Podcast appearances and mentions of Jessica Tandy

Send us a textEpisode 550"The War", Fried Green Tomatoes" and "The Last Rodeo" Director: Jon AvnetJon Avnet has directed some fantastic films that include "The War", "Fried Green Tomatoes" and his most recent film, "The Last Rodeo"."The War" is one of the most underrated movies of the last 30+ years.  It features a very underrated performance by Kevin Coster. He produced Paul Brickman's "Risky Business" for David Geffen and Warner Brothers, which launched the career of Tom Cruise and was a major box office and critical success.Jon is best known for directing producing and co-writing (uncredited,) Fried Green Tomatoes, which garnered multiple Academy Award nominations (for writing and for Jessica Tandy, who co-starred with Kathy Bates, Cicely Tyson, Mary Stuart Masterson, and Mary Louise Parker) and BAFTAs. Fried Green Tomatoes was nominated for Best Picture by the Golden Globes and was one of the top grossing films in the year of its release for Universal Pictures. Filmed in Juliette Georgia, Production Designer Barbara Ling recreated a 1920's small town Alabama Whistle stop. Thomas Newman composed the music. Geoffrey Simpson shot the film, Debbie Neil-Fischer was the editor and David Rubin cast it, winning the Artios award for best casting.Avnet was an executive producer of Fox Searchlights "Black Swan", starring Natalie Portman (winner of the Oscar for Best Actress) and directed by Darren Aronofsky. Black Swan received five Oscar nominations in total (including Best Picture) as well as multiple nominations and wins from the DGA, PGA, WGA, SAG, BAFTA, AFI, and the Golden Globes.We talk about "The Last Rodeo", his filmography and much more.Welcome, Jon Avnet.#thewar #kevincostner #friedgreentomatoes #movies #tomcruise #waltongoggins #angelstudio #director #justified www.mmcpodcast.comReach out to anytime!Instagram: https://www.instagram.com/mondaymorningcritic/Facebook: https://www.facebook.com/mondaymorningcritic/TikTok: https://www.tiktok.com/@mondaymorningcriticMondaymorningcritic@gmail.com

This week we discuss Hitchcock's 1963 thriller about birds attacking humans.***SPOILER ALERT*** We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.A Universal Picture. Released March 28, 1963. Produced and directed by Alfred Hitchcock. Screenplay by Evan Hunter based on the short story by Daphne du Maurier. Starring Tippi Hedren, Rod Taylor, Jessica Tandy, Veronica Cartwright, and Suzanne Pleshette. Cinematography by Robert Burks. Edited by George Tomasini.Ranking: 12 out of 52. Ranking movies is a reductive parlor game. It's also fun. And it's a good way to frame a discussion. We aggregated over 70 ranked lists from critics, fans, and magazines The Birds got 2,479 ranking points.

If you were alive when Fried Green Tomatoes came out -- first Fannie Flagg's book, then the movie -- you may recall it was a phenomenon. To a (very) young Ali Clayton, it was a bit of a personal phenomenon, its only-kinda-coded queerness calling out to her before she even knew why. But beyond that, it was a movie about Southern women in a South that Ali recognized -- one where bad things can happen, but good people are holding each other up through it all.Then Jordan has one quick thing about last weekend's big win for cinemas & cinemagoing.Listen to Y'all Gay?Check out Country Queer***With Jordan Crucchiola and Ali Clayton Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

Frank and Faye Riley (Hume Cronyn and Jessica Tandy pussy like candy) have been running a diner on the first floor of their apartment building for a long time. Theirs is actually the only building still standing and is home to an eclectic group of people - artist, Mason (Dennis Boutsikaris), semi single soon to be mother, Marisa (Elizabeth Peña) and peaceful ex boxer, Harry (Frank McRae). When corporate developer, Lacey (Michael Greene) and lackey Kovacs (John Pankow) hire local thug, Carlos (Michael Carmine) to run the tenets out by any means necessary, a mysterious couple of visitors arrive to eat metal, make babies, and save the Rileys and their neighbors from losing their homes to urban sprawl. Maybe grab a hankie, this shit is kinda sad. *batteries not included, this week on Doom Generation. Support this podcast at patreon.com/doomgeneration

Welcome back to another edition of the Video Store Podcast. In honor of Women's History Month, I've selected four films featuring what I like to call “Wonder Women.” These are women who are brave, kind, strong, and all-around wonderful. This isn't meant to be an exhaustive list—simply four films that resonate with me personally as a woman, and you should watch, whether you're a woman or not. Fried Green Tomatoes (1991)First up is the 1991 Oscar-nominated film, Fried Green Tomatoes. The film stars Mary Stuart Masterson, Mary-Louise Parker, Kathy Bates, and Jessica Tandy, among others. Fried Green Tomatoes is based on the book Fried Green Tomatoes at the Whistle Stop Cafe by Fannie Flagg, who also wrote the first draft of the screenplay. This film flashes between the 1920s and the 1980s, looking at Wonder Women through all stages of life. No matter where you find yourself, Fried Green Tomatoes is a great film to enjoy with the wonderful women in your life. Steel Magnolias (1989)Next up is Steel Magnolias from 1989. Focusing on southern women's culture in the 1980s, Steel Magnolias highlights the friendship among six women who must persevere through difficult circumstances. Starring Shirley MacLaine, Olympia Dukakis, Sally Field, Julia Roberts, Dolly Parton, Daryl Hannah, and Tom Skerritt, Steel Magnolias expertly blends comedy and drama, making a great movie full of Wonder Women. 9 to 5 (1980)The second Dolly Parton film in today's line-up is 9 to 5. The film, in addition to Dolly Parton, features Lily Tomlin, Jane Fonda, and Dabney Coleman. Highlighting 1980s office politics that are unfortunately still all too relevant today, 9 to 5 tackles serious women's issues with humor, making their points even more effective and poignant. This is a great laugh after the tear-jerking drama after Steel Magnolias and Fried Green Tomatoes. Alien (1979)The last film in our Wonder Women selections is 1979's Alien directed by Ridley Scott. Starring Sigourney Weaver, Tom Skerritt, Veronica Cartwright, Yaphet Kotto, John Hurt, Ian Holm, Harry Dean Stanton, and Bolaji Badejo as the Xenomorph, Alien, is a phenomenal sci-fi horror film. Alien's leading wonder woman, Ripley, played by Sigourney Weaver, is an amazing sci-fi heroine. She's smart, brave, and resourceful, totes a flamethrower, and has a kitty-cat sidekick. What more do you want in a film about a Wonder Woman? We hope you enjoy these films and come back and see us next week on the Video Store Podcast. Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

Look up in the sky! It's a bird! It's a plane! It's… several thousand birds! We are pecking apart Alfred Hitchcock's 1963 film The Birds! We talk horror elements, formal techniques, why Hitchcock is a jerk, fashion, theories, & more!    I Love This You Should Too is hosted by Samantha and Indy Randhawa   The Birds is a 1963 American natural horror-thriller film produced and directed by Alfred Hitchcock, released by Universal Pictures and starring Jessica Tandy, Rod Taylor, Suzanne Pleshette, and introducing Tippi Hedren in her film debut. Loosely based on the 1952 short story of the same name by Daphne du Maurier, it focuses on a series of sudden and unexplained violent bird attacks on the people of Bodega Bay, California, over the course of a few days. The screenplay is by Evan Hunter, who was told by Hitchcock to develop new characters and a more elaborate plot while keeping du Maurier's title and concept of unexplained bird attacks.

The Oscars have come and gone, but TV Movie Night is celebrating the toast of Tinsel Town in the month of March as we discuss made-for-TV movies featuring Best Actor or Best Actress winners! First up, from 1991, it's "Driving Miss Daisy's" Jessica Tandy in "The Story Lady." Tandy stars as Grace, a retiree who becomes an overnight sensation for her incredible talent: reading public domain children's stories with minimal issue! This movie combines Mark and Andrew's love of public access television with the backroom dealings of corporate America. It's "UHF" with an Academy Award winner! Listen in, how about?

Indy recommends the underappreciated coming of age series Freaks and Geeks, Samantha reads the novel Back in the Burbs by Avery Flynn and Tracy Wolff. Finally, we get ready for some Hitchcock as we preview The Birds!   I Love This You Should Too is hosted by Samantha and Indy Randhawa Freaks and Geeks is an American teen comedy-drama television series created by Paul Feig and executive-produced by Judd Apatow that aired on NBC during the 1999–2000 television season. The show is set in a suburban high school near Detroit during 1980–81. The theme of Freaks and Geeks reflects "the sad, hilarious unfairness of teen life". With little success when it first aired, because of an erratic episode schedule and conflicts between the creators and NBC, the series was canceled after airing 12 out of the 18 episodes. The series became a cult classic, and Apatow continued the show's legacy by incorporating the actors in future productions. The Birds is a 1963 American natural horror-thriller film produced and directed by Alfred Hitchcock, released by Universal Pictures and starring Jessica Tandy, Rod Taylor, Suzanne Pleshette, and introducing Tippi Hedren in her film debut. Loosely based on the 1952 short story of the same name by Daphne du Maurier, it focuses on a series of sudden and unexplained violent bird attacks on the people of Bodega Bay, California, over the course of a few days. The screenplay is by Evan Hunter, who was told by Hitchcock to develop new characters and a more elaborate plot while keeping du Maurier's title and concept of unexplained bird attacks.

Trey and Blaine discuss Morgan Freeman and Jessica Tandy in a movie that is just barely a period piece.Support this show http://supporter.acast.com/99-years-100-films. Hosted on Acast. See acast.com/privacy for more information.

Our first round of Studios Year by Year comes to an end with these Universal 1948 movies: A Woman's Vengeance (directed by Zoltan Korda with a screenplay by Aldous Huxley, based on his short story "The Gioconda Smile") and Larceny (directed by George Sherman). Huxley's philosophical concerns add unexpected dimensions to familiar Gothic tropes and gives great material to Charles Boyer and Ann Blyth, while Cedric Hardwicke deals with Jessica Tandy. In the second half of our double bill, John Payne's con man tries his best to deal with Shelley Winters in honey badger mode (he's the honey and the bees).  Time Codes: 0h 00m 25s:      A WOMAN'S VENGEANCE [dir. Zoltan Korda] 0h 29m 24s:      LARCENY [dir. George Sherman]     Studio Film Capsules provided by The Universal Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joel W. Finler               +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the next two decades * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join!   

