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Join me for some crunchy, delightful lessons on the space between preparation and chaos that every creative is destined to confront.Today on The Sage & The Song I'm sharing 6 lessons that crystalized for me in a season of heavy creative output. Artist residency, artist retreat, two great books on writing and many medias later, these lessons are here to invite us into our next level of beauty-making.See the photo journal of my trip to Oaxaca along with the written transmission of this piece on my Substack, Frequency First~ RESOURCES ~Get my weekly Museletter: encouragement in your inbox.Visit my virtual home: brittagreenviolet.comConnect on IG: @brittagreenvioletConnect on LinkedIn: @brittagudmunson
Justin reflects on a recent interview with Diplo about AI replacing singers and uses it as a doorway into a deeper conversation about art, product, beauty, and human value. He argues that art is not valuable because it sells or because it reaches technical perfection. Art matters because it comes from a human being in process. Drawing on examples from Diplo's collaborations, Billy Corgan's resistance to AI songwriting, CS Lewis on beauty, and Justin's own work coaching artists, this episode invites creators to resist the machine's value system and remember that the work is not the point. The human becoming through the work is. Links For Justin: Read Justin's Substack Order In The Low - NEW Book with Scott Erickson Coaching with Justin Order In Rest - New Book of Poems Order Sacred Strides JustinMcRoberts.com Support this podcast NEW Single - Let Go NEW Music - Sliver of Hope NEW Music - The Dood and The Bird The Book - It Is What You Make it Hearts and Minds Amazon Barnes and Noble
Visiting ISM Fellow Katie Anania discusses her work as an art historian with ISM student Remi Recchia. Dr. Anania covers her latest monograph in progress, Devour Everything: Feminist Art After Agriculture, explores expressions of feminism in art-making spaces, and highlights her upcoming April 10 ISM conference, “Plant Lives: Sacred Interdependencies in the Arts of the Americas.”
What use is art makingwhen freedom is under pressure?From the Center for the Study of Art and Community? This is Art is Change, a chronicle of art and social change where activist artists and cultural organizers share the strategies and skills they need to thrive as creative community leaders. My name is Bill ClevelandThis episode is part of a special Art In Action series we're producing in partnership with the Charles F. Kettering Foundation Democracy and the Arts program. In these episodes, we'll be speaking with artists, cultural organizers and arts leaders who are navigating and challenging current efforts to to limit free creative expression and free speech.Together, we'll explore what freedom of expression means in practice, not as an abstract right, but as a lived responsibility at the heart of democratic life.This show features my conversation with painter, organizer, educator and “root waterer” Jordan Seaberry,about what happens when art moves beyond decoration and entertainment and becomes a powerful civic practice for listening, organizing and building people power. Jordan's work, which spans painting, policy, comics, teaching and movement building, is all grounded in the conviction that human creativity is not extra.Along the way, we follow Jordan's journey from the south side of Chicago to the Rhode Island School of Design, otherwise known as RISD, to Oregon organizing around prisoners rights, studying at Roger Williams University School of Law, and helping lead the US Department of Art and Culture.In it we will learn about:* How Jordan's life as a painter and organizer came together from RISD disillusionment to grassroots organizing, law school teaching and cultural strategy.* Why listening is central to both art art and organizing. Whether the canvas becomes an ear or an organizer helps someone rehear their own life with dignity* How artists can generate real civic power by joining movements, helping build alternative systems, and challenging dominant institutions from both inside and the street.Notable MentionsPeopleJordan Seaberry — Painter, organizer, educator, and co-director at the U.S. Department of Arts and Culture, whose practice bridges painting, policy, comics, and movement work.Adam Horowitz — Founding leader in the creation of the U.S. Department of Arts and Culture's people-powered national framework.Arlene Goldbard — Writer, speaker, and longtime cultural activist who helped shape USDAC's founding vision.Gabriel Baez — Cultural organizer and early USDAC leader involved in its national development.Jonathan Highfield — RISD faculty member and an important mentor in Jordan's political and intellectual formation.Carlton Turner — Artist, organizer, and co-founder of Sipp Culture, building rural cultural infrastructure in Mississippi.Brandi Turner — Co-director of Sipp Culture and key partner in its community-rooted cultural work.Dan Denvir — Host of The Dig, the podcast Jordan names as a useful guide in making sense of the current political moment.Nadine Bloch — Activist, trainer, and creative strategist with Beautiful Trouble, mentioned in connection with artists against authoritarianism work.Michelle Alexander — Civil rights advocate and author of The New Jim Crow, one of the books Jordan cites as deeply influential.Richard Powers — Novelist and author of Bewilderment and The Overstory, both named in Jordan's recommendations.Jon Fogel — Author of Punishment-Free Parenting, which Jordan connects to broader questions of punishment and power.Kathryn Bigelow — Director of A House of Dynamite, the film Jordan references in thinking about the state and the individual.OrganizationsU.S. Department of Arts and Culture — A people-powered, non-governmental “performance piece” that prefigures what a real federal department of arts and culture could do in support of cultural democracy.Charles F. Kettering Foundation — Partner on the Art in Action series through its work connecting democracy, public life, and the arts.Democracy and the Arts at the Kettering Foundation — Kettering's focus area for integrating the power of the arts into democratic life locally, nationally, and internationally.Rhode Island School of Design (RISD) — Jordan's alma mater and now one of the places where he teaches.Jordan Seaberry at RISD — RISD faculty profile outlining his work as a painter, organizer, and educator.Roger Williams University School of Law — The law school where Jordan studied while deepening the connection between art, policy, and public life.“Radical Imagination, Radical Listening” at RWU Law — Profile of Jordan's path through Roger Williams and the role legal study played in his work.Sipp Culture — Mississippi-based cultural organization founded by Carlton and Brandi Turner, named here as a powerful example of alternative system building through art, food, land, and community.Beautiful Trouble — Creative strategy hub for activists and organizers, referenced in connection with USDAC collaborations.The Nonviolence Institute — Providence-based organization where Jordan served as director of public policy.Publications, media, and resourcesThe Dig — Socialist podcast Jordan cites as part of his effort to understand the current political landscape.Bewilderment — Richard Powers novel exploring empathy, climate grief, and the human relationship to the living world.The Overstory — Powers's earlier novel, invoked here as part of the same moral and ecological terrain.A House of Dynamite — Kathryn Bigelow's Netflix political thriller, which Jordan reads as a study in how governments can reduce ordinary people to pieces on a strategic board.The New Jim Crow — Michelle Alexander's landmark book on mass incarceration and racialized punishment in the United States.Punishment-Free Parenting — Jon Fogel's book, which Jordan links to deeper questions about discipline, punishment, and retribution.Related episodeArt Is Change, Episode 78 featuring Carlton Turner — Bill notes this earlier conversation in connection with Sipp Culture and Mississippi-rooted cultural organizing
Is Community-Based Artmaking at the Heart of Cultural Democracy?In this conversation, community arts organizer, educator and theater maker Matt Schwarzman describes his mission to make collaborative art making a regular, normal, expected part of everyday life. A movement that has quietly grown for decades, but now faces a new test in a time of democratic strain.Along the way, he traces his influences from John o' Neill and the Free Southern the to the grassroots cultural movements of the 1980s and 90s that helped shape a generation of artists who see culture not as decoration but as civic infrastructure.Matt's journey winds through several decades of cultural organizing from sea to era arts jobs in Philadelphia to community organizing in Oakland and youth theater in post Katrina New Orleans.Across these projects, a single thread emerges the idea that community arts is a learnable, cross sector civic practice, an amalgam of organizing, teaching and art making.In our conversation, we talk about:The influence of seminal cultural leaders like John O'Neal, whose minimalist storytelling and story circle methodology help build national networks of cultural democracyHow youth arts programs can serve as modern rites of passage that help young people claim civic voice and leadershipAnd how storytelling, imagination and collective creation are foundational skills for sustaining democratic life.Notable MentionsPeopleMat Schwarzman – Trinity City ArtsCommunity arts organizer, educator, theater maker, and co-creator of Trinity City Comics and A Beginner's Guide to Community-Based Arts.John O'Neal – SNCC Digital GatewayPlaywright, storyteller, organizer, and founder of Junebug Productions; a key influence on Schwarzman's understanding of cultural democracy and story circles.Keith Knight – K ChroniclesCartoonist and collaborator with Mat Schwarzman on A Beginner's Guide to Community-Based Arts.Rhodessa Jones – Cornell Arts & SciencesPerformer, teacher, and co-artistic director of Cultural Odyssey, cited in the episode through her theater work with formerly incarcerated women.Rinku SenOrganizer, strategist, and writer whose work at the Center for Third World Organizing helped shape Schwarzman's understanding of community organizing.Gary Delgado – American UniversityOrganizer, scholar, and founder of the Center for Third World Organizing; one of the people Schwarzman credits with teaching him organizing practice.Steve Prince – Studio WebsiteArtist and educator who worked with Trinity City Arts and helped mentor youth comic-makers on Trinity City Comics.Judith Malina – The Living TheatreCo-founder of the Living Theatre, referenced for her writing on the artist's role during periods of counter-revolution.Octavia E. Butler – Hachette author pageVisionary novelist whose Afrofuturist imagination and Parable novels deeply influence Schwarzman's current work.Robert M. Sapolsky – Stanford ProfileNeuroscientist and writer whose work on behavior, biology, and violence informs Schwarzman's thinking.PlacesNew Orleans / BolbanchaSchwarzman's home base and the setting for much of his current work; he names it as Bolbancha, “the place of many tongues.”PhiladelphiaCity where Schwarzman began his paid community arts work at Big Small Theater and connected with the Painted Bride Art Center.OaklandWhere Schwarzman trained in organizing through the Center for Third World Organizing and developed the East Bay Institute for Urban Arts.Alameda, CaliforniaBill Cleveland's home base, acknowledged in the episode as Ohlone land.San Francisco Bay AreaThe broader region where Schwarzman worked at New College of California and built his arts-and-organizing practice.EventsComprehensive Employment and Training Act (CETA)Federal jobs program that helped support the arts position Schwarzman took in Philadelphia in the mid-1980s.Hurricane KatrinaThe storm whose aftermath shaped Schwarzman's New Orleans youth theater work, including the Creative Forces Youth Theater Company.Chicago Conference of the Alliance for Cultural Democracy ArchiveReferenced in the episode as one of the gatherings that connected Schwarzman to a wider national arts-and-democracy network.Junebug Productions: Our StoryThe institutional home for John O'Neal's post–Free Southern Theater work, including the Junebug Jabbo Jones performances mentioned in the episode.PublicationsA Beginner's Guide to Community-Based Arts, 2nd EditionComics-illustrated guide co-authored by Mat Schwarzman and Keith Knight, designed to demystify community-based arts practice.Parable of the SowerOctavia Butler's novel, cited by Schwarzman as a major influence on Trinity City Comics and his interest in Afrofuturism.Behave: The Biology of Humans at Our Best and WorstRobert Sapolsky's wide-ranging study of the biological roots of behavior, referenced in the conversation as a current fascination.Do Dogs Laugh?Jake Page's popular science book on canine behavior, cited by Schwarzman in relation to theater, performance, and social roles.AcknowledgementsFrom Freesound.orgbeautiful or ominous music box.wav by xtrgamr -- https://freesound.org/s/268511/ -- License: Attribution 4.0Eerie Horror Background Music with Ominous Dark Atmosphere by Matio888 -- https://freesound.org/s/793481/ -- License: Attribution 4.0Audio Exerpt:"Don't Start Talking...Junebug Jabbo Jones”Stevenson J. Palfi's 1985 television adaptation of playwright/actor John O' Neal's bravura one-man theater piece."Don't Start Me Talking Or I'll Tell You Everything Know. Sayings From the Life and Writings of Junebug Jabbo Jones” was created by O' Neal as the final production of the Free Southern Theater, which had been formed in 1963 to be a cultural arm of the Civil Rights Movement.The play was developed in the community workshop-feedback style with O'Neal's principle collaborator, the theater director Steven Kent,#ANALOGLAB.ORG#ANALOG LAB#SOUTHEAST MEDIA PRODUCTION...
