Podcasts about agfa

This week Bryan and Dave take a trip down south to Orlando, Florida for a look at the utterly baffling but thoroughly charming martial arts movie from Grandmaster YK Kim, Miami Connection. This one's got it all. You get a rock and roll band that's also a bunch of taekwondo black belt vigilantes, a scummy gang of coke dealin' rednecks, ninjas on motorcycles, and a battle of the band that is a little more literal than you might be expecting. Along the way you'll learn a thing or two about how great taekwondo is and the power of friendship and family.Utterly trashed upon release and rejected by nearly every distributor that saw it, Miami Connection nearly ruined YK Kim but his sheer force of personality saw it through and the good folks at AGFA and The Alamo Drafthouse in Austin saw a sincerity in it that its contemporaries utterly lacked. It's because of this that Miami Connection roared back into life and lives comfortably in the hearts of all who see it. We love it so much that Grandmaster Kim graces our own podcast art.Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠Support Bring Me The Axe! on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠Buy Bring Me The Axe merch here:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠

The healthcare industry is traditionally resistant to change, but the adoption of new technologies like cloud and AI is accelerating.  In this episode, Simon Omer, a healthcare technology leader with over 20 years of experience, joins us to discuss the transformation of healthcare through cloud computing, AI, and advanced diagnostics. Discover how AGFA HealthCare is tackling the challenges of legacy systems, driving automation, and integrating data to improve patient care.  Tune in and learn how data-driven solutions are transforming healthcare! Resources: Connect with and follow Simon Omer on LinkedIn. Follow AGFA HealthCare on LinkedIn and visit their website!

Send us a textDiscover the future of print technology with our fascinating guests, Martin Shipp, COO of Delta, and Matt Brooks from Agfa. Join us as we explore Delta's impressive relocation journey to their cutting-edge Thorley facility, successfully moving 450 staff members with stunning retention success. Martin shares how Delta stands at the forefront of the UK print industry, renowned for their point-of-sale and retail solutions, with a projected turnover of a staggering £130 million. Meanwhile, Matt dives into Agfa's strategic partnership with Delta, spotlighting the groundbreaking installation of the Orca machine, a marvel of engineering that promises to revolutionize Delta's production landscape.Gain a deeper understanding of how trust and innovation drive successful partnerships in the print industry. We discuss the role of advanced technology investments like the Orca machine in enhancing performance and efficiency, as well as the advantages of a diverse equipment portfolio. Uncover the unique benefits and challenges of adopting aqueous single-pass technology, offering significant environmental and cost-saving advantages over conventional UV printing. Together, we unravel the elements that make Delta and Agfa's collaboration a testament to shared visions and pioneering advancements in print technology.Listen on:Apple PodcastGoogle PodcastSpotifyWhat is FuturePrint? FuturePrint is a digital and in person platform and community dedicated to future print technology. Over 15,000 people per month read our articles, listen to our podcasts, view our TV features, click on our e-newsletters and attend our in-person and virtual events. We hope to see you at one of our future in-person events:FuturePrint TECH: Leaders Summit 1 April '25, Valencia, Spain FuturePrint TECH: Packaging & Labels 2-3 April '25, Valencia, SpainFuturePrint TECH: Industrial Print: 22-23 October '25, Munich, Germany

Jackie and Greg are joined by Jackson Cooper, Executive Director of AGFA (American Genre Film Archive) for Jacques Tati's PLAYTIME from 1967. Topics of discussion include the film as an explosion of Where's Waldo? on 70mm, how Tati distances himself from the M. Hulot character in the film, the personal and financial toll it took on him to bring it to screen, and why it endures and continues to ascend the Sight & Sound list each decade.#43 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#23 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeGet more of Jackson Cooper: https://jcooperarts.comCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

Argentinian artist Tomás Saraceno's studio is two big and old industrial units covered in graffiti, in what was East Berlin. This was where the company AGFA developed and made the chemicals that made colour photography possible. The ground is so polluted Saraceno's lease forbids him from growing any vegetables, and this matters to this environmentally concerned artist. But the industrial past of Studio Saracen is fitting as Tomás' work is highly technical. Here he has an architecture department, an arachnid research laboratory and an engineering works. He has about 40 people working on different projects. Tomás talks to Julian May about some of his projects, including Aerocene - sculptural hot air balloons that ascend and fly without the use of any fossil fuels, by capturing the reflected heat of the sun. His ambition is to create a kind of slow aviation, in which his balloons circumnavigate the globe on air currents.

In deze aflevering van Z 7 op 7:Bij Agfa-Gevaert in Mortsel staan 530 banen op het spel. De beeldvormingsgroep wil de komende drie jaar 50 miljoen euro besparen.  Een opvallende winnaar van de Henry Van de Velde-prijzen. Een nieuwe bestralingstafel voor borstkankerpatiënten wint de Business Innovation Award.In ons dagelijks beursgesprek analyseert Siddy Jobe van Technopolis de cijfers van ASML na hun beleggersdag.En in Tussen Wetstraat en Wall Street hebben collega Jens Leen en Head of Business News Jan De Meulemeester het over Bart De Wever. Wil die als hoofd van de Vlaams-Nationalistische partij wel premier van België worden?

Les patrons wallons s'inquiètent beaucoup de l'arrivée de Donald Trump à la Maison-Blanche, ils craignent une nouvelle perte de compétitivité.  Les voitures deviennent de plus en plus grandes et plus lourdes. Quels sont les impacts pour les villes déjà terriblement engorgées?  Coup de tonnerre chez Agfa, qui annonce une restructuration massive à Anvers. 530 emplois pourraient être supprimés. Le Brief, le podcast matinal de L'Echo  Ce que vous devez savoir avant de démarrer la journée, on vous le sert au creux de l'oreille, chaque matin, en 7 infos, dès 7h. Le Brief, un podcast éclairant, avec l'essentiel de l'info business, entreprendre, investir et politique. Signé L'Echo. Abonnez-vous sur votre plateforme d'écoute favorite Apple Podcast | Spotify | Podcast Addict l Castbox | Deezer | Google Podcasts  See omnystudio.com/listener for privacy information.

Get ready for a wild deep dive into the world of cult cinema preservation! Mike sits down with Jackson Cooper to uncover the incredible work of the American Genre Film Archive (AGFA). From rescuing the rarest of grindhouse gems to giving life to lost horror, sci-fi, and action films, AGFA is on a mission to save the strange and spectacular corners of film history. Together, they explore how this non-profit powerhouse preserves, restores, and redistributes the films that defy genre and have captivated die-hard fans for decades.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Get ready for a wild deep dive into the world of cult cinema preservation! Mike sits down with Jackson Cooper to uncover the incredible work of the American Genre Film Archive (AGFA). From rescuing the rarest of grindhouse gems to giving life to lost horror, sci-fi, and action films, AGFA is on a mission to save the strange and spectacular corners of film history. Together, they explore how this non-profit powerhouse preserves, restores, and redistributes the films that defy genre and have captivated die-hard fans for decades.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

The final week of Cruel Summer Slashback is here...and man it's a doozy... Two slashers that have been married for decades: Terror at Tenkiller (1987) and The Last Slumber Party (1988)