Jessica Tandy won the Best Actress Oscar for her role as an elderly Jewish widow in 1989's Driving Miss Daisy. Tandy and Morgan Freeman gave us a complicated decades-long friendship; a friendship challenged by bigotry, illiteracy, and Patti LuPone. The film would go on to win Best Picture of the year. But now, decades later, did this sorta-simple story deserve all its accolades? Is the character of Hoke, by its sheer existence, offensive? And what does it say about a late-80's America when this flick is showered with awards and Spike Lee's racially charged Do the Right Thing is ignored? The Old Roommates hit the Piggly Wiggly and revisit it all through their middle-aged lens. Listen to this.Old Roommates can be reached via email at oldroommatespod@gmail.com. Follow Old Roommates on social media @OldRoommates for bonus content and please give us a rating or review!#DrivingMissDaisy #BruceBeresford #AlfredUhry #JessicaTandy #MorganFreeman #DanAykroyd #EstherRolle

Today we're hanging out at the retirement center for our Golden Years Block with a review of 1985's Cocoon.A group of seniors discover a pool with rejuvenating properties due to hibernating alien pods being stored there. Directed by: Ron HowardWritten by: Tom Benedek and David SapersteinStarring: Don Ameche, Wilford Brimley, Hume Cronyn, Jessica Tandy, Maureen Stapleton, Gwen Verdon, Brian Dennehy, and Steve GuttenbergCome on in and have a listen! What do you think of this movie? What are others like it you enjoyed? We'd love to hear from you! Please like, follow, subscribe, share.

EPISODE 61 - “FAVORITE CLASSIC FILMS OF THE 1960s” - 11/11/2024 The decade of the 1960s was an exciting time in filmmaking. The stodgy studio contract system was starting to give way to a new crop of independent cinematic auteurs, often associated with the "New Hollywood" era, include: Stanley Kubrick, Robert Altman, Sam Peckinpah, Arthur Penn, John Cassavetes, Francis Ford Coppola, Martin Scorsese, and Peter Bogdanovich. These films were edgier and pushed the creative boundaries and social themes to reflect the changing times. In this episode, Steve and Nan discuss some of their favorite films of the decade and why they had such an impact!  SHOW NOTES:  Sources: Some Like It Cool (2002), by Michael Freehand; Mike Nichols: A Life (2021), by Mark Harris; Jean Simmons: Her Life and Career (2022), by Michelangelo Capua; “Veronica Cartwright talks about ‘The Birds',” February 8, 2008, YouTube; “Here's to You, Mr. Nichols: The Making of ‘The Graduate',” February 25, 2008, by Sam Kashner, Vanity Fair; “Tippi Hedren On Alfred Hitchcock's ‘The Birds',” April 29, 2009, The American FIlm Institute; “The Revenge of Alfred Hitchcock's Muse,” October 5, 2012, New York Magazine; “Tippi Hedren: Hitchcock Ruined My Career,” December 7, 2012, Huffington Post; “Throwback Thursday: Shirley MacLaine Recalls Filming Lesbian Drama ‘Children's Hour' in 1961,” June 4, 2015, Hollywood Reporter;  “The Underappreciated Genius of ‘Planet of the Apes',” May 18, 2024, by Janelle Bouie, New York Times; “The Children's Hour,” October 16, 2024, Episode 257, Feminist Frequency Podcast; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned:  The Graduate (1967), starring Dustin Hoffman, Anne Bancroft, Katharine Ross, William Daniels, Elizabeth Wilson, Murray Hamilton, Buck Henry, Marion Lorne, Alice Ghostly, Brian Avery, William Brooke, and Norman Fell; The Birds (1963), Starring Tippi Hedren, Rod Taylor, Jessica Tandy, Suzanne Pleshette, and Veronica Cartwright, Ethel Griffies, Charles McGraw, Richard Deacon, and Elizabeth Wilson; Days of Wine and Roses (1962), starring Jack Lemmon, Lee Remick, Charles Bickford, Jack Klugman, Alan Hewitt, Maxine Stuart, Debbie Megowan, and Jack Albertson; Planet of the Apes (1968), starring Charlton Heston, Kim Hunter, Roddy McDowell, Maurice Evans, Linda Harrison, James Whitmore, and James Daly; The Happy Ending (1969), starring Jean Simmons, John Forsyth, Shirley Jones, Lloyd Bridges, Teresa Wright, Bobby Darin, Kathy Fields, Dick Shawn, Nanette Fabray, and Tina Louise; The Children's Hour (1961), starring Audrey Hepburn, Shirley MacLaine, James Garner, Miriam Hopkins, Faye Bainter, Karen Balkin, Veronica Cartwright, and Hope Summers; In The Heat Of the Night (1967), starring Rod Steiger, Sidney Poitier, Lee Grant, Warren Oats, Beah Richards, William Schallert, and Larry Gates; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Come with us to the cafe as we continue our Golden Years Block with a review of 1991's Fried Green Tomatoes. A forty-something-year-old woman befriends an elderly woman at a retirement community, who regales her with a story of two women in the small town she grew up in. With every story the woman begins to uncover a new found confidence and sense of worth. Directed by: Jon AvnetWritten by: Carol Sobieski and Fannie FlagBased on the novel Fried Green Tomatoes at the Whistle Stop Cafe by Fannie FlagStarring: Kathy Bates, Jessica Tandy, Mary Stuart Masterson, and Mary-Louise ParkerCome on in and have a listen! What do you think of this movie? What are others like it you enjoyed? We'd love to hear from you! Please like, follow, subscribe, share.

DJ & Matt discuss the 1987 Sci-Fi, Comedy, Drama "Batteries Not Included" starring Hume Cronyn & Jessica Tandy. Next Time: "Bedknobs & Broomsticks" To Be Released on 11/01 Write to DJ & Matt at matineeminutiae@gmail.com Leave a comment on our page at matineeminutiae.com Follow the show on Twitter. View our our videos on YouTube. Friend DJ on Facebook This podcast is powered by Pinecast.

This week, Spooktober continues with what is widely regarded as one of the most frightening films of all time, as a British master of cinema scares turns his sights to the skies with an eco-horror story that dares to ask... what if birds were jerks? It's 1963's The Birds, directed by Alfred Hitchcock, based on a short story by Daphne du Maurier, and starring Tippi Hedren, Rod Taylor, Jessica Tandy, Suzanne Plechet and a young Veronica Cartwright. Time has not been the kindest to this old girl, as a number of sequences that shocked and frightened audiences back in the day now play as laughably funny a lot of the time. Being a Hitchcock film, there are a handful of transcendently great scenes, but few of them involve dive-bombing birds if we're being honest. I guess you can probably tell we didn't love it. Tune in to hear us justify those feelings! Plus: J Mo's been on a trashy horror kick to get in the Spooky Season mood, and Hayley's got a theatrical field report on the Jason Reitman SNL origin picture Saturday Night. If you'd like to watch the movie before listening us discuss it, The Birds is not currently streaming in Canada at the time of publication, but can likely be rented for free at your nearest public library. Other works discussed in this episode include Scream, Barbarian, Frankie Freako, Psycho Goreman, Hundreds of Beavers, Love and Monsters, Mission: Impossible - Dead Reckoning: Part One, The Bugs Bunny/Road Runner Movie, Friday the 13th Part III, Freddy vs. Jason, Clue, The Nice Guys, Kiss Kiss Bang Bang, Tucker and Dale vs. Evil, Breaker High, The Black Phone, They/Them, The Deliverance, The First Purge, The Time Machine (1960), Singin' in the Rain, The Happening, The Last Voyage of the Demeter, The Mummy (1999), Trap, The Lady in the Water, Old, Shaun of the Dead, and The Mist among others. We'll be back next week to wrap up Spooktober with this month's nomination for canon consideration: John Carpenter's The Thing (1982), an absolute Halloween classic with timeless and immaculate creature make-up and practical effects, not to mention an iconic lead performance from the king of cool himself, Kurt Russell. The Thing is not currently streaming in Canada, which really goes to show how much the streaming dream is dead. But you can find it in discount bins at your local retailer I'm sure. Until then, we'll see you at the movies!!

A Mixed Bag on a Friday...First a look at the events of the dayThen The Marriage starring Jessica Tandy and Hume Cronyn, originally broadcast October 4, 1953, 71 years ago, PTA 5th Grade Volunteer   Ben tries to ask questions of Pete's fifth-grade teacher. This is not as easy as it sounds. We follow that with Battle of the Sexes, originally broadcast October 4, 1938, 86 years ago, What are Cold Hands. Julia Sanderson (head of the women's team) and  Frank Crumit (head of the men's team) in this early quiz show. Then Escape, originally broadcast October 4, 1953, 71 years ago, Zero Hour.  The classic Ray Bradbury story about the game of "Invasion" and the visit of "Drill." Next Counterspy starring Don Maclaughlin and Mandel Kramer, originally broadcast October 4, 1949, 75 years ago, The Case Of The Sweepstakes Murder.  Frightened witnesses gasp, "Murdered by a golden sword!"Finally, Claudia, originally broadcast October 4, 1948, 76 years ago.  Why is David coming home from the hospital?Thanks to Honeywell for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day

The OTRNow Radio Program_2024-012The Shadow Of Fu Manchu. June 14, 1939. Program #17. Radio Attractions syndication. Sponsored by: Music fill for local commercial insert. Fu Manchu makes the dead to live. Hanley Stafford, Gale Gordon. The Shadow Of Fu Manchu. June 16, 1939. Program #18. Radio Attractions syndication. Sponsored by: Music fill for local commercial insert. In the house of Fu Manchu. Hanley Stafford, Gale GordonThe Marriage. October 04, 1953. NBC net. Sustaining. The married couple are now named Liz and Ben Marriott and have a family. Ben tries to ask questions of Pete's fifth-grade teacher. This is not as easy as it sounds. The system cue has been deleted. Jessica Tandy, Hume Cronyn, Ernest Kinoy (writer), Juano Hernandez, Edward King (director), Irene Hubbard, Wendell Holmes, David Pfeffer, Bob Dettin (? announcer).  Blair Of The Mounties. February 28, 1938. Program #5. Walter Biddick syndication. "The Phantom Sniper". The program is announced as a serial, but each episode is complete in itself or in two parts. Stories of the Royal Northwest Mounted Police. "The Phantom Sniper" has struck...it could be the "Boy-Foot Bear" (with cheeks of tan)?. Blair Of The Mounties. March 07, 1938. Program #6. Walter Biddick syndication. "The Murder At Packett's Landing". A pair of fur thieves are captured when one of them spares a woman and child from freezing to death.   Academy Award Theatre. June 22, 1946. CBS net. "The Front Page". Sponsored by: Squibb. Comedy about the newspaper business and one reporter's efforts to get married and free himself from his editor's clutches. Pat O'Brien, Adolphe Menjou. 1/2 hour, Audio Condition: very good to excellent audio, complete.THE NEW ADVENTURES OF NERO WOLFE January 19, 1951 "Calculated Risk" With Sydney Greenstreet Sustaining. Rex Stout (creator), Sydney Greenstreet, Don Stanley (announcer), Gerald Mohr,Edwin Fadiman (producer), J. Donald Wilson (producer, director), GeGe Pearson. CREEPS BY NIGHT March 7, 1944, "The Strange Burial Of Alexander Jordan"

