Podcast appearances and mentions of Nicolas Winding Refn

This week on The First Run, Chris potentially tests Matt's patience with one of his most anticipated films of 2026! It's latest from Nicolas Winding Refn, ‘Her Private Hell'! It's been 10 years, and after a brush with death, Refn returns to the big screen, determined to destroy your expectations and narrative structure. Was it worth the wait? Then Chris closes the curtain with the big releases on Physical Media! 00:00-17:17: Intro/Her Private Hell17:18-21:22: Physical Media Picks 21:23-24:01: Wrap UpTheme music by Jamal Malachi Ford-Bey

Paul and Amy hit the gas with Drive, Nicolas Winding Refn's hypnotic neo-noir that transformed a would-be studio action movie into one of the defining films of the 2010s. They trace the unlikely collaboration between Refn and Ryan Gosling, unpack the film's dreamlike blend of pop music, brutal violence, and Los Angeles noir, and revisit the movie's famously misleading marketing. You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/ https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, Megan is joined by Shaurya Chawla to discuss Nicolas Winding Refn's new film HER PRIVATE HELL! It's crazy that it's been a decade since the last Refn  movie, but he's back and he does not disappoint. Some may walk out. Others will love it. We discuss it all. - Review starts around 3:32 (depending on ads) Visit https://insessionfilm.com for merch and more! Thanks for listening and be sure to subscribe! Become an ISF VIP today to get exclusive bonus content! Follow us on X/Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

Episode 325: The Neon Demon. Episode 325: The Neon Demon. With the release of Her Private Hell, Nicolas Winding Refn's first feature film in a decade, we take a look back at 2016's The Neon Demon. A heavily stylized and critically polarizing journey into the dark heart of beauty starring Elle Fanning, Jena Malone, and Keanu Reeves. Because beauty isn't everything, it's the only thing. 

For this week's main podcast review, Josh Parham, Dan Bayer, Giovanni Lago, and Larry Fried join me to review and discuss the first feature film from Nicolas Winding Refn in a decade, "Her Private Hell," starring Sophie Thatcher, Charles Melton, Havana Rose Liu, Kristine Froseth, Shioli Kutsuna, Aoi Yamada, Dougray Scott, Diego Calva, and Hidetoshi Nishijima. Premiering out of competition at the 2026 Cannes Film Festival, the film caused more walkouts than any other film at the festival and has gained quite a divisive reaction from critics and audiences. What did we think of it? Please tune in either on video or audio only as we debate the merits of its convoluted story, its strange performances, the neon-lit cinematography, Pino Donaggio's gorgeous score, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! https://youtu.be/ILY8KuEJ_5Y Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

In a week where Hollywood studios have cleared the deck in the wake of The Odyssey, Erik Childress and Steve Prokopy still have a bunch of reviews for you. They revisit one of the year's best protest documentaries from Sundance (Everybody to Kenmure Street). Steve talks about seeing the musical on stage that was filmed for cinema (Hadestown: The Musical). Yorgos Lanthimos' co-writer crafts another quirky, unpleasant family (Rosebush Pruning) and Nicolas Winding Refn delivers a tale of fathers, daughters and a serial killer (Her Private Hell). Kevin Hart joins a Gen-Z bachelor party weekend (72 Hours) while Jake Johnson plays pickleball to save his family club (The Dink). Reacher's Alan Ritchson seeks revenge of both the deadly and silent type (Motor City). Finally, Sundance isn't the only revisitation this week. As part of “Review Catch-Up” Erik took a second look at Christopher Nolan's The Odyssey. Did another viewing change his opinion at all? 1:14 - Review Catch-Up 17:31 - Everybody to Kenmure Street 26:49 - Hadestown: The Musical 34:32 - Rosebush Pruning 46:45 - Her Private Hell 57:53 - 72 Hours 1:12:22 - The Dink 1:25:02 - Motor City CLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCAST OR BUY FROM MOVIEZYNG Be sure to check out Erik's Weekly Box Office Column – At Rotten Tomatoes Critics' Classics Series – At Elk Grove Cinema in Elk Grove Village, IL Chicago Screening Schedule - All the films coming to theaters and streaming Physical Media Schedule - Click & Buy upcoming titles for your library. (Direct purchases help the Movie Madness podcast with a few pennies.) Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere. The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations. USE COUPON “MOVIEMADNESS” TO GET 10% OFF ALL DUBBY PRODUCTS SIGN UP FOR AUDIBLE This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

"Her Private Hell" is a 2026 science fiction horror thriller film produced and directed by Nicolas Winding Refn, from a story he wrote and a screenplay he co-wrote with Esti Giordani. It stars Sophie Thatcher as a troubled young woman who searches for her father as a mysterious mist engulfs a futuristic metropolis, unleashing a deadly and elusive entity. Her quest collides with an American G.I. (Charles Melton) who's on a harrowing odyssey to rescue his daughter from hell. The film also stars Havana Rose Liu, Kristine Froseth, Shioli Kutsuna, Aoi Yamada, Dougray Scott, Diego Calva, and Hidetoshi Nishijima. It had its world premiere out of competition at the 2026 Cannes Film Festival, where it received mixed reviews, but its visuals, performances, and the score by legendary Italian composer Pino Donaggio were praised. Thatcher, Melton and Winding Refn were all kind enough to spend some time talking with us about their work and experiences making the film, which you can listen to below. Please be sure to check out the film, which will be released in theaters by NEON on July 24th. Thank you, and enjoy! https://youtu.be/r4ENIJpyPLo https://youtu.be/-52ywXkEti0 Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

The enigmatic director reflects on the breakthrough that turned a getaway driver into a pop culture icon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Discussing the new Nicolas Winding Refn film Her Private Hell. Darius Csiky is the director of TS-CAM and One Last Song for the Empty Table. Join us on https://patreon.com/lowres for two exclusive episodes on Supergirl and Jackass: Best and Last. To decide our next film to discuss, join our Listener Sponsored tier on https://patreon.com/lowres Hosted on Acast. See acast.com/privacy for more information.