This is an invitation to remember the freedom you were born with. In this episode of the Rose Woman Podcast, we sit down with Lixuan An to explore what true freedom feels like in a real, lived body and life. Lixuan was born in Beijing, China, and came to the US at the age of 15 to enter University. After a 20 year stellar career in marketing and tech which took her around the world, a near death experience in 2005 completely changed the course of her life. Lixuan left the business world to embark on a two-decades long intensive study of philosophy, psychology, mysticism, religion, and a myriad of healing modalities, including ancient rituals, hypnosis and plant medicine. Today she is a highly regarded art curator, public speaker, spiritual teacher and mystical healer, and has helped thousands transform their lives. With her empathy, compassion, intuition, and guidance from ancestral and cosmic realms, Lixuan helps individuals to investigate and comprehend the root causes of their sufferings and to help them remove obstacles on their path to joy, peace, fulfillment, and unconditional love and wellbeing. Lixuan resides in Silicon Valley and in Sweden. She regularly leads transformational retreats and workshops worldwide. She works with individuals, groups, and organizations, and dedicates her life to the humble and simple joy of facilitating and witnessing the healing and expansion of humankind.So press play, come with an open heart, and let this episode be a gentle experiment in your own freedom. In this episode, we cover so many topics, including:(00:00:00) Opening Definition of Freedom(00:00:20) Introduction to the Episode(00:03:18) Stanislav Grof's Contributions and Holotropic Breathwork(00:05:40) Breathwork as a tool for Freedom(00:09:02) What is Freedom?(00:13:20) Compassionate Self‑Inquiry(00:17:02) Prayer: Healing through Love(00:21:07) Triggers as Soul Curriculum(00:22:57) Shift the Story & Take Action(00:24:53) Importance of Parenting and Ancestral Healing(00:27:19) Practical Steps in Achieving Freedom(00:30:18) Unwanted Recurring Events are Pointers to Areas Lacking Freedom(00:35:48) The Role of the Body in Freedom(00:41:08) Embodying Freedom and Transformation(00:44:44) Practices for Achieving Freedom(00:47:09) Impact on Art Making(00:49:10) Closing ThoughtsHelpful links:Lixuan An - To book private sessions, group workshops or retreats contact lixuanlive@gmail.comStan Grof - psychiatrist with over sixty years of experience in the research of non-ordinary states of consciousnessArlene Saman - Founder of One Heart WorldwideThich Nhat Hanh - Global spiritual leader, poet, and peace activistYour host:NEW Book by Christine: Mantra, Tantra, Ayahusaca: Ecstasy, Devotion, and the Return of the Holy Body. Available on Amazon and Spotify AudiobooksNEW Book by Christine: The Mystic Heart of Easter: A Four-Day Journey Through Love, Death, and Rebirth. Available on AmazonEaster Intensive: A Holy Week Journey with Christine Mason and Elizabeth Arolyn Walsh on April 2-5, 2025Bhakti House Immersion with Christine Mason and Adam Bauer, with Special Guests Christopher “Hareesh” Wallis and Peter Dawkins on May 17–27, 20262026 Living Tantra Online Course: An Introduction to Tantra, Neo Tantra and Sacred Sexuality, Starts March 10, 2026.Good Gathering Events at Sundari GardensBrought to you by Rosebud Woman, Award Winning Intimate and Body Care:Log in to the Rosebud Woman WebsiteThe Rosewoman Library: The Embodied Menopause & Intimacy LibraryBody Love Journal: The 9-Week Body Love JournalChristine Marie Mason@christinemariemason@rosebudwomanFounder, Rosebud WomanCo-Founder, Radiant Farms and Sundari GardensHost, The Rose Woman on Love and Liberation: Listen, Like, Share & Subscribe on Apple Podcast | Google Podcasts | Spotify Hosted on Acast. See acast.com/privacy for more information.
"All I wanted was time" - Tracey Emin, Strozzi Gallery DocumentaryToday I share a travel story for International Women's Day about a glorious art and life moment in Florence from 2025. There are beautiful things that happen along the way that stay with you. I reflect on my experience and joy while walking in the Centro Storico of Florence and discovering that there was an exhibition of Tracey Emin's work on that week at the Palazzo Strozzi. It had been a long time since I had seen her work and remembered her brilliant exhibition in Sydney in the early 2000s. Today I honour Women and Art and the creative genius of Tracey Emin. I describe the effect of seeing her work in real life as "subtle and profound" and always significant. When you see Emin's work in real life you don't forget. You remember everything.These days the Palazzo Strozzi has some wonderful exhibitions - Mark Rothko opens next week and more recently there was Fra Angelico. So make time to see what is happening at The Strozzi Gallery if you visit Firenze.And they have a nice cafe downstairs too that you can enjoy in the renaissance court yard. Enjoy, Michelle xA Florentine Cafe & Musings on Women and Art in ItalyShownotes A Writer in Italy InstagramSubstack - At My TableMichelle's BooksMusical Scores by Richard Johnston© 2026 A Writer In Italy - travel, books, art and lifeMusic Composed by Richard Johnston © 2026Support the show
Your nice hosts had an eventful time off from new episodes, but now they're back! So yeah, this is a long one...What The Show Did on Winter Break (2025-26)Boot the Dispute - a thing that solves your problems!YouTubeArt & Fear Observations on the Perils (and Rewards) of ArtmakingDavid Bayles and Ted OrlandLydia's WebsiteGlomNice Games ClubWhat Each of Us Did On Winter Break (2025-26)IDGATC Global Game Jam 2026Global Game JamThe first recorded character exploration of Henle, Lydia's D&D character, written over a year before the campaign started.Lydia finally started acting on the feedback the Nice Hosts gave on the memory mechanic she developed for D&D 5eUntitled Memory MechanicWebinar | Whose Game Is It Anyway? Live Learning Game Design ImprovYouTubeJunction Jam interest formStar Trek: The Cruise Blippo+The 50 best games of 2025PolygonThe 12 Best Video Games Of 2025KotakuThe best games of 2025AV ClubThe 25 Best Games Of 2025, RankedInverseThe Besties game of the year 2025 is...The BestiesBaby Steps leads 28th annual IGF Awards nominationsChris KerrGame DeveloperThe New York Game Awards 2026 Winners Have Been Revealed!Philip WatsonCGMagazine
Breath and Clay as a “house of refuge” from cultural noiseCommunity as collaboration, not organizationWhy the event works: clarity plus mysteryMakers show up with projects, not just opinionsReal-world outcomes: collaborations that keep growing after the weekendLetting fruit scatter without controlling the pipelineThe 2026 theme: Making Space https://www.thebreathandtheclay.comThe icon: the chairStephen's new book: How to See Invisible ThingsInner life and outer life of the artist“Border-walker” artists and the liminal, unresolved middleArt as a way of seeing, not a utilitarian productScarcity vs abundance as a spiritual and creative postureMary “treasuring” as a model for creation and formationBook excerpt: John Cage 4'33, Quaker silence, sacramental visionCall to action: make the investment, ditch something else, come to Winston-Salemhttps://www.thebreathandtheclay.com Links For Justin:Read Justin's SubstackOrder In The Low - NEW Book with Scott EricksonCoaching with JustinOrder In Rest - New Book of PoemsOrder Sacred StridesJustinMcRoberts.comSupport this podcastNEW Single - Let GoNEW Music - Sliver of HopeNEW Music - The Dood and The BirdThe Book - It Is What You Make itHearts and Minds Amazon Barnes and Noble
Montana von Fliss shares her expert strategies for appearing more confident, no matter what you're communicating.— YOU'LL LEARN — 1) How to override your critical self-talk2) The #1 habit most communicators neglect3) Three simple tips to upgrade your presenceSubscribe or visit AwesomeAtYourJob.com/ep1127 for clickable versions of the links below. — ABOUT MONTANA — Montana von Fliss is a keynote speaker, public speaking coach, and CEO of Montana & Co., where she and her team help people deliver the best presentations of their careers. Her TEDx talk How to Be Confident (Even If You're Not) has 3M+ views. With 17 years coaching at companies like Microsoft, Amazon, and Google, and 30+ years as an actor/director, Montana teaches speakers to show up with clarity, presence, and real confidence.• TEDx Talk: How to be confident (even if you're not) | Montana von Fliss | TEDxBellevueWomen• Website: MontanaVonFliss.com• YouTube: The Montana von Fliss Show— RESOURCES MENTIONED IN THE SHOW — • Book: Art & Fear: Observations On the Perils (and Rewards) of Artmaking by David Bayles and Ted Orland• Book: James (Pulitzer Prize Winner): A Novel by Percival Everett• Past episode: 477: Speaking Confidently and Effectively with Diane DiResta• Past episode: 1118: Finding Consistent Motivation to Turn Intention into Action with Chris Bailey— THANK YOU SPONSORS! — • Monarch.com. Get 50% off your first year on with the code AWESOME.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
What if the hardest days in the studio are not detours, but the path itself? We open up about the real fight behind the work—those sessions where flow vanishes, doubt gets loud, and the canvas refuses to cooperate—and why that tension can become your most reliable teacher. Drawing from Rashid Johnson's candid reflection with Carrie Scott on battling the work, we unpack the difference between inspiration and perspiration and why chasing “perfect” kills momentum.Along the way, we trade tools and stories: turning fight-or-flight into practical choices, switching pieces to redirect energy, and using rituals like Morning Pages, breath work, and device-free sessions to clear mental noise. Sun Tzu helps us name the real enemy—resistance expressed through fear and comparison—while Julia Cameron and Nick Cave remind us to cooperate with process, loosen our grip on control, and operate under the “cloud of artistic unknowing.” We talk about repainting, scrapping, and starting over, not as failure but as fidelity to the work's evolving voice.The thread tying it all together is permission. You don't need a bigger studio, pricier materials, or the perfect plan to make authentic art. You need consent to be where you are, to use what you have, and to let mystery lead when the plan breaks. If you've asked yourself, “Have I lost it?” you're in good company—and you're exactly where growth happens. Subscribe, share this with a friend who needs a nudge, and leave a review telling us how you keep the conversation with your work alive.The Episode from Carrie Scott with Rashid Johnson.https://www.youtube.com/watch?v=c41I_sre-UkSend us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg Watch the Video Episode on Youtube or Spotify, https://www.youtube.com/@JustMakeArtPodcast
