Podcasts about aleatoric

M: 7. E: 7.

** Rebroadcast ** B Side (Ep. 3 | 2019): This is the second episode in a five-part surrealism series. This go-around, they tell me that we will be sound and their waving waves, at least, that's what Host and Producer, Tenali Von Verily Vibrations was told to share with you. See ya there (but over there does not mean a vacuum because sound can't travel through vacuums)!! Art by Kostis Pavlou illustrations

** Rebroadcast ** B Side (Ep. 3 | 2019): This is the second episode in a five-part surrealism series. This go-around, they tell me that we will be sound and their waving waves, at least, that's what Host and Producer, Tenali Von Verily Vibrations was told to share with you. See ya there (but over there does not mean a vacuum because sound can't travel through vacuums)!! Art by Kostis Pavlou illustrations

Sarah Vaughan [00:36] "Hey Naughty Papa" Sassy Mercury Wing MGW 12237 1962 (originally released in 1956) Hey now. Evidently this one was written by Hoagy Carmichael? Here Sarah is backed by Hal Mooney and his Orchestra. Subway [02:51] "Jupiter" Satellites Soul Jazz Records SJR 157-12 2007 Beep boop boop beep. Jerry Byrd [08:27] "Cold Cold Heart" Satin Strings of Steel Monument SLP 8033 1965 Getting very aloha with Hank's classic. Glen Campbell [11:06] "Lonesome Jailhouse Blues" A Satisfied Mind Pickwick SPC-3134 1971 A repackaging of the Glen's Capitol Records 1966 album Big Bluegrass Special. Bee Gees [14:28] "Jive Talkin'" Saturday Night Fever (The Original Movie Sound Track) RSO RS-2-4001 1977 Sometimes you just have to go with the hit. Oh wait, they're all hits. The Hot Dogs [18:13] "Feel Real Fine" Say What You Mean Ardent Records ADS-2805 1973 A great little gem of a Big Star adjacent album. Digging this track by Terry Manning. Tom Jones [21:12] "Come to Me" Say You'll Stay Until Tomorrow Epic PE 34468 1977 That's right, the theme song from The Pink Panther Strikes Again (https://youtu.be/vH4-8qR79WY?si=t1IrFzJuuVfkDknP&t=7) (Edwards, 1976). You know, the one with the castle in Bavaria? My brothers and I went with my mother to see this one in the theaters instead of staying home and watching Super Bowl XI (Raiders v Vikings) (https://en.wikipedia.org/wiki/Super_Bowl_XI). Daniel Ocko [24:07] "The Guitar Player" Great Ghost Stories Troll Records 50-002 1973 Oops... right genre, wrong cover. The record is Great Ghost Stories but the sleeve is Scary Spooky Stories. Harry Nilsson [31:27] "Gotta Get Up" Schmilsson RCA LSP 4515 1971 (1979 reissue) Aleatoric glissando. Look it up. Rafael Kubelik conducting the Chicago Symphony Orchestra [33:51] "Schoenberg: 5 Pieces for Orchestra, Op. 16 - Peripetia" Shoenberg/Bartok - 5 Pieces for Orchestra, Op. 16/Music for Stringed Instruments, Percussion, and Celesta Mercury MG-50026 1953 blah Pete Townshend [36:04] "Squeezebox" Scoop ATCO Records 7 99063-1-F 1983 A pretty solid demo from a compilation full of Who demos. Scott Walker [38:34] "Amsterdam" Scott (Aloner) Smash Records SRS 67099 1967 Alright, so I'm cheating a little on this one too. The US release of Walker's first album, Scott, was titled Aloner. But I didn't have this album when we were running through Albums that begin with the letter A as in Alpha. It's really difficult to pick just one song to play here. My instinct wanted to go with "The Lady Came from Baltimore (https://youtu.be/7gFECZErdBY?si=Pi-CIpL5RRu22aA7)" but the atmosphere of his cover of Brel's "Amsterdam" (https://youtu.be/-Z0UGGvb4sQ?si=2SIFvLXn7CvA80UT) is so good. Siouxsie & the Banshees [43:21] "Mirage" The Scream Polydor POLD 5009 1978 The amazing debut album from Siouxsie and the Banshees. A pretty remarkable effort front to back. The version of "Mirage" that appears on this album gains a little polish but still retains the energy of the Peel Session version the year before (https://youtu.be/0S_vlZg7xBQ?si=1NqDL9OM6OhrSn50). Judas Priest [46:11] "The Hellion/Electric Eye" Screaming for Vengeance Columbia FC 38160 1982 One of the greatest 1-2 punches in album opening history. You know exactly what you are in store for. Fourteen year-old me was completely enthralled with the sound of this album. Hap Palmer [50:31] "Sweetwater Springs" Sea Gulls... Music for Rest and Relaxation Activity Records AR 584 1978 Woof. File under Easy Listening. Why do I feel the sudden urge to make a macrame plant hanger? Will Oldham [52:15] "Sapele" Seafarers Music Drag City DC261 2004 Music to accompany a documentery by. Music behind the DJ: "Cold Cold Heart" by Lawrence Welk and Orchestra

