Podcasts about Linklater

"I guess when you're young, you just believe there'll be many people with whom you'll connect with." For Episode 407, Brandon and Thomas continue their trilogy breakdown of Richard Linklater's BEFORE series with BEFORE SUNSET. Listen to learn more about what reunited the trio of Linklater, Julie Delpy, and Ethan Hawke. But also learn about the conflicts that occurred regarding screenwriting credit, some of the original ideas Linklater had for a sequel, what difficulties they had filming in Paris, and so much more! Use the code cinenation15 on thecinevault.com to get 15% off your online purchase! Also, don't forget to join our Patreon for more exclusive movie content: https://www.patreon.com/cinenation Opening - Memorial Day Marathon (00:00:10) Recap of the Before Trilogy Genre (00:07:15) Intro to Before Sunset (00:12:11) How Before Sunset Got to Production (00:24:28) Favorite Scenes (00:36:02) On Set Life - (01:09:35) Aftermath: Release and Legacy (01:13:35) What Worked and What Didn't (01:17:48) Film Facts (01:24:47) Awards (01:25:42) Final Questions on the Movie (01:30:01) Wrapping Up the Episode (01:33:56) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

Ko je francoski novi val, umetniško gibanje iz sredine prejšnjega stoletja, zarezal v dotedanjo filmsko tradicijo, ustvarjalno omejeno z brezhibno izpiljenimi scenariji in okostenelo produkcijo, ki ni dopuščala nobenega odmika, je film definiral popolnoma na novo. Nenadoma se je v njem znašlo vse, kar je še do včeraj veljalo za nesprejemljivo – na primer snemanje kadrov s kamero kar iz roke – in kar se nam danes zdi popolnoma samoumevno, to pa seveda le še dodatno potrjuje revolucionarno daljnovidnost zagnanih ustvarjalcev. Prav posebej pa novi val, ki je filmski svet pretresel kot pravi cunami, zaznamuje še nekaj: izredna povezanost in sodelovanje takrat še zelo mladih filmskih ustvarjalcev, ki so v iskanju novega filmskega izraza zmogli stopiti skupaj in ustvariti resnično navdihujoče ustvarjalno okolje. In prav to neverjetno in enkratno filmsko vzdušje konca petdesetih let v Parizu je poskušal oživiti ameriški režiser Richard Linklater v filmu Novi val ter se tako pokloniti svojim stanovskim predhodnikom, predvsem Jeanu-Lucu Godardu, čigar film Do zadnjega diha si je vzel za izhodišče. Linklater – širšo prepoznavnost mu je zagotovil romantični film Pred sončnim vzhodom iz leta 1995 – je resnični mojster ustvarjanja atmosfere, ki gledalca tako posrka v dogajanje, da vsaj tu in tam kar pozabi na svojo pozicijo opazovalca, in prav to je najbrž tudi največja odlika njegovega najnovejšega celovečernega filma. Kot sam pravi, se namreč zgodbe o nastajanju enega najbolj prelomnih filmov v zgodovini ni nameraval lotiti biografsko ali preveč dokumentaristično, ampak se je s svojo kamero želel »potopiti v leto 1959 ter oživiti čas, ljudi, vzdušje«, pri tem pa je seveda ostal močno zavezan resničnim dogodkom in poročilom o njih. Posebej srečno roko je imel pri izbiri igralcev, sploh pri zasedbi Guillauma Marbecka, saj je bila upodobitev Jeana-Luca Godarda zanj prva glavna filmska vloga, nalogo pa je, kot pravi sam, ob pomoči sončnih očal, kakršne je nosil Godard sam, opravil zares izvrstno. V nasprotju s filmom, s katerim je Godard spremenil filmsko zgodovino in ga na producentovo precejšnjo grozo posnel popolnoma brez vnaprejšnjega scenarija, po trenutnem navdihu in s sproti improviziranimi dialogi, je Linklater s svojo ustvarjalno ekipo kar nekaj časa namenil pripravam, med snemanjem pa vendarle ohranil tisti pristni novovalovski občutek spontanosti in igrivosti ter ga uspešno prenesel na veliko platno. Novi val, ki ga je bilo moč videti že na lanskem Ljubljanskem filmskem festivalu, pred dnevi pa so z njim v Kinodvoru odprli letošnje Kinodvorišče, se v filmsko zgodovino gotovo ne bo vpisal tako močno, kot se je Godardov prvenec, vseeno pa gre za enega boljših filmskih poklonov, ki s svojim živahnim magnetizmom ni privlačen le za ozek krog filmofilov, ampak tudi za širše, dobrega filma željno občinstvo. Piše: Gaja Pöschl Bere: Maja Moll

"But isn't everything we do in life a way to be loved a little more?" For Episode 406, we're back with Trilogy Month! For this year's Trilogy Month, we're tackling a much smaller trilogy than usual with Richard Linklater's BEFORE series. First up, listen to Thomas and Brandon discuss how Linklater's disappointment with DAZED AND CONFUSED inspired the movie, how a real-life encounter for Linklater was the basis of the film, how Linklater and team found Julie Delpy and Ethan Hawke in the casting process, why they made the movie in Vienna, how Gen X audiences weren't big fans but Boomer critics were, how the movie has become massively popular over the years, and so much more! Use the code cinenation15 on thecinevault.com to get 15% off your online purchase! Also, don't forget to join our Patreon for more exclusive movie content: https://www.patreon.com/cinenation Opening - Being Evil Nerds and Peter Weirdos (00:00:10) Recap of the Trilogy Genre (00:07:47) Intro to Before Sunrise (00:16:56) How Before Sunrise Got to Production (00:24:43) Favorite Scenes (00:45:32) On Set Life - (01:23:22) Aftermath: Release and Legacy (01:32:44) What Worked and What Didn't (01:45:24) Film Facts (01:50:29) Awards (01:52:14) Final Questions on the Movie (01:57:24) Wrapping Up the Episode (02:02:09) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

Richard Linklater's Dazed & Confused (70s Soundtrack) This week Mr. Chavez & I return to Richard Linklater's 1993 "Hang-Out" Masterpiece, Dazed & Confused, focusing on the importance and use of its soundtrack. Featuring Aerosmith, KISS, Alice Cooper, Ted Nugent, WAR, ZZ Top, Edgar Winter Group, and Deep Purple, among others, Linklater's "Cinematic Soundtrack" would establish nostalgia, youth, freedom, aimless wandering, and a musical foundation inspired by previous films and inspiring others to come. Take a listen as we retrun to a great film and unwrap the music that would ground it in its time and establish a mood rarely equaled. As always, we can be reached at gondoramos@yahoo.com - Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

As the road to 100 episodes continues, we're back once again with Will's pick for the week: Richard Linklater's Boyhood. Listen up as the podcast duo examines the hype and subsequent backlash of this audacious experiment, its connection to other notable films in the Linklater filmography, and much more!

Lucy and Sean RETVRN to the airwaves and to the year 1994 of 1977/2006 by way of the interminable, kaleidoscopic present to talk about Richard Linklater's (literally) dizzying digitally rotoscoped adaptation of Philip K Dick's A Scanner Darkly.