Art-Making as Spiritual Practice: Rituals of Embodied Understanding (Bloomsbury Academic Press, 2025), edited by Professor David Newheiser, is a new collection asks if it's possible to consider art-making as a spiritual practice independent of explicit religious belief or content. Where earlier research has focused on the religious significance of secular artworks, this innovative volume turns its attention to the role of the artist, and to specific examples of art practices, putting them into conversation with ritual practices. By creating a web of connections that emerge across multiple disciplines and practices, a team of scholars and artists shed new light on the way art-making and ritual embody non-discursive forms of understanding. Drawing on the work of scholars who argue that ritual practice is central to religious identities, they use close analysis of specific examples to address philosophical issues about the nature of knowledge and spirituality and the relationship between them. Art-Making as Spiritual Practice is a rich and in-depth examination of the possibility that art has spiritual meanings that are endemic to the practice of art-making itself, establishing a new paradigm that changes the conversation surrounding the spiritual, if not religious, significance of art. Professor David Newheiser is a returning champion on New Books in Secularism—he joined us in 2020 to talk about his book Hope in a Secular Age: Deconstruction, Negative Theology, and the Future of Faith (Cambridge University Press, 2020) and in 2023 he told us about his edited collection, The Varieties of Atheism (University of Chicago Press, 2022). He is Associate Professor of Religion at Florida State University, with research that explores the role of religious traditions in debates over ethics, politics, and culture. He received a PhD in Religion from the University of Chicago and an MPhil in early Christian thought from Oxford. He is also co-editor of the Journal for the Academic Study of Religion. Art-Making as Spiritual Practice: Rituals of Embodied Understanding is an open source publication, available free from Bloomsbury Academic Press, here. … Carrie Lynn Evans is a PhD candidate at Université Laval in Quebec City. carrie-lynn.evans@lit.ulaval.ca @carrielynnland.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Art-Making as Spiritual Practice: Rituals of Embodied Understanding (Bloomsbury Academic Press, 2025), edited by Professor David Newheiser, is a new collection asks if it's possible to consider art-making as a spiritual practice independent of explicit religious belief or content. Where earlier research has focused on the religious significance of secular artworks, this innovative volume turns its attention to the role of the artist, and to specific examples of art practices, putting them into conversation with ritual practices. By creating a web of connections that emerge across multiple disciplines and practices, a team of scholars and artists shed new light on the way art-making and ritual embody non-discursive forms of understanding. Drawing on the work of scholars who argue that ritual practice is central to religious identities, they use close analysis of specific examples to address philosophical issues about the nature of knowledge and spirituality and the relationship between them. Art-Making as Spiritual Practice is a rich and in-depth examination of the possibility that art has spiritual meanings that are endemic to the practice of art-making itself, establishing a new paradigm that changes the conversation surrounding the spiritual, if not religious, significance of art. Professor David Newheiser is a returning champion on New Books in Secularism—he joined us in 2020 to talk about his book Hope in a Secular Age: Deconstruction, Negative Theology, and the Future of Faith (Cambridge University Press, 2020) and in 2023 he told us about his edited collection, The Varieties of Atheism (University of Chicago Press, 2022). He is Associate Professor of Religion at Florida State University, with research that explores the role of religious traditions in debates over ethics, politics, and culture. He received a PhD in Religion from the University of Chicago and an MPhil in early Christian thought from Oxford. He is also co-editor of the Journal for the Academic Study of Religion. Art-Making as Spiritual Practice: Rituals of Embodied Understanding is an open source publication, available free from Bloomsbury Academic Press, here. … Carrie Lynn Evans is a PhD candidate at Université Laval in Quebec City. carrie-lynn.evans@lit.ulaval.ca @carrielynnland.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Art-Making as Spiritual Practice: Rituals of Embodied Understanding (Bloomsbury Academic Press, 2025), edited by Professor David Newheiser, is a new collection asks if it's possible to consider art-making as a spiritual practice independent of explicit religious belief or content. Where earlier research has focused on the religious significance of secular artworks, this innovative volume turns its attention to the role of the artist, and to specific examples of art practices, putting them into conversation with ritual practices. By creating a web of connections that emerge across multiple disciplines and practices, a team of scholars and artists shed new light on the way art-making and ritual embody non-discursive forms of understanding. Drawing on the work of scholars who argue that ritual practice is central to religious identities, they use close analysis of specific examples to address philosophical issues about the nature of knowledge and spirituality and the relationship between them. Art-Making as Spiritual Practice is a rich and in-depth examination of the possibility that art has spiritual meanings that are endemic to the practice of art-making itself, establishing a new paradigm that changes the conversation surrounding the spiritual, if not religious, significance of art. Professor David Newheiser is a returning champion on New Books in Secularism—he joined us in 2020 to talk about his book Hope in a Secular Age: Deconstruction, Negative Theology, and the Future of Faith (Cambridge University Press, 2020) and in 2023 he told us about his edited collection, The Varieties of Atheism (University of Chicago Press, 2022). He is Associate Professor of Religion at Florida State University, with research that explores the role of religious traditions in debates over ethics, politics, and culture. He received a PhD in Religion from the University of Chicago and an MPhil in early Christian thought from Oxford. He is also co-editor of the Journal for the Academic Study of Religion. Art-Making as Spiritual Practice: Rituals of Embodied Understanding is an open source publication, available free from Bloomsbury Academic Press, here. … Carrie Lynn Evans is a PhD candidate at Université Laval in Quebec City. carrie-lynn.evans@lit.ulaval.ca @carrielynnland.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion
Art-Making as Spiritual Practice: Rituals of Embodied Understanding (Bloomsbury Academic Press, 2025), edited by Professor David Newheiser, is a new collection asks if it's possible to consider art-making as a spiritual practice independent of explicit religious belief or content. Where earlier research has focused on the religious significance of secular artworks, this innovative volume turns its attention to the role of the artist, and to specific examples of art practices, putting them into conversation with ritual practices. By creating a web of connections that emerge across multiple disciplines and practices, a team of scholars and artists shed new light on the way art-making and ritual embody non-discursive forms of understanding. Drawing on the work of scholars who argue that ritual practice is central to religious identities, they use close analysis of specific examples to address philosophical issues about the nature of knowledge and spirituality and the relationship between them. Art-Making as Spiritual Practice is a rich and in-depth examination of the possibility that art has spiritual meanings that are endemic to the practice of art-making itself, establishing a new paradigm that changes the conversation surrounding the spiritual, if not religious, significance of art. Professor David Newheiser is a returning champion on New Books in Secularism—he joined us in 2020 to talk about his book Hope in a Secular Age: Deconstruction, Negative Theology, and the Future of Faith (Cambridge University Press, 2020) and in 2023 he told us about his edited collection, The Varieties of Atheism (University of Chicago Press, 2022). He is Associate Professor of Religion at Florida State University, with research that explores the role of religious traditions in debates over ethics, politics, and culture. He received a PhD in Religion from the University of Chicago and an MPhil in early Christian thought from Oxford. He is also co-editor of the Journal for the Academic Study of Religion. Art-Making as Spiritual Practice: Rituals of Embodied Understanding is an open source publication, available free from Bloomsbury Academic Press, here. … Carrie Lynn Evans is a PhD candidate at Université Laval in Quebec City. carrie-lynn.evans@lit.ulaval.ca @carrielynnland.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/spiritual-practice-and-mindfulness
Art-Making as Spiritual Practice: Rituals of Embodied Understanding (Bloomsbury Academic Press, 2025), edited by Professor David Newheiser, is a new collection asks if it's possible to consider art-making as a spiritual practice independent of explicit religious belief or content. Where earlier research has focused on the religious significance of secular artworks, this innovative volume turns its attention to the role of the artist, and to specific examples of art practices, putting them into conversation with ritual practices. By creating a web of connections that emerge across multiple disciplines and practices, a team of scholars and artists shed new light on the way art-making and ritual embody non-discursive forms of understanding. Drawing on the work of scholars who argue that ritual practice is central to religious identities, they use close analysis of specific examples to address philosophical issues about the nature of knowledge and spirituality and the relationship between them. Art-Making as Spiritual Practice is a rich and in-depth examination of the possibility that art has spiritual meanings that are endemic to the practice of art-making itself, establishing a new paradigm that changes the conversation surrounding the spiritual, if not religious, significance of art. Professor David Newheiser is a returning champion on New Books in Secularism—he joined us in 2020 to talk about his book Hope in a Secular Age: Deconstruction, Negative Theology, and the Future of Faith (Cambridge University Press, 2020) and in 2023 he told us about his edited collection, The Varieties of Atheism (University of Chicago Press, 2022). He is Associate Professor of Religion at Florida State University, with research that explores the role of religious traditions in debates over ethics, politics, and culture. He received a PhD in Religion from the University of Chicago and an MPhil in early Christian thought from Oxford. He is also co-editor of the Journal for the Academic Study of Religion. Art-Making as Spiritual Practice: Rituals of Embodied Understanding is an open source publication, available free from Bloomsbury Academic Press, here. … Carrie Lynn Evans is a PhD candidate at Université Laval in Quebec City. carrie-lynn.evans@lit.ulaval.ca @carrielynnland.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/secularism
His huge steel sculptures have graced Black Rock City for decades, then found forever homes in cities, festivals, and private collections around the world.Hear veteran structural sculptor Michael Christian go deep and wide about his Burning Man art, from a Bone Arch to a 65-foot tall tower.He shares about his installation "Down the Drain," a commentary on human alignment or misalignment... or maybe it's about toilets blowing kisses at each other! He talks with Stuart about the shift from a "lone artist" mindset to community collaboration, and how to get everything done despite a storm or a lost box of bolts. They tinker with the qualities of hubris and humility. They get real about why they keep returning to the collective happening in the dust.How does he follow intuition more than a thesis? How does he discover the meaning of his art only after he has built it? How did ‘out of the box' thinking become a 30 year career? These questions are answered with more questions in this episode right here.https://www.michaelchristian.com LIVE.BURNINGMAN.ORG