The 30th Fantasia International Film Festival, July 16 – August 2, in Montreal, is careening towards us, featuring what looks to be an excellent lineup of movies. Joseph Perry and I have remote press credentials for the festival and decided to let you know the five films we are each looking forward to the most. Of course, we couldn't stop at just five. Check out our discussion on the Gruesome Magazine YouTube Channel! The following is an abbreviated recap of the films we discussed. Joseph is excited about: CAPTURED! – d. Koichi (YouTuber debut feature) SLEEP NO MORE – d. Edwin (Vengeance Is Mine, All Others Pay Cash, 2021); body horror VILLAGE OF EIGHT GRAVESTONES – d. Takashi Shimizu (Ju-on: The Grudge, 2002) WHEN YOU OPEN THE DOOR – d. Eriko Katagiri (debut feature, winner of the third Japan Horror Award sponsored by Kadokawa) NIGHTBORN – d. Hanna Bergholm (Hatching, 2022), w/Seidi Haarla, Rupert Grint, Pamela Tola Jeff's trigger trippers: COLONY – d. Yeon Sang-ho (Train to Busan, 2016) LOS VAMPIRES – d. Craig Mitchell (fictionalized account of the making of George Melford's 1931 Spanish Dracula), w/Henry Ian Cusick, Daniela Couso, Thomas Kretschmann RUBBERHEAD: THE LIFE & MONSTERS OF STEVE JOHNSON – d. Nick Taylor (documentary) THE LAST FOOTAGE – d. Arkar Soe Oo (Myanmar's first found footage feature) TRAUMA OR, MONSTERS ALL – d. Larry Fessenden; final chapter of his quadrilogy: Habit (1995), Depraved (2019), Blackout (2023); works as a standalone or series finale But we couldn't stop there. Here are a few more we're looking forward to: Ancestral Beasts – d. Tim Riedel; psychological horror centered on two generations of indigenous women Drag, d. Raviv Ullman, Greg Yagolnitzer; w/Lizzy Caplan, Lucy DeVito, Christine Ko, John Stamos (producers: Danny DeVito, Jake DeVito, Lucy DeVito) Freaks Part II – d. Zach Lipovsky, Adam Stein (Freaks, 2018; Final Destination: Bloodlines, 2025); w/Reznor Allen, Amanda Crew, Audrianna Lico, Lorelei Olivia Mote, Lili Taylor, Stephen Tobolowsky Her Private Hell – d. Nicolas Winding Refn (winner of the festival's Cheval Noir Career Achievement Award), w/Sophie Thatcher, Charles Melton, Havana Rose Liu, Kristine Forsyth, Diego Calva Home Bodies – d. Casey Walker (producer: The Void, 2016; In a Violent Nature, 2024) Hot Spot – d. Agnieszka Smoczynska; w/Noomi Rapace Junction Row – d. Ashlea Wessel; w/Katharine Isabelle, Kyle Mac, Julian Richings Motherwitch – d. Minos Papas; folk horror Mum, I'm Alien Pregnant – d. THUNDERLIPS (Jordan Windsor & Sean Wallace); body horror comedy from New Zealand Nameless – d. Hideo Jojo; w/Jiro Sato; based on Jiro Sato's own web-manga Penny Lane is Dead – d. Mia'kate Russell; a matriarchal gorefest from Australia Recluse – d. Henry Chaisson, writer of Antlers (2021), Servant (2021-2023) Teenage Sex and Death at Camp Miasma – d. Jane Schoenbrun; did you think we wouldn't include a slasher? The Leader – d. Michael Gallagher; the story of Heaven's Gate; w/Grace Caroline Currey, Vera Farmiga, Tim Blake Nelson, Jim Parsons, Simon Rex The Glorious Dead – d. Toby Poser, John Adams; the latest from the Adams family of filmmakers The Last Temptation of Becky – d. Jenn Wexler, w/Lulu Wilson; remember Becky (2020) and The Wrath of Becky (2023)? She's back! The Mouths – d. Takashi Shimizu; yes, there are two films this year from the director of Ju-on (2002) Unholy Night – d. Michael Gabriele; a Christmas horror comedy Be sure to check out the full lineup at the festival's official website: https://fantasiafestival.com/en/

July in Montreal means Fantasia is back. Mike offers his annual curtain raiser for the Fantasia International Film Festival — one of the great genre film festivals on the planet — running July 16th through August 2nd, 2026.This year's lineup spans Nicolas Winding Refn's mist-shrouded sci-fi nightmare Her Private Hell (opening night), a 147-minute samurai epic from Kiyoshi Kurosawa, Agnieszka Smoczynska's A.I. thriller Hot Spot starring Noomi Rapace, and Jenn Wexler's The Last Temptation — the Becky sequel nobody asked for but everyone needed. Closing Night belongs to The Fox, an Australian dark comedy with Olivia Colman voicing a talking fox with opinions about your fiancée.The Retro section alone is worth the trip: 35mm screenings for Robert Lepage's Le Confessionnal and Bruce McDonald's Pontypool, a 4K restoration of Paul Morrissey's Forty Deuce, and the world premiere restoration of Metal Messiah — a 1978 Canadian glam-rock sci-fi film that has been hiding in the dark for nearly fifty years. Plus, Takashi Shimizu receives a career honor and brings two new films. It's a full plate.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