About a year ago, Bridget Fonda was a real dream lady to me. One of the most beautiful women I'd ever seen. I've felt that way since seeing Jackie Brown as a kid. Unfortunately, I keep watching awful movies with her in them and the magic is crumbling away. Bridget Fonda, Elias Koteas, Jessica Tandy, Hume Cronyn, Maury Chaykin, Graham Greene and Don Mckellar are in this. You might ask how one could possibly go wrong with a cast like that. How could this film be anything but magical? Well, unless you're a Grandma in the mid 90s, you're probably gonna be befuddled. Tune in and find out the specifics. If you're enjoying this run, don't forget we have so very many episodes on Billy Crudup, John Cazale, Robert Longstreet, Radha Mitchell, Brandon Lee, Brad Pitt, Wesley Snipes, horror movies and now? Erotic movie reviews YOU CAN WATCH ON YOUTUBE! YOU CAN SEE US AND THE HORNY CLIPS! Head to the youtube channel for We Doing Boners. All of our links are at linktr.ee/wedoingfilmographies

BONUS: Check out this exciting encore episode from Season 1: Part TWO of our interview with true show business icon and classic 8os TV Lady --  “Remington Steele's” one-and-only Laura Holt -- Stephanie Zimbalist.In a career spanning six decades, Stephanie has performed on stage and screen with everyone: Alec Baldwin, Walter Matthau, Jessica Tandy, Anthony Hopkins, John Goodman, Patricia Neal, Alfred Molina, Tommy Tune, Jimmy Stewart AND her own father, the legendary Efrem Zimbalist Jr.Steele Talking: Susan and Sharon continue their interview with the award-winning stage, TV and film actress…THE CONVERSATION- Working with her real-life dad – showbiz legend Efrem Zimbalist Jr – How he became a father figure for co-star Pierce Brosnan. (And how he taught Stephanie the secret to “playing drunk”…!)- Her decades-long friendship with Alec Baldwin.- When James Stewart was almost on Remington!- The Amazing Remington Steele Guest Stars, including…- Paul Reiser – and how Pierce broke up every time he said a line.- Louie Anderson – and that horse…- And Beverly Garland – Laura's mom! (Wait -- were Laura Holt and Amanda King sisters??)- How she was cast in – but had to quit – ROBOCOP.- Why she has never gone back to rewatch “Remington Steele.”- Why “the blood isn't real on “Remington Steele” -- and how humor on TV has changed…- How curiosity leads to love.- New York, noodles – and a “rude awakening” in the theater…Listen in as Susan, Sharon and Stephanie talk “Moonlighting”, memories and Mary Tyler Moore!AUDIO-OGRAPHYStephanie Zimbalist on Facebook/StephanieZimbalistFanPage.Steele Watching Podcast w/ Kerry Carlock. CONNECTVisit 80sTVLadies.com for transcripts.Sign up for the 80s TV Ladies mailing list.Support us and get ad-free episodes on PATREON.VOTEWe're NOMINATED for Best Film & TV Podcast. Please VOTE for 80s TV Ladies at Women in Podcasting Awards.Register or Check your Registration at Vote.orgThis is the 45th anniversary of President Carter's Crisis of Confidence speech. Get Susan's new play about it: Confidence (and the Speech) at Broadway Licensing.

It's more Summer Reruns. Check out this cool encore episode from Season 1:Susan and Sharon sit down with a true show business icon and classic 8os TV Lady --  “Remington Steele's” one-and-only Laura Holt -- Stephanie Zimbalist.In a career spanning six decades, Stephanie has performed on stage and screen with everyone: Alec Baldwin, Walter Matthau, Jessica Tandy, Anthony Hopkins, John Goodman, Patricia Neal, Alfred Molina, Tommy Tune, Jimmy Stewart AND her own father, the legendary Efrem Zimbalist Jr.THE CONVERSATION Growing up Zimbalist: what it's like to be born into a true show business dynasty.How Stephanie started writing, directing and producing – at the age of seven. How she attended Julliard with friends and classmates Robin Williams and Christopher Reeve -- and then got kicked out!Winning – or not winning – an “Enema” (oh wait -- “Emmy”)A Life in the Theater: performing award-winning roles in classic plays by Shakespeare, Chekhov, Tennessee Williams and more.The gift of making “big choices” on stage – and screen. And the pleasure of refining and reinventing a performance over a long run.Playing Katherine Hepburn in “Tea at Five” – and how she discovered they're cousins!Turning down the role of Laura Holt three times before finally taking it on.“Backwards and in High Heels” – on water skis!  Stephanie takes us through doing her own stunts on “Remington Steele” -- and working with legendary stuntwoman Debbie Evans. Join Susan and Sharon (and Stephanie) as we talk fame, fedoras – and wet-biking in France with Pierce. PLUS -- MORE listener mail!!AUDIO-OGRAPHYStephanie Zimbalist on Facebook/StephanieZimbalistFanPage.Steele Watching Podcast w/ Kerry Carlock. Native Land Digital at Native-Land.ca Read about Land Acknowledgment at LAist.CONNECTVisit 80sTVLadies.com for transcripts.Sign up for the 80s TV Ladies mailing list.Support us and get ad-free episodes on PATREON.VOTEWe're NOMINATED for Best Film & TV Podcast. Please VOTE for 80s TV Ladies at Women in Podcasting Awards.Suppport Kamala Harris for President - KamalaHarris.comRegister or Check your Registration at Vote.orgThis is the 45th anniversary of President Carter's Crisis of Confidence speech. Get Susan's new play about it: Confidence (and the Speech) at Broadway Licensing.

Eric & Serling enjoy the avian apocalypse from a safe watching distance.  Stick with us for our longest episode to date!  There was a lot to talk about.Send us a Text Message.

I wasn't in Speed! It's Pride and we're proud to be here with Veronica Cartwright. You Might Know Her From Alien, The Witches of Eastwick, The Birds, The Children's Hour, Will & Grace, The Right Stuff, Invasion of the Body Snatchers, Inserts, and The X-Files. Veronica talked to us about her proper role in the queer canon byway of the Scissor Sisters, Jerry Herman, and StraightJacket; the trans retcon via James Cameron of Lambert in Alien; and her performance in the old Hollywood lesbian film The Children's House opposite Audrey Hepburn and Shirley MacLaine. And that's just the beginning! We also got to dig into her iconic roles on The X-Files as an abductee in one of the scariest arcs of all time, her rubber-faced scene-stealing scenes in The Witches of Eastwick,  working with Alfred Hitchock...multiple times, and her criminally underseen performance in Inserts. What a goddamn treat. And no, she wasn't in Speed. Happy Pride, queerdos, we love you!  Patreon: www.patreon.com/youmightknowherfrom Follow us on social media: @youmightknowherfrom || @damianbellino || @rodemanne Discussed this episode: Liza Minnelli documentary out at Tribeca Film Festival:  LIZA: A Truly Terrific Absolutely True Story A House Is Not a Disco, Fire Island documentary Andrea McArdle's daughter is Alexis Kalehoff Find our special episode with Barrie Kreinik who wrote a plays, The Queen of 14th Street about Eva Le Gallienne Mary Pickford was NOT in the relationship with William Randolph Hearst. That was Marion Davies.  The Cat's Meow was about Marion Davies Peg “something” Entwisle who killed herself on the Hollywood sign Damian wouldn't have made it to the talkies. Anne would have been a Mary Wickes type. Or a Marjorie Main, who was in a relationship with Spring Byington Veronica Cartwright is in too many iconic films to name but we will: The Birds, The Children's Hour, Alien, The Witches of Eastwick Stole scenes from Cher, Michelle Pfeifer and Susan Sarandon in The Witches of Eastwick: CHERRY SCENE Character in Alien is apparently NOT “canonically queer”  Got the buzz cut because Sigourney wouldn't  Invasion of the Body Snatchers (1978, dir: Philip Kauffman) is SO good please go watch  Donald Sutherland finally got a perm instead of curlers  Is so good in Inserts opposite Richard Dreyfuss Goin' South with Jack Nicholson Appeared on ER, Six Feet Under, Nip/Tuck Hitchcock Presents The Twilight Zone Colleen Dewhurst auditioned for The Witches of Eastwick role that eventually went to Veronica Sang opera in Man Trouble with Ellen Barkin  Cassandra Spencer in The X-Files Emmy nominated for The X-Files and ER Won Emmy at 15 for Tell me Not in Mournful Numbers Who Has Seen the Wind about refugees  Sings “Hello Dolly” in Scary Movie 2 The Scissor Sisters album cover  Is NOT in Speed despite listed as Bag Lag Uncredited in Speed Is only voiceover for a radio scene on In the Bedroom Gotta watch Clipped with the “silly rabbit” Cleopatra Coleman and Jacki Weaver Who will we cast as a sister opposite the play we need: Harriet Sansom Harris and Veanne Cox and is it Marcia Cross Judith Ivey is STILL ALIVE I'm sorry Birthday Candles with Debra Messing a life highlight  

National Chocolate Ice Cream day.  Entertainment from 2019.  1st US citizen hung for treason, Musical Grease debuted on broadway, Bald men in Mozembique being killed for gold in their heads.  Todays birthdays - Jessica Tandy, Dean Martin, Tom Jones, Ken Osmond, Liam Neeson, Prince.  Jean Harlow died.Intro - Pour some sugar on me - Def Leppard   http://defleppard.com/Don't get between me and my chocolate ice cream - The Hungry Food BandOld town road - Lil Nas XGood as you - Kane BrownBirthdays - In da club - 50 Cent     http://50cent.com/Everybody loves somebody - Dean MartinIts not unusual - Tom JonesSoft & Wet - PrinceExit - Its not love - Dokken    http://dokken.net/ Follow Jeff Stampika on Facebook and cooolmedia.com

Sometimes, we.are.just.not.ok. No matter the day, the month, or the year. In honor of Mental Health Awareness month, join CH this week as she recounts a key time in her life where prioritizing her mental well-being took precedence over celebrating a holiday, and how that moment further shaped her approach to prioritizing mental wellness on the whole not only for herself but in support of others.   Show Notes May is Mental Health Awareness month in the United States, which has been observed since 1949 (Wikipedia). The Substance Abuse and Mental Health Services Administration (SAMHSA) is the agency within the U.S. Department of Health and Human Services that leads public health efforts to advance the behavioral health of the nation. Visit the official site for more information and for a wide array of mental health and substance abuse resources. The quote CH references is from the 1991 film 'Friend Green Tomatoes,' which starred Mary Stuart Masterson, Mary Louise Parker, Kathy Bates and the late Jessica Tandy.