What if the scariest threat we face isn't some monster outside—but the quiet, invisible loss of our own power to act?In a world wired to exploit our fear, reclaiming our agency has never been more urgent—or more human. This episode dives deep into how fear hijacks our brains, and how imagination and creativity can reconnect us to each other and to our own capacity for action. If you're feeling overwhelmed, this is the grounding message you need.Discover why making things—from pots to poems—can literally rewire your brain and restore hope.Learn how shared creativity offers an ancient antidote to the MAGA Fear Machine.Hear why artists and makers are uniquely positioned to help shift us from panic to possibility.Join us as we explore how reclaiming your creative spark can tip the balance from fear to agency—one act of making at a time.Notable Mentions Events / Concepts Fight–Flight–Freeze Response – The brain's survival-based reaction to fear, narrowing our thinking and heightening stress responses.The Deep State – Used here as a metaphor for politically charged fear narratives in American culture.Zombie Apocalypse – A metaphor representing panic-driven narratives that fuel division and fear.Neuroplasticity – The brain's ability to rewire itself in response to experiences like storytelling and making art.2. Organizations· The Center for the Study of Art & Community – Producer of Art is Change, the center supports artists and cultural workers in community transformation.Art is Change (Podcast) – A series focused on how arts and imagination intersect with democracy, agency, and resistance.Freesound.org – A collaborative sound library providing many of the podcast's creative sound effects.3. Publications / Knowledge Resources· Neuroscience of Creativity & Agency – Explains how artistic practice stimulates brain function and fosters resilience.The Amygdala – The brain's emotional alarm center, highlighted as central to how fear takes hold in the episode.The Prefrontal Cortex – The reasoning part of the brain that gets suppressed under fear-based conditions.Evolutionary Cooperation & Collective Creativity – Scientific support for the idea that group...
HT2442 - Limitations Money is limited. Time is limited. Access is limited. Equipment is limited. Techniques are limited. It's a wonder we can get anything done with all these limitations. But that's the thing about the art life, we are surrounded by limitations that conspire to interfere with our productivity. If we let these limitations inhibit our work, it's not the limitations that need to be removed, but rather our willingness to allow those limitations to intimidate us. Artmaking is always about what we can do, not about what we can't. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!
What if art could help you heal from the inside out?In this week's episode of Women Awakening, Cynthia James welcomes Helen Bradley, a creative life coach, expressive arts facilitator, and founder of Playful Art Studio in Agoura Hills, California. Helen opens up about her early years surrounded by art, animals, and play—and how those experiences shaped her lifelong connection to creativity.After two decades in spiritual work, Helen felt called to step fully into her creative path. Her programs, Paint Big and The Mystery of Self-Healing Through Art Making, guide people to explore painting, journaling, and movement as tools for transformation.Discover how art can help silence the inner critic, process emotions, and restore balance between the heart and mind. Watch the episode of The Power of Creative Healing: Awakening Your True Self Through.Enjoy the podcast? Subscribe and leave a 5-star review.Helen Bradley is a Creativity Life Coach, Expressive Arts Facilitator, and founder of Playful Art Studio in Agoura Hills, California. She creates safe, sacred spaces where people discover freedom and healing through painting, journaling, and creative expression. Her signature program, Paint BIG, invites participants to step up to giant canvases and experience transformation from the inside out. Helen is also preparing to lead her new six-week online immersion, The Mystery of Self-Healing through Art Making, where participants worldwide will explore art as a pathway to awakening and wholeness.Website: https://www.playfulartstudio.comCynthia James is a transformational speaker, emotional integration coach, and host of the Women Awakening podcast. With a background as a former actress and Star Search champion, she brings creativity and depth to her work. Cynthia holds master's degrees in consciousness studies and spiritual psychology, and she's the author of multiple bestselling books, including I Choose Me. Through her global retreats, coaching, and speaking, she helps women step into their power, live authentically, and lead with purpose.Connect with Cynthia James:Website: https://www.cynthiajames.net/LinkedIn: https://www.linkedin.com/company/cynthia-james-enterprises/YouTube: https://www.youtube.com/user/WhatWillSetYouFreeInstagram: https://www.instagram.com/cynthiajames777/Facebook: https://www.facebook.com/cynthiajamestransforms
Coffee, rain, and a table full of half-built ideas set the stage for a candid deep dive into how artists actually move work forward in our second conversation at Poolhaus studio. We trade the comfort of endless polishing for a stubborn rule—get to the next step sooner—and unpack how that one shift stops overworking, preserves strong moments, and helps a real body of work take shape. Along the way, we turn useful decisions into mantras, write them on the wall, and repeat them when stamina dips. The goal isn't perfection; it's momentum with intention.We also open the door on critique: how to build a trusted brain trust, weight feedback from mentors versus peers, and curate with clear eyes when your favorite new experiment ranks dead last. Likes are not the art world, and honest notes from people who know your context can be the difference between a scattered show and a resonant one. Confidence matters too—not as posturing, but as fluency in your own language. We talk about answering tough questions from curators, claiming simple choices with conviction, and studying both your work and the person making it.Life intrudes. A recent loss in the recovery community brings the conversation to grief, meaning, and the privilege of making anyway. Borrowing strength from Nick Cave's reflections on grief as an exalted, remaking state, we choose boldness over hesitation and practice that isn't conditional on perfect circumstances. Stock your studio with wisdom like winter coats: books, notes, mentors, and sentences that steady you when the weather turns. Then finish the damn thing, explore the dancing sparks, and move to the next with courage and care.If this resonates, follow the show, share it with an artist who needs a nudge, and leave a quick review so more makers can find it. What mantra keeps you moving?Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg
My Art Tools is a new segment where I ask artists about their preferred materials, their instruments of choice, where and when they like to use them. Artists think with their hands. Following their gestures and learning about their techniques tells us a lot about following one's vision, about the pleasures of trusting an instinct, and the resilience it takes to work creatively.I ask artists a simple question. In an endearingly geeky manner, the answers reveal fantastic methods and unimaginable stories. A big plus: hilarious little incidents and big misadventures that lead to a breakthrough, or a new possibility. Oh, the question? “What tool do your swear by to make your art?”This focus brings to the surface the importance of things we don't mention, but also the mechanics of the mind, I'm told. The answers are… unexpected. You'll be as surprised as I was to see what Marina Roca Díe and Anouk Mercier chose as their weapon of choice, you know, the thing to make the stuff.What you get from this episode: Have you ever thought about the stuff art is made of? Wondered how artists make what you see in museums and galleries? How they train their hand, eye, body? Artmaking revelations, art techniques, lessons in resilience, art philosophies, ethical questions.→ SIGN UP TO THE EXHIBITIONISTAS FILES: https://joanaprneves.substack.com/s/exhibitionistasYou'll know all about the artists, backstage information and much much more. All the references in the episode are linked there too. Plus, you get to explore all my published texts.→ For our third season, we're working with intern production assistants for the first time. Your donations will contribute to pay for their work: https://exhibitionistaspodcast.com/support-usIf you appreciate my work, why not buy me a coffee? It's a nice way to show your appreciation without having to commit to a membership: https://buymeacoffee.com/exhibitionistaFor behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcastBluesky: @exhibitionistas.bsky.socialexhibitionistaspod@gmail.com#contemporaryart #marinarocadie #howtomakeart #artexhibitions #anoukmercier #exhibitionistas #exhibitionistaspodcast #joanaprneves #artbook #artbookclub #bookclub #painting #contemporarypainting #londonart #museum #londonmuseum #artpodcast #artconversations #arttalk #talkart #greatwomenartists #spanishartist #drawing #museums #artisttalk #artpodcast #artgallery
How does artmaking serve as a pathway for reclaiming our sense of agency?How do we practice boundaries and self-care as performers?How do we tend to our creative well and emotional health through entrepreneurship?In this super fun and alive conversation with creative coach and luminary Jamie Ridler, we explored the meeting places between art and magic.We discussed:
How does artmaking connect us with greater intelligence?How does one overcome creative blocks?What is the role of paying attention in the collective healing?In this fireside chat, intuitive tarot reader and therapist Mallory Dowd joined me to talk about The Artist's Way, a text written by Julia Cameron that we both love and revisit often.We discussed:
Text us & tell us about your Spirit Path now! You can also ask on topic questions here.In this episode Faern reminds us of why we have a path practice and why this is so important right now. She also gives us concrete examples on what we can add to our practices.These are the previous episodes Faern mentions within today's topic. One quick thing to note- these are from exactly when we changed the name of this podcast- so the intro is old.THE MORNING INTENTION IS ESSENTIALpart 2 THE ART OF SETTING INTENTIONSpart 3 THE ART OF SETTING INTENTIONSThank you for listening,The Spirits Path Podcast TeamSupport the show
What is the heart of Leo?How does personal transformation contribute to collective sovereignty?What does it mean to choose joyous, authentic self-expression in late-stage capitalism?In this episode, I invited healing medium and award-winning composer Eric Schackne to explore the archetype of Leo, their Sun sign. We discussed themes of shifting identities and multi-dimensional healing & artistic practices through the lens of Leo, filtered through the Chandra symbols for Eric's Sun, Mercury, and Mars placements in Leo.Eric's warmth, generosity, and regal sense of humor really came through in this conversation, and I couldn't stop smiling whenever I revisit this conversation.Here's Eric's bio:Eric Schackne is a healing medium, energetic channeler, spaceholder, organizer, teacher, student, award-winning composer, producer, and fifteen other things. They are the queerest straight-faced goof you will ever meet and thrive when able to weave levity and humor into their heart-centered facilitation style.Lands and waters that have held and shaped Eric are ancestral to the Tequesta, Miccosukee, Seminole, Mascogo, Taíno(Florida) and Tataviam, Tongva, Chumash(Los Angeles). Eric's praxis is guided by animist and ecological frameworks, Indigenous precepts, somatic abolitionist and collective liberatory practices, and a bunch of other juicy buzzwords.In 2023 Eric opened their practice for healing and divination called Trans Alchemy as a way to provide access to healing spaces and be useless to capitalism. Check out their Patreon where they offer a free guided embodiment meditation every month ~ Patreon.com/TransAlchemyOfficialLINKS: Join Eric's Patreon: Patreon.com/TransAlchemyOfficialListen to & support Eric's music on Bandcamp: https://ericschackne.bandcamp.com/ If you've enjoyed and benefited from the podcast, I invite you to apply for private mentorship and coaching with me. This is an intensive container, designed to support you in refining your self-leadership skills, moving through important life thresholds with grace, and expanding your capacity for creative expansions.Try the incredible breathwork and meditation app Open for 30 days free using this special link. This podcast is hosted, produced, and edited by Jonathan Koe. Theme music is also composed by me! Connect with me through my newsletter, my Instagram @jonathankoeofficial, and my music. For podcast-related inquiries, email me at healingthespiritpodcast@gmail.com.
