Podcasts about flc

This week we're excited to present a special episode featuring the star-studded speeches from our recent Chaplin Award Gala. FLC was pleased to honor Pedro Almodóvar as the recipient of the 50th Chaplin Award, presented in partnership with ROLEX, at a Gala evening on April 28. The full house at Alice Tully Hall was treated to a joyful celebration of the celebrated filmmaker's incredible body of work with hilarious and heartfelt tributes by Almodóvar's cast members, friends, admirers, and more, culminating in Dua Lipa presenting the Chaplin Award to Almodóvar himself. The evening's guest speakers included, in order of appearance, Secretary of our Board of Directors Wendy Keys, Former Film at Lincoln Center Programming Director & head of the New York Film Festival Richard Peña, acclaimed filmmaker, writer, & artist John Waters, actress and longtime Almodóvar muse Rossy de Palma, renowned performer & artistic director Mikhail Baryshnikov, Emmy Award–winning actor, director, & writer John Turturro, and global pop powerhouse Dua Lipa.

Student athletes at Fort Lewis College can now level-up their game with the debut of a new 12,000 square-foot Sports Performance Center. The project took two years and cost $6 million, with CommonSpirit Health as the major donor. By Ryan Simonovich.Watch this story at www.durangolocal.news/newsstories/flc-unveils-6-million-commonspirit-sports-performance-center This story is sponsored by Tafoya Barrett & Associates and Crystal Mart.Support the show

This week we're excited to present a special programmer's preview of our upcoming retrospective, Kira Muratova: Scenographies of Chaos, taking place in our theaters May 16-25. The episode features a conversation between FLC programmer Madeline Whittle, Marta Kuzma (Professor of Art at Yale University), and film scholar and writer Ivan Kozlenk. Get tickets at filmlinc.org/muratova Kira Muratova: Scenographies of Chaos offers a rare opportunity to explore the complete body of work of a filmmaker who remained largely unknown to American audiences during her lifetime and has only recently come into widespread international acclaim. Muratova is now widely considered the greatest Ukrainian filmmaker of the last half century—and arguably one of the most influential women directors in cinema history. Deeply fascinated by eccentric characters and linguistic deviations, Muratova honed a distinctive style characterized by surreal and unexpected repetitions, refracting the experience of an unstable reality by way of outré storytelling devices. Caustic and misanthropic in life, Muratova nevertheless was touchingly humanistic in her films, radiating childish wonder, defiant hope, and sparkling irony.

This week we're excited to present a conversation with The Shrouds writer & director David Cronenberg and lead actress Diane Kruger, moderated by FLC programmer Tyler Wilson. An NYFF62 Main Slate selection, The Shrouds is now playing at Film at Lincoln Center. Get tickets: https://www.filmlinc.org/films/the-shrouds/ In an eerie, deceptively placid near-future, a techno-entrepreneur named Karsh (Vincent Cassel) has developed a new software that will allow the bereaved to bear witness to the gradual decay of loved ones dead and buried in the earth. While Karsh is still reeling from the loss of his wife (Diane Kruger) from cancer—and falling into a peculiar sexual relationship with his wife's sister (also Kruger)—a spate of vandalized graves utilizing his “shroud” technology begins to put his enterprise at risk, leading him to uncover a potentially vast conspiracy. Written following the death of the director's wife, the new film from David Cronenberg is both a profoundly personal reckoning with grief and a descent into noir-tinged dystopia, set in an ominous world of self-driving cars, data theft, and A.I. personal assistants. Offering Cronenberg's customary balance of malevolence and wit, The Shrouds is a sly and thought-provoking consideration of the corporeal and the digital, the mortal and the infinite. A Sideshow/Janus Films release.

The CodeRED alert test, originally set for April 20, has been updated to April 21 in consideration of Easter Sunday. World-renowned illusionist Leon Etienne will be performing at the Community Concert Hall.  And Fort Lewis Senior, Lacey Miller will debut her exhibit Herpetofauna Of The Center: A Collection Of Scales at the Center of Southwest Studies. By Sadie Smith. Watch this story at www.durangolocal.news/newsstories/codered-alert-test-updated-to-april-21  This story is sponsored by Crystal Mart and Happy Pappy's Pizza & Wings.  Support the show

This week we're excited to present a conversation with Invention director Courtney Stephens and lead actress Calle Hernandez (moderated by FLC's Tyler Wilson) from this year's edition of New Directors/New Films. Presented by The Museum of Modern Art and Film at Lincoln Center, the 54th edition of New Directors/New Films (ND/NF) takes place through April 13, and has, since 1972, showcased new and emerging filmmakers whose distinctive visions and risk-taking works highlight the vitality and potential of cinema. Personal anguish and noirish mystery are inextricably bound in Invention, wherein Callie Hernandez (who co-conceptualized the film, and plays a cross between herself and some other vision) seeks the truth about her father—an inventor of devices boasting untapped power—whose death is not what it seems. Traversing a backwoods America of oddballs, cretins, estate vultures, and even the occasional sweetheart, Hernandez's journey is a constant reminder of how much our loved ones hide from us in life and death alike. Courtney Stephens's years in experimental documentary cinema help turn this Super 16mm–shot investigation narrative on its head, while a commanding performance confirms Hernandez as a captivating screen performer and artist.

Tin tức sáng 4-4: Công bố logo kỷ niệm 50 năm Ngày Giải phóng miền Nam, thống nhất đất nước; Xử phạt FLC vì 'ém' nhiều báo cáo quan trọng; Novaland dự kiến có thể lỗ 688 tỉ đồng năm nay; Ông Trump tiết lộ tìm được người mua TikTok...

VOV1 - Bộ Tài chính Philippines cho biết, nước này hiện đã miễn thuế giá trị gia tăng (VAT) cho khách du lịch nước ngoài nhằm thúc đẩy du lịch, khuyến khích tiêu dùng,thúc đẩy tăng trưởng kinh tế.- Thủ tướng Singapore Lo-ren Uông và Phu nhân thăm chính thức Việt Nam theo lời mời của Thủ tướng Phạm Minh Chính và Phu nhân.- Hôm nay, Đảng uỷ Chính phủ và Ban Tổ chức Trung ương sẽ báo cáo Bộ Chính trị đề án sắp xếp, tổ chức lại đơn vị hành chính các cấp.- Tòa án nhân dân Cấp cao tại Hà Nội hôm nay mở phiên xét xử phúc thẩm vụ án xảy ra tại Tập đoàn FLC.- Lãnh đạo Nga và Các Tiểu vương quốc Arập Thống nhất (UAE) thảo luận việc giải quyết xung đột Ukraine.