July in Montreal means Fantasia is back. Mike offers his annual curtain raiser for the Fantasia International Film Festival — one of the great genre film festivals on the planet — running July 16th through August 2nd, 2026.This year's lineup spans Nicolas Winding Refn's mist-shrouded sci-fi nightmare Her Private Hell (opening night), a 147-minute samurai epic from Kiyoshi Kurosawa, Agnieszka Smoczynska's A.I. thriller Hot Spot starring Noomi Rapace, and Jenn Wexler's The Last Temptation — the Becky sequel nobody asked for but everyone needed. Closing Night belongs to The Fox, an Australian dark comedy with Olivia Colman voicing a talking fox with opinions about your fiancée.The Retro section alone is worth the trip: 35mm screenings for Robert Lepage's Le Confessionnal and Bruce McDonald's Pontypool, a 4K restoration of Paul Morrissey's Forty Deuce, and the world premiere restoration of Metal Messiah — a 1978 Canadian glam-rock sci-fi film that has been hiding in the dark for nearly fifty years. Plus, Takashi Shimizu receives a career honor and brings two new films. It's a full plate.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Hosts Drew and Daniel share their pop culture picks for July 2026 including new Christopher Nolan.Support this podcast at — https://redcircle.com/quality-check-podcast/donations

Episode Description Cannes 2026 just wrapped, and Zef is joined by producer Cole Howard to break down the films, winners, distributors, and festival buzz coming out of the world's most prestigious film festival. They discuss this year's Palme d'Or winner FJORD, Christian Mungiu's new family drama starring Sebastian Stan and Renate Reinsve, along with some of the biggest films on their watchlists, including James Gray's PAPER TIGER, Na Hong-jin's HOPE, Ryusuke Hamaguchi's ALL OF A SUDDEN, Nicolas Winding Refn's HER PRIVATE HELL, and A24's buzzy CLUB KID. Zef also shares stories from attending Cannes in 2014 and 2019, including seeing WINTER SLEEP before it won the Palme d'Or and attending the Cannes premiere of THE GANGSTER, THE COP, THE DEVIL. The conversation also touches on NEON's incredible run as a distributor, Cannes standing ovations, Korean cinema, long movies that earn their running time, recent Palme d'Or winners, director commentaries as film school, and why Cannes still matters as the ultimate launchpad for world cinema. Films discussed include: FJORD, PAPER TIGER, HOPE, ALL OF A SUDDEN, HER PRIVATE HELL, CLUB KID, WINTER SLEEP, THE GANGSTER, THE COP, THE DEVIL, KILLERS OF THE FLOWER MOON, TITANE, ANORA, PARASITE, ANATOMY OF A FALL, TRIANGLE OF SADNESS, SHOPLIFTERS, MY COUSIN VINNY, TWO LOVERS, WE OWN THE NIGHT, AD ASTRA, THE WAILING, MEMORIES OF MURDER, CITY OF GOD, and more.   Hosted by Zef Cota & Cole Howard

On this weeks episode we are talking three movies; the new Mortal Kombat, and 2 of the 3 Danish crime films from Nicolas Winding Refn's Pusher series. We also talk the Netflix's fight between Ronda Rousey & Gina Carano. Helping us out is friend of the show, Hamilton's own stand up comedian Joe Botelho. Instagram: https://www.instagram.com/joebotelhosnp/ Talk to Goose www.howdyoulikethatmovie.com

 Mindframes Show Notes I Love Boosters (2026) — Episode 118 Directed by: Boots Riley Written by: Boots Riley Starring: Keke Palmer, Naomi Ackie, Taylour Paige, Poppy Liu, Eiza González, LaKeith Stanfield, Will Poulter, Don Cheadle, Demi Moore Cinematography: Natasha Braier Costume Design: Shirley Kurata Score: Tune-Yards Distributor: Neon IMDB: https://www.imdb.com/title/tt30827810/ Episode Summary In this episode of Mindframes, Michael and Dave discuss I Love Boosters (2026) — the sophomore feature from writer-director Boots Riley (Sorry to Bother You). And they didn't just watch it: Boots Riley was at their screening, making this a particularly special episode. The film follows the Velvet Gang, a crew of professional shoplifters — or "boosters" — led by Corvette (Keke Palmer), who steal high-end fashion and redistribute it to their community at affordable prices, calling it "fashion-forward philanthropy." Their target: Christie Smith (Demi Moore), a cutthroat fashion maven who has stolen Corvette's own designs and passed them off as her own. Michael and Dave dig into Riley's political vision and whether the film preaches or persuades, Keke Palmer's career-best performance, the stunning visual craft from cinematographer Natasha Braier and costume designer Shirley Kurata, and the film's surrealist escalation into sci-fi territory. The spoiler section tackles the film's central question head-on: can style — and collective action — actually be a revolutionary act? Michael gives the film 4 stars. Dave gives it 4.5 stars.

Christoph und Björn waren beim bedeutendsten Filmfestival der Welt und haben ein paar Filme mitgebracht, die nicht nur Arthouse-Liebhaber, sondern auch Genre-Fans auf jeden Fall interessieren dürften: darunter der neue Retro-Sci-Fi-Horrorfilm von Nicolas Winding Refn („Her Private Hell“), den Monster-Blockbuster des Jahres („Hope“), hochtourige Zombie-Action („Colony“) und einen völlig abgefahrenen Meta-Slasher-Spaß („Teenage Sex And Death At Camp Miasma“). Viel Spaß. Christophs FILMSTARTS-Kritik zu "Teenage Sex And Death At Camp Miasma": https://www.filmstarts.de/kritiken/1000024260/kritik.html Björns FILMSTARTS-Kritik zu "Hope": https://www.filmstarts.de/kritiken/314882/kritik.html Christophs FILMSTARTS-Kritik zu "Her Private Hell": https://www.filmstarts.de/kritiken/1000024260/kritik.html Björns FILMSTARTS-Kritik zu "Colony": https://www.filmstarts.de/kritiken/1000021055/kritik.html Abonniert den kostenlosen FILMSTARTS-Newsletter: https://newsletters.filmstarts.de/was-gibts-neues-zu-schauen_c301 Music from: https://filmmusic.io “Easy Jam” (https://filmmusic.io/song/3694-easy-jam) by Kevin MacLeod (https://incompetech.com) “Take a Chance” (https://filmmusic.io/song/4457-take-a-chance) by Kevin MacLeod (https://incompetech.com) License: CC BY (https://filmmusic.io/standard-license)