Party Films Month rolls on with Richard Linklater's endlessly cool coming-of-age classic Dazed and Confused.Set over the course of one unforgettable night in 1976, the film captures the freedom, awkwardness, rebellion, and pure hangout energy of being young and having nowhere important to be. We dive into Linklater's laid-back storytelling style, the stacked cast before they became stars, and why this film continues to feel timeless decades later.From cruising around town to chasing parties and dodging paddles, Dazed and Confused perfectly captures that fleeting moment between adolescence and adulthood.Funny, nostalgic, and impossibly chill — this is the ultimate “last day of school” movie.#WatchTowerFilmPodcast #PartyFilmsMonth #DazedAndConfused #RichardLinklater #ComingOfAge #MatthewMcConaughey #FilmPodcast #CultClassic #CinephileTalk #AlrightAlrightAlright

Richard Linklater's Dazed & Confused  On this week's episode we explore 1976 through the eyes of 1993, with Richard Linklater's slacker/high-school masterpiece, Dazed & Confused. Linklater's love letter to high school coming-of-age films is one of the stand-out productions of early 90s independent cinema; a film that blends aimless storytelling with a pounding and nostalgic 70s soundtrack, to reminisce on the good, bad, boring, and character forming experiences of growing up. Juniors becoming Seniors, Middle-Schoolers transitioning to High School, Dazed & Confused is much more than a re-creation of Texas in 1976. Linklater's film is a funny, touching, and - surprisingly - heart-warming story of finding ones' way, selling out, peaking in high school, and imagining the future and ones' place in it. It's about the friendships we make and how so much of that plays a part in building our individual characters. Dazed & Confused is a cult classic which began the careers of Jason London, Adam Goldberg, Joey Lauren Adams, Cole Hauser, Nicky Katt, Parker Posey, and Matthew McConaughey. It's a thrill for Mr. Chavez & I to return to this classic and examine how so much of it mirrors our own lives. Take a listen and let us know what you think. As always, we can be reached at gondoramos@yahoo.com - Many, Many Thanks. For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards. 

Sinema kulübümüzün 30'uncu buluşmasında yönetmenliğini Richard Linklater'ın yaptığı, başrollerinde Ethan Hawke ve Julie Delpy'nin oynadığı 1995 yılı yapımı Before Sunrise (Gün Doğmadan) adlı filmini konuştuk.Film, Budapeşte'den Paris'e giden bir trende karşılaşan Amerikalı Jesse ile Fransız Céline'in tesadüfi bir kararla Viyana'da inip bir geceyi birlikte geçirmesini anlatıyor. Bir daha karşılaşıp karşılaşmayacaklarını bilmeden, bütün bir gece boyunca şehirde dolaşıyor; aşk, ölüm, inanç, aile, zaman üzerine konuşuyorlar. Senaryo, Linklater'ın 1989'da Philadelphia'da bir oyuncakçıda tanıştığı ve onunla bir geceyi şehirde yürüyerek geçirdiği bir kadından ilham almış; ama asıl yürek burkan detay ise yönetmenin yıllar sonra o kadının daha film gösterime girmeden bir trafik kazasında hayatını kaybettiğini öğrenmesi. Before Sunrise, ardından gelen Before Sunset (2004) ve Before Midnight (2013) ile birlikte, sinemanın en sevilen üçlemelerinden birinin de ilk halkası.Film, kulübümüzde geneli itibarıyla beğeniyle karşılandı. En çok dikkat çeken yönü, diyalogların doğallığı ve iki yabancının birbirine bu kadar açılabilmesinin yarattığı saf, masalsı duyguydu. Bazılarımız için film, hayatta yaşanmış benzer karşılaşmaları, bir yolculukta kurulan beklenmedik dostlukları hatırlattı. Trenin ve yabancı bir şehrin yarattığı o "kendi rutinden çıkma" hissinin, böyle bir yakınlığın oluşmasında nasıl bir alan açtığını uzun uzun konuştuk; yeni bir yere gitmenin, tanıdık olmayan bir ortamda kendini daha rahat ifade etmenin getirdiği özgürlüğü.Filmde bize en çok etki eden detaylardan biri de 1995 yapımı olmasının getirdiği "internet öncesi" yavaşlığın bugünden bakınca ne kadar değerli göründüğü oldu; herkesin telefonuna gömüldüğü bir çağda, iki insanın birbirinin gözlerinin içine bakarak saatlerce konuşabilmesinin bizzat bir özlem konusu haline geldiğini paylaştık.Filmin diğer bir düşündürücü yanı ise, hayatımızdaki "kırılma anlarının" ne kadar küçük kararların ürünü olabildiğiydi. Trenden inmek ya da inmemek gibi bir an, koca bir hayatın seyrini değiştirebiliyor. Rutinin dışına çıkmak, her zamankinden farklı bir yol seçmek ve daha başka küçük yenilikleri, çeşitlemeleri kendimize hatırlatmak gerektiğine inancımı pekiştirdi.Bu bölümde görüşlerine yer verebildiğim arkadaşlarım sırasıyla (02:52) Mürsel Çavuş, (04:38) Mete Yurtsever, (05:38) Suat Soy, (07:27) Ebru Vural, (11:19) Uğur İyidoğan ve (13:57) Burcu Yılmaz.Support the show

Puntata a cura di UntimoteoHouston, 1969. Il piccolo Stan gioca tranquillo nel cortile della scuola quando viene avvicinato da due loschi figuri, che in realtà si rivelano essere agenti della NASA. I due lo mettono a parte di una imbarazzante verità. A causa di un errore di calcolo la navicella che deve far atterrare i primi cosmonauti sulla luna è troppo piccola. Per pilotarla serve un bambino.Tutto in Apollo 10 e mezzo (Netflix) sembra pronto per una storiella avventurosa e fanciullesca… quando i ricordi e le fantasie di Stan si mescolano. E la voce del protagonista adulto apre un varco nello scintillante mondo dell'America di fine anni ‘60.Ancora una volta il regista Richard Linklater spiazza il suo pubblico. “Animazione” è il format del podcast di Mondoserie dedicato alle diverse scuole ed espressioni del genere, dall'Oriente alla scena europea e americana.Parte del progetto: https://www.mondoserie.it/  Iscriviti al podcast sulla tua piattaforma preferita o su: https://www.spreaker.com/show/mondoserie-podcast  Collegati a MONDOSERIE sui social:https://www.facebook.com/mondoserie https://www.instagram.com/mondoserie.it/   https://www.youtube.com/channel/UCwXpMjWOcPbFwdit0QJNnXQ  https://www.linkedin.com/in/mondoserie/ 

fWotD Episode 3244: Ethan Hawke Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Monday, 23 March 2026, is Ethan Hawke.Ethan Green Hawke (born November 6, 1970) is an American actor, author, and filmmaker whose career on both stage and screen has spanned four decades. Known for his versatility across a wide range of roles and acclaimed collaborations with director Richard Linklater, he is prolific in both independent films and blockbusters. His accolades include a Daytime Emmy Award, in addition to nominations for five Academy Awards, three Golden Globe Awards, two British Academy Film Awards, and a Tony Award.Hawke made his film debut at age fourteen in Explorers (1985) and gained recognition for starring in Dead Poets Society (1989). He established himself as a leading man with the films Reality Bites (1994), Gattaca (1997), and Great Expectations (1998). He received nominations for the Academy Award for Best Supporting Actor for his roles in the crime thriller Training Day (2001) and Linklater's coming-of-age drama Boyhood (2014); the latter garnered him BAFTA and Golden Globe nominations in the same category. Hawke was Oscar-nominated twice for screenwriting two films from Linklater's Before trilogy (1995–2013), in which he also starred. He earned Best Actor nominations at the Oscars, BAFTAs, and Golden Globes for portraying lyricist Lorenz Hart in the biopic Blue Moon (2025).Hawke garnered commercial success with Sinister (2012), The Purge (2013), The Magnificent Seven (2016), and the Black Phone films (2021–2025), and was praised for Maudie (2016) and First Reformed (2017). He directed the films Chelsea Walls (2001), The Hottest State (2006), Blaze (2018), and Wildcat (2023), as well as the documentaries Seymour: An Introduction (2014), The Last Movie Stars (2022), and Highway 99: A Double Album (2025). He portrayed abolitionist John Brown in the miniseries The Good Lord Bird (2020), for which he received a Golden Globe nomination, and appeared as Arthur Harrow in the Marvel miniseries Moon Knight (2022).Hawke has appeared in many theater productions. He made his Broadway debut in 1992 in Anton Chekhov's The Seagull and was nominated for a Tony Award for Best Featured Actor in a Play in 2007 for his performance in Tom Stoppard's The Coast of Utopia. In 2010, he was nominated for the Drama Desk Award for Outstanding Director of a Play for directing Sam Shepard's A Lie of the Mind. Divorced from actress Uma Thurman, he has been married to Ryan Shawhughes since 2008; he has two children from each marriage, including actors Maya and Levon Hawke.This recording reflects the Wikipedia text as of 01:05 UTC on Monday, 23 March 2026.For the full current version of the article, see Ethan Hawke on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Amy.