This week we're excited to present a conversation with Film at Lincoln Center Assistant Programmer Madeline Whittle, as she discusses the films featured in the 2025 edition of Rendez-Vous with French Cinema. Unifrance and Film at Lincoln Center present the 30th edition of Rendez-Vous with French Cinema, running from March 6 to March 16. Get tickets at filmlinc.org/rdv. This celebrated festival offers a dynamic showcase of contemporary French filmmaking, featuring an array of 23 films by both emerging voices—some selected as part of Unifrance's 10 to Watch 2025 Program, a yearly initiative honoring a new generation of directors and actors who contribute to the vitality of French creation—and seasoned directors that tackle relevant and enduring themes. This selection of North American, U.S., and New York premieres celebrates the energy, innovation, and range of French cinema. The conversation was moderated by Erik Luers, FLC's Digital Marketing Manager.

On January 31, Film at Lincoln Center opened a landmark new retrospective titled Frederick Wiseman: An American Institution. The series showcases new 4K restorations of over thirty of the filmmaker's works, which together form a monumental survey of modern American life—with a frequent focus on the intersections of individuals and institutions. Wiseman just turned 95 on New Year's Day, and the FLC series comes on the heels of similar retrospectives in Chicago, Portland, Maine, and Vancouver—with more planned for Paris, Los Angeles, St. Louis, Boston, and beyond. How does one even begin to consider a body of work so sprawling, so rigorous, and so significant? For today's episode, Film Comment hosted a “Wiseman Potluck,” where each guest was tasked with bringing one film that especially resonates with them to the discussion. Film Comment Editors Clinton Krute and Devika Girish were joined by Andrew Katzenstein, the author of a terrific new essay on Wiseman for the New York Review of Books; Genevieve Yue, who interviewed the legendary filmmaker for the Film Comment Letter in 2022; and FC‘s very own Michael Blair. The group covered the films Central Park (1990), At Berkeley (2013), Basic Training (1971), Aspen (1991), Blind (1986), and more, and reflected on Wiseman's politics of observation and striking eye for beauty. The Mains: Central Park (3:30) At Berkeley (17:30) Law and Order + Basic Training (23:10) Aspen (35:20) Blind (47:31) Some Desserts: The Store (1983) Un Couple (2022) Menus-Plaisirs – Les Troisgros (2023)

This week we're excited to present a recent conversation with legendary documentary filmmaker Frederick Wiseman, moderated by multiple-time Emmy-nominated filmmaker John Wilson Through March 5, Film at Lincoln Center presents “Frederick Wiseman: An American Institution,” a retrospective featuring an extensive selection of films spanning decades of the iconic filmmaker's prolific career, all newly restored in 4K. With 11 of Wiseman's films having been selected for the New York Film Festival since 1967, this series signifies a celebration of the long-standing relationship between FLC and the renowned documentary filmmaker. Once limited to 16mm film prints rarely screened in theaters, these invaluable works can now be experienced in their fullest form at the Walter Reade Theater. To view the remaining screening schedule and to get tickets, please visit filmlinc.org/wiseman.

False Allegations of Parental Alienation: How Abusers Use It to Maintain Control 183 Learn about how abusers use parental alienation allegations to deflect from their abusive behavior and maintain their power. Explore how accusations of parental alienation can be weaponized against the healthy parent to continue coercive control or abuse, often leaving the targeted parent in a difficult legal and emotional battle. Disclaimer: This podcast provides general legal education and is not a substitute for independent legal advice. Always consult a qualified lawyer for guidance tailored to your situation. Listen to This Episode If You: 

Một số tin tức đáng chú ý: Công ty bầu Đức bị phạt, truy thu thuế gần 1 tỉ đồng; Một doanh nghiệp 'họ' FLC thay máu loạt lãnh đạo, kể cả chủ tịch; Một cá nhân ở Hà Nội bị xử phạt vì mua 'chui' cổ phiếu; Người ngộ độc thực phẩm năm 2024 gia tăng.

This week we're excited to present a conversation with writer/director Robert Eggers who recently joined us for a Q&A following a screening of his highly anticipated new feature Nosferatu. Across four intensely stylish, powerfully atmospheric and richly detailed feature films, Robert Eggers has established himself as one of contemporary cinema's most singular auteurs. His work looks to different historical periods, folkloric traditions, and the abject and the arcane alike to craft enigmatic and utterly gripping parables about madness, the antagonism between man and nature, and desire as all-consuming compulsion. But his films, while deeply researched and steeped in worlds that themselves predate the advent of cinema, are nevertheless plainly the output of a passionate cinephile, an artist both in conversation with film history and in conversation with the the history of the occult. This is particularly evident in his latest, Nosferatu, which takes up the challenge of reinventing the story of Dracula after the seminal treatments by F.W. Murnau, Tod Browning, Werner Herzog, and Francis Ford Coppola, to name a few. This February, Film at Lincoln Center is excited to present Conjuring Nosferatu: Robert Eggers Presents, a special series made up of the films that inspired Eggers's spellbinding new take on fiction's most famous monster, an eclectic can't-miss array of gothic Hollywood deep cuts, rare works of Eastern European folk horror, and captivating evocations of 18th-century England, as well as a special screening on 35mm of his own Nosferatu. Stay tuned to filmlinc.org for more information. This conversation was moderated by FLC programmer Dan Sullivan.

This week we're excited to present a conversation from the 62nd New York Film Festival with author Sigrid Nunez. With her novels The Friend (winner of the 2018 National Book Award for Fiction) and What Are You Going Through, New York–based author Sigrid Nunez has supplied the extraordinarily rich source material for not one, but two films in the NYFF62 lineup: Scott McGehee and David Siegel's Spotlight standout The Friend, starring Naomi Watts as a writer mourning the complicated loss of a beloved mentor; and Pedro Almodóvar's Centerpiece selection The Room Next Door, which follows another writer (Julianne Moore) as she reconnects with a friend from her past (Tilda Swinton) who approaches her with an unusual request. We were honored to welcome Nunez for a special conversation about her prismatic literary meditations on grief, friendship, and the passage of time; the experience of seeing her creative work adapted into other mediums; and cinema's alchemical capacity to both translate and transform a novel's meaning. This conversation was moderated by A.O. Scott, critic at large for The New York Times Book Review. A New York Times Critic's Pick, Pedro Almodovar's The Room Next Door is now playing at FLC. Get tickets at filmlinc.org/room NYFF Free Talks are presented by HBO.

Một số tin tức đáng chú ý: Khối ngoại rút ròng gần 90.000 tỉ đồng trên thị trường chứng khoán Việt; Công ty chứng khoán thuộc 'họ' FLC thay kế toán trưởng 4 lần trong hơn 1 năm; Dịch sởi tại TP.HCM tiếp tục tăng, trên 300 ca mắc/tuần...