¡Traemos cantidad de noticias de la más rabiosa actualidad! Hablamos de King Conan, que por fin nos enseñará a un Arnold Schwarzenegger en la piel del Conan Rey, la nueva película del director de The Chaser, Hope, y también la vuelta al ruedo de Nicolas Winding Refn con Her Private Hell. Analizaremos el palmarés de Cannes, lo nuevo de Sam Raimi, las novedades de la Odisea de Nolan, la película de Rick y Morty y muchas cositas más, en un pódcast cargado de actualidad cinematográfica. Francisco Javier Santiago, Samuel Úbeda y Javier Muñoz recomiendan en la sección Cal y arena películas y series de estreno como Mortal Kombat II, El señor de las moscas y Las damas primero (sí, sí, lo que oyes). ¿Nos dejas un autógrafo? Además, para conmemorar el día del Orgullo Friki, sorteamos dos figuras pintadas a mano de Darth Vader y Yoda; si queréis participar es muy fácil: seguid las instrucciones que indicamos en el episodio —dejadnos un comentario en iVoox y Spotify y un me gusta, además de suscribiros a nuestro pódcast en iVoox y Spotify— y entraréis en el sorteo que realizaremos (solo para residentes en España). Tenéis desde el día 26 de mayo al 8 de junio de 2026 para participar. ¡Suerte! Contacto, redes sociales, Patreon, etc., en nuestra web: https://cineactual.net/ Canciones inicial «Amanecer» y final «Ocaso» y melodía de «Cal y arena» compuestas e interpretadas por Laia Salvat, Francisco Javier Santiago y Albert Vilella, bajo licencia CC BY-NC-ND 4.0.

Hvilke muligheder står vi tilbage med, og hvad skal der til for det lykkedes Mette Frederiksen at danne en centrum-venstre regering i andet forsøg? Hvordan var det for filminstruktør Nicolas Winding Refn at være tilbage i Cannes med en ny spillefilm? Hvordan går Vingegaards Giro? Dagens vært: August Stenbroen.

Send us a text or a voicemailThe host of a popular paranormal podcast becomes haunted by terrifying recordings from a defunct, vulgar, longform film discussion show sent to her by a loyal listener. On Episode 721 of Trick or Treat Radio we discuss Undertone, the film from director Ian Tuason! We also talk about low budget films that use their restrictions to create tense scenes, we dive into the legend of the Undertoker, and we react to trailers for the films; Her Private Hell the upcoming film from Nicolas Winding Refn, and the all AI feature Hell Grind. So grab your headphones and mic, create the perfect prompt to get yourself a 12 finger discount, and strap on for the world's most artificially intelligent podcast!Stuff we talk about: The Thing, Behind The Mask: The Rise of Leslie Vernon, The House By The Cemetery, Lucio Fulci, Run, Giovanni Frezza, Demons, The Undertoker, casket matches, Yokozuna, Roach on a Pole, Judy Bagwell, Orange Cassidy, Mr. Perfect, The Vampire's Ghost, Monster from the Ocean Floor, Gigantus: The Fire Monster, The Green Slime, Grizzly, Embryo, Spectre, Deadly Eyes, The Road Warrior, Crawlspace, Dark Age, Carnosaur, Terminator: Salvation, Fairuza Balk, Nick Cassavetes, The Craft, Judge Reinhold, Fast Times at Ridgemont Hight, Jonathan Hyde, Anaconda, Raymond Burr, Godzilla, Bride of the Gorilla, Transformers: The Movie, Rear Window, Dr. Teeth and the Electric Mayhem, Nicolas Winding Refn, dystopian films, Neon, NWR, Her Private Hell, Higgsfield AI, Hell Grind, all AI feature film, May 21th, horrible typos in your film trailer, Mohel Day, heavy trope action, Undertone, Ian Tuason, Nina Kiri, paranormal podcasts, folk tales, Guy Fieri's Flavortown, Root Beer Float seltzer, dutch angle, I speak New English, cautionary tales, Disney, Tobin Spirit Guide, A24, David Lowery, Mother Mary, Anne Hathaway, Hunter Schafer, The Green Knight, Faces of Death, Kyle Chandler, Lanterns, Aaron Pierre, Rebel Ridge, James Mason, Greg Travis, David Sleaze the Punk Rock Magician, Rodney's Place, HBO, Enbalmination, and the Legend of the Undertoker.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Im dritten Podcast spricht Rüdiger Suchsland mit seinem luxemburgischen Kollegen Marc Trappendreher über die Qualität des Wettbewerbs und persönliche Favoriten auf die Goldene Palme. Beide spekulieren auch darüber, wer sonst gute Preischancen hat, sprechen über die Frage wie wichtig historische Wahrheit im Spielfilm ist, und sprechen auch kurz über den neuesten Film von Nicolas Winding Refn.