In "The Testament Of Ann Lee" folgt die Regisseurin Mona Fastvold den Spuren der Shaker-Bewegung aus dem Ende des 18. Jahrhunderts. Zwischen ekstatischem Tanz und Zölibat erzählt der Film von der Gründerin dieser Freikirche, gespielt von einer entgrenzten Amanda Seyfried. Auch in "Nouvelle Vague" von Richard Linklater geht es um eine sektenhafte Gruppe Gleichgesinnter mit höheren Zielen. Ende der 1960er Jahre wollten einige französische Filmverrückte das Kino neu erfinden. Linklater zeigt die Dreharbeiten zum Klassiker "Außer Atem" von Jean-Luc Godard als Initialzündung einer Neuen Welle. Zwei Filme in einer Episode, die Pia Reiser und Christian Fuchs auf unterschiedliche Weise euphorisierten. Als Bonus am Anfang: Kurzbesprechungen von Bradley Coopers Ehedrama "Is This Thing On?" und Kristen Stewarts Regiedebüt "The Chronology of Water". Sendungshinweis: FM4 Film Podcast, 23.03.2026, 0 Uhr

Host Jesse Jackson welcomes back college professor Maryanne Janosik to discuss Bruce Springsteen's newly released protest song, its rapid creative turnaround, and how it fits Springsteen's history of politically charged music and themes of Catholic social justice. They compare the song's naming of names to Crosby, Stills, Nash & Young's “Ohio,” speculate about political expression at the Grammys, and reflect on concerns about free speech, polarization, and the shrinking space for teaching controversial art and history. The conversation shifts to film awards, including disappointment that “Deliver Me From Nowhere” received no Oscar nominations, debate about biopic fatigue, and Maryanne's recommended under-the-radar films such as “Train Dreams,” Linklater's “Blue Moon” and “Nouvelle Vague,” “Sorry, Baby,” and the baseball film “Eefus,” plus praise for “Sinners” and “Fruitvale Station.” https://www.mjthemovies.com/ 00:00 Welcome Back Maryanne 00:33 Meet Maryanne Janosik 01:50 Bruce Drops New Protest Song 02:55 How Artists Create Fast 05:26 Protest Music Context 07:38 Catholic Imagination Social Justice 08:45 Teaching Songs of Protest 11:07 Grammys Politics and Censorship 13:30 Academic Freedom Under Pressure 17:13 Reviewing the New Song 20:36 Super Bowl Halftime Culture 23:44 Oscars and Springsteen Films 24:37 Box Office vs Oscars 25:35 Deliver Me From Nowhere 28:36 Biopic Fatigue Debate 30:26 Good vs Great Movies 32:24 Why Sinners Works 36:48 Michael B Jordan Rise 39:23 Under the Radar Picks 45:08 Catherine OHara Tribute 47:02 Wrap Up and Farewell Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of “Half Hour”, we examine Blue Moon, the Richard Linklater film profiling lyricist Lorenz Hart on the night Oklahoma! opens without him. Ethan Hawke leads as the troubled Hart, alongside Margaret Qualley, Bobby Cannavale, and Andrew Scott as Rodgers, capturing a pivotal moment in musical theater history. Our discussion covers the screenplay's blend of fact and reflection, Rodgers and Hart's fraught collaboration, the cast's working dynamics, the direction that evokes the authenticity of 1940s Sardi's, and the film's design elements. We wrap with the Half-Minute, highlighting personal favorite beats. Follow and connect with all things @HalfHourPodcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show conversations, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Jesse Jackson welcomes back college professor Maryanne Janosik to discuss Bruce Springsteen's newly released protest song, its rapid creative turnaround, and how it fits Springsteen's history of politically charged music and themes of Catholic social justice. They compare the song's naming of names to Crosby, Stills, Nash & Young's “Ohio,” speculate about political expression at the Grammys, and reflect on concerns about free speech, polarization, and the shrinking space for teaching controversial art and history. The conversation shifts to film awards, including disappointment that “Deliver Me From Nowhere” received no Oscar nominations, debate about biopic fatigue, and Maryanne's recommended under-the-radar films such as “Train Dreams,” Linklater's “Blue Moon” and “Nouvelle Vague,” “Sorry, Baby,” and the baseball film “Eefus,” plus praise for “Sinners” and “Fruitvale Station.” https://www.mjthemovies.com/ 00:00 Welcome Back Maryanne 00:33 Meet Maryanne Janosik 01:50 Bruce Drops New Protest Song 02:55 How Artists Create Fast 05:26 Protest Music Context 07:38 Catholic Imagination Social Justice 08:45 Teaching Songs of Protest 11:07 Grammys Politics and Censorship 13:30 Academic Freedom Under Pressure 17:13 Reviewing the New Song 20:36 Super Bowl Halftime Culture 23:44 Oscars and Springsteen Films 24:37 Box Office vs Oscars 25:35 Deliver Me From Nowhere 28:36 Biopic Fatigue Debate 30:26 Good vs Great Movies 32:24 Why Sinners Works 36:48 Michael B Jordan Rise 39:23 Under the Radar Picks 45:08 Catherine O'Hara Tribute 47:02 Wrap Up and Farewell Learn more about your ad choices. Visit megaphone.fm/adchoices

Forrest. Conan Neutron, Kristina Oakes and Scott Interrante talk about Richard Linklater's Blue MoonPaired with Nouvelle Vague, Linklater's biopic about Jean Luc Godard and the making of Breathless in 1960. This is another non-standard biopic, this time about Lorenz Hart, the former partner of Richard Rogers, on the opening night of Oklahoma. Starring Ethan Hawke, in a totally transformed role, that's gotten him Oscar buzz and critical praise as Lorenz Hart Also starring Margaret Qualley, Bobby Cannavale, Andrew Scott, and Simon Delaney. Scott Interrante can be found both on the podcasts "This is the Greatest Song I've Ever Heard In My Entire Life" https://www.iheart.com/podcast/269-this-is-the-greatest-song-92782914As well as Big White Elephants https://bigwhiteelephants.podbean.com/It's our Oscars Month, we got a bunch of 2025's biggest movies (that we haven't covered already) up on deck, culminating with our Oscars LIVE Coverage in March #richardlinklater #bluemoon #nouvellevague #linklater #academyawards #academyawards2025 #academyawards2026 #andrewscott #bestactor #bestoriginalscreenplay #filmpodcast #podcast #margaretqualley #godard #breathless #podcast #margaretqualley #godard #breathless We are also streaming on @thisspacetv throw them a follow!!Join our discord: https://discord.gg/ZHU8W55pnhJoin our Patreon to get all our After Parties https://www.patreon.com/MovieNightExtra

Ethan Hawke-ologist and Screen Drafts All-Star Marya E. Gates (Cinema Her Way) is joined by film critic and Screen Drafts rookie Robert Daniels to rank all 9 feature film collaborations between actor ETHAN HAWKE and director RICHARD LINKLATER! Visit www.patreon.com/screendrafts to join the Booster Club, and get ad-free Main Feed Drafts plus four bonus episodes every month!