This week we're excited to present a conversation from the 62nd New York Film Festival with The Seed of the Sacred Fig director Mohammad Rasoulof.   The Seed of the Sacred Fig opens at FLC on November 27. Get tickets at filmlinc.org/fig A target of Iran's hardline conservative government for his films' criticism of the state, director Mohammad Rasoulof fled his home country to avoid an eight-year prison sentence, though he hadn't finished editing his latest film yet. His searing drama The Seed of the Sacred Fig won a Special Prize from the jury and three other awards on its premiere at the Cannes Film Festival. The film is every bit as urgent and gripping as its real-life backstory would portend: longtime government worker Iman (Missagh Zareh) has just received a major promotion to the role of judge's investigator, to the hopeful delight of his wife Najmeh (Soheila Golestani); at the same moment, a series of student protests against the government have exploded in the streets, stoking the sympathies of their independent-minded daughters Rezvan (Mahsa Rostami) and Sana (Setareh Maleki). The growing wedge between progressive children and traditional parents intensifies through a series of unsettling events that put Iman's future in jeopardy. Both paranoia thriller and domestic drama, The Seed of the Sacred Fig is above all an epic of anti-patriarchal political conviction. An NYFF62 Main Slate selection. A NEON release. This conversation was moderated by NYFF programmer Rachel Rosen.

Matthew Eickman is the chief legal officer at the Fiduciary Law Center (FLC), where he brings over two decades of specialized experience in fiduciary responsibilities, defined contribution and benefit plans, and executive compensation programs. In 2023, Matthew was inducted as a Fellow of the American College of Employee Benefits Counsel, a prestigious recognition in his field.Before joining FLC, he was the national retirement practice leader at a firm advising over 850 retirement clients with $16 billion in assets. In this role, he led ERISA 3(21) and 3(38) consulting, served on the Investment Advisory Board, and launched an advisor-managed accounts program. He also oversaw financial wellness initiatives, conducted fiduciary training, managed investment policies and committee charters, and helped develop an in-plan retirement income solution.Matthew is actively involved in the American Bar Association's Tax Section, where he has served as Chair or Co-Chair of the Defined Contribution Plans Subcommittee for over a decade and is Vice Chair of the Lifetime Income Subcommittee. Known for his expertise, he frequently speaks at retirement and fiduciary conferences.Matthew earned a B.S.B.A. in Finance & Economics from the University of Nebraska and a J.D. from Baylor Law School, where he was Editor-in-Chief of the Baylor Law Review and a member of national competition teams. Licensed to practice in Nebraska and Kansas, Matthew balances his career with family travels, coaching his three sons, and indulging in streaming content on Netflix and beyond.In this episode, Eric and Matthew Eickman discuss:Understanding services before evaluating costs Ensuring trust and alignment Competitive and prudent documentation Protecting clients through benchmarking Key Takeaways:Prioritize and understand desired services before evaluating costs when selecting a retirement plan provider. Conduct a thorough RFP process, ranking providers solely on services first before evaluating or negotiating fees.Advisors should evaluate and disclose all fees transparently and review them annually to ensure trust and alignment. Plan fiduciaries should review service providers and fees at least every three years through benchmarking and due diligence.Plans can pay more for services with increased value if the selection process is objective and well-documented. Regularly benchmark and document plan pricing to ensure competitiveness and demonstrate prudence.Examine and justify any above-market recordkeeping costs per employee based on the value received. Benchmarking helps advisors protect existing clients, satisfy fiduciary duties, and prospect new clients.“Benchmarking is a great way to not only look out for your fiduciary responsibilities and to look out for your clients, but it's a good way to protect and generate business.” - Matthew EickmanConnect with Matthew Eickman:Website: https://qualifiedplanadvisors.com Connect with Eric Dyson: Website: https://90northllc.com/Phone: 940-248-4800Email: contact@90northllc.com LinkedIn: https://www.linkedin.com/in/401kguy/ The information and content of this podcast is general in nature and is provided solely for educational and informational purposes. It is believed to be accurate and reliable as of the posting date but may be subject to changeIt is not intended to provide a specific recommendation for any type of product or service discussed in this presentation or to provide any warranties, investment advice, financial advice, tax, plan design or legal advice (unless otherwise specifically indicated). Please consult your own independent advisor as to any investment, tax, or legal statements made.The specific facts and circumstances of all qualified plans can vary and the information contained in this podcast may or may not apply to your individual circumstances or to your plan or client plan-specific circumstances.

10 - 26 - 24 CMU 49 - FLC 0 by MBC Grand, Inc.

This week we're excited to present a conversation with Basel Adra and Yuval Abraham, co-directors of No Other Land, a Main Slate selection of the 62nd New York Film Festival.  No Other Land opens at FLC on November 1. Get tickets at filmlinc.org/land This eye-opening, vérité-style documentary, made by a Palestinian-Israeli collective of four directors over the course of five years, provides a harrowing account of the systematic onslaught of destruction experienced by Masafer Yatta, a group of Palestinian villages in the southern West Bank, at the hands of the Israeli military. Headed by Palestinian activist Basel Adra and Israeli journalist Yuval Abraham (also two of the film's directors), the collective commits itself to filming and protesting the demolitions of homes and schools and the resulting displacement of their inhabitants, which were carried out to make way for Israeli military training ground. In addition to the indelible footage of destruction and expulsion captured by its undaunted witnesses, No Other Land serves as a moving portrait of friendship between Adra and Abraham, who form a philosophical and political alliance despite the drastic differences in their abilities to exist freely in this world. Winner of multiple awards including the Panorama Audience Award for Best Documentary Film at the 2024 Berlinale. All NYFF62 feature documentaries are sponsored by HBO. This conversation was moderated by NYFF Main Slate selection committee member Justin Chang.

This week we're excited to present a conversation with director Mati Diop on Dahomey, a Main Slate selection of the 62nd New York Film Festival.  Dahomey opens at FLC on October 25, with Q&As opening weekend. Get tickets at filmlinc.org/dahomey The African kingdom of Dahomey, which ruled over its region at the west of the continent until the turn of the 20th century, saw hundreds of its splendid royal artifacts plundered by French colonial troops in its waning days. Now, as 26 of these treasures are set to return to their homeland—now within the Republic of Benin—Diop documents their voyage back, transforming this rich subject matter into a multifaceted examination of ownership and exhibition. Alternating images of nocturnal melancholy and debates among students at Benin's University of Abomey-Calavi about what should be done with the objects, Dahomey brilliantly negotiates a lost past and an unsure present. All NYFF62 feature documentaries are sponsored by HBO. This conversation was moderated by NYFF Main Slate selection committee member Justin Chang.

