Podcasts about underground cinema

On this episode of Do it Again But Better, Jess chats to actor, voice artist, writer and beer connoisseur, Lord Dominic Gruenewald. Having spent the last several years in very close proximity as they regularly tour several shows around the state, Jess and Dom let you in on their secret sisterhood as they swap stories about auditioning for fake audition panels but still booking the role, their surprising connections to Sri Lanka, and their inability to escape from performing a certain Arthur Miller show forever and ever...Dominic graduated from The Actor's Centre Australia in 2018 and quickly forged a prosperous career in Sydney's Shakespearean scene, playing Iago with 63 Globes and Orsino/Sir Andrew Aguecheek in Bar'd Work's sell out season of The Shakesbeer Sessions: Twelfth Night. He is a frequent performer with immersive theatre company Underground Cinema, as well as educational theatre company Complete Works. He is currently working as the swing on ASC's touring production of Midsummer Night's Dream. As you can tell from listening to this podcast, he has a beautiful voice that he has leant to numerous audiobooks.You can find Dom on Instagram at @kaisergruenewaldYou can find your host, Jess Stanley, on Instagram at @jstanny or at www.jessicastanleyactor.comYou can check out Jess's theatre company, Spinning Plates Co. at @spinningplatesco or at www.spinningplatesco.comYou can find Jess as a marriage celebrant at @stanbymeceremonies or at www.stanbymeceremonies.comYou can follow the Do It Again But Better podcast at @doitagainbutbetterThis podcast was created, recorded and edited on the unceded lands of the Wurundjeri people of the Kulin Nation. Always was, always will be. Hosted on Acast. See acast.com/privacy for more information.

This week we have a special treat for listeners: a conversation with avant-garde filmmaking legends Nathaniel Dorsky and Jerome Hiler, and programmer and Light Industry co-founder Thomas Beard. Thomas, along with Film at Lincoln Center programmer Dan Sullivan, has curated New York, 1962–1964: Underground and Experimental Cinema, an upcoming series spotlighting the rise of what Jonas Mekas described as the "New American Cinema." Opening on July 29, the series takes place in conjunction with related programs at the Jewish Museum and Film Forum. In a wide-ranging conversation about a pivotal moment in American film history, Dorsky—whose Ingreen (1964) screens as part of the FLC series—and Hiler regaled us with anecdotes about their partnership in life and filmmaking, the state of moviegoing and movie-making in the New York of the '60s, and the culture-shifting exploits of Jonas Mekas, Gregory J. Markopoulous, Stan Brakhage, Bruce Connor, and others. We also chatted about Hiler's fascinating in-progress film about medieval stained glass, "Cinema Before 1300," and a new book, Illuminated Hours. Nathaniel Dorsky and Jerome Hiler, which was published in Spanish earlier this year and will be available soon in English.

Four out-of-time, underworld characters join forces in helping Klaus deliver the reel. Realities soon converge.

Jeffrey Babcock is an American alternative film curator and cultural activist now in Amsterdam. As a promoter of independent film culture he is currently the programmer of several underground cinema venues throughout the city, where he places the films he screens into a historical, aesthetic, political and biographical context. As a student of Stan Brakhage, he developed a keen interest in experimental cinema and philosophy. He also has a keen eye for finding elements of experimental film-language beyond the strict limits of what is categorized as experimental film: from early science documentaries to contemporary Korean teenage films. LYRICS: Straight, while you watch and curate Consume or create Allowing eternity to enter Free, like the sway of a tree You shrug in its lee This is the stillness that was never still Silently dreaming together Bright light, cutting our night sight Guiding our inflight To a new polarity Big screen informing our dreams Living our slow scenes riding through realities Between the light Between the dark Between the worlds Right, a disguised fight Machine guns of light Doing the maths up to infinity Apart, the flickering art Somewhere smart This is the magic of the cinema Silently dreaming together Bright light, cutting our night sight Guiding our inflight To a new polarity Big screen informing our dreams Living our slow scenes riding through realities Between the light Between the dark Between the worlds And we are The negative Exposed to A positive The principles Of photography Rise us up And set us free Bright light, cutting our night sight Guiding our inflight To a new polarity Big screen informing our dreams Living our slow scenes riding through realities Between the light Between the dark Between the worlds

Tom, Seth, and special guest Miz compete for the title of Screen King in Gordon's pretentious Indie Film Gameshow. Tom tests the fiends on popular movie quotes. And Seth loses everyone's respect after backing down from a friendly wager. All of this and more on this week of Screen Kings Podcast!

  https://www.collectivewhisper.com/podcast-1 Join Simon K tonight at 9pm gmt on the Collective Whisper podcast as he speaks to actress Andrea Kelly about her career so far,her award winning short film roles and current and future roles. Andrea Kelly is an award winning actress for short film Scope for which she won the Best Performance Award at Bolton Film Festival 2018 and Best Actress Winner at the 9th Underground Cinema awards 2018. Recent work includes indie feature Thursdays Child and the voice of the Queen Mother in animation Royals Next Door for RTÉ. Television includes Prosperity,The Clinic and Pure Mule . Andrea has a background in theatre having trained at the Samuel Beckett Centre, Trinity College Dublin and has worked with The Gate, The Abbey, and Druid Theatre as well as other Irish theatre companies. An interesting conversation.Don't miss it. Web: http://andreakelly.ie/ Showreel: https://www.youtube.com/watch?v=yzaOBuKJXr4&feature=youtu.be   Movies & TV Terminal: https://vimeo.com/263770515 Thursday's child: https://vimeo.com/447790726 The Dressmaker: https://vimeo.com/447790726 Scope: https://www.youtube.com/watch?v=Vmkstb8qGGU&feature=youtu.be     Support us!