"This piece arose as a search for "loneliness and coldness" took hold. The first listen to the ambience felt cold, concrete, metal and sterile. The principle of "Aleatory emergence" began occurring as the composition was forming and was followed gently with the embrace of chance minimalist ideas surrounding the disruption and editing of normality." Hakone Kanagawa museum reimagined by JDC.

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It's that time of year again! It's time for us to face our fears and watch some scary movies to celebrate the Halloween. In this episode Andrew, Jacob and Edward explore the fears that some have with deep space exploration and alien life forms, in the horror sci-fi classic Alien. Grab a comforting beverage and a warm blanket and join us for this fun conversation about a horror classic. Outline: Synopsis Initial takes The Art of H.R. Giger As seen in Liminal Spaces BREAK Cinematography First person shooting and the scene Siren lighting and bumping the lamp Filming the alien Space travel and special effects Whats in the soundtrack The instruments Aleatoric music Threnody for the Victims of Hiroshima Producing horror music and the nightmare machine Edward's movie The feud over the movie sound track Alien Complete Soundtrack BREAK Where is the midpoint Whats A reversal? Ripley being a strong female character and gender politics Ripley wasn't intended to be a female Characters Jump Scares What kind of movie is this Ridley Scott whats the purpose of the movie Is human life expendable What genre is this movie Two kinds of cheese What does this movie say about humanity Additional links: https://www.rogerebert.com/features/the-great-unknown-the-story-behind-jerry-goldsmiths-score-for-alien

Returning this week with Part 2 of our Marathon Weekend on Documentaries, we explore 4 more shorts and our final 2 features. Originally we had actually watched 8 short films but due to pacing of the episode and the quality of the discussions themselves, I had to make several cuts to get us down to a reasonable length. So here are the videos and films we watched to round out our marathon: • Can We Solve the Bizarre Mystery of Skeleton Lake?, by Mr. Mythos (2020) (short) • The Real Moby Dick Was So Much Worse, by Ask a Mortician (2020) (short) • Do You See What I See, by Brad Abrahams (2021) (short) • Aleatoric, by Andrew Sales (2016) (short) • DIG!, by Ondi Timoner (2004) • The Queen, by Frank Simon (1968) If you'd like to suggest topics for future episodes, please leave a comment or critique for us on your preferred podcast app. And don't forget to leave a review if our show intrigued or inspired you. Hosted By: Jonathan Leiter Co-Host: Cotton Ciaverelli SOUND FX & MUSIC: All tracks and songs sourced from Storyblocks.com Podcast Logo: Designed by Jonathan Leiter

In this episode, Chad and Jason commandeer musician and digital sorcerer Nathan Moody to talk about his stellar work providing underscores for the entire HyperLab Omni podcast. This is the first part of a two-part interview. Like what you've been hearing? Please check out more at nathanmoody.bandcamp.com. Omni magazine is a trademark of Penthouse Global Media. All other trademarks mentioned are the property of their respective owners.

Episode 3 (April 2, 2021): Katerina Gimon and I talk about composing collaboratively with choirs, aleatoric notation, the kind of music that 5-year-olds write, how myths and archetypes can be an entry point for creating with students, the musicality of cats, and Regina Spektor, among other things... **Note! You will hear me speculate that Katerina is in her early 30s... but she is actually not yet even 30. CBC even named her a "top 30 under 30" in the Canadian musical landscape. Fresh Sounds / Open Ears is an interview podcast about composition and music education, hosted by composer Alex Eddington. Every episode, I have a conversation with a different Canadian composer - with a focus on their writing for/with young and amateur musicians. --------- LINKS! www.katerinagimon.com Music by Katerina Gimon mentioned in the podcast: Elements (Earth, Air, Fire and Water) All Together We Are Love Click to watch Mount Royal Kantorei's gorgeous video of All Together We Are Love, made in tribute to the women in healthcare leading Canada through the COVID crisis (an excerpt of their recording plays under the end of this episode). Find out more about the Sonic Timelapse project - a commissioning consortium organized by Katerina along with Laura Hawley (whom I interviewed in the first episode of this podcast!) ------- Other things we talk about quickly that you might want to click on: Aleatoric notation - here's an example from Katerina's piece "Fire" R. Murray Schafer's graphic scores ------- CREDITS: Hosted, edited and produced by Alex Eddington: www.AlexEddington.com Logo 1.0 design and administrative support by Stephanie Chua. Theme music by Saman Shahi. Hear more of his work at samanshahimusic.com Fresh Sounds is presented by the Alliance for Canadian New Music Projects (ACNMP): acnmp.ca