Re-Connected is a weekly live show where we go over boutique blu ray announcements, physical media sales, and sometimes we go over unboxings/collection updates. We are a community of cult movie fans that enjoy getting together to discuss what is releasing. This week we are joined by Dr. WIll Dodson, as per usual... and we are also joined by Bret Berg from AGFA!! We will cover all of the announcements for the week and then have a discussion on AGFA and our favorite AGFA releases! Join us! Hope to see you in the chat!-AGFA Website: https://www.americangenrefilm.comFacebook: https://www.facebook.com/americangenrefilmarchiveTwitter: https://twitter.com/filmarchiveInstagram: https://www.instagram.com/agfa/Bret's Show: https://www.museumofhomevideo.com/Shop through Vinegar Syndrome: https://vinegarsyndrome.com/collections/agfaShop through Amazon: https://amzn.to/3vaHudD-Will contributed to a book on Wes Craven and it is available here: https://edinburghuniversitypress.com/book-refocus-the-films-of-wes-craven.htmlWill also contributed to a new book on Tod Browning and it is available from the publisher here: https://bearmanor-digital.myshopify.com/products/scripts-from-the-crypt-no-12-tod-browning-s-the-revolt-of-the-dead-paperbackOrAmazon: https://amzn.to/3AEYQkIWill's recent book he helped edit: https://utpress.utexas.edu/9781477322833/american-twilight/Or buy it on Amazon: https://amzn.to/3PWDuFEI'm Dangerous Tonight (Will is on the commentary): https://amzn.to/3PUuPU6Follow Will Dodson on Twitter: https://twitter.com/wdodson52Follow Will Dodson on Instagram: https://www.instagram.com/wdodson52/-Buy The Physical Media Advocate (zine) on Amazon: https://l.linklyhq.com/l/1utJN-Become a patron here: https://www.patreon.com/DiscConnected-Disc-Connected: https://linktr.ee/discconnected-Someone's Favorite Productions: https://linktr.ee/someonesfavoriteproductions-Everything Film Foundations: https://linktr.ee/filmfoundations -Shelf Shock Rewind: https://linktr.ee/shelfshockrewind-Email: DiscConnectedMedia@gmail.com--Merch: https://www.teepublic.com/user/the-disc-connected-Podcast: https://www.spreaker.com/show/the-disc-connected-If you happen to be shopping on Amazon for something and would like to share some of Lord Bezos' profits with my channel at no additional cost to you, please consider shopping through my link: https://amzn.to/39mcX1t-Tip Jar: https://www.paypal.com/donate?hosted_button_id=TDEVSPJZ9EFCWorpaypal.me/RVinls (friends and family only)or Amazon wish list: https://www.amazon.com/hz/wishlist/ls/20CR2ZN456P1B?ref_=wl_share-Music is by Michael J. LeRose- michaelxcreates@gmail.com.Outro is K(NO)W by Crusoe via a Creative Commons Attribution License and verbal/written permission from the artist.-Links above may be affiliate/promotional links that provide me a tiny commission to support the site and do not charge the consumer anything extra.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-disc-connected--6024210/support.

Navigating a carve-out? Get an insider's view on the procurement strategies that can help you achieve a seamless transition.In this episode, we delve into the complexities of procurement in corporate carve-outs with Paolo Lepore, Head of Global Procurement at ECO3. Paolo discusses his role in navigating the separation from Agfa, highlighting the critical aspects of change management, the power of data, and effective supplier management. You'll learn:1. The essential elements of change management in a carve-out.2. How to leverage data and knowledge for seamless procurement operations.3. Strategies for effective supplier management during a corporate transition.4. Key lessons in handling people and process adjustments post-carve-out.___________Get in touch with Paolo Lepore on LinkedIn: https://www.linkedin.com/in/paolo-lepore-dr-ing-mba-67799b3/___________Details about ECO3:Website: https://eco3.com/Industry: Printing ServicesSize: 1,001-5,000 employeesYear: 2023___________About the host Richard McIntosh:Richard McIntosh, Partner at H&Z Management Consulting, has spent over 23 years helping procurement leaders succeed. Richard is an avid rugby fan, and a children's rugby coach, with a passion for helping children to become their best selves through sports. He spends his time outside of work with his wife and children. Get in touch with Richard McIntosh on LinkedIn: https://www.linkedin.com/in/mcintosh-richard/___________The Procurement Initiative Leaders Podcast is powered by H&Z Management Consulting in collaboration with SAWOO. 

The topic of box cameras hasn't been discussed in a great deal since our first season, so Alex is back with a solo episode about his box camera collection, both his historic cameras and a few modern cameras that may not look like those simple box cameras but are in the same theme. Cameras include several Agfa cameras (Box 50, Click II, Clack and Isoly Jr), a 1915 Kodak Hawk-Eye Model C and modern options like Holga, RETO, and Lomography cameras, from the cameras themselves to having fun and choosing films.

On May 14, 2024, CEO Pascal Juery candidly addressed the investors, depicting initial hurdles but maintaining optimism for the forthcoming periods. He stated, "At the end of this first semester, we'll be in rolling mode again in terms of order intake. It's just a phasing issue. And actually if anything, I would say we have good momentum today in the market and I'll come back to that in a minute."The Healthcare IT sector, typically a strong performer for Agfa-Gevaert, experienced deceleration during the quarter. However, Juery expressed expectations of recovery, citing good market momentum and anticipation of improved order intake.The Digital Print & Chemicals (DPC) sector had a slower-than-anticipated start to the year due to customers' recalibrating investment decisions and ongoing product portfolio renewal. Growth is expected to pick up in future quarters.The Radiology sector faced a convergence of challenges, including declining volumes and manufacturing quality concerns, which Juery described as a "perfect storm." However, a return to normalcy is anticipated by the second quarter.Despite these challenges, Agfa-Gevaert's ventures into HealthCare IT, ZIRFON for hydrogen infrastructure solutions, and Digital Print Solutions are pivotal for revitalization and expansion. The Digital Print Solutions division saw a 6% revenue uptick, indicating sustained growth and market penetration.Significant investments and ambitious plans are in place across key divisions. ZIRFON is set to ramp up production capacity by 2025 to cater to the hydrogen market, with financing strategies like leasing under consideration. Agfa HealthCare IT is enhancing its cloud services offerings, while partnerships like the one with EFI for Digital Print Solutions are expected to propel growth and solidify market position.Agfa-Gevaert's commitment to sustainability, with a goal of reducing emissions by 62% by 2030, underscores a balance between ambition and environmental responsibility.While navigating turbulence, Agfa-Gevaert showcases resilience and adaptability, dedicating itself to sustainable growth and industry leadership through strategic maneuvers and innovations, as acknowledged by Juery during the earnings call. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit theearningscall.substack.com

