Podcasts about The Complete Works

Beginning to Pray: "The Last Retreat - Day 11 pt 2 " - “It is the whole Trinity who dwells in the soul that loves them in truth, that is, by keeping their word! From "Last Retreat Day 11 pt 2" found in The Complete Works vol 1: 28. But it is not enough just to listen to this word, we must keep it! 164 And it is in keeping it that the soul will be “sanctified in the truth,” and that is the desire of the Master: “Sanctify them in the truth, your word is truth.” 165 To the one who keeps His word has He not made this promise: “My Father will love him and we will come to him and make our home in him”? 166 It is the whole Trinity who dwells in the soul that loves them in truth, that is, by keeping their word! And when this soul has realized its riches, all the natural or supernatural joys that can come to it from creatures or from God Himself are only an invitation to reenter into itself in order to enjoy the substantial Good that it possesses, which is nothing else than God Himself. And thus it has, St. John of the Cross says, a certain resemblance to the divine Being. 167 “Be perfect as your heavenly Father is perfect.” St. Paul tells me “that He works all things according to the counsel of His will,” 168 and my Master asks me also to pay Him homage in this regard: “to do all things according to the counsel of His will.” Never to let myself be ruled by impressions, by the first impulses of nature, but to let the will gain self-mastery. . . . And for this will to be free, it must be, in the expression of a pious writer, “enclosed in God's will.” 169 Then I will be “moved by His Spirit,” 170 as St. Paul says. I will do only what is divine, only what is eternal, and, like my Unchanging One, I will live even here below in an eternal present. The post BTP-LR16 – Day 11, pt. 2 – The Last Retreat by St. Elizabeth of the Trinity – Beginning to Pray with Dr. Anthony Lilles – Discerning Hearts Podcast appeared first on Discerning Hearts Catholic Podcasts.

From "Last Retreat Day 11 pt 1" found in The Complete Works vol 1: 27. “The Lord brought me into a spacious place, because He was gracious toward me. . . .” 159 The Creator, seeing the beautiful silence which reigns in His creature, and gazing on her wholly recollected in her interior solitude, is enamored of her beauty and leads her into this immense, infinite solitude, into this “spacious place” sung of by the prophet, which is nothing else but Himself: “I will enter into the depths of the power of God.” 160 Speaking through his prophet, the Lord said: “I will lead her into solitude and speak to her heart.” 161 The soul has entered into this vast solitude in which God will make Himself heard! “His word,” St. Paul says, “is living and active, and more penetrating than a two edged sword: extending even to the division of soul and spirit, even of joints and marrow.” 162 It is His word then that will directly achieve the work of stripping in the soul; for it has this particular characteristic, that it effects and creates what it intends, 163 provided however that the soul consents to let this be done. The post BTP-LR15 – Day 11, pt. 1 – The Last Retreat by St. Elizabeth of the Trinity – Beginning to Pray with Dr. Anthony Lilles – Discerning Hearts Podcast appeared first on Discerning Hearts Catholic Podcasts.

These past few weeks, we've been reflecting a lot on where we've been as a lineage, on our roots and origins. We discussed all of this in talks like Where Did Kālī Come From? | A Brief Herstory, What's Our Lineage? and Our Tantrik Lineage. And of course, while it is important to discuss where we're going (which we'll cover in the next talk), it is equally important to ask where we are now!As such, I want to reflect a little bit on our ideals and values as a spiritual community. To do this, I thought it would be good to read from Swami Vivekananda's reflections on his guru, Sri Ramakrishna (which appear in Volume IV of the Complete Works of Swami Vivekananda under the title "My Master") since our lineage (and necessarily also our community) is founded upon the life and teachings of Sri Ramakrishna and because we aspire to live up to the ideals we saw embodied in his example! In reading this reflection, we can come to understand a lot about the perils of spiritual communities not just in the new age context but throughout time. These perils mainly revolve around sex, money and power and in this talk, we explain why that should be so.This talk was first given on Monday night but since the internet gave out towards the end, I wasn't able to complete the last bit of the reading I wanted to share or to make some concluding remarks. So I picked up the thread from where we left off at our Friday evening satsangh and then just tagged that unto the back of the first recording. The result is a rather long video! Forgive me! And thank you for your patience while I develop some of these ideas throughout the talk! May we always inspire one another to live up to the highest ideals of spiritual life always. Jai Swamiji! Jai Thakur! Jai Ma!Support the showLectures happen live every Monday at 7pm PST and Friday 10am PST and again Friday at 6pm PST.Use this link and I will see you there:https://www.zoom.us/j/7028380815For more videos, guided meditations and instruction and for access to our lecture library, visit me at:https://www.patreon.com/yogawithnishTo get in on the discussion and access various spiritual materials, join our Discord here: https://discord.gg/U8zKP8yMrM