On est aux trois quarts du festival, l'occasion de refaire le point sur nos coups de coeur et coups de gueule de ces derniers jours !Au programme : Garance de Jeanne Herry, L'Inconnue de Arthur Harari, Her Private Hell de Nicolas Winding Refn, Ben'Imana de Marie-Clémentine Dusabejambo, Ton animal maternel de Valentina Maurel, Carmen l'Oiseau Rebelle de Sébastien Laudenbach, Jim Queen de Marco Nguyen et Nicolas Athané, et Eva de Maria Plyta.Animation, réalisation, montage, son : Mariana AgierParticipantes : Enora Abry, Noémie Attia, Alicia Arpaïa, Margaux Baralon, Esther Brejon, Diane LestageGénérique : © SorocinéMusique : Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

A 10 anni di distanza da The Neon Demon, Refn con un'opera di fatta di riflessi, nebbia e fantasmi.

On Truth & Movies this week, David Jenkins and Hannah Strong report live from the Cannes film festival, playing a special game of Cannes tombola and discussing new films from James Gray, Nicolas Winding Refn, Ryusuke Hamaguchi, Jordan Firstman and more…Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

Was habt ihr zuletzt gesehen? Heute in groß bei KINO PLUS. Heißt: Eddie, Andi und Schröck palavern über THEY WILL KILL YOU, über DRACHENZÄHMEN LEICHT GEMACHT (das Remake) oder READY OR NOT 2. Und noch so viel mehr. Über Filme vor und nach dem Hays Code wie zum Beispiel BOULEVARD DER DÄMMERUNG (SUNSET BOULEVARD), den Daniel endlich mal nachgeholt hat oder PANIK IM ZOO (MURDERS IN THE ZOO), der Andi besonders interessiert hat. Außerdem geht es um EYES WIDE SHUT, um DRIVE von Nicolas Winding Refn und wie er von THE DRIVER von Walter Hill beeinflusst wurde. Gefolgt von einer kleinen Abschweifung zum Thema Remakes, die dann solche Titel wie DIE BLECHPIRATEN (GONE IN 60 SECONDS) also das Original von 1974 und die Neuauflage NUR NOCH 60 SEKUNDEN zur Folge hat. Daneben wird auch mal THE BOYS - STAFFEL 2 kurz zum Mittelpunkt, was in DUNE: PART TWO übergeht, aber eigentlich nur von TIMOTHÉE CHALAMET handelt. Darüber hinaus widmen sich die Drei dann noch einer wirklich verstörenden Perle namens FERIEN IN DER HÖLLE oder WAKE IN FRIGHT, was Schröck noch mal ermöglicht, auf zwei japanische Gangsterfilme einzugehen, die er frisch für sich entdeckt hat: zum einen A COLT IS MY PASSPORT und zum anderen BRANDED TO KILL, die deutlich mehr Begeisterung bei ihm ausgelöst haben, als zum Beispiel Jonah Hills OUTCOME oder THOR: LOVE AND THUNDER, der aber eigentlich THOR: TAG DER ENTSCHEIDUNG sein müsste. Begleitet von viel BlaBla, einigen Unterbrechungen und dem wie immer ganz eigenen Charme der Jungs. Dabei wünschen wir Euch viel Spaß, dazu ein schönes Wochenende und dass Ihr so gesund wie gut drauf bleibt. Au revoir. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tom and Jenny discuss Nicolas Winding Refn’s 2011 neo-noir action thriller, which stars Ryan Gosling as an unnamed Hollywood stunt driver who moonlights as a getaway driver for criminals. Audio version: Video version: Please support us on Patreon! Don't forget to subscribe to our YouTube channel, like us on Facebook, and follow us on Instagram. Also check out Jenny's … Continue reading Movie Time: Drive (2011)

Cruising through neon-lit streets and brutal bursts of violence, today we're diving deep into Drive — the stylish, haunting thriller from director Nicolas Winding Refn starring Ryan Gosling.Is Drive a modern masterpiece… or just style over substance?In this episode, we break down everything:•The quiet, almost mythical performance from Gosling•The film's hypnotic soundtrack and atmosphere•Its shocking moments of violence•And why this movie still hits so hard years later

In this episode, Nate and Adam review 2011 the action drama from director Nicolas Winding Refn, "Drive", starring Ryan Gosling and Carey Mulligan! Listen now!

WITNESS THE LIVES OF INTERESTING PEOPLE MADE MORE INTERESTING VIA SUBJECTIVE TRUTHS, PLASTIC AVATARS, UNRELIABLE NARRATORS, AND CG MONKEY-FICATION!!   Biopics: bland, formulaic, predictable. You've seen one, you've seen them all, right? Well, not every filmmaker is content to follow the blueprint. Join Gabe and returning guest Tyler Foster as they explore four examples of Unconventional Biopics that break the narrative and aesthetic rules of the genre. This month's titles include Alex Cox's Walker (1987), Todd Haynes' Superstar: The Karen Carpenter Story (1987), Nicolas Winding Refn's Bronson (2008), and Michael Gracey's Better Man (2024).   00:00 – Intro 10:14 – Walker 40:37 – Superstar: The Karen Carpenter Story 1:01:38 – Bronson 1:22:01 – Better Man 1:43:07 – Outro   Check out Tyler's reviews of Lost in Space (1998), The Mask (1994), and Eva Man (1980).   If you are in a position to make the world a better place, please consider the following fundraisers: Immigrant Defense Project Stand with Minnesota charities and gofundmes Gender Justice MN Defend Frogtown (support vendors affected by ICE)  

Papa's in the hot seat as the crew gets revved up talking about two very similar, yet very different getaway movies: Nicolas Winding Refn's Drive and Edgar Wright's Baby Driver.

This is my first ever film review on this channel. I discuss the Nicolas Winding Refn flick from 2008 titled 'Bronson'. It stars Tom Hardy and it is a wild fun ride, but misses something very important.