Art educator Joel Scholten returns to the show for a fun, insightful conversation about longevity in teaching, embracing creativity, and making meaningful connections—in and out of the classroom. He gives a behind-the-scenes look at the hilarious promotional reels he created for the upcoming Art Ed NOW Conference, and what participants can expect from his hands-on artmaking session that starts the Main event. The conversation also dives in to practical advice for traveling art teachers, innovative cleanup strategies, and why routines are foundational to building student relationships and classroom success. Resources and Links Watch Joel's Let Creativity Reign reel See the Art of Ed's FLEX Curriculum Learn more about the Art Ed NOW Conference Follow Joel on Instagram and TikTok
Ep. 188 (Part 2 of 2) | Dr. Sally Adnams Jones has pioneered the field of art therapy as an agent of transformation and healing, choosing to work particularly with people living with no economic infrastructure: refugees, and victims of natural disasters, genocide, war, pandemics, and more. What Sally has found is that creating art within a community works miracles for the dispossessed and traumatized, in that it provides an embodied, practical method of engendering feelings of pride, a sense of belonging, finding one's voice, and perceiving the future as something one can affect and shape. In fact, this work is applicable to everyone everywhere—it is in accessing our creativity that we come to ask, “How do we start to build the world we need?” An Integral Taoist, Sally shares her perspective on the yin and yang of creativity, explaining that ultimately, creativity is emergence working through the human body.At the heart of Integral Taoism is an understanding that the nature of emergence itself is to become aware of your polarity and integrate it. The more you do that, the more creative you become. The discussion transitions from the dance of polarity in creativity to how the polarities of yin and yang are playing out in politics today. Sally is a Canadian therapist and exceptionally well informed about politics—here we gain a perspective on current U.S. – Canadian relations and world politics that is revelatory. Recorded May 29, 2025.“Every single Canadian is deeply traumatized right now.”Topics & Time Stamps – Part 2How the movement between parts and whole, yin and yang, plays out in politics (01:21)The threat to Canada's sovereignty, what Canada is doing in response, and Canada's unifying, integral leader (03:12)How did it feel when Trump started talking about annexing Canada? (06:44)Under the Trump regime, the U.S. has become an arms dealer (10:21)How Sally's growing up in South Africa under constant threat of civil war informs her views of fascism and the reversal of the American ideal of democracy (13:12)Advice for political resisters: establish a line that cannot be crossed (18:54)Coordinated resistance to the U.S. from external sources (24:14)Global politics, macroeconomics, and the rise of authoritarianism (27:36)Misinformation and the radicalization of young white men through the fourth estate (30:22)New challenges we face with fascism, and why American tech bros think Western Civilization is under threat (34:54)The future: who has control of the skies? (39:49)What is the most strategic thing one can do? (41:16)How do you stay grounded and balanced? Learning self-regulation, connecting with nature (43:56)Resources & References – Part 2Sally Adnams Jones, Art-Making with Refugees and Survivors: Creative and Transformative Responses to Trauma After Natural Disasters, War and Other CrisesSally's website: sallyadnamsjones.com Sally's podcast: Radical Emergence
Ep. 187 (Part 1 of 2) | Dr. Sally Adnams Jones has pioneered the field of art therapy as an agent of transformation and healing, choosing to work particularly with people living with no economic infrastructure: refugees, and victims of natural disasters, genocide, war, pandemics, and more. What Sally has found is that creating art within a community works miracles for the dispossessed and traumatized, in that it provides an embodied, practical method of engendering feelings of pride, a sense of belonging, finding one's voice, and perceiving the future as something one can affect and shape. In fact, this work is applicable to everyone everywhere—it is in accessing our creativity that we come to ask, “How do we start to build the world we need?” An Integral Taoist, Sally shares her perspective on the yin and yang of creativity, explaining that ultimately, creativity is emergence working through the human body.At the heart of Integral Taoism is an understanding that the nature of emergence itself is to become aware of your polarity and integrate it. The more you do that, the more creative you become. The discussion transitions from the dance of polarity in creativity to how the polarities of yin and yang are playing out in politics today. Sally is a Canadian therapist and exceptionally well informed about politics—here we gain a perspective on current U.S. – Canadian relations and world politics that is revelatory. Recorded May 29, 2025.“The basis of self-esteem is agency—and how you find agency is finding your hands, your heart, and your voice.”Topics & Time Stamps – Part 1Introducing Dr. Sally Adnams Jones, pioneer of transformation through creativity, psycho-spiritual educator, artist, author (00:56)How did Sally come to this work? Every kind of trauma exists in South Africa (01:58)Sally's book, Art-Making with Refugees and Survivors, is about how to access our creativity when we've been dispossessed and dislocated, with no agency left (05:11)Using your hands to access pre-verbal trauma: it starts with the thumb/hand/brain connection (07:07)Building self-esteem, pride, community, and hope through creating art (09:02)How does Sally build trust going into indigenous communities? (12:20)What happened to our creativity? In the modern era, we started discounting the right hemisphere (18:05)De-gendering creativity (20:43)Integral Taoism: understanding that the nature of emergence is to become aware of your polarity and integrate it (22:44)At the lower chakras, masculine and feminine come together as procreative; at the higher levels as creative (25:58)The ultimate understanding is about the mystery, an embodied channel to the divine (28:53)Creativity: emergence working through the human body (29:55)How do we potentiate through our body? Through understanding polarity principles (32:08)Sally's initiation to Integral Taoism in a park in Beijing, China (36:49)As an integrally informed Canadian therapist, what does Sally think about current U.S./Canada politics? (41:51)Polarization, and how polarities and yin/yang play out in politics (44:16)Resources & References – Part 1Sally Adnams Jones, Art-Making with Refugees and Survivors: Creative and Transformative Responses to Trauma After...