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your hosts are Paul Marden and Andy Povey.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. Show references:  Anna Preedy, Director M+H Showhttps://show.museumsandheritage.com/https://www.linkedin.com/in/annapreedy/Jon Horsfield, CRO at Centegra, a Cinchio Solutions Partnerhttps://cinchio.com/uk/https://www.linkedin.com/in/jon-horsfield-957b3a4/Dom Jones, CEO, Mary Rose Trust https://maryrose.org/https://www.linkedin.com/in/dominicejones/https://www.skipthequeue.fm/episodes/dominic-jonesPaul Woolf, Trustee at Mary Rose Trusthttps://maryrose.org/https://www.linkedin.com/in/paul-woolf/Stephen Spencer, Ambience Director, Stephen Spencer + Associateshttps://www.stephenspencerassociates.com/https://www.linkedin.com/in/customerexperiencespecialist/https://www.skipthequeue.fm/episodes/stephen-spencerSarah Bagg, Founder, ReWork Consultinghttps://reworkconsulting.co.uk/https://www.linkedin.com/in/sarahbagg/https://www.skipthequeue.fm/episodes/sarah-baggJeremy Mitchell, Chair of Petersfield Museum and Art Galleryhttps://www.petersfieldmuseum.co.uk/https://www.linkedin.com/in/jeremy-mitchell-frsa-4529b95/Rachel Kuhn, Associate Director, BOP Consultinghttps://www.bop.co.uk/https://www.linkedin.com/in/kuhnrachel/  Transcriptions:Paul Marden: Welcome to Skip the Queue, the podcast for people working in and working with visitor attractions. You join me today, out and about yet again. This time I am in London at Olympia for the Museums and Heritage Show. Hotly anticipated event in everybody's diary. We all look forward to it. Two days of talks and exhibitions and workshops. Just a whole lot of networking and fun. And of course, we've got the M and H awards as well. So in this episode, I am going to be joined by a number of different people from across the sector, museum and cultural institution professionals, we've got some consultants, we've got some suppliers to the industry, all pretty much giving us their take on what they've seen, what they're doing and what their thoughts are for the year ahead. So, without further ado, let's meet our first guest. Andy Povey: Hi, Anna. Welcome to Skip the Queue. Thank you for giving us some of your time on what must be a massively busy day for you. I wonder if you could just tell the audience who you are, what you do, a little bit about what museums and heritage is, because not everyone listening to the podcast comes from the museum sector. Anna Preedy: Andy, thanks. This is a great opportunity and always really lovely to see your happy smiley face at the Museums and Heritage Show. So M and H, as we're often referred to as, stands for Museums and Heritage and we're a small business that organises the principal trade exhibition for the Museums and Heritage sector that could be broadened, I suppose, into the cultural sector. We also have the awards ceremony for the sector and an online magazine. So we are Museums and Heritage, but we're often referred to as M and H and we've been around for a very long time, 30 plus years. Andy Povey: Oh, my word. Anna Preedy: I know. Andy Povey: And what's your role within the organisation? Your badge says Event Director today. That's one of many hats. Anna Preedy: I'm sure it is one of many hats because we're a very small team. So I own and manage the events, if you like. M and H is my baby. I've been doing it for a very long time. I feel like I'm truly immersed in the world of museums and heritage and would like to think that as a result of that, I kind of understand and appreciate some of the issues and then bring everyone together to actually get in the same room and to talk them through at the show. So, yeah, that's what we're about, really. Andy Povey: In a shorthand and obviously the show. We're in the middle of West London. It's a beautifully sunny day here at Olympia. The show is the culmination, I suppose of 12 months of work. So what actually goes in? What does a normal day look like for you on any month other than May? Anna Preedy: Yeah, it was funny actually. Sometimes people, I think, well, what do you do for the rest of the year? You just turn up to London for a couple of days, just turn up delivering an event like this. And also our award scheme is literally three, six, five days of the year job. So the moment we leave Olympia in London, we're already planning the next event. So it really is all encompassing. So I get involved in a lot. As I say, we're a small team, so I'm the person that tends to do most of the programming for the show. So we have 70 free talks. Everything at the show is free to attend, is free to visit. So we have an extensive programme of talks. We have about 170 exhibitors. Anna Preedy: So I'm, although I have a sales team for that, I'm managing them and looking after that and working with some of those exhibitors and then I'm very much involved in our awards. So the Museums and Heritage Awards look to celebrate and reward the very best in our sector and shine the spotlight on that not just in the UK but around the world. So we have a judging panel and I coordinate that. So pretty much every decision, I mean you look at the colour of the carpet, that which incidentally is bright pink, you look at the colour of the carpet here, who made the decision what colour it would be in the aisles this year it was me. So I, you know, I do get heavily involved in all the nitty gritty as well as the biggest strategic decisions. Andy Povey: Fantastic. Here on the show floor today it is really busy, there are an awful lot of people there. So this is all testament to everything that you've done to make this the success that it is. I'm sure that every exhibitor is going to walk away with maybe not a full order book, but definitely a fistful of business cards. Anna Preedy: I think that's it, what we really want. And we sort of build this event as the big catch up and we do that for a reason. And that is really to kind of give two days of the year people put those in their diary. It's a space where people can come together. So you know, there'll be people here standing on stands who obviously and understandably want to promote their product or service and are looking to generate new business. And then our visitors are looking for those services and enjoying the talks and everyone comes together and it's an opportunity to learn and network and connect and to do business in the broadest possible sense. Really. Andy Povey: No, I think that the line, the big catch up really sums the show up for me. I've been. I think I worked out on the way in this morning. It's the 15th time I've been to the show. It's one of my favourite in the year because it is a fantastic mix of the curatorial, the commercial, everything that goes into running a successful museum or heritage venue. Anna Preedy: I mean, it's funny when people ask me to summarise. I mean, for a start, it's quite difficult. You know, really, it should be museums, galleries, heritage, visitor, attractions, culture. You know, it is a very diverse sector and if you think about everything that goes into making a museum or a gallery or a historic house function, operate, engage, it's as diverse as the organisational types are themselves and we try and bring all of that together. So, you know, whether you are the person that's responsible for generating income in your organisation, and perhaps that might be retail or it might be catering, it could be any. Any stream of income generation, there's going to be content for you here just as much as there's going to be content for you here. Anna Preedy: If you are head of exhibitions or if you are perhaps wearing the marketing hat and actually your job is, you know, communications or audience development, we try and represent the sector in its broadest scope. So there is something for everyone, quite. Andy Povey: Literally, and that's apparent just from looking on the show floor. So with all of your experience in the museum sector, and I suppose you get to see. See quite an awful lot of new stuff, new products. So what are you anticipating happening in the next sort of 6 to 12 months in our sector? Anna Preedy: I mean, that's a big question because, you know, going back to what were just saying, and the kind of different verticals, if you like, that sit within the sector, but I think the obvious one probably has to be AI, and the influence of that. I'm not saying that's going to change everything overnight. It won't, but it's. You can see the ripples already and you can see that reflected out here on the exhibition floor with exhibitors, and you can also see it in our programme. So this sort of AI is only, you know, one aspect of, you know, the bigger, wider digital story. But I just think it's probably more about the sector evolving than it is about, you know, grand sweeping changes in any one direction. Anna Preedy: But the other thing to say, of course, is that as funding gets more the sort of the economic landscape, you know, is tough. Undeniably so. So generating revenue and finding new ways to do that and prioritising it within your organisation, but not at the expense of everything else that's done. And it should never be at the expense of everything else that's done. And it's perfectly possible to do both. Nobody's suggesting that it's easy, nothing's easy but, you know, it's possible. Anna Preedy: And I think the show here, and also what we do online in terms of, you know, news and features, all of that, and what other organisations are doing in this sector, of course, and the partners we work with, but I think just helping kind of bridge that gap really, and to provide solutions and to provide inspiration and actually, you know, there's no need to reinvent the wheel constantly. Actually, I think it was somebody that worked in the sector. I'm reluctant to names, but there was somebody I remember once saying, well, know, stealing with glee is kind of, you know, and I think actually, you know, if you see somebody else is doing something great and actually we see that in our wards, you know, that's the whole point. Let's shine a spotlight on good work. Well, that might inspire someone else. Anna Preedy: It's not about ripping something off and it's not absolute replication. But actually, you know, scalable changes in your organisation that may have been inspired by somebody else's is only a good thing as well. Andy Povey: It's all that evolutionary process, isn't it? So, great experience. Thank you on behalf of everybody that's come to the show today. Anna Preedy: Well, thank you very much. I love doing it, I really genuinely do and there is nothing like the buzz of a busy event. Jon Horsfield: Yeah, My name is Jon Horsfield, I'm the Chief Revenue Officer of Cincio Solutions. Andy Povey: And what does Cincio do? Jon Horsfield: We provide F and B technology, so kiosks, point of sale payments, kitchen systems, inventory, self checkout to the museums, heritage zoos, aquariums and hospitality industries. Andy Povey: Oh, fantastic. So I understand this is your first time here at the Museums and Heritage Show. Jon Horsfield: It is our first time. It's been an interesting learning curve. Andy Povey: Tell me more. Jon Horsfield: Well, our background is very much within the hospitality. We've been operating for about 20 to 23 years within the sort of high street hospitality side of things. Some of our London based listeners may have heard of Leon Restaurants or Coco Di Mama, we've been working with them for over 20 years. But we're looking at ways of bringing that high street technology into other industries and other Verticals and the museums and heritage is a vertical that we've identified as somewhere that could probably do with coming into the 21st century with some of the technology solutions available. Andy Povey: I hear what you're saying. So what do you think of the show? What are your first impressions? Give me your top three tips. Learning points. Jon Horsfield: Firstly, this industry takes a long time to get to know people. It seems to be long lead times. That's the first learning that we've had. Our traditional industry in hospitality, people will buy in this industry. It's going to take some time and we're happy about that. We understand that. So for us, this is about learning about know about how the industry works. Everybody's really friendly. Andy Povey: We try. Yeah. Jon Horsfield: That's one of the first things that we found out with this. This industry is everybody is really friendly and that's quite nice. Even some of our competitors, we're having nice conversations with people. Everybody is really lovely. The third point is the fact that I didn't know that there were so many niche markets and I found out where my mother buys her scarves and Christmas presents from. So it's been really interesting seeing the different types of things that people are looking for. We've sort of noticed that it's really about preservation. That's one of the main areas. There's a lot of things about preservation. Another one is about the display, how things are being displayed, and lots of innovative ways of doing that. But also the bit that we're really interested in is the commercialization. Jon Horsfield: There's a real push within the industry to start to commercialise things and bring in more revenue from the same people. Andy Povey: Yeah, yeah. I mean, that's all about securing the destiny so that you're not reliant on funding from external parties or government and you taking that control. So what do you do at Centrio that helps? Jon Horsfield: Well, first of all. First of all, I would say the efficiencies that we can bring with back office systems integrations. We're very well aware of what we do, we're also aware of what we don't do. So, for example, we're not a ticketing provider, we're a specialist retail and F and B supplier. So it's about building those relationships and actually integrating. We've got a lot of integrations available and we're very open to that. So that's the first thing. But one of the key things that we're trying to bring to this industry is the way that you can use technology to increase revenue. So the kiosks that we've got here, it's proven that you'll get a minimum average transaction value increase of 10 to 15%. Andy Povey: And what do you put that down to? Jon Horsfield: The ability to upsell. Okay, with kiosks, as long as, if you put, for example, with a burger, if you just have a nice little button, say would you like the bacon fries with that? It's an extra few pounds. Well, actually if you've got an extra few pounds on every single transaction, that makes an incredible difference to the bottom line. From the same number of customers. Some of our clients over in the USA have seen an ATV increase above to 60% with the use of kiosks. Andy Povey: And that's just through selling additional fries. Jon Horsfield: Exactly. People will. I went to a talk many years ago when people started to adopt kiosks and the traditional thing is the fact that people will order two Big Macs and a fries to a kiosk, but when you go face to face, they will not order two Big Macs and a fries. Andy Povey: So you're saying I'm a shy fatty who's basically. Jon Horsfield: Absolutely not. Absolutely not, Andy. Absolutely not. So that's really what it's about. It's about using the sort of the high street technology and applying that to a different industry and trying to bring everybody along with us. Dominic Jones: And you need to listen to the Skip the Queue. It's the best podcast series ever. It'll give you this industry. Paul Marden: Perfect. That was a lovely little sound bite. Dom, welcome. Dominic Jones: It's the truth. It's the truth. I love Skip the Queue. Paul Marden: Welcome back to Skip the Queue. Paul, welcome. For your first time, let's just start with a quick introduction. Dom, tell everybody about yourself. Dominic Jones: So I'm Dominic Jones, I'm the chief executive of the Mary Rose Trust and I'm probably one of Skip the Queue's biggest fans. Paul Marden: I love it. And biggest stars. Dominic Jones: Well, I don't know. At one point I was number one. Paul Marden: And Paul, what about yourself? What's your world? Paul Woolf: Well, I'm Paul Woolf, I've just joined the Mary Rose as a trustee. Dom's been kind of hunting me down politely for a little bit of time. When he found out that I left the King's Theatre, he was very kind and said, right, you know, now you've got time on your hands, you know, would you come over and help? So yeah, so my role is to support Dom and to just help zhuzh things up a bit, which is kind of what I do and just bring some new insights into the business and to develop It a bit. And look at the brand, which is where my skills. Dominic Jones: Paul is underselling himself. He is incredible. And the Mary Rose Trust is amazing. You haven't visited. You should visit. We're in Portsmouth Historic Dock blog. But what's great about it is it's about attracting great people. I'm a trustee, so I'm a trustee for good whites. I'm a trustee for pomp in the community. I know you're a trustee for kids in museums. I love your posts and the fact that you come visit us, but it's about getting the right team and the right people and Paul has single handedly made such a difference to performance art in the country, but also in Portsmouth and before that had a massive career in the entertainment. So we're getting a talent. It's like getting a Premiership player. And we got Paul Woolf so I am delighted. Dominic Jones: And we brought him here to the Museum Heritage show to say this is our industry because we want him to get sucked into it because he is going to be incredible. You honestly, you'll have a whole episode on him one day. Paul Marden: And this is the place to come, isn't it? Such a buzz about the place. Paul Woolf: I've gone red. I've gone red. Embarrassed. Paul Marden: So have you seen some talks already? What's been impressive for you so far, Paul? Paul Woolf: Well, we did actually with the first talk we were listening to was all about touring and reducing your environmental impact on touring, which is quite interesting. And what I said there was that, you know, as time gone by and we had this a little bit at theatre actually. But if you want to go for grant funding today, the first question on the grant funding form, almost the first question after the company name and how much money you want is environmental impact. Paul Marden: Yeah, yeah. Paul Woolf: And so if you're going tour and we're looking now, you know, one of the things that Dom and I have been talking about is, you know, Mary Rose is brilliant. It's fantastic. You know, it's great. It's in the dockyard in Portsmouth and you know, so. And, and the Andes, New York, you know, everywhere. Dominic Jones: Take her on tour. Paul Woolf: Why isn't it on tour? Yeah. Now I know there are issues around on tour. You know, we've got the collections team going. Yeah, don't touch. But nonetheless it was interesting listening to that because obviously you've got to. Now you can't do that. You can't just put in a lorry, send it off and. And so I thought that was quite interesting. Dominic Jones: Two, it's all the industry coming together. It's not about status. You can come here as a student or as a CEO and you're all welcome. In fact, I introduced Kelly from Rubber Cheese, your company, into Andy Povey and now you guys have a business together. And I introduced them here in this spot outside the men's toilets at Museum and Heritage. Paul Woolf: Which is where we're standing, by the way. Everybody, we're outside the toilet. Dominic Jones: It's the networking, it's the talks. And we're about to see Bernard from ALVA in a minute, who'll be brilliant. Paul Marden: Yes. Dominic Jones: But all of these talks inspire you and then the conversations and just seeing you Andy today, I'm so delighted. And Skip the Queue. He's going from strength to strength. I love the new format. I love how you're taking it on tour. You need to bring it to the May Rose next. Right. Paul Marden: I think we might be coming sometimes soon for a conference near you. Dominic Jones: What? The Association of Independent Museums? Paul Marden: You might be doing an AIM conference with you. Dominic Jones: Excellent. Paul Marden: Look, guys, it's been lovely to talk to you. Enjoy the rest of your day here at M and H. Paul Marden: Stephen, welcome back to Skip the Queue. Stephen Spencer: Thank you very much. Paul Marden: For listeners, remind them what you do. Stephen Spencer: So I'm Stephen Spencer. My company, Stephen Spencer Associates, we call ourselves the Ambience Architects because we try to help every organisation gain deeper insight into the visitor experience as it's actually experienced by the visitor. I know it sounds a crazy idea, really, to achieve better impact and engagement from visitors and then ultimately better sustainability in all senses for the organisation. Paul Marden: For listeners, the Ambience Lounge here at M and H is absolutely rammed at the moment. Stephen Spencer: I'm trying to get in myself. Paul Marden: I know, it's amazing. So what are you hoping for this networking lounge? Stephen Spencer: Well, what we're aiming to do is create a space for quality conversations, for people to meet friends and contacts old and new, to discover new technologies, new ideas or just really to come and have a sounding board. So we're offering free one to one advice clinic. Paul Marden: Oh, really? Stephen Spencer: Across a whole range of aspects of the visitor journey, from core mission to revenue generation and storytelling. Because I think, you know, one of the things we see most powerfully being exploited by the successful organisations is that kind of narrative thread that runs through the whole thing. What am I about? Why is that important? Why should you support me? How do I deliver that and more of it in every interaction? Paul Marden: So you're Having those sorts of conversations here with people on a one to one basis. Stephen Spencer: Then we also are hosting the structured networking event. So all of the sector support organisations that are here, they have scheduled networking events when really people can just come and meet their peers and swap experiences and again find new people to lean on and be part of an enriched network. Paul Marden: Absolutely. So we are only half a day in, not even quite half a day into a two day programme. So it's very early to say, but exciting conversations, things are going in the direction that you hoped for. Stephen Spencer: Yes, I think, I mean, we know that the sector is really challenged at the moment, really, the fact that we're in now such a crazy world of total constant disruption and uncertainty. But equally we offer something that is reassuring, that is enriching, it's life enhancing. We just need to find better ways to, to do that and reach audiences and reach new audiences and just keep them coming back. And the conversations that I've heard so far have been very much around that. So it's very exciting. Paul Marden: Excellent. One of themes of this episode that we'll be talking to lots of people about is a little bit of crystal ball gazing. You're right, the world is a hugely, massively disrupted place at the moment. But what do you see the next six or 12 months looking like and then what does it look like for the sector in maybe a five year time horizon? Stephen Spencer: Okay, well, you don't ask easy questions. So I think there will be a bit of a kind of shaking down in what we understand to be the right uses of digital technology, AI. I think we see all the mistakes that were made with social media and what it's literally done to the world. And whilst there are always examples of, let's say, museums using social media very cleverly and intelligently, we know that's against the backdrop of a lot of negativity and harm. So why would we want to repeat that, for example, with generative AI? Paul Marden: Indeed. Stephen Spencer: So I heard a talk about two years ago at the VAT conference about using AI to help the visitor to do the stuff that is difficult for them to do. In other words, to help them build an itinerary that is right for them. And I think until everyone is doing that, then they should be very wary of stepping off the carpet to try and do other things with it. Meanwhile, whilst it's an immersive experience, it is not just sitting in, you know, with all respect to those that do this, A, you know, surround sound visual box, it is actually what it's always been, which is meeting real people in authentic spaces and places, you know, using all the senses to tell stories. So I think we will need to see. Stephen Spencer: I've just been given a great coffee because that's the other thing we're offering in the coffee. It's good coffee. Not saying you can't get anywhere else in the show, just saying it's good here. Yeah. I think just some realism and common sense creeping into what we really should be using these technologies for and not leaving our visitors behind. I mean, for example, you know, a huge amount of the natural audience for the cultural sector. You know, people might not want to hear it, but we all know it's true. It's older people. And they aren't necessarily wanting to have to become digital natives to consume culture. So we shouldn't just say, you know, basically, unless you'll download our app, unless you'll do everything online, you're just going to be left behind. That's crazy. It doesn't make good business sense and it's not right. Stephen Spencer: So I just think some common sense and some. Maybe some regulation that will happen around uses of AI that might help and also, you know, around digital harms and just getting back to some basics. I was talking to a very old colleague earlier today who had just come back from a family holiday to Disney World, and he said, you know, you can't beat it, you cannot beat it. For that is immersive. Paul Marden: Yeah, absolutely. But it's not sealed in a box. Stephen Spencer: No, no. And it really. It's a bit like Selfridges. I always took out. My favourite store is Selfridges. It still does what Harry Gordon Selfridge set out to do. He said, "Excite the mind and the hand will reach for the pocket." I always say. He didn't say excite the eye, he said, excite the mind. Paul Marden: Yeah. Stephen Spencer: The way you do that is through all the senses. Paul Marden: Amazing. Stephen Spencer: And so, you know, digital. I'm sure he'd be embracing that. He would be saying, what about the rest of it? Paul Marden: How do you add the human touch to that? Yeah. I was at Big Pit last week. Stephen Spencer: As they reopened, to see this. Yeah. Paul Marden: And it was such an amazing experience walking through that gift shop. They have so subtly brought the museum into the gift shop and blended the two really well. Stephen Spencer: Yes. And I think that raises the bar. And again, if you want to make more money as a museum, you need to be embracing that kind of approach, because if you just carry on doing what you've always done, your revenue will go down. Paul Marden: Yes. Stephen Spencer: And we all know your revenue needs to go up because other. Other sources of income will be going down. Paul Marden: Sarah, welcome back to Skip the Queue last time you were here, there was a much better looking presenter than, you were in the Kelly era. Sarah Bagg: Yes, we were. Paul Marden: It's almost as if there was a demarcation line before Kelly and after Kelly. Why don't you just introduce yourself for me? Tell the listeners what it is that you do. Sarah Bagg: So I'm Sarah Bagg. I'm the founder of Rework Consulting. The last time I spoke, it wasn't that long after our launch. I think like two and a half years ago. We've just had our third birthday. Paul Marden: Wow. Sarah Bagg: Which is completely incredible. When we first launched rework, were specifically for the visitor attractions industry and focused on ticketing. Paul Marden: Yep. Sarah Bagg: So obviously we are a tech ticketing consultancy business. In the last three and a half years we've grown and now have five verticals. So attractions are one of them. Paul Marden: And who else do you work with then? Sarah Bagg: So the art, the leisure industry. So whether it be activity centres, cinemas, bowling centres and then live entertainment. So it could be anything from sports, festivals etc and the arts, like theatres or. Paul Marden: So closely aligned to your attractions. Then things that people go and do but different kinds of things loosely. Sarah Bagg: Say they're like live entertainment. Paul Marden: I like that. That's a nice description. So this must be Mecca for you to have all of these people brought together telling amazing stories. Sarah Bagg: I think how I would sum up museum and heritage today is that I think we're kind of going through a period of like being transformed, almost like back. People are reconstructing, connecting with real experiences and with people. Paul Marden: Yeah. Sarah Bagg: And I would like to think that tech is invisible and they're just to support the experience. I think there's a lot of things that are going on at the moment around, you know, bit nostalgia and people dragging themselves back to the 90s. And there's a lot of conversations about people and customer service and experience. And although technology plays a huge part in that, I would still like to think that people come first and foremost, always slightly weird from a technology consultant. Paul Marden: Well, nobody goes to a visitor attraction to be there on their own and interact with technology. That's not the point of being there. Yeah. Interesting talks that you've been today. Sarah Bagg: I think one of my favourite was actually one of the first of the day, which was about. Of how do you enhance the visitor experience through either like music and your emotions and really tapping into how you feel through, like all your different senses. Which was one of Stephen's talks which I really enjoyed. Paul Marden: That's really interesting. Sarah Bagg: I think if people like look at the visitor industry and across the board, that's why I'm so keen to stay, like across four different sectors, we can learn so much pulling ideas from like hospitality and restaurants and bars.Paul Marden: Completely. Sarah Bagg: Even if you think about like your best, there's a new bar there, so you can not very far from my home in Brighton and the service is an amazing. And the design of the space really caters for whether you're in there with 10 people or whether you're sat at the bar on your own. It doesn't exclude people, depending on what age you are or why you gone into the bar. And I think we can learn a lot in the visitor attractions industry because there's been a lot of talk about families today. I don't have children and I think that there, you need. Sarah Bagg: We need to think more about actually that lots of other people go to visitor attractions Paul Marden: Completely. Sarah Bagg: And they don't necessarily take children and they might want to go on their own. Yes, but what are we doing to cater for all of those people? There's nothing. Paul Marden: How do you make them feel welcome? How do you make them feel like they're a first class guest? The same as everybody else. Yeah. So where do you see the sector going over the next few years based on what you've seen today? Sarah Bagg: I think there'll be a lot more diversification between sectors. There's definitely a trend where people have got their assets. You know, like if you're looking at things like safari parks and zoos, places that have already got accommodation, but maybe like stately houses where there used to be workers that were living in those cottages or whatever, that they're sweating their assets. I think it would be interesting to see where tech takes us with that because there has been a tradition in the past that if you've got like, if your number one priority to sell is being like your hotel, then you would have like a PMS solution. But if it's the other way around, your number one priority is the attraction or the venue and you happen to have some accommodation, then how is that connecting to your online journey? Sarah Bagg: Because the last thing you want is like somebody having to do two separate transactions. Paul Marden: Oh, completely drives me crazy. Sarah Bagg: One thing I would also love to see is attractions thinking beyond their 10 till 6 opening hours completely. Because some days, like restaurants, I've seen it, you know, maybe they now close on Mondays and Tuesdays so they can give their staff a day off and they have different opening hours. Why are attractions still fixated in like keeping these standard opening hours? Because actually you might attract a completely different audience. There used to be a bit of a trend for like doing museum late. So I was speaking to a museum not very long ago about, you know, do they do like morning tours, like behind the scenes, kind of before it even opens. And I think the museum particularly said to me, like, "Oh, we're fine as we are.". Paul Marden: I've never met a museum that feels fine where it is at the moment. Sarah Bagg: But I guess the one thing I would love to see if I could sprinkle my fairy dus. Paul Marden: Come the revolution and you're in charge. Sarah Bagg: And it's not like, it's not even like rocket science, it's more investment into training and staff because the people that work in our industry are like the gold, you know, it's not tech, it's not pretty set works, it's not like fancy display cases. Yes, the artefacts and stuff are amazing. Paul Marden: But the stories, the people stuff. Yeah. Sarah Bagg: Give them empowerment and training and make the customer feel special. Paul Marden: Yes. Sarah Bagg: When you leave, like you've had that experience, you're only ever going to get that from through the people that you interact with completely. Paul Marden: Jeremy, hello. Welcome to Skip the Queue. We are, we are being slightly distracted by a dinosaur walking behind us. Such is life at M and H show. Jeremy Mitchell: Yeah. Paul Marden: So. Jeremy Mitchell: Well, anything to do with museums and dinosaurs, always great crowd pleasers. Paul Marden: Exactly, exactly. So is this your first time at M and H or have you been before? Jeremy Mitchell: Been before, but probably not for 10 years or more. It was, yes. I remember last time I came the theatres were enclosed so they were partitioned all the way around. Paul Marden: Right. Jeremy Mitchell: But because it's so popular now that would not just not would not work. It's a long time ago. It shows how long I've been volunteering. Paul Marden: In museums, doesn't it? So for our listeners, Jeremy, just introduce yourself and tell everyone about the role that you've got at the Petersfield Museum. Jeremy Mitchell: Okay, so I'm Jeremy Mitchell. I'm a trustee at Petersfield Museum now Petersfield Museum and Art Gallery. I'm actually now chair of trustees. Paul Marden: Paint a little picture for us of Petersfield Museum then. What could someone expect if they came to you? Apart from, as I understand, a very good cup of coffee. Jeremy Mitchell: A very good cup of coffee. Best in Petersfield. And that's not bad when there are 32 competitors. You'll get a little bit of everything you'll get a bit of. You'll get the story of Petersfield, but you'll get so much more. We've got collections of costume going back to the mid 18th century. We've got work of a local artist, Flora Torte, one of those forgotten female artists from between the wars. She's a story that we will be exploring. We've got, in partnership with the Edward Thomas Fellowship, a big archive of books and other artefacts by and about Edward Thomas, who was a poet, writer, literary critic. He's one of the poets killed in the First World War. But he's not well known as a war poet because he was writing about the impact of war on life at home. Jeremy Mitchell: So he's now more well known as a nature poet. Paul Marden: So you're telling the story not just of the place, you're telling the story of the people that have produced great art or had an impact on Petersfield. Jeremy Mitchell: Yes. And their networks and how they might relate to Petersfield in turn. And we've got the costume collection I mentioned going back to the mid 18th century, which came from Bedale School. They've all got stories to them. Paul Marden: Interesting. Jeremy Mitchell: This came from Bedale School, which is a private school on the edge of Petersfield. It was actually collected by their drama teacher between the 1950s and the 1970s. Paul Marden: Wow. Jeremy Mitchell: Because she believed in authenticity. So if she was putting on a 19th century production, she would want genuine 19th century clothes. Paul Marden: Let me tell you, my drama productions in a 1980s comprehensive did not include authentic 19th century costumes. Jeremy Mitchell: If were doing something like that at school, their parents would have been, all right, go down to the jumble sale, buy some material, make something that looks something like it. Paul Marden: Yeah. Jeremy Mitchell: But no, she was, well, if you haven't got anything in your attic that's suitable, please send me some money because there's a sale at Sotheby's in three months. Time off costume from the period. Paul Marden: Excellent. Jeremy Mitchell: And we've got some lovely pieces in there. When we put on the Peggy Guggenheim exhibition, which is what were talking about earlier today here, were able to bring in costume from the 1930s, Chanel dress, other high quality, not. Not necessarily worn by Peggy Guggenheim, but her. Paul Marden: Authentic of the period. Jeremy Mitchell: Authentic of the period. But her son was at Bedale, so she could have been asked to donate. Paul Marden: So. Okay. Jeremy Mitchell: Highly unlikely, but it was similar to items that she had been photographed in or would have been. Would have been wearing. Paul Marden: So tell me about the. The presentation. How was that? Jeremy Mitchell: It went so quickly. Paul Marden: Oh, yes. You get in the zone don't you? Jeremy Mitchell: You get in the zone. But it flowed and Louise was great. Louise had done the bulk of the. The work. She prepared the presentation that visually told the story of the exhibition and its outcomes and impacts. And I filled in the boring book, I call it the BBC, the boring but crucial. How we funded it, how we organised the project, management around it, the planning and getting buy in from the rest of the trustees at the beginning, because it was potentially a big financial commitment if we hadn't been able to fund it. Paul Marden: Isn't it interesting? So coming to an event like this is always. There's always so much to learn, it's always an enriching experience to come. But it's a great opportunity, isn't it, for a small museum and art gallery such as Petersfield? It feels a little bit like you're punching above your weight, doesn't it, to be invited onto this stage to talk about it. But really you're telling this amazing story and it's of interest to everybody that's here. Jeremy Mitchell: We want to share it. If we've been able to do it, then why can't they? Why can't you? Why can't we all do it? And yes, you need the story, but if you dig deep enough, those stories are there. Paul Marden: Absolutely, Absolutely. One of the things that is a real common conversation here, M and H, is looking forward, crystal ball gazing, talking. There's challenges in the sector, isn't there? There's lots of challenges around funding and I guess as a small museum, you must feel those choppy waters quite acutely. Jeremy Mitchell: Definitely. I mean, we're an independent museum, so we're not affected by spending cuts because we don't get any funding from that area. But the biggest challenge is from the funding perspective. Yes, we have a big income gap every year that we need to bridge. And now that so much more of the sector is losing what was its original core funding, they're all fishing in the same pond as us and they've got. Invariably they've got a fundraising team probably bigger than our entire museum team, let alone the volunteer fundraiser that we've got. So, yes, it is a challenge and you are having to run faster just to stand still. The ability to put on an exhibition like Peggy Guggenheim shows that we are worth it. Paul Marden: Yes, absolutely. Jeremy Mitchell: And the Guggenheim was funded by Art Fund Western loan programme and an Arts Council project grant. And it was a large Arts Council project grant. Paul Marden: So although everyone's fishing in the same pond as you're managing to yeah. To stretch my analogy just a little bit too far, you are managing to. To get some grant funding and. Jeremy Mitchell: Yes. Paul Marden: And lift some tiddlers out the pond. Jeremy Mitchell: Yes. But it was quite clear that with Peggy it was a story that had to be told. Paul Marden: So we talked a little bit about challenging times. But one of the big opportunities at M and H is to be inspired to think about where the opportunities are going forwards. You've had a day here today. What are you thinking as inspiration as next big things for Petersfield Museum. Jeremy Mitchell: I'm finding that really difficult because we're small, we're a small site, Arkansas, I think has got to be a way forward. I miss the talk. But they're all being recorded. Paul Marden: Yes. Jeremy Mitchell: So I shall be picking that one up with interest. But AR is something. We've got police cells. Well, we've got a police cell. Paul Marden: Okay. Jeremy Mitchell: Now, wouldn't it be great to tell an augmented reality story of Victorian justice to kids? Paul Marden: Yes. Jeremy Mitchell: While they're sat in a victory in a Victorian police cell on a hard wooden bench. That is the original bench that this prisoners would have slept on. Paul Marden: I've done enough school visits to know there's enough kids that I could put in a jail just to keep them happy or to at least keep them quiet whilst the rest of us enjoy our visit. Yes. I feel like I need to come to Petersfield and talk more about Peggy because I think there might be an entire episode of Skip the Queue to talk just about putting on a big exhibition like that. Jeremy Mitchell: Yeah, no, definitely. If you drop me an email you can skip the queue and I'll take you around. Paul Marden: Oh lovely, Rachel, welcome to Skip the Queue. You join me here at M and H show. And we've taken over someone's stand, haven't we? I know, it feels a bit weird, doesn't it? Rachel Kuhn: I feel like we're squatting but I. Paul Marden: Feel a little bit like the Two Ronnies, cuz we're sat behind the desk. It's very strange. Which one are you? Anyway, just for listeners. Introduce yourself for me. Tell listeners what it is that you do at BOP Consulting. Rachel Kuhn: Yeah, so I'm Rachel Kuhn, I'm an associate director at BOP and we specialise in culture and the creative economy and kind of working across everything that is to do with culture and creative economy globally. But I lead most of our strategy and planning projects, particularly in the UK and Ireland, generally working with arts, heritage, cultural organisations, from the very earliest big picture strategy through to real nitty gritty sort of operational plans and outside of bop. I'm a trustee for Kids in Museums, where we love to hang, and also a new trustee with the Postal Museum. Paul Marden: Given what you do at bop, this must be like the highlight of the year for you to just soak up what everybody is doing. Rachel Kuhn: I love it. I mean, it's so lovely just going around, chatting to everybody, listening in on the talks and I think that spirit of generosity, you know, like, it just comes across, doesn't it? And it just reminds me why I love this sector, why I'm here. You know, everyone wants to, you know, contribute and it's that whole sort of spirit of what do they say? We know when the tide rises, so do all the boats or all the ships. And I feel like that's the spirit here and it's lovely. Paul Marden: It is such a happy place and it's such a busy, vibrant space, isn't it? What have been the standout things for you that you've seen today? Rachel Kuhn: I think probably on that spirit of generosity. Rosie Baker at the founding museum talking about the incredible work they've done with their events, hires, programmes. Obviously got to give a shout out to the Association of Cultural Enterprise. I've been doing a lot of hanging out there at their stage day. So Gurdon gave us the rundown of the benchmarking this morning. Some really good takeaways from that and Rachel Mackay, I mean, like, obviously. Paul Marden: Want to go into. Rachel Kuhn: You always want to see her. Really good fun, but lovely to hear. She's talking about her strategy, the Visitor Experience strategy. And you know what, I spend so much time going into places looking at these sub strategies, like visual experience strategies that just haven't been written in alignment with the overall strategy. So it's lovely to see that linking through, you know, and obviously I'm from a Visitor Experience background, so hugely passionate about the way that Visitor Experience teams can make visitors feel the organization's values. And that alignment was really impressive. So, yeah, really lovely and loads of great takeaways from all those talks. Paul Marden: I will just say for listeners, all of these talks have been recorded, so everyone's going to be able to download the materials. It take a couple of weeks before they were actually published. But one of the questions that I've asked everybody in these vox pops has been, let's do some crystal ball gazing. It's. It stinks at the moment, doesn't it? The, the, the economy is fluctuating, there is so much going on. What do you see 6 to 12 month view look like? And then let's really push the boat out. Can we crystal ball gaze maybe in five years? Rachel Kuhn: Yeah.  I mean, look, I think the whole problem at the moment and what's causing that sort of nervousness is there's just a complete lack of surety about loads of things. You know, in some ways, you know, many organisations have welcomed the extension for the MPO round, the current round, but for many, you know, that's just pushed back the opportunity to get in on that round that little bit further away. It's caused that sort of nervousness with organisations are having to ride on with the same funding that they asked for some years ago that just doesn't, you know, match, you know, and it's actually a real time cut for them. Paul Marden: Absolutely. Rachel Kuhn: So I think, very hard to say, I don't know that there's much I can say. I feel like as at sea as everyone else, I think about what the landscape looks like in the next six months, but I think that never has there been, you know, a better time than something like this like the M and H show. You know, this is about coming together and being generous and sharing that information and I think reaching out to each other and making sure that we're sort of cross pollinating there. There's so much good stuff going on and we've always been really good at that and I think sometimes when we're feeling a bit down, it feels like, oh, I just don't want to go to something like this and meet others and, you know, get into a bit of a misery cycle. Rachel Kuhn: But actually it's so uplifting to be at something like this. And I think, you know, what we've seen here is at the show today, I think, is organisations being really generous with their experience and their expertise. Suppliers and consultants and supporters of the sector being really generous with their time and their expertise and actually just shows just spending a bit of time with each other, asking things of each other. We've just got loads of stuff to share and we're all really up for it. And I think that generosity is so critical and I mean, obviously I'm going to plug, I've got to plug it. Rachel Kuhn: So, you know, if you are a supplier, if you are a commercial business working in this sector, it might be tough times for you, but it's certainly nowhere near as hard as it is for the arts and cultural heritage organisations in the sector. You know, reach out to them and see how you can support them and help them. I mean, you and I have both been on a bit of a drive recently to try and drum up some sponsorship and corporate support for kids in museums who, you know, an Arts council MPO who we're incredible, incredibly proud to represent and, you know, do reach out to us. If you've been thinking, oh, I just want to sponsor something and I'd love to sponsor us. Paul Marden: Exactly. I mean, there's loads of opportunities when you take kids in museums as an example, loads of opportunities for. And this is what Arts Council wants us to do. They want us to be more independent, to generate more of our own funding and we've got a great brand, we do some amazing work and there's lots of opportunities for those commercial organisations who align with our values to help to support us. Rachel Kuhn: So I think you asked me there about what's in the next year. So next year, six months, I don't know is the answer. I think it's just a difficult time. So my advice is simply get out there, connect, learn from each other, energise each other, bring each other up. Let's not get into that sort of doom cycle. That's very easy next five years. You know what, I've had some really interesting meetings and conversations over the last. Well, one particularly interesting one today, some other ones about some funds that might be opening up, which I think is really exciting. You know, we've seen this really big challenge with funding, you know, slowing funding going in much larger amounts to a smaller number of large organisations and that causes real problems. But I think there might be a small turnaround on that. Rachel Kuhn: I'm not crumbs in the earth. I think it's still tough times. But that was really exciting to hear about. I'm also seeing here at the show today. I've been speaking to a lot of suppliers whose their models seem to be shifting a lot. So a lot more opportunities here where it requires no investment from the attraction and a lot more sort of interesting and different types of profit share models, which I think is really interesting. So I think the other thing I'd say is if you're an attraction, don't discount partnering some of these organisations because actually, you know, go and talk to them. Rachel Kuhn: Don't just, don't just count them out because you think you haven't got anything to invest because many of them are visiting new models and the couple that I've spoken to who aren't, learn from your competitors and start doing some different models. And I think that's been really interesting to hear some very different models here for some of the products, which is really exciting. Paul Marden: It is really hard sitting on the other side of the fence, as a supplier, we need cash flow as well. We've got to pay bills and all of those sorts of things. But you're right, there are interesting ways in which we all want to have a conversation. As you say, don't sit back afraid to engage in the conversation because you've got nothing to invest, you've got an important brand, you've got an audience. Those are valuable assets that a supplier like us would want to partner with you to help you to bring a project to life. And that might be on a rev share model, it might be on a service model. There's lots of different ways you can slice it and dice it. Rachel Kuhn: And going back, on a closing note, I suppose, going back to that generosity thing, don't think because you haven't got any money to commission, you know, a supplier to the sector or a commercial company, that you can't reach out to them. Like, you know, we are in this because we really want to support these organisations. This is our passion. You know, many of us are from the sector. You know, I will always connect somebody or introduce somebody or find a way to get a little bit of pro bono happening, or, you know, many of my colleagues are on advisory committees, we're board members. And I think that's the same for so many of the companies that are, like, working with the sector. You know, reach out and ask for freebie, you know, don't ask, don't get. Paul Marden: Yeah, exactly. Rachel, it is delightful to talk to you as always. Thank you for joining us on Skip the Queue and I am sure, I'm sure we'll make this into a full episode one day soon. I do say that to everybody. Rachel Kuhn: Thanks so much. Lovely to speak to you. Paul Marden: Andy. Andy Povey: Paul.Paul Marden: We've just walked out of the M and H show for another year. What are your thoughts? Andy Povey: First, I'm exhausted, absolutely exhausted. I'm not sure that I can talk anymore because I've spent 48 hours having some of the most interesting conversations I've had all year. Paul Marden: No offence, Tonkin. Andy Povey: You were part of some of those conversations, obviously, Paul. Paul Marden: I was bowled over again by just the sheer number of people that were there and all those lovely conversations and everybody was just buzzing for the whole two days. Andy Povey: The energy was phenomenal. I worked out that something like the 15th show, M & H show that I've been to, and I don't know whether it's just recency because it's sitting in the far front of my mind at the moment, but it seems like this was the busiest one there's ever been. Paul Marden: Yeah, I can believe it. The one thing that didn't change, they're still working on Olympia. Andy Povey: I think that just goes on forever. It's like the fourth Bridge. Paul Marden: Talks that stood out to you. Andy Povey: I really enjoyed interpretation One led by the guy from the sign language education company whose name I can't remember right now. Paul Marden: Yeah, Nate. That was an amazing talk, listeners. We will be getting him on for a full interview. I'm going to solve the problem of how do I make a inherently audio podcast into something that's accessible for deaf people? By translating the podcast medium into some sort of BSL approach. So that was the conversation that we had yesterday after the talk. Andy Povey: I know. I really look forward to that. Then, of course, there was the George and Elise from Complete Works. Paul Marden: I know. They were amazing, weren't they? You couldn't tell at all that they were actors. Do you know, it was really strange when George. So there was a point in that talk that George gave where we all had a collective breathing exercise and it was just. It was. It was so brilliantly done and were all just captivated. There must have been. I rechon there was 100 people at theatre at that point. Absolutely. Because it was standing room only at the back. And were all just captivated by George. Just doing his click. Very, very clever. Andy Povey: But massively useful. I've seen the same thing from George before and I still use it to this day before going on to make a presentation myself. Paul Marden: Yeah, yeah. Andy Povey: Just grounding yourself, centering yourself. Well, it's fantastic. Paul Marden: Yeah. But the whole thing that they were talking about of how do we create opportunities to have meaningful conversations with guests when they arrive or throughout their entire experience at an attraction so that we don't just talk about the weather like we're typical English people. Andy Povey: That's great, isn't it? Go and tell a Brit not to talk. Talk about the weather. Paul Marden: But training your staff makes absolute sense. Training your staff to have the skills and the confidence to not talk about the weather. I thought that was really interesting. Andy Povey: It's an eye opener, isn't it? Something really simple, but could be groundbreaking. Paul Marden: Yeah. Andy Povey: Then what was your view on all of the exhibitors? What did you take away from all the stands and everybody? Paul Marden: Well, I loved having my conversation yesterday with Alan Turing. There was an AI model of Alan Turing that you could interact with and ask questions. And it was really interesting. There was a slight latency, so it didn't feel quite yet like a natural conversation because I would say something. And then there was a pause as Alan was thinking about it. But the things that he answered were absolutely spot on, the questions that I asked. So I thought that was quite interesting. Other exhibitors. Oh, there was a lovely point yesterday where I was admiring, there was a stand doing custom designed socks and I was admiring a design of a Jane Austen sock and there was just somebody stood next to me and I just said, "Oh, Jane Austen socks." Paul Marden: Very on Trend for the 250th anniversary of Jane Austen, that all of the museums in Hampshire will be buying those up. And should funnily you should say that I'm the chief executive of Chawton Park House, which is one of the museums in the last place that Jane Austen lived. So very interesting, very small world moment at that point. Andy Povey: I do, it's almost an oxymoron to talk about Jane Austen socks. I don't imagine her having worn anything with nylon or Lycra in it. Paul Marden: Very true. I hadn't tweaked that. Andy Povey: There was a lot of AI there wasn't there AI this, AI that. Paul Marden: And there were some really good examples of where that is being used in real life. Yeah, yeah. So there were some examples where there's AI being used to help with visitor counts around your attraction, to help you to optimise where you need to put people. I thought that Neil at Symantec just talking about what he called answer engine optimisation. That was interesting. There were some brilliant questions. There was one question from an audience member asking, are there any tools available for you to figure out whether how well your organisation is doing at being the source of truth for AI tools? Andy Povey: Yeah, yeah. So almost like your Google search engine ranking. Paul Marden: But exactly for ChatGPT. Andy Povey: And have you found one yet? Paul Marden: No, not yet. There's also quite a lot of people talking about ideas that have yet to find a home. Andy Povey: Yes. What a very beautiful way of putting it. Paul Marden: The people that have. That are presenting a topic that has yet to get a real life case study associated with it. So the rubber hasn't yet hit the road. I don't think on that. Andy Povey: No. I think that's true for an awful lot of AI, isn't it? Not just in our sector. Paul Marden: No. Andy Povey: It's very interesting to see where that's all going to go. And what are we going to think when we look back on this in two or three years time? Was it just another chocolate teapot or a problem looking for a solution? Or was it the revolution that we all anticipate. Paul Marden: And I think it will make fundamentals change. I think it's changing rapidly. But we need more real case studies of how you can do something interesting that is beyond just using ChatGPT to write your marketing copy for you. Andy Povey: Yeah, I mean it's all about putting the guest at the front of it, isn't it? Let's not obsess about the technology, let's look at what the technology is going to enable us to do. And back to the first part of this conversation, looking at accessibility, then are there tools within AI that are going to help with that? Paul Marden: Yeah, absolutely. So there was definitely. There was an interesting talk by Vox. The people that provide, they provide all of the radio boxes for everybody to wear at M and H that provides you with the voiceover of all of the speakers. But they use this technology across all manner of different attractions and they were talking about using AI to do real time translation of tours. So you could. Andy Povey: Very interesting. Paul Marden: Yeah. So you could have an English speaker wandering around doing your tour and it could real time translate up to. I think it was up to four languages. Andy Povey: BSL not being one of those languages. Paul Marden: Well, no, they were talking about real time in app being able to see subtitles. Now, I don't know whether they went on to say you could do BSL. And we know from the other presentation that not everybody that is deaf is able to read subtitles as fast as they can consume sign language. So it's important to have BSL. But there were some parts of that Vox product that did it address deaf people. It wasn't just multilingual content. Andy Povey: So AI people, if you're listening, you can take the idea of translating into BSL in real time and call it your own. Paul Marden: Yeah, we very much enjoyed hosting our theatre, didn't we? That was a lot. And Anna, if you are listening, and I hope you are, because lots of people have said very nice things in this episode about M and H. Andy and I would love to come back next year. Andy Povey: Absolutely. Paul Marden: And host a theatre for you. Any other thoughts? Andy Povey: Just really looking forward to the rest of the week off. Yeah, it's a sign of a good show when you walk away with all that positive feeling and that positive exhaustion and you probably need a week to reflect on all of the conversations that we've had. Paul Marden: Yeah, absolutely. Next up we is AIM Conference at Mary Rose in June. I can't wait very much. Looking forward to that. Thank you ever so much for listening. We will join you again in a few weeks. See you soon. Bye Bye. Andy Povey: Draw.Paul Marden: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others to find us. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them to increase their visitor numbers. You can find show notes and transcripts from this episode and more over on our website, skipthequeue fm.  The 2024 Visitor Attraction Website Survey is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsDownload the 2024 Rubber Cheese Visitor Attraction Website Survey Report