I speak with underground filmmaker extraordinaire Sujewa Ekanayake about his film Werewolf Ninja Philosopher and the Underground world of filmmaking. Sujewa Ekanayake is a New York City underground filmmaker You can check out Sujewa's website here https://www.sujewa.com/?fbclid=IwAR2xsfKofc2AipvJ8t6WHf4cXOqJNXVtUkUCM-kZu0gv_B77uZjy8wi2ajc YouTube Channel https://www.youtube.com/user/DIYfilmmakerSujewa Instagram @thesujewa Twitter @sujewafantastic Subscribe on iTunes itunes.apple.com/us/podcast/youll…d1453935603?mt=2 Checkout our YouTube content https://www.youtube.com/channel/UCQrUmfPvYdxuBYuvkAREhxA?view_as=public Facebook link www.facebook.com/youllprobablyagree/ Website: www.ypareviews.com Twitter and Instagram @ypareviews

On this episode of the AFS Viewfinders podcast, we visit with the team behind the American Genre Film Archive (AGFA)—founders Joe Ziemba and Sebastian del Castillo, and Director of Business Affairs Alicia Coombs. Now in its 10th year, the Austin-based non-profit was formed to preserve the legacy of genre movies, the more obscure the better. Specializing in horror, sleaze, action, and independent regional filmmaking, as well as international genre cinema with an emphasis on films from Hong Kong, AGFA has quickly become one of the most sought-after archives in the world. The archive counts among its board members and advisors Alamo Drafthouse founders Tim and Karrie League, filmmakers Nicolas Winding Refn and Paul Thomas Anderson, film fans, and Austin area film programmers including AFS's Lars Nilsen. Housing over 6,000 film prints—some of which are the only copies in existence—a 4K film scanner, and theatrical and home video distribution arms, AGFA will never rest until genre movies rule the world.In this conversation, Lars Nilsen talks with Joe, Sebastian, and Alicia about going on ten years strong, how it all got started in a cluttered projection room of the Drafthouse Village, and current projects like the newly released films of Sarah Jacobson, Queen of the '90s Underground Cinema.

On this episode of PFK, Ashley and Amy examine a variety of movies made with Linklater in the director's chair. From 1990s Slacker to recent endeavors like Boyhood and Everybody Wants Some, the team talks about his work and brilliance in bringing unusual characters and scenarios to life. And, for some reason, a tangent that compares his work with Kevin Smith's...

Tamasein Holyman is the founder and director of Secret Squirrel Productions a creative experience agency which amongst other wonderful things produces Underground Cinema a, live, immersive cinema experience held in undisclosed locations in Melbourne and Sydney. Despite being hugely successful these days it wasn't always easy. Tam opens up about the challenges of starting a new business when you're dead broke and how she gained new purpose in life after the loss of her father.  Launched in 2009, and the first of its kind in Australia, Underground Cinema is a secret, live, immersive cinema experience held in undisclosed locations in Melbourne and Sydney. Join our Facebook Group - Maker & Creator Podcast Alex Adams (@msdarlinghurst) is the founder of EatDrinkPlay.com Jye Smith (@jyesmith / @doublestarco) is the founder of Doublestar.co Support the show.

Get ready folks for another exciting addition of underground cinema secrets with the screen kings. Will Gordon finally best Gabe in a battle of pop-culture knowledge? Doubtful, but you'll have to listen to find out for sure on this addition of the screen kings podcast. ending song: Fame by David Bowie

Films komen tegenwoordig in verschillende bioscoopversies uit, zoals 3D, terwijl mensen ook thuis steeds meer geavanceerde thuisbioscopen hebben. In deze aflevering verwonderen de Mediadoctoren zich over bioscoopcultuur: waarom gaan mensen in hemelsnaam nog naar buiten om een film te zien als je alles thuis op je eigen bank kunt bekijken? Dat doen zij samen met  Clara Pafort-Overduin, Universitair Docent bij Media & Cultuur aan de Universiteit Utrecht. In Nederland gaan relatief weinig mensen naar de bioscoop. We bespreken uitgebreid de rol van de Nederlandse Bioscoopbond, de verzuiling en de internationale profilering van de Nederlandse film. Naast de film draait het natuurlijk ook om de bioscoop zelf. In Amsterdam staat de mooiste bioscoop van het land, Tuschinski. Redacteur Folkert Coehoorn maakte met Vincent Crone een item over een bijzonder opwindend plekje in deze bijzondere bioscoop. Redacteuren Thom Aalmoes, Sebastiaan van de Poll en Pim Prins interviewden de Amerikaanse filmgek Jeffrey Babcock geïnterviewd over de ervaring die hij zijn bezoekers wil geven met zijn Underground Cinema's in Amsterdam. Zowel het Tuschinski als Jeffrey Babcock proberen hun bezoeker een bepaalde ervaring mee te geven. We praten over de verschillende manieren waarop de bioscoop kan fungeren als sociale handeling, die kan leiden tot een gedeelde ervaring. Aan het einde van de aflevering formuleren we een antwoord op de vraag. Vincent beargumenteert dat de ervaring van de bioscoop als avondje uit niet zo veel verschilt met vroeger, omdat de reden om een bioscoop te bezoeken niet is veranderd. Pafort-Overduin stelt dat er meerdere aspecten meespelen, maar de sociale handeling - die niet alleen is voorbehouden aan stelletjes die op date zijn – van belang is.

This week Marc and Jono sit down with Underground Cinema director Stephen P Quinlan to talk about Experimental Movies. "Guy's this is where it all starts"