Check out Caren Sacks inspiring children's book, Draw Paint Tell at https://www.amazon.com/Draw-Paint-Tell-Caren-Sacks/dp/1637551843/ref=sr_1_3? Episode Timestamps: [00:00] - Intro [01:03] - Get to Know Caren Sacks [02:35] - What is Art Therapy? [05:12] - Benefits of Art Therapy for Kids and Teens [07:28] - The Science Behind Art [10:58] - What Happens in an Art Therapy Session [14:13] - Art Therapy vs. Art Making [20:30] - Episode Recap [21:24] - Outro Create, heal, and grow with art! Have you ever thought of art as a form of self-care? For many, picking up a pencil or paintbrush isn't just fun—it's a simple way to let feelings out, ease stress, and calm the mind. That's the idea behind art therapy: healing through creativity. In this episode, The Holistic Kids and Caren Sacks explore how art can be a powerful tool for expression, healing, and building confidence in both kids and adults. Caren Sacks is a licensed Creative Arts Therapist and Psychotherapist with more than 35 years of experience supporting people of all ages. She helps clients work through challenges like anxiety, depression, life changes, and loss. In her practice, Caren combines talk therapy with creative art-making to create a safe and welcoming space where individuals can express themselves and begin to heal. She believes that using both words and creativity can be powerful tools for growth and healing. Learn more about Caren Sacks at https://www.carensacks.com/, or follow her on social media @drawpainttell — Learn more about Dr. Madiha Saeed at https://holisticmommd.com, or follow her on social media @HolisticMomMD
Ryan and Becca return for the fifth chapter of the podcast book club, diving into Art & Fear: Observations on the Perils (and Rewards) of Artmaking by David Bayles and Ted Orland. Joined once again by Taylor Swilley, they unpack key takeaways and reflect on how the book's themes resonate with their own creative practices and businesses.Our next book club selection is Boy in a China Shop: Life, Clay and Everything by Keith Brymer Jones with plans to release the episode in July or August. See all the books we've covered on Becca's Amazon list at https://amzn.to/3X5yZOXSponsorsL&L Kilns - The durable kiln that potters trust to fire evenly & consistently. Find your L&L kiln at hotkilns.comSpeedball Ceramics - Try the new mid-fire glazes, artist-collaboration plastic bats, and browse their wide selection of products at speedballart.comSmith Sharpe Refractory - Find out which Advancer Kiln Shelves are right for you at kilnshelf.com.Support the show on Patreon for as little as $3 per month: https://patreon.com/WheeltalkpodcastFollow us on Instagram:@wheeltalkpodcast@rdceramics@5linespotteryVisit our website:www.wheeltalkpotcast.comWheel Talk YouTube Channel
Text us & tell us about your Spirit Path now!If you didn't hear our last episode head over HERE after listening to the new episode. It will give you a little background on Faern's choice of topic.How to create Art as Spiritual Practice is not something that is spoken about all that much so here are some of Faern's ideas on how to do it.Thanks for listening,the Spirits Path Podcast teamSupport the show
Tales of a Red Clay Rambler: A pottery and ceramic art podcast
To start our 14th season of the podcast we have a panel featuring guest host Kathy King talking with Dustin Yaeger, Joy Kin, and Connor Czora in front of a live studio audience at this year's NCECA conference in Salt Lake City. Philosopher and educator John Dewey wrote, “The self is not something ready-made, but something in continuous formation through choice of action.” Today's episode explores the self-revelation that happens through art making, and how recent societal and political changes are impacting LGBTQIA+ artists. Special thanks to NCECA for co-producing this episode and to Cole Collier for running the sound for the podcast room this year. I want to send out a special shout out to today's host Kathy King, along with Matt and Rose Katz to congratulate them on their 100th episode of For Flux Sake. That dropped this week and is available on all major podcast apps. I've had a great time making that show with them over the last four years and I'm proud that they are a part of the Brickyard Network. If you'd like to check out their back catalogue visit www.brickyardnetwork.org. Today's episode is brought to you by the following sponsors: The Rosenfield Collection of Functional Ceramic Art www.Rosenfieldcollection.com Cornell Studio Supply www.cornellstudiosupply.com Bray Clay www.archiebrayclay.com
290. Creative Transformation: What Thirteen Years of Daily Artmaking Taught Me In this episode of Creative Chats, Mike Brennan shares his personal journey of creativity over the past 13 years, emphasizing the importance of consistency, self-discovery, and the transformative power of engaging with one's creativity. He discusses the Daily Creative Habit, the challenges of showing up daily, and how creativity can reflect life experiences. Mike encourages listeners to embrace their creative journeys, regardless of their current state, and to start creating even when they don't feel ready. 3 Key Takeaways:
We're shaking things up with a special "book review" episode of The Shortlist! This week, Wendy Simmons is joined by Middle of Sixers Susan O'Leary, Lauren Jane Peterson, and Grace Takehara to explore insights from three influential reads that can inspire AEC marketers. Grace reviews Conquer Your Rebrand by Bill Kenney of Focus Labs, offering strategies to build strong, enviable B2B brands. Susan shares key takeaways from Seth Godin's This is Marketing, focusing on authentic connection and purposeful messaging. Lauren Jane discusses Art & Fear: Observations on the Perils (and Rewards) of Artmaking by David Bayles and Ted Orland, reflecting on the challenges and triumphs of the creative process.If you're looking to boost your creativity, sharpen your marketing strategy, or rethink your firm's brand identity, this episode is your CliffNotes for some Middle of Six-recommended reads.CPSM CEU Credits: 0.5 | Domain: 2
Director Andrew Ahn is back for a three-peat with his new film The Wedding Banquet, a re-imagining of Ang Lee's 1993 classic. We chat with Ahn about his updates to the original to capture the new nuances of queer lives today, get behind the scenes tidbits of his time working with his incredible AAvengers cast, and see how the original and his remake have shaped him on a personal level. The Wedding Banquet is currently premiering in the United States, get tickets in the cinema! Get married at our FREE patreon, discord server, and our socials @ www.deepcutpod.comTimestamps:(00:00:00) Intro(00:02:13) Film Synopsis(00:03:00) General Reactions (spoiler-free)(00:05:42) Spoiler warning (for both films)(00:06:21) Interview begins(00:12:45) Reimagining The Wedding Banquet(00:13:38) Ahn's first encounter with the original(00:15:19) Adapting with James Schamus(00:17:14) Ahn's updates to the original(00:23:05) Stylistic shifts(00:26:13) New concerns for an evolving queer audience(00:27:48) The films' endings(00:33:07) New families(00:34:06) The original being more subversive(00:36:00) Watching Ahn's version before Ang's(00:36:54) Connection between Ahn's features(00:38:40) Giving actors their due(00:41:29) Casting the ensemble(00:46:32) Good acting vs most acting(00:48:54) Directing a scene(00:52:01) Editing(00:53:41) Modern gay rom coms(00:55:28) Landscape and location(00:58:44) Coincidences(01:01:49) Has Ang Lee seen the remake?(01:03:19) Eat Drink Man Woman Sidebar(01:05:36) Cinematography(01:08:34) Favorite moment on set(01:11:23) Artmaking as personal diary(01:15:36) The artwork in the film(01:16:19) Directing Youn Yuh-jung(01:18:09) Good filmmaking(01:19:58) Wrap-up
“Art is a form of prayer … a way to enter into relationship.”Artist and theologian Bruce Herman reflects on the sacred vocation of making, resisting consumerism, and the divine invitation to become co-creators. From Mark Rothko to Rainer Maria Rilke, to Andres Serrano's “Piss Christ” and T.S. Eliot's Four Quartets, he comments on the holy risk of artmaking and the sacred fire of creative origination.Together with Evan Rosa, Bruce Herman explores the divine vocation of art making as resistance to consumer culture and passive living. In this deeply poetic and wide-ranging conversation—and drawing from his book *Makers by Nature—*he invites us into a vision of art not as individual genius or commodity, but as service, dialogue, and co-creation rooted in love, not fear. They touch on ancient questions of human identity and desire, the creative implications of being made in the image of God, Buber's I and Thou, the scandal of the cross, Eliot's divine fire, Rothko's melancholy ecstasy, and how even making a loaf of bread can be a form of holy protest. A profound reflection on what it means to be human, and how we might change our lives—through beauty, vulnerability, and relational making.Episode Highlights“We are made by a Maker to be makers.”“ I think hope is being stolen from us Surreptitiously moment by moment hour by hour day by day.”“There is no them. There is only us.”“The work itself has a life of its own.”“Art that serves a community.”“You must change your life.” —Rilke, recited by Bruce Herman in reflection on the transformative power of art.“When we're not making something, we're not whole. We're not healthy.”“Making art is a form of prayer. It's a form of entering into relationship.”“Art is not for the artist—any more than it's for anyone else. The work stands apart. It has its own voice.”“We're not merely consumers—we're made by a Maker to be makers.”“The ultimate act of art is hospitality.”Topics and ThemesHuman beings are born to create and make meaningArt as theological dialogue and spiritual resistanceCreative practice as a form of love and worshipChristian art and culture in dialogue with contemporary issuesPassive consumption vs. active creationHow to engage with provocative art faithfullyThe role of beauty, mystery, and risk in the creative processArt that changes you spiritually, emotionally, and intellectuallyThe sacred vocation of the artist in a consumerist worldHow poetry and painting open up divine encounter, particularly in Rainer Maria Rilke's “Archaic Torso of Apollo”Four Quartets and spiritual longing in modern poetryHospitality, submission, and service as aesthetic posturesModern culture's sickness and art as medicineEncountering the cross through contemporary artistic imagination“Archaic Torso of Apollo”Rainer Maria Rilke 1875 –1926We cannot know his legendary head with eyes like ripening fruit. And yet his torso is still suffused with brilliance from inside, like a lamp, in which his gaze, now turned to low, gleams in all its power. Otherwise the curved breast could not dazzle you so, nor could a smile run through the placid hips and thighs to that dark center where procreation flared. Otherwise this stone would seem defaced beneath the translucent cascade of the shoulders and would not glisten like a wild beast's fur: would not, from all the borders of itself, burst like a star: for here there is no place that does not see you. You must change your life.About Bruce HermanBruce Herman is a painter, writer, educator, and speaker. His art has been shown in more than 150 exhibitions—nationally in many US cities, including New York, Boston, Washington, Chicago, Los Angeles, and Houston—and internationally in England, Japan, Hong Kong, Italy, Canada, and Israel. His artwork is featured in many public and private art collections including the Vatican Museum of Modern Religious Art in Rome; The Cincinnati Museum of Fine Arts print collection; The Grunewald Print Collection of the Hammer Museum, Los Angeles; DeCordova Museum in Boston; the Cape Ann Museum; and in many colleges and universities throughout the United States and Canada.Herman taught at Gordon College for nearly four decades, and is the founding chair of the Art Department there. He held the Lothlórien Distinguished Chair in Fine Arts for more than fifteen years, and continues to curate exhibitions and manage the College art collection there. Herman completed both BFA and MFA degrees at Boston University College of Fine Arts under American artists Philip Guston, James Weeks, David Aronson, Reed Kay, and Arthur Polonsky. He was named Boston University College of Fine Arts Distinguished Alumnus of the Year 2006.Herman's art may be found in dozens of journals, popular magazines, newspapers, and online art features. He and co-author Walter Hansen wrote the book Through Your Eyes, 2013, Grand Rapids, Wm. B. Eerdmans Publishing, a thirty-year retrospective of Herman's art as seen through the eyes of his most dedicated collector.To learn more, explore A Video Portrait of the Artist and My Process – An Essay by Bruce Herman.Books by Bruce Herman*Makers by Nature: Letters from a Master Painter on Faith, Hope, and Art* (2025) *Ordinary Saints (*2018) *Through Your Eyes: The Art of Bruce Herman (2013) *QU4RTETS with Makoto Fujimura, Bruce Herman, Christopher Theofanidis, Jeremy Begbie (2012) A Broken Beauty (2006)Show NotesBruce Herman on Human Identity as MakersWe are created in the image of God—the ultimate “I Am”—and thus made to create.