From "Last Retreat Day 9 pt 2" found in The Complete Works vol 1: 23. Speaking to Abraham God said: “Walk in My presence and be perfect.” 134 This then is the way to achieve this perfection that our Heavenly Father asks of us! St. Paul, after having immersed himself in the divine counsels, 135 revealed exactly this to us when he wrote “God has chosen us in Him before the creation of the world, that we might be holy and immaculate in His presence in love.” 136 It is also by the light of this same saint that I will be enlightened so that I might walk without deviating from this magnificent road of the presence of God on which the soul journeys “alone with the Alone,” 137 led by the “strength of His right arm,” 138 “under the protection of His wings, without fearing the terror of the night nor the arrow that flies by day, nor the evil that stalks in darkness, nor the attacks of the noonday devil. 139 24. “Strip off the old man in whom you lived your former life, “ he tells me, “and put on the new man, who has been created according to God in justice and holiness.” 140 This is the way set forth; we have only to strip off self to follow it as God wills! To strip off self, to die to self, to lose sight of self. It seems to me the Master meant this when He said: “If anyone wants to follow Me, let him take up his cross and deny himself.” 141 “If you live according to the flesh,” the Apostle also says, “you will die, but if you put to death in the spirit the works of the flesh, you will live.” 142 This is the death that God asks for and of which it is said: “Death has been swallowed up in victory.” 143 “O death,” says the Lord, “I will be your death”; 144 that is: O soul, my adopted daughter, look at Me and you will forget yourself; flow entirely into My Being, come die in Me that I may live in you! The post BTP-LR12 – Day 9, pt. 2 – The Last Retreat by St. Elizabeth of the Trinity – Beginning to Pray with Dr. Anthony Lilles – Discerning Hearts Podcast appeared first on Discerning Hearts Catholic Podcasts.