Bram Stoker Award-winning author Sara Tantlinger ("To Be Devoured," "The Devil's Dreamland: Poetry Inspired by H.H. Holmes") comes onto the podcast to talk to Scotty about her recent fiction collection "Cyanide Constellations" (2025, Dark Matter INK). They talk about her approach to nature in her work, grief narratives, the influence of poetry on her fiction, feminist revenge stories, murderous garden gnomes, gun-toting hippies, and more. They also take a look at director Nicolas Winding Refn's bizarre, beautiful, and horrific depiction of the fashion industry in "The Neon Demon" (2016). You can find Sara online at https://saratantlinger.com Get your copy of "Cyanide Constellations" at https://darkmattermagazine.shop/products/cyanide-constellations-and-other-stories-598818 Follow Sara on Instagram at https://www.instagram.com/inkychaotics/ Listen to Scotty's earlier conversation with Sara on "The Weirdest Thing Podcast" at https://open.spotify.com/episode/3K8wusyzTqvuzUt7uFf1Lu?si=ba57844ec1734793 Be sure to tune in to Daniel Braum's YouTube series "Night Time Logic." The series focuses on the strange, weird, and wonderful side of dark fiction through readings and discussions with diverse authors from around the world. The next episode will be LIVE at 7 p.m. EST, and will feature author (and fellow friend-of-the-pod) Gwendolyn Kiste! Follow the Facebook event at https://www.facebook.com/events/734287569466413/ You can tune in on Daniel's You Tube Channel, which is his name DanielBraum or @danielbraum7838. https://www.facebook.com/groups/429777132474382 https://www.youtube.com/@danielbraum7838 This podcast is powered by Pinecast.

Tonight on Sessions, Mark Radulich and Jesse Starcher revisit the TV Party Tonight review of Too Old to Die Young, Nicolas Winding Refn's polarizing Amazon Prime series co-written with Ed Brubaker. Joined in that original discussion by Robert Winfree, the review became a long, winding, often exasperated examination of a show defined by extreme pacing, prolonged silence, stylized violence, and an almost confrontational rejection of traditional television storytelling.In this episode of Sessions, Mark and Jesse look back at that conversation—not to re-litigate the show, but to transform it. Using AI tools like Suno and ChatGPT, they take the tone, themes, jokes, frustration, and philosophical detours from the original podcast and compress them into music. What emerges is a song shaped by endurance, absurdity, dark humor, and the strange experience of sitting with a work that refuses to meet its audience halfway.This is Sessions: old conversations, new forms, and art distilled through sound.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

In Episode 365 of Jay Movie Talk, I continue January's Loners, Drifters, & Outsiders series with a dive into Drive. One of the most polarizing and influential films of the 2010s.This episode explores the Driver as a modern loner: a man defined by silence, routine, and strict personal code. I talk about how the film uses restraint, minimal dialogue, and sudden violence to tell its story, and why Drive continues to spark debate over whether it's style over substance or something far more layered.i break down the film's direction, performances, and atmosphere, including:*Ryan Gosling's internalized, minimalist performance*Nicolas Winding Refn's controlled visual style*The role of silence and routine in character development*The shocking use of violence and moral consequences *Cliff Martinez's iconic score and its impact on the film's identity.Whether you love this movie or bounced off it, there's a conversation to be had. and that's exactly what this episode is about.

RSS/iTunes/Spotify You can listen to the entire JodoWOWsky archive right here: https://www.cinemasmorgasbord.com/the-podcasts/jodowowsky/  After a lengthy break we’re celebrating the holiday season with some fresh-from-the-oven JODOWOWSKY featuring now only a SLEW of new Alejandro Jodorowsky news (including a surprising celebrity admirer), but also a TRIO of documentaries featuring Jodo’s always-memorable talking head! We start with the 2005 doc MIDNIGHT MOVIES: FROM THE MARGINS TO THE MAINSTREAM (2005) which documents the origins of midnight cult cinema starting with – of course – EL TOPO, and then moving onto PINK FLAMINGOS, THE HARDER THEY COME, NIGHT OF THE LIVING DEAD, THE ROCKY HORROR PICTURE SHOW and more! Featuring interviews with John Waters, David Lynch, George Romero and (of course) Alejandro Jodorowsky. Next up is the 2007 documentary MOEBIUS REDUX: A LIFE IN PICTURES tracing the career of Jean “Moebius” Giraud, and featuring an impressive collection of his collaborators and admirers. Then we finish up with the unique, revealing documentary MY LIFE DIRECTED BY NICOLAS WINDING REFN from 2014 which follows director (and Jodorowsky acolyte) Nicolas Winding Refn as he goes through a depressive episode while making his film ONLY GOD FORGIVES. Fun! All this and SO much more. Let’s listen right now! Sources mentioned on this episode: Alejandro Jodorowsky: The Cursed Film Collection Eddie Murphy stating his Jodorowsky love: https://www.youtube.com/shorts/ZPQQohA6eyY The Incal Pop-Up Book! Humanoids Goes Bankrupt! The Jodorowsky Kickstarter! – FROM CHILE TO THE EDGE OF IMAGINATION—JODOROWSKY & RODRÍGUEZ How one artist invented modern pop culture (Moebius documentary) Moebius Redux: A Life in Pictures The post Episode 306 – JodoWOWsky Part 18 – Documentary Trio (Midnight Movies (2005), Moebius Redux (2007), My Life Directed By Nicolas Winding Refn (2014)) first appeared on Cinema Smorgasbord.

