Podcast appearances and mentions of will oldham

Will Oldham, aka Bonnie "Prince" Billy, joins Sodajerker for an enlightening discussion about his latest album, The Purple Bird. With a career that spans over three decades, the beloved singer-songwriter and actor reflects on working with Nashville veteran David 'Ferg' Ferguson, rediscovering meaning in his extensive catalogue, and the art of putting secret passageways and trapdoors in his songs.

In this episode of The Self Portrait Gospel Podcast, we wrap up the 7th season of the show with the wonderful oppurtunity to finally sit down with one of our harmonic heroes, the great Will Oldham of Bonnie "Prince" Billy. Someone who needs no introduction, Oldham has been on our hearts, and minds for many years as we spin a youthful yarn of memories and reflection on some of the world's greatest artists who are no longer with us, such as David Berman and Michael Hurley. Oldham breaks down his latest masterpiece "The Purple Bird," which was released earlier this year on No Quarter, as well as the back-to-back "High and High and Mighty," and the brilliant "Hear The Children Sing The Evidence" with fellow friends and musicians Nathan Salsburg and Tyler Trotter. We prasie our mutual friend, and incredible inspiration Ryan Davis, Bill Callahan, and cover Willie Nelson's abstract approach to guitar playing at this stage in his career. Oldham remains one of the most intense and softly sophisticated songwriters of his generation, with a career that has challenged the mind, body, and soul in ways that still stir the evidence of something extraterrestrial. We couldn't be more honored to occupy the same frame in history as him, and so many others out there doing brilliant work. 

Musician and actor Will Oldham (aka Bonnie "Prince" Billy) returns to the show to discuss tariffs, breathing, artificial "intelligence," Clever Hans, Kentucky history, and the new Bonnie "Prince" Billy album, "The Purple Bird," out now where all fine records are sold Lexington fans, Bonnie "Prince" Billy will be performing at the Singletary Center for the Arts on UK Campus on Tuesday, April 15th, get your tickets: https://www.eventticketscenter.com/bonnie-prince-billy-lexington-tickets/1024087/e?gad_source=1&gclid=CjwKCAjw47i_BhBTEiwAaJfPpkc5K4sNSDRsUbpZk3VaQNb3RfJju1k2KWBdaPdcucOAWJfdR2ESoBoCBKMQAvD_BwE Support us on Patreon: www.patreon.com/trillbillyworkersparty

This episode of Across The Margin : The Podcast features an interview with Erin Osmon, an award-winning, Los Angeles-based music journalist, critic, and author. She's written long-form album notes for archival releases on Blondie, Hüsker Dü, Townes Van Zandt, Sparklehorse, and many others. A veteran of Chicago newsrooms, her work appears in Rolling Stone, LA Times, New York Times, Washington Post, and other publications of record. She is part-time faculty at USC's Annenberg School of journalism. Her new book, about heartland rock in the 1980s, will be published by W.W. Norton in 2026. Her first book, Jason Molina: Riding with the Ghost — the focus of this episode — was published in 2017 and named a Best Music Book of the year by Pitchfork. Her book about John Prine's landmark debut album was published by Bloomsbury's 33 1/3 series. In Jason Molina: Riding with the Ghost, Erin presents a detailed, human account of the Rust Belt–born musician Jason Molina — a visionary, prolific, and at times cantankerous singer-songwriter with an autodidactic style that captivated his devoted fans. It details Molina's personal trials and triumphs and reveals for the first time the true story of his last months and works. Offering unfettered access to the mind and artistry of Molina through exclusive interviews with family, friends, and collaborators, the book also explores the Midwest music underground and the development of Bloomington, Indiana–based label Secretly Canadian. As the first authorized and detailed account of this prolific songwriter and self-mythologizer, Riding with the Ghost provides readers with unparalleled insight into Molina's tormented life and the fascinating Midwest musical underground that birthed him. In this episode host Michael Shields and Erin Osmon discuss how Molina's deep ties and affinity to the state that birthed him (Ohio) shaped his life and influenced his career. They explore Molina's surprising and varied musical influences, the comparison to singer-songwriter Will Oldham which shadowed Molina throughout his career, the birth of the timeless classic album that is Magnolia Electric Co., and so much more. Hosted on Acast. See acast.com/privacy for more information.

Will Oldham, also known as Bonnie "Prince" Billy, has led an illustrious, sometimes mysterious career which has spanned decades and genres. Hailing from and still living in Lexington, KY, in our Basic Folk conversation Will reflects on his journey from a young artist struggling to find his place in the music world to a seasoned musician who embraces collaboration and creativity.We dive into his latest album, 'The Purple Bird,' discussing the pivotal role of producer David Ferguson in Will's artistic evolution. He reveals how working with Ferguson and a host of talented Nashville musicians transformed his songwriting process and solidified his sense of belonging in the music community. With a mix of humor and heartfelt honesty, Will describes the joy of collaboration and the unique energy that comes from working with seasoned artists, particularly those from older generations.Throughout this episode of Basic Folk, Will also touches on the contrasting emotions evoked by his songs, especially when dealing with serious themes wrapped in upbeat melodies. He draws parallels to the works of Phil Ochs, highlighting the importance of addressing difficult subjects through art. As we wrap up, he shares personal anecdotes about his family and the influence of his daughter on his music. Thanks to Will for making a wonderful record and being so willing to get seriously deep into some of its themes!Follow Basic Folk on social media: https://basicfolk.bio.link/  Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews  Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

One of the most fascinating aberrations ive ever reviewed. Will Oldham (aka Bonnie "Prince" Billy) has an impeccable thirty year discography, with some of his best and most interesting work in recent years. He is undoubtedly one of the finest songwriters and lyricists in modern American history. So for some reason he has decided to release a generic modern mainstream country album. The lyrics are either very broad and trite, or surprisingly on the nose takes on men and women, the instrumentation, arrangements and song progressions as predictable and unambitious as modern country itself. Then there's the anti gun track. Most baffling of all is how this album is actually acclaimed by critics.

"Eine Traumwelt für sich", nennt Will Oldham alias Bonnie "Prince" Billy "Our Other History", das neue Album unseres heutigen Gastes Ned Collette. Zum einen findet er auf diesem Werk musikalische Momente, dank derer er "vor Freude überwältigt" ist, zum anderen lobt Oldham explizit die Texte des seit 2010 in Berlin lebenden Australiers. Und in der Tat lohnt es sich, aufmerksam zuzuhören, wenn Collette in seinen Folk-basierten Stücken die Geschichte vom "Little Hans" erzählt, mit so lakonischer wie ausdrucksstarker Stimme im "Endtimes Boogie" einen möglicherweise bevorstehenden "Cosmic Showdown" thematisiert oder sogar, wie im vogelgezwitscherverzierten Instrumental mit dem hübschen Titel "Friendly Fucker", ganz ohne Worte farbenfrohe Bilder vor dem inneren Auge entstehen zu lassen vermag. Mal schauen, welche dieser Songs er heute Abend auf der kleinen Bühne des studioeins live präsentiert, nachdem er im Interview aus dem Nähkästchen und von anstehenden Plänen geplaudert hat.

"Eine Traumwelt für sich", nennt Will Oldham alias Bonnie "Prince" Billy "Our Other History", das neue Album unseres heutigen Gastes Ned Collette. Zum einen findet er auf diesem Werk musikalische Momente, dank derer er "vor Freude überwältigt" ist, zum anderen lobt Oldham explizit die Texte des seit 2010 in Berlin lebenden Australiers. Und in der Tat lohnt es sich, aufmerksam zuzuhören, wenn Collette in seinen Folk-basierten Stücken die Geschichte vom "Little Hans" erzählt, mit so lakonischer wie ausdrucksstarker Stimme im "Endtimes Boogie" einen möglicherweise bevorstehenden "Cosmic Showdown" thematisiert oder sogar, wie im vogelgezwitscherverzierten Instrumental mit dem hübschen Titel "Friendly Fucker", ganz ohne Worte farbenfrohe Bilder vor dem inneren Auge entstehen zu lassen vermag. Mal schauen, welche dieser Songs er heute Abend auf der kleinen Bühne des studioeins live präsentiert, nachdem er im Interview aus dem Nähkästchen und von anstehenden Plänen geplaudert hat.