In honor of its 30th anniversary, Kerry and Collin look back at a forgotten little gem starring Paul Newman, Melanie Griffith, Jessica Tandy, an uncredited Bruce Willis and an early role for Philip Seymour Hoffman. It's a "hang-out movie" that spans Thanksgiving to New Years. Why did Willis not get credit for playing a major role? Could this be viewed as a "career summation role" for Newman? What was it like filming in the dead of winter in upstate New York? Also, Collin goes through the latest and greatest in physical media for this month's Blu-ray Gift Exchange.   Blu-rays covered: Criterion: "Dogfight" (1991) Warner Bros.: "The Departed" 4K (2006) "The Oceans Trilogy" - 4K (2001 - 2007) MGM: "Eight Men Out" (1988) Warner Archive: "The Rain People" (1969) "The Mask of Fu anchu" (1932) Sony: "You'll Never Get Rich" (1940)

In this episode we discuss the sixty-second Best Picture winner, Driving Miss Daisy, how it was the safest choice for race-related films from 1989, Morgan Freeman's breakout, Jessica Tandy's first Oscar Award, and Billy Crystal's exciting debut as host of the ceremony! -- Instagram: https://www.instagram.com/thanktheacademypodcast X: https://www.twitter.com/thankacademypod Email us your thoughts: thanktheacademypod@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/thank-the-academy/support

In our first venture outside of the traditional Disney list we join Jessica Tandy and Bridget Fonda in a rather strange 90s movie that embodies hipster deuche culture at its absolute worst.  Is it a road trip movie? Is it a music movie? Is it a love story? All of this is still very much unlcear after we watched Camilla so you don't have to!  Discussions around Jessica Tandy's body double, Bridget Fonda's lip synching "skills" and much more this week on Disney Odd Pod.  

We're winding down February's theme of WOMEN IN CRISIS and for our last vintage selection we got a case of Crisis in front of and behind the camera. We couldn't wrap up without a little Hitchcock and the struggles of Tippi Hedren regarding some calculated aviary beasts. Alfred Hitchcock wanted Tippi to be his personal leading lady human doll that he could control and throw birds at. He got two films out of her before she ran away and today's talk is of the first. We're discussing the 1963 horror hit “THE BIRDS” starring Tippi, Rod Taylor, Jessica Tandy & Suzanne Pleshette. The birds couldn't have picked a better idiot town than Bodega Bay to spiral these humans off into a local apocalypse. If I were a seagull, it would be fun as hell to dive bomb folks. I would be just like a typical seagull in that way. They should have had some California Condors plucking the small children off the street. Like any other horror that came after it, this movie is full of human beings making the worst decisions. Here's a link if it still works: https://archive.org/details/the-birds Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

EPISODE 16 - “Beginner's Luck” - 01/01/2024 To win an Oscar sometimes takes decades of hard work and dedication to your craft — just ask PAUL NEWMAN, GERALDINE PAGE, and JESSICA TANDY. In fact, when Newman finally won the Oscar in 1987 for “The Color of Money,” after being nominated six times previously, he didn't even bother to show up to the ceremony. “It's like chasing a beautiful woman for 80 years,” he told the Associated Press. “Finally, she relents and you say, ‘I'm terribly sorry. I'm tired.'” However, there is a small group of actors who didn't have to chase that beautiful Oscar for 80 years. They won for their very first film. This week we take a look at this rarified group. SHOW NOTES:  Sources: Inside Oscar: The Unofficial History of the Academy Awards (1986), by Mason Wiley and Damien Bona The Real Oscar: The Story Behind The Academy Awards (1981), by Peter H. Brown Seventy-Five Years of the Oscars: The Official History of The Academy Awards (2003), by Robert Osborne Oscar Dearest (1987), by Peter H. Brown and Jim Pinkston The Film Encyclopedia (1994), By Ephraim Katz Leonard Maltin's Movie Encyclopedia (1994), by Leonard Maltin IMDBPro.com Wikipedia.com Stars/Movies Mentioned:    GALE SONDERGAARD — The Wizard of Oz (1939), Anthony Adverse (1936), The Mark Of Zorro (1940), The Letter (1940), Sherlock Holmes and the Spider Woman (1943), The King of Siam (1946); KATINA PAXINOU — For Whom The Bell Tolls (1943), Mourning Becomes Electra (1947); HAROLD RUSSELL — The Best Years of Our Lives (1946), Inside Moves (1980); MERCEDES McCAMBRIDGE — All The King's Men (1949), Lightning Strikes Twice (1951), Johnny Guitar (1954), Giant (1956), Touch Of Evil (1958), The Exorcist (1973); SHIRLEY BOOTH — Come Back Little Sheet (1952), About Mrs. Leslie (1954); EVA MARIE SAINT — On The Waterfront (1955), A Hatful of Rain (1957), Raintree County (1957), North By Northwest (1959); JO VAN FLEET — East of Eden (1955), The Rose Tattoo (1955), I'll Cry Tomorrow (1955), Four Queens and a King (1956), Gunfight At The Okay Corral (1957), Wild River (1960), Cool Hand Luke (1967); JULIE ANDREWS — Mary Poppins (1964), The Sound Of Music (1965), Thoroughly Modern Millie (1967), Darling Lil (1970), The Pink Panther (1967), The Pink Panther Strikes Again (1976), 10 (1979), Victor/Victoria (1982);   BARBRA STREISAND — Funny Girl (1968), Hello Dolly (1969), On A Clear Day You Can See Forever (1970), The Owl and the Pussycat (1970); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the season finale of And the Runner-Up Is, Kevin welcomes back Fritz, of Fritz and the Oscars, to discuss the 1989 Oscar race for Best Actress, where Jessica Tandy won for her performance in "Driving Miss Daisy," beating Isabelle Adjani in "Camille Claudel," Pauline Collins in "Shirley Valentine," Jessica Lange in "Music Box," and Michelle Pfeiffer in "The Fabulous Baker Boys." We discuss all of these nominated performances and determine who we think was the runner-up to Tandy.  0:00 - 9:56 - Introduction 9:57 - 32:56 - Isabelle Adjani 32:57 - 52:48 - Pauline Collins 52:49 - 1:11:06 - Jessica Lange 1:11:07 - 1:35:30 - Michelle Pfeiffer 1:35:31 - 1:58:20 - Jessica Tandy 1:58:21 - 2:58:31 - Why Jessica Tandy won / Twitter questions 2:58:32 - 3:03:51 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Fritz on Twitter and YouTube Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

Bird Month flaps ahead with Alfred Hitchcock's bird-filled classic, The Birds! Ben, Bree, Sam, and Vaz dive in to all the pecks, squawks, and oedipal weirdness of the Master of Suspense's fowl-est film. Directed by Alfred Hitchcock, written by Evan Hunter, and starring Rod Taylor and Tippi Hedren and featuring Jessica Tandy, Suzanne Pleshette, and Veronica Cartwright.

Welcome to this week's episode of “Friday Night Noir” on Vintage Classic Radio. We're delving into the shadows with two masterpieces of the thriller genre. First, we unearth a rare gem from the mid-1940s, “Once Upon a Midnight.” This untransmitted pilot from the proposed ABC Radio series featured the legendary Alfred Hitchcock as both host and narrator, drawing inspiration from Edgar Allan Poe's "The Raven." Although it never found a sponsor, the pilot, recorded on May 11th, 1945, remains a fascinating 'what could have been' in the annals of radio history. Based on Francis Iles' novel "Malice Aforethought," the episode stars the incredibly talented married duo, Jessica Tandy and Hume Cronyn, who bring to life the story of a murderous doctor. The narrative, soaked in suspense and shock, showcases Hitchcock's unique approach to storytelling, where the music, composed by Felix Mills, punctuates the drama rather than merely bridging scenes. Then we turn the dial to October 4th, 1951, for an episode of "Suspense" titled "Alibi Me," featuring the indomitable Mickey Rooney. This story plunges us into the world of a small-time hoodlum who finds himself in desperate need of an alibi. The tension ratchets up as we follow his frantic efforts to secure his innocence. "Suspense" was a radio anthology series, renowned for its stellar storytelling and its ability to attract Hollywood's finest to the microphone. These audio plays are time capsules, capturing the essence of an era when radio was king, and the voices of the airwaves could conjure images as vivid as any on the silver screen. Join us as we step back in time and experience the chilling tales that had our grandparents clinging to every word. This is “Friday Night Noir,” where the dark corners of the human psyche are illuminated by the soft glow of the radio dial.