Today is the final day for members of federal labs to submit nominations for the 2025 FLC awards. The FLC stands for the Federal Laboratory Consortium for Technology Transfer which is a network of over 300 federal laboratories and research centers with the mission of accelerating federal technologies into the marketplace. To find out how they choose their best and brightest, Federal News Network's Eric White got the chance to speak with Jesse Midgett, who's a technology transfer professional for NASA, but also the FLC awards chair. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today is the final day for members of federal labs to submit nominations for the 2025 FLC awards. The FLC stands for the Federal Laboratory Consortium for Technology Transfer which is a network of over 300 federal laboratories and research centers with the mission of accelerating federal technologies into the marketplace. To find out how they choose their best and brightest, Federal News Network's Eric White got the chance to speak with Jesse Midgett, who's a technology transfer professional for NASA, but also the FLC awards chair. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On the first episode of our daily 62nd New York Film Festival edition of the FLC podcast, director Julia Loktev and subjects Anna Nemzer, Ksenia Mironova, and Olga Churakova join Rachel Rosen to discuss My Undesirable Friends Part I – Last Air in Moscow, world premiering in the Main Slate of this year's festival. American filmmaker Julia Loktev (The Loneliest Planet, NYFF49), born in the Soviet Union, returned to Moscow in 2021 to make a documentary on the persistence of independent journalism in Putin's Russia—just months, as it turned out, before the country's full-scale invasion of Ukraine. With her friend Anna Nemzer, a talk show journalist for TV Rain, Russia's last remaining independent news channel, Loktev ends up immersing herself with a group of young women fighting to ensure the vocalization of dissent and outspoken criticism of the country—even as they are branded by the government as “foreign agents,” their careers and lives increasingly at risk as the country creeps toward war. Structured in five chapters, Loktev's film, the climactic days of which were filmed in Moscow during the first week of the invasion, when most independent journalists fled the country, is an extraordinary vérité document of a moment of immense change and anxiety, as well as a vital depiction of the eternal hope that so many in Russia hold for living in a democratic state. Screening in two parts: Chapters 1–3 (198m), Chapters 4–5 (124m). All NYFF62 feature documentaries are sponsored by HBO. Tickets to the New York Film Festival are moving fast! Get up-to-date information on all available tickets on a daily basis by visiting filmlinc.org/tix.

This week we're excited to present a conversation with His Three Daughters director Azazel Jacobs and cast members Natasha Lyonne, Elizabeth Olsen, and Carrie Coon during a special advance screening at FLC. His Three Daughters is now streaming on Netflix. From writer-director Azazel Jacobs comes this bittersweet and often funny story of an elderly patriarch and the three grown daughters who come to be with him in his final days. Katie (Carrie Coon) is a controlling Brooklyn mother dealing with a wayward teenage daughter; free-spirited Christina (Elizabeth Olsen) is a different kind of mom, separated from her offspring for the first time; and Rachel (Natasha Lyonne) is a sports-betting stoner who has never left her father's apartment—much to the chagrin of her half-sisters, who share a different mother and worldview. Continuing his astute exploration of family dynamics in close-knit spaces, Jacobs follows the siblings over the course of three volatile days, as death looms, grievances erupt, and love seeps through the cracks of a fractured home.  This conversation was moderated by filmmaker Tamara Jenkins.

This week we're excited to present a conversation with Good One director India Donaldson and cast members Lily Collias and James Le Gros from the 2024 edition of New Directors/New Films. Good One opens at FLC on August 9 with Q&As opening weekend. Get tickets at filmlinc.org/goodone A seemingly small incident has monumental implications in the extraordinary feature debut of India Donaldson, a film of expertly harnessed naturalism and restrained emotional intensity. Seventeen-year-old high school senior Sam (a revelatory Lily Collias) has agreed to join her father Chris (James Le Gros) and his longtime buddy Matt (Danny McCarthy) on a camping trip in the Catskills, though she'd rather be hanging with her friends for the weekend. Affable and wise, Sam at first seems to enjoy the intergenerational bonding experience with the two divorced dads, yet the men's own festering, middle-aged resentments begin to change the emotional tenor of the trip—until something happens that alters Sam's perception of the men and her place in their orbit. Amidst the lush beauty and contemplative forest atmosphere in upstate New York, Good One asks provocative questions about the dynamics of family, friendship, and what it means to engage in or avoid conflict. A Metrograph Pictures release. This conversation was moderated by FLC Assistant Programmer Madeline Whittle.

- Lực lượng vũ trang noi gương Tổng Bí thư Nguyễn Phú Trọng, quyết tâm hoàn thành xuất sắc mọi nhiệm vụ.- Đoàn Tiểu ban Văn kiện Đại hội 14 của Đảng khảo sát, làm việc với Ban cán sự Đảng Bộ Văn hoá, Thể thao và Du lịch.- Bắt đầu xét xử vụ án xảy ra tại Tập đoàn FLC, Tòa án nhân dân TP Hà Nội triệu tập hơn 100.000 nhà đầu tư được xác định là bị hại, người có quyền lợi nghĩa vụ liên quan.- Tổng thống Mỹ Joe Biden ngừng chiến dịch tranh cử, ủng hộ Phó tổng thống Kamala Harris thay thế. Nhiều nghị sỹ Đảng Dân chủ ủng hộ quyết định này.- Tổng thống Mỹ Joe Biden ngừng chiến dịch tranh cử, ủng hộ Phó tổng thống Kamala Harris thay thế. Nhiều nghị sỹ Đảng Dân chủ ủng hộ quyết định này.- Chính phủ Nhật Bản triển khai hàng loạt các biện pháp nhằm đối phó với các cuộc tấn công mạng. Chủ đề : Bão số 2, Đại hội 14, Tập đoàn FLC, Nhật Bản --- Support this podcast: https://podcasters.spotify.com/pod/show/vov1thoisu0/support

- Hôm nay 22/7, TAND TP Hà Nội bắt đầu xét xử sơ thẩm vụ án xảy ra tại Công ty Cổ phần Tập đoàn FLC (Tập đoàn FLC) với 50 bị cáo. Chủ đề : xét xử, flc --- Support this podcast: https://podcasters.spotify.com/pod/show/vov1tintuc/support

This week we're excited to present a conversation with Last Summer director Catherine Breillat and lead actress Léa Drucker from the 61st New York Film Festival. An NYFF61 Main Slate selection, Last Summer opens Friday at FLC, featuring Q&As with Breillat on Friday, Saturday, and Sunday. Get tickets at filmlinc.org/summer One of the world's most consistently provocative filmmakers for nearly 50 years, Catherine Breillat proves with her incendiary, compelling new drama that she is not through toying with viewers' comfort levels. In Last Summer, Léa Drucker stars as Anne, a lawyer who specializes in cases of sexual consent and parental custody. Seemingly happily married to kind-hearted businessman Pierre (Olivier Rabourdin) with adopted twin daughters, Anne inexplicably finds herself drawn to Pierre's estranged 17-year-old son Théo (Samuel Kircher) after the boy returns home to live with them. Embarking on a passionate affair with the teenager, Anne all too willingly thrusts herself into a maelstrom of attraction, intimidation, and manipulation. Breillat's incisive screenplay—cannily altered from the Danish erotic thriller Queen of Hearts on which it's based—elegantly surveys the situation's extreme power dynamics while giving the brilliant Drucker the chance to create a character who exists entirely within her own moral boundaries. A Sideshow/Janus Films release. This conversation was moderated by NYFF Artistic Director Dennis Lim.