"Eine Traumwelt für sich", nennt Will Oldham alias Bonnie "Prince" Billy "Our Other History", das neue Album unseres heutigen Gastes Ned Collette. Zum einen findet er auf diesem Werk musikalische Momente, dank derer er "vor Freude überwältigt" ist, zum anderen lobt Oldham explizit die Texte des seit 2010 in Berlin lebenden Australiers. Und in der Tat lohnt es sich, aufmerksam zuzuhören, wenn Collette in seinen Folk-basierten Stücken die Geschichte vom "Little Hans" erzählt, mit so lakonischer wie ausdrucksstarker Stimme im "Endtimes Boogie" einen möglicherweise bevorstehenden "Cosmic Showdown" thematisiert oder sogar, wie im vogelgezwitscherverzierten Instrumental mit dem hübschen Titel "Friendly Fucker", ganz ohne Worte farbenfrohe Bilder vor dem inneren Auge entstehen zu lassen vermag. Mal schauen, welche dieser Songs er heute Abend auf der kleinen Bühne des studioeins live präsentiert, nachdem er im Interview aus dem Nähkästchen und von anstehenden Plänen geplaudert hat.

"Eine Traumwelt für sich", nennt Will Oldham alias Bonnie "Prince" Billy "Our Other History", das neue Album unseres heutigen Gastes Ned Collette. Zum einen findet er auf diesem Werk musikalische Momente, dank derer er "vor Freude überwältigt" ist, zum anderen lobt Oldham explizit die Texte des seit 2010 in Berlin lebenden Australiers. Und in der Tat lohnt es sich, aufmerksam zuzuhören, wenn Collette in seinen Folk-basierten Stücken die Geschichte vom "Little Hans" erzählt, mit so lakonischer wie ausdrucksstarker Stimme im "Endtimes Boogie" einen möglicherweise bevorstehenden "Cosmic Showdown" thematisiert oder sogar, wie im vogelgezwitscherverzierten Instrumental mit dem hübschen Titel "Friendly Fucker", ganz ohne Worte farbenfrohe Bilder vor dem inneren Auge entstehen zu lassen vermag. Mal schauen, welche dieser Songs er heute Abend auf der kleinen Bühne des studioeins live präsentiert, nachdem er im Interview aus dem Nähkästchen und von anstehenden Plänen geplaudert hat.

The musician Will Oldham, also known as Bonnie "Prince" Billy, is more than 30 years into his recording career and there's no sign he's slowing down. With the release of his new album, “The Purple Bird,” Will joins Tom Power to reflect on his life and music. He tells us about the time he met Johnny Cash, how he ended up conducting Cash's cover of his song “I See a Darkness,” and how that memorable recording session led him to meeting David Ferguson, the producer of his latest record.

Welcome back to Transmissions from Aquarium Drunkard. We're kicking off our 10th season with host Jason Woodbury in conversation with Will Oldham, the man behind Bonnie “Prince” Billy, who appeared on the very first Transmissions interview back in 2016. This episode flips a gentle and honest bird to The Big Online Machine: "Some people I think are fully integrated and are just ready to, if not officially upload their souls to the Metaverse, more or less do that. And those are people with whom we just don't engage and won't engage with in the future. And that makes it a little bit easier because we are tribalizing into those who are Metaverse citizens versus those who are citizens of the tactile universe, the experienceable universe with your full five senses and beyond."  Oldham's latest album is called The Purple Bird, and it's as close to a country or Americana crossover album as he's ever made. Though he's far from a stranger to western sounds, this new one finds him working with songs that resulted from multi-songwriter sessions in Nashville, facilitated by the record's producer, David Ferguson. Not only is The Purple Bird one of the most collaborative records he's ever made—it's also perhaps his most topical. It's all in here: death, life, sex, fear, guns, and nods to the divisions and stresses that plague so many of us in these strange days. But it's a big hearted and hopeful listen, too. In this conversation, Woodbury asks Oldham how the album took shape, and digs into Will's suspicions about online culture, the influence of artists like Phil Ochs and Steve Albini, his experiences in the studio with Johnny Cash and Rick Rubin, and why—all things considered—he would've worked with the late Phil Spector. You can read a full transcript of this conversation at Aquarium Drunkard, where you'll find 20 years worth of playlists, recommendations, reviews, interviews, podcasts, essays, and more. With your support, here's to another decade. Subscribe at Aquarium Drunkard.  Stream a playlist of bumper music featured on Transmissions, as well as selections from our guests. Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. 

In my most recent Kreative Kontrol newsletter, I mentioned that I'd done a long-form interview with Will Oldham about his 2019 album, I Made a Place, but it was only used for a print piece, not for this podcast because, at the time, he was feeling ambivalent about being on pods. Sometime in the last couple of years, I asked Will if I could share this phoner, and he said yes, so here it is finally, virtually unedited. The conversation lasted about an hour and took place on Monday, September 29, 2019 at 11:00 AM ET, and you'll hear us discussing topics like, me attempting to call him using the telephone app on my MacBook, as I often did at the time, but for some reason my computer perplexingly launched a program I'd never used before called Zoom, the return of Bonnie “Prince” Billy music after a long absence, the albums of songs he made written by the likes of the Everly Brothers, Merle Haggard, Susanna, and Mekons, wariness about oversaturated streaming culture, recording a Ramones song with David Berman (who'd died on August 7, just weeks before this conversation) and thoughts on DCB, Will's love of Jake Xerxes Fussell, the Oldham family's lengthy history with and a then-recent pilgrimage to Hawaii, and much more.The wonderful new Bonnie “Prince” Billy album, The Purple Bird, is out now!To hear this entire conversation, subscribe to Kreative Kontrol on Patreon at the $6 tier or higher (a reminder that an annual subscription includes a discount compared to a monthly one).Support this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

What a delight to have our pal musician Will Oldham (aka Bonnie "Prince" Billy) return to celebrate the release of his new album "The Purple Bird." Topics covered included the Office Hours remix of Will's single “Turned To Dust (Rolling On)," Jesus Christ Superstar, Charlie Daniels Christian music, and the rock band Deep Purple. Then we addressed a bone pick, and watched a kid get bonked on the head in Montana. Watch or listen to another hour of today's show with Doug's United Names of America slideshow, Vic's new guy and lots more with OFFICE HOURS+. Join now at patreon.com/officehourslive with a FREE seven-day trial. Go see Tim on tour and at Tim Fest 2 in Austin! Get tickets at timheidecker.com/live Order Will's new album "The Purple Bird" noquarter.net/products/pre-order-the-purple-bird Find everything Office Hours including the merch store at officialofficehours.com Learn more about your ad choices. Visit megaphone.fm/adchoices

EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Will Oldham is back to discuss the excellent new Bonnie “Prince” Billy album, The Purple Bird, stoves and broilers, Lori Damiano's album art, first encountering producer David “Ferg” Ferguson, our lengthy 2006 hangout, singing one of his own songs as a duet with Johnny Cash in a vocal booth, marvelling at great conversationalists, why me and my family think this new album is all hits, “Cowboy” Jack Clement and why a song about gun violence is a polka, pondering water, why living and trying to make a living isn't in vain, new song updates, touring, other future plans, and much more.Support vish on Patreon! Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:The Purple Bird Listening Party (January 30, 2025)Bonnie "Prince" Billy (2006)Ep. #918: Mount EerieEp. #775: Will Oldham & Lori DamianoEp. #630: Nathan SalsburgEp. #615: Mdou MoctarEp. #317: Bonnie ‘Prince' BillyEp. #134: Bonnie ‘Prince' BillyEp. #16: Bonnie ‘Prince' BillySupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