  At the end of September 2019, the Hurdy Gurdy player from Guelph, Canada, named Ben Grossman came to Marseille to play in the premier of Guillaume Orti’s “… ence” at the Festival Les Emouvantes. He stayed the weekend and we organized a concert in a beautiful cave in the stunning Calanques National Park just […]

"Look back and see the gallery that the body is"Wendy Yu Wendy Yu is a dance or movement artist based in Sydney. Her work has generally been centred around exploring dance outside of it’s theatrical context and placing it on a medium in which viewers may witness the intricacies of movement that bodies, in the space, may achieve. We cover. Matt's lineage and backgroundDesigning interactive Jitter matrix patchworksApathetic movement Binocular vision: sensing the phenomena and seeing the semiotics Choreographing coding / Aleatoric choreography Phenomenology of seeing dance Charlie, CharlieHaving a sense of what could be Working with choreographers that have an extra senseEmbodiment 'Independencies', as an artistMissing dancing Gallery dance Minisculisation of danceThe act of creating a pre-exisiting entity Look back and see the gallery that the body isPreferred methods of choreography: MattHow can we systematise that magic that comes from movementBeing a magician or a wizard in choreography The power of dance being in empathy and the notion of apathetic choreography Choreographing for parents, colonial movementsMaking cheap artMaking until you realise what you're making Valuing extraction to become an object outside of the self, to be viewed, restructuring it rather than restructuring youFrontality Hating Formula 1 into loving Generating movement from data Handling impulse and handling data https://vimeo.com/356897873 links: https://www.facebook.com/TheMattmospherehttp://mattcornell.com/?fbclid=IwAR2px2v9HDaNYX1j-mLlwwTFrMunr4QDpRQ7CQp64_7SXZaT0VBG-rGYmY8https://www.instagram.com/themattmosphere/https://www.facebook.com/wendy.yu.12https://www.wendyyu.org/https://www.instagram.com/wendellsmindblowers/https://performing.artshub.com.au/news-article/reviews/performing-arts/lynne-lancaster/one-state-reverie-sydney-fringe-nsw-258867?fbclid=IwAR0gVTmBzTtfTMYytKUYYfA4PZTStZWi-18IeiMlAL8juKwzNSUPFoAxFmMhttps://contactsheet.com.au/blogs/news/things-i-wanted-to-say-but-never-did-wendy-yu?fbclid=IwAR1mV08zzF-qYDBdimZIkjgxFewTivakx4a_Cl6fcSNn2NUr1Zxd6FQOWLk

to random music! would Dan figure he as Join why compose someone out tries The Mozart dice game: http://www.amaranthpublishing.com/MozartDiceGame.htm Have comments/suggestions/ideas for a song or musical concept? Email me at overtonewarpzone@gmail.com, and follow me on social media everywhere @OTWZpodcast!

B Side (Ep. 3 | 2019):This is the second episode in a five part surrealism series. This go-around they tell me that we will be sound and their waving waves, at least that’s what Host and Producer, Tenali Von Verily Vibrations, was told to share with you. See ya there (but over there does not mean a vacuum because sound can’t travel through vacuums)!!

A Side (Ep. 3 | 2019):This is the second episode in a five part surrealism series. This go-around they tell me that we will be sound and their waving waves, at least that’s what Host and Producer, Tenali Von Verily Vibrations, was told to share with you. See ya there (but over there does not mean a vacuum because sound can’t travel through vacuums)!!

Jonathan sits down with Dr. Brendan Kinsella to talk about their experiences through one half of the Chloé Trevor Music Academy 2018, new music, and forming connections through school that continue through one's musical career. They end with a rousing game of "Serial or Aleatoric" that gets cut off because of SD storage issues. Musical Bumper: Messiaen - Regard de l'Onction terrible

After a performance by Alex McDonald of the first movement of Beethoven's Sonata op. 2 no. 3, we wrap talking about Alex's battles with injury and his experience at the Van Cliburn International Piano Competition, discuss our favorite Darwin Awards, and hear Alex's best/worst gigs and pieces of advice. We finish with a rousing game of "Serial or Aleatoric."

Pianist, pre-concert lecturer, and classical music Renaissance Man Shields Collins Bray sits down with Jonathan to talk about growing up in a small town in Louisiana, learning how to play piano at church alongside classical music studies, and performing at the Hollywood Bowl. Near the end, they play a rousing game of "Serial or Aleatoric" - the game where the guests whether the music playing was actually written out or not.