “Richard Conte, Cold-Eyed Movie Gangster, Dies at 61;” April 16, 1975, by Jack Jones, Los Angeles Times; “Richard Conte Dies In Hollywood at 65,” April 23 1975, Variety; TCM.com; IMDBPro.com; Wikipedia.com; Movies Mentioned: Heaven With A Barbed Wire (1939), starring Jean Rogers and Glenn Ford; Guadalcanal Diary (1943), Starring William Bendix, Lloyd Nolan, and Anthony Quinn; The Purple Heart (1944), starring Dana Andrews and Farley Granger; Captain Eddie (1945), starring Fred MacMurray and Lynn Bari; A Bell For Adano (1945), starring Gene Tierney and John Hodiak; A Walk In The Sun (1945), starring Dana Andrews. Lloyd Bridges, and John Ireland; The Spider (1945), starring Faye Marlowe; 13 Rue Madeleine (1947), starring James Cagney; The Other Love (1947), starring Barbara Stanwyck and David Niven; Call Northside 777 (1948), starring James Stewart and Helen Walker; House of Strangers (1949), starring Susan Hayward; Thieves Highway (1949), staring Lee J. Cobb and Valentina Cortese Big Jack (1949), starring Wallace Beery and Marjorie Main; Whirlpool (1950), starring Gene Tierney and Jose Ferrer; The Sleeping City (1950), starring Coleen Gray Under The Gun (1951), starring Audrey Totter; The Blue Gardenia (1953), starring Anne Baxter; Highway Dragnet (1954), starring Joan Bennett; The Big Combo (1955), starring Cornel Wilde; I'll Cry Tomorrow (1955). Starring Susan Hayward; New York Confidential (1955), Starring Broderick Crawford; Full of Life (1956), starring Judy Holiday; The Brothers Rico (1957), starring Dianne Foster; They Came To Cordova (1959), starring Gary Cooper and Rita Hayworth; Ocean's 11 (1960), starring Frank Sinatra; Who's Been Sleeping In My Bed? (1963), starring Dean Martin; Circus World (1964), starring John Wayne and Rita Hayworth; The Greatest Story Ever Told (1965); Tony Rome (1967); The Lady In Cement (1968); Hotel (1967); Operation Eagle Cross (1968); The Godfather (1972); Shoot First, Die Later (1974); Evil Eye (1975); Violent Rome (1975); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
En este especial de “Sucedió una noche colección” hemos reunido a cuatro actores del cine clásico que Hollywood consideraba exóticos o multiculturales y que resultaban ideales para cualquier papel que no fuera un personaje norteamericano, ya fueran árabes, latinos, rusos, orientales, turcos o griegos. Tenemos para empezar a Anthony Quinn, el actor mejicano que lo mismo hacía de latino que de indio, griego o esquimal. También estarán por aquí el egipcio más universal del cine clásico, Omar Sharif, el calvo más mítico del cine, Yul Bryner, y el británico Peter Ustinov.
EPISODE 48 - “STEVE & NAN'S FAVORITE CLASSIC FILMS OF THE 1940s ” - 08/12/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** The 1940s was a phenomenal times for movies. Auteurs like ALFRED HITCHCOCK, GEORGE STEVENS, WILIAM WYLER, and BILLY WILDER were coming into their own with important and personal films that changes the landscape of cinemas. Also, stars like BETTE DAVIS, KATHARINE HEPBURN, CARY GRANT, and HENRY FONDA were defining the screen roles that would make them legends. This week, Nan and Steve will discuss and dissent a few of their very favorite films of the most golden of all decades in film. SHOW NOTES: Sources: Preston Sturges By Preston Sturges: His Life in His Words (1991), by Preston Sturges and Sandy Sturges; George Cukor: A Double Life (2013), by Patrick McGilligan; Raoul Walsh: The True Adventures of Hollywood's Legendary Director (2013), by Marilyn Ann Moss; Robert Rossen: The Films and Politics of a Blacklisted Idealist (2013), by Alan Casty; Michael Curtiz: A Life In Film (2021), by Alan K. Rode; Possessed: The Life of Joan Crawford (2010), by Donald Spoto; George Stevens: The Films of a Hollywood Giant (2019), by Neil Sinyard; Wild Bill Wellman: Hollywood Rebel (2015), by Wiliam Wellman, Jr; Stanwyck (1994), by Axel Madsen; Fonda: My Life (1981), by Henry Fonda; Ingrid Bergman: My Story (1980), by Ingrid Bergman and Alan Burgess; Cary Grant: A Brilliant Disguise (2020), by Scott Eyman; Ida Lupino: A Biography (1996), by William Donati; TCM.com; IMDBPro.com; Wikipedia.com; Movies Mentioned: Christmas In July (1940), starring Dick Powell, Ellen Drew, William Demarest, Raymond Walburn, Jimmy Conlin, Rod Cameron, and Franklin Pangborn; Penny Serenade (1941), starring Cary Grant, Irene Dunne, Beulah Bondi, and Edgar Buchanan; The Lady Eve (1941), starring Barbara Stanwyck, Henry Fonda, Charles Coburn, William Demarest, and Eugene Pallette; High Sierra (1941), starring Humphrey Bogart, Ida Lupino, Joan Leslie, Cornel Wilde, Arthur Kennedy, Henry Travers, and Alan Curtis; The Ox-Bow Incident (1943), starring Henry Fonda, Dana Andrews, Harry Morgan, Mary Beth Hughes, Anthony Quinn, Jane Darwell, William Eythe, and Harry Davenport; Gaslight (1944), starring Ingrid Bergman, Charles Boyer, Joseph Cotten, Angela Landbury, and Dame May Witty; Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, Zachary Scott, Jack Carson, eve Arden, and Bruce Bennett; All The Kings Men (1949), starring Broderick Crawford, John Ireland, Joanne Dry, Anne Seymour, and John Derek; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Phish's three-night run at Alpine ValleyLarry Mishkin features a Grateful Dead concert at a "funky" venue on July 29, 1994, at Buckeye Lake, Ohio. The Grateful Dead opened with "Rain" by the Beatles, reflecting their admiration for the Beatles' music. "Rain," primarily written by John Lennon, was a song exploring themes of reality and illusion and was notable for its use of reverse audio effects. The Grateful Dead incorporated several Beatles songs into their performances, demonstrating their appreciation for the band.The conversation touches on the Grateful Dead's setlist, which included several opening songs like "Feel Like a Stranger" and "Bertha." The speakers recall personal experiences and the excitement of attending these concerts, sharing memories of Buckeye Lake as a vibrant venue despite unpredictable weather. The conversation transitions to "Wang Dang Doodle," a blues standard written by Willie Dixon and performed by artists like Howlin' Wolf and Koko Taylor. The Grateful Dead's affinity for blues music and their ability to blend various musical influences into their performances is highlighted. Larry changes his focus and shifts to a discussion about the band Phish, detailing a recent three-night run at Alpine Valley. He express his excitement and nostalgia for the venue, sharing experiences of attending concerts there over the years. The recap of Phish's performances includes a detailed analysis of the setlists, noting songs like "46 Days," "Moma Dance," "Cities," "Cavern," "Axilla," "Down with Disease," "Bathtub Gin," and a cover of Led Zeppelin's "Good Times Bad Times." Larry's enthusiasm is evident as he recount the energy and musicianship of Phish, highlighting the unique experience of attending their concerts and the connection it fosters among fans. Grateful DeadJuly 29, 1994 (30 years ago)Buckeye Lake OhioGrateful Dead Live at Buckeye Lake Music Center on 1994-07-29 : Free Download, Borrow, and Streaming : Internet Archive INTRO: Rain Track #1 :26 – 2:10 John Lennon wrote most of "Rain." It was his first song to get really deep, exploring themes of reality and illusion - after all, rain or shine is just a state of mind.Written by John “about people moaning about the weather all the time” as he was becoming more in tune with his role as a social leader – as is evidenced by the lines “I can show you” and “Can you hear me”Played 29 timesFirst: December 2, 1992 at McNichols Sports Arena, Denver, CO, USALast: June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA, USA SHOW No. 1: Wang Dang Doodle Track #4 4:03 – 5:43 "Wang Dang Doodle" is a blues song written by Willie Dixon. Music critic Mike Rowe calls it a party song in an urban style with its massive, rolling, exciting beat.[1] It was first recorded by Howlin' Wolf in 1960 and released by Chess Records in 1961. In 1965, Dixon and Leonard Chess persuaded Koko Taylor to record it for Checker Records, a Chess subsidiary. Taylor's rendition quickly became a hit, reaching number thirteen on the Billboard R&B chart and number 58 on the pop chart.