Salut les primates, salut les spartiates et salut à ceuzz entre les deuzz. Je suis le docteur Zaius et vous écoutez l'épisode 46 de Cornelius & Zira, le fanzine audio dédié en grande partie à l'univers de la Planète des Singes. Dans le précédent épisode, on a parlé de ce que l'on connaît déjà du scénario de Kingdom of the Planet of the Apes. Aujourd'hui, on va parler de ce que l'on sait déjà de la production de ce 10è film de la saga Planet of the Apes. Si jamais vous écoutez cet épisode longtemps après sa publication, sachez qu'il a été enregistré le 30 avril 2024 et que Kingdom of the Planet of the Apes n'est sorti en France que le 8 mai. Son titre français est La Planète des Singes : Le Nouveau Royaume, mais pour faire plus simple, on l'appellera Kingdom pour tout le reste de l'épisode :) Cornelius and Zira - Ep # 46 - La Planète des Singes : Le Nouveau Royaume | La production du film C'est Wes Ball qui a réalisé Kingdom. Au cas où son nom ne vous direz rien, c'est lui qui a réalisé la trilogie The Maze Runner, sorti en France sous le titre Le Labyrinthe. The Maze Runner, c'est une adaptation d'une série dystopique appartenant au genre Young Adult - des romans pour ado dans la veine de Hunger Games, si ça vous parle un peu plus dit comme ça. Pour être transparent, j'ai regardé le premier des trois films et, sincèrement, je n'ai pas détesté, tout en ayant conscience que je ne suis pas exactement le cœur de cible. Par certains aspects, l'histoire rappelle celle de Sa Majesté des Mouches et c'est certainement ça qui a capté mon attention, mais probablement pas suffisamment pour que je trouve le temps de regarder les deux films suivants. Wes Ball est un jeune réalisateur. Il est né en 1980, il a donc 32 ans en 2012 lorsqu'il est engagé pour réaliser Le Labyrinthe, son tout premier long-métrage, qui sort en 2014. Il réalise également les deux films suivants de la trilogie, qui sortent en 2015 et 2018. Kingdom est le 4è long métrage réalisé par Wes Ball. Il y a de fortes chances qu'il ait été approché parce qu'avec la trilogie Le Labyrinthe, il a prouvé qu'il était capable de réaliser des films avec beaucoup d'effets numériques mais dont le coût reste raisonnable et qui fonctionnent plutôt bien au box-office. Le premier film 34 millions et en a rapporté 10 fois plus. Il a eu droit à des budgets deux fois plus conséquent pour les deux films suivants, tout en restant autour de la barre des 300 millions au box-office. Je reconnais que ce n'est pas un domaine qui m'intéresse énormément, mais ce sont des chiffres tout à fait honorable, je pense. Mais comme je l'ai dit dans le précédent épisode, dans un premier temps, Wes Ball a été frileux à l'idée de réaliser un nouveau film Planet of the Apes. Ça peut se comprendre. Il sortait d'une trilogie et il n'avait pas forcément envie de repartir sur un film de franchise avec un budget conséquent. Et puis il faut aussi dire qu'il sortait d'une grosse déception. Wes Ball devait réaliser l'adaptation en capture d'image d'un comics qui s'appelle Mouse Guard. Le projet était très ambitieux, avec Matt Reeves comme producteur et Andy Serkis parmi le casting. Le film devait sortir chez la Fox, mais avec le rachat par Disney, la production du film a été annulée - au grand dam de Wes Ball. Mais ce qui vous ne vous aura surement pas échappé, c'est que je viens de prononcer le nom d'Andy Serkis, qui a joué le rôle de Caesar dans la dernière trilogie de la saga Planet of the Apes et que j'ai également prononcé le nom de Matt Reeves, qui a réalisé les deuxième et troisième film de cette trilogie. Il n'est donc pas impossible que ça explique aussi comment Kingdom ait été proposé à Wes Ball. Mais, justement, d'où est venu l'idée de prolonger la précédente trilogie et de faire un quatrième film ? En 2017, War for the Planet of the Apes offrait une très bonne conclusion à la trilogie. Cependant, directement après sa sortie, l'idée d'un autre chapitre faisait son chemin. Dans une interview donnée à Yahoo UK Movies, Matt Reeves, le réalisateur donnait une piste pour un nouveau film, dès la sortie de War. Rappelez-vous du personnage de Bad Ape. Au cours du film, Caesar et ses compagnons croisent la route de Bad Ape, un singe dont les capacités cérébrales ont été augmentées suite aux effets du virus ALZ-113. Pour faire plus simple, même si je ne suis pas certain de trouver la formation très heureuse, on va dire que c'est un singe intelligent. Sauf qu'il s'agit du premier mais aussi du seul singe intelligent que l'on voit à l'écran qui ne fait pas partie du groupe de singes mené par Caesar. Pour paraphraser Matt Reeves, Bad Ape est en réalité la graine d'une forêt. Il existe un monde bien plus vaste dans lequel d'autres communautés de singes se sont développées, ce qui veut dire qu'elles peuvent finir par se rencontrer et avoir des relations conflictuelles, toujours selon Matt Reeves. Dans une autre interview accordé au site Inverse, toujours en 2017, Mark Bomback, l'un des co-scénaristes de Dawn et War for the Planet of the Apes, introduit l'idée que la suite de War pourrait se passer longtemps après, pour voir comment Caesar devient une figure mythologique comparable à Moïse. On retrouve là les bases de l'idée de scénario que Wes Ball va proposer au studio, mais on ne va pas refaire l'épisode précédent. L'idée n'est pas d'écrire une suite directe aux trois précédents films, mais bien d'écrire une nouvelle histoire, située dans le même univers, plusieurs siècles plus tard. Cette idée a été soumise à Rick Jaffa et Amanda Silver. Jaffa et Silver, ce sont eux qui ont écrit le scénario de Rise of the Planet of the Apes, le premier film de la trilogie et qui ont co-écrit les deux films suivants, Dawn et War, avec Mark Bomback, dont on a parlé juste avant. Lorsque Wes Ball a discuté avec Rick Jaffa et Amanda Silver, ils sortaient de l'écriture d'Avatar 2 et c'est assez naturellement je pense qu'ils ont présenté Josh Friedman à Wes Ball puisque Friedman, est l'un des scénariste d'Avatar 2. Finalement, Friedman est crédité comme unique scénariste de Kingdom. Je ne vais pas vous lire toute sa fiche Wikipedia, mais il est également crédité comme co-scénariste de l'adaptation de La Guerre des Mondes, réalisée par Spielberg. Il est également crédité comme scénariste de l'adaptation du Dahlia Noir, réalisé par De Palma. Il est aussi auteur et producteur de l'adaptation en série du comics Locke & Key et il est crédité comme auteur, producteur, créateur et développeur de la série Terminator : The Sarah Connor Chronicles.Rick Jaffa et Amanda Silver sont toujours impliqués dans Kingdom en tant que producteurs. Je ne vais pas m'attarder plus sur les détails de la pre-production qui a dû se faire en partie à distance, en raison de la pandémie de COVID-19, sans parler du fait que la Fox a été racheté par Disney, qui a son propre cahier des charges On va plutôt se concentrer maintenant sur des déclarations faites par Wes Ball concernant le tournage lui-même, que je trouve vraiment intéressantes et qui peuvent donner une idée de ce à quoi va ressembler le film. On ne va pas aller à travers tout le casting du film, pour ne pas être trop fastidieux. Juste une précision importante : aucun des membres de la distribution du film n'avait fait de motion capture au préalable (ou capture de mouvement en bon français). Pour celles et ceux qui ne verraient pas ce que c'est, il faut imaginer que les actrices et les acteurs qui incarnent des singes tournent leurs scènes en portant des combinaisons sur lesquelles se trouvent des capteurs qui enregistrent leurs mouvements. C'est ce qui permet ensuite d'animer les versions numériques des singes. Les actrices et acteurs ont également des capteurs sur le visage qui sont filmés par une caméra fixée devant leur tête grâce à une tige attachée à la cagoule de leur combinaison. Si vous n'avez jamais vu d'images de making-off de film réalisé en motion capture, c'est peut-être un peu difficile à visualiser. Mais ce qu'il faut comprendre, c'est que, non seulement les actrices et les acteurs qui jouent des singes doivent apprendre à bouger, à se déplacer, comme des grands singes, mais en plus, ils doivent le faire encombré d'un attirail un peu contraignant. Pour cela, ils ont donc participé à un camp d'entraînement. Ils y reçu la visite d'Andy Serkis qui a pu leur donner de précieux conseils. D'après Wes Ball, Andy Serkis a été d'une rare gentillesse. Ne soyons pas naïf, on sait bien que pendant la phase de promotion d'un film, il est de bon ton de dire que tout le monde il est beau, tout le monde il est gentil, mais j'avoue que j'ai envie de le croire :) Pour conclure avec la capture de mouvement, il y a quelques jours, Wes Balla accordé une interview à la chaîne YT Ape Nation (https://www.youtube.com/watch?v=GKBoD2PQgus) Dans cette interview, il parle des futurs bonus du blu-ray du film. Il explique qu'il souhaite que l'on puisse voir le film dans son entièreté sans le moindre effet numérique. Le but, c'est que l'on puisse apprécier le travail des actrices et des acteurs qui interprètent des personnages simiens. Ça risque d'être assez étonnant, surtout quand on sait qu'il y aura très peu de plans dans Kingdom dans lesquels il n'y aura pas de singes.Concernant le tournage en lui-même, il a débuté en octobre 2022 dans les studios australiens de la Fox qui sont situés à Sydney (qui ont depuis été renommés Disney Studios Australia). Le tournage s'est achevé en février 2023. Un détail qui me plait tout particulièrement, c'est le nom de film utilisé pendant la production, c'était Forbidden Zone, une référence au film de 1968 qui ne peut que me plaire ! Mais pour en revenir au lieu de tournage, rappelons que les précédents films avaient été tournés à Vancouver (quand bien même ils étaient supposés se dérouler dans la région de San Francisco). Ça donnait un ton sombre à la photographie, ce qui collait bien avec l'histoire des films. Mais Wes Ball voulait s'en démarquer pour Kingdom. Wes Ball a voulu se rapprocher du film de 1968. Toujours dans l'interview donnée à Ape Nation, il a expliqué avoir fait le choix d'une réalisation assez sobre, pour donner une touche old-school à son film. Il a également fait le choix d'utiliser des objectifs anamorphiques, pour se rapprocher visuellement des films tournés en CinemaScope dans les années 50/60. Je ne vais pas rentrer ici dans des considérations techniques que je ne maîtrise pas mais sachez que, apparemment, ça a été un challenge pour Wētā FX, la célèbre société néo-zélandaise d'effets visuels que l'on ne présente plus et qui avaient déjà été en charge des effets spéciaux numériques de la précédente trilogie. Les objectifs utilisés la plupart du temps sont des objectifs ronds alors que les objectifs anamorphiques sont ovales, ce qui entraîne un effet de distorsion avec lequel il a fallu se débrouiller pour les images numériques.Donc si le tournage a duré 4 mois et demi, la post production a quant à elle duré un an !Wes Ball a également fait le choix pour l'échantillonnage des couleurs de se baser sur d'anciennes pellicules AGFA. L'idée directrice est d'avoir une image différente des films précédents, plus lumineuse, mettant en valeur dans des plans larges les décors de ce monde post-apocalyptique. Même si j'essaie de ne pas trop m'emballer, parce que je suis toujours pas vraiment certain de ce que peut donner un Planet of the Apes à la sauce Disney, j'aime bien les notes d'intention données par Wes Ball. Je vous invite à regarder l'interview de plus d'1h20 qu'il a accordé à Ape Nation. Je le pense vraiment sincère lorsqu'il explique qu'il est fan depuis l'adolescence du film de 1968 et son enthousiasme est franchement communicatif. Kingdom sera sur les écrans le 8 mai en France et j'ai vraiment hâte d'y être. Je ne pense pas que j'aurai le temps d'enregistrer de nouvel épisode d'ici là, donc le prochain sera peut-être un débriefing à chaud, on verra bien. En attendant, vous pouvez toujours écouter les autres épisodes de Cornelius & Zira qui sont disponibles sur podcloud, spotify, deezer et de nombreuses applications ios et android, sans oublier youtube. Retrouvez les notes de l'émission sur docteur-zaius.lepodcast.fr et suivez-nous sur twitter, facebook, instragram, bluesky, mastodon et même tik tok pour du contenu supplémentaire en lien avec cet épisode. Merci à toutes celles et ceux qui relaient la sortie des épisodes, qui commettent, laissent des avis, des étoiles et des pouces en l'air, ça fait toujours plaisir :) Si vous avez écouté cet épisode sur une plage, à cheval, en filmant avec un objectif anamorphique une statue en ruine, vous étiez forcément dans le vrai ! D'ici au prochain épisode, portez-vous bien, prenez soin de vous et de celles et ceux que vous aimez et à très bientôt les primates ! podCloud | Apple Podcast | YouTube | Spotify | BlueSky | Mastodon | Le serveur Discord super secret | Twitter | Facebook | Instagram | TikTok