Adam Long, Reed Martin, and Austin Tichenor – the cast of the film version of The Complete Works of William Shakespeare (abridged) – reminisce about the 2000 filming of the RSC's signature work, and discuss the extraordinary lengths the production went to ensure they were jet-lagged for the entire process. Revelations include the secret cameo from co-author and RSC founding member Daniel Singer; how different actors must play jokes differently; the Spinal Tap observation that relative size is the difference between funny and scary; how to make friends in British and Irish pubs; and how the RSC vibe might best be described as squabbling siblings bound together in a brotherhood of Shakespeare. (Length 21:33) (PICTURED: Reed Martin, Adam Long, and Austin Tichenor enjoying post-show beverages in Shuttleworth's Pub, Charing Cross Road, 1992. Photo by Kent Tichenor.) The post Filming ‘Complete Works' appeared first on Reduced Shakespeare Company.

Things come full circle this week as we hearken back to an earlier era of The Complete Works - if you liked CON AIR, boy do we have a movie for you! Not only is a shameless ripoff of CON AIR, but it's implied that it takes place... in the same universe??? Roy Scheider stars alongside Dorian Harewood, Ray Wise, Clint Howard, and a little girl named after a JAWS character in 1998's direct-to-video action movie EVASIVE ACTION!

In the second to last chapter of Swami Vivekananda's Bhakti Yoga (or Volume III of the Complete Works of Swami Vivekananda), Swamiji gives us a walkthrough of all the attitudes of supreme love, prema with which we can relate to God: God as quietistic ideal (shānta), God as master (dāsya), God as friend (sakya), God as child (vatśalya) and of course, God as lover (Madhura).We explore the first three of these attitudes and discuss what makes seeing God as "master" so much more intense than a quietistic reverence and what seeing God as a "friend" that much more radical! We also make a strong claim for non-sectarianism when studying these attitudes to avoid putting everything in a kind of hierarchy and using that to judge others and to feel superior about our own spirituality. As such, we do a study of Bhakti Yoga in the light of Sri Ramakrishna, the spirit of Harmony of Religions and the "bhāva-rāja", king of devotional attitudes!You'll find the playlist for our Swami Vivekananda Bhakti Yoga series here! And here is a playlist on Tantrik Vaishnavism. Lectures happen live every Monday at 7pm PST and Friday 10am PST and again Friday at 6pm PST.Use this link and I will see you there:https://www.zoom.us/j/7028380815For more videos, guided meditations and instruction and for access to our lecture library, visit me at:https://www.patreon.com/yogawithnishTo get in on the discussion and access various spiritual materials, join our Discord here: https://discord.gg/U8zKP8yMrMJai Swamiji! Support the show

Title: The Banana Anomaly Logline: When sentient, aggressive bananas take over a small town, two unlikely heroes must overcome their bickering and fears to stop the potassium-fueled chaos. Characters: BERNICE (30s): A fastidious, somewhat neurotic librarian. RICK (30s): A boisterous, overly confident (but secretly insecure) used car salesman. Scene: INT. SMALL TOWN LIBRARY - DAY SOUND of frantic shushing BERNICE, with her hair in a tight bun and glasses perched precariously on her nose, stamps a book with excessive force. The library is mostly empty. RICK bursts through the doors, sweating and slightly disheveled. He holds a slightly bruised banana in his hand. Bernice finally looks up, her expression a mixture of annoyance and disbelief. Rick slams the banana on the counter. It twitches. Suddenly, the front windows of the library EXPLODE in a shower of glass. Dozens of bananas, some bruised, some green, some disturbingly large, fly into the library. They are... advancing. A banana leaps onto the counter, hissing. Rick grabs a nearby book - "The Complete Works of Shakespeare" - and smashes it. The banana splatters. They run towards the back of the library, dodging flying fruit. INT. LIBRARY ARCHIVES - CONTINUOUS The archives are dark and dusty. Bernice and Rick barricade themselves behind a rolling shelf. INT. LIBRARY BASEMENT - LATER Bernice and Rick, armed with makeshift weapons (a fire extinguisher for Rick, a medieval mace from a historical display for Bernice), cautiously enter the basement. It's cold and dark. They find the freezer. Inside, rows upon rows of preserved fruits and vegetables. And at the back, a large, industrial-sized freezer unit. Bernice examines the control panel, her brow furrowed. SOUND of crashing from upstairs Bernice frantically pushes buttons. Wires spark. The freezer unit sputters to life, a cold wind emanating from it. Suddenly, the basement door bursts open. A horde of bananas, led by an enormous, mutated "King Banana," charges in. Rick holds them off with the fire extinguisher, slipping and sliding on banana peels. Bernice finally gets the freezer door open. Rick, dodging banana projectiles, rushes to her side. Together, they heave the door open. The King Banana leaps towards them. Rick grabs the fire extinguisher and sprays the King Banana directly into its face. It recoils, momentarily stunned. Bernice and Rick push the freezer door wide open, creating a powerful gust of freezing air. The advancing bananas hesitate, then begin to slow, their movements becoming sluggish. They scramble inside, pulling the heavy door shut just as the King Banana reaches them. His hand gets frozen in the door. INT. LIBRARY BASEMENT - FREEZER - CONTINUOUS Bernice and Rick stand shivering in the freezer, surrounded by frozen fruits and vegetables. The sounds of the frozen bananas banging on the door can be heard. Bernice manages a small smile. FADE OUT. Title: The Banana Anomaly Logline: When sentient, aggressive bananas take over the world, two unlikely heroes – a fastidious librarian and a boisterous used car salesman – must overcome their bickering and fears to stop the potassium-fueled chaos before it leads to a global meltdown. Characters: BERNICE (30s): Now, a brilliant but socially awkward librarian with a hidden talent for ancient languages and a crippling fear of anything sticky. RICK (30s): A boisterous, overly confident (but secretly insecure) used car salesman with a surprising knowledge of conspiracy theories and a knack for outlandish problem-solving. DR. ANNA REILLY (40s): A world-renowned botanist, eccentric and driven, who holds the key to the banana anomaly's origins. GENERAL STONE (50s): A gruff, no-nonsense military leader who believes in solving problems with maximum firepower. Scene: INT. LIBRARY BASEMENT - FREEZER - CONTINUOUS Bernice, Rick, and Dr. Reilly stand shivering in the freezer, surrounded by frozen fruits and vegetables. The sounds of the frozen bananas banging on the door can be heard, though muffled. The cold air is thick with condensation. Bernice and Rick huddle together for warmth, the adrenaline of their escape and the shared trauma having forged an unexpected bond. Bernice manages a small, genuine smile. Rick's eyes soften. He reaches out, brushing a stray piece of ice from Bernice's hair. Bernice blushes, her cheeks flushing pink even in the freezing temperatures. Their eyes meet. There's a beat of silence, the only sound the muffled thumping of the frozen bananas and the hum of the freezer. Rick steps closer, his gaze intense. Bernice doesn't back away. He reaches for her hand. Her skin is cold, but she doesn't pull away. Their fingers intertwine. A spark of something real, something tender, passes between them. He leans in closer. Their faces are inches apart. The moment is thick with unspoken desire. Suddenly, the freezer door bursts open with a BANG. DR. ANNA REILLY stands in the doorway, holding a metal tray piled high with what appear to be... french fries. But they are limp, soggy, and utterly unappetizing. Her face is a mask of utter exasperation. Bernice and Rick jump apart, startled and flustered. The romantic moment is shattered. Dr. Reilly throws her hands up in the air, the soggy fries nearly flying off the tray. She storms further into the freezer, muttering about the incompetence of the military and the importance of a proper starch-to-grease ratio. Bernice and Rick stare at each other for a long moment, the heat of their almost-kiss now replaced by the awkward chill of the interruption. Bernice hesitates, then a small smile returns to her face. FADE OUT. Hulur. Uh. Helur. Are you Hurtz McGurkin? {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2018-2025 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

Title: The Banana Anomaly Logline: When sentient, aggressive bananas take over a small town, two unlikely heroes must overcome their bickering and fears to stop the potassium-fueled chaos. Characters: BERNICE (30s): A fastidious, somewhat neurotic librarian. RICK (30s): A boisterous, overly confident (but secretly insecure) used car salesman. Scene: INT. SMALL TOWN LIBRARY - DAY SOUND of frantic shushing BERNICE, with her hair in a tight bun and glasses perched precariously on her nose, stamps a book with excessive force. The library is mostly empty. RICK bursts through the doors, sweating and slightly disheveled. He holds a slightly bruised banana in his hand. Bernice finally looks up, her expression a mixture of annoyance and disbelief. Rick slams the banana on the counter. It twitches. Suddenly, the front windows of the library EXPLODE in a shower of glass. Dozens of bananas, some bruised, some green, some disturbingly large, fly into the library. They are... advancing. A banana leaps onto the counter, hissing. Rick grabs a nearby book - "The Complete Works of Shakespeare" - and smashes it. The banana splatters. They run towards the back of the library, dodging flying fruit. INT. LIBRARY ARCHIVES - CONTINUOUS The archives are dark and dusty. Bernice and Rick barricade themselves behind a rolling shelf. INT. LIBRARY BASEMENT - LATER Bernice and Rick, armed with makeshift weapons (a fire extinguisher for Rick, a medieval mace from a historical display for Bernice), cautiously enter the basement. It's cold and dark. They find the freezer. Inside, rows upon rows of preserved fruits and vegetables. And at the back, a large, industrial-sized freezer unit. Bernice examines the control panel, her brow furrowed. SOUND of crashing from upstairs Bernice frantically pushes buttons. Wires spark. The freezer unit sputters to life, a cold wind emanating from it. Suddenly, the basement door bursts open. A horde of bananas, led by an enormous, mutated "King Banana," charges in. Rick holds them off with the fire extinguisher, slipping and sliding on banana peels. Bernice finally gets the freezer door open. Rick, dodging banana projectiles, rushes to her side. Together, they heave the door open. The King Banana leaps towards them. Rick grabs the fire extinguisher and sprays the King Banana directly into its face. It recoils, momentarily stunned. Bernice and Rick push the freezer door wide open, creating a powerful gust of freezing air. The advancing bananas hesitate, then begin to slow, their movements becoming sluggish. They scramble inside, pulling the heavy door shut just as the King Banana reaches them. His hand gets frozen in the door. INT. LIBRARY BASEMENT - FREEZER - CONTINUOUS Bernice and Rick stand shivering in the freezer, surrounded by frozen fruits and vegetables. The sounds of the frozen bananas banging on the door can be heard. Bernice manages a small smile. FADE OUT. Title: The Banana Anomaly Logline: When sentient, aggressive bananas take over the world, two unlikely heroes – a fastidious librarian and a boisterous used car salesman – must overcome their bickering and fears to stop the potassium-fueled chaos before it leads to a global meltdown. Characters: BERNICE (30s): Now, a brilliant but socially awkward librarian with a hidden talent for ancient languages and a crippling fear of anything sticky. RICK (30s): A boisterous, overly confident (but secretly insecure) used car salesman with a surprising knowledge of conspiracy theories and a knack for outlandish problem-solving. DR. ANNA REILLY (40s): A world-renowned botanist, eccentric and driven, who holds the key to the banana anomaly's origins. GENERAL STONE (50s): A gruff, no-nonsense military leader who believes in solving problems with maximum firepower. Scene: INT. LIBRARY BASEMENT - FREEZER - CONTINUOUS Bernice, Rick, and Dr. Reilly stand shivering in the freezer, surrounded by frozen fruits and vegetables. The sounds of the frozen bananas banging on the door can be heard, though muffled. The cold air is thick with condensation. Bernice and Rick huddle together for warmth, the adrenaline of their escape and the shared trauma having forged an unexpected bond. Bernice manages a small, genuine smile. Rick's eyes soften. He reaches out, brushing a stray piece of ice from Bernice's hair. Bernice blushes, her cheeks flushing pink even in the freezing temperatures. Their eyes meet. There's a beat of silence, the only sound the muffled thumping of the frozen bananas and the hum of the freezer. Rick steps closer, his gaze intense. Bernice doesn't back away. He reaches for her hand. Her skin is cold, but she doesn't pull away. Their fingers intertwine. A spark of something real, something tender, passes between them. He leans in closer. Their faces are inches apart. The moment is thick with unspoken desire. Suddenly, the freezer door bursts open with a BANG. DR. ANNA REILLY stands in the doorway, holding a metal tray piled high with what appear to be... french fries. But they are limp, soggy, and utterly unappetizing. Her face is a mask of utter exasperation. Bernice and Rick jump apart, startled and flustered. The romantic moment is shattered. Dr. Reilly throws her hands up in the air, the soggy fries nearly flying off the tray. She storms further into the freezer, muttering about the incompetence of the military and the importance of a proper starch-to-grease ratio. Bernice and Rick stare at each other for a long moment, the heat of their almost-kiss now replaced by the awkward chill of the interruption. Bernice hesitates, then a small smile returns to her face. FADE OUT. Hulur. Uh. Helur. Are you Hurtz McGurkin? {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2018-2025 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