On the fifty- seventh episode of All the Film Things, I had the pleasure of interviewing Oscar- nominated writer Kim Krizan! Kim Krizan is a California- based Oscar- nominated writer whose work thirty years ago has remained popular and continued to resonate deeply amongst audiences across generations. Her master's thesis on Anaïs Nin piqued Richard Linklater's interest whilst she auditioned for his film Slacker (1992). After that, the two became frequent collaborators in the 90s and 2000s. Not only did Kim star in Dazed and Confused (1993), she co- wrote Before Sunrise (1995) with Linklater and co- created the story of Before Sunset (2004), which earned her an Oscar nomination. Her creative writing expands beyond film as she has also written a comic book and two books, including Original Sins: Trade Secrets of the Femme Fatale which you could purchase by clicking here. Aside from her work on and for the big screen, Kim has been teaching creative writing around the world and at California colleges.For the past five years, Kim has brought her creative writing lectures to Patreon through her channel “The Magic Hour”. “The Magic Hour” is a virtual writing class accessible to people around the world who want to gain the inspiration to write and tell original stories. Some of the collections offered include analyzing films, personal exploration, and solving writing problems. Go to Patreon.com/KimKrizan to subscribe to “The Magic Hour” and unlock lessons that will inspire and improve your creative writing as well as attend occasional live sessions to get advice in real time from Kim. Both monthly and annual subscriptions are offered or you can purchase specific collections at various prices.This is Kim's first time on ATFT! I reached out to her a few months ago and had been looking forward to this interview ever since! Both Before Sunrise and Before Sunset are two of my favorite films and, when I started preparing for the interview, the clearer it was how much of her voice is in the script. To have had the opportunity to chat with Kim will remain a true highlight and she was somehow even lovelier than I expected her to be! This episode was recorded on January 22, 2026. I wanted to ensure I could make this a good interview in the short amount of time we had so if I sound more nervous than usual, that is why. In this episode, Kim shares her passion for cinema from the silent era to foreign art films. Kim also talks about writing the Before Sunrise script with Richard Linklater in less than a month, how much the earrings she wore to the Oscars cost, and why she wasn't involved in the making of Before Midnight. All this and much more on the latest episode of All the Film Things!Background music created and used with permission by the Copyright Free Music - Background Music for Videos channel on YouTube.

CineCouch - 013 - Linklater-Trilogie

Moderator Annette Insdorf will interview Ethan Hawke after a screening of his new film, Blue Moon. The prolific actor, writer, director and musician offers a tour-de-force performance as the acerbic lyricist Lorenz Hart, whose songs include "My Funny Valentine," "The Lady Is a Tramp," and "Blue Moon." In addition to Hawke's Oscar-nominated performance opposite Denzel Washington in Training Day (2001), he is perhaps best known for indie collaborations with Richard Linklater on Boyhood (2014), Waking Life (2001), and the BEFORE trilogy (1995, 2004, 2013) – which he scripted with the director and co-star Julie Delpy. Among his other memorable films are First Reformed (2017), Born to Be Blue (2015), Good Kill (2014), Before the Devil Knows You're Dead (2007), Hamlet (2000), Gattaca (1997), and Dead Poets Society (1989). He has also directed both fiction and documentary, such as Wildcat (2023), The Last Movie Stars (2022), Blaze (2018), and Seymour: An Introduction (2006). From a brilliant screenplay by Robert Kaplow, Linklater elicits Hawke's greatest performance yet — incarnating the self-destructive Hart on the very night that his collaborator Richard Rodgers (Andrew Scott) has just opened Oklahoma! on Broadway with new partner Oscar Hammerstein II. Co-starring Bobby Cannavale and Margaret Qualley, Blue Moon is a revelation of Hawke's maturation as an artist.

Departing from Duane Linklater's exhibition mâcistan at Secession, on view through 15 February 2026, Julienne Lorz, Professor for Expanded Museum Studies at the University of Applied Arts Vienna, and curator Haris Giannouras talk about the history and present of, and forms that have shaped institutional critique since the 1960s as well as the ways in which Linklater explores a new way of instituting. Julienne Lorz is Professor for Expanded Museum Studies at the University of Applied Arts Vienna. Since October 2021, the new Master's programme Expanded Museum Studies has been dedicated to examining, expanding and reorienting the concept of museum in all its facets. Previously she was Chief Curator at Gropius Bau in Berlin and a curator at Haus der Kunst in Munich, having curated and co-curated several international projects, monographic, and thematic group exhibitions including artists such as Louise Bourgeois, Joan Jonas, Laure Prouvost, Joëlle Tuerlinckx, and Haegue Yang. Haris Giannouras works with artists to make exhibitions, artworks, publications and events. He is currently a curator at the Secession in Vienna. Before that he worked at MUSEUM MMK FÜR MODERNE KUNST in Frankfurt am Main and Museum Abteiberg in Mönchengladbach. Recent projects include work with Studio for Propositional Cinema, Cana Bilir-Meier, Atelier Bow-Wow, Andrea Büttner, Jamie Crewe, Beatrice Gibson, Onyeka Igwe, Hiwa K, Ghislaine Leung, Duane Linklater, Karī Mugo, Fiona Banner aka The Vanity Press, and the Estate of Suzan Pitt. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Audio Editor: Paul Macheck Executive Producers: Jeanette Pacher & Bettina Spörr  

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo. Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and videos, the monthly Redactor's Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time. Our guests this week are two comedy giants: star of Arrested Development, 30 Rock and BoJack Horseman, Will Arnett—and mega-successful scouse standup John Bishop. It's Bishop's unlikely comedy origin story that inspired Is This Thing On?, the new Hollywood feelgood blockbuster directed by Bradley Cooper. In it, Arnett plays a divorced dad who puts his name down for an open mic at a bar just to save the entry fee—then accidentally catches the comedy bug. As he secretly follows his new standup dreams, can comedy save his sanity—and maybe even his marriage? Find out what Mark makes of it, plus two more of this week's big screen releases. First up its Nouvelle Vague, Richard Linklater's homage to the French new wave film movement of the 1960s. Linklater's film dramatises the making of one of its essential movies, Jean Luc Godard's Breathless. And from uber-cool Parisians murderous monkey's, we'll be reviewing Primate too: a tongue in cheek horror where a pet chimp goes bad. The boys are here in the studio IRL this week, so you'll be getting all of this, plus the box office top 10 and the banterous heights of the laughter lift, beamed right at you from the room where movie-reviewing magic happens. Keep it real, Vanguardistas and all-comers! Timecodes with YT clip codes (for Vanguardistas listening ad-free) Nouvelle Vague review - 10:32 Box Office Top 10 - 23:51 Will Arnett and John Bishop interview - 39:19 Is This Thing On? review 56:11 Laughter Lift - 01:03:04 Primate review - 01:07:20 You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee! A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts To advertise on this show contact: podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