[2] "Wang Dang Doodle" became a blues standard[3] and has been recorded by various artists. Taylor's version was added to the United States National Recording Registry in 2023. In 1995, Taylor's rendition was inducted into the Blues Foundation Hall of Fame in the "Classics of Blues Recording – Singles or Album Tracks" category.[17] The Foundation noted that the song was the last blues single produced by Dixon to reach the record charts, and "became Koko Taylor's signature crowdpleaser, inspiring singalongs to the 'all night long' refrain night after night".[17]Taylor's version of "Wang Dang Doodle" was selected by the Library of Congress for preservation in the National Recording Registry in 2023.[18]Chuck Berry, Bruce Hornsby, John Popper, Bob Weir of the Grateful Dead and Willie Dixon's daughter, Shirley Dixon, performed "Wang Dang Doodle" in tribute to Willie Dixon at the 1994 Rock & Roll Hall of Fame induction ceremony.In his autobiography, I Am The Blues, Willie Dixon says;Wang Dang Doodle meant a good time. Especially if a guy came in from the South. A wang dang meant having a ball and a lot of dancing, they called it a rocking style so that's what it meant to wang dang doodle. Wang Dang Doodle was first performed by the Grateful Dead in August 1983. The song was played only a few times each year through the rest of the 1980's. From 1991 onwards it was performed more often averaging about 15 performances a year through to 1995. Played: 95 timesFirst: August 26, 1983 at Portland Memorial Coliseum, Portland, OR, USALast: July 8, 1995 at Soldier Field, Chicago, IL, USA MUSIC NEWS: Phish shows, Friday and Saturday night at Alpine ValleyRIP – John Mayall SHOW No. 2: Althea Track #7 9:40 – end INTO Eternity Track #8 0:00 – 1:39 Co-writing a song with one of your personal heroes—that seems like a dream come true.Willie Dixon (1915-1992) was one of the preeminent blues songwriters and performers of all time. The Grateful Dead covered a fairly lengthy list of his songs, attesting to his influence on the band: “Down in the Bottom,” “I Ain't Superstitious,” “I Just Want to Make Love To You,” “Little Red Rooster,” “The Same Thing,” “Spoonful,” and “Wang Dang Doodle.” Plus a couple they only played once, or only in soundcheck.The song was written during the sessions for Rob Wasserman's Trios album. “Guitar Player” magazine ran an interview with Weir in 1993:I had this chord progression and melody that I wanted to run by Willie to see if he liked it .... he did, so he started dashing off words. He wanted me to run a certain section by him again and stuff like that, and we started working on a bridge. Then he dashes off this sheet of lyrics and hands it to me. Now I'm really stoked to be working with the legendary Willie Dixon and I'm prepared for just about anything.He hands these lyrics to me and I'm reading through them. And they seem, you know, awfully simplistic. Like there wasn't a whole lot to them........Now he wants me to read through it and sing the melody I have and see if they fit. And so I started singing through these simplistic lyrics, and that simplicity takes on a whole other direction.By the time I had sung through them, it's like my head is suddenly eons wide. I can hear what's happening just sort of echoing around in there and I'm astounded by the simple grace of what he has just presented to me. I'm sitting there with my mouth open literally, and Willie's laughing. He's just sitting there laughing, saying, 'Now you see it. Now you see it. That's the wisdom of the bluesPlayed: 44 timesFirst: February 21, 1993 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast: July 8, 1995 at Soldier Field, Chicago, IL, USA SHOW No. 3: I Want To Tell You Track #11 0:00 – 1:35 "I Want to Tell You" is a song by the English rock band the Beatles from their 1966 album Revolver. It was written and sung by George Harrison, the band's lead guitarist. After "Taxman" and "Love You To", it was the third Harrison composition recorded for Revolver. Its inclusion on the LP marked the first time that he was allocated more than two songs on a Beatles album, a reflection of his continued growth as a songwriter beside John Lennon and Paul McCartney.When writing "I Want to Tell You", Harrison drew inspiration from his experimentation with the hallucinogenic drug LSD. The lyrics address what he later termed "the avalanche of thoughts that are so hard to write down or say or transmit".