In this episode, Brian runs down a selected group of Vinegar Syndrome Partner label releases including discs from AGFA, Deaf Crocodile, Canadian International Pictures, Dekanalog and more. Check out and order partner label titles here: https://vinegarsyndrome.com/collections/frontpage-partner-labels This week's episode is also brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! twitter.com/justthediscspod We're also on Instagram! instagram.com/justthediscspod/

On this episode of They Live By Film, Chris catches up with previous guests Joe Ziemba (Creative Director), and Bret Berg (Theatrical Sales Director), about everything going on at American Genre Film Archive (AGFA)https://www.americangenrefilm.com/Adam's Letterboxd: https://letterboxd.com/TheOwls23/Adam's Twitter/X: https://twitter.com/adamlundy23Zach's Letterboxd: https://letterboxd.com/dharmabombs/Chris' subreddit: https://www.reddit.com/r/personalhistoryoffilmChris' Twitter/X: https://twitter.com/prsnlhstryfflm

Director James Bryan and Joseph Ziemba & Sebastian del Castillo from AGFA

Thanks for reading Superpowers School! Subscribe for free to receive new posts and support my work.Steve Multer, a professional corporate storyteller, talks about how storytelling can help product managers enhance product connection, communication and user engagement. Steve touches on how the human brain processes information, and how this affects marketing practices today. Steve speaks in detail about how product leaders can create differentiation, clear obstacles from a customer's path, and motivate them to take action. Additionally, he shares insights on how product managers at various brands, including John Deere, Apple, Tesla, and Andrex have leveraged storytelling for marketing success.Download Steve's free 5 Paths to Passionate Storytelling eGuide and to sign up for Tuesday Tips & Tricks:https://corporatestorytelling.com/guide  code: soldtold2300:00 Introduction and Personal Update00:40 Guest Introduction: Steve Multer01:53 The Superpower of Corporate Storytelling01:57 The Need to Abolish Corporate Speak03:34 The Charm of Chicago: A Personal Perspective06:22 The Power of Books and Reading09:27 The Art of Corporate Storytelling17:25 The Impact of AI on Careers23:19 The Power of AI in Storytelling29:31 The Impact of Technology on Traditional Methods29:44 The Evolution of Animation: From Hand-Drawn to Digital30:38 The Role of AI in Animation and Gaming Industries31:00 The Power of AI in Tech Sphere and Cloud Transition32:28 The Evolution of Human Behavior with Technology32:53 The Changing Landscape of Storytelling33:42 The Impact of Technology on Human Attention Span37:00 The Art of Engaging Audience in Storytelling38:46 The Power of Human Stories in Marketing40:24 The Role of Emotion in Product Differentiation45:45 The Impact of Community Building and Visual Learning51:47 The Power of Experiential Learning in Marketing56:33 Conclusion: The Power of Human Connection in StorytellingThanks for reading Superpowers School! Subscribe for free to receive new posts and support my work.Steve Multer (Corporate Storytelling)Steve Multer has delivered more than 20,000 onstage and on camera presentations to over 2.5 million audience members across the Americas, Europe, and Asia for global brands that include Cisco, Panasonic, Fujifilm, Siemens, AGFA, Volvo, Philips, Xerox, HP, and Bayer. Fortune corporations trust Steve to reveal their core value, passion, and connection to customers, partners, and media analysts. Steve is also a leader in executive presence and winning communication training and speaker coaching. He partners with multinational organizations including Splunk, Spirent, RingCentral, Florida International University, and Lufthansa to uplevel their brand stories, and is recognized by C-Suites and sales teams for personalized, engaging programs that bring out the very best in each presenter, at any level in their career. Steve's new book, Nothing Gets Sold Until the Story Gets Told: Corporate Storytelling for Career Success and Value-Driven Marketing, is available in hardcover, paperback, eBook, and audiobook from Amazon and all retailers. Steve is a Professional member of the National Speakers Association and the Dramatists Guild, an avid foodie, world traveler, travel planning expert, happy husband, lucky dad to two amazing daughters, and proud non-native Chicagoan.

On this episode of the Cinematic Void Podcast, we continue our film programmer series with Bret Berg. Bret has worked on both sides of the repertory cinema coin as a programmer/exhibitor and now as a film distributor through the American Genre Film Archive aka AGFA. We get real insider baseball on the weird and wild world of film programming along with sidebars about the films of Clint Eastwood and not being able to screen the Rob Zombie version of THE MUNSTERS theatrically. Bret also talks about his weekly streaming endeavor the highly entertaining MUSEUM OF HOME VIDEO and of course, looks back at some of his highlights from his early days as a film programmer. You can find AGFA at https://www.americangenrefilm.com/ and Museum of Home Video at https://www.museumofhomevideo.com/

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May 16: Walk the floor with This Week Health. Check out the booths you may have missed at the spring health IT conferences. In this episode we feature:Travis Bias, Chief Medical Officer, Clinical Solutions at 3M Rich Birhanzel, Senior Managing Director at AccentureJason Knox, Solutions Manager, Enterprise Imaging at AGFA HealthCareJason Bevis, Cybersecuirty professional services at Arista NetworksJoin us on June 8 at 1PM ET for our webinar: 'The Future of Care Spaces' This webinar will focus on the latest healthcare technologies and solutions transforming care spaces in America. Care spaces can include hospitals, clinics, and at-home treatments where advanced technologies can enable better workflows, treatments, and patient outcomes. Register Here: https://thisweekhealth.com/future-of-care-spaces/Subscribe: This Week HealthTwitter: This Week HealthLinkedIn: Week HealthDonate: Alex's Lemonade Stand: Foundation for Childhood Cancer

Bret Berg of The American Genre Film Archive and Museum of Home Video visits Screen Slate HQ along with returning co-hosts Caroline Golum and John Klacsmann. A beloved fixture of the LA film scene, Bret gives us an insider report on its resurgent rep film culture. We also talk about AGFA's film restoration projects (including Joe Dante's The Movie Orgy and something called Bat Pussy), the nuts-and-bolts of film programming, and MOHV's online video variety show, or “college radio for the eyes,” as Bret calls it.Museum of Home VideoThe American Genre Film Archive[Patreon only] Bonus episode (link forthcoming)[Patreon only] 2020 Microcinema Streaming Summit ft. Screen Slate, MOHV & SpectacleSupport the showThe Screen Slate Podcast is supported by its Patreon members. Sign up and get access to bonus episodes, our lockdown-era streaming series archives, discounts from partners like Criterion and Posteritati, event invitations, and more.