The first time I interviewed Will Oldham, it was in-person at a Toronto café on August 19, 2006. He'd played an in-store at Rotate This (Queen & Bathurst location) earlier in the day, and I was told I had 25 minutes to ask him about his then new album, The Letting Go. It was a magazine assignment, but I also planned to use it for my young campus/community radio show, and so we pretended we were live on the air, early on a Wednesday morning (it aired on September 13, 2006). I abided by the 25-minute limit, turning my minidisc recorder off once the interview was done. Will and I then chatted in that noisy café for close to three more hours. In a way, we've been bonded ever since, having had many of the most enjoyable, insightful conversations I've had with anyone since I began interviewing people for a living. The new Bonnie “Prince” Billy album, The Purple Bird, is out January 31, 2025. There's a connection between how this record was made and that long, informal talk Will and I had, so I thought I'd share my first interview with him.To hear this entire conversation, subscribe to Kreative Kontrol on Patreon at the $6 tier or higher (a reminder that an annual subscription includes a discount compared to a monthly one).Support this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

On this episode of Songs of Our Lives, it's Alan Licht! Alan is an absolute legend, and his latest album, “Havens,” explores new ground in a career that has covered almost all of it. We talk about that and the idea of phantom harmonics before diving into kid's show theme songs, controversial Lou Reed songs, Jackson Browne hitting the spot, Afrika Bambaataa's greatness, Will Oldham, Big Thief, Roberta Flack, and so much more!Listen to all of Alan's picks HERE“Havens”Love Child Reissues on 12XUAlan Licht on InstagramSongs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramTwitterBlueskyMastodonThe Jewel Garden

Norwegian singer Susanna, whose full name is Susanna Karolina Wallumrød, first grew to fame for her work in her group Susanna and the Magical Orchestra. Her warm, soulful, and at times ethereal voice lends both her original compositions and beautifully-rendered covers a deep source of vulnerability and humanity. First recommended to us by previous guest, and guest host, Will Oldham, Susanna's album Sonata Mix Dwarf Cosmos was featured in a deeply moving Selector Series event hosted by Oldham last year here in Baltimore. In this episode, she talks about how songs by Nina Simone, Bjork, and Emahoy Tsege Mariam Gebru have guided her artistically. Join us at the Big Ears Festival 2025!  Help support the show at our Patreon.See omnystudio.com/listener for privacy information.

Babes in Toyland [00:31] "Dust Cake Boy" Sugar and Spice Foxcore Records F9 1992 From a UK bootleg featuring demos and studio outtakes from Babes in Toyland, and Peel Session tracks from Hole. Talk Normal [04:09] "In Every Dream Home a Heartache" Sugarland Rare Book Room Records RBR005 2009 Blistering Roxy Music cover (https://youtu.be/boo5PDjf1Es?si=j-vWw2hnjJrb98DJ) from this Brooklyn duo (https://youtu.be/BgdDDJEzhJA?si=rXvYkftPvYkA8bJ4). Suicidal Tendencies [10:17] "Won't Fall in Love Today" Suicidal Tendencies Frontier Records FLP 1011 1983 This is a 2005 reissue on red-ish transparent vinyl. Produced by Glen E. Friedman, who is better known as a photographer (http://burningflags.com/home/) famous for documenting the nascent punk and skateboard scene. Bonnie 'Prince' Billy [11:13] "Ease Down the Road" Summer in the Southeast Sea Note SN11 2005 Live album recorded while touring Florida, Georgia, Mississippi, and North Carolina. Helping out Will Oldham here are his brother Paul on bass, Peter Townshend on drums, Dave Bird and Matt Sweeney on guitar. Wayne Newton [16:58] "Summer Wind" Summer Wind Capitol Records T 2389 1965 A young Mr. Entertainment taking a pass at this Johnny Mercer number adapted from a German/Danish single by Gerthe Ingmann (https://youtu.be/d_wWy79DV0E?si=tyb8AIlZ0iv0PdJ7). I will forever associate this song with Martin singing this song (https://youtu.be/d_wWy79DV0E?si=tyb8AIlZ0iv0PdJ7) at the end of The Simpsons episode Bart of Darkness (S06E01). Thou [19:33] "Grissecon" Summit Gilead Media relic 31 2018 An excellent reissue of Thou's 2010 album Summit originally released on Southern Lord, along with material from The Archer and The Owle EP released on Robotic Empire. I still think it is amazing that Thou were the first metal band to appear on NPR's Tiny Desk (https://youtu.be/IUVYgCwpv7Y?si=tOq09uk2XAP45o5x) (minus lead vocalist Bryan Funck). Be-Bop Deluxe [27:55] "Heavenly Homes" Sunburst Finish Harvest ST-11478 1976 Some excellent melodic guitar dynamics on this track from Bill Nelson and co's third studio album. Guided by Voices [32:51] "Heavy Metal Country" Sunfish Holy Breakfast Matador OLE 185-1 1996 EP from somewhere around the Alien Lanes/Under the Bushes Under the Stars era. On lovely translucent blue vinyl. Earl-Jean McCrea [36:09] "I'm Into Something Good" Super Girls Lake Shore Music OP 3507 1979 _As seen on TV (https://youtu.be/K2t9Iwl07sA?si=JmonzgyBe6Sr8MuV)! Forty original hits by forty original artists. In mono! Earl-Jean of the Cookies sends this original recording of the Goffin and King hit shortly thereafter by Herman's Hermits. _ 1000 Homo DJs [38:56] "Supernaut" Supernaut Wax Trax! Records WAX 9133 1990 Peak Industrial cover from Al Journgensen and friends. Certainly not as good as the Sabbath orignal (https://youtu.be/nUb0QaDjP78?si=QtuvXBJhZNFU4yFM) but still makes an impact, though it does go on a bit. Matt Sweeney and Bonnie 'Prince' Billy [45:33] "Bed Is for Sleeping" Superwolf Drag City DC179 2005 Excellent collaboration between the two, with some excellent illustrations by Matt and Spencer Sweeney. Produced by Superwolfmen. Jefferson Airplane [49:42] "White Rabbit" Surrealistic Pillow RCA Victor LSP-3766 1967 Normally I would go with "Plastic Fantastic Lover (https://youtu.be/NUc8vkO3oxY?si=OBKbSnjAAEQsJMbK)", but as I've said before, sometimes you gotta go with the hits. Grace was evidently inspired by Miles Davis' Sketches in Spain when coming up with the music from this piece. Survive [52:11] "Sorceror" Survive RR7349 Relapse Records RR7349 2016 Some tasty synthwave from the band behind the Stranger Things sound. Shizuko and Shinichi Suzuki [56:31] "Long, Long Ago (Bayly)" Suzuki Violin School, Vol. 1 & Vol. 2 Summy-Birchard Music CSM 1387 1970 I was a child violin prodigy... until I had to read music. Quintron and Miss Pussycat [57:10] "Witch in the Club" Swamp Tech Tigerbeat 6 MEOW119LP 2005 Organ magic from the one and only Quintron and the amazing Miss Pussycat. I'll have to remember this track for next Halloween. Music behind the DJ: "Quinn the Eskimo" by Arthur Greenslade and his Orchestra

EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Phil Elverum is here to discuss the new Mount Eerie album, Night Palace, moving back to Washington State after a period living in New York, immersion in your community with family and friends, home ownership and having a sense of place, wealth accumulation and land back, singing and talking to animals, dating songs like journal entries, elaborate album packaging, parents and Palace Brothers, meditation and loving Eric's Trip and Rick White's artwork, a complementary book, future plans, and much more. Support vish on Patreon! Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters to Santa. Follow vish online.Related episodes/links:Ep. #889: Rick White and The SadiesEp. #775: Will Oldham & Lori DamianoEp. #673: Sonic YouthEp. #666: Elevator to HellEp. #651: Julie DoironEp. #500: Rick WhiteEp. #317: Bonnie ‘Prince' BillyEp. #134: Bonnie ‘Prince' BillyEric's Trip - A Love SupremeSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Lou Barlow and John Davis from the Folk Implosion discuss their first album in 25 years, Walk Thru Me, the significance of college and community radio, punk rock humour and intellectualism exhibited by Gerard Cosloy and Steve Albini, John's early collaborative relationship with Will Oldham and why he didn't appear on his first album, how Lou and John first met, how the Folk Implosion's name is an homage to/dig at the Jon Spencer Blues Explosion, working on the soundtrack for the controversial 1995 film, KIDS, why the Folk Implosion ended and why it's back, touring, making new music, other future plans, and much more. Support vish on Patreon! Thanks to Blackbyrd Myoozik, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters to Santa. Follow vish online.Related episodes/links:Ep. #834: J MascisEp. #775: Will Oldham & Lori DamianoEp. #677: PavementEp. #675: Jon SpencerEp. #614: Lou BarlowEp. #224: Ian MacKaye & Steve Albini (Part II)Ep. #109: Jello BiafraHarmony Korine (May 10, 2010)Support this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

As a follow-up to last week's Will Oldham episode, I'm re-releasing my episode with the man Will called an "internet angel," saxophonist and Fuubutsushi member Patrick Shiroishi.This conversation has been on my mind because my move to Cleveland has come with consuming more Taco Bell than I have in the past decade, so take any shade I throw toward T. Bell with that grain of salt.In my mind, this is a classic This Is Your Afterlife. I hope you enjoy it.Content warning: Japanese internment camps, ambiguously supportive parents, ancestors, shit, therapy, the Get Up Kids, Taco Bell.If you believe in This Is Your Afterlife and want fun bonus episodes, become a patron for $5 or $15/month at patreon.com/davemaher. Follow Patrick on IG, @patrickshiroishi.Check out Patrick's website for tour dates. Go buy Fuubutsushi's new album, Meridians, right now at cached.media/shop!Follow this show on IG: @thisisyourafterlife, and get more info at thisisyourafterlife.com. Have thoughts on the show? Email thisisyourafterlifepodcast@gmail.com.Follow me @thisisdavemaher on Instagram and Twitter.All music by This Is Your Afterlife house band Lake Mary.Check out my other podcast, Genre Reveal Party!, where I analyze TV and movies with my friend, writer and cultural critic Madeline Lane-McKinley.

Returning guest, filmmaker Alan Zweig (Vinyl, When Jews Were Funny), brings us Will Oldham - a.k.a. Palace Brothers, Bonnie 'Prince' Billy...etc) and his stunning debut: 'There Is No-One What Will Take Care of You'First released in 1993 under a cloud of mystery, Oldham's dark tales of sin, lust, alcohol, and redemption made for rousing conversation - as we name-checked The Louvin Brothers, The Velvet Underground and many others along the way. Songs discussed in this episode: Oh Lord Are You In Need - Glen Dentinger, Joe Manning and Rachel Grimes; Breadcrumb Trail - Slint; O Let It Be - Will Oldham; I See A Darkness - Johnny Cash; The House Carpenter - The Doc Watson Family; A Little Soldier For Jesus - Ralph Stanley & Friends; Idle Hands are the Devil's Playthings - Palace Brothers; The River Of Jordan - The Louvin Brothers; Long Before, I Tried To Stay Healthy For You, The Cellar Song, (I Was Drunk At The) Pulpit - Palace Brothers; Ocean - The Velvet Underground; There Is No One What Will Take Care Of You, O Lord Are You In Need, Merida - Palace Brothers; Walking On Sunshine - Katrina & The Waves; King Me - Palace Brothers; Single Girl, Married Girl - The Carter Family;  I Had A Good Mother and Father, Riding, O Paul - Palace Brothers; O Paul - Bonnie 'Prince' Billy with Natalie Bajandas

Booking This Is Your Afterlife sometimes looks like me hand-writing a list of dream guests off the top of my head. Will Oldham appears on every one of those lists. I've been a fan since he released the first Superwolf album with Matt Sweeney in 2005, and their 2021 follow-up, Superwolves, joins it as one of my favorite albums ever.Few artists are better at combining mystery, sincerity, wisdom, and mischief. And rather than strive for any sort of definitive Will Oldham interview, I just wanted to do the best This Is Your Afterlife episode I could with him on the day we recorded. I hope you like it.Content warning: dying parents, genocide, convenience, hell is a Twitter feed, the shock of early Facebook, the scourge of superhero movies, Kentucky Pocket Wolf, examining the function of music, George Orwell's Homage to Catalonia, Patrick Shiroishi as internet angel.If you believe in This Is Your Afterlife and want fun bonus episodes, become a patron for $5 or $15/month at patreon.com/davemaher. If you want to follow Will on social media, he's @wignifier on Instagram and @signifyingwolf on Twitter.Listen to Superwolf and Superwolves and all the Bonnie Prince Billy solo albums and the old Palace records and and and...Follow this show on IG: @thisisyourafterlife, and get more info at thisisyourafterlife.com. Have thoughts on the show? Email thisisyourafterlifepodcast@gmail.com.Follow me @thisisdavemaher on Instagram and Twitter.All music by This Is Your Afterlife house band Lake Mary.Check out my other podcast, Genre Reveal Party!, where I analyze TV and movies with my friend, writer and cultural critic Madeline Lane-McKinley.

On this week's Talkhouse Podcast we've got what might seem like an unlikely pairing, but one that makes sense when you dive into it: Rick Mitarotonda from Goose and M.C. Taylor of Hiss Golden Messenger. If you're not into the jam-band world, Goose might not be super familiar to you yet, but in that world, the Connecticut band is absolutely massive, moving from clubs to amphitheaters over the past few years. And while jam bands themselves are pretty common—the barrier to entry isn't super high—very few have reached these heights, and after a decade Goose already find themselves in the vaunted company of bands like Phish and Dead and Company. It's kind of obvious why: They are fantastic players, and their songs offer more than just extended noodling. It makes sense that they're not influenced just by their jam forebears, but by jam-adjacent indie kingpins like Radiohead. And they've even got the stamp of approval of Vampire Weekend's Ezra Koenig, who asked them to cover his band's song “2021”—and to stretch it out to 20 minutes and 21 seconds. The latest Goose album is Dripfield from 2022, but as you'll hear in this chat, they've got a couple more in the works. Check out their song “Give It Time” right here. As the primary creative force behind Hiss Golden Messenger, M.C. Taylor has amassed an incredible catalog over the past 15 or so years. He was initially lumped in with the alt-country scene and later with the likes of Will Oldham and Bill Callahan, Hiss records kind of defy categorization, though I should mention that 2019's Terms Of Surrender was nominated for the Best Americana Album Grammy. Taylor's latest album as Hiss Golden Messenger is called Jump For Joy, and the title is reflective of what's inside: It's looser and more playful and even groove-oriented at moments, a new move but not an unwelcome one for sure. Check out “Sanctuary” right here. In this chat, Rick and M.C. chat about making studio records versus playing live, and they get into the fundamental question of how songs are written. Answer: It's different for everybody. They both reflect, oddly, on the Hare Krishna world, and Rick decides that Goose is more like a sitcom or a sports team than a band. Enjoy. 0:00 – Intro 2:48 – Start of the chat 4:04 – What are you listening to right now? 12:05 – Rick's musical awakening 19:01 – Long songs versus short ones. “It'd be sick to have some short bangers.” 24:36 – Goose's recent lineup change and how that might affect things. 36:16 – The difficulty of writing new songs while on tour. Thanks for listening, and thanks to Rick and M.C. for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by The Range. See you next time! This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/talkhouse