[1] In combination with the song's philosophical message, Harrison's stuttering guitar riff and the dissonance he employs in the melody reflect the difficulties of achieving meaningful communication. The recording marked the first time that McCartney played his bass guitar part after the band had completed the rhythm track for a song, a technique that became commonplace on the Beatles' subsequent recordings.George Harrison wrote "I Want to Tell You" in the early part of 1966, the year in which his songwriting matured in terms of subject matter and productivity.[2] As a secondary composer to John Lennon and Paul McCartney in the Beatles,[3] Harrison began to establish his own musical identity through his absorption in Indian culture,[4][5] as well as the perspective he gained through his experiences with the hallucinogenic drug LSD.[6] According to author Gary Tillery, the song resulted from a "creative surge" that Harrison experienced at the start of 1966. In his autobiography, I, Me, Mine, Harrison says that "I Want to Tell You" addresses "the avalanche of thoughts that are so hard to write down or say or transmit".[1][12] Authors Russell Reising and Jim LeBlanc cite the song, along with "Rain" and "Within You Without You", as an early example of the Beatles abandoning "coy" statements in their lyrics and instead "adopt[ing] an urgent tone, intent on channeling some essential knowledge, the psychological and/or philosophical epiphanies of LSD experience" to their listeners.[13] Writing in The Beatles Anthology, Harrison likened the outlook inspired by his taking the drug to that of "an astronaut on the moon, or in his spaceship, looking back at the Earth. I was looking back to the Earth from my awareness." Played: 7 timesFirst: July 1, 1994 at Shoreline Amphitheatre, Mountain View, CA, USALast: May 24, 1995 at Memorial Stadium, Seattle, WA, USA MJ NEWS SHOW No. 4: Standing On The Moon Track #19 7:23 – 9:00 Garcia/Hunter tune from Built To Last (1989) Played: 76 timesFirst: February 5, 1989 at Henry J. Kaiser Convention Center, Oakland, CA, USALast: June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA OUTRO: Quinn The Eskimo Track #21 2:28 – 4:17 "Quinn the Eskimo (The Mighty Quinn)" is a folk-rock song written and first recorded by Bob Dylan in 1967 during the Basement Tapes sessions. The song's first release was in January 1968 as "Mighty Quinn" in a version by the British band Manfred Mann,[4] which became a great success. It has been recorded by a number of performers, often under the "Mighty Quinn" title.The subject of the song is the arrival of Quinn (an Eskimo), who prefers a more relaxed lifestyle [" jumping queues, and making haste just ain't my cup of meat"] and refuses hard work ["Just tell me where to put 'em and I'll tell you who to call"], but brings joy to the people.Dylan is widely believed to have derived the title character from actor Anthony Quinn's role as an Eskimo in the 1960 movie The Savage Innocents.[5] Dylan has also been quoted as saying that the song was nothing more than a "simple nursery rhyme". A 2004 Chicago Tribune article[6] said the song was named after Gordon Quinn, co-founder of Kartemquin Films, who had given Dylan and Howard Alk uncredited editing assistance on Eat the Document.Dylan first recorded the song in 1967 during the Basement Tapes sessions, but did not release a version for another three years. Meanwhile, the song was picked up and recorded in December 1967 by the British band Manfred Mann,[7] who released it as a single in the US on 8 January 1968 under the title "Mighty Quinn".[8] A UK single followed within a week.[8] The Manfred Mann version reached No. 1 in the UK Singles Chart for the week of 14 February 1968, and remained there the following week.[9] It also charted on the American Billboard Hot 100 chart, peaking at No. 10, and reached No. 4 in Cash Box. Cash Box called it a "funky-rock track" with "a trace of calypso [to] add zest to a tremendous effort." Played: 59 timesFirst: December 30, 1985 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast: July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