Lori Anderson, President & CEO of The International Sign Association (ISA), and Deborah Hutcheson, Director of Business Development North America at Agfa and newly elected chairwomen of the ISA board, join Deborah Corn to discuss how the ISA is helping grow the sign and graphics sector, the current trends and challenges in the industry, and the org's annual event, Sign Expo.    Mentioned in This Episode: Lori Anderson: https://www.linkedin.com/in/andersonlorim/ The International Sign Association: https://www.signs.org/ ISA International Sign Expo 2023: https://www.signexpo.org/ Deborah Hutcheson: https://www.linkedin.com/in/deborah-hutcheson-00805a4/ Agfa: https://www.agfa.com/corporate/ Deborah Corn: https://www.linkedin.com/in/deborahcorn/  Print Media Centr: https://printmediacentr.com Project Peacock: https://ProjectPeacock.TV Girls Who Print: https://girlswhoprint.net

In this episode, Brian runs through some of the many Vinegar Syndrome Partner label releases from January 2023 - including new discs from DEAF CROCODILE, AGFA, CANADIAN INTERNATIONAL PICTURES, ETR MEDIA, DEKANALOG, GUNPOWDER & SKY, SATURNS CORE and UTOPIA. This week's episode is also brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! twitter.com/justthediscspod We're also on Instagram! instagram.com/justthediscspod/

Smut Peddler and Django Nudo cover two big film topics for the price of one, while also cursing Roku for still not having sorted out the missing Cultpix films. First up is Daimajin, the giant demon god stone statue that comes alive and wrecks destruction on the unjust. Daiei produced no less than three Daimajin films in the span of one year (1966): "Daimajin", "The Return of Daimajin" and "Daimajin Striked Again". They are firmly in the Kaiju tradition and trace their roots to an unrealized sequel to the original Gamera, which will also be shown on Cultpix later this spring. They also have a kinship to the North Korean "Pulgasari" (1985). The plot of the first two are fairly identical, with Daimejin saving peasants from an evil feudal lord, but the third has an added kids-on-a-quest sub-plot that elevates it. Interestingly this trilogy was made the same year as several of the films from Doris Wishman's 'Moonlight' period, that is the second season of her films on Cultpix. This is when the maverick cult director moved from the nudie-cuties of the early 60s to roughies, resulting in darker films, but still with tell-tale Wishman touches, like cut-aways to shoes and lamps.  These hard-nosed, sex-focused noirs stand tall as some of her greatest, most perverted work. AGFA calls them “triumphant DIY treasures”. We are in debt to AGFA, Something Weird Video and Vinegar Syndrome for these remarkable films being available to share with you.Included are "The Sex Perils of Paulette" (1965), a twist on the The Perils of Pauline films in Wishman's first 'roughie'; adultery and betrayal in "My Brother's Wife" (1966), with Wishman's signature downbeat conclusion; the housewife-on-the-run-forced-into-prostitution-classic "Bad Girls Go to Hell" (1965), considered to be   “Wishman's formula perfected,"; the non-cannibal "A Taste of Flesh" (1967), with lesbians and political assassination attempts; a rare male lead in the form of a gigolo in "Too Much, Too Often" (1968); a respectable middle class woman is forced into prostitution in "Another Day, Another Man" (1966) after her husband falls ill; super natural powers over a woman in "Indecent Desires" (1968) leads her to question her sanity. There is also the two Greek film re-edit oddities "The Hot Month of August" (1966) and "Passion Fever" (1969), featuring new dialogue and insert soft-core shots of drama films bought form Greece.  We have a Spotify playlist that is full of musical gems and more from the Doris Wishman films.

On this week's show, Brian runs through a bunch of Vinegar Syndrome Partner Label titles from the Month of December - including discs from Deaf Crocodile, VHSHitfest, AGFA, Canadian International Pictures, Altered Innocence and more! This week's episode is also brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! twitter.com/justthediscspod We're also on Instagram! instagram.com/justthediscspod/

Graham Nash is a true visionary. Whether in the lyrics he writes, the music he plays, the songs he sings, or the photographs he captures, he sees things a little differently and—most important—he sees beauty everywhere. As he describes it during our podcast, “It's just energy. I see my life facing a column of energy every day. Where do I want to plug in today?” Listen in as Nash regales us with how multidisciplinary interests help him avoid writer's block, his fascination for early Daguerreotypes, his historic role as a digital printing pioneer, his deep respect for Epson products, and much more. Stay to the end for Nash's honest assessment of his singing voice, and to learn his secret to staying passionate and making the most of a creative life. Guest: Graham Nash Photos by Graham Nash, excerpted from A Life in Focus: The Photography of Graham Nash, and provided courtesy of Insight Editions. Cover photo © Joel Bernstein  For further details about our guest, his gear, and a selection of his historic photographs, find this episode on the B&H Explora blog at: https://www.bhphotovideo.com/explora/podcasts/photography/graham-nash-ace-photographer-digital-printing-pioneer-music-legend-the-bh Guest Bio: English singer-songwriter and musician Graham Nash is known for his light tenor voice and his iconic status as a founding member of the Hollies, Crosby, Stills & Nash, and later Young. A two-time Rock and Roll Hall of Fame inductee and the recipient of four honorary degrees, Nash was appointed an Officer of the Order of the British Empire (OBE) for his services to music and to charity. A lesser-known detail is that Nash's long held passion for images even predates his start in music. An avid photographer since the age of 10, Nash began collecting photographs in the early 1970s. In 1990, he chose to auction off his 2,000-print collection to help fund Nash Editions, the pioneering fine art digital printing company he co-founded, using an IRIS Graphics 3047 printer that is now in the collection of the Smithsonian's National Museum of American History, At the tender age of 80, Nash is still busy creating both pictures and music, while also maintaining a hectic tour schedule. A book of his photographs, A Life in Focus: The Photography of Graham Nash, was recently released by Insight Editions and is widely available in bookstores and online. Stay Connected: Personal Website: https://grahamnash.com/ Instagram: https://www.instagram.com/officialgrahamnash/ Twitter: @TheGrahamNash Facebook: https://www.facebook.com/OfficialGrahamNash/ Episode Timeline 3:10: Graham Nash's photo collection and the objects he collects today 4:10: How and where his musical and photographic paths cross 4:58: Nash's work as a sculptor 6:34: The ability to hear photographs, see music, and talk in colors 8:14: Nash's introduction to photography at 10-years-old 9:50: Nash's first camera: an Agfa with a small bellows 10:10: Being invisible when taking pictures and blending into the woodwork 12:42: Nash's favorite music photographers 13:52: It doesn't matter what camera he uses 14:30: A 1980's digital camera and an early awareness of the digital world 15:32: Both ends of the photographic spectrum—digital to Daguerreotypes 17:45: From a sense of history to modern Daguerreotypists 18:58: A personal phone number for Louis Daguerre 25:20: Episode break 20:44: Nash's pioneering work in digital printing   22:18: Iris printers and the issue of ink longevity 25:04: The transition to Epson printers and ink 26:14: An Iris print fades during an hour lunch 27:56: Nash's preference between black and white and color 28:22: Recommended printers and number of color channels   30:50: Nash's paper choice: Epson Legacy Fiber 31:22: Coordinate paper, coatings, and inks for optimal results 32:42: Nash's new book A Life in Focus, and recording music remotely during the pandemic 33:59: Nash's singing voice and how it's held up over time 35:08: Two things Nash wants his audience to know 36:22: Nash's secret to remaining passionate: Keep your eyes open—360 degrees      