Christ died to fulfill the Second Great Commandment — love your neighbor as yourself, and to enable us at last to fulfill it ourselves for all eternity! - SERMON TRANSCRIPT - I want to begin this sermon by speaking directly to all of you, who are my brothers and sisters in Christ. I feel a privilege this morning as a messenger of God to tell you that you are infinitely rich, and not only are you infinitely rich, you're getting richer by the day, and someday you're going to come into an infinite inheritance, the scope and magnitude of which I guarantee you underestimate. My task this morning as I begin this sermon is to give you a sense of that richness, the sense of that wealth, that inheritance. Imagine that I were a lawyer entrusted with the opening up of a sealed will, and you've been invited to come and hear as an heir what you're going to get. Imagine a fabulously wealthy business magnate has died, and you're part of the family, and I am going to read the will. I read your name, and I tell you that you stand to inherit millions of shares of blue-chip stock in a Fortune 500 company, thousands of bonds, shares in some oil fields in the Persian Gulf. The list goes on, and on and your mind starts to spin with the realization that all your financial problems are solved forever. That's not what's happening today. I'm not doing any of that, but I am telling you that if you're a Christian, you are an heir to a vast fortune of immeasurably, even infinitely, greater value than any of those things I just listed. Ephesians chapter 1 mentions the word “inheritance” three times. I was pondering that this morning. Ephesians 1:11 says, "In Christ, we have obtained an inheritance having been predestined according to the purpose of Him who works all things according to the counsel of His will, so that we who are the first to hope in Christ might be for the praise of His glory." The first mention of the word “inheritance" in Ephesians 1:11and then Ephesians 1:13, "In Him also, you also, when you heard the word of truth, the gospel of your salvation, having believed you are sealed in Him with the promised Holy Spirit who is a deposit guaranteeing your full inheritance until we acquire possession of it.” That's the second mention of inheritance and the gift of the Holy Spirit as a down payment, a payment or a foretaste of that full inheritance. But the one that really captivated me this morning, the reason I'm mentioning it to you now, is the third mention of the word “inheritance” in Ephesians chapter 1. Paul prays for the Ephesian Christians and, through Him, for all of us, that the eyes of our heart would be enlightened in order that we would know the hope to which He has called us, the riches of His glorious inheritance in the saints, and His incomparably great power for us who believe. That phrase captivates me this morning. That's why I'm even mentioning this whole concept to you today, the vast inheritance you have in the saints. Sometimes, when we're listing the various forms of wealth held by fabulously wealthy people, we talk about how they made their wealth and what their wealth was in. We use that kind of language, like we would say that Rockefeller made his money in oil. Carnegie made all his money in steel. Vanderbilt made his money in railroads, that kind of thing. Warren Buffett made his money in stocks. So what's our inheritance? According to Ephesians 1:18, our wealth is in saints. Your wealth is in the saints. I'm not going to have you do it, but look around, look left and right. That's your wealth, right there. Your brothers and sisters in Christ are part of your inheritance. You might say that's a little bit of a letdown. I was hoping for something better in heaven. You know that again and again, from this pulpit, I've preached that your genuine wealth is God. What you get when you go to heaven is, you get God. There are so many statements of this, so many pictures of this— the Levites didn't get an inheritance, but God was their inheritance. They represent all of us, I think. A beautiful statement in Genesis 15:1, "Fear not Abram, I am your shield. I am your very great reward." God is your reward. God is what you get. Heaven is all about God. Heaven is all about the glory of God. That's what you get. However, there are other verses that expand our sense of the inheritance. A simple one in the Sermon in the Mount is “blessed are the meek, for they will inherit the earth.” We don't just say, "God, we get the earth. We inherit the earth." There are many other such statements and Ephesians 1:18 is one of those. If you look at the earth, we, the redeemed, are going to get the earth. We're going to get not this cursed earth, but we get this earth, I believe, resurrected in a new form called the new heaven and new earth. You're going to get it. You're going to be an heir with Abraham of the earth, and that new heaven, new earth is going to shine with the glory of God. They're not separate. You get God in the form of the new heaven, the new earth, as He has made it beautiful, and His radiance and His glory will shine, for the earth is full of His glory, and it'll be even more evident in the new heaven, the new earth. So with that idea, go back to Ephesians 1:18, our inheritance is in the saints. We are rich in the saints. Our wealth will be in some part each other, and that is in a multitude greater than anyone could count from every tribe, language, people, and nation. That's why I say you are immeasurably wealthy, and you get wealthier every day because every day more people cross over from death to life, and they become part of your inheritance, and you get them just like they get you. I understand why you would feel a little bit disappointed in this because you know you're no great shakes. I'm not trying to insult you, but it's only recently that these words would be overtly true of you. Romans chapter 3, "There was no one righteous, not even one. No one who understands, no one who seeks God. All have turned away. They've together become worthless." Think about that word. Imagine a worthless inheritance, but that's what we were, but it is not what we are. We were at one time worthless, "There is no one who does good, not even one. Their throats are open graves, their tongues practice deceit. The poison of vipers is on their lips. Their mouths are full of cursing and bitterness. Their feet are swift to shed blood. Ruin in misery mark their ways, and the way of peace they do not know. There is no fear of God before their eyes." That's what you were. That's what I was, but it is not what I am, and it is not what I will be for all eternity. However, because of how terrible we are in our sin, it's not surprising, a little bit shocking, that one of the foremost philosophers of the 20th century in 1944, John-Paul Sartre, said famously, "Hell is other people." Hell is other people. Imagine being his friend and reading that. “Tell me, Jean-Paul, how you really feel about our friendship?” Hell is other people. What I'm saying today, based on Ephesians 1:18, is, heaven is other people. Think about that. Heaven is other people, in part, not in any way minimizing that God is our reward. Actually, it's because the glory of God is going to be shining in unique and beautiful ways through each of the redeemed that each one of them is part of your inheritance because each one of them will shine with the glory of God and of the Father in ways that will be special, unique, and beautiful, and I argue because I believe in a dynamic heaven in which you'll never be omniscient. You'll have a lot to learn. You haven't met most of your inheritance yet. You don't know them yet. You won't know them when you die. You'll meet them in heaven, and it's going to take a long, long, long, long time to meet them, as God in some sense says, "Have you considered My servant Job? Have you considered My servant so-and-so?" You will have the opportunity to consider each of your brothers and sisters and the glories of each one. At that time, the righteous will shine like the sun in the kingdom of their Father, and you are going to see how beautiful they are, how radiant they are, and how glorious they are. As it says in John chapter 3, "Everyone who lives by the lie does not come to the light for fear that his deeds will be exposed. But everyone who lives by the truth comes into the light so that it may be seen plainly that what he has done has been done through God." So each of their good works, which will have been perfected by the fire of Judgment Day and come through shining, each one of them will be a display of the glory of God in their lives. Their glories will be your glories, their honors will be your honors, their privileges will be your privileges because we're all part of one body, and when one part of the body is honored, the whole body is honored with it. You have a glorious inheritance in the saints, and it's getting richer every day, not just in the redemption of people crossing over from death to life but in the good works they're doing. They're enriching the kingdom of God every day, and so are you, by your good works. I believe that it's relevant to today's text because it is the perfect fulfillment of the second great commandment when we get to heaven. Our sin has made us constricted. We pull into ourselves. All we really care about is us. We pull in, and we become like a medieval castle with a moat and a drawbridge. The drawbridge is pulled up, and we're all about me, intensely committed to selfish me. That's what sin does to us. Redemption does the opposite. It makes us open and expansive to include others more and more and more so that others’ delights are our delights, others' blessedness becomes ours, and we get to live that out now by the power of the Spirit. The more we do, the more the glorious gospel of Jesus will be put on display. The more our church is characterized by that kind of heavenly openness and love in which we really genuinely delight in the blessedness of others, we're willing to sacrifice to make somebody else blessed, and we find delight, personal delight in somebody else's happiness, the more the gospel's going to shine in this church. I tell you, this region, this country needs it. This is a dark place, and we are put like a light up on a pedestal to shine in this dark place. We're a city on a hill. We're called to do this. “Behold how they love one another,” one of the ancient observers of Christians said. Or as Jesus said, "By this will all men know that you are my disciples, if you love one another." It's this open expansiveness that gets up out of self and includes another in our own happiness so that their blessedness is ours, their delight is ours. Years ago, I saw a movie that pictured this for me, and it depicted a love scene in the movie. It wasn't actually romantic at all, but it was between a man and a woman. It comes from the movie Driving Miss Daisy. Morgan Freeman plays an African-American man hired to drive around an older Jewish woman in the South a number of decades ago, and it depicts their budding relationship. It moves from employer-employee, eventually, at the end of the movie, to friends, just genuinely friends. Morgan Freeman is very elderly at this point, as is the woman Jessica Tandy plays. The woman is very old, she's in a nursing home, and maybe some mild dementia, et cetera. He goes to visit her at the nursing home, and she's sitting there. It's Thanksgiving time, and they have a conversation. They haven't seen each other in a number of years, they get reconnected, and she's not all there, but she definitely knows that he's with her, and she has a piece of pie in front of her that she hasn't started yet, and at some point he says, "Now you haven't eaten your pie." He starts to feed it to her, and as he feeds her each piece, the acting is just really excellent in this. As he feeds her each piece, it's like you can see him enjoying it as though he's enjoying it through her. The enjoyment of that pie is his. It's a beautiful scene, and I think it captures a little bit of what I think it means to love your neighbor as yourself, that you are expanded, your heart is expanded into the joy of someone else's joy. Or we could say negatively, "If someone else is suffering, you're suffering with them, and then to alleviate that suffering brings you delight." You're free now from that pain because you are so joined in your heart. That's what I think it means to love your neighbors yourself. Let's talk about the context. It's the last week of Jesus' life. He's already made the triumphal entry to the cries of “Hosanna.” He's cleared the Temple of its filthy money changers, and He continues his ministry of teaching and of healing there in the temple area. He's in the final stage of His life because His enemies are overtly, clearly plotting His death. They want to kill Him. The chief priest, the Scribes, the Pharisees, the Sadducees, the Herodians, they want to kill Him. They set up one trap after another. First, the Pharisees and Herodians, with their question on taxation, designed to get him in trouble with the Romans and get Him killed. Then the Sadducees, with their ridiculous question about resurrection, that case study with the man that had seven brothers and married to the one woman. Remember that? Then, along in Mark's Gospel, comes this expert in the law who seems different than them. He's a different spirit. I think he really genuinely wanted to know the answer that of all the commandments, which is the greatest, and Jesus's commendation of him is unusual. Jesus answers, "The most important one is this, 'Hear, O Israel, the Lord our God, the Lord is one. Love the Lord your God with all your heart, with all your soul, with all your mind, with all your strength.' The second is this, 'Love your neighbors yourself.' There is no commandment greater than these." In the last few sermons, we've looked at the first and Greatest Commandment, the vertical one, love God with all your heart, soul, mind, and strength. Now we're going to look at the second one. This commandment is an old commandment that's made new. It's an ancient commandment. Jesus is quoting the law of Moses, as He did with the first and greatest commandment. He's quoting again with the second commandment. It's Leviticus 19:18, "Do not seek revenge or bear a grudge against anyone among your people, but love your neighbor as yourself. I am the Lord." Love your neighbor as yourself. What does that mean? It's not, you have to first love yourself, and then you'll be able to love your neighbor. It's not that. In the sense of this verse, you already fanatically do love yourself. From infancy, you have been fanatically committed to yourself. The infant howling at 3:00 AM is loving him or herself. They can't articulate it, but that is what is going on. They have a need, they want it met. They're increasingly aware of a particular person who keeps meeting the need, and they want that person. They can't even say mama yet, but they are, from infancy, committed to self. This is innate. The command tells us to do for others what we've been doing all our lives for ourselves. One of the articulations of this is in marriage, and I think it makes it a little clearer exactly what this commandment entails in marriage. It says, "Husbands ought to love their wives as their own bodies. He who loves his wife, loves himself. After all, no one ever hated his own body, but he feeds and cares for it." That's a very practical explication of the Second Great Commandment in the context of marriage. It's very easy to see a very clear connection between the Second Great Commandment and the one Paul gives in marriage, but he specifically is very physical with it. The way the husband feeds and cares for his own body is the way he should look after his wife. I think we could say the same thing in general for our neighbor. Look how you care for yourself. When your stomach is growling and empty, you feed it. When your tongue is dry, you drink. When you have an itch, you scratch it, even if it's right between your shoulder blades and very difficult to reach. You do what you need to do to alleviate the pain. If you are in pain in any way, you alleviate it, you shift how you're sitting in your pew. If one part of your body is falling asleep or whatever, you're going to adjust to alleviate the pain. If your body is cold, you're going to put on a sweater. If it's hot, you're going to get into some AC and alleviate it. If it's raining, you seek shelter. You do this constantly. You've been doing this every day of your life, pretty much every moment of your life, from infancy. The way you've been doing that for yourself, do it for your neighbor, do it for everyone else. I. An Old Commandment Made New This is an ancient command—love your neighbor as you already do love yourself. But . . . we’re told a new commandment, a new command. Jesus said in John 13:34-35, after the foot washing, He said, "A new command I give you, love one another. As I have loved you, so you must love one another. By this will everyone know that you're My disciples if you love one another." It is effectively an old commandment made new, as John writes in 1 John 2:7-8, "Dear friends, I'm not writing you a new command but an old one which you've had from the beginning. This old command is the message you have heard. Yet I am writing you a new command. Its truth is seen in Him and in you because the darkness is passing and the true light is already shining." How is this old command, or ancient command, made new? Jesus is the answer. It's because of Jesus that this old command is now incarnated and it is made new. How is that? First, by Jesus's example; Jesus showed us how to love our neighbor as ourselves. He gave us a role model that we should imitate. He's the only one in history that has ever perfectly fulfilled this horizontal commandment. As we read Matthew, Mark, Luke, and John, we see all of His encounters with men and women and children and with everyone. We just have much information education now in what it looks like to love our neighbor as own self. Then we see it definitely in the atoning work of Jesus and the atonement of Jesus. Jesus said in general universal principle, John 15:13, "Greater love has no one than this, that he laid down his life for his friends. You are My friends if you do what I command you." The principle is laying down your life. Jesus's teaching tells us what it means to love our neighbor. Jesus's death on the cross is the perfect pinnacle of a human being loving his neighbors. It is a perfect pinnacle example of the Second Great Commandment being fulfilled. As it says in Romans 5:8, "God demonstrates His own love for us in this. While we're still sinners, Christ died for us." Jesus loved His enemies. He gave the infinite gift of Himself under the wrath of God so that we would not suffer eternity in hell. He cared about where we were heading. He cared about alleviating eternal suffering, and He was willing to take it into Himself so that we would be set free, and by gazing therefore at the example of Jesus and at the cross of Jesus. This is a new command. It's an ancient command made new now, and it's made new because the Spirit of Christ is in us working it. If you're a Christian, the Spirit of Jesus is in you, working this horizontal command so that you'll love your neighbor as yourself, and by the Spirit alone can we do it. We've seen this again and again in Ezekiel 36:26-27, "I'll give you a new heart and put a new spirit in you. I'll remove from you your heart of stone, and I'll give you a heart of flesh and I will put My Spirit in you and move you to follow My decrees and be careful to keep my laws." Consummated in the two Great Commandments., the Spirit of Christ is in us, moving us to love God with all of our heart, soul, mind, and strength and to love our neighbor as ourselves. That's what the Spirit is moving you to do if you're a Christian. Therefore, in Galatians 5:22, the first thing it says, "The fruit of the Spirit is love." That's what the Spirit does in you. When He's working in you, He makes you love. Only by the spirit of the indwelling Spirit of Christ can we truly love our neighbors. God is the source of that love, and He gives us that love that flows out vertically through us, then horizontally out by Christ's mediatorial work and by the linking, connecting work of the Holy Spirit of God. That's how it happens. 