Julian Winding, the Danish composer and electronic artist behind The Demon Dance from Nicolas Winding Refn's The Neon Demon, joins me on Bonfire Conversations. In this episode, we dive deep into his upbringing in Denmark and England, his early rock beginnings, and how he found his voice in electronic and film music.Julian opens up about collaborating with his uncle, Nicolas Winding Refn, on projects like Copenhagen Cowboy, the pressures and joys of scoring atmospheric silence, and the art of balancing bold experimentation with emotional resonance. We also talk about his love for dance-oriented music, the influence of Nordic folk traditions, and the future of sound in an age of AI.In the Penny for Your Thoughts segment, Julian shares his dream collaboration, a beautiful mistake that changed his music, his top five films, and what he thinks music will sound like 500 years from now.

Steven DeLay joins Thomas for a conversation about the 2011 film Drive, directed by Nicolas Winding Refn and starring Ryan Gosling. Analyzing the subversive and psyop-heavy intentions behind the movie, they conclude that Drive retains some profoundly redemptive qualities despite those designs. Topics of discussion include Refn's outspoken allegiance to the cult of the divine feminine, the cultural significance of the film's music, and Drive's place within the history of neo-noir.https://twitter.com/StevenDeLay4https://stevendelay.com/https://decoding-culture.com/cultural-engineering-studies-issue-2/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com   

El célebre Nicolas Winding Refn debutó el año 1996 con una película llamada PUSHER (1996). Fue además el debut del gran Mads Mikkelsen y hubo tanta magia que después volvieron a hacer una segunda parte y luego una tercera. Y es justamente esta trilogía la que debuta en MUBI por estos días, así que escuche el programa para enterarse. Alerta de charquicast antes de hablar del tema en cuestión. Y recuerden que pueden encontrar lo mejor del formato físico en www.filmico.tv y contenido exclusivo, pre-estrenos y más en www.patreon.com/hermeselsabio

DriveHosts: Clark Coffey & Cullen McFaterThis week we discuss Nicolas Winding Refn's Drive, a tonal film which defined the film aesthetics of the early 2010's, and how Clark and Cullen experienced the rise of this film's influence in their different generational experiences.TrailerDirector: Nicolas Winding RefnStarring:Ryan GoslingCarey MulliganBryan CranstonSocials:FacebookTwitterInstagram

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  Today we return to one of our earlier subjects: Ryan Gosling! Our B-Sides are The Ides of March, Gangster Squad, Only God Forgives, and First Man. Our guest is our dear friend Cory Everett, creator of Cinephile: A Card Game!  We talk about Gosling's television career as a young man, his quick rise to stardom, and surprise nomination for Half Nelson fairly early on in his run. He's been searching for his lifelong directorial muse. There's been Derek Cianfrance, Nicolas Winding Refn, and Damien Chazelle. Will he ever find the one? There's that iconic Rachel McAdams kiss at the MTV Movie Awards, the acceleration of his “coolness” after the success of The Notebook all the way through the release of Drive, and that iconic, ever-changing voice of his. There's also those beautiful, weird Gosling eyes. There's also discussion about George Clooney as a filmmaker, his first film and Charlie Kaufman dislike of it, and his progression (regression?) as a director. The merits of Winding Refn are also debated. We all remember when William Friedkin ridiculed Nicolas Winding Refn for calling Only God Forgives a masterpiece. And if you have not as of yet, you should watch the documentary My Life Directed by Nicolas Winding Refn.

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we return to one of our earlier subjects: Ryan Gosling! Our B-Sides are The Ides of March, Gangster Squad, Only God Forgives, and First Man. Our guest is our dear friend Cory Everett, creator of Cinephile: A Card Game! We talk about Gosling's television career as a young man, his quick rise to stardom, and surprise nomination for Half Nelson fairly early on in his run. He's been searching for his lifelong directorial muse. There's been Derek Cianfrance, Nicolas Winding Refn, and Damien Chazelle. Will he ever find the one? There's that iconic Rachel McAdams kiss at the MTV Movie Awards, the acceleration of his “coolness” after the success of The Notebook all the way through the release of Drive, and that iconic, ever-changing voice of his. There's also those beautiful, weird Gosling eyes. There's also discussion about George Clooney as a filmmaker, his first film and Charlie Kaufman dislike of it, and his progression (regression?) as a director. The merits of Winding Refn are also debated. We all remember when William Friedkin ridiculed Nicolas Winding Refn for calling Only God Forgives a masterpiece. And if you have not as of yet, you should watch the documentary My Life Directed by Nicolas Winding Refn. Listen and subscribe at thefilmstage.com/pod. Be sure to give us a follow on Bluesky at @tfsbside.bsky.social. Enjoy!

Take a drink every time we say, "Naked Greased Up Tom Hardy!"Tonight on a special birthday edition of Triple Feature, Mark Radulich is joined by the other two wise men of The Radulich in Broadcasting Network—Robert Winfree and Jesse Starcher—for a stylish, provocative, and ultra-violent journey through the films of Nicolas Winding Refn (and one by Refn's spiritual cousin, Winding Hardy). In this episode, the trio revisit their creative bond forged in blood during their review of Too Old to Die Young, and now explore three equally intense visual feasts: Drive, Bronson, and The Neon Demon. They discuss how these films portray masculinity, performance, ambition, and destruction through uniquely artistic lenses, and reflect on the surreal legacy Refn and company have carved into modern cinema. Come for the analysis, stay for the birthday mayhem.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

(Full episode available only to subscribers on Patreon) Espousing the strange and libidinal undercurrents in the kingdom of THAILAND with a discussion on Hirasawa Susumu's album SIM CITY (1995年) + Apichatpong Weerasethakul film TROPICAL MALADY สัตว์ประหลาด (2004年) + Nicolas Winding Refn's ONLY GOD FORGIVES (2013年). ISP S5.E22 patreon.com/imsopopular