Motorcycle clubs get some attention this week on Movies Merica with the new Jeff Nichols movie “The Bikeriders.” You may know Jeff Nichols from his previous movies “Mud” and “Midnight Special.” This movie stars Tom Hardy as Johnny, the founder of the Vandals bike riding club and Austin Butler as Benny, another member. Butler is like a younger “rebel without a cause” member to Hardy's older, settled but still rough founder. Enter Jodie Comer as Austin Butler's wife Kathy, who is scared of the club, yet intrigued and awed by it. As you might expect, this bike riding club doesn't just stay a bunch of guys and their old ladies riding around, having a great time. These are roughnecks who just don't care, so that gets them in trouble with people who hate bike riders, the law and other clubs. The heat gets turned up on the club and life gets bloody real fast and this causes tension between Johnny, Kathy and Benny. The club also has to deal with increasing danger as the club expands to other cities and they find they now have some scarier members that don't take orders from anybody, not even Johnny. The fuse has been lit, when will it explode? “The Bikeriders” also stars Michael Shannon, Damon Herriman, Mike Faist, Boyd Holbrook, Norman Reedus, Beau Knapp, Emory Cohen, Karl Glusman, Toby Wallace, Happy Anderson, Paul Sparks and Will Oldham. Support the Show.Feel free to reach out to me via:@MoviesMerica on Twitter @moviesmerica on InstagramMovies Merica on Facebook

EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO $6 PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!Bill MacKay is back, this time to discuss his new album Locust Land, lyrical themes and singing more, a song specifically inspired by Neil Young, travelling a lot as an adult after moving around a fair bit as a child, how our luggage connects us to our homes, the freeform but purposeful artwork he created for Locust Land, his collaborations with Cooper Crain and Janet Beveridge Bean among others, touring a lot, other future plans, and much more.Support vish on Patreon! Thanks to Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Related episodes/links:Ep. #786: Black DuckEp. #775: Will Oldham & Lori DamianoEp. #647: Alan LichtEp. #643: Circuit des YeuxEp. #626: Eleventh Dream DayEp. #607: Bill MacKay & Nathan BowlesEp. #505: Bill MacKayEp. #317: Bonnie ‘Prince' BillySupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Heino [00:23] "Heute Singen Wir Mit Heino/Wißt Ihr Was? Heute Hat's Geschneit" Sing Mit Heino Folge 9 und 10 Winterzeit - Kinderzeit - Weihnachtzeit Hör Zu 1 C 066-45 322 1979 Sing along with Heino! And evidently, the old Deustschekrooner is still alive. For those of you who are unfamiliar with the German phenomenon that is Heino, of course, there's a documentary (https://youtu.be/M-39Unh0X2E?si=WlId8Vtympf3n2ob). The Four Roses Society [03:03] "Hand Me Down My Walkin' Cane/Deep in the Heart of Texas" Sing with the Four Roses Society Four Roses K8OP-6582 / 3 Well all right then. During my brief career as a liquor store clerk (one summer during college), Four Roses bourbon was not the esteemed brand it is today. It was easily found on the bottom shelf of the whiskey section. Kitty Wells [05:49] "Country Girl" Singing'em Country Decca DL 75221 1970 One of the contenders to the title of Queen of Country Music reminiscing at the ripe old age of 51. Elvis Presley [08:24] "Santa Bring My Baby Back (to Me)" Sings Christmas Songs - Elvis' Christmas Album RCA Victor LPM-1951 1957 (1964 reissue) An extremely well-worn seasonal classic. I'm surprised it sounds as good as it does, considering the state of the record surface. Odetta [12:45] "Don't Think Twice, It's Allright" Odetta Sings Dylan RCA Victor LSP-3324 An excellent rendition of this transitional Dylan single. To my mind, it is almost as good as the jangling toe-tapper version by Waylon Jennings (https://youtu.be/2GTl6-BJhvc?si=Ofi9FdbmGvJyqCKr). Bob McGrath with the Jimmy Joyce Singers [18:30] "Black and White" Sings for All the Boys and Girls Disneyland 1357 1974 Indeed, that Bob from Sesame Street. Helped out here by some of the Wrecking Crew including Tommy Tedesco and Earl Palmer. Inspired by the Three Dog Night version of this song (https://youtu.be/PEy6968xO-I?si=hNq9IL8tnQ9RCPDd), the song was originally recorded by Pete Seger in 1956 and with lyrics by David I. Arkin, father of Alan Arkin no less. Nat King Cole [22:21] "Autumn Leaves" Sings for Two in Love Capitol Records DT 420 1963 (original release 1953) This monophonic classic album is reinvigorated in beautiful Duophonic sound! Bonnie Prince Billy [25:03] "Ohio River Boat Song" Sings Greatest Palace Music Drag City DC252 / Palace Records PR31 A collection of Nashville-ified reimaginings Will Oldham's earlier work, with a number of Nashville greats, including Hargus "Pig" Robbins. The thing I love about seeing Will Oldham perform live in whatever configuration is that he seemingly never plays a song the same way twice. This pass at the debut single from Palace Music (https://youtu.be/jYVTkUTHENg?si=Iz69YWTah4Kmc4uO) exemplifies that spirit. Wayne Newton [30:00] "More (Theme from 'Mondo Cane')" Sings Hit Songs Capitol Records T 2130 1964 Despite rumblings in Memphis and New Orleans and even Liverpool by this point, the big band sound of the Greatest Generation continues to thrive in popular music. John McCormack [32:37] "The Foggy Dew" Sings Irish Songs Pickwick CAS-407 1975 Evidently, stereo, in this case, means slapping some reverb on the left channel. Despite being partially the result of Irish immigration, I am not sentimental, which is why I chose the shortest track for this collection. Lotte Lehman [34:41] "Ich Liebe Dich (Beethoven)" Sings Lieder, Vol. 1 Camden CAL-378 Pretty sure I grabbed this from the dollar bin because in my haste I thought it was Lotte Lenya. Colin Meloy [37:21] "Bandit Queen" Sings Live! Jealous Butcher Records JB-065 2008 From a solo tour Colin Meloy made in 2006, recorded at various venues, including this one that I happened to attend at the Great American Music Hall. This live album does do one of those things that drives me nuts, which is to put the stage banter for the upcoming song before the track break. Tom Jones [43:05] "In Dreams" Sings She's a Lady Parrot XPAS 71046 1971 Candy colored clown! (https://youtu.be/R7zukRlfzh8?si=110VDkQtE8m4jD52) Nat "King" Cole [46:30] "Blue Gardenia" Ballads of the Day Capitol Records DT 680 1960 (original release 1956) As performed in Fritz Lang's classic noir The Blue Gardenia (https://youtu.be/3bxSn2UMBMY?si=vKu34lBUOQstY3f4). Harry Belafonte [49:29] "A Fool For You" Sings the Blues RCA Victor LSP-1972 1958 A collection of blues standards, including this Ray Charles number. Ella Fitzgerald [53:09] "'S Wonderful" Sings the George and Ira Gershwin Song Book (Volume Two) Verve Records MG V-4025 1959 Helped out here by Nelson Riddle. An excellent cover painting by Bernard Buffet is featured on this album. Music behind the DJ: "Games People Play (https://youtu.be/hIBlCac8_wk?si=KjX6MUoC_zQ0qftn)" by Arthur Greenslade and his Orchesta

EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO $6 PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!Myriam Gendron discusses her moving new album Mayday, some of the places in the world she lived in before moving to Montreal, a good job at a bookstore, playing in metal bands, a charming close encounter with Leonard Cohen, why she is generally disinterested in the personalities behind the art she loves, losing her mother and being a mother and some of the lyrical themes on the bilingual Mayday, collaborating with Bill Nace, Marisa Anderson, and Jim White among other people, why we love flowers, transmission and keeping our parents with us, how her boyfriend helps her be online, touring, writing more music, other future plans, and much more. Support vish on Patreon! Thanks to Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Related episodes/links:Ep. #849: Jim White and Guy PicciottoEp. #847: RosaliEp. #775: Will Oldham & Lori DamianoEp. #768: Guy Picciotto & Xylouris WhiteEp. #731: Bill NaceEp. #718: Marisa AndersonEp. #562: Bill CallahanEp. #541: Jim White and Marisa AndersonSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

English/Irish composer and arranger Sean O'Hagan (Microdisney, Stereolab) is perhaps best known as the visionary behind The High Llamas, whose second album Gideon Gaye (1994) blended a healthy respect for the harmonic tableaus of both Brian Wilson and Steely Dan with a delicate UK pop sound reminiscent of his contemporaries such as Prefab Sprout. On the brand new High Llamas album, Hey Panda, (featuring guests including Fryars, and Bonny "Prince" Billy) O'Hagan has been absorbing many of the production tricks of contemporary hip-hip records from the likes of Tyler The Creator or Solange, while retaining most of the melodic tendencies that first endeared High Llamas' fans to his music. As you'll hear, O'Hagan cares deeply about keeping his ear to the ground for the new while honoring the past. It's a great conversation.  And Record Store Day co-founder Carrie Colliton returns after a highly successful Record Store Day 2024.  The Record Store Day Podcast is written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music. Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com) Sponsored by Dogfish Head Craft Brewery (dogfish.com), Tito's Handmade Vodka (titosvodka.com), RSDMRKT.com, and Furnace Record Pressing, the official vinyl pressing plant of Record Store Day. Please consider subscribing to our podcast wherever you get podcasts, we're here every week and we love making new friends.

Raymond Biesinger discusses his best-selling book, 305 Lost Buildings of Canada, and trajectory as an illustrator, when Cadence Weapon introduced us outside of a Sadies show in Edmonton, why he didn't actually feel like attending that show, his time in the Famines and why he retired from music making, his Edmonton social circles, why his work highlights marginalized lives and his use of historical adaptation, how his collaboration with Alex Bozikovic and their book came about, people who steal his work, an idea for his next book, other future plans, and much more.Support vish on Patreon! Thanks to Blackbyrd Myoozik, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Related episodes/links:Ep. #858: Cadence WeaponEp. #775: Will Oldham & Lori DamianoEp. #716: Kate BeatonEp. #657: Jud HaynesEp. #625: CotsEp. #299: Jay RyanEp. #208: Gary TaxaliEp. #178: Shary BoyleSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Jim White and Guy Picciotto discuss their work together on Jim's first solo album, All Hits: Memories, drumming, our relationship with artifacts and memories in an age of informational saturation, experimenting with keyboards and music production, perspectives on Jim's idiosyncratic approach to drumming and ambient music, working in film and a lost soundtrack opportunity, tour, updates on new projects, other future plans, and much more.Support vish on Patreon! Thanks to Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Related episodes/links:Ep. #845: The Messthetics and James Brandon LewisEp. #791: Nina NastasiaEp. #775: Will Oldham & Lori DamianoEp. #768: Guy Picciotto & Xylouris WhiteEp. #745: The Casual DotsEp. #723: Jessica MossEp. #718: Marisa AndersonEp. #642: Warren EllisEp. #562: Bill CallahanEp. #541: Jim White and Marisa AndersonEp. #400: Guy Picciotto & Xylouris WhiteEp. #323: Nick Cave and Warren EllisEp. #137: Xylouris WhiteSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

For the 25th anniversary of the first Bonnie “Prince” Billy album, we take a detailed look at how it was made. Will Oldham grew up studying acting but decided to pursue music while he was attending Brown University. In 1992, he released his first single with Drag City under the name Palace Brothers. A series of albums followed under several variations of the Palace name, which reflected Oldham's unique approach to treating the album, rather than the artist, as the primary entity. In 1998, he had an epiphany that he could inhabit a new character named Bonnie “Prince” Billy for his music moving forward and put his concerns about an artist identity to rest. He began living in his father's farmhouse in Shelbyville, Kentucky along with his brother, Paul, who had been studying recording and set up a makeshift studio. In this isolated environment, Oldham worked on writing songs and had the freedom to record himself in a way that he never had before. Eventually, Oldham invited other musicians including Peter Townsend, Bob Arellano, Colin Gagon and David Pajo to flesh out the songs that would make up the I SEE A DARKNESS record. In this episode, Will Oldham describes a newfound approach to making music at this time and how he viewed his former Palace work as his apprenticeship years. As Bonnie “Prince” Billy, he found that he could portray a larger than life character who had the power to sing songs across the emotional spectrum. The Bonnie character opened up his approach to songwriting as he began to incorporate some traditional elements like bridges and dramatic builds. From a growing confidence in his singing to a deteriorating relationship and the decision to form a sub label to a love of post-apocalyptic landscapes to adding humor as a release valve to taking inspiration from contemporaries like PJ Harvey to the unlikely events that led to Johnny Cash covering the title track, we'll hear the stories of how the record came together.

In this episode, we get to meet Bonnie "Prince" Billy - aka Will Oldham. Will has had a great year in music, putting out one of his best records yet with Keeping Secrets Will Destroy You (by some counts his 21st record!) back in August. In this chat, Will and I discuss that album at length, including some of what went into and inspired it. We talk about his long history of selecting perfect singing partners and musical collaborators, and how important singing and voices are to him, and how much we have left to learn from older musicians. We also touch on his old material with Palace Brothers, his intermittent acting career (which was his original career aspiration), and the longlasting magic and legacy of his most famous song "I See a Darkness". It was a warm and rambling talk, like hanging with an old pal, and I think you'll enjoy it. Thank you for listening.

This week Oliver looks at the Jeffrey Lee Pierce Sessions Project, a series of unfinished recordings posthumously released from Jeffrey Lee Pierce (The Gun Club). The latest record features the likes of Nick Cave, Warren Ellis, and Alejandro Escovedo. Also, music from Will Oldham under the name Palace Music. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