This is our NEW RELEASE review podcast, ONE HOT TAKE.What makes Nouvelle Vague special is Linklater's confidence in the hang. He understands that revolutions don't look revolutionary while they're happening. They look like people standing around, arguing about ideas, borrowing gear, shooting on streets they don't own, and trusting that something will cohere later.Synopsis:The behind the scenes of the filming of Jean-Luc Godard's Breathless (1960), a landmark of the French New Wave film movement.Stu Coote:The co-host of the (retired) Sinner Files movie podcast is the chief instigator behind our cinematic deep-dive brand.One Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Min 5: SONG SUNG BLUE: CANCIÓN PARA DOS (3 estrellas) Song Sung Blue, dirigida por Craig Brewer (Hustle & Flow, Footloose) y protagonizada por Hugh Jackman y Kate Hudson, es un musical de tono íntimo y clásico que, bajo la apariencia de una feel-good movie, explora con sensibilidad la necesidad de creer en los sueños cuando el tiempo parece haberse agotado. Inspirada en una historia real y atravesada por el cancionero de Neil Diamond, la película sigue a una pareja corriente que encuentra en la música una vía de escape frente a la frustración vital y el desgaste emocional, construyendo un relato sobre segundas oportunidades, el amor maduro y la dignidad de quienes persisten sin garantías de éxito. Min 15: NOUVELLE VAGUE (3,5 estrellas) Nouvelle Vague, dirigida por Richard Linklater (Boyhood, Antes del amanecer) y protagonizada por Guillaume Marbeck, Zoey Deutch y Aubry Dullin, es una elegante y cinéfila inmersión en el nacimiento de la Nouvelle Vague francesa que reconstruye, casi en tiempo real, el rodaje y el espíritu revolucionario de À bout de souffle de Jean-Luc Godard. Lejos del biopic convencional, Linklater propone un ejercicio de estilo lúcido y juguetón que captura la efervescencia creativa, la camaradería y las tensiones entre un grupo de jóvenes cineastas dispuestos a dinamitar las reglas del cine clásico desde las calles de París. Min 21: LA CRONOLOGÍA DEL AGUA (1,5 estrellas) La cronología del agua, debut en la dirección de Kristen Stewart, adaptando las memorias de Lidia Yuknavitch, y protagonizada por Imogen Poots, es una obra radicalmente íntima y física que se adentra sin concesiones en el trauma, el deseo y la reconstrucción de la identidad femenina. A través de una narrativa fragmentada y sensorial, Stewart rehúye el relato biográfico convencional para sumergir al espectador en una experiencia emocional cruda, donde la escritura, el cuerpo y el agua funcionan como espacios de resistencia y supervivencia. Min 26: LA ASISTENTA (3 estrellas) La asistenta, dirigida por Paul Feig (La boda de mi mejor amiga, Un pequeño favor) y protagonizada por Sydney Sweeney y Amanda Seyfried, se ha convertido en uno de los thrillers psicológicos más comentados de la temporada gracias a un relato que combina suspense doméstico y perversión emocional con notable eficacia comercial. Adaptando el bestseller homónimo de Freida McFadden, la película sigue a una joven que entra a trabajar como asistenta en una lujosa casa, pronto atrapada en una relación de poder, manipulación y secretos que desdibujan la frontera entre víctima y verdugo. Min 34: RONDALLAS (3,5 estrellas) Rondallas, dirigida por Daniel Sánchez Arévalo (Azuloscurocasinegro, Primos, La gran familia española) y protagonizada por Javier Gutiérrez, María Vázquez, Judith Fernández y Tamar Novas, es una comedia dramática que estrenó en cines españoles el 1 de enero de 2026 y ha generado un notable impacto por su mezcla de emoción popular y reflexión social. El filme se sitúa en un pequeño pueblo marinero de Galicia dos años después de un trágico naufragio: ante el duelo colectivo y el desgaste anímico, los habitantes deciden reactivar su rondalla —una agrupación de música tradicional que une a varias generaciones— como vehículo de sanación, resiliencia y celebración comunitaria, transformando la pérdida en una nueva forma de unión y sentido vital. Min 35: EL MÉDICO 2 (2,5 estrellas) El médico?2, dirigida por Philipp Stölzl (El médico / Der Medicus, North Face) y protagonizada por Tom Payne, Emily Cox, Aidan Gillen y Liam Cunningham, es una secuela épica que retoma la odisea del médico medieval Rob Cole para explorar, con mayor ambición narrativa y vigor visual, los dilemas humanos, éticos y políticos de la medicina en una Europa medieval hostil a lo extranjero. Min 38: AVANCE ESTRENOS 16 ENERO 1) 28 años después: El templo de los huesos, dirigida por Nia DaCosta y protagonizada por Ralph Fiennes y Jack O'Connell, retoma la saga postapocalíptica con tensión y acción visceral; 2) El mal, de Juanma Bajo Ulloa, con Natalia Tena y Tony Dalton, ofrece un intenso drama sobre la oscuridad interior y las consecuencias de la ambición; 3) Turno de guardia (Heldin), de Petra Biondina Volpe, retrata el desgaste emocional de una enfermera enfrentada a un hospital en crisis Min 42: LA PELÍCULA DE TU VIDA, CON ÁNGEL LUQUE Y sí, nos e podía escapar, tras despedir 2025 con la confesión de Roberto Lancha, la sección La película de tu vida se abre en 2026 con la elección de nuestro experto en bandas sonoras. Ángel Luque nos desvela por qué "Bailando con Lobos" (1990) más allá de la prodigiosa e inolvidable composición de John Barry, es el título que marcó su convencido amor por el cine. Min 50: BSO AVATAR: FUEGO Y CENIZA (3,5 estrellas) La banda sonora de Avatar: Fire and Ash (Avatar 3), compuesta por Simon Franglen, se sitúa como uno de los pilares sensoriales del tercer capítulo de la saga, marcando una evolución clara respecto a los dos primeros filmes. Franglen —colaborador histórico de James Horner y responsable del score de Avatar: The?Way of Water— dedica siete años de trabajo y casi 1900 páginas de partituras orquestales para construir un universo sonoro que acompaña los 195 minutos de metraje, inventando incluso nuevos instrumentos para reflejar auténticamente la riqueza cultural y emocional de Pandora.

Duane Linklater Supplies for the Soul During the opening of Duane Linklater's exhibition mâcistan on 28 November 2025, the performance Supplies for the Soul was acted out by three performers. Listen and enjoy the recording of this unique event. Duane Linklater's work and practice is grounded on an inspective inquiry on the foundations of institutions as they relate to the contemporary life and histories of Indigenous Peoples. His installations often employ paintings, sculptures, readymade objects, personal belongings, printed matter, images and symbols that he collects and accumulates. This process, linked to the concept of the cache – an enclosement, a safekeep – builds the core for a new body of work the artist presents in his exhibition at Secession. During the opening a live act unfolded. Performed by a singer, a guitarist and a drum set, the new score, or musical soundtrack, titled Supplies for the Soul echoes sonic memories tethered to the multifarious histories of community and powerful tenderness of reclaiming agency, art and institutions. Performers: Lili Ojeda, Matevž Počič, and Baj Gostič Arrangement by Rahul Nair   An event organised by the Secession Friends Duane Linklater (born 1976) is Omaskêko Ininiwak from the Moose Cree First Nation. He lives and works in North Bay, Ontario, Canada. Linklater was featured in the 2022 Whitney Biennial: Quiet as It's Kept, at the Whitney Museum of American Art, New York. In 2018, Linklater installed pêyakotênaw—a public artwork comprising three large teepee sculptures—along the High Line in New York. He was the 2016 recipient of the Canada Council for the Arts Victor Martyn Lynch-Staunton Award for Media Art, and the 2013 Sobey Art Award winner. In 2017, Linklater was awarded a public commission for the Don River Valley Park, Toronto in 2017. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Audio Recording: Martin Laumann Audio Editor: Paul Macheck Executive Producers: Jeanette Pacher, Haris Giannouras

On this episode of Remainders we begin our French New Wave double feature with Richard Linklater's film Nouvelle Vague. A love letter to the new wave movement, Linklater shows us the importance of the film era while also expressing how it influenced his own art and his unique style of realism and hangout vibes. Featuring both an endless supply of cigarettes and quotes on the importance of art in life, Nouvelle lets you live the French New Wave.  Other topics include a James Bond Marathon, AI and art, visiting Chicago and the Music Box, and remembering Scissors bassist and friend Jason Lollar.Songs of the WeekBack to School by The ScissorsDenise by Fountains of WayneWebsiteFacebookInstagramYouTubeTwitter