“We are made by a Maker to be makers.”To deny our creative impulse is to risk a deep form of spiritual unhealth.Making is not just for the “artist”—everyone is born with the capacity to make.Theological Themes and Philosophical FrameworksInfluences include Martin Buber's “I and Thou,” René Girard's scapegoating theory, and the image of God in Genesis.“We don't really exist for ourselves. We exist in the space between us.”The divine invitation is relational, not autonomous.Desire, imitation, and submission form the core of our relational anthropology.Art as Resistance to Consumerism“We begin to enter into illness when we become mere consumers.”Art Versus PropagandaCulture is sickened by passive consumption, entertainment addiction, and aesthetic commodification.Making a loaf of bread, carving wood, or crafting a cocktail are acts of cultural resistance.Desire“Anything is resistance… Anything is a protest against passive consumption.”Art as Dialogue and Submission“Making art is a form of prayer. It's a form of entering into relationship.”Submission—though culturally maligned—is a necessary posture in love and art.Engaging with art requires openness to transformation.“If you want to really receive what a poem is communicating, you have to submit to it.”The Transformative Power of Encountering ArtQuoting Rilke's Archaic Torso of Apollo: “You must change your life.”True art sees the viewer and invites them to become something more.Herman's own transformative moment came unexpectedly in front of a Rothko painting.“The best part of my work is outside of my control.”Scandal, Offense, and the Cross in ArtAnalyzing Andres Serrano's Piss Christ as a sincere meditation on the commercialization of the cross.“Does the crucifixion still carry sacred weight—or has it been reduced to jewelry?”Art should provoke—but out of love, not self-aggrandizement or malice.“The cross is an offense. Paul says so. But it's the power of God for those being saved.”Beauty, Suffering, and Holy RiskEncounter with art can arise from personal or collective suffering.Bruce references Christian Wiman and Walker Percy as artists opened by pain.“Sometimes it takes catastrophe to open us up again.”Great art offers not escape, but transformation through vulnerability.The Fire and the Rose: T. S. Eliot's InfluenceFour Quartets shaped Herman's artistic and theological imagination.Eliot's poetry is contemplative, musical, liturgical, and steeped in paradox.“To be redeemed from fire by fire… when the fire and the rose are one.”The collaborative Quartets project with Makoto Fujimura and Chris Theofanidis honors Eliot's poetic vision.Living and Creating from Love, Not Fear“Make from love, not fear.”Fear-driven art (or politics) leads to manipulation and despair.Acts of love include cooking, serving, sharing, and creating for others.“The ultimate act of art is hospitality.”Media & Intellectual ReferencesMakers by Nature by Bruce HermanFour Quartets by T. S. EliotThe Archaic Torso of Apollo by Rainer Maria RilkeWassily Kandinsky, “On the Spiritual in Art”Amusing Ourselves to Death by Neil PostmanThings Hidden Since the Foundation of the World by René GirardThe Art of the Commonplace by Wendell BerryAndres Serrano's Piss ChristMakoto Fujimura's Art and Collaboration
"Beholding is a countercultural act—it requires us to stop, to receive, and to fully see.” — Makoto Fujimura"Slow art is an invitation to linger, to notice, and to let the world unfold before us." — Makoto FujimuraYou are a beautiful masterpiece. But the practice of living artfully comes slowly, often through brokenness, weakness, or failure. Contemporary artist Makoto Fujimura integrates traditional Japanese styles with abstract expressionism and Christian theology, to explore the beauty that can emerge from the ashes pain and suffering. Both his art and his writing call us to behold the gift of creation, participate in its redemption, accentuating the cracks and fractures in our lives, so that grace might abound.Makoto Fujimura—renowned artist, writer, and theologian—joins Dr. Pam King to explore the deep connections between art, faith, and flourishing. Fujimura shares how his Japanese heritage and study of traditional Nihonga painting have shaped his understanding of creativity as a sacred act. Through themes of brokenness, beauty, and slow art, he challenges us to rethink success, embrace imperfection, and create from a place of love and abundance. Whether you're an artist, a person of faith, or someone seeking meaning in a hurried world, this conversation will invite you to slow down, behold, and embrace the mystery and beauty of life.Mako Fujimura integrates his artmaking, theology, and culture care advocacy into a beautiful expression of thriving and spiritual health. Through his breathtaking expressionist style, distinctively Japanese methods, and his rooted Christian convictions, he's bringing beauty into being, and inviting us to do the same.In this conversation with Mako Fujimura, we discuss:What art is, what creativity means, and the human capacity for making beautyHow we can live artfully through imperfection, brokenness, trauma, and sufferingHow the practice of a gift economy can lead to mutual thrivingThe slow art of pausing, stopping, and beholding that contributes to our mental and spiritual healthAnd the connection between knowledge and love in a life of creativity and artmaking.Helpful Links and ResourcesFollow Makoto Fujimura on X @iamfujimuraView Mako's art at makotofujimura.comMakoto Fujimura's WritingsMakoto Fujimura's BooksNihonga Art and its TraditionsRefractions: A Journey of Art, Faith, & CultureCulture Care: Reconnecting with Beauty for Our Common LifeSilence and Beauty: Hidden Faith Born of SufferingArt and Faith: A Theology of MakingEpisode Highlights"Art is fundamentally what human beings create—it is our capacity to make, and in making, we come to know.""Beholding is a countercultural act—it requires us to stop, to receive, and to fully see.”"We worship a wounded, glorified human being—our brokenness is not something to escape but something to offer.""Creativity is not about self-expression alone—it is about giving yourself away in love.""Slow art is an invitation to linger, to notice, and to let the world unfold before us."Show NotesMakoto Fujimura discusses the intersection of art, faith, and flourishingThe importance of beholding in a fast-paced worldHow brokenness and imperfection reveal deeper beautyNihonga painting and the wisdom of traditional Japanese artCreativity as an act of love and gift-givingThe Art of BeholdingWhy slowing down is essential for creativity and spiritual growthThe practice of beholding as a way of seeing the world more deeplyHow art invites us to be present and pay attentionThe connection between contemplation, creativity, and flourishing"Beholding is a countercultural act—it requires us to stop, to receive, and to fully see."Creativity, Faith, and Human FlourishingHow art and faith are intertwined in human thrivingThe spiritual discipline of making and creatingWhy true knowledge is connected to love and experience"Art is fundamentally what human beings create—it is our capacity to make, and in making, we come to know."How community fosters creativity and growthBrokenness, Beauty, and the Theology of MakingThe Japanese tradition of Kintsugi and embracing imperfectionHow Jesus' wounds and resurrection shape our view of brokennessThe gift economy vs. the transactional economy in art"We worship a wounded, glorified human being—our brokenness is not something to escape but something to offer."Learning to see beauty in what is discarded or overlookedThe Practice of Slow ArtWhy slowing down is essential for deep engagement with artHow layers in Nihonga painting reveal new depths over time"Slow art is an invitation to linger, to notice, and to let the world unfold before us."How slowing down fosters healing and deeper connectionThe role of patience and attentiveness in both art and lifeLiving a Creative and Generous LifeHow to cultivate creativity in daily life, even outside traditional artsThe role of community in sustaining creative workWhy generosity and self-giving are essential to true creativity"Creativity is not about self-expression alone—it is about giving yourself away in love."Practical steps for integrating creativity into everyday livingPam King's Key TakeawaysWhether you think of yourself as artist, we're all creative. Mako's message is intentionally not just for artists, but is an invitation for all of us to live artfully—no matter what we do for a living.Because creativity comes in so many different ways, from leadership, to scientific research, to parenting, to cooking, we all have the daily creative capacity to add beauty to the world.And to that end, remember your first love, the playfulness and creativity of giving beauty to the worldA gift economy of beauty offers a radical resistance to consumerism, competition, and comparison.Art and the making of beauty is a part of thriving. And the invitation to live artfully starts with a daily practice of slowing down: pause, stop, and behold. Smell the roses. Consider the lilies.And finally, there's a path to beauty through brokenness. Grace comes to us through failure. And strength is made perfect in weakness.And finally, though the wind may be blowing through our lives, may we all learn to behold the moonlight leaking between the roof planks.About Makoto FujimuraContemporary artist Makoto Fujimura is a painter, an author, a speaker, and an imaginative maker with a gift for theological integration.Mako's message is intentionally not just for artists, because creativity comes in so many different ways, from leadership, to scientific research, to parenting, to cooking, we all have the daily creative capacity to add beauty to the world. Working out of his Princeton, New Jersey studio, his work has been described by David Brooks as “a small rebellion against the quickening of time.” Art critic Robert Kushner placed Mako's art at the forefront of a contemporary movement about “hope, healing, redemption, and refuge, while maintaining visual sophistication and intellectual integrity.”A blend of fine art and abstract expressionism, Mako describes his work as “slow art,” being influenced directly by the distinctively Japanese Nihonga style, which is patient and methodical, using slow drying pigments from ground minerals.Mako's art has been featured in galleries and museums around the world, as well as notable collections in The Museum of Contemporary Art in Tokyo, The Huntington Library in California, and the Tikotin Museum in Israel.From 2012 to 2017, he served as vision director of the Brehm Center here at Fuller Theological Seminary.Mako is the author of several books, including Refractions: A Journey of Art, Faith, & Culture, Culture Care: Reconnecting with Beauty for Our Common Life, and Silence and Beauty: Hidden Faith Born of Suffering. His most recent is entitled Art and Faith: A Theology of Making. And his next book will be available soon—titled, Art Is: A Journey into the Light. And with his wife Haejin, he's producing a new work on Beauty and Justice.Follow him on X @iamfujimura, and view his beautiful work at makotofujimura.com. About the Thrive CenterLearn more at thethrivecenter.org.Follow us on Instagram @thrivecenterFollow us on X @thrivecenterFollow us on LinkedIn @thethrivecenter About Dr. Pam KingDr. Pam King is Executive Director the Thrive Center and is Peter L. Benson Professor of Applied Developmental Science at Fuller School of Psychology & Marriage and Family Therapy. Follow her @drpamking. About With & ForHost: Pam KingSenior Director and Producer: Jill WestbrookOperations Manager: Lauren KimSocial Media Graphic Designer: Wren JuergensenConsulting Producer: Evan RosaSpecial thanks to the team at Fuller Studio and the Fuller School of Psychology & Marriage and Family Therapy.
When Madame du Barry, King Louis XV's last mistress, pleaded for “just a little moment more” before her execution in 1793, in the throes of the French Revolution, she seemed to capture the fleeting pleasures and indulgence of the Rococo age. Artnet Editor Katie White eloquently described this moment before du Barry's death in the opening of a recent essay, exploring how, centuries later, the aesthetic of whimsy, romance, and unapologetic luxury is making a bold return. She calls it Neo-Rococo. So what is Neo-Rococo, really? It's a contemporary movement that merges the delicate pastels, ornamental elegance, and sensuality of 18th-century Rococo with modernist abstraction and feminist perspectives of contemporary art. Artists like Flora Yukhnovich, Michaela Yearwood-Dan, and Francesca DiMattio are key figures in this revival. They draw on the decorative roots of Rococo while addressing the complexities of today's world. On this episode of The Art Angle, Katie joins Senior Editor, Kate Brown, to discuss this fascinating resurgence of a centuries-old aesthetic sensibility, and how it extends beyond the art world into broader pop culture. What lessons can we learn from this era of late Baroque history? Quite a few as a turns out. And some surprising ones—these artists are actually subverting the escapist art movement to draw out some interesting questions about beauty and femininity.