1 John 4:7-8, "Dear friends, let us love one another. For love comes from God. Everyone who loves has been born of God and knows God. Whoever does not love does not know God, because God is love.” There is a beautiful picture in Revelation 22 of the throne of God in the center of the new Jerusalem and the river of the water of life flowing eternally and endlessly generated from the throne, and out it flows. This river of the water of life is crystal clear. I don't think it's very difficult to say, it's also a river of love. So love just flows from God, for from Him, through Him, and to Him are all things. He is the source of love, and you cannot love, not like this, apart from Christ. "Love just flows from God, for from Him, through Him, and to Him are all things. He is the source of love, and you cannot love, not like this, apart from Christ." Let me stop and say to all of you, are you in Christ or are you apart from Christ? Have you received from Jesus Christ the forgiveness of your sins? Have you realized that you are that sinner described in Romans 3, that you are worthless and a viper, and on your way to hell? Jesus came to intervene, to save you, and to die into the wrath of God for your violation of God's laws. Have you come to that place and asked Him? Have you called in the name of the Lord for the forgiveness of your sins? If so, that the moment that happened, you received the gift of the indwelling Spirit of Christ. You began a career of love vertically, and horizontally. II. Love Defined Let's try to understand it. What is love? How will we understand love? We're going to go again to Jonathan Edwards, and Edwards taught us that the soul has two faculties. First, the ability to comprehend or understand things in the universe, including our neighbor, that we're able to understand. It has that capacity to study and know. Then secondly, to be inclined or disinclined to that thing that it studies and knows to a greater less degree, such as liking or loving or disliking and hating. The soul does this. This is what is designed to do by God. I pictured it in terms of a magnetic attraction like a bar magnet north-south attracted, and then, to a greater less degree is, that number line of affection, positive being liking on up to loving and the negative numbers being disliking onto hating. Therefore, I give this definition of love. Love is a heart attraction that results in cheerful, sacrificial action. Love is a heart attraction that results in cheerful, sacrificial action. First, it's heart attraction. Your heart is attracted to your neighbor. Your heart goes out to your neighbor and includes your neighbor within yourself. Therefore, it is not enough just to act. Many people say love is an action, and they're quoting a verse I'm about to quote. It's important that love is action, I get that, but first there has to be the heart attraction. If there's no heart in it, there's no love. You can give the utmost gift, the costliest gift, but if your heart isn't attracted, if it doesn't go out to your neighbor and yearn to bless that, and you don't find personal delight in it, it's nothing. 1 Corinthians 13:3, maybe, in some sense, one of the harshest verses in the Bible, "If I give all I possess to the poor and surrender my body to the flames but have not love, I gain nothing." Wow. I can't imagine a more amazing gift. The individual gave all of their worldly possessions to the poor and died, and they get nothing. Why? Because they didn't do it in love. It's incredible. What that means is, behind that is, there must be a heart attraction. There has to be a yearning to bless the person. My heart is linked to yours. Jonathan Edwards put it this way, "In some sense, the most benevolent, generous person in the world seeks his own happiness in doing good to others because he places his happiness in their good. His mind is so enlarged as to take them as it were into himself. Thus, when they're happy, he feels it. He partakes with them and is happy in their happiness." Isn't that beautiful? That's Morgan Freeman enjoying the pie through Jessica Tandy. That's what it is. My heart is going out. It's expanded and includes you. If you personally get no delight out of your service to your neighbor, you get nothing on Judgment Day. You have to enjoy doing it, delight in doing it. But there has to be an action. Now we get to that other verse I was mentioning. You can't just have really sweet feelings for everybody, and it never amounts to anything. 1 John 3:16-18, "This is how we know what love is. Jesus Christ laid down His life for us, and we ought to lay down our lives for our brothers. If anyone has material possessions and sees his brother in need but has no pity on them, how can the love of God be in that person? Dear children, let us not love with words or speech, but with actions and in truth." So you've got to have both sides of that equation. You got to put it together. You can't just have the sweet feelings and do nothing. You can't just do things and not have the feelings. It's together. But it has to be sacrificial actions, it’s got to cost you something. Isn't that what sacrifice is? David said, "I will not offer the Lord a sacrifice that costs me nothing." It's got to cost you. You can measure love by sacrifice. “Greater love has no one than this, that he laid down his life for his friends.” You see, it's a measurement, greater love. So the more the sacrifice, the more love has been revealed. Obviously, literally, to die for someone else is the greatest sacrifice anyone... It's the greatest thing you could ever do. But lesser gifts are sacrifices as well. You're giving of your time, of your energy, of your money. You're giving something that costs you something. You are in some way depleted because you gave to your neighbor, you made a sacrifice for them. But it has to be cheerful. So it's like, "Pastor, you put too much in the definition." But there are Bible verses behind each of these. What kind of giver does God love? God doesn't just love a giver, God loves a cheerful giver. 2 Corinthians 9:7, "Each of you should give..." He's talking about finances, "Each of you should give what he has determined in his heart to give, not reluctantly or under compulsion because God loves a cheerful giver." Therefore, Jesus was a cheerful giver on the cross. This is infinitely mysterious, but it's true. In Hebrews 12:2 it says, "We should fix our eyes on Jesus, the author and perfecter of our faith, who, for the joy that was set before Him, endured the cross scorning in shame and sat down at the right hand of God." He looked beyond the misery and the horror of the cross to the good thing that would come from it, the joy. What is that joy? His joy in saving a multitude from every tribe, language, people, and nation, so that they would be with Him and see His glory and spend eternity in heaven. This is my composite definition of love. Love is a heart attraction to another person that results in cheerful, sacrificial action on behalf of that person. "Love is a heart attraction to another person that results in cheerful, sacrificial action on behalf of that person." IV. What Love Is and Is Not Let's describe it a little more— what love is and what love is not. 1 Corinthians 13:4-8 describes negatively and positively what it is and is not, "Love is patient. Love is kind. It doesn't envy. It doesn't boast. It's not easily angered. It's not proud, it's not rude. It's not self-seeking. It keeps no record of wrongs. Love does not delight in evil, but rejoices with the truth. It always protects, always trust, always hopes, always perseveres. Love never fails." So love is patient, it puts up with a lot. It's long-suffering. It's kind. It freely does good things for people. There's a kindness to love. There's a gladness, a gentleness, a giving nature to love that is wrapped up in the word “kind”. There's a kindness to it. It doesn't envy. It's not jealous over the benefits given to others. There's no envy or jealousy. It is glad to see other people blessed and benefit. You're not in competition with them in that regard. It doesn't boast. It's not proud. This love that we're talking about here is actually a very humble thing. It's humble. It's not rude. Let's put it this way, it's well-mannered. There's just good manners to love. I think all that system of manners that parents teach their children, it's basically Second Commandment stuff. When you're at the table, you don't talk with your mouthful. All of those rules are preciousness of others, you’re caring about others. So it's not rude. It's not self-seeking. It doesn't constantly say, "What's in it for me?" We shouldn't misunderstand that. There should be heart desire. So there is something in it for me. I should desire it. But it's not that selfish, independent, "I want to get something whether you get anything or not." That's what self-seeking means. It's not easily angered. It has a short fuse, it doesn't fly off the handle quickly, and it keeps no record of wrongs. How difficult is that? I'm not remembering what you did to me last week. I'm ready to forgive because I've been forgiven much. It doesn't delight in evil. There's no schadenfreude. It seems like so much of the internet, so much of the digital media is delighting in other people's misfortune, finding humor in some bad thing that happens to another person. Love doesn't do that. That’s not loving. If we see somebody dragged down, we don't delight in it. We rejoice in the truth. What does that mean? Jesus is the truth. I rejoice to see Jesus come into somebody's life. I rejoice to see the Bible's truth flourishing. It delights in Christ and the Bible succeeding in the world and people living according to it. We love that. Then it always protects, always trust, always hopes, always perseveres. It never fails. It just stands with individuals, and it's there permanently. If you ask, what is love like and what is it not like? I would commend 1 Corinthians 13:4-8. How does it act? I can tell you how it does not act. It doesn't do any harm to the neighbor. Romans 13:9-10, "The commandments, 'You shall not commit adultery, you shall not murder, you shall not steal, you shall not covet.' And whatever other commandment there may be, are summed up in this one command, 'Love your neighbor as yourself.' Love does no harm to his neighbor. Therefore, love is the fulfillment of the law.” Remember, I talked a few weeks ago about there have to be negatives after prohibition? You can't just tell our corrupt generation, love is love. Just love how you feel. No, there's a bunch of prohibitions in the Bible, but what Paul says in Romans 13 is that all of those prohibitions are summed up in the positive command to love. Because love doesn't do any harm to the neighbor. So you shall not commit adultery. It is not loving to break up someone's marriage to be a homewrecker. That's not love. Paul talks about that in another place. Don't take advantage of your brother by winning over his wife. That's not love. That's damaging to him, stealing, damaging, taking his things. Those prohibitions are summed up in the statement “love”, because love doesn't do any harm. So that's what love does not do. We don't damage each other, hurt each other. That's where gossip and slander comes in. If I'm gossiping and slandering, I'm destroying somebody's reputation. What does love do? It acts in such a way that the individual is, in some way, blessed. You could do it negatively by alleviating suffering, positively by helping them grow and grace in the knowledge of Christ, bringing blessings into their lives materially, physically. A great statement is Jesus' depiction of Judgment Day in Matthew 25, "All the nations will be gathered before Him and He's going to separate the people one from another as the shepherd separates the sheep from the goats. He'll say to the sheep, the righteous on His right. He'll say, 'I was hungry, you gave Me something to eat. I was thirsty. You gave Me something to drink. I was a stranger, you invited Me in. I needed clothes, and you clothed Me. I was sick, and you looked after Me. I was in prison, and you came to visit Me.'" That's a whole list of actions that you can do out of love. Those are all Second Great Commandment actions, especially on the issue of alleviation of suffering. We Christians should care about suffering. We should care about all suffering, and we should desire to alleviate it. Next week, I'm going to preach on mercy ministry, on the Good Samaritan, and the alleviation of temporal suffering. I heard a long time ago, and I like this, we Christians care about the alleviation of all suffering, but especially eternal suffering. What is eternal suffering? It is the torment of hell. How could that torment be alleviated? There's only one way, by repentance and faith in Jesus Christ. How should we care about that? We should care whether people are going to hell or not. It should matter to us, and this is what I taught this past week, Romans 9:1-3. The apostle Paul said this, "I speak the truth in Christ. I'm not lying. My conscience confirms it in the Holy Spirit, that I have great sorrow and unceasing anguish. For I could wish that I myself were cursed and cut off from Christ for the sake of my own people, the nation of Israel." What is he saying? Saying, "I would be willing to give up my own salvation if they could be saved. I could wish that, but I can't because I'm not their mediator. I'm not their savior. That was already done by Jesus. But I'm telling you that's the level of my concern for them.” I believe that we don't witness, we don't share our faith like we should, because we don't grieve over lostness and over its ultimate destination like we should. We should ask God to give us a heart of grief and brokenness over lost people, the alleviation of eternal suffering. That's what it is. V. Heaven: Love Perfected As I close today, I just want to expand your mind and bring you into that heavenly realm that we're going to go to, that new heaven, new earth, that eternal state. When both of these commandments, the First and Second Commandment, will be consummated in each of us, how much are you looking forward to that? How beautiful is that world of love going to be when, at last, you'll finally love God with all of your heart, with all of your soul, with all of your mind, and with all of your strength, and you'll at last love all of your neighbors as yourself? And you're going to have a lot of neighbors. Revelation 7:9-10, "After this I looked, and there before me, it was a great multitude that no one could count, from every tribe and language and people in nation standing before the throne and the front of the lamb. They were wearing white robes and they were holding palm branches in their hands. They cried out in a loud voice, 'Salvation belongs to our God, who sits on the throne, and to the Lamb.'" Let's imagine that the thesis of my Heaven book is true. That you'll have a perfect mind and a perfect heart, but you'll never be omniscient. What that means is, you'll be able to learn things in heaven, and the central topic of heaven is the glory of God. The central and the greatest display ever there has ever been of the glory of God is in the redemption of His people by the blood of Jesus Christ. It's the greatest display of glory there ever has been, ever will be. How much of it did you know here on earth? A very, very tiny percent, 0.0001%. How much will you learn in heaven? Much. All of it. How long will it take? Forever. Imagine meeting a new brother or sister, one that lived 263 years before you. They'll be in heaven. He's not the God of the dead but of the living, and you'll meet them. How could you know them? You couldn't. But you'll meet them in heaven and imagine two things. You want to know two things. How were they saved, and how were they used? Imagine being so expansive in your love that you'll actually care about the answers. “Tell me your testimony. How long do we have? Okay, I'll give you two minutes.” It's not going to take two minutes to find out how God sovereignly saved each of your brothers and sisters in Christ, what He orchestrated providentially to bring messengers and evangelists into their lives, either through their family, through missionaries, or through an evangelists, and you're going to be enthralled because it is to the glory of God how they got saved. As the elder asked a couple verses later in Revelation, these in the white robes, "Who are they and where did they come from? You've got forever to answer that question. How awesome will that be? "So please tell me, how did God save you?" Imagine Jesus himself saying, "Let me tell you what I did in his life or her life." Then the second question, "How did God use them? What are their good works? What are their rewards?" Again, you're not in competition because if one part of the body is honored, the whole body will be honored with it. You're going to be delighting in their honors, performance, and privileges as though they were your own because we're part of one body. How awesome will that be? That is where we're heading, brothers and sisters. The more we can live it now, the better for the gospel here in the Raleigh-Durham-Chapel Hill area. Close with me in prayer. Father, thank You for the time we've had to just immerse ourselves in the Second Commandment. We know that it's for the failure of the Second Commandment that all the wars, dissensions, factions, divorces, fighting, and crimes have ever been committed. We thank You that You, Lord Jesus, by Your blood and by Your spirit, are the only remedy, and You are a perfect remedy. We thank You that You have made us rich now in each other, and You're making us richer by the day. Enable us, oh Lord, to love one another by the power of the Spirit to live out the gospel and put the gospel on display here in this region. In Jesus' name, amen.