Title: The Banana Anomaly Logline: When sentient, aggressive bananas take over a small town, two unlikely heroes must overcome their bickering and fears to stop the potassium-fueled chaos. Characters: BERNICE (30s): A fastidious, somewhat neurotic librarian. RICK (30s): A boisterous, overly confident (but secretly insecure) used car salesman. Scene: INT. SMALL TOWN LIBRARY - DAY SOUND of frantic shushing BERNICE, with her hair in a tight bun and glasses perched precariously on her nose, stamps a book with excessive force. The library is mostly empty. RICK bursts through the doors, sweating and slightly disheveled. He holds a slightly bruised banana in his hand. Bernice finally looks up, her expression a mixture of annoyance and disbelief. Rick slams the banana on the counter. It twitches. Suddenly, the front windows of the library EXPLODE in a shower of glass. Dozens of bananas, some bruised, some green, some disturbingly large, fly into the library. They are... advancing. A banana leaps onto the counter, hissing. Rick grabs a nearby book - "The Complete Works of Shakespeare" - and smashes it. The banana splatters. They run towards the back of the library, dodging flying fruit. INT. LIBRARY ARCHIVES - CONTINUOUS The archives are dark and dusty. Bernice and Rick barricade themselves behind a rolling shelf. INT. LIBRARY BASEMENT - LATER Bernice and Rick, armed with makeshift weapons (a fire extinguisher for Rick, a medieval mace from a historical display for Bernice), cautiously enter the basement. It's cold and dark. They find the freezer. Inside, rows upon rows of preserved fruits and vegetables. And at the back, a large, industrial-sized freezer unit. Bernice examines the control panel, her brow furrowed. SOUND of crashing from upstairs Bernice frantically pushes buttons. Wires spark. The freezer unit sputters to life, a cold wind emanating from it. Suddenly, the basement door bursts open. A horde of bananas, led by an enormous, mutated "King Banana," charges in. Rick holds them off with the fire extinguisher, slipping and sliding on banana peels. Bernice finally gets the freezer door open. Rick, dodging banana projectiles, rushes to her side. Together, they heave the door open. The King Banana leaps towards them. Rick grabs the fire extinguisher and sprays the King Banana directly into its face. It recoils, momentarily stunned. Bernice and Rick push the freezer door wide open, creating a powerful gust of freezing air. The advancing bananas hesitate, then begin to slow, their movements becoming sluggish. They scramble inside, pulling the heavy door shut just as the King Banana reaches them. His hand gets frozen in the door. INT. LIBRARY BASEMENT - FREEZER - CONTINUOUS Bernice and Rick stand shivering in the freezer, surrounded by frozen fruits and vegetables. The sounds of the frozen bananas banging on the door can be heard. Bernice manages a small smile. FADE OUT. Title: The Banana Anomaly Logline: When sentient, aggressive bananas take over the world, two unlikely heroes – a fastidious librarian and a boisterous used car salesman – must overcome their bickering and fears to stop the potassium-fueled chaos before it leads to a global meltdown. Characters: BERNICE (30s): Now, a brilliant but socially awkward librarian with a hidden talent for ancient languages and a crippling fear of anything sticky. RICK (30s): A boisterous, overly confident (but secretly insecure) used car salesman with a surprising knowledge of conspiracy theories and a knack for outlandish problem-solving. DR. ANNA REILLY (40s): A world-renowned botanist, eccentric and driven, who holds the key to the banana anomaly's origins. GENERAL STONE (50s): A gruff, no-nonsense military leader who believes in solving problems with maximum firepower. Scene: INT. LIBRARY BASEMENT - FREEZER - CONTINUOUS Bernice, Rick, and Dr. Reilly stand shivering in the freezer, surrounded by frozen fruits and vegetables. The sounds of the frozen bananas banging on the door can be heard, though muffled. The cold air is thick with condensation. Bernice and Rick huddle together for warmth, the adrenaline of their escape and the shared trauma having forged an unexpected bond. Bernice manages a small, genuine smile. Rick's eyes soften. He reaches out, brushing a stray piece of ice from Bernice's hair. Bernice blushes, her cheeks flushing pink even in the freezing temperatures. Their eyes meet. There's a beat of silence, the only sound the muffled thumping of the frozen bananas and the hum of the freezer. Rick steps closer, his gaze intense. Bernice doesn't back away. He reaches for her hand. Her skin is cold, but she doesn't pull away. Their fingers intertwine. A spark of something real, something tender, passes between them. He leans in closer. Their faces are inches apart. The moment is thick with unspoken desire. Suddenly, the freezer door bursts open with a BANG. DR. ANNA REILLY stands in the doorway, holding a metal tray piled high with what appear to be... french fries. But they are limp, soggy, and utterly unappetizing. Her face is a mask of utter exasperation. Bernice and Rick jump apart, startled and flustered. The romantic moment is shattered. Dr. Reilly throws her hands up in the air, the soggy fries nearly flying off the tray. She storms further into the freezer, muttering about the incompetence of the military and the importance of a proper starch-to-grease ratio. Bernice and Rick stare at each other for a long moment, the heat of their almost-kiss now replaced by the awkward chill of the interruption. Bernice hesitates, then a small smile returns to her face. FADE OUT. Hulur. Uh. Helur. Are you Hurtz McGurkin? {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2018-2025 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

Title: The Banana Anomaly Logline: When sentient, aggressive bananas take over a small town, two unlikely heroes must overcome their bickering and fears to stop the potassium-fueled chaos. Characters: BERNICE (30s): A fastidious, somewhat neurotic librarian. RICK (30s): A boisterous, overly confident (but secretly insecure) used car salesman. Scene: INT. SMALL TOWN LIBRARY - DAY SOUND of frantic shushing BERNICE, with her hair in a tight bun and glasses perched precariously on her nose, stamps a book with excessive force. The library is mostly empty. RICK bursts through the doors, sweating and slightly disheveled. He holds a slightly bruised banana in his hand. Bernice finally looks up, her expression a mixture of annoyance and disbelief. Rick slams the banana on the counter. It twitches. Suddenly, the front windows of the library EXPLODE in a shower of glass. Dozens of bananas, some bruised, some green, some disturbingly large, fly into the library. They are... advancing. A banana leaps onto the counter, hissing. Rick grabs a nearby book - "The Complete Works of Shakespeare" - and smashes it. The banana splatters. They run towards the back of the library, dodging flying fruit. INT. LIBRARY ARCHIVES - CONTINUOUS The archives are dark and dusty. Bernice and Rick barricade themselves behind a rolling shelf. INT. LIBRARY BASEMENT - LATER Bernice and Rick, armed with makeshift weapons (a fire extinguisher for Rick, a medieval mace from a historical display for Bernice), cautiously enter the basement. It's cold and dark. They find the freezer. Inside, rows upon rows of preserved fruits and vegetables. And at the back, a large, industrial-sized freezer unit. Bernice examines the control panel, her brow furrowed. SOUND of crashing from upstairs Bernice frantically pushes buttons. Wires spark. The freezer unit sputters to life, a cold wind emanating from it. Suddenly, the basement door bursts open. A horde of bananas, led by an enormous, mutated "King Banana," charges in. Rick holds them off with the fire extinguisher, slipping and sliding on banana peels. Bernice finally gets the freezer door open. Rick, dodging banana projectiles, rushes to her side. Together, they heave the door open. The King Banana leaps towards them. Rick grabs the fire extinguisher and sprays the King Banana directly into its face. It recoils, momentarily stunned. Bernice and Rick push the freezer door wide open, creating a powerful gust of freezing air. The advancing bananas hesitate, then begin to slow, their movements becoming sluggish. They scramble inside, pulling the heavy door shut just as the King Banana reaches them. His hand gets frozen in the door. INT. LIBRARY BASEMENT - FREEZER - CONTINUOUS Bernice and Rick stand shivering in the freezer, surrounded by frozen fruits and vegetables. The sounds of the frozen bananas banging on the door can be heard. Bernice manages a small smile. FADE OUT. Title: The Banana Anomaly Logline: When sentient, aggressive bananas take over the world, two unlikely heroes – a fastidious librarian and a boisterous used car salesman – must overcome their bickering and fears to stop the potassium-fueled chaos before it leads to a global meltdown. Characters: BERNICE (30s): Now, a brilliant but socially awkward librarian with a hidden talent for ancient languages and a crippling fear of anything sticky. RICK (30s): A boisterous, overly confident (but secretly insecure) used car salesman with a surprising knowledge of conspiracy theories and a knack for outlandish problem-solving. DR. ANNA REILLY (40s): A world-renowned botanist, eccentric and driven, who holds the key to the banana anomaly's origins. GENERAL STONE (50s): A gruff, no-nonsense military leader who believes in solving problems with maximum firepower. Scene: INT. LIBRARY BASEMENT - FREEZER - CONTINUOUS Bernice, Rick, and Dr. Reilly stand shivering in the freezer, surrounded by frozen fruits and vegetables. The sounds of the frozen bananas banging on the door can be heard, though muffled. The cold air is thick with condensation. Bernice and Rick huddle together for warmth, the adrenaline of their escape and the shared trauma having forged an unexpected bond. Bernice manages a small, genuine smile. Rick's eyes soften. He reaches out, brushing a stray piece of ice from Bernice's hair. Bernice blushes, her cheeks flushing pink even in the freezing temperatures. Their eyes meet. There's a beat of silence, the only sound the muffled thumping of the frozen bananas and the hum of the freezer. Rick steps closer, his gaze intense. Bernice doesn't back away. He reaches for her hand. Her skin is cold, but she doesn't pull away. Their fingers intertwine. A spark of something real, something tender, passes between them. He leans in closer. Their faces are inches apart. The moment is thick with unspoken desire. Suddenly, the freezer door bursts open with a BANG. DR. ANNA REILLY stands in the doorway, holding a metal tray piled high with what appear to be... french fries. But they are limp, soggy, and utterly unappetizing. Her face is a mask of utter exasperation. Bernice and Rick jump apart, startled and flustered. The romantic moment is shattered. Dr. Reilly throws her hands up in the air, the soggy fries nearly flying off the tray. She storms further into the freezer, muttering about the incompetence of the military and the importance of a proper starch-to-grease ratio. Bernice and Rick stare at each other for a long moment, the heat of their almost-kiss now replaced by the awkward chill of the interruption. Bernice hesitates, then a small smile returns to her face. FADE OUT. Hulur. Uh. Helur. Are you Hurtz McGurkin? {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2018-2025 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

Meet Julie Enszer, editor of Sinister Wisdom, dyke poetry superstar, and protector of the lesbian archives. Julie and I speak about shared queer cultures, lesbian feminist publishing, and all of the amazing queer archiving projects Julie is involved in. We also speak about the importance of sharing knowledge and practices of resistance, especially at a time like the present moment. Since Julie is particularly invested in sharing these practices internationally, she is part of the team that is bringing the Lesbian Lives conference to New York in October 2025… Tune in for the details.  References:https://julierenszer.com/Sinister Wisdom https://www.sinisterwisdom.org/@sinister_wisom (IG)Julie Enszer's The Pinko Commie Dyke (Indolent Books, 2024) with illustrations by Isabel Clare PaulOutWrite: The Speeches that Shaped LGBTQ Literary Culture (ed. Julie Enszer and Elena Gross, Rutgers UP, 2022)The Complete Works of Pat Parkers (ed. Julie Enszer, Sinister Wisdom/A Midsummer Night's Press, 2016)Fire-Rimmed Eden: Selected Poems by Lynn Lonidier (ed. Julie Enszer, Sinister Wisdom, 2023)Sinister Wisdom 128: Trans/FeminismsReveal Digital Archiveshttps://about.jstor.org/revealdigital/The Lesbian Poetry Archive http://lesbianpoetryarchive.org/Feminist Bookstore News Archivehttps://www.lesbianpoetryarchive.org/fbnCarol SeajayWomen in Print MovementCatherine NicholsonHarriet DesmoinesHillary ClintonLesbian Lives ConferenceElla Ben HagaiThe Journal of Lesbian StudiesOlu JenzenCLAGS (The Centre for LGBTQ Studies, CUNY)https://www.gc.cuny.edu/clags-center-lgbtq-studiesMatt BrimGrace Nichols' The Fat Black Woman's PoemsHeresieshttp://heresiesfilmproject.org/archive/Cheryl Clarkehttps://www.poetryfoundation.org/poets/cheryl-clarkeTim Retzloffhttps://michiganlgbtqremember.com/842-2/Alison Bechdel's Fun HomeMarilyn Hacker's Love, Death and the Changing of the Seasons (1986)  Questions you should be able to respond to after listening:1.      How do we build lesbian and feminist communities? Which examples does Julie give?2.      What are the Reveal Digital Archives?3.      What types of writing does Sinister Wisdom publish and what would Julie like to see more of? In which year was the journal launched?4.      How does Julie describe the importance of lesbian archives?5.      How might archives help us with lesbian, queer and trans oganising?  

Another episode straight from the Chatabix vaults and in this one, a listener sends us a quite remarkable email. First posted on 7th October 2022 FOR ALL THINGS CHATABIX'Y FOLLOW/SUBSCRIBE/CONTACT: YouTube: https://www.youtube.com/@chatabixpodcast Twitter: https://twitter.com/chatabix1 Insta: https://www.instagram.com/chatabixpodcast/ Patreon: https://www.patreon.com/chatabix Merch: https://chatabixshop.com/ Contact us: chatabix@yahoo.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Fresh from his appearance on Radio 4's Desert Island Discs, actor Stephen Mangan finds himself in the kind of trouble where the Bible, the Complete Works of Shakespeare, and his luxury item will be no help whatsoever.From Bill Dare (Dead Ringers), Jon Holmes (The Skewer) and writers Tom Oxenham and Simon Alcock, actor Stephen Mangan washes up on the actual island from Desert Island Discs, only to discover that he is not alone.Living among the palms and rocky outcrops and thousands of copies of the Bible lying in the sand are every former guest of the show - and it's all gone a bit Lord of the Flies.Through Stephen's audio diary, we learn that all TV chef Nadiya Hussain wants to do is hunt, that Richard Madeley's gone feral, and that Sandi Toksvig has the Conch. But there's something lurking in the forest, and when Stephen suspects foul play in the power struggle to be chief, he soon finds himself making a dangerous enemy.Can he win over his fellow islanders before it's too late? What lengths will he go to to survive? And what the hell is he going to do with this useless coffee machine he chose as his luxury item?Written by Tom Oxenham and Simon Alcock Starring Stephen Mangan as himselfSound Design: Tony Churnside Executive Producer: Jon Holmes Producer: Bill DareAn unusual production for BBC Radio 4

Send us a textThomas Jefferson was a complicated figure. Essential to the start of our country and the university I attend, he is impossible to ignore. Yet, he held slaves, and at the same time said “all men are created equal.” What's up with that?!Yet, we need to be able to talk about him. We also need to be able to acknowledge the contributions he has made to the world, while also acknowledging the flaws in his character and behavior. His legacy is complicated, and he was a complicated person. We all are. So how do we reconcile these parts of him? Join us in our attempt to understand this. Today, we talk about Thomas Jefferson and his complicated relationship with slavery. Cara Rogers Stevens, professor of history at Ashland University and codirector of the Ashbrook Scholars Program, joins us to talk about this. She is also the author of Thomas Jefferson and The First Against Slavery, which informs much of our conversation.Want to explore more:Read the Complete Works of Thomas Jefferson at the Online Library of Liberty.Hans Eicholz, 1776 and All That: Thomas Jefferson on Adam Smith, at AdamSmithWorks.Darren Staloff on the American Founding, a Great Antidote podcast.Understanding Jefferson: Slavery, Race, and the Declaration of Independence, a Liberty Matters forum at the Online Library of Liberty.Jeffrey Rogers Hummel, U.S. Slavery and Economic Thought, in the Concise Encyclopedia of Economics.Never miss another AdamSmithWorks update.Follow us on Facebook, Twitter, and Instagram.