Part 1: Zach, Grace, and Mark talk about movies they saw this week, including: MaXXXine, La Dolce Vita, Horizon: An American Saga - Part 1 and The Train.Part 2 (35:25): The group continues their Young Critics Watch Old Movies series with 1962's Lawrence of Arabia.See movies discussed in this episode here.Don't want to listen? Watch the podcast on our YouTube channel.Also follow us on:FacebookTwitterLetterboxd
Our second Anna Magnani Sampler includes three Hollywood films, two with parts written for her by her friend Tennessee Williams, as well as the second film directed by Pasolini: The Rose Tattoo (1955), Wild is the Wind (1957), The Fugitive Kind (1960), and Mamma Roma (1962). Paired with a wacky Burt Lancaster, a bullying Anthony Quinn, a quietly intense Brando, or a nihilistic teenager, Magnani takes on such enemies as the racist South, patriarchy, and the class system with varying results, but always with ferocity and gusto. Time Codes: 0h 00m 30s: THE ROSE TATTOO (1955) [dir. Daniel Mann] 0h 23m 03s: WILD IS THE WIND (1957) [dir. George Cukor] 0h 37m 34s: THE FUGITIVE KIND (1960) [dir. Sidney Lumet] 0h 52m 55s: MAMMA ROMA (1962) [dir. Pier Paolo Pasolini] +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
Regarded as one of the biggest bombs of the '90s, we dive into Last Action Hero, Arnie's first real disappointment in Hollywood. (Yes, we know Red Sonya was a flop, but he was a Hollywood baby at that point.) From John McTiernan and Shane Black, starring Arnold Schwarzenegger, Austin O'Brien, Anthony Quinn, Charles Dance, F. Murray Abraham, Tom Noonan, Frank McRae, Bridgette Wilson, Mercedes Ruehl, Art Carney, and a ton of cameos. --- Support this podcast: https://podcasters.spotify.com/pod/show/thegenxfiles/support
Can a war film also be a comfort film? This month we're exploring that question. First up this week, special guest Martin Harries of Film Vs. Film Podcast joins us to discuss one of his favorite comfort picks and a perennial rewatch around the holidays with family, The Guns of Navarone. We talk about the paradox of comforting war films; Carl Foreman's script, which placed mythmaking far above historical fact; J. Lee Thompson's directing style, which balanced blockbuster action sequences with philosophical and moral quandaries; the stellar cast, featuring David Niven, Anthony Quinn, and Gregory Peck in a surprisingly morally grey role; and we make connections between The Guns of Navarone and the many films that borrowed from its formula, including The Dirty Dozen, Star Wars, the James Bond films, and Guardians of the Galaxy. Join our team of specialized film analysts and come on a mission with us!
GGACP continues its celebration of the birthday of actor and raconteur Malcolm McDowell (b. June 13) by revisiting PART TWO of a memorable two-part episode from 2020. In this episode, Malcolm talks about the art and design of "A Clockwork Orange," the troubled history of "Caligula," the awkward truth about H.G. Wells and the lives and careers of screen legends John Gielgud, James Mason, Peter O'Toole and Robert Shaw. Also, Anthony Quinn grunts, Gene Kelly turns a cold shoulder, Albert Finney turns down "Lawrence of Arabia" and Malcolm rids the world of Captain Kirk. PLUS: J. Lee Thompson! Gore Vidal pulls out! Christopher Lee wigs out! The improvisational talents of Peter Sellers! And Malcolm remembers his mentor Lindsay Anderson! Learn more about your ad choices. Visit megaphone.fm/adchoices