This episode is a replay from Dec 28th 2023. Just Make Art will be back with a brand new episode on March 20th.What happens when an artist truly understands their medium? For Robert Rauschenberg, that's precisely when it was time to stop and move on. His philosophy—"I usually work in a direction until I know how to do it. Then I stop. At the time I am bored, or understand, and I use those words interchangeably"—serves as the launching point for a deep dive into artistic evolution and the creative mindset.Ty Nathan Clark and Nathan Terborg unpack Rauschenberg's approach to creativity, exploring how his constant medium-shifting—from painting to sculpture, printmaking to performance—wasn't merely restlessness but a deliberate artistic strategy. They examine his famous "combines" that incorporated everyday objects and trash, born initially from economic necessity but evolving into a revolutionary artistic approach that bridged the gap between art and life.The conversation takes fascinating turns through the concept of the "beginner's mind," the documentation of creative processes, and the tension between commercial success and artistic growth. Particularly compelling is their discussion about creating opportunities in today's art landscape—from organizing house shows to leveraging digital platforms—that echoes Rauschenberg's resourceful spirit.Whether you're a working artist feeling stagnant in your current practice, or someone curious about the artistic mindset, this episode offers both philosophical insights and practical takeaways about embracing boredom as a creative signal, following your curiosity, and maintaining that crucial sense of wonder throughout your creative journey. Ready to transform your approach to making art? Listen now and discover why sometimes understanding something completely is your cue to move on to the next exciting possibility.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg
Artmaking can help heal us emotionally; for Kate Helen Downey, that healing process has also been physical. Kate's spent more than two decades living with severe period cramps, but it was only when she picked up a microphone for her new podcast CRAMPED that doctors started to take her seriously. This week, she joins Mo to discuss how she shows herself grace when pain limits her productivity, what excites her about creative problem-solving, and why getting a diagnosis hasn't marked the end of her search for care. You can follow Kate on Instagram @katehelendowney, on TikTok @kateiscramped, and at katehelendowney.com. And make sure to listen to CRAMPED! Worse Than You with Mo Fry Pasic is hosted and produced by Mo Fry Pasic. Our executive producers are Erica Getto, Myrriah Gossett, and Lauren Mandel. We're on Instagram and TikTok @worsethanyoushow, and you can follow Good Get on YouTube for exclusive video content. Worse Than You with Mo Fry Pasic is a Good Get and Disco Nap Co-Production. Learn more about your ad choices. Visit podcastchoices.com/adchoices
HT2176 - Take a Risk Far too many photographers bury their creativity under a shroud of acceptance. Instead of making personal work that comes from their heart, they make images that they hope will earn applause and accolades. Artmaking can — perhaps even should — feel a little risky.
Ryan and Becca return for the fourth chapter of the podcast book club, diving into Profit First by Mike Michalowicz. Joined once again by Taylor Swilley, they explore key takeaways and connect the book's themes to their own businesses. They also discussed various aspects of business management, including client relationships, debt management, and employee management, and considered implementing the profit-first accounting method. Our next book club selection is Art & Fear: Observations on the Perils (and Rewards) of Artmaking by David Bayles and Ted Orland with plans to release the episode in May. See all the books we've covered on Becca's Amazon list at https://amzn.to/3X5yZOXA special thanks to Taylor for joining us again and for recording all the ads in today's episode!SponsorsL&L Kilns - The durable kiln that potters trust to fire evenly & consistently. Find your L&L kiln at hotkilns.comSpeedball Ceramics - Try the new Speedball Boss Base tool to open your wheel thrown work consistently and with ease, now available in pink and purple to match their plastic bats. Browse their wide selection of products at speedballart.comSmith Sharpe Refractory - Find out which Advancer Kiln Shelves are right for you at kilnshelf.com.Support the show on Patreon for as little as $3 per month: https://patreon.com/WheeltalkpodcastFollow us on Instagram:@wheeltalkpodcast@rdceramics@5linespotteryVisit our website:www.wheeltalkpotcast.comWheel Talk YouTube Channel
In today's episode from the archives, Tim welcomes art teacher Stephanie Zeiler for a wide-ranging conversation. They begin by discussing visual journals and how they can make journals more engaging and more meaningful for students. They then talk about creating a welcoming classroom community, how we help kids find what they love, and how we can find joy in our teaching careers. Resources and Links Creating a Welcoming Environment Visual Journaling, Artmaking, and Creativity Listen to Tim's interview with Michael Bell
Abby Houston (@abbypainterart) joins Tim today to talk about education, artmaking, and the joy of creating within a community. After discussing the beginning of her career as a teacher and art therapist, the conversation moves on to the value of a sketchbook practice and how she stays consistent with her artmaking routine. She also talks about her upcoming presentation at the NOW Conference, gives advice on how teachers can find time for artmaking, and plays a round of This or That: Sketchbook Edition. Resources and Links Follow Abby on Instagram Join the Art of Ed Community Find everything you need to know about the NOW Conference What Do You Want From Your Art Teacher Community? Balancing Teaching and Artmaking
The episode explores the importance of creating art for oneself rather than seeking outside validation. Through insights from influential figures like Rick Rubin and Patti Smith, it emphasizes the need for genuine expression, resilience amid challenges, and setting clear goals for the creative journey.• Rick Rubin advocates making art for oneself • Reflecting on the year highlights periods of apathy • The importance of setting micro-goals for artistic progress • Patti Smith's insights on artistry without audience expectations • William Burroughs on maintaining a good reputation in art • Embracing life's challenges as part of the creative process • Building networks and collaborating with other artists • Encouragement to celebrate small achievementsSend us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg
This is a preview | Full episode released to subscribers: 14 Dec 2024 | Subscribe --> newmodels.io // In part due to the rise of AI-enabled systems, we are witnessing a shift in where and how the creative act takes place. It is a phenomenon that artists Holly Herndon and Mat Dryhurst have been grappling with for more than a decade through their music and their work with machine learning and its governance. With their exhibition “The Call” on view at the Serpentine in London through February 2nd and their book All Media is Training Data out this week, Holly and Mat join NM to talk about a new paradigm of artmaking and artist subject. We also discuss a new kind of collector and the tech-literate gallerists that are bridging legacy cultural systems with this particular future. For more: herndondryhurst.studio @hollyherndon & @matdryhurst Source.Plus public diffusion model Spawning.ai data governance for generative AI "The Call" Serpentine North Gallery, London All Media is Training Data (Serpentine, König, 2024)
When Madame du Barry, King Louis XV's last mistress, pleaded for “just a little moment more” before her execution in 1793, in the throes of the French Revolution, she seemed to capture the fleeting pleasures and indulgence of the Rococo age. My colleague, Artnet Editor Katie White eloquently described this moment before du Barry's death in the opening of a recent essay, exploring how, centuries later, the aesthetic of whimsy, romance, and unapologetic luxury is making a bold return. She calls it Neo-Rococo. So what is Neo-Rococo, really? It's a contemporary movement that merges the delicate pastels, ornamental elegance, and sensuality of 18th-century Rococo with modernist abstraction and feminist perspectives of contemporary art. Artists like Flora Yukhnovich, Michaela Yearwood-Dan, and Francesca DiMattio are key figures in this revival. They draw on the decorative roots of Rococo while addressing the complexities of today's world. On this episode of The Art Angle, Katie joins me to discuss this fascinating resurgence of a centuries-old aesthetic sensibility, and how it extends beyond the art world into broader pop culture. What lessons can we learn from this era of late Baroque history? Quite a few as a turns out. And some surprising ones—these artists are actually subverting the escapist art movement to draw out some interesting questions about beauty and femininity.
In this episode, we'll hear from Phillip Collins, the visionary founder & CEO of Good Black Art. This episode is packed with insights about the world of young Black artists and how Phillip's organization is making waves to support and amplify their voices by providing support and exposure. You'll hear how Good Black Art emphasizes geographic diversity and various art forms with accessible price points to make art more inclusive. The episode touches on the importance of daily commitment to Diversity, Equity, Inclusion, and Belonging, emphasizing continuous conversations beyond major cultural events. Lastly, you'll want to hear Phillip talk through his five key values for his org: creativity, accessibility, never-seen-before, education, and authenticity.
In this episode: lessons from failure, curiosity, mastering the small things, skilling up, and the value of time. The return of Johnathan! Yes Jonathan is returning to the show to catch up on the work he's been doing behind the scenes over the last year and a half, the value of freeing up your time, skill spending, and the importance of focusing on the little things while keeping the bigger picture in mind. Whether it's when you're just starting your FI journey or if it's in other areas of your life, failure and mistakes can be inevitable. However, they should never keep you from trying to build and create the life you are working towards! One of the key lessons taught in FI is to change your mindset from one of scarcity to one of growth, and part of that challenge means identifying failures and taking action to learn from them. While you are working towards your own “big picture” on this journey, don't forget to focus on the smaller things. Not only will it allow you to pay closer attention to what you are doing right and wrong, but it makes it easier for you to pivot and reevaluate when necessary! This journey is not just about reaching that final goal, but about using the knowledge and lessons learned along the way to make life a little bit freer and a little bit easier! Timestamps: 0:22 - Introduction 1:26 - Update From Jonathan/Lessons From Failure 8:53 - The Curious Mindset 17:57 - Failing Forward and The Small Things 27:42 - The Importance of Skilling Up in Today's World 36:30 - Your Most Valuable Non-Renewable Resource 44:11 - Paying Off The Mortgage/Donor Advised Funds 59:19 - Conclusion Resources Mentioned In Today's Episode: Beginning of a New Era | ChooseFI Ep 392 “Art & Fear: Observations On The Perils (and Rewards) of Artmaking” by David Bayles Creating Your Entrepreneurial Flywheel | Nathan Barry | ChooseFI Ep 455 CIT Bank Review: High Interest Rate Options Subscribe to The FI Weekly! More Helpful Links and FI Resources: Earn $1,050 or more with these 3 Cash Back Cards Share FI by sending a friend ChooseFI: Your Blueprint to Financial Independence Find a new side hustle with one of our Educational Courses Commission-free investing with M1 Finance
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