In this episode of Winning the Divine Lottery, we dive into the timeless wisdom of Florence Scovel Shinn, a mystical teacher from the 1940s whose teachings transformed the way I speak—both externally and internally. I share how I first discovered her work and the profound impact her book, The Complete Works of Florence Scovel Shinn, has had on my life. Together, we unpack some of my favorite and most powerful quotes from her book, exploring how they can help us shift our mindset, trust that life is always working in our favour, and manifest more abundance. If you're ready to align your words and thoughts with the energy of creation, this episode is for you! Listen in to discover: ✨ How Florence Scovel Shinn's teachings found their way into my life ✨ The power of words in shaping our reality ✨ Key quotes that can shift your perspective and help you manifest with ease ✨ How to apply these principles to create more flow and abundance Resources & Links:

In this episode of The Poetry Exchange, poet Nick Makoha talks with us about the poem that has been a friend to him: 'White Egrets (I)' by Derek Walcott.Nick actually joined us back in 2017 at Pushkin House, London, and we are delighted to be sharing this conversation with you now. It is very special to hear Fiona in this conversation, with all her usual warmth and brilliance.Nick Makoha's latest collection 'The New Carthaginians' is published this month from Allen Lane - you can order/buy your copy here.The event for 'On the Brink of Touch' by Fiona Bennett is on 26th February at The Bedford in Balham, London, and live streamed. We'd love for you to join us, and you can book your places here!Dr Nick Makoha is a Ugandan poet. His new collection is The New Carthaginians published by Penguin UK. Winner of the 2021 Ivan Juritz Prize and the Poetry London Prize. In 2017, Nick's debut collection, Kingdom of Gravity, was shortlisted for the Felix Dennis Prize for Best First Collection and was one of the Guardian's best books of the year. He was the ICA 2023 Writer-in-Residence. He was the 2019 Writer-in-Residence for The Wordsworth Trust and Wasafiri. A Cave Canem Graduate Fellow and Complete Works alumnus. He won the 2015 Brunel African Poetry Prize and the 2016 Toi Derricotte & Cornelius Eady Prize for his pamphlet Resurrection Man. His play The Dark—produced by Fuel Theatre and directed by JMK award-winner Roy Alexander—was on a national tour in 2019. It was shortlisted for the 2019 Alfred Fagon Award and won the 2021 Columbia International Play Reading prize. His poems have appeared in the Cambridge Review, the New York Times, Poetry Review, Poetry Wales, Rialto, Poetry London, TriQuarterly Review, 5 Dials, Boston Review, Callaloo Birmingham Lit Journal and Wasafiri.*********White EgretsBy Derek Walcott I The chessmen are as rigid on their chessboard as those life-sized terra-cotta warriors whose vowsto their emperor with bridle, shield and swordwere sworn by a chorus that has lost its voice;no echo in that astonishing excavation.Each soldier gave an oath, each gave his wordto die for his emperor, his clan, his nation,to become a chess soldier, breathlessly erectin shade or crossing sunlight, without hours – from clay to clay and odourlessly strict.If vows were visible they might see oursas changeless chessmen in the changing lighton the lawn outside where bannered breakers tossand palms gust with music that is time's above the chessmen's silence. Motion brings loss.A sable blackbird twitters in the limes. From White Egrets by Derek Walcott, Faber & Faber 2010. Hosted on Acast. See acast.com/privacy for more information.

From "Last Retreat Day 1" found in The Complete Works vol 1: 1. “Nescivi.” 1 “I no longer knew anything.” This is what the “bride of the Canticles ” sings after having been brought into the “inner cellar.” 2 It seems to me that this must also be the refrain of a praise of glory on this first day of retreat in which the Master makes her penetrate the depths of the bottomless abyss so that He may teach her to fulfill the work which will be hers for eternity and which she must already perform in time, which is eternity begun and still in progress. 3 “Nescivi”! I no longer know anything, I do not want to know anything except “to know Him, to share in His sufferings, to become like Him in His death.” 4 “Those whom God has foreknown He has also predestined to become confirmed to the image of His divine Son,” 5 the One crucified by love. When I am wholly identified with this divine Exemplar, 6 when I have wholly passed into Him and He into me, then I will fulfill my eternal vocation: the one for which God has “chosen me in Him ” 7 “in principio,” the one I will continue “in aeternum” when, immersed in the bosom of my Trinity, I will be the unceasing praise of His glory, Laudem gloriae ejus. The post BTP-LR1 – Day 1 – The Last Retreat by St. Elizabeth of the Trinity- Beginning to Pray with Dr. Anthony Lilles – Discerning Hearts Podcast appeared first on Discerning Hearts Catholic Podcasts.

In this episode, Kelly Kapic discusses John Owen's insights on battling sin and temptation and connects them to the issues Christians face today. Kelly M. Kapic is a professor of theological studies at Covenant College and the co-editor of vol. 15 of The Complete Works of John Owen entitled 'Sin and Temptation' from Crossway. Read the full transcript of this episode. ❖ Listen to “The Life and Legacy of John Owen” with Lee Gatiss: Apple Podcasts | Spotify | YouTube If you enjoyed this episode be sure to leave us a review, which helps us spread the word about the show!

My guest today is Rishi Dastidar who is a poet and editor based in London. Rishi discusses his own particular view of Larkin's portrayal of Englishness in both his letters and his poetry, Larkin's contemporaries such as TS Eliot and Alan Bennett, and the vibrant role poetry plays in the UK's cultural landscape.  Rishi Dastidar's poetry has been published by the Financial Times, The Guardian and BBC and more. He is a fellow of The Complete Works, and a consulting editor at The Rialto magazine. A poem from his debut collection Ticker-tape was included in The Forward Book of Poetry 2018, and his second collection, Saffron Jack, was published in the UK by Nine Arches Press in 2020. He is also editor of The Craft: A Guide to Making Poetry Happen in the 21st Century (Nine Arches Press), and co-editor of Too Young, Too Loud, Too Different: Poems from Malika's Poetry Kitchen (Corsair). He is the chair of the board of trustees for Wasafari Magazine. Larkin poems discussed: Poetry of Departures, Friday Night In the Royal Station Hotel, Afternoons, The Building, The Whitsun Weddings, Toads, Waiting for Breakfast Other references: Kingsley Amis, Alan Bennett, Ezra Pound The Poetry Review, The New Yorker,  The Delinquent https://delinquentmagazine.bigcartel.com/,  Smiths Knoll magazine (https://poetrymagazines.org.uk/magazine/index190a.html?id=17),  The Faber Academy https://faberacademy.com/ The Love Song of J Alfred Prufock by TS Eliot (1915) Wild God by Nick Cave and the Bad Seeds (2024 PIAS Recordings) Sometimes a Wild God by Tom Hirons https://tomhirons.com/poetry/sometimes-a-wild-god (2017) Neptune's Projects  by Rishi Dastidur (2023)  https://ninearchespress.com/publications/poetry-collections/neptune-s-projects Time by Pink Floyd ‘hanging on in quiet desperation is the English way' from The Dark Side of the Moon (1973) George Best, footballer https://nostalgiacentral.com/pop-culture/people/george-best/ UK films/radio of the 1950s/60s:Passport to Pimlico, Whiskey Galore, The Goons, Kind Hearts and Coronets Music: Lazy River by Sidney Bechet Time by Pink Floyd Theme music: The Horns of the Morning by Wes Finch and the Mechanicals Band https://themechanicalsband.bandcamp.com/album/the-righteous-jazz Produced by Lyn Lockwood and Gavin Hogg Please email Lyn at ⁠plsdeputychair@gmail.com ⁠ with any questions or comments PLS Membership, events, merchandise and information: philiplarkin.com

To love is the essence of what it means to be human. Love is the sweetest, most meaningful experience in embodied existence and it is for this love that we do everything. But what does it mean to really love? We have all of us been disappointed in love. This is because we don't know how to truly, really love. We are content with our little loves and little attachments and as such, we are all of us likely to miss out on the real thing! Bhakti Yoga, the path of Devotion, is the science of higher love. In this talk, we give perhaps one of our most lucid interpretations of real, higher love based on Swami Vivekananda's book "Bhakti Yoga". We first discuss the two phases of love, love with form vs ecstatic love. And then, we have a discussion about renunciation, why it is so central to love and how it is naturally produced through love itself, reviewing the material we covered in this talk: How To Get Renunciation | Bhakti Yoga, Swami Vivekananda and then finally, we offer a Tantrik reading of two works by Swami Vivekananda: "The Bhakta's Renunciation Results from Love" and "The Free Soul" from Volume III of the Complete Works of Swami Vivekananda. This is my favorite talk on Bhakti yet! Thank you all who came live and all who are watching the recording! May we become enflamed with awakened Love for the Infinite!Support the show

In October of 1896, in London, Swami Vivekananda gave a series of three lectures on the ancient concept of Māyā, that which causes the One to appear as Many, the Eternal to appear as the Changing and the Real to appear as the Unreal. Naturally, since Māyā is synonymous with "Ignorance" in the Advaita Vedanta system of Srī Shankara, it is a very, very elusive concept that has eluded even some of the brightest minds of India and abroad. As such, Swami Vivekananda's treatment of Maya over three lectures might be the most comprehensive and illuminating to have ever been given in the history of philosophy. Sister Nivedita considers the Swami's best work. In this talk, I focus on the third of the three lectures, "Maya and Freedom". The first on is called "Maya and Illusions" and the second, "Maya and the Evolution for the Concept of God" and all three can be found in Swami Vivekananda's Complete Works, Vol II or in the Jñāna-Yoga book. Particularly in my commentary of this lecture, I would like to compare the Shankarite notion of Māyā as illusion to the Tantrik concept of Śakti, as the playful power of God to hide Herself from Herself (Paramārthasāra, Verse 15) to compare Vedantic Idealism with Tantrik Realism, making the case that Swami Vivekananda's reading might lean closer to the Tantrik notion. Lectures happen live every Monday at 7pm PST and Friday 10am PST and again Friday at 6pm PST.Use this link and I will see you there:https://www.zoom.us/j/7028380815For more videos, guided meditations and instruction and for access to our lecture library, visit me at:https://www.patreon.com/yogawithnishTo get in on the discussion and access various spiritual materials, join our Discord here: https://discord.gg/U8zKP8yMrMSupport the show

Interpreten: Maria & Nathalia Milstein Label: Mirare EAN: 3760127227397 Die russisch-französischen Schwestern Maria und Nathalia Milstein tragen einen berühmten Namen, sind allerdings mit der Geigenlegende vergangener Tage, Nathan Milstein, nicht verwandt. Auf ihrer jüngsten CD sind sie mit dem Gesamtwerk für Violine und Klavier von Franz Schubert zu erleben. Erfrischend jung und spielerisch, wie Michael Gmasz findet. Die Geigenkammermusik von Franz Schubert wird oft ein wenig belächelt, hat er selbst doch die meisten dieser Werke „nur“ als Sonatinen und nicht einmal selbst als Sonaten bezeichnet. Dass es sich dabei jedoch um wahre Juwelen der Geigenliteratur handelt. Steht heute außer Zweifel. Die drei Sonatinen, die, auch wirklich so genannte, Sonate in A-Dur sowie das Rondo Brillant und die C-Dur Fantasie sind nun von den ausgesprochen musikalischen Schwestern Maria und Nathalia Milstein eingespielt worden. Nathalia Milstein hat sich für diese Aufnahme auf die Suche nach einem besonderen Flügel begeben und ist bei einem 1857er Blüthner in der Sammlung Andriessen in den Niederlanden fündig geworden. Der zarte Klang dieses Hammerflügel passt wunderbar zum leichten Geigenton ihrer Schwester Maria. Die Kombination wiederum ergibt für uns ein Klangbild, wie es vielleicht zu Schuberts Zeit zu erleben war. Herrlich leicht klingt da das bekannte Allegro vivace aus der 1 Sonatine in D-Dur, dynamisch abwechslungsreich und akzentuiert knackig der ebenso letzte Satz aus der Violinsonate in A-Dur. Für mich aber absolutes Highlight dieser Doppel-CD, das Rondo brillant in h-Moll D 895, bei dem sowohl Maria an der Violine als auch Nathalia am Klavier all ihre Stärken ausspielen können. Da ist von intimer, introvertierter, ja fast zerbrechlicher Musik bis hin zu kräftigen und gewaltigen Ausbrüchen, virtuoser Technik und leichter Spielweise alles dabei, was man sich für die Musik Schuberts erwartet. Schön, dass sic zwei so großartige Musikerinnen wie Maria und Nathalia Milstein auf so ansprechende Weise mit Schubert und seiner Violinkammermusik beschäftigen! (mg)

A world-premiere hilarious and heartfelt solo-romp through Christmas classics.Starring Barrymore Award Winner Amanda Schoonover*Created by Brenna GeffersRun time - 60 minutes with no intermissionDecember 12-19, 2024She'll be home for Christmas --- home alone that is. It's Christmas Eve and after a tough year one lady is determined to get into the holiday spirits. Armed with eggnog, she's going to binge drink and binge watch every Christmas story available. Elf-help be damned! Who needs loved ones when you have the Hallmark Channel?FOR MORE INFORMATION: https://www.shakespeareinclarkpark.org/christmasAmanda Schoonover is thrilled to be making her Shakespeare in Clark Park debut with her long time collaborator Brenna Geffers. Amanda is best known as the sassy eavesdropping Waitress on the GLAAD nominated Dispatches From Elsewhere on AMC where she co-starred opposite Jason Segel, Sally Field, and Andre (3000) Benjamin. She is a two-time Barrymore Award recipient and 9-time nominee, as well as being a Jilline Ringle Solo Performance Program Artist in Residence at 1812 Productions for our show The It Girl and an F. Otto Haas Emerging Artist Finalist. Film/Television: Candy Cane Lane with Eddie Murphy, NBC's Do No Harm opposite Phylicia Rashad and HBO's Perry Mason. Regional Theatre: Arden Theater Company; Theatre Exile; Pig Iron; Lantern Theater; Azuka; Simpatico; Hedgerow; People's Light. Brenna Geffers (she/her) is a theatre-maker and director based in Philadelphia. She is the co-founder of Die-Cast, along with Thom Weaver. Die-Cast is an artist collective that creates new, immersive, and site-specific work. She has created over two dozen pieces around the country with Die-Cast. She serves as the literary and casting director for PlayPenn's 2025 New Play Development Conference. She has created work and directed for local companies, including the Wilma, Theatre Exile, Revolution Shakespeare, EgoPo, Philadelphia Artist Collective, and Tribe Of Fools, to name a few. Regional credits include Spectrum Theater Ensemble, Troy Foundry Theatre, Winnipesaukee Playhouse, and Provincetown's international Tennesee Williams Festival. She has been nominated for Outstanding Direction, Outstanding Choreography, and Outstanding New Play, as well as the Harney Award for Best Adaptation of a graphic novel. She earned her MFA at Temple U. @diecast.philly

Born in the 13th century, Pietro d'Abano was referred to variously as “the Great Lombard,” “the Conciliator,” and, in at least one case, a “great necromancer.” This scholar and physician faced various troubles relating to heresy or sorcery, and stories swirl around him of calling on demons or magically making spent coins return to his purse. If you like what you hear and want to chip in to support the podcast, my Patreon is here. I'm on BlueSky @a-devon.bsky.social, Twitter @circus_human, Instagram @humancircuspod, and I have some things on Redbubble. Sources: Browning, Robert. The Complete Works of Robert Browning. Ohio University Press, 2007. Garin, Eugenio. History of Italian Philosophy, Volume 1. Translated by Giorgio Pinton. Rodopi, 2008. Hasse, Dag Nikolaus. "Pietro d'Abano's 'Conciliator' and the Theory of the Soul in Paris," After the Condemnation of 1277: Philosophy and Theology at the University of Paris in the Last Quarter of the Thirteenth Century. Edited by Jan A. Aertsen, Kent Emery, and Andreas Speer. Walter de Gruyter, 2013. Prioreschi, Plinio. A History of Medicine: Medieval Medicine. Horatius Press, 1996. Tafu, Pedro. Pero Tafur: Travels and Adventures (1435-1439). Translated and edited with an introduction by Malcolm Letts. Harper & brothers, 1926. Thorndike, Lynn. A History of Magic and Experimental Science Volume 2. Columbia University Press, 1923. Touwaide, Alain. "Pietro d'Abano, De venenis: Reintroducing Greek Toxicology in Late Medieval Medicine." Toxicology in the Middle Ages and Renaissance. Edited by Philip Wexler. Academic Press, 2017. Learn more about your ad choices. Visit podcastchoices.com/adchoices

It's finally happened, everyone - two of our Complete Works subjects are in the same movie together! And it just happens to be one of the biggest movies of the year - so let's dive into Jeff Goldblum and Michelle Yeoh's supporting turns in WICKED!