Stefaan van Hooydonk is the founder of the Global Curiosity Institute and author of the bestselling book: The Workplace Curiosity Manifesto. After working initially in investment consulting and setting up executive education at the China Europe International Business School (CEIBS) in China, Van Hooydonk held executive roles as Chief Learning Officer in fortune 200 companies (Nokia, Royal Philips, Cognizant, Saudi Aramco, Agfa, Flipkart). He has lived and worked in Belgium, France, Hong Kong, China, Finland, The Netherlands, India, Saudi Arabia, and the United Kingdom. His last role was that of Chief Learning Officer for Cognizant, where he oversaw learning and development for over 300k associates across the globe. Stefaan van Hooydonk researches the topic of workplace curiosity in companies. He believes that curious individuals need curious environments to thrive and that especially in times of turmoil individuals and companies need to embrace intentional curiosity. With the help of a number of diagnostics he designed, he creates insights into what drives and what enables (or prevents) individuals and organizations to show up curiously. He consults global corporations and leadership teams toward building a stronger curiosity muscle. He is a regular speaker around the world on the power of curiosity to benefit professionals, leaders, teams, and organizations.

Wie naar Chinese beurskoersen kijkt, wordt niet vrolijk. Die hebben de laatste twee jaar een klap van jewelste gekregen. Daar zit dra verandering in te komen. Danny Reweghs legt uit waarom. Daarnaast gaat hij in op de ontwikkelingen bij Agfa-Gevaert. Tot slot onthult hij een nieuwe rubriek in Inside Beleggen, namelijk de Tip van de Week. Luisteraars die benieuwd zijn naar meer, kunnen daarvoor een proefabonnement nemen op www.trends.be/podcastaanbod

In this episode, Brian talks about a trio of titles - first the COCA-COLA KID from Fun City Editions, then BUSTER KEATON RIDES AGAIN and HELICOPTER CANADA from Canadian International Pictures and Lastly a lovely collection of Doris Wishman films from AGFA. Check out these and other Vinegar Syndrome Partner Labels here: https://vinegarsyndrome.com/collections/frontpage-partner-labels This week's episode is also brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! twitter.com/justthediscspod We're also on Instagram! instagram.com/justthediscspod/

Composition by Masha Kouznetsova.  "I recorded two tape loops from the sound sample of the Agfa pinhole camera, and developed the composition of found sounds upon these looped sound samples. I also recorded on tape the sound from the real-time map of lightning occurring across the globe and the sound of the magnetosphere from HereGOES satellite, broadcast live via the installation at Wave Farm. The voices feature passages from two books, An Individual Note by Daphne Oram and Água Viva by Clarice Lispector. Both writers poetically discuss their perception of electric currents, light, sound, and the interconnectedness of senses." This is part of the Obsolete Sounds project, the world's biggest collection of disappearing sounds and sounds that have become extinct – remixed and reimagined to create a brand new form of listening. Explore the whole project at https://citiesandmemory.com/obsolete-sounds

Recording provided by Conserve The Sound. This is part of the Obsolete Sounds project, the world's biggest collection of disappearing sounds and sounds that have become extinct – remixed and reimagined to create a brand new form of listening. Explore the whole project at https://citiesandmemory.com/obsolete-sounds

Recording provided by Conserve The Sound. This is part of the Obsolete Sounds project, the world's biggest collection of disappearing sounds and sounds that have become extinct – remixed and reimagined to create a brand new form of listening. Explore the whole project at https://citiesandmemory.com/obsolete-sounds

Recording provided by Conserve The Sound. This is part of the Obsolete Sounds project, the world's biggest collection of disappearing sounds and sounds that have become extinct – remixed and reimagined to create a brand new form of listening. Explore the whole project at https://citiesandmemory.com/obsolete-sounds

Composition by Dead Kousin.  "I liked the idea of challenging myself to create a piece using only the source material - the entire composition is made from the original recording with no additional sounds added.  "The original recording had an inherent rhythmical element that I extrapolated into a percussion loop. "I then used multiple effects over multiple layers of the recording and built up a rhythmical ‘snapshot'." This is part of the Obsolete Sounds project, the world's biggest collection of disappearing sounds and sounds that have become extinct – remixed and reimagined to create a brand new form of listening. Explore the whole project at https://citiesandmemory.com/obsolete-sounds

Please enjoy my conversation with the incredible Joe Ziemba and Bret Berg of AGFA (The American Genre Film Archive)! They are wonderful people that are doing their absolute best to archive some of the underseen and under appreciated films from history! Please visit AGFA here:: Website: https://www.americangenrefilm.com Twitter: https://twitter.com/filmarchive Shop through Vinegar Syndrome: https://vinegarsyndrome.com/collections/agfa Shop through Amazon: https://amzn.to/3vaHudD Change your Amazon Smile charity to AGFA: https://smile.amazon.com/charity/select/search?q=American+genre+film+archive&orig=&ie=UTF-8 - Become a patron here: https://www.patreon.com/DiscConnected - Like the page and follow on Facebook here: https://www.facebook.com/TheDiscConnected - Join me on Instagram at: https://www.instagram.com/thediscconnected/ - Or on Twitter: https://twitter.com/disc_connected - Email: DiscConnectedMedia@gmail.com -- Merch: https://disc-connected.creator-spring.com/ - Podcast: https://thediscconnected.podbean.com - If you happen to be shopping on Amazon for something and would like to share some of Lord Bezos' profits with my channel at no additional cost to you, please consider shopping through my link: https://amzn.to/39mcX1t - Tip Jar: https://www.paypal.com/donate?hosted_button_id=TDEVSPJZ9EFCW or paypal.me/RVinls (friends and family only) or  Amazon wish list: https://www.amazon.com/hz/wishlist/ls/20CR2ZN456P1B?ref_=wl_share - Music is by Michael J. LeRose- michaelxcreates@gmail.com. Outro is K(NO)W by Crusoe via a Creative Commons Attribution License and verbal/written permission from the artist. - Links above may be affiliate/promotional links that provide me a tiny commission to support the sight and do not charge the consumer anything extra.

Do you pick your challenges? Are you ready to make a break to get what you want?  My guest on the show today is one of those people. He tells me he has been lucky and life has treated him well, and it has, but I suspect that is because he was prepared to take the opportunities as they arrived. Jürgen Strauss was born in Germany as a child; his family emigrated to Australia. In the late 1950s, Australia was a very English culture. As a German-speaking child with a funny name and accent, he experienced a lot of prejudice. His father was an engineer looking for something practical and went to college and got a degree in chemistry. Staying in education, he used his language skills to find a post-doctoral fellowship at a German university. It was amazing to be back in his motherland, and the work was challenging and exciting. After two years, he left to work at the chemical company Agfa. At the time leading manufacturer of chemical film and processing. He was part of the team that developed some unique chemistry for a photographic paper that could develop slide images. It went to market simultaneously as the first digital cameras appeared. Jurgen could see the writing on the wall. By now, he was married and with a young child. Taking his family's historical lead, I guess they chose to return to Australia. Our conversation is a beautiful story of progression; we cover values, networking, relationships and being an introvert in business and the power of podcasting.       Further details about this podcast, along with my guest's website and social links are all available at: https://www.lifepassionandbusiness.com/jurgen-strauss-valued-relationships   Life Passion & Business is dedicated to exploring what it takes to be Extraordinary, to face challenges and rejoice in the opportunities they bring, and expand our vision into new ways of thinking and living. There is a lot to gain from listening to other people's stories, however the real work begins by taking action in your own life. For full details of Events, Resources and Services visit: www.lifepassionandbusiness.com     Support For Podcasters: Running a podcast is fun, but it takes time and dedication. Whenever you enjoy a podcast please share your appreciation with comments, likes, shares and reviews. It helps other listeners find good content and supports the content creators and their guests. Another way you can support the Life Passion & Business podcast is with small donations: https://www.buymeacoffee.com/lifeandpassion