Welcome to the first episode of the new series Film Seizure: Now Playing. In this episode the guys discuss Park Chan-wook's new black comedy No Other Choice as well as Linklater's Nouvelle Vague, Five Nights at Freddy's 2, and Fackham Hall. Episodes release on Wednesday at www.filmseizure.com "Beyond My Years" by Matt LaBarber LaBarber The Album Available at https://mattlabarber.bandcamp.com/album/labarber-the-album Copyright 2020 Like what we do? Buy us a coffee! www.ko-fi.com/filmseizure Follow us on Facebook: www.facebook.com/filmseizure/ Follow us on BlueSky: https://bsky.app/profile/filmseizure.bsky.social Follow us on Mastodon: https://universeodon.com/@filmseizure Follow us on Instagram: www.instagram.com/filmseizure/ You can now find us on YouTube as well! The Film Seizure Channel can be found here: https://www.youtube.com/c/FilmSeizure

Today on Art of the Cut we speak with Oscar-nominated editor, Sandra Adair, ACE, about the Richard Linklater film, Blue Moon.Sandra was last on Art of the Cut for her last collaboration with Linklater, Hit Man. Before that we spoke about her film Where'd you Go, Bernadette. She was nominated for an ACE Eddie for her work on School of Rock. And she was nominated for an Oscar and won an ACE Eddie for her work on Boyhood. Her other work includes Dazed and Confused, A Scanner Darkly, and Bernie.In this interview Sandra discusses the secrets to editing overlapping dialogue, the importance of eye-lines, and the value of having a long history editing an actor.You can read along with this interview audio on the BorisFX website and see trailers, clips, exclusive photos and timeline screenshots. Go to:borisfx.com/blog/aotc

2025 has been the Year of Superman, and Missing Frames has been celebrating James Gunn's new film by sitting down with some of the writers, artists, and actors who help make the Man of Steel so special. Past conversations have included comic legends Dan Jurgens, Mark Waid, Tom King, and Phillip Kennedy Johnson, reflections on Richard Donner's iconic film with Lauren Shuler Donner, and even a chat with Ma Kent herself, Neva Howell.Today's guest is another incredible talent: Jonah Lees, who appears in Superman as Dean Farr, one of Lex Luthor's LuthorCorp cronies, alongside his real-life twin brother, Christian. But Jonah's career extends far beyond Metropolis. A highlight of the conversation is his work with Richard Linklater and Ethan Hawke on Blue Moon, as well as his recent portrayal of John Lennon in the Brian Epstein biopic Midas Man. An actor, songwriter, musician, and director, Jonah is a multifaceted creative whose range is as impressive as it is exciting. What begins as a Superman celebration quickly becomes a love letter to many shared passions: Superman, Richard Linklater, and The Beatles.

This week on Another Pass, Case and Sam are joined by Xan Sprouse from Gold Standard: The Oscars Podcast to celebrate a film that triumphed despite its production troubles! We look at how creative perseverance, behind-the-scenes chaos, and a little cinematic magic turned a bumpy shoot into a beloved classic. Another Pass Full Episode Originally aired: December 12, 2025 Music by Vin Macri and Matt Brogan Podcast Edited by Sophia Ricciardi Certain Point Of View is a podcast network brining you all sorts of nerdy goodness! From Star Wars role playing, to Disney day dreaming, to video game love, we've got the show for you! Learn more on our website: https://www.certainpov.com Support us on Patreon! patreon.com/CertainPOVMedia Join us on Discord: https://discord.gg/wcHHer4 PODCAST SHOWS: ▶ Another Pass - https://www.certainpov.com/another-pass-podcast Outline Introduction and Initial Discussion on Film "Slacker" (00:00 - 07:47) Introduction to the podcast episode format and deviation to discuss a 'good' rather than a 'flawed' movie. Introduction of the 1990 Richard Linklater film Slacker and its unconventional narrative structure focusing on small amounts of time with multiple characters. Deep Dive into Cultural and Generational Impact (07:48 - 18:08) Discussion on the generational divide (Gen X vs Older Millennials) and how the film captures the directionlessness and creative spirit of early 90s youth culture, especially in Austin, Texas. The movie's reflection on mental health, societal roles, and the slacker ethos as a distinct identity with unique struggles and ambitions. Storytelling Methods and Character Vignettes (18:08 - 33:46) Exploration of the film's narrative style: non-linear, vignette-driven, character-focused, with no resolved plot but connected by settings and interactions. Notable memorable characters and scenes: hit-and-run guy, conspiracy theorist, woman recently discharged from a mental hospital, and the 'you should quit' mantra. Film Production Context and Cultural Legacy (33:47 - 50:34) Examination of the extremely low $23,000 shooting budget using film stock, guerrilla filmmaking style, and unpaid or deferred payment cast and crew. Discussion on Austin's artistic community's role in the movie's creation and legacy. The film as a time capsule and cultural snapshot of Austin's 1990 scene. Comparison to Other Films and Audience Engagement (50:35 - 01:00:49) Comparison with contemporaneous movies, e.g., Dances with Wolves, Misery and other 'weird' indie films, and Linklater's other work like Dazed and Confused. The film's thematic core of human connection and authentic interaction despite being a clear time capsule. ️ Personal Experiences and Generational Nostalgia (01:00:50 - 01:07:45) Hosts share personal anecdotes about high school experiences, alternative schools, and the value of finding 'freak' communities. Reflection on generational transitions and the continuation of youth culture patterns despite changing technology and social tools. Accessibility and Appeal of "Slacker" Today (01:07:46 - 01:14:15) Discussion on how the film's reputation preceded the viewing experience, yet it remains accessible and enjoyable regardless of familiarity or age. Analysis of the film's tightly scripted dialogue despite its casual and naturalistic style, and comparison with mumblecore movies and shows like Seinfeld. Closing Remarks, Promotions, and Actionable Content for Audience (01:14:15 - 01:20:16) Guest Xan Sprouse promotes her podcasts Gold Standard and Drunk Cinema and her social media (udinax19). Case and Sam promote the Certain POV network, including Patreon tiers, Discord, YouTube channel growth, and new shows like Trade School. Announcement of next episode covering Highlander 2: The Quickening and closing credits.  

Cheyenne Bart-Stewart (Little White Lies, Moviemarker) and Amon Warmann (Fade to Black podcast, Empire Magazine, Talk Sport) return to Flixwatcher to review Cheyenne's choice Hit Man. Hit Man (2023) is a romantic crime comedy, directed by Richard (Boyhood) Linklater, written by Linklater and Glen Powell, who stars as Gary. It is loosely based on on the true story of a college professor who worked for the Houston police in the late 1980s and 1990s as a fake hitman, as described in a 2001 magazine article by Skip Hollandsworth. A philosophy professor, Gary Johnson, moonlights for the police by posing as a fake hitman to catch people hiring assassins. He adopts elaborate personas, but when he meets a desperate woman, Madison, he falls for her and starts blurring the lines between his real self and his "Ron" alter-ego, leading to unexpected trouble. Hit Man is a lot of fun and scored very highly on recommendability from Flixwatcher and guests to score 4.03 overall. [supsystic-tables id=421] Thanks to the Episode # 406 crew of Cheyenne Bart-Stewart and Amon Warmann  You can find their website here And at Please make sure you give them some love For more info on Hit Man can visit Hit Man Society ⁠page here Hit Man Rotten Tomatoes⁠⁠ page here. If you enjoyed this episode of Flixwatcher Podcast you probably know other people who will like it too! Please share it with your friends and family, review us, and join us across ALL of the Social Media links below. Episode #401 Crew Links More about Knives Out Final Plug! Subscribe, Share and Review us on iTunes   More about Hit ManFinal Plug! Subscribe, Share and Review us on iTunes Learn more about your ad choices. Visit megaphone.fm/adchoices

Why did a great American director who doesn't speak French make a movie about one of the most famous French movies of all time? What was the French new wave all about? Why does Zoey Deutch resemble Jean Seberg as deeply as she does? Why didn't Corbin remeber Hit Man when talking about Linklater and Netflix? How is Michael Bay involved in all this? Why doesn't anyone do this kind of thing anymore? IT'S NOUVELLE VAGUE FOLKS! Watch it here! Corbin rec. (Corbin also recommends Plurbis). Matt recommends The Museum. Next episode is about EARTH. You can watch it here.