Dana and Tom discuss the classic horror film, The Birds (1963): directed by Alfred Hitchcock, written by Evan Hunter, starring Rod Taylor, Tippi Hedren, and Jessica Tandy.Plot Summary: Alfred Hitchcock's "The Birds" is a masterful thriller that proves once again why the director is a true cinematic genius. Set in the quaint coastal town of Bodega Bay, the film opens with a chance encounter between the handsome lawyer, Mitch Brenner (Rod Taylor), and the enigmatic socialite, Melanie Daniels (Tippi Hedren). This seemingly innocuous meeting sets the stage for a spine-tingling and unforgettable descent into avian terror.As Melanie follows Mitch to his family home in Bodega Bay, the tranquil coastal scenery gradually transforms into a nightmarish battleground as the local bird population inexplicably turns hostile. Seagulls, crows, and sparrows become relentless aggressors, attacking the townsfolk without provocation. Hitchcock ingeniously uses the unexplained bird attacks as a metaphor for the uncontrollable and irrational fears that lurk in the human psyche. As the bird attacks intensify, the inhabitants of Bodega Bay are forced to confront their vulnerability in the face of a seemingly unstoppable force.Hitchcock's genius lies in his ability to create a sense of mounting dread by employing a series of escalating avian attacks, building tension with each feathered assault while weaving a complex narrative that delves into the fragility of human society, subtly exposing the tenuous grip we have on our environment and our emotions.You can now follow us on Instagram, Twitter, or TikTok (@gmoatpodcast) or find our Facebook page at Greatest Movie of All-Time Podcast.For more on the episode, go to: https://www.ronnyduncanstudios.com/post/the-birds-1963For the entire rankings list so far, go to:Full Graded List - Greatest Movies of All-Time Ronny Duncan Studios