This week we're excited to present a conversation with Film at Lincoln Center Assistant Programmer Madeline Whittle, as she discusses the films featured in FLC's new series Angels and Puppets: The Stage on Screen with Annie Baker. A series of 17 films handpicked by acclaimed playwright Annie Baker that engage with theater as a cinematic theme, Angels and Puppets: The Stage on Screen with Annie Bakera runs from June 14-20 in anticipation of the release of Baker's directorial debut, Janet Planet, on June 21. Get tickets to Angels and Puppets: The Stage on Screen with Annie Baker! Get tickets to Janet Planet! Many films in the series will be shown on 35mm and Baker will join us in-person for select introductions and Q&As, including a sneak preview of Janet Planet on June 20. Opening Night of the series will feature Louis Malle's iconic collaboration with André Gregory and Wallace Shawn, My Dinner with André (1981) and Vanya on 42nd Street (1994), both presented on 35mm. Baker will also engage in a discussion with Shawn about each film's perspective on theater as an art form and its translation to the big screen. The conversation was moderated by Erik Luers, FLC's Digital Marketing Manager.

This week we're excited to present a conversation with Another End director Piero Messina from Opening Night of this year's edition of Open Roads: New Italian Cinema. A melancholic, philosophical take on science fiction, Piero Messina's ensemble drama contemplates a futuristic twist on the afterlife and its implications for those whom the deceased have left behind. Gael García Bernal stars as Sal, who has recently lost his partner Zoe in a car accident. When Sal's sister Ebe (Bérénice Bejo) suggests he use a new technology to transplant Zoe's memories into the mind and body of a stranger (Renate Reinsve), he finds himself confronted with a new opportunity to say goodbye to his love—but at what price? A rare blend of high-concept and deep feeling, Another End is a moving work on human connection in an increasingly virtual world. This conversation was moderated by FLC programmer Tyler Wilson.

This week we're excited to present a special podcast episode featuring the star-studded speeches from our recent Chaplin Award Gala. FLC was pleased to honor Jeff Bridges as the recipient of the 49th Chaplin Award, presented at a gala evening on April 29. The full house at Alice Tully Hall was treated to a joyful celebration of the actor's incredible body of work with hilarious and heartfelt tributes by Bridges's costars, culminating in Chris Pine presenting the Chaplin Award to the Dude himself. The evening's guest speakers included, in order of appearance, FLC President Lesli Klainberg; Sharon Stone, who starred in two 1999 films with Bridges: Matthew Warchus's Simpatico and Albert Brooks's The Muse; Rosie Perez, who appeared with Bridges in Peter Weir's Fearless, for which Perez received a 1993 Academy Award nomination; Blythe Danner, who starred alongside Bridges in the 1975 film Hearts of the West; and Chris Pine, who co-starred with Bridges in the Oscar-nominated Hell or High Water in 2016.

We are about a month away from FLC 7 going down May 2nd-5th at the Kriver Campground in Moyers, Oklahoma. In this episode, We sit down with the Fast Life Crew to talk about our upcoming event, which took us down memory lane! You're not gonna want to miss this year's event!   Join our Patreon to listen to our weekly Patreon-only podcast, “Garage Talk.” Also, catch ad-free audio podcasts from our fast life crew and up tier. Get the app and connect with others on the community chat! As well as updates and behind the scenes of the Fast Life Garage https://Www.patreon.com/fastlifegarage   @simpson_motorcycle_helmets  I have logged thousands of miles in Simpson's, and the fit and quality are perfect for me, from how I ride and how I wanna look rolling down the highway!  Head on over to  https://www.simpsonmotorcyclehelmets.com    @Thundermaxefi I have run the TMax modules on my fuel-injected Harleys for years.  Their auto-tune technology makes these computers worth their weight in Gold!  https://www.thunder-max.com Use Offer code “fastlife” for 10% off    @arlennessmotorcycles From complete design collections that can take your bike from stock to custom. Or their parts can be the finishing touches to your custom build.  Their performance line of parts gives you the custom look we all want while maintaining functionality. Head on over to https://www.arlenness.com to check out all the amazing products for your build. Drop the FASTLIFE10 offer code to save yourself 10% on your purchases    @lexinmoto I listen to everything from music and podcasts to even audiobooks as I smash miles across the country with Lexin! Also, don't sleep on their Gen 2 air pumps, a must-have for motorcycle travel in case of a tire issue https://www.lexin-moto.com Offer code “fastlife” for 15% off       Cowboy Harley has your HD needs covered with the performance upgrades we all want, including service, sales, and a stacked parts department, plus the best gear and clothing. Check out   https://www.cowboyharleyAustin.com and on Instagram @cowboyhdaustin Make sure to tell them The Fastlife sent you!   Custom Dynamics, with over 20 years in business, is here to serve the motorcycle community with High-quality lighting options for your Harley Davidson!  With a lifetime warranty and the largest selection of lighting, they have something for your bike!   Https://www.customdynamics.com   

This week we're excited to present a conversation with Léa Seydoux, lead actress of the 61t New York Film Festival Main Slate selection The Beast, which will open in our theaters on April 5. The Beast opens at FLC next Friday, April 5 View showtimes and get tickets at filmlinc.org/beast A filmmaker consistently unafraid to wade through the weird miasma of contemporary life, Bertrand Bonello (Nocturama; Coma, NYFF60) works from the outside in, dramatizing the psychological toll of the political and cultural world around us. Here he has created a dynamic and disturbing parable that jumps between three different time periods (1910, 2014, and 2044) to diagnose our acute—and perhaps eternal—feelings of estrangement and alienation. Using Henry James's haunting 1903 short story “The Beast in the Jungle” as his film's provocative inspiration, Bonello tells the story of a young woman (Léa Seydoux) who undergoes a surgical process to have her DNA—and therefore memories of all her past lives—removed. In so doing, she realizes her fate has long been intertwined, for better and worse, with a young man (George MacKay). Touching on modern anxieties of AI and incel culture, which may recur throughout history as commonly as love and hate, The Beast, like all good science-fiction, asks essential questions about the ever-shifting status of humanity itself. An NYFF61 Main Slate selection. A Sideshow and Janus Films release. This conversation was moderated by FLC's Vice President of Programming Florence Almozini.