After a delayed application process and an aborted initial commission, the US has at last appointed its artist for next year's Venice Biennale: the Utah-born, Mexico-based artist Alma Allen. The Art Newspaper's editor-in-chief in the Americas, Ben Sutton, talks Ben Luke through this confusing saga. At the National Museum of Norway in Oslo a new exhibition, Deviant Ornaments, focuses on the expression and representation of queerness in Islamic art over more than a millennium. Ben talks to the curator of the exhibition Noor Bhangu. And this episode's Work of the Week is the Cree artist Duane Linklater's wintercount_215_kisepîsim (2022), a piece using recycled canvas from teepees, and referencing the deaths of First Nations children after they were separated from their families in the Residential School system in Canada. It's part of an exhibition called Winter Count: Embracing the Cold, at the National Gallery of Canada in Ottawa, and we talk to two of the four curators of that show, Wahsontiio Cross and Jocelyn Piirainen, about the work.Deviant Ornaments, The National Museum of Art, Architecture and Design, Oslo, until 15 March 2026.Winter Count: Embracing the Cold, National Gallery of Canada, Ottawa, until 22 March 2026Black Friday subscription offer: enjoy up to 70% off across subscription packages to The Art Newspaper this Black Friday, with a year's digital subscription just £21, reduced from £70 (or the equivalent in your currency) and a print and digital subscription just £40, reduced from £99. https://www.theartnewspaper.com/subscriptions-BF25?promocode=BF25&utm_source=display+ads&utm_campaign=blackfriday25 Hosted on Acast. See acast.com/privacy for more information.

Welcome back to Movie Boi! This podcast will feature discussions on movies, new and old alike, as well as some broader movie topics and conversations.In this episode:I break down Richard Linklater's two new movies, Blue Moon and Nouvelle Vague, in addition to my Mount Rushmore of Linklater films. If you want to share your thoughts on the movie(s) or send in a mailbag question, contact MovieBoyJack@gmail.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

An ode to a classic of French New Wave cinema – Jean-Luc Godard's Breathless (A Bout de Souffle) – Nouvelle Vague is more than a heady film nerd love fest. It's a Linklater movie, which means it's a hangout film; it's just that the gang we're hanging with happens to be reinventing modern cinema, whether they know it or not. We've got writer, actor, and teacher Tarik R. Davis (The Amber Ruffin Show) with us to talk about the petite charms of this Cannes premiere. Then we pitch our own making-of hangout movies!What's GoodAlonso - “Trans Images on Film” on TCM (w/Caden Mark Gardner and Willow Catelyn Maclay)Drea - Library Tool CheckoutTarik - a really good rehearsalKevin - Conduct Your Own Orchestra (Golden Records)ITIDICFilmmakers Meet the Pope (text of the pope's full address is here)D&D: Honor Among Thieves Team Working on new Star Trek MovieStaff PicksAlonso - Faces PlacesDrea - Rental FamilyTarik - Brother JohnKevin - For Your Consideration Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

On today's action-packed show, Sean and Amanda dive deep into the two newest films from one of their favorite filmmakers, Richard Linklater. Before diving in, they react to a handful of movie news headlines, including Tom Cruise's honorary Oscar at the Governors Awards, the new teaser trailer for the live-action ‘Moana' film, and Georgia Oakley's upcoming remake of ‘Sense and Sensibility,' starring Daisy Edgar-Jones (1:14). Then, they discuss ‘Nouvelle Vague' (16:06) and ‘Blue Moon' (28:11) and explain why they found the former to be an interesting exercise and the latter to be one of the best movies of 2025. Later, they break down what makes Ethan Hawke such a great actor and rank their five favorite performances of his career (46:07). Finally, Sean is joined by Hawke and Linklater to explain why 'Blue Moon' was the perfect project for a collaborative reunion, explore how they have evolved as filmmakers and performers over their illustrious careers, and discuss why they feel optimistic about the current state of moviegoing and the challenges both the industry and society face (56:29). Hosts: Sean Fennessey and Amanda Dobbins Guests: Ethan Hawke and Richard Linklater Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices

The second season of the American satirical superhero television series Gen V, the third series in The Boys franchise, based on The Boys comic book story arc We Gotta Go Now by Garth Ennis and Darick Robertson, premiered on Amazon Prime Video on September 17, 2025 with its first three episodes.The season stars Jaz Sinclair, Lizze Broadway, Maddie Phillips, London Thor, Derek Luh, and Asa Germann returning from the previous season, with Hamish Linklater joining the cast. After the fourth season of The Boys (2024), Marie Moreau (Sinclair) and the rest of her friends return to Godolkin University after months of suffering, where a new dean (Linklater) trains Supes to be soldiers. On the brink of war between humans and Supes, the team discovers a program that could change everything.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

"Nouvelle Vague" is a black and white comedy-drama film directed by Richard Linklater starring Guillaume Marbeck as Jean-Luc Godard, Zoey Deutch as Jean Seberg, and Aubry Dullin as Jean-Paul Belmondo. It follows the shooting of "Breathless," one of the first feature films of the Nouvelle Vague era of French cinema, in 1959. The film had its world premiere at the main competition of the 2025 Cannes Film Festival, where it received positive reviews for its casting, performances, writing, and direction from Linklater, who was working in the French language for the first time in his career. Linklater, Marbeck, Deutch, and Dullin were all kind enough to spend a few minutes speaking with us about their work and experiences making the film, which you can listen to below. Please be sure to check out the film, which is now playing in limited release and will be available to stream on Netflix on November 14th. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Zoey Deutch returns to Skip Intro to talk about her latest transformation in Nouvelle Vague as American actress Jean Seberg. Directed by acclaimed filmmaker Richard Linklater — and a love letter to the French New Wave classic Breathless — Nouvelle Vague wasn't the first time that Linklater and Deutch shared a film set. Deutch shares how Linklater compares rehearsals to athletics, starting exciting new chapters in her personal life, hilarious irrational fears, and the deep love she has for her sister, Maddie. Video episodes are also available on the Still Watching Netflix YouTube Channel. Listen to more from Netflix Podcasts.

Welcome to The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we discuss Richard Linklater! He's an American indie legend who we recently just spoke to! With two new films out here at the end of 2025 (Blue Moon and Nouvelle Vague), we discuss his B-Sides: SubUrbia, The Newton Boys, Me and Orson Welles, and Apollo 10½: A Space Age Childhood. Our guest is Ryland Aldrich, our dear friend, an accomplished producer and experienced writer on film, as well as the creator of FYCit App,“the number one smartphone app for awards voters and guild members to find awards screenings, events, and content for all the season's top contenders.” Conor, Ryland, and I dig into our love for Linklater, the highs and lows of his long, accomplished career, and his continued improvement as a stylist. We debate Ethan Hawke's chances of getting an Oscar nomination for his Blue Moon performance, the lasting cultural relevance of School of Rock, and Orson Welles' famous response to a question about Elia Kazan many years ago. There's also mention of the Mercury Theater's famous 1938 broadcast of “The War of the Worlds,” the documentary Chasing Chasing Amy, and those real-life clips of The Newton Boys.

The Megan-Dave dynamic duo returns with two new movies, Edgar Wright's THE RUNNING MAN (2:15) and Richard Linklater's NOUVELLE VAGUE (25:41). Dave didn't see THE RUNNING MAN but he was able to fill Megan in on the difference between Stephen King's novel and the 1987 Arnold Schwarzenegger film. But how did Megan like Wright's version? Eh...she didn't love it. (But she did love Colman Domingo, so there's that.) As for NOUVELLE VAGUE, Megan and Dave return to the age-old question: Who is this movie for? Aside from a Linklater fan or someone steeped in French New Wave cinema, does anyone really want to see a cutesy black and white take on the making of Jean-Luc Godard's BREATHLESS? Over on Patreon, we discuss the 1991 romantic drama MISSISSIPPI MASALA, which was directed by New York City mayor-elect Zohran Mamdani's mother, Mira Nair.