Welcome to the daily304 – your window into Wonderful, Almost Heaven, West Virginia.   Today is Tuesday, Dec. 19  Check out the diverse array of companies that have said #YesWV. 1987's “Matewan” movie about the WV mine wars joins the National Film Registry. And get no-cost coaching for your new or existing business…on today's daily304. #1 – From WV ECONOMIC DEVELOPMENT – West Virginia's diverse economy has moved beyond our history of resource extraction to include a robust array of products and services. From the aerospace industry to forest products … from food and agriculture to information technology. Learn about the key industries that have taken a foothold here and learn why leading companies make their home in the Mountain State. Learn more: https://westvirginia.gov/thriving-industries/    #2 – From WOWK-TV – “Matewan,” the 1987 film about West Virginia coal miners that was shot in the Mountain State, is among the 25 films inducted into the Library of Congress' National Film Registry. The John Sayles-directed film is set in 1920s Mingo County and dramatizes the Matewan Massacre, a bloody battle between coal miners and Baldwin-Felts Detective Agency men. While Chris Cooper's character — Joe Kenehan — is not real, the film follows real-life coal miners who are looking to form a union. Kenehan comes to Matewan to bring the members of the community together in the face of company forces and the detective agency. The film stars Cooper, in his movie debut, alongside talents like James Earl Jones, Mary McDonnell and Kentucky-born singer and actor Will Oldham. To be inducted, the Library of Congress says the 25 films picked each year are “culturally, historically or aesthetically significant.” The movie must also be at least 10 years old. Read more: https://www.wowktv.com/news/entertainment-news/movie-about-west-virginia-coal-miners-picked-to-be-part-of-national-film-registry/   #3 – From WV SBDC – Whether you have an idea for a new business or want to improve your existing business, the West Virginia Small Business Development Center is here for you.  Meet one-on-one with WV SBDC business coaches to receive confidential, no-cost technical assistance to help start and grow your business in West Virginia. WV SBDC business coaches can help you identify your goals, develop valuable skills and acquire the necessary resources to make your business a success. Learn more: https://wvsbdc.com/   Find these stories and more at wv.gov/daily304. The daily304 curated news and information is brought to you by the West Virginia Department of Commerce: Sharing the wealth, beauty and opportunity in West Virginia with the world. Follow the daily304 on Facebook, Twitter and Instagram @daily304. Or find us online at wv.gov and just click the daily304 logo.  That's all for now. Take care. Be safe. Get outside and enjoy all the opportunity West Virginia has to offer.

Matt Sweeney downplays his success as a guitarist and producer to the fact that he simply says "yes" to a lot of projects. Whatever the case; it's working. After playing in Chavez, he performed as Superwolves with Will Oldham and served as a guitarist-for-hire on numerous acclaimed albums, including Cat Power's 'Covers' record and the Rick Rubin-produced Johnny Cash 'American Recordings V' and 'VI.' Matt is also one of the greatest guitar interviewers around. His Guitar Moves series, originally produced for Vice's Noisey channel in 2013, set a high bar for how to interview musicians. Like the late Anthony Bourdain, Matt is total rock & roll, but also approachable, funny and curious. Most importantly, he gets his subjects - including Keith Richards, Blake Mills, and Billy Gibbons - talking.  After a long hiatus, Matt has decided to take ownership of Guitar Moves, share old installments, and record new episodes. On this week's episode, we talk about how it's all about fingerpicking (thanks to his friend Sam Dylan of Supreme Dicks), his plans for Guitar Moves going forward, the old Richard Thompson instruction video (YouTube link) that served as the show's inspiration (and that Richard himself hated), and so much more. Be on the lookout for a feature on Matt in early 2024 in the pages of the Fretboard Journal. Watch Guitar Moves: https://www.youtube.com/@guitar-moves Subscribe to the Fretboard Journal and get our new 53rd issue with Ben Harper, Joanna Sternberg and much more:  https://shop.fretboardjournal.com/products/fretboard-journal-annual-subscription Registration is now open to attend our 2024 Fretboard Summit: https://fretboardsummit.org/ If you enjoy this episode, please leave us a review on Apple Podcasts and consider joining the Fretboard Journal's new Patreon page. Thank you to our sponsors: Mike & Mike's Guitar Bar, Peghead Nation (use the promo code FRETBOARD and get your first month free or $20 off any annual subscription); and Stringjoy Strings(get 10% off your order with the FRETBOARD discount code). This episode is also sponsored by iZotope. Use the discount code FRET10 to save 10% off of your Izotope order. 

Steve Albini and Fred Armisen discuss Letters to Santa: The Holiday Gala in Chicago, which stars John Mulaney and takes place December 5 in Chicago, and Letters To Santa: The 24 Hour Comedy and Music Marathon in Los Angeles on December 16-17, their long friendship, their respective interactions with Conan O'Brien, Fred's talents for mimicry, Steve's penchant for comedic logic, Chicago's distinction as a hub for top-tier comedy, music, and recording studios, Fred's interest in “complicated drumming techniques,” the fact that a new Shellac album will likely be released soon, other future plans, and much more.Supported by you on Patreon, Blackbyrd Myoozik, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Related episodes:Ep. #820: Gregg TurkingtonEp. #791: Nina NastasiaEp. #775: Will Oldham & Lori DamianoEp. #741: Steve AlbiniEp. #692: WilcoEp. #562: Bill CallahanEp. #481: David BermanEp. #322: John MulaneyEp. #299: Jay RyanEp. #223: Ian MacKaye & Steve Albini (Part I)Ep. #163: Tim Heidecker and Gregg TurkingtonEp. #24: Steve Albini Support this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Gregg Turkington discusses his collaboration with Erik Paparozzi on the wonderful new album, Neil Hamburger Presents Seasonal Depression Suite, why a Christmas-themed concept record set in a chain hotel works so well, surveys, reviews, and why customers get so entitled at hotels and motels, Frank Sinatra's Watertown and David Berman's songwriting, serious artists who are very funny, the star-studded and collaborative nature of this release, Bob Dylan's Desire and working with Scarlet Rivera, other future plans, and much more.Supported by you on Patreon, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Related episodes:Ep. #775: Will Oldham & Lori DamianoEp. #562: Bill CallahanEp. #501: Gregg Turkington and Eric NotarnicolaEp. #481: David BermanEp. #466: Gregg TurkingtonEp. #163: Tim Heidecker and Gregg TurkingtonSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

His name is Will Oldham. You might know him better, though, as Bonnie "Prince" Billy or Palace or as half of the folk rock group Superwolves. His work has spanned three decades now and earlier this year he released his twenty-first Bonnie "Prince" Billy album. It's called Keeping Secrets Will Destroy You. When we asked Oldham about the song that changed his life, he picked a spare, interior, haunting song. One that, we'll admit, we hadn't heard before - "Horses" by Sally Timms.