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review, where this week we're taking a neon-lit, blood-soaked trip through the moody underworld of Bangkok with Nicolas Winding Refn's Only God Forgives (2013). If you thought Drive was a stylish slow burn, this one cranks up the stillness, strips back the dialogue, and drops you into a hallucinatory revenge opera that's equal parts mesmerizing and maddening.Ryan Gosling stars as Julian, a quiet, emotionally blank drug smuggler running a Muay Thai gym as a front in Bangkok. When his volatile brother Billy is murdered for committing an unspeakable crime, their monstrous mother Crystal (Kristin Scott Thomas) arrives in town demanding vengeance. Julian is reluctantly pulled into a spiral of violence and surreal symbolism, facing off against Chang (Vithaya Pansringarm), a sword-wielding police lieutenant who dispenses his own brutal, godlike justice. Refn drenches the screen in glowing reds and deep shadows, pairing every scene with an eerie, droning score from Cliff Martinez. The film is light on plot and even lighter on dialogue—Gosling speaks fewer than 20 lines—but the atmosphere is thick enough to cut with a katana.Only God Forgives is a fever dream of a film—icy cold yet visually scorching. It's like a revenge thriller that's been put through a Lynchian blender, leaving behind a hushed, haunted meditation on masculinity, vengeance, and judgement. If you want action, go elsewhere. If you want mood and madness, step right in.

Send us a textWhen twin brothers find their father's old iPod in the attic, a series of gruesome deaths start after they listen to the cursed podcasts stored on it. The siblings decide to throw the device away and move on with their lives, growing apart over the years. On Episode 663 of Trick or Treat Radio we discuss the latest film from director Osgood Perkins, The Monkey! We also talk about our favorite cinematic monkeys, films and shows that feature cursed objects, and the concept of memento mori. So grab your bad luck tiki idol, get your generational trauma in check, and strap on for the world's most dangerous podcast!Stuff we talk about: Police Academy 2, MZ's favorite comedy, Kidnapped By A Killer, Steve Guttenberg, Shakma, BJ and the Bear, Every Which Way but Loose, Clyde, Cannonball Run 2, Trading Places, Cannibal Run, Dawn of the Dead, Julia Roberts movies, Axel Foley, Back to School, Richard Pryor, Moving, Sam Kinison, Joe Dante, The Howling, Rick Baker, An American Werewolf in London, Rob Bottin, Silent Night Deadly Night Part 2, House of Wax, Vincent Price, Charles Bronson, Multiple Maniacs, Knightriders, Gothic, Species 2, Toolbox Murders, Haley Joel Osment, The Peking Acrobats, Brad Dragon, Pedro Martinez, Updog, Dominican Republic, RIP Octavio Dotel, inside baseball, The Clubhouse: A Year With the Red Sox, Christine, Keith Gordon, Anabelle, Poltergeist, Stephen King, The Mangler, Christopher Hewlett, Friday the 13th: The Series, cursed objects, haunted objects, Talk To Me, the Lament Configuration, Oddity, Shakma, Cannibal Holocaust, Longlegs, Monkeyshines, Gallery Magazine, The Monkey, Osgood Perkins, Gretel & Hansel, The Blackcoat's Daughter, Theo James, Tatiana Maslany, Adam Scott, Elijah Wood, Yellowjackets, Final Destination, Annie Wilkes, generational trauma, how to properly process grief, Caveat, Ernest Goes to Camp, Nicolas Winding Refn, Anthony Perkins, Jaws 4, do sharks know what revenge is?, Malignant, tracks suits capes and gold medallions, Peter Gabriel, Mickey 17, Bong Joon-ho, Parasite, Memories of Murder, Hunkaberry Hound, Sinister Yet Whimsical, Every Episode Dies, and why can't you set your monkey free?Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

On this episode, I chat with writer, educator, film historian and friend of the pod Rich Johnson about two classic car movies: The Driver (1978, directed by Walter Hill), and Drive (2011, directed by Nicolas Winding Refn). We talk at length about the influence of the Western in both these films, the lineage of great car chase movies, and the importance of soundtrack in building a narrative with a (mostly) silent protagonist. Patreon: https://patreon.com/martynstrangeRead more of Rich's work at his website: https://www.richpieces.com/follow and subscribe to the show on your favorite platform via the link below:https://linktr.ee/martynstrange Become a supporter on Patreon Hosted on Acast. See acast.com/privacy for more information.

Synopsis This film follows the teenage Jessie, played by Elle Fanning, who moves to LA with dreams of becoming a model. She meets some veterans in the industry, Rubi, Gigi, and Sarah and forms a friendship turned rivalry with them as they all try to make it to the top. Jessie soon learns the ways of the cutthroat world of modeling, and how everyone around her would do heinous things for her youthful beauty. Review I absolutely love this film. This is my third watch, and I swear it has gotten better every time I've seen it. The cinematography, coming from the iconic Nicolas Winding Refn, is something to be revered. The way he uses color and light and blocking to symbolize changes in character's personalities and ways of life is astounding. This film is gorgeous, and the message it conveys is something that women can all understand and relate to, regardless if you're a model or not. It's a deep dive on beauty standards and the predatory nature of society towards women, and little girl's beauty in general. This isn't scary at all visually, but there are some horrific scenes and imagery that might make you look away from the screen. All in all, it's a fantastic film, and criminally underrated. Score 10/10

Discussing the 2011 Nicolas Winding Refn film Drive, originally broadcast live on YouTube. Sponsor an episode of //MOVIES and decide what we watch next. Hosted on Acast. See acast.com/privacy for more information.

Discussing Nicolas Winding Refn's 2004 and 2005 films PUSHER II & PUSHER III, with screenwriter and Mutual Aberration Society host Ryan Jackson.Sponsor an episode of //MOVIES and decide what we watch next. Hosted on Acast. See acast.com/privacy for more information.