This week we're excited to present two conversations. First up, with our retrospective celebrating the films of the late Polish director Wojciech Jerzy Has currently running through March 31, listen to Digital Marketing Manager Erik Luers discuss the career of the filmmaker with Annette Insdorf, a celebrated scholar and author of the book Intimations: The Films of Wojech Has. Get tickets to The Long Strange Trips of Wojciech Jerzy Has retrospective at filmlinc.org/has Following that conversation, we're happy to share a Q&A from the 61st New York Film Festival with La Chimera director Alice Rohrwacher and actors Josh O'Connor & Isabella Rossellini, moderated by NYFF Advisor Michelle Carey. With her customarily bewitching mixture of earthiness and magical realism, Alice Rohrwacher conjures a marvelous entertainment set in a rural Italy eternally caught between the ancient and the modern. La Chimera opens at FLC next Friday, March 29. View showtimes and get tickets now at filmlinc.org/chimera

This week we're excited to present a conversation with director Denis Villeneuve, the subject of a recent retrospective presented by FLC and who's new highly anticipated sci fi-epic, Dune: Part Two, is now in theaters worldwide courtesy of Warner Bros Pictures. The saga continues as award-winning filmmaker Denis Villeneuve embarks on Dune: Part Two, the next chapter of Frank Herbert's celebrated novel Dune, with an expanded all-star international ensemble cast. The big-screen epic continues the adaptation of Frank Herbert's acclaimed bestseller Dune with returning and new stars, including Oscar nominee Timothée Chalamet, Zendaya, Rebecca Ferguson, Josh Brolin, and Austin Butler. Dune: Part Two explores the mythic journey of Paul Atreides as he unites with Chani and the Fremen while on a path of revenge against the conspirators who destroyed his family. Facing a choice between the love of his life and the fate of the known universe, he endeavors to prevent a terrible future only he can foresee. This conversation was moderated by FLC Vice President of Programming Florence Almozini.

This week we're excited to present a conversation with About Dry Grasses director Nuri Bilge Ceylan. An NYFF61 Main Slate selection, About Dry Grasses opens at FLC next Friday, February 23rd. Get tickets at filmlinc.org/grasses. In a village nestled within the wintry landscape of the East Anatolia region of Turkey, an art teacher named Samet (Deniz Celiloglu) is struggling through what he hopes to be his final year at an elementary school. Already tiring of the unforgiving environment, where he has been assigned by the government's public education system, Samet is further disillusioned and frustrated after a young girl in his class, Sevim, appears to accuse him of inappropriate behavior. The only light on the horizon for Samet is his growing friendship with—and clear attraction to—a teacher from a nearby school, Nuray (Merve Dizdar), a sharp, politically engaged woman unafraid to put the self-involved Samet in his place for his general apathy and narcissism. Turkey's official entry for Best International Feature Film at the 2024 Academy Awards, the latest deeply philosophical drama from Nuri Bilge Ceylan (Once Upon a Time in Anatolia, NYFF49) is a work of elegant, novelistic filmmaking, rigorously unpacking questions of belief versus action, the tangible versus the enigmatic, and who we wish to be versus how we live. A centerpiece conversation between Samet and Nuray—capped off by a provocative metacinematic flourish—ranks with Ceylan's greatest sequences, and Dizdar, who won the Best Actress prize at this year's Cannes Film Festival, commands every second she's on screen. A Sideshow/Janus Films release. This conversation was moderated by NYFF Advisor Violeta Bava.

View the Show Notes For This Episode And Links To Full Length Episodes Featured In This CompilationGet Free Weekly Health Tips from Dr. HymanSign Up for Dr. Hyman's Weekly Longevity JournalGet Ad-free Episodes & Dr. Hyman+ Audio ExclusivesWe all get off track sometimes. Life gets busy, we indulge a little too much during the holidays, or we ignore the messages our body is sending us to sleep more and eat better. This can leave us feeling super sluggish, run-down, or unable to think clearly. This is what I call FLC syndrome? It's when you feel like crap! In today's episode, we feature four segments from The Doctor's Farmacy Health Bites series about hitting the reset button on our diet and lifestyle choices and establishing new behaviors for our overall wellbeing.This episode is brought to you by Rupa University, LMNT, Thrive Market, and AG1.Rupa University is hosting FREE classes and bootcamps for healthcare providers who want to learn more about Functional Medicine testing. Sign up at RupaUniversity.com.LMNT is giving listeners a FREE eight-count sample pack of their vital electrolyte drink mix with any purchase. Just visit DrinkLMNT.com/Hyman today.Head over to ThriveMarket.com/Hyman today to receive 30% off your first order and a free gift up to $60.Get your daily serving of vitamins, minerals, adaptogens, and more with AG1. Head to DrinkAG1.com/Hyman and get 10 FREE travel packs + a FREE Welcome Kit with your first order.Connect with Dr. Mark Hyman on Twitter, Instagram, Facebook, and YouTube Hosted on Acast. See acast.com/privacy for more information.

On October 29, 2019, Michelle Xue and her climbing partner, Jenny Shedden, set off to climb Red Slate Mountain in the Sierra Nevada when they were struck by rockfall and killed. This story is told through the lens of her dear friend, Artem.While all genres of climbing can be dangerous, alpine climbing is likely the most. These stories of loss pay tribute to loved ones, but beyond that, the life of an alpine climber is complex. They say, “What's done in love, is done well.” But the passion for this sport creates a catch-22.The cold paradox of alpine climbing leaves loved ones behind, pondering the timeworn question: Why do we climb? Why choose to continue a sport when the risks encountered could mean death? Everyone will grieve in this lifetime. And everyone will experience loss. It's a painful but normal part of the human experience, and the process of grief, though it moves, will move in cycles.This episode is in loving memory of Michelle Xue and Jenny Shedden.For the Love of Climbing is presented by Patagonia. Additional support is from deuter USA, Allez Outdoor, and Ocún.Music is licensed by Music Bed and Blue Dot Sessions.Read the transcript here.Catch up on podcast (pod-Kath?) updates and general life things: @inheadlightsThis podcast is sponsored by BetterHelp. Because therapy is for everyone.FLC is public media which means we're supported by listeners like you. Donate or become a patron in exchange for a warm, fuzzy feeling.

“Are you a good witch or a bad witch?” Glinda asked Dorothy when she crash-landed in Oz for the first time. The theory of everything is that every element has an opposite. And by this logic, if there are, in fact, “good moms”, then it would follow that there must also be “bad moms”. But it doesn't really work that way because the system of measurement that dictates the “good mom” / “bad mom” status is fundamentally flawed.When Tracy became a newly-minted mom, she was determined to find a way to stick with climbing while she navigated all the new hurdles motherhood brings. As the dual identity of parent and climber becomes more common, we hope stories like Tracy's won't stand out.Tracy will always be a mom. But, she can also be a climber. She can hold one in each hand while we work to dismantle the notion that motherhood has to come at the price of one's identity—instead of being integrated as a part of it.The mental construct that ping pongs back and forth between being “good” or “bad” traps moms and parents in a place of “not-enoughness”, when the fact of the matter is: you are.For the Love of Climbing is presented by Patagonia. Additional support is from deuter USA, Allez Outdoor, and Ocún.Music is by Chad Crouch. Additional music is licensed by Music Bed and Blue Dot Sessions.Read the transcript here.Catch up on podcast (pod-Kath?) updates and general life things: @inheadlightsThis podcast is sponsored by BetterHelp. Because therapy is for everyone.FLC is public media which means we're supported by listeners like you. Donate or become a patron in exchange for a warm, fuzzy feeling.