Tenim nou

Tenim nou

Sarah Vaughan [00:36] "Hey Naughty Papa" Sassy Mercury Wing MGW 12237 1962 (originally released in 1956) Hey now. Evidently this one was written by Hoagy Carmichael? Here Sarah is backed by Hal Mooney and his Orchestra. Subway [02:51] "Jupiter" Satellites Soul Jazz Records SJR 157-12 2007 Beep boop boop beep. Jerry Byrd [08:27] "Cold Cold Heart" Satin Strings of Steel Monument SLP 8033 1965 Getting very aloha with Hank's classic. Glen Campbell [11:06] "Lonesome Jailhouse Blues" A Satisfied Mind Pickwick SPC-3134 1971 A repackaging of the Glen's Capitol Records 1966 album Big Bluegrass Special. Bee Gees [14:28] "Jive Talkin'" Saturday Night Fever (The Original Movie Sound Track) RSO RS-2-4001 1977 Sometimes you just have to go with the hit. Oh wait, they're all hits. The Hot Dogs [18:13] "Feel Real Fine" Say What You Mean Ardent Records ADS-2805 1973 A great little gem of a Big Star adjacent album. Digging this track by Terry Manning. Tom Jones [21:12] "Come to Me" Say You'll Stay Until Tomorrow Epic PE 34468 1977 That's right, the theme song from The Pink Panther Strikes Again (https://youtu.be/vH4-8qR79WY?si=t1IrFzJuuVfkDknP&t=7) (Edwards, 1976). You know, the one with the castle in Bavaria? My brothers and I went with my mother to see this one in the theaters instead of staying home and watching Super Bowl XI (Raiders v Vikings) (https://en.wikipedia.org/wiki/Super_Bowl_XI). Daniel Ocko [24:07] "The Guitar Player" Great Ghost Stories Troll Records 50-002 1973 Oops... right genre, wrong cover. The record is Great Ghost Stories but the sleeve is Scary Spooky Stories. Harry Nilsson [31:27] "Gotta Get Up" Schmilsson RCA LSP 4515 1971 (1979 reissue) Aleatoric glissando. Look it up. Rafael Kubelik conducting the Chicago Symphony Orchestra [33:51] "Schoenberg: 5 Pieces for Orchestra, Op. 16 - Peripetia" Shoenberg/Bartok - 5 Pieces for Orchestra, Op. 16/Music for Stringed Instruments, Percussion, and Celesta Mercury MG-50026 1953 blah Pete Townshend [36:04] "Squeezebox" Scoop ATCO Records 7 99063-1-F 1983 A pretty solid demo from a compilation full of Who demos. Scott Walker [38:34] "Amsterdam" Scott (Aloner) Smash Records SRS 67099 1967 Alright, so I'm cheating a little on this one too. The US release of Walker's first album, Scott, was titled Aloner. But I didn't have this album when we were running through Albums that begin with the letter A as in Alpha. It's really difficult to pick just one song to play here. My instinct wanted to go with "The Lady Came from Baltimore (https://youtu.be/7gFECZErdBY?si=Pi-CIpL5RRu22aA7)" but the atmosphere of his cover of Brel's "Amsterdam" (https://youtu.be/-Z0UGGvb4sQ?si=2SIFvLXn7CvA80UT) is so good. Siouxsie & the Banshees [43:21] "Mirage" The Scream Polydor POLD 5009 1978 The amazing debut album from Siouxsie and the Banshees. A pretty remarkable effort front to back. The version of "Mirage" that appears on this album gains a little polish but still retains the energy of the Peel Session version the year before (https://youtu.be/0S_vlZg7xBQ?si=1NqDL9OM6OhrSn50). Judas Priest [46:11] "The Hellion/Electric Eye" Screaming for Vengeance Columbia FC 38160 1982 One of the greatest 1-2 punches in album opening history. You know exactly what you are in store for. Fourteen year-old me was completely enthralled with the sound of this album. Hap Palmer [50:31] "Sweetwater Springs" Sea Gulls... Music for Rest and Relaxation Activity Records AR 584 1978 Woof. File under Easy Listening. Why do I feel the sudden urge to make a macrame plant hanger? Will Oldham [52:15] "Sapele" Seafarers Music Drag City DC261 2004 Music to accompany a documentery by. Music behind the DJ: "Cold Cold Heart" by Lawrence Welk and Orchestra

On today's episode, I talk to musician and actor Will Oldham. Originally from Louisville, Kentucky, Will was an actor before becoming a musician, appearing in John Sayles' Matewan as a teenager, as well as in films like Old Joy, Junebug and The Guatemalan Handshake, as well as TV shows like Wonder Showzen. In the early '90s, he began playing music as Palace - or more accurately, as different permutations of the name Palace - but a few years later, adopted the Bonnie "Prince" Billy moniker which he's used ever since his 1999 album I See a Darkness. In the last two plus decades, he's released almost two dozen albums, some collaborations with artists like Bill Callahan and Matt Sweeney, and his latest Keeping Secrets Will Destroy You was just released in August on Drag City, and like everything else Will does, it's fantastic! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here!  

Let's get even more odd. We're back to wind down our conversation about some unusual musical pairings that shouldn't work but (for the most part) do. Our man in the Valley Geoff Pearlman shares some deep cuts and we present a truly eclectic playlist for your earholes to enjoy or at least appreciate. Top Ten Unlikely Collaborations is a pretty self-explanatory topic, so don't overthink it - just listen to Part 2 and picks 5-1 and see if you agree with our list.If you missed Part 1, don't be a slacker and start here:https://www.podomatic.com/podcasts/alltimetopten/episodes/2023-07-17T04_00_00-07_00What's available of the Top Ten Unlikely Collaborations playlist can be found here on the Spotify:https://open.spotify.com/playlist/2FyaqQuCipiBXa6c0801Lx?si=3bcb424faf134126Geoff makes his bones making music, folks. It's probably in the top 10 of most essential professions on earth and we're not even close to being sarcastic. Keep up with his shenanigans at his website:https://www.geoffpearlmanmusic.comThanks to all who are making the ATTT1000 aka The 1,000 Greatest Songs We've Ever Heard so much fun to unveil. Get that playlist in your earholes now!Spotify: https://open.spotify.com/playlist/1dmYMmJDAAK1B6CxS9msYO?si=a690037815754ee8YouTube: https://www.youtube.com/watch?v=TydZ4NAXMic&list=PL2Sj57_93sSc5g3NUhDTwU-_JBMJg385G

For our 300th (free) episode, we're joined by Kentucky musician Will Oldham, aka Bonnie "Prince" Billy, aka Palace Music. We talk about various country music scandals, buried treasure, QVC for bones, the new era of digital music, and so much more. Pre-order the new Bonnie "Prince" Billy album at Drag City's website: https://www.dragcity.com/products/keeping-secrets-will-destroy-you And please support us at Patreon: www.patreon.com/trillbillyworkersparty

Singer/songwriter and former Essential Tremors guest Will Oldham guest hosts this episode featuring a conversation with June Tabor, whose long career belies the simple label "folk singer." They discuss Danny Kaye, Anne Briggs, learning to sing, Frank Sinatra and Robert Plant. Essential Tremors is produced by Matt Byars and Lee Gardner and distributed by Your Public Studios.See omnystudio.com/listener for privacy information.

'Recipe for Disaster' author Alison Riley talks about a breakup that led to the ruin of nearly all of PJ Harvey's catalog... plus, the meal that got her through it.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Will Oldham and Lori Damiano discuss their beautiful and funny new children's book, Shorty's Ark, gardening and horses, what children's books are like, zoos and this Live Sea Otter Cam, wild illustrations, the circuitous origin of the song “Shorty's Ark,” giraffes who wear boots, naming the animals while we can, future plans, and much more. Supported by you on Patreon, Blackbyrd Myoozik, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Support this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

On this week's Talkhouse Podcast we've got a pair of songwriters who come from different scenes but whose convergence sparked a longtime friendship and even some collaboration: David Wax and Will Oldham. David Wax is half the core of the band that bears his name, David Wax Museum—the other half is his wife and longtime musical partner Suz Slezak. The duo has been making records and touring the world for the past 15 years or so, largely independently and definitely marching to the beat of their own drummer. Their blend of Mexican-flavored folk and other traditional-sounding influences has been called “Mexo-Americana,” but that's really just a starting place. It's charming, engaging, and always searching. David Wax Museum's latest album is called You Must Change Your Life, and it was inspired by both a health scare that Wax had recently and by their choice of producer, Dan Molad, who's a member of Lucius, among other major accomplishments. Check out the title track from You Must Change Your Life right here. Perhaps you can hear how Wax might get along with today's other guest, Will Oldham. Oldham is of course known as the songwriting genius behind Palace Music and Bonnie Prince Billy, and he's been making timeless music since the early 1990s; his latest album is a collaboration with Bill Callahan called Blind Date Party. Oldham is also an actor, which is touched on in this conversation; you may have seen him in one of Kelly Reichardt's movies, or in A Ghost Story which, if you haven't seen it, please do, it's amazing.  In this conversation, Wax and Oldham talk about how they were able to connect at a folk festival. They talk about how Oldham exists sort of outside the machinery of the music business, and how that's helped and occasionally hurt (but mostly helped). They touch on the rare songs that Oldham has licensed for film and TV, and David asks Will to come to he and Suz's barn to play for a blindfolded audience. It'll make sense when you hear it. Thanks for listening to the Talkhouse Podcast, and thanks to David Wax and Will Oldham for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great written pieces we've got on Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by The Range. See you next time!