In this episode, Brian talks about the discs in the Vinegar Syndrome March and April packages with the addition of the new titles for each month from AGFA and Canadian International Pictures. This week's episode is brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! twitter.com/justthediscspod We're also on Instagram! instagram.com/justthediscspod/

SD151 - GRUPO DEDALUS: líder mundial em software de saúde. Neste episódio, a conversa é com o CEO da DGS Brasil, Paulo Banevicius, para contar sobre a proposta de interoperabilidade do principal fornecedor de software de saúde e diagnóstico da Europa e que vem se consolidando no Brasil. A DEDALUS BRASIL faz parte do GRUPO DEDALUS, que é provedor líder de soluções de diagnóstico e gestão hospitalar na Europa e um dos maiores do mundo, entendendo que tem uma abrangência global, mas deve ter foco nas necessidades locais. Neste episódio, o que você vai encontrar: O background do Paulo  Ele atua na área de saúde há mais de 30 anos em diversos segmentos: tanto na área de equipamentos quanto na área de software. Fez Gestão Hospitalar pela FGV. Líder da DGS Brasil desde final de 2020. O desafio DEDALUS e sua trajetória de crescimento Crescimento inorgânico via aquisições de TIC Saúde da AGFA e da DXC Technology para consolidar mercado: manter a cultura e extrair valor da aquisição; Construção de identidade e de marca e coordenação da forma não monolítica das soluções adquiridas e na diversidade de formas de pensar que vem com a aquisição; encontrar soluções mais inteligentes, ágeis e melhores para o sistema de saúde. Interoperabilidade Plataforma poderosa que coordena a integração de ferramentas e softwares distintos. Resultados Resultados no mundo: aproximadamente $750 milhões/ano; 5ª maior cia. de software na indústria no segmento de saúde, sendo a maior da Europa; presente em aproximadamente 45 países com operação direta; fábrica de softwares em diferentes pólos, inclusive no Brasil; Clientes:  Rede D'Or; HC de Porto Alegre; HC de São Paulo para citar alguns. Algumas soluções Soluções para a Radiologia com software de arquivamento de imagens; Software para trabalhar a informação (RIS); Software para trabalhar a informação do hospital (HIS); Chegando: a gestão de escalas e turnos com a AIDA , gestão de agenda enterprise, entre outros; Engage4me para trazer engajamento do paciente e rastreamento por parte dos médicos e instituições. Futuro   Um modelo open health para o sistema de saúde > Estamos caminhando para isso? Comunidade Online Saúde Digital Podcast Você é médico e quer interagir comigo e com outros colegas inovadores da medicina digital?  Entre na Comunidade do Podcast Saúde Digital no SDConecta! Assista este episódio também em vídeo no YouTube no nosso canal Saúde Digital Ecossistema! Clique aqui! Episódios Anteriores - Acesse! SD150 - ISA LAB: A Descentralização do Home Care SD149 - A carreira do Médico Militar SD148 – Cardiopapers - A escola digital de 35 milhões de reais. SD147 - HackTown - O maior festival de inovação e criatividade da América Latina. SD146 - Escala App: Intraempreendedorismo de sucesso Música | Declan DP - With You "Music © Copyright Declan DP 2018 - Present. https://license.declandp.info | License ID: DDP1590665"

This episode we're joined by AGFA's head archivist and the man behind Bat City Cinema, Ivan Peycheff, to discuss the no-budget French slasher. Lance makes a compelling argument for this being a coming-of-age film and Ivan shares details of his upcoming Satanegeddon 16mm double feature tour. Hail Satan! Hail Ogroff! Buy tickets for Satanegeddon: Friday June 3rd at Austin Film Society in Austin Thursday June 16th at the Frida Cinema in Santa Ana, CA Friday June 17th at Whammy VHS store and microcinema in Echo Park, CA Sunday June 19th at the Balboa Theatre in San Francisco. Saturday June  25th at the Grand Illusion Theatre in Seattle Sunday June 26th at the Clinton Street Theatre in Portland Follow Bat City Cinema on Instagram and Facebook @batcitycinema Follow Ivan on Instagram @klaus_kinskis_ghost Follow AGFA on Instagram @agfa and twitter @filmarchive Donate to AGFA: https://www.americangenrefilm.com/donate/ Follow this podcast on Instagram, Twitter, and Facebook @unsunghorrors. Follow Lance on Twitter, Instagram, and Letterboxd @lschibi Lance's shop: https://lanceschibi.bigcartel.com/ Follow Erica on Letterboxd, Twitter, or Instagram @hexmassacre Logo by Cody Schibi Part of the Prescribed Films Podcast network (www.thepfpn.com)  

De Belgische beeldvormingsgigant Agfa verkoopt z'n grootste afdeling. Die doet 't nochtans niet slecht. Waarom wil het bedrijf er dan van af? De fiscus gaat soms de mist in bij het op voorhand invullen van de belastingbrief. En we spreken met Fraser Perring, de activistische belegger die woensdag het aandeel van Sofina volledig de grond in praatte. Host: Bert Rymen Productie: Roan Van Eyck  See omnystudio.com/listener for privacy information.

On this episode of They Live By Film, Chris sits down with Joe Ziemba and Bret Berg from AGFA (American Genre Film Archive)! Donate to AGFA: https://www.americangenrefilm.com/donate/ www.theylivebyfilm.com https://www.patreon.com/theylivebyfilm Adam's Letterboxd: https://letterboxd.com/TheOwls23/ Zach's Letterboxd: https://letterboxd.com/dharmabombs/ Chris' subreddit: https://www.reddit.com/r/personalhistoryoffilm/ www.instagram.com/theylivebyfilm/

Whether you're a CEO, an entrepreneur, a sales executive, a professional, or you don't have any leadership title at all, you can be a leader and a good one. It does involve certain kinds of risk, and a vision and passion for something important, but it is possible. With the right mindset, it's even likely.   As a child who overcame the daunting challenge of a speech impediment, Ron has made it his life's mission to empower employees, executives and entrepreneurs all over the world and transform their lives by removing life limiting belief systems. For 36+ years, Ron Karr has excelled at sales and leadership positions, for which he is recognized as the leading "Sales Success Expert" and has appeared as a guest on national TV including FOX , Bloomberg, C-Suite Network and others. He is an in-Demand Global Keynote Speaker, and Highly Acclaimed Author of Lead, Sell, or Get Out of the Way. For his extensive client list of leading organizations, he has helped clients including: AGFA, YPO, Hertz, UPS, United Natural Foods, and Marriott Hotels produce over a billion dollars in incremental revenues. When you seek solutions to remove barriers, position your products/services more powerfully and achieve bigger results in less time, Ron Karr will enthusiastically motivate and train your organization to achieve and exceed sales goals.  Topics During this interview Ron and I discuss the following topics: How to find the right mindset in the first placeHow leaders can be driven with purpose vice tasksHow leaders can get past their limiting beliefsThe neuroscience behind conversations How to create an environment for psychological safety For the complete show notes be sure to check out our website: https://movingforwardleadership.com/210

Today I welcome CEO, best-selling author and keynote speaker Ron Karr to The Alden Report. For 36+ years, Ron has excelled at sales and leadership positions, for which he is recognized as the leading "Sales Success Expert." He has appeared as a guest on national TV including FOX News, CBS Morning Show, Bloomberg, C-Suite Network and others. As a highly sought-after international speaker, his bold methodologies unite two insights: advanced expertise on the psychology of what drives customer behavior and the importance of Social and Emotional Intelligence when expanding business across new and existing markets. Ron has extensive expertise in creating monetization/growth strategies, building award-winning teams, and providing strategic leadership within high-growth companies to global Fortune 500 firms such as Hertz, UPS, Agfa, United Natural Foods, and Marriott Hotels. He is the author of four books, including the CEO best-selling title, Lead, Sell, or Get Out of the Way and his latest book The Velocity Mindset.Thank you very much to Ron for joining us this week on The Alden Report.For more information on Ron Karr, you can visit: https://velocitymindset.com/ and https://ronkarr.com/ Thank you to this episode's sponsor: Front Row BenefitsGetting any health insurance with optimal coverage at the right price requests an experienced agent. Our seasoned staff members are relationship focused and are here to guide you through what can be an overwhelming process without a helping hand.When it comes to your health insurance options, you deserve to be in the Front Row. Visit us for a FREE quote.https://frontrowbenefits.com/

In this episode, we discuss the Blu-ray of THE VIOLENT YEARS (1956; dir. William Morgan), recently restored and released by AGFA. THE VIOLENT YEARS was written by Ed Wood.