Diane and Sean discuss birds, birds, birds and all the beautiful people in Alfred Hitchcock's 1963 animal attack classic, The Birds. Episode music is, "Risseldy Rosseldy" as performed by the school children from the film.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplantsSupport the show

A new week means new questions! Hope you have fun with these!The US call it Cilantro, what is it known as in the UK?Marlon Brando, Jessica Tandy and Kim Hunter starred in what 1947 play by Tennessee Williams?In 1985, a photo of young Afghan refugee Sharbat Gula by American photographer Steve McCurry appeared on the cover of what magazine? Ozone is made of what gaseous element?What is the first calendar date of the 21st century?Who was the leader of the Soviet Union between Joseph Stalin and Nikita Khrushchev?In flowering plants, what part of the stamen produces pollen grains?What corse woven fabric is commonly made from the skin of the jute plant?What are the four colors from the memory game Simon?Bossy Pants was written by what Saturday Night Live alumna?Pheidippides ran to Athens from what location to deliver news of a victory in battle?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5857487/advertisement

We end "A-Gust" with a natural disaster of a different feather.. maybe too many feathers now that we think about it – the 1963 Alfred Hitchcock classic "The Birds."

Max Chernin Broadway: Parade, Bright Star, Sunday In The Park with George. NYC: Brooklynite (Vineyard), Golden Apple (Encores!) Regional: Passing Through (Goodspeed), Daddy Long Legs (Theatre Raleigh), Elf (Pioneer). Television: “Dickinson,” “Blacklist.” CCM Alum. @maxcherns. Alfred Uhry (Book) is distinguished as the only American playwrights to have won a Pulitzer Prize, an Academy Award, and two Tony Awards. A 1958 graduate of Brown University, he began his professional career as a lyric writer under contract to the late Frank Loesser. He made his Broadway debut in 1968 with Here's Where I Belong, which ran for one night. He had better luck with The Robber Bridegroom in 1976, which won him his first Tony nomination. He followed that with five recreated musicals at the Goodspeed Opera House in East Haddam, Connecticut. His first play was Driving Miss Daisy, which began life at the 74-seat upstairs theatre at Playwrights Horizons in 1987 and went on to run for three years and won the Pulitzer Prize in 1988. The film version, starring Morgan Freeman and Jessica Tandy, won the Academy Award for Best Picture of 1989 and gained Uhry his own Oscar for Best Screenplay. His next two Broadway outings won him Tony Awards: The Last Night of Ballyhoo (Best Play of 1997) and Parade (Best Book of a Musical 1999). In 2014, he was inducted into both the Theatre Hall of Fame and the Georgia Writers Hall of Fame. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Alfred Hitchcock is best know for producing psychological horror and suspense movies... 50 films in a 60 year career. As a visual film maker, Hitchcock's work on radio is lesser known. Alfred Hitchcock would crack remarks about the grim psychological topics of the show. He was a master marketer of his films and utilized the power of radio to promote his movies on radio shows like "Lux Radio Theatre," Screen Director's Playhouse.," Screen Guild Theatre," "Suspense," Academy Award Theater, and more including his own show uniquely called "The Alfred Hitchcock Show"....this track "Malice Afterthought" is from the short-lived series with 28 shows. This story stars Hume Cronym and Jessica Tandy... and Hitchcock is heard both narrating and making remarks throughout theshow. There was another version of Malice Afterthought in 1948, however the audio quality of the copies available are not goog. Enjoy "Malice Afterthought" from May 11, 1945. Track will live in the "Horror Suspense" Playlist

Elizabeth generously joins Caitlin for re-record of The Birds. (I forgot to hit record last time... RIP.) Elizabeth is a Birds expert, and she's my Hitchcock Blonde. We look at themes of disaster linked to female psyche, man vs nature, and some Oedipal monstrous motherhood. We also do a deep dive into the troubling production, most of which would not fly today. Tangents include: Nick at Nite, pregnant spiders, Reese's preferences, zoos, aquariums, and hamsters. 

Join us, dear listeners, at the Whistle Stop Cafe, where Idgy, Ninny, Buddy, Grady, Little Buddy, Smokey, Big George and all your best pals are waiting to cook you up a plate of Fried Green Tomatoes (1991), a tale of southern-fried romance and deadly train accidents. In a wide-ranging, free-wheeling, railroad-riding discussion, Laci and Matt unpack this movie and the many questions it raises. Why does Jessica Tandy harass strangers at the nursing home? What about Mary-Louise Parker's pill-addled energy in this movie do we find so appealing? And how is Kathy Bates's character Evelyn like Jigsaw from the SAW movies? Want to watch this episode? Head over to our YouTube channel: https://www.youtube.com/@loadbearingbeams2747 Catch our most recent video episode, on Lake Placid: https://youtu.be/zX7UsWfTDgI Artwork by Laci Roth. Music by Rural Route Nine (Wade Hymel and Matt Stokes). Listen to their album The Joy of Averages on Spotify: https://bit.ly/42vff7s  

Welcome back and Happy Pride, listeners! Paul and Erika are delighted to be ringing in June with 1991's Fried Green Tomatoes, a movie that wears its gayness on its sleeve. Granted the sleeve is on a jacket that's shoved into the back of a closet and rarely worn, but it's there! You can follow That Aged Well on Twitter (@ThatAgedWellPod), Instagram (@ThatAgedWell) and Spoutible (@ThatAgedWell)!  THAT AGED WELL MERCH! Support us on Patreon for bonus content! Hosts: Paul Caiola & Erika Villalba Producer & Editor: Paul Caiola Marketing Director: Erin Lessin  

When you're in a film adapted from a beloved young adult novel like ‘Are You There God? It's Me, Margaret' (April 28), every aspect of the movie has to be just right, so obviously directors turn to Kathy Bates. “I think the heart of acting is dress up...you play dress up and finally this character appears,” Bates told Newsweek's H. Alan Scott. She plays Sylvia, Margaret's grandmother, one of many obstacles Margaret must contend with as she faces puberty, adolescence, religion and discovering her early sexuality in the 1970s. To find Sylvia, Bates remembers something Jessica Tandy once told her. “We're doing our kitchen work. We're gathering all this stuff for the soup and putting this in the pot and that in the pot,” until a character appears. Bates has been doing great “kitchen work” for years, but credits Ryan Murphy for “kicking off this third act” after her Emmy-winning turn on ‘American Horror Story.' She hasn't stopped working since. Bates recently wrapped a new iteration of the drama series ‘Matlock,' which she says is “not your grandmother's Matlock.” “Spending 50 years of your life doing something you love, I'm so grateful.” Over the course of their chat, Bates reveals her favorite film performance, and it's not the one you're thinking of. Visit Newsweek.com to learn more about the podcasts we offer and to catch up on the latest news. While you're there, subscribe to Newsweek's ‘For the Culture newsletter. Follow H. Alan Scott on everything at @HAlanScott. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jeff Bugajski returns to talk Hitchcock with Mark in this 50th episode of the podcast! They're flying to a different bay this time - Bodega Bay - to celebrate the 60th anniversary of the iconic romance-turned-horror film The Birds. Alfred Hitchcock's follow-up to Psycho, based on Daphne Du Maurier's short story and a real-life attack in California, was released in theaters on March 28, 1963, and this time the blood is in beautiful color! They talk about stylish Tippi Hedren in her film debut as Melanie Daniels, a woman who finds herself the target of a cockblocking killer flock, when she just wanted to stalk Rod Taylor's handsome lawyer Mitch Brenner like any normal gal! Meanwhile, Tippi was the target of Hitchcock's obsession in real life while making the film. Plus, they plan Jeff's costume for next Halloween.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of assassination, graphic details of gunshots, homophobia, lies, drugging, conspiracy theories, war. Our last movie for the series is so good, we just don't have much to say about it. Get a story about two strong Southern women, wrap it in a beautiful plot about a pushover finally finding her own strength in the world, and give the bow of Jessica Tandy being the best storyteller ever. That's all you need for this beautiful story about friendship, love, and the South. The cast is incredible, the writing is impeccable, and the directing is…well, it's exactly what it needs to be. In fact, the only problem is the fact that this movie wasn't able to get to the deeper romance between its two leads - and even then, it's still pretty romantic. Grab your hammer and start slamming the walls as we talk about Fried Green Tomatoes this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from "The Whistle Stop Café" from the score to the motion picture Fried Green Tomatoes. Written and composed by Thomas Newman. Copyright 1991 Universal City Studios, Inc.; 1992 MC Records, Inc. Excerpt taken from the introduction to the 64th Academy Awards, conducted by Bill Conti. Aired March 30, 1992 on ABC.

Paul Newman, Bruce Willis, Melanie Griffith, Jessica Tandy...This is a tight, beautiful, down-to-earth film with real heart and real performances. No gloss, no bullshit. And yet it still grabs you by the heart and makes you fall in love with Paul Newman all over again. The story is set in Bath, New York between Thanksgiving and Christmas, and couldn't be a better pick for this week's Celluloid Pudding episode. What an absolute treat. Please join us!

En nuestro Ep. 227 Vanesthy, Gabriel y El Watcher conversan sobre la trayectoria de las actrices Cher, Jodie Foster y Jessica Tandy en el segmento "Awards Spotlight" y hablan sobre su experiencia viendo la primera temporada de "The Rings of Power" (2022), el primer episodio de "Anne Rice's Interview with the Vampire" (2022) y las películas "The Banshees of Inisherin" (2022), "Where the Crawdads Sing" (2022) y "Halloween Ends" (2022). ¡Apoya nuestro contenido uniéndote a nuestro Patreon! Visita: https://www.patreon.com/CulturaSecuencial ¡Síguenos y Suscríbete a nuestro canal de Twitch! Visita: https://www.twitch.tv/culturasecuencial ¡Síguenos en Twitter! Visita: https://twitter.com/CultSecuencial ¡Síguenos en Instagram! Visita: https://www.instagram.com/culturasecuencial ¡Síguenos en Facebook! Visita: https://www.facebook.com/CulturaSecuencial ¡Subscríbete a nuestro canal de YouTube! Visita: https://www.youtube.com/culturasecuencial --- Send in a voice message: https://anchor.fm/culturasecuencial/message Support this podcast: https://anchor.fm/culturasecuencial/support

Join Disney's Ike Eisenmann,  and author, Jonathan Rosen, as they look back at Forgotten Films. This time, the 1981's Honky Tonk Freeway, starring William Devane, Beverly D'Angelo, Beau Bridges, Hume Cronyn, Jessica Tandy, and Teri Garr

GGACP celebrates the birthday (August 8, 1949) of one of their favorite guests, veteran actor and Academy Award-winning musician Keith Carradine with this ENCORE of an interview from 2018. In this episode, Keith looks back at his frequent collaborations with mentor Robert Altman, reminisces about his friendships with Lee Marvin, Ernest Borgnine and Robert Mitchum, and reflects on the life and career of his dad, horror icon John Carradine. Also, Harvey Keitel loosens up, Jerry Lewis shoots hoops, Rod Steiger pays a surprise visit and Jessica Tandy lights up the stage. PLUS: "Love American Style"! Sam Fuller eats a stogie! Kwai Chang Caine hosts SNL! Deconstructing "The Aristocrats"! And Keith wins an Oscar for Best Original Song! Learn more about your ad choices. Visit megaphone.fm/adchoices