We're FINALLY Doing it! For the last of our birthday Block of movies, Will's Birthday (TODAY, if you are listening when this is released). Will, Ian and Nora acquire a magic ticket, they use it and get sucked in to.... a podcast. They didn't use it at the right time and just end up locked in a podcast. No one understands how it works, but now they are stuck in podworld, only Jack Slater can save them.... because he is the LAST ACTION HERO (1993) Directed by: John McTiernan Starring: Arnold Schwarzenegger, Austin O'Brian, F. Murray Abraham, Charles Dance, Anthony Quinn, Mercedes Ruehl, Tom Noonan, Art Carney, Frank McRea, Robert Prosky, Ian McKellan, Joan Plowright, Robert Patrick, Sharon Stone, Danny DeVito, Chevy Chase, Jim Belushi, and Many Other Talented People! 00:00:45- HAPPY BIRTHDAY WILL! 00:03:00- First Thoughts 00:07:00- Whatcha Been Watchin'? (Ian- Fall Guy, Action. Will- The Last Voyage of the Demeter, Acolyte, 3:10 to Yuma. Nora- Under the Bridge, The Clearing, Dr. Who, The Leftovers, The Valley.) 00:14:00- LAST ACTION HERO 00:17:00- Nora's Tasty Morsels 00:58:20- Totals 00:59:00- Next Week/Bye! Patreon: patreon.com/THELastActionCritics Instagram: @TheLastActionCritics Twitter: @THE_Lastcritics email: Thelastactioncritics@gmail.com Next Week: Furiosa: A Mad Max Saga
Big things have small beginnings, so let's ride into the sunrise as the hosts travel through the deserts once more to continue their new season format to review one of the most celebrated epics in the history of cinema, the winner of seven Academy Awards including Best Picture, Lawrence of Arabia, starring Peter O'Toole, Alec Guinness, Omar Sharif, Anthony Quinn and directed David Lean. The film that inspired generations of directors and the movie that had set the standard for visual storytelling in cinema. The hosts paired the film with the Blood & Sands Cocktail. So join the hosts as they get ready for the greatest adventure of the season and celebrate this one of a kind film experience.Come listen and follow us on Instagram @the.gentlemenpodcast and our website thegentlemenpodcast.comDiscover The Power of Sound!Keeping a consistent sound in how you present your company really is the "hidden gem"...Listen on: Apple Podcasts Spotify
In “It's A Wonderful Life,” BEULAH BONDI played the most loving mother to JAMES STEWART. Ma Bailey is the epitome of sweetness, kindness, and supportiveness so it's quite shocking when we meet the Ma Bailey who would have existed had George Bailey not been born. She's cold, bitter, and unkind. It gives Bondi the wonderful opportunity to play two versions of the same character, which she does flawlessly. So to celebrate Mother's Day, Nan and Steve are taking a page from Bondi's playbook as they discuss the good and bad mothers of classic cinema. SHOW NOTES: Sources: Moms in the Movies (2014), by Richard Corliss; Actresses of a Certain Character (2007), by Axel Nissen; Irene Dunne: First Lady of Hollywood (2006), by Wes D. Gehring; Shelley: Also Known as Shirley (1981), by Shelley Winters; Gene Tierney: Self Portrait (1979), by Gene Tierney and Mickey Herkowitz; “Mrs. Miniver: The film that Goebbels Feared,” February 9, 2015, by Fiona Macdonald, February 9, 2015, BBC.com; "Greer Garson, 92, Actress, Dies; Won Oscar for 'Mrs. Miniver',” April 7, 1996, by Peter B. Flint, New York Times; “Stella Dallas,” August 6, 1937, New York Times Film Review; “Barbara Stanwyck, Actress, Dead at 82,” Jan. 22, 1990, by Peter B. Flint, New York Times; “1989 Kennedy Center Honors, Claudette Colbert,” Kennedy-Center.org; “Moving Story of War Against Japan: ‘Three Came Home',” by Bosley Crowther, Feb. 21, 1950, New York Times Film Review; “Queen of Diamonds: Angela Lansbury on ‘The Manchurian Candidate',” 2004; “Manchurian Candidate: Old Failure, Is Now A Hit,” by Aljean Harmetz, February 24, 1988, New York Times; “Jo Van Fleet,” by Dan Callahan, May 10, 2017, Film Comment; “Pacific's largely forgotten Oscar winner made impact on screen,” March 3, 2024, University of the Pacific; IMDBPro.com; Wikipedia.com Movies Mentioned: The Grapes of Wrath (1940), starring Henry Fonda, Jane Darwell, John Carradine, and Charley Grapewin; The Ox-Bow Incident (1943), starring Henry Fonda, Dana Andrews, Mary Beth Hughes, Henry Morgan, Jane Darwell, Anthony Quinn, and William Eythe; Mrs. Miniver (1942), starring Greer Garson, Walter Pidgeon, Teresa Wright, Henry Travers, and Richard Ney; Leave Her To Heaven (1945), starring Gene Tierney, Cornel Wilde, Jeanne Crain, Vincent Price, Mary Phillips, and Darryl Hickman; The Manchurian Candidate (1962), starring Lawrence Harvey, Frank Sinatra, Janet Leigh, and Angela Lansbury; The Manchurian Candidate (2004), starring Denzel Washington, Meryl Streep, Live Schreiber, and Jeffrey Wight; Gaslight (1944), starring Ingrid Bergman, Charles Boyer, Joseph Cotten, and Angela Lansbury; I Remember Mama (1948), starring Irene Dunne, Philip Dorn, Barbara Bel Geddes, Oscar Homolka, Ellen Corby, Sir Cedric Hardwicke, and Barbara O'Neil; Stella Dallas (1937), starring Barbara Stanwyck, Anne Shirley, John Boles, Barbara O'Neil, and Alan Hale; Stella (1990), starring Bette Midler, Trini Alvarado, John Goodman, Stephen Collins, Marsha Mason, and Eileen Brennan; White Heat (1949), starring James Cagney, Virginia Mayo, Edmond O'Brien, Steve Cochran, Margaret Wycherly, Fred Clark, and John Archer; The Little Foxes (1941), starring Bette Davis, Herbert Marshall, Teresa Wright, Patricia Collinge, Dan Duryea, and Richard Carlson; The Ten Commandments (1956), starring Charlton Heston, Anne Baxter, Yul Brynner, Edward G. Robinson, Yvonne DeCarlo, Martha Scott, John Derek, Debra Paget, Vincent Price, and John Carradine; Three Came Home (1950), starring Claudette Colbert. Sessue Hayakawa, and Patric Knowles; A Patch of Blue (1965), starring Sidney Poitier, Elizabeth Hartman, Shelley Winters, Wallace Ford, Ivan Dixon, and Elizabeth Fraser; East of Eden (1955), starring James Dean, Julie Harris, Raymond Massey, and Jo Van Fleet --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
EPISODE 29 - “Jan Sterling: Old Hollywood Star of the Month” - 04/01/2024 Our “Star of the Month” is the fabulous JAN STERLING, who was married to our March “Star of the Month,” PAUL DOUGLAS. Blonde, beautiful, and often deadly on screen, Sterling started in theatre, but made a name for herself portraying tough dames, femme fatales, and sexy seductresses in films such as “Caged,” “Ace In the Hole” and “The High and the Mighty.” However, her upbringing was quite different from these wayward women she played so convincingly; she was actually from a very wealthy and prominent family. She had a stellar career, but many heartbreaks off camera. This week, we discuss the life and career of this most memorable lady. SHOW NOTES: Sources: Jan Sterling: Everything You Need To Know (2014), by Billy Vasquez; The Encyclopedia of Film Actors (2003), by Barry Monush; The Illustrated Who's Who of the Cinema (1983), by Ann Lloyd and Graham Fuller; Quinlan's Illustrated Registry of Film Stars (1986), by David Quinlan; “Jan Sterling, 82, Blonde Actress Who Made Film Noir A Specialty” Obituary, March 29, 2004, The New York Times; IMDBPro.com; Wikipedia.com; Movies Mentioned: Tycoon (1947), starring John Wayne, Laaine Day, and Anthony Quinn; Johnny Belinda (1948), starring Jane Wyman, Lew Ayres, and Agnes Moorhead; Caged (1950), starring Eleanor Parker, Agnes Moorhead, and Faye Emerson; Appointment With Danger (1950), starring Robert Walker and Joan Leslie; The Mating Season (1950), starring Gene Tierney, John Lund, and Thelma Ritter; Ace In The Hole (1951), starring Kirk Douglas; Rhubarb (1951), starring Ray Miland; Flesh and Fury (1952), starring Tony Curtis; Sky Full of Moon (1952), starring Split Second (1953), starring Stephen McNally; Pony Express (1953), starring Charlton Heston and Rhonda Fleming; The Vanquished (1953), starring John Payne and Coleen Gray; Alaska Seas (1954), starring Robert Ryan; The High and the Mighty (19543), starring John Wayne, Robert Stack, Claire Trevor, and Laraine Day; Woman's Prison (1955), starring Ida Lupino, Pyllis Thaxter, Audrey Totter, and Howard Duff; Female on the Beach (1955), starring Joan Crawford and Jeff Chandler; The Harder They Fall (1956), starring Humphrey Bogart and Rod Steiger; 1984 (1956), starring Edmond O'Brien and Michael Redgrave; The Female Animal (1958), starring Hedy Lamar, Jane Powell, and George Nader; Kathy O (1958), starring Dan Duryea and Patty McCormick; High School Confidential (1958), starring Russ Tamblyn and Mamie Van Doren; Love In A Goldfish Bowl (1961), staring Fabian, Tommy Sands, and Majel Barrett; The Incident (1967), Starring Martin Sheen, Beau Bridges, and Tony Musante; The Minx (1969), starring Robert Roden and Shirley Parker; First Monday in October (1981), Starring Walter Matthau and Jill Clayburgh; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
© 2020-2025 Ivy Podcast Discovery LLC