Quatermass 2 (a.k.a. Enemy From Space in the United States and Canada) is a 1957 black-and-white British science fiction horror film from Hammer Film Productions, directed by Val Guest, that stars Brian Donlevy, John Longden, Sidney James, Bryan Forbes, Vera Day, and William Franklyn.Quatermass 2 is a sequel to Hammer's earlier film The Quatermass Xperiment, Like its predecessor, it is based on the BBC Television serial Quatermass II written by Nigel Kneale.Brian Donlevy reprises his role as the eponymous Professor Bernard Quatermass, making him the only actor to play the character twice in a film. It is considered as the first film sequel to use the ‘2' / ‘II' suffix within the title.The film's storyline concerns Quatermass's investigation of reports of hundreds of meteorites landing only in the Winnerden Flats area of the UK. His inquiries lead him to a huge industrial complex, strikingly similar to his own plans for a Moon colony. This top-secret facility is in fact the centre of a conspiracy involving the alien infiltration of the highest echelons of the British Government. Quatermass and his allies must now do whatever is necessary to defeat the alien threat before it is too late.The first Quatermass film had been a major success for Hammer and, eager for a sequel, they purchased the rights to Nigel Kneale's follow-up before the BBC had even begun transmission of the new serial. For this adaptation, Nigel Kneale himself was allowed to write the first draft of the screenplay, although subsequent drafts were worked on by director Val Gues who directed the first Hammer Quatrmass. Guest once again employed many cinema vérité techniques to present the fantastic elements of the plot with the greatest degree of realism. Nigel Kneale was critical of the final film, mainly on account of the return of Brian Donlevy in the lead role. Kneale was unhappy with Donlevy's interpretation of the character and also claimed the actor's performance was marred by his alcoholism.Although Quatermass 2 was financially successful, its box office performance was eclipsed by the massive success of another Hammer film, The Curse of Frankenstein, which was to be the first of their many Gothic horror films. (and the subject of our 2nd ever podcast episode) As a result it would be ten years before Hammer adapted the next Quatermass serial for the cinema with Quatermass and the Pit in 1967. Supposedly Quatermass 2 was originally shot in AnsaColor, developed by Agfa, but released in Black and White and it is said the colour negative still exists in the archives - although this could be a weird online hoax.Something Horrific:Whisper Down the Laneby Clay McLeod Chapman https://www.goodreads.com/en/book/show/55671294-whisper-down-the-laneCornish Horrors: Tales from the Land's Endby Joan Passey (Editor)https://www.goodreads.com/book/show/58320855-cornish-horrorsWhere Furnaces Burnby Joel Lanehttps://www.goodreads.com/book/show/16299282-where-furnaces-burn$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$Just in case anyone has too much money and wants to give a bit to us to help with our hosting n stuff. It would be amazing if you fancied sending us some pennies - thank you.https://supporter.acast.com/general-witchfinders$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$£$ Get bonus content on PatreonSupport this show http://supporter.acast.com/general-witchfinders. See acast.com/privacy for privacy and opt-out information.

TurdOrTreasure is ThisWeekInGeek's dedicated review show covering everything from games to movies to tv to electronics and everything between.This Episode:What's New?- Godzilla Vs. Kong (Warner Movie Review)- Heavy Trip & Love After Death (Bluray Reviews)Heavy Trip [Music Box Selects]Love After Death + The Good, The Bad, And The Beautiful [AGFA + Something Weird]- Hyrule Warriors: Age of Calamity (DLC Review)https://www.zelda.com/hyrule-warriors/Whats Next?Your Geekmaster:Alex "The Producer" - https://twitter.com/DeThPhaseTWIGFeedback for the show?:Email: feedback@thisweekingeek.netTwitter: https://twitter.com/thisweekingeekYouTube: https://www.youtube.com/channel/UCc1BfUrFWqEYha8IYiluMyAiTunes: https://podcasts.apple.com/us/podcast/this-week-in-geek/id215643675Spotify: spotify:show:0BHP4gkzubuCsJBhU3oNWXGoogle Podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly93d3cuc3ByZWFrZXIuY29tL3Nob3cvMzU3MTAzNy9lcGlzb2Rlcy9mZWVkCastbox: https://castbox.fm/channel/id2162049Website: http://www.thisweekingeek.netJuly 5, 2021

We're embarking on a bit of a side quest in this episode, since this is a film that was not directed by George Romero, but was instead created by another group of Pittsburgh-based filmmakers who'd honed their skills on the sets of Romero films. Many of those involved in the making of EFFECTS would go on to be frequent collaborators with Romero over the years, including editor Pasquale Buba and composter/actor John Harrison. And, of course, there's the makeup effects wiz and co-star of EFFECTS, the venerable Tom Savini. EFFECTS has an interesting story behind it, having been essentially lost (and the stuff of legend in horror circles) for nearly half a century. But thanks to the folks at Synapse Films and AGFA, it's now readily available to view for a whole new generation of genre fans, and we were excited to finally see it and to dive into its creation.   Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy. This episode was written, produced and edited by Gary Horne & Justin Bishop, with special thanks to Todd Davis. Visit our website for episode archives, blogs and more: http://cinemashock.net Follow us: twitter.com/cinema_shock facebook.com/cinemashocknet instagram.com/cinema_shock

TGIF, folks! And you can also thank God for a brand new episode of the BSV Podcast! And I guess you can also thank God for the new 20th anniversary edition of the LEFT BEHIND trilogy, which your hosts discuss along with the enduring appeal of so-bad-they're-funny Christian films. More importantly, Justin and Mark immerse themselves in the beautiful experimental nightmare of LIMBO, the sole directorial credit of underground scream queen Tina Krause, now unearthed by Bleeding Skull and AGFA. Elsewhere, we compare and contrast the original 1982 SATAN'S SLAVE, out now from Severin Films, with its 2017 remake, while commiserating about the state of modern horror in general. CULT THE LIVING DEAD AT MANCHESTER MORGUE (Synapse) THE STRANGE VICE OF MRS. WARDH (Severin) SATAN'S SLAVE (1982) (Severin) MONDO BALORDO (Severin) THE WILD WILD WORLD OF JAYNE MANSFIELD (Severin) LIVE FEED (2006) (Unearthed) PERFECT STRANGERS (1984) (Vinegar Syndrome) THE ELEVENTH COMMANDMENT (Vinegar Syndrome) THE NAUGHTY VICTORIANS (Vinegar Syndrome) LIMBO (AGFA) ***BLIND BUY*** CLASSIC BEETLEJUICE (UHD) (Warner) THE GOONIES (UHD) (Warner) SHERLOCK HOLMES (2009) (UHD) (Warner) SHERLOCK HOLMES: A GAME OF SHADOWS (UHD) (Warner) WITHOUT LOVE (1945) (Warner Archive) LEFT BEHIND TRILOGY: 20TH ANNIVERSARY EDITION (Cloud Ten) NEW IRRESISTIBLE (2020) (Universal) YES, GOD, YES (2019) (Lionsgate) INFAMOUS (2020) (Lionsgate) CHILDREN OF THE SEA (2019) (GKids/Shout) CUT OFF (aka ABGESSCHNITTEN) (2018) (MPI) ACTIVE MEASURES (2018) (Super) CITY OF THE SUN (2017) (Big World) SANTIAGO, ITALIA (2018) (Distrib) SATAN'S SLAVES (2017) (Shudder/RLJE) TERRIFIED (aka ATERRADOS) (2017) (Shudder/RLJE) Z (2019) (Shudder/RLJE) BABA YAGA: TERROR OF THE DARK FOREST (Shout) DIRECTOR'S CUT (2016) (Dread) A SHIP OF HUMAN SKIN (Gravitas Ventures)