Charles Farrar Browne is often called the first standup comedian. He was, in the 1860s, wildly famous, but his early death, and the soaring career of one of his friends, have contributed to Browne fading from the spotlight in history. Research: “Born 1834; Married 1835. Artemus Ward's Alleged Widow Claims His Estate.” The Savannah Morning News. April 15, 1891. https://www.newspapers.com/image/852548808/?match=1&terms=artemus%20ward Britannica, The Editors of Encyclopaedia. "Artemus Ward". Encyclopedia Britannica, 22 Apr. 2024, https://www.britannica.com/biography/Artemus-Ward Dahl, Curtis. “Artemus Ward: Comic Panoramist.” The New England Quarterly, vol. 32, no. 4, 1959, pp. 476–85. JSTOR, https://doi.org/10.2307/362502 Hingston, Edward P. “The Genial Showman, Reminiscences of the Life of Artemus Ward.” London: Chatto and Windus. 1881. https://archive.org/details/genialshowmanrem00hingiala/page/n5/mode/2up Hofferth, Micah. “Charles Farrar Browne, the Sometimes-racist Father of Standup Comedy.” Vulture. Feb. 28, 2012. https://www.vulture.com/2012/02/charles-farrar-browne-the-sometimes-racist-father-of-standup-comedy.html “Mark Twain on Artemus Ward.” The Albany Evening Journal. Nov. 29, 1871. https://twain.lib.virginia.edu/roughingit/lecture/awlectaj.html Reed, John Q. “Artemus Ward's First Lecture.” American Literature, vol. 32, no. 3, 1960, pp. 317–19. JSTOR, http://www.jstor.org/stable/2922080 Seitz, Don C. “Artemus Ward.” Harper & Brothers. 1919. Accessed online: https://archive.org/stream/artemuswardchar00seituoft/artemuswardchar00seituoft_djvu.txt “Ward, Artemus (1834-1867).” The Vault at Pfaff's, Lehigh University. https://pfaffs.web.lehigh.edu/node/54123 Ward, Artemus. “The Complete Works of Artemus Ward.” https://www.gutenberg.org/files/6946/6946-h/6946-h.htm#bio      See omnystudio.com/listener for privacy information.

In this episode, I am joined by writer and director Todd Komarnicki to discuss his upcoming movie, Bonhoeffer. Komarnicki discusses the grueling yet rewarding process of adapting the complicated and meaningful life of Dietrich Bonhoeffer to the big screen. We delve into Todd's relationship with Bonhoeffer and how Dietrich's story, faith, and historical context create unique cinematic challenges when telling his story in film. In the conversation, Todd addresses the controversy surrounding the film and the legacy of Bonhoeffer, rejecting Metaxas' influence and insisting that Bonhoeffer's witness serves as a challenge to Christian nationalism then and now. Komarnicki shares his thoughts on the importance of integrity, his creative process, and the deeply personal connections that bring the film to life. I was proud I managed to get through the entire conversation without asking about the four main food groups at the North Pole:) WATCH the conversation here on YouTube Todd Komarnicki is a prolific writer and producer of film and television as well as an acclaimed novelist. He is the writer and director of the new film Bonhoeffer: Pastor. Spy. Assassin. Komarnicki's screenplays include Sully directed by Clint Eastwood and starring Tom Hanks, which opened at #1 in the box office to rave reviews from critics and audiences alike. He was also the producer of one of the most EPIC Christmas films, Elf starring Will Ferrell! The film opens nationwide on November 22nd, and you can find tickets in your area here. For those interested in the life of Dietrich Bonhoeffer, I would love for you to check out our audio documentary on Bonhoeffer and his resistance to Nazi Germany. Over 8 episodes, it walks through Bonhoeffer's life and legacy with the wisdom of Bonhoeffer scholars across the globe. I created it with Dr. Jeffrey Pugh to introduce the historical Bonhoeffer to a broad audience, hoping to address some of the myths and misuses of his legacy rampant in popular culture. Suppose you want to go deeper into Bonhoeffer's theology. In that case, you can join the documentary's companion class, The Rise of Bonhoeffer, to get access to extended interviews with renowned Bonhoeffer scholars, regular livestream QnA sessions, selected readings from Bonhoeffer, and an online community of fellow Bonhoeffer learners. The class is donation-based, including 0, so join the online community and learn at your own pace. Want to read some Bonhoeffer? We are giving away The Complete Works of Dietrich Bonhoeffer (16 vols)!! You can enter the giveaway and score extra entries by sharing it with friends. Want to learn about Bonhoeffer in Bonhoeffer's own house? Spend a week with me & Dr. Andrew Root in Bonhoeffer's House in Berlin this June as part of the Rise of Bonhoeffer Travel Learning Experience. INFO & DETAILS HERE _____________________ Join my Substack - Process This! Join our upcoming class - THE RISE OF BONHOEFFER, for a guided tour of Bonhoeffer's life and thought. Go with me to Berlin to spend a week in Bonhoeffer's House! Follow the podcast, drop a review, send feedback/questions or become a member of the HBC Community. Learn more about your ad choices. Visit megaphone.fm/adchoices

The inscription on John Owen's grave says he is "a traveler on earth who grasped God like one in heaven." Later, he was called "the Prince of Puritans." How did he earn these high praises while navigating one of the most tumultuous times in British history, when hundreds of others were forced to leave the country? Why did they find six boxes of pistols in his house? And how was he instrumental in bringing John Bunyan's The Pilgrim's Progress to print? Christian, Grace, and Hannah discuss these questions and others with Dr. Lee Gatiss, the director of Church Society, editor of the NIV Proclamation Bible, and a lecturer in Church History at Union School of Theology, on this episode of Kids Talk Church History. Thanks to the generosity of our friends at Reformation Heritage Books, we are excited to offer a bundle of Simonetta Carr's books to two listeners! The winner will be selected just in time for Christmas. Register here to win this special giveaway! Show Notes: Simonetta Carr's book about John Owen: https://reformedresources.org/john-owen-christian-biographies-for-young-readers-hardcover/ Daily Readings – John Owen by Lee Gatiss: https://www.christianfocus.com/products/2980/daily-readings-john-owen The New City Catechism: https://newcitycatechism.com/ The Complete Works of John Owen: https://www.crossway.org/articles/introducing-the-complete-works-of-john-owen/ Lee Gatiss' favorite book by Owen: https://banneroftruth.org/us/store/commentaries/hebrews-8/ In case you'd like to do some research of your own, the three people that Lee would like to meet from church history are James Usher, Edward Reynolds, and William Gurnall.

Daniel “Rover” Singer began his entertainment career in the theater world, and he found great success there before joining Walt Disney Imagineering. As a co-founder of the Reduced Shakespeare Company, he helped create The Complete Works of William Shakespeare (Abridged).… Read more... The post 243. Imagineer Daniel “Rover” Singer on Beastly Kingdom, Roger Rabbit, and Indiana Jones appeared first on Tomorrow Society.

In this class, we read from "The Preparatory Renunciation" from the Parā-Bhakti (Supreme Devotion) section of the Bhakti Yoga book in Volume III of the Complete Works of Swami Vivekananda to learn how we may "cultivate" renunciation which as we'll learn, is a necessary pre-requisite for higher spiritual life!  But first, we make a few opening remarks about renunciation, about what it is and what it is not and most importantly, what it is for! Here is a playlist of videos for classes in this series on Swami Vivekananda's Bhakti Yoga:https://www.patreon.com/collection/728434Lectures happen live every Monday at 7pm PST and Friday 10am PST and again Friday at 6pm PST.Use this link and I will see you there:https://www.zoom.us/j/7028380815For more videos, guided meditations and instruction and for access to our lecture library, visit me at:https://www.patreon.com/yogawithnishTo get in on the discussion and access various spiritual materials, join our Discord here: https://discord.gg/U8zKP8yMrMSupport the show

Lecture by Swami Tyagananda, given on September 22, 2024, at the Ramakrishna Vedanta Society, Boston, MA.

Climate, trust, politics, communication. Some would say we live in a period of crisis several areas of society and life. How can we make sense of the present moment, and where do we go from here?Plus, we hear about the short list for this year's Royal Society Trivedi Science Book Prize and ask what that tells us about scientific publishing.Matthew Sweet is joined byTimothy Morton, whose most recent book is Hell: In Search of a Christian Ecology Jessica Frazier, Lecturer in the Study of Religion at the University of Oxford Clare Chambers, Professor of Political Philosophy at the University of Cambridge Jessica Wade, Royal Society University Research Fellow and Lecturer in Functional Materials at Imperial College London and one of the judges for They are all appearing at the How the Light Gets in Festival of Ideas this weekend in London - more information at howthelightsgetsin.org Plus Mark Solms, neuroscientist and editor of the newly published Revised Standard Edition of the Complete Works of Sigmund FreudThe Royal Society Trivedi Science Book Prize 2024 which will be announced on October 24th. The books shortlisted are:Eve: How The Female Body Drove 200 Million Years of Human Evolution by Cat Bohannon Your Face Belongs to Us: The Secretive Startup Dismantling Your Privacy by Kashmir Hill The Last of Its Kind: The Search for the Great Auk and the Discovery of Extinction by Gísli Pálsson Why We Die: The New Science of Ageing and the Quest for Immortality by Venki Ramakrishnan A City on Mars: Can We Settle Space, Should We Settle Space, and Have We Really Thought This Through? by Kelly and Zach Weinersmith Everything Is Predictable: How Bayes' Remarkable Theorem Explains the World by Tom ChiversProducer: Luke Mulhall

This lecture is undoubtedly going to be somewhat controversial for some! Brace yourselves!In this week's Bhakti Yoga lecture, we take a few excerpts from Swami Vivekananda's "The Methods and the Means (for practicing Bhakti Yoga)" from Volume III of the Complete Works to explain the role of diet, ethics and other preliminaries in spiritual life. "If I want to practice spirituality, then, should I become a vegetarian? How important is a vegetarian diet to spiritual life, anyway? Should I avoid onions and garlic and other rājāsic foods? Should I stay clear of mushrooms and leeks and such tamasic foods? What really qualifies as a "sattvic" diet, after all?"These questions naturally come to mind when we take up spiritual life, especially within the context of Sanātana Dharma. Also, a naturally related question to vegetarianism is the ethical question of Ahimsā, non-violence. The Buddha and Mahavīra, the founder of Jainism made this ideal the very heart of their respective traditions and everywhere it is emphasized: one should not harm others in word, thought or deed. But what does that really mean? And do I have to be perfectly non-violent before I can take up spiritual life?As we explore these dietary and ethical pre-requisites, we discover that there is only one real pre-requisite to spiritual life which Swami Vivekananda emphasizes towards the end of the reading: strength! Physical and mental strength!  May Swami Vivekananda bless us all with strength!Support the show

In Part 2 of our discussion on Augustine's Confessions, translator Peter Constantine discusses his own history with the text and how he came to translate it, the stylistic accomplishment of the Confessions, his translation process, and more. Peter Constantine is the director of the Program in Literary Translation at the University of Connecticut, the publisher of World Poetry Books, and editor-in-chief of the magazine New Poetry in Translation. A prolific translator from several modern and classical languages, Constantine was awarded the PEN Translation Prize for Six Early Stories by Thomas Mann, the National Translation Award for The Undiscovered Chekhov, the Helen and Kurt Wolff Translator's Prize for his translation of The Bird Is a Raven by Benjamin Lebert, and the Koret Jewish Book Award and a National Jewish Book Award citation for The Complete Works of Isaac Babel.To learn more or purchase a copy of the Norton Library edition of Confessions, go to https://seagull.wwnorton.com/ConfessionsNL.Learn more about the Norton Library series at https://wwnorton.com/norton-library.Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter @TNL_WWN.

In Part 1 of our discussion on Augustine's Confessions, we welcome translator Peter Constantine to discuss the historical context in which Augustine of Hippo wrote the Confessions, the genre of the text, the lasting effect it has had on religious and secular intellectual traditions, and some of the touchstone episodes found in the work. Peter Constantine is the director of the Program in Literary Translation at the University of Connecticut, the publisher of World Poetry Books, and editor-in-chief of the magazine New Poetry in Translation. A prolific translator from several modern and classical languages, Constantine was awarded the PEN Translation Prize for Six Early Stories by Thomas Mann, the National Translation Award for The Undiscovered Chekhov, the Helen and Kurt Wolff Translator's Prize for his translation of The Bird Is a Raven by Benjamin Lebert, and the Koret Jewish Book Award and a National Jewish Book Award citation for The Complete Works of Isaac Babel.To learn more or purchase a copy of the Norton Library edition of Confessions, go to https://seagull.wwnorton.com/ConfessionsNL.Learn more about the Norton Library series at https://wwnorton.com/norton-library.Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter @TNL_WWN.

Since 2020, we've given quite a few lectures on the Guru Tattva (Guru Principle) since this is indeed of the main features of the Tantrik tradition.But what exactly is lineage based transmission? Some people feel,  because of the influence of modernism and individualism, that they don't need a Guru and because of this they get into trouble or waste time in spiritual life going around in circles. Others on the other end of the spectrum become too attached to their guru's physical form and personality and as such end up making a cult-figure out of their human gurus, become too dependent and as a result, fail to make appreciable spiritual progress!As you can see, Guru-Yoga, the art of practicing spirituality under the guidance of a human teacher, is a rather subtle and delicate art with many nuances! Anyway, over the years, most of the material I've presented in my lectures on the subject have been drawn from a series of lectures by Swami Vivekananda which appear in Volume III of his Complete Works. In this talk, in celebration of the Guru Purnima that just happened, I read out these talks to you so we can hear Swamiji's own thoughts on Guru-Yoga, in his own words!We first open with a philosophically nuanced reflection on God and just what that means. You can watch all our previous lectures on the Guru here:https://www.patreon.com/collection/666741Lectures happen live on zoom every Monday at 7pm PST and Friday 10am PST and Friday at 6pm PST.  There's Q&A right after the lectures. It is free and open to the public. All are welcome!Use this link and I will see you there:https://www.zoom.us/j/7028380815Our hatha yoga class is Monday 5pm PST with Amrita and Wednesdays at 11am PST and again at Friday 5pm PST with me via this same link also.For more videos, guided meditations and instruction and for access to our lecture library, visit me at:https://www.patreon.com/yogawithnishTo get in on the discussion and access various spiritual materials, join our Discord here: https://discord.gg/U8zKP8yMrMSupport the Show.

In The Complete Works of Zacharias Tanee Fomum on the Gospel Message, Z.T. Fomum explores the transformative truths of the Gospel. This collection offers forgiveness, healing, and freedom from the shackles of sin, disease, and demonic oppression through Christ's sacrifice on the cross—the Good News. With powerful life-changing testimonies and practical insights, this audiobook is a guide to experiencing the miracles and blessings that come from a sincere and deep relationship with the Saviour.