On the final daily NYFF61 edition of the FLC podcast, director Frederick Wiseman, the United States's unrivaled maestro of observational nonfiction, joins us to discuss Menus-Plaisirs Les Troisgros, a Spotlight selection in this year's festival, with FLC Senior Director of Programming Florence Almozini. Wiseman brings his camera into a three-star Michelin restaurant in rural central France, and the result is an expansive, delectable, and provocative portrait of the demand for perfection—a surprising but apt subject in Wiseman's decades-long inquiries into the inner workings of complicated institutions that function with their own rules and standards. A Zipporah Films release. All NYFF61 feature documentaries are presented by HBO.

On today's daily NYFF61 edition of the FLC podcast, director Justine Triet, co-writer Arthur Harari, and lead actress Sandra Hüller join us to discuss Anatomy of a Fall, a Main Slate selection in this year's festival, with NYFF Artistic Director Dennis Lim. The winner of this year's Palme d'Or at the Cannes Film Festival, Justine Triet's drama is a riveting procedural and a delicate inquiry into the impossibility of an ultimate truth in human relationships. When the husband of famous novelist Sandra Voyter (played by Toni Erdmann's Sandra Hüller) is found dead on the ground outside their chalet in the French Alps, authorities suspect that she might have been responsible, as the impact and position of his body suggest a push rather than a fall. This leads to a murder trial that puts every aspect of their marriage under impossible scrutiny, and whose outcome might hinge on the perspective of their vision-impaired 11-year-old son. Triet's fiercely intelligent, emotionally devastating film dissects the ways we create subjective narratives for ourselves and others and questions the insufficiency of language to describe the essential mysteries each of us possesses. At its core is the brilliant Hüller, whose Sandra is articulate, open, and utterly inscrutable. Anatomy of a Fall opens at Film at Lincoln Center on Oct. 18. Tickets are on sale now: filmlinc.org/anatomy Tickets to the New York Film Festival are moving fast! Get up-to-date information on all available tickets on a daily basis by visiting filmlinc.org/tix.

On today's daily NYFF61 edition of the FLC podcast, director Ryûsuke Hamaguchi joins us to discuss Evil Does Not Exist, a Main Slate selection in this year's festival, with NYFF Artistic Director Dennis Lim. In his potent and foreboding new film, Oscar-winning director Ryûsuke Hamaguchi (Drive My Car) reconstitutes the boundaries of the ecopolitical thriller with the tale of a serene rural village that's about to be disrupted by the construction of a glamping site for Tokyo tourists. A Sideshow/Janus Films release. Enjoy this discussion Hamaguchi and don't forget to subscribe here for more filmmaker conversations. Evil Does Not Exist will be released by Sideshow and Janus Films. Tickets to the New York Film Festival are moving fast! Get up-to-date information on all available tickets on a daily basis by visiting filmlinc.org/tix.

The following question refers to Section 7.8 of the 2022 AHA/ACC/HFSA Guideline for the Management of Heart Failure.The question is asked by Stony Brook University Hospital medicine resident and CardioNerds Intern Dr. Chelsea Tweneboah, answered first by Mayo Clinic Cardiology Fellow and CardioNerds Academy Chief Dr. Teodora Donisan, and then by expert faculty Dr. Michelle Kittleson.The Decipher the Guidelines: 2022 AHA / ACC / HFSA Guideline for The Management of Heart Failure series was developed by the CardioNerds and created in collaboration with the American Heart Association and the Heart Failure Society of America. It was created by 30 trainees spanning college through advanced fellowship under the leadership of CardioNerds Cofounders Dr. Amit Goyal and Dr. Dan Ambinder, with mentorship from Dr. Anu Lala, Dr. Robert Mentz, and Dr. Nancy Sweitzer. We thank Dr. Judy Bezanson and Dr. Elliott Antman for tremendous guidance.Enjoy this Circulation 2022 Paths to Discovery article to learn about the CardioNerds story, mission, and values. Question #29 A 69-year-old man was referred to the cardiology clinic after being found to have a reduced left ventricular ejection fraction and left ventricular hypertrophy. For the last several months he has been experiencing progressively worsening fatigue and shortness of breath while getting to the 2nd floor in his house. He has a history of bilateral carpal tunnel syndrome and chronic low back pain. He takes no medications. On exam, his heart rate is 82 bpm, blood pressure is 86/60 mmHg, O2 saturation is 97% breathing ambient air, and BMI is 29 kg/m2. He has a regular rate and rhythm with normal S1 and S2, bibasilar pulmonary rales, and 1+ pitting edema in both legs. EKG shows normal sinus rhythm with a first-degree AV delay and low voltages. Transthoracic echocardiogram shows a moderately depressed LVEF of 35-39%, severe concentric hypertrophy with a left ventricular posterior wall thickness of 1.5 cm and strain imaging showing globally reduced longitudinal strain with apical sparring. There is also biatrial enlargement and a small pericardial effusion. A pharmacologic nuclear stress test did not reveal any perfusion defects. A gammopathy panel including SPEP, UPEP, serum and urine immunofixation studies, and serum free light chains are unrevealing. A 99mTc-Pyrophosphate scan was positive with grade 3 uptake. In addition to starting diuretics, what is the next most appropriate step for managing for this patient? A Start metoprolol succinate B Start sacubitril/valsartan C Perform genetic sequencing of the TTR gene D Perform endomyocardial biopsy Answer #29 Explanation The correct answer is C – perform genetic sequencing of the TTR gene.   This patient has findings which raise suspicion for cardiac amyloidosis. There are both cardiac (low voltages on EKG and echocardiogram showing marked LVH with biatrial enlargement and small pericardial effusion as well as a characteristic strain pattern) and extra-cardiac (bilateral carpal tunnel syndrome and low back pain) features to suggest amyloidosis. The diagnosis of cardiac amyloidosis requires a high index of suspicion and most commonly occurs due to a deposition of monoclonal immunoglobulin light chains (AL-CM) or transthyretin (ATTR-CM). ATTR may cause cardiac amyloidosis as either a pathogenic variant (ATTRv) or as a wild-type protein (ATTRwt).   Patients for whom there is a clinical suspicion for cardiac amyloidosis should have screening for serum and urine monoclonal light chains with serum and urine immunofixation electrophoresis and serum free light chains (Class 1, LOE B-NR). Immunofixation electrophoresis (IFE) is preferred because serum or urine plasma electrophoresis (SPEP or UPEP) are less sensitive. Together, measurement of serum IFE, urine IFE, and serum FLC is >99% sensitive for AL amyloidosis.

Addiction is the kind of topic where judgment is easy, and empathy is hard. Shame is at the core of addiction. It thrives best in secrecy when we feel most alone, and keeps stories like these hidden in the dark.Lucas spent years, bouncing and skidding off the bottom before sobriety. But you know what they say: every unconscionable low point has a silver lining. Before long-term recovery, you could find Lucas on the road climbing full-time. He was the guy who could wax poetic around a campfire about all types of beverages of any kind, any continent. While the conditions that preceded him to drink were probably always there, living out of his truck and reducing his life to just climbing and nature made him realize he was empty on a different level.For the Love of Climbing is presented by Patagonia. Additional support is from deuter USA, Allez Outdoor, and Ocún.Music is by Chad Crouch. Additional music is licensed by Music Bed and Blue Dot Sessions.Read the transcript here.Catch up on podcast (pod-Kath?) updates and general life things: @inheadlightsThis podcast is sponsored by BetterHelp. Because therapy is for everyone.FLC is public media which means we're supported by listeners like you. Donate or become a patron in exchange for a warm, fuzzy feeling.