Richard Linklater returns to the Filmmaker Toolkit to discuss his loving recreation of the French New Wave. Linklater shares why the movies of that period meant so much to his filmmaking journey, and reflects on how much easier they had it making 'Breathless' than 'Nouvelle Vague' today. Listen to the Screen Talk Podcast. Every Friday IndieWire editors Anne Thompson & Ryan Lattanzio break down insider news from Hollywood and debate the latest films and series. https://podcasts.apple.com/us/podcast/indiewire-screen-talk/id893977298 Learn more about your ad choices. Visit megaphone.fm/adchoices

For this week's third podcast review, Sara Clements, Dan Bayer, and Aaron Isenstein join me to review and discuss the latest film from Richard Linklater (and his second this year), "Nouvelle Vague," starring Guillaume Marbeck, Zoey Deutch, and Aubry Dullin. Marbeck plays Jean-Luc Godard as he shoots his feature debut film, "Breathless," one of the first feature films of the French New Wave in 1959, alongside American actress Jean Seberg (Deutch) and French star Jean-Paul Belmondo (Dullin). The film had its world premiere at the 2025 Cannes Film Festival, where it received positive reviews for its witty screenplay, Linklater's direction, and uncanny performances from its principals (and many, many recognizable supporting characters). What did we think of it? Please tune in as we discuss those elements, its place in Linklater's filmography, the craftsmanship, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Filmmaker Richard Linklater doesn't speak French, but that didn't stop him from directing a movie that's almost entirely in French. ‘Nouvelle Vague' focuses on the beginning of the New Wave of cinema, specifically Jean-Luc Godard and his landmark 1960 movie ‘Breathless.' "I know that sounds insane," Linklater says, "but me not having the language wasn't even in my top 10 concerns about if I could pull off the movie." Linklater spoke with Terry Gross about the impact of the French New Wave, and his other new film, ‘Blue Moon.' It's about Broadway lyricist Lorenz Hart, the former creative partner of Richard Rodgers.Also, Maureen Corrigan reviews the novel Heart the Lover by Lily King. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Richard Linklater is one of the most admired directors working today, and yet moviegoers may admire him for very different things. There are early comedies such as “Slacker” and “Dazed and Confused”; there's the romance trilogy that started with “Before Sunrise,” starring Ethan Hawke and Julie Delpy; and the crowd-pleasers like “School of Rock” and “Hit Man.” Linklater's “Boyhood,” a coming-of-age story shot in the course of twelve years as its protagonist grew from child to young adult, is almost without precedent. This month, Linklater has two new movies releasing almost simultaneously, both dramatizing historical moments in the lives of creative geniuses. In “Blue Moon,” Hawke plays the Broadway lyricist Lorenz Hart at the moment his career is being eclipsed by a rival, Oscar Hammerstein II. “My tagline for this movie, that they're not going to use on any posters, but it's my tagline: ‘Forgotten, but not gone,' ” Linklater tells our film critic Justin Chang. “It's so heartbreaking . . . to do a film about the end of someone's career.” In “Nouvelle Vague,” which is almost entirely in French, Linklater depicts the unconventional filming of Jean-Luc Godard's “Breathless,” his triumphant 1959 début. “The most important film,” Linklater says, “is the one you make in your head.” Justin Chang's article about Richard Linklater was published on September 27, 2025.

durée : 00:09:15 - "Nouvelle Vague" de Richard Linklater Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

"Blue Moon" is an American biographical comedy-drama film directed by Richard Linklater and written by Robert Kaplow. The film follows songwriter Lorenz Hart (Ethan Hawke) as he reflects on himself and his work on the opening night of "Oklahoma!," the iconic musical by his former colleague Richard Rodgers (Andrew Scott). It also stars Margaret Qualley, Bobby Cannavale, and Jonah Lees. The film had its world premiere at the 75th Berlin International Film Festival, where it won the Silver Bear for Best Supporting Performance for Scott and received positive reviews for Kaplow's writing, Linklater's focused direction, and Hawke's multi-layered performance, with many calling it one of the best of his career. Hawke was kind enough to spend some time speaking with us about his experience working on the film, which you can listen to below. Please be sure to check out the film, which will be released in theaters on October 17th from Sony Pictures Classics. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the daily 63rd New York Film Festival podcast. Today we're featuring two conversations with Richard Linklater and the teams of his two NYFF selections. First, NYFF Artistic Director Dennis Lim moderates a conversation with Linklater and Blue Moon's screenwriter Robert Kaplow, as well asd its stars Ethan Hawke, Bobby Cannavale, and Andrew Scott, followed by a conversation with Linklater and Nouvelle Vague's Zoey Deutch, Guillaume Marbeck, Aubry Dullin, and Michèle Pétin, moderated by NYFF programmer Florence Almozini. Blue Moon is a portrait of one crucial night in the melancholy life of legendary lyricist Lorenz Hart (played by Ethan Hawke, in a tour de force performance). The film is a surprising yet entirely fitting addition to the Richard Linklater canon. And the spirit of cinematic revolution is alive and well in Linklater's affectionate and wildly entertaining passion project, Nouvelle Vague, which transports the viewer back to a creative landmark: the 1959 making of Breathless by Jean-Luc Godard. Nouvelle Vague opens at Film at Lincoln Center on October 31st, with the first week of screenings presented on 35mm. Tickets are on sale now. The 63rd New York Film Festival is presented in partnership with Rolex. Get tickets at filmlinc.org.

“You get a bunch of competitors together, and you're addicted to winning.” We watched “Everybody Wants Some!!” Directed by Richard Linklater, and we were definitely born in the wrong era. This movie is a vibe, and that vibe is athletic college dudes in short shorts, sleeveless muscle shirts, and mustaches— so many mustaches. To be real, the look is very reminiscent of a summer beer bust at your local gay bar, but that may not be what director Linklater was going for. When we say “vibe,” this movie really is one— set in 1980, over the couple of days before class, stars at an unnamed Texas University. We follow the studly baseball team as they break each other's balls, cruise for ladies, and show off their baseball skills. The slice of life gives us a very real look at straight male friendship— constant smack talk, ridiculous one-upmanship, but also an ease of camaraderie when meeting new members of the group. The plot takes its time to unfold, and the movie may not pass the Bechtel Test, but the guys are fun to watch, and it really does feel like a spiritual sequel to Linklater's beloved “Dazed and Confused.” Thank you for listening, and don't forget to subscribe, rate, and review us on Apple Podcasts! www.patreon.com/moviesthatmadeusgay Facebook/Instagram: @moviesthatmadeusgay Bluesky: @MTMUGPod.bsky.social Scott Youngbauer: Twitter @oscarscott / Instagram @scottyoungballer Peter Lozano: Twitter/Instagram @peterlasagna

Sean and Amanda return to continue their yearlong project of listing the 25 best movies of the 21st century so far. Today, they discuss ‘Before Sunset,' the second installment of Richard Linklater's beloved romantic trilogy starring Ethan Hawke and Julie Delpy. They talk about why this film is their favorite of the trilogy and the official selection from Linklater's career, discuss what its legacy is at large, and how its performances helped shape the most romantic, emotionally incisive film of the century. Hosts: Sean Fennessey and Amanda Dobbins Producer: Jack Sanders This episode is sponsored by State Farm®️. A State Farm agent can help you choose the coverage you need. Like a good neighbor, State Farm is there.®️ Learn more about your ad choices. Visit podcastchoices.com/adchoices