The Complete Works of Zacharias Tanee Fomum on Marriage is a comprehensive collection that offers godly perspectives into every stage of marital life. Life is meant to be enjoyed, both before and during marriage. The choices you make before marriage can set the foundation for a fulfilling and godly union. This collection provides God's mind on selecting the right partner, building a successful marriage, and maintaining a strong, God-centered relationship. It addresses the roles and responsibilities of both husbands and wives, emphasizing unconditional love, respect, and commitment.

In this talk, we take up Swami Vivekananda's very powerful reflections on Bhakti Yoga, the practice of Devotion from the talk "Definition of Bhakti" which appears in Volume III of the Complete Works of Swami Vivekananda. Then, after making a few comments about it, we plunge into a Q&A session exploring broader themes in spiritual life. But first we open with some remarks about the three types of Navarātri or Goddess festivals in the calendar year!Enjoy! Lectures happen live on zoom every Monday at 7pm PST and Friday 10am PST and Friday at 6pm PST.  There's Q&A right after the lectures. It is free and open to the public. All are welcome!Use this link and I will see you there:https://www.zoom.us/j/7028380815Our hatha yoga class is Monday 5pm PST with Amrita and Wednesdays at 11am PST and again at Friday 5pm PST with me via this same link also.For more videos, guided meditations and instruction and for access to our lecture library, visit me at:https://www.patreon.com/yogawithnishTo get in on the discussion and access various spiritual materials, join our Discord here: https://discord.gg/U8zKP8yMrMSupport the Show.

In this episode Father begins his series on Mental Prayer and its necessity for the spiritual life. Books and Links The Way of Salvation and of Perfection (FREE online) The Way of Salvation and of Perfection (Amazon) A Golden Treatise of Mental Prayer, Meditation, and Devotion (FREE online) A Golden Treatise of Mental Prayer, Meditation, and Devotion (Amazon) A Golden Treatise of Mental Prayer, Meditation, and Devotion (Audible.com audiobook) Conversation With Christ: The Teaching of St. Teresa of Avila About Personal Prayer (FREE online) Conversation With Christ: The Teaching of St. Teresa of Avila About Personal Prayer (Amazon) Conversation With Christ: The Teaching of St. Teresa of Avila About Personal Prayer (Audbile.com audiobook) St. Alphonsus Maria de Liguori - Complete Works - 2 - The Way of Salvation and of Perfection (FREE online) The Complete Works of Saint Alphonsus de Liguori (Amazon) I Am a Daughter of the Church and I Want to See God: A Practical Synthesis of Carmelite Spirituality Complete Set (Amazon) I Am a Daughter of the Church: A Practical Synthesis of Carmelite Spirituality (Amazon) Free Traditional Catholic Books Online Saints' Books Online Be sure to visit www.soti.blog for more information about Father Isaac, other podcast episodes, and resources for strengthening your Faith! Additional locations to view and listen to the podcast include: Odysee YouTube To support the work of Fr. Isaac you can donate to him via the following: Venmo PayPal Mailing address If you would like to mail a card, letter, or donation to Father Isaac you can do so at the following address: Franciscan Friars of Our Lady of Good Success 974 E Stuart Ave #D-203 Galax, VA 24333 To submit questions for future episodes send email to To submit questions for future episodes send email to podcast@soti.blog – questions SPECIFICALLY for Father should be addressed to father@soti.blog This podcast is produced by Supernerd Media.

“What is it like to be a clinician with a patient who either comes because they're going to be dying or it happens in the treatment -  what is it like for the clinician? It's lonely in a way because there is a lot of parallel with what the patient is going through. To me, and as a field, I would like to think we could talk about this and write about it. My peer group at the time was terribly important to me - colleagues, people that basically would be with me in this. But in the end I was the one that went alone to the service at the funeral home and I went to my patient's luncheon, not to have the lunch but to talk to the family, and then I left - I didn't stay for the lunch, I thought that might be a little intrusive. There's nothing really to read about, talk about, pick somebody's brain about how do they experience this in their work or I don't really understand why we've been so quiet about this in our work.” PW   “You mentioned about being alone in it, and there is a way in which it's very true. I think a large part is that not many of our colleagues have had this experience. But on the flip side, maybe because I've worked with so many patients and I'm beginning to notice a certain consistency, but I've also had such an experience of close intimacy with these patients. There's a closeness that is to be had particularly in analytic work and work over time - but it happens quite quickly in the work with dying patients, and in that regard, I felt less alone in my work. In some ways in the rest of our work, because we maintain a careful distance in a way, a boundary with the patient, a frame - I feel with the dying patients, I feel like both of us are more in the room together.” MM     Episode Description: We begin with acknowledging the tension that exists between the literal and metaphoric aspects of the analytic relationship and how that is highlighted in the face of physical illness in either party. We focus on patients' illnesses both as they present upon initial consultation and when they develop in the course of treatment. Mark describes his years of work with cancer patients, and Peggy shares her experience with an analysand who, in the 6th year of her treatment, developed a terminal illness. We consider the emotional challenges associated with making home visits, the meaning of 'boundaries', feelings associated with fees, and the shared experience of love between patient and analyst. We consider the ways that the analyst's affective intensity may also be associated with earlier and feared illnesses in their own life. We close with considering the difficulties that our field has in honestly communicating this aspect of the heart and soul of psychoanalysis.   Linked Episodes: Episode 23: A Psychoanalyst Encounters the Dying – Discovering ‘Existential Maturity'   Episode 40: How Psycho-Oncology Informs an Approach to the Covid-19 Crises with Norman Straker, MD   Our Guests: Mark Moore, PhD, is a clinical psychologist and psychoanalyst who works in private practice in Philadelphia. He was the Director of Psychological Services at the Abramson Cancer Center at Pennsylvania Hospital from 2004-2014 where he supervised psychology interns and post-doctoral fellows during their psycho-oncology rotation and provided psychological services to cancer patients and their families. He is also currently a co-leader for a weekly doctoring group for neurology residents at Penn Medicine. He was the Director of the Psychotherapy Training Program from 2014-2020 at the Psychoanalytic Center of Philadelphia, where he currently teaches courses on Writing, Assessment, Core Concepts, and a comparative course on Psychotherapy and Psychoanalysis. He was a recipient of the 2020 Edith Sabshin Teaching Award from the American Psychoanalytic Association, and he runs a monthly teaching forum for faculty at his institute. Dr. Moore's clinical work focuses on health issues, notably chronic illness, losses, and life transitions associated with cancer, and the fear of dying. He has written several book chapters on topics including the concept of harmony in Japan, cultural perspectives on lying, conducting therapy outside the office, the experience of bodily betrayal in illness and aging, the experience of shame across the adult lifespan, and more recently about friendship.    Peggy Warren, MD, is a psychiatrist and psychoanalyst in Boston. Originally from Chicago, she danced professionally with Giordano Dance Chicago from ages 15 to 21, which created a lifelong interest in the effects of creativity and mentoring on human development. Fascinated by cell biology, she received a master's degree in microbiology from Chicago Medical School and then an MD from Rush University. In medical school, she was chosen to be an Osler Honor Fellow in Pathology/Oncology, where she was first exposed to dying patients. Awarded the Nathan Freer prize for excellence in a medical student at graduation, she used the prize money to buy the Complete Works of Freud and began to learn about the power of the unconscious. After completing residency training in psychiatry at Massachusetts General Hospital, she pursued analytic training and graduated from the Boston Psychoanalytic Society and Institute. She was on the teaching and supervising faculty of the MGH/McLean psychiatry residency program for 30 years, the Boston Psychoanalytic faculty for 20 years, and won the teaching award from the Harvard Medical School MGH/McLean residency program in 2010. She has given talks on “Vaslav Nijinski: Creativity and Madness,” was a discussant with Doris Kearns Goodwin on Abraham Lincoln and depression, lectured on the effect of twinships on siblings, was a discussant in the “Off the Couch Film Series,” (Boston Coolidge Corner theater), a case presenter “On the Dying Patient” at the 2017 American Psychoanalytic meetings, and is a faculty member of the American Psychoanalytic Association's annual Workshop on Psychoanalytic Writing. She has been in private practice in Boston as a psychoanalyst for 38 years.   Recommended Readings: Bergner, S. (2011). Seductive Symbolism: Psychoanalysis in the Context of Oncology. Psychoanalytic Psychology, 28,267-292.   Emanuel, L. (2021). Psychodynamic contributions to palliative care patients and their family members. In H. Schwartz (Ed.), Applying Psychoanalysis to Medical Care. New York: Routledge.    Hitchen, C. (2012). Mortality. New York: Hatchette Book Group.   Minerbo, V. (1998). The patient without a couch: An analysis of a patient with terminal cancer. Int. J. Psych-Anal., 79,83-93.   Norton, J. (1963). Treatment of a Dying Patient. Psychoanalytic Study of the Child, 18, 541-560   Didion, Joan: The Year of Magical Thinking. Vintage/Random House, 2007   Jaouad, Suleika: Between Two Kingdoms: A Memoir of a Life Interrupted; Random House, 2022.   Bloom, Amy: In Love: A Memoir of Love and Loss;Random House, 2023.  

From "Heaven in Faith: Day 10 Prayer 2" found in The Complete Works vol 1: 44. ...In the heaven of our soul let us be praises of glory of the Holy Trinity, praises of love of our Immaculate Mother. One day the veil will fall, we will be introduced into the eternal courts, and there will we will sing in the bosom of infinite Love. And God will give us "the new name promised to the Victor."" What will it be? LAUDEM GLORIAE" The post BTP20 – Heaven In Faith: Day 10 Prayer 2 by St. Elizabeth of the Trinity – Beginning to Pray with Dr. Anthony Lilles – Discerning Hearts Podcasts appeared first on Discerning Hearts Catholic Podcasts.

From "Heaven in Faith: Day 10 Prayer 1" found in The Complete Works vol 1: 40. "It seems to me that the attitude of the Virgin during the months that elapsed between the Annunciation and the Nativity is the model for interior souls, those whom God has chosen to live within, in the depths of the bottomless abyss. In what peace, in what recollection Mary lent herself to everything she did! How even the most trivial things were divinized by her! For through it all the Virgin remained the adorer of the gift of God! This did not prevent her from spending herself outwardly when it was a matter of charity" The post BTP19 – Heaven In Faith: Day 10 Prayer 1 by St. Elizabeth of the Trinity – Beginning to Pray with Dr. Anthony Lilles – Discerning Hearts Podcasts appeared first on Discerning Hearts Catholic Podcasts.

Episode 16 Beginning to Pray: "Heaven in Faith" Day 8 Prayer 2- "It seems to me that all is loss since I have known the excelling knowledge of my Lord Jesus Christ..." From "Heaven in Faith: Day 8 Prayer 2" found in The Complete Works vol 1: 30. Let us lovingly eat this bread of the will of God. If sometimes His will is more crucifying, we can doubtless say with our adored Master: "Father, if it is possible, let this cup pass me by," but we will add immediately: "Yet not as I will, but as You will"; and in strength and serenity, with the divine Crucified, we will also climb our calvary singing in the depths of our hearts and raising a hymn of thanksgiving to the Father. The post BTP16 – Heaven In Faith: Day 8 Prayer 2 by St. Elizabeth of the Trinity – Beginning to Pray with Dr. Anthony Lilles – Discerning Hearts Podcasts appeared first on Discerning Hearts Catholic Podcasts.

From "Heaven in Faith: Day 8 Prayer 1" found in The Complete Works vol 1: 26. This is how the mystery of predestination, the mystery of divine election appeared to the enlightened gaze of the Apostle. "Those whom He has foreknown" Are not we of that number? Cannot God say to our soul what he once said through the voice of His prophet: "I passed by you and saw you. I saw that the time had come for you to be loved. I spread my garment over you. I swore to you to protect you, and I made a covenant with you, and you became mine." The post BTP15 – Heaven In Faith: Day 8 Prayer 1 by St. Elizabeth of the Trinity – Beginning to Pray with Dr. Anthony Lilles – Discerning Hearts Podcasts appeared first on Discerning Hearts Catholic Podcasts.

On this week's show, Slate culture writers Nadira Goffe and Dan Kois fill in for Julia and Stephen. First up, the panel dissects Love Lies Bleeding with What's Next producer Madeline Ducharme. Writer-director Rose Glass' second feature stars Kristen Stewart and Katy O'Brian as beefed up, star-crossed lovers, in a twisted and gory love story about two unhealthily enmeshed women. (You can read Madeline Ducharme and Christina Cauterucci's detailed review of the sex scenes in Love Lies Bleeding here!) Then, the trio explores The Regime, a weird and tonally bizarre Max limited series by showrunner Will Tracy (The Menu, Succession), in which Kate Winslet–in a commanding performance–plays the fictional dictator of an unnamed European country. Finally, can a book published posthumously do more harm than good? The panel discusses renowned author Gabríel Garcia Márquez's latest novella, Until August, which was published ten years after his death–and without his consent.  In the exclusive Slate Plus segment, Nadira, Dan, and Dana chew over the rise and fall of food trends, inspired by Kim Severson's piece for The New York Times, “The Coolest Menu Item at the Moment Is… Cabbage?”  Recipes mentioned by Dan:  Gilgeori Toast (Korean Street Toast with Cabbage and Egg) by Darun Kwak for The New York Times.  Vegan Bunny Chow by Meera Sodha for The Guardian.  Somen Salad by Sheldon Simeon. Email us at culturefest@slate.com.  Outro music: "Funk Wife Punk Life" by L. M. Styles Endorsements: Dana: Extreme Friend of the Pod (EFOP) Isaac Butler's Substack, Complete Works. Specifically, his most recent post: “It Ain't Me, Babe: Complicity and consequences, from sitcoms to Gaza.”  Nadira: Two albums – World Wide Whack by Philadelphia rapper, Tierra Whack, and Brittany Howard's What Now. Dan: Radiant: The Life and Line of Keith Haring by Brad Gooch. A beautiful chronicle of the artist's life.  Podcast production by Jared Downing. Production assistance by Kat Hong.  Hosts Dana Stephens, Nadira Goffe, Dan Kois Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Slate culture writers Nadira Goffe and Dan Kois fill in for Julia and Stephen. First up, the panel dissects Love Lies Bleeding with What's Next producer Madeline Ducharme. Writer-director Rose Glass' second feature stars Kristen Stewart and Katy O'Brian as beefed up, star-crossed lovers, in a twisted and gory love story about two unhealthily enmeshed women. (You can read Madeline Ducharme and Christina Cauterucci's detailed review of the sex scenes in Love Lies Bleeding here!) Then, the trio explores The Regime, a weird and tonally bizarre Max limited series by showrunner Will Tracy (The Menu, Succession), in which Kate Winslet–in a commanding performance–plays the fictional dictator of an unnamed European country. Finally, can a book published posthumously do more harm than good? The panel discusses renowned author Gabríel Garcia Márquez's latest novella, Until August, which was published ten years after his death–and without his consent.  In the exclusive Slate Plus segment, Nadira, Dan, and Dana chew over the rise and fall of food trends, inspired by Kim Severson's piece for The New York Times, “The Coolest Menu Item at the Moment Is… Cabbage?”  Recipes mentioned by Dan:  Gilgeori Toast (Korean Street Toast with Cabbage and Egg) by Darun Kwak for The New York Times.  Vegan Bunny Chow by Meera Sodha for The Guardian.  Somen Salad by Sheldon Simeon. Email us at culturefest@slate.com.  Outro music: "Funk Wife Punk Life" by L. M. Styles Endorsements: Dana: Extreme Friend of the Pod (EFOP) Isaac Butler's Substack, Complete Works. Specifically, his most recent post: “It Ain't Me, Babe: Complicity and consequences, from sitcoms to Gaza.”  Nadira: Two albums – World Wide Whack by Philadelphia rapper, Tierra Whack, and Brittany Howard's What Now. Dan: Radiant: The Life and Line of Keith Haring by Brad Gooch. A beautiful chronicle of the artist's life.  Podcast production by Jared Downing. Production assistance by Kat Hong.  Hosts Dana Stephens, Nadira Goffe, Dan Kois Learn more about your ad choices. Visit megaphone.fm/adchoices

From "Heaven in Faith: Day 7 Prayer 2" found in The Complete Works vol 1: 24..."When God sees that we are prepared to receive His grace, His generous goodness is ready to give us the gift that will give us His likeness. Our aptitude for receiving His grace depends on the inner integrity with which we move towards Him." And then God, "bringing us His gifts," can "give Himself, imprint on us His likeness, forgive, and free us." The post BTP14 – Heaven In Faith: Day 7 Prayer 2 by St. Elizabeth of the Trinity – Beginning to Pray with Dr. Anthony Lilles – Discerning Hearts Podcasts appeared first on Discerning Hearts Catholic Podcasts.