The 61st edition of the New York Film Festival kicked off on Friday, September 29 with the North American premiere of May December, directed by Todd Haynes. From the sensational premise born from first-time screenwriter Samy Burch's brilliant script, director Todd Haynes (Safe, Carol) has constructed an American tale of astonishing richness and depth, which touches the pressure and pleasure points of a culture obsessed equally with celebrity and trauma. Boasting a trio of bravura, mercurial performances by Julianne Moore, Natalie Portman, and Charles Melton, May December is a film about human exploitation, the elusive nature of performance, and the slipperiness of truth that confirms Todd Haynes's status as one of our consummate movie artists. A Netflix release. Opening Night of NYFF61 is presented by Campari. Listen to the press conference featuring Haynes, Burch, and producers Christine Vachon, Pamela Koffler, Jessica Elbaum, and Sophie Mas as they discuss May December. Don't forget to mark your calendars: May December opens at FLC on November 17 and on Netflix December 1. Tickets to the New York Film Festival are moving fast! Get up-to-date information on all available tickets on a daily basis by visiting filmlinc.org/tix.

This episode is brought to you by Rupa University, Cozy Earth, and Super Simple Grassfed Protein.An all-too-large percentage of the population suffers from poor sleep, achy joints, feelings of fatigue, brain fog, and what I call FLC (“feel like crap”) syndrome. This epidemic has a number of factors, most of which are caused by our modern lifestyles and diets. But one of the major factors of such dysfunction is poor mitochondrial health.In today's episode of my series I'm calling Health Bites, I dive deep into our mitochondria—what it is, why it's so important, and what you can do to support your mitochondrial health.This episode is brought to you by Rupa University, Cozy Earth, and Super Simple Grassfed Protein.If you're a healthcare provider who wants to learn more about Functional Medicine testing, go to rupauniversity.com to sign up for a free live class or a boot camp!Right now, get 40% off your Cozy Earth sheets. Just head over to cozyearth.com and use code DRHYMAN.Right now, you can get 10% off Super Simple Grassfed Protein by heading to drhyman.com/protein and using code protein10.Here are more details from our interview (audio version / Apple Subscriber version):What are mitochondria? (3:50 / 2:16) Causes of mitochondrial damage (5:59 / 4:10) Four nonnegotiables to mitochondrial health (7:40 / 6:06) Five ways to fuel your mitochondria (12:43 / 10:22) Mentioned in this episodeDrHyman.com blogs on mitochondria Hosted on Acast. See acast.com/privacy for more information.

Amin has been climbing for over 23 years, starting in Shiraz, a historical city in Iran. In 2017, he moved to the U.S. to work as a head routesetter, and was shot in a senseless act of violence that critically injured him and shook friends and family to their core. The irony of growing up in the Islamic Republic of Iran and never being afraid of guns until he moved to America is...sobering.Today, Amin remains deeply engaged in advocacy for Iranian people, especially women. He believes the revolution is coming and is inspired by those who have put their lives on the line for change.This is part two of a two-part story.Visit GoFundMe.com/myshare4freedom to support those who have been directly affected during the Woman Life Freedom movement.Find Amin on Instagram at @amminabbasi for updates and more. Contact him if you're willing and able to further amplify the voice of the Woman Life Freedom movement.For the Love of Climbing is presented by Patagonia. Additional support is from deuter USA, Allez Outdoor, and Ocún.Music is licensed by Music Bed. Additional music is licensed by Blue Dot Sessions.Read the transcript here.Catch up on podcast (pod-Kath?) updates and general life things: @inheadlightsThis podcast gets support from BetterHelp. Because therapy is for everyone.FLC is public media which means we're supported by listeners like you. Donate or become a patron in exchange for a warm, fuzzy feeling.

Amin has been climbing for over 23 years, starting in Shiraz, a historical city in Iran. In 2017, he moved to the U.S. to work as a head routesetter, and was shot in a senseless act of violence that critically injured him and shook friends and family to their core. The irony of growing up in the Islamic Republic of Iran and never being afraid of guns until he moved to America is...sobering.Today, Amin remains deeply engaged in advocacy for Iranian people, especially women. He believes the revolution is coming and is inspired by those who have put their lives on the line for change.This is part one of a two-part story.Visit GoFundMe.com/myshare4freedom to support those who have been directly affected during the Woman Life Freedom movement.Find Amin on Instagram at @amminabbasi for updates and more. Contact him if you're willing and able to further amplify the voice of the Woman Life Freedom movement.For the Love of Climbing is presented by Patagonia. Additional support is from deuter USA, Allez Outdoor, and Ocún.Music is licensed by Music Bed. Additional music is licensed by Blue Dot Sessions.Read the transcript here.Catch up on podcast (pod-Kath?) updates and general life things: @inheadlightsThis podcast gets support from BetterHelp. Because therapy is for everyone.FLC is public media which means we're supported by listeners like you. Donate or become a patron in exchange for a warm, fuzzy feeling.

There are those who see grief as the final form of love—this one final act that we give to those we've lost. It's also been said that it's the price we pay for love, which is a funny way to look at it. But these two things unrelentingly go hand-in-hand.On September 2nd, 2021, Tara lost her dad to Covid. But…it's complicated. During that time, well-meaning folk comprised of climbers, liberal activists—even celebrities—condemned those who refused vaccination. Social media was filled with far-left and far-right criticism. Like we said—it's complicated.A year and a half after officially joining the Dead Dad Club, Tara sent one of her hardest multi-year climbing projects. But this story isn't really about that...well, sorta."Grief is an insurmountable pain. But at the same moment, I acknowledge that it is also a reflection of love. And while the mountains feel like they are falling over me, and the waves crashing into me, I can simultaneously understand that it is a result of such deep love. It is all love." - TKThis episode is in memory of James Reynvaan.***Content warning: This episode discusses adoption, briefly mentions suicide, and contains discussion about Native American Boarding Schools. Take care of yourselves while listening and reach out for help if you need it.For the Love of Climbing is presented by Patagonia. Additional support is from deuter USA, Allez Outdoor, and Ocún.Music by Chad Crouch. Additional music is licensed by Music Bed and Blue Dot Sessions.Read the transcript here.Catch up on podcast (pod-Kath?) updates and general life things: @inheadlightsThis podcast gets support from BetterHelp. Because therapy is for everyone.FLC is public media which means we're supported by listeners like you. Donate or become a patron in exchange for a warm, fuzzy feeling.