Podcast appearances and mentions of Glen Campbell

Born in Brooklyn, New York Rick Dior began his professional music career at the age of thirteen, freelancing in and around the metropolitan area in various small ensembles, orchestras and theater productions. He is a graduate of the Manhattan School of Music where he studied with timpanist Fred Hinger and jazz composer Bob Mintzer. He also studied extensively with famed jazz drummer Joe Morello. Rick has performed as a percussionist with a variety of superb artists in many musical genres including James Taylor, Aretha Franklin, Ray Charles, Al Jarreau, Roberta Flack, Martina McBride, BeBe and CeCe Winans, Linda Rondstadt, Glen Campbell, Bobby McFerrin, Mary Chapin Carpenter, Randy Newman, and Marvin Hamlisch. He has added his drum set talents to performances with many great jazz artists including Marvin Stamm, Bill Watrous, Rich Perry, Harold Danko, Clark Terry, Red Rodney, Chris Potter, Lionel Hampton and Russell Malone. Rick also has an extensive orchestral percussion background and has performed as principal percussionist, section percussionist and timpanist with the Charlotte Symphony Orchestra, Charlotte Ballet and Opera Carolina since 1990. As a first-call theater percussionist and drummer in Charlotte NC, Rick has performed in dozens of Broadway show tours. They include Chorus Line, Jesus Christ Superstar, Wicked, The Producers, Young Frankenstein, Spamalot, Hairspray, South Pacific, West Side Story, 9 to 5, Mary Poppins, Bring It On, Newsies, and Beautiful. His recording credits are extensive and include CD releases, movie soundtracks and commercial radio/television spots. As an engineer and producer Rick has been involved in hundreds of recordings. These include recording projects with artists such as Branford Marsalis, Delfeayo Marsalis, Ellis Marsalis, Ed Thigpen, Harry Connick Jr., Michael Spiro, Joey Calderazzo, Michael Carvin, and Jimmy Cobb. Rick is also a very active educator and has served as the Professor of Percussion at the University of North Carolina at Charlotte since 2001. He also maintains a busy private and online teaching studio. In this episode, Rick talks about: The variety of demands performing with the Charlotte Symphony Orchestra Playing percussion with touring musicals and the skills needed How important it is to develop fundamental technique at an early age Studying with and befriending the legendary Joe Morello Rick's Youtube channel: it's beginning and it's appeal His custom built drumsticks ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Will any of today's hit songs still be sung 50 years from now?Kurt, Tully, KLo, and Neil look back at the music that shaped them—from Hank Williams Jr., Van Halen, and Def Leppard to John Denver, Glen Campbell, Elvis, Bryan Adams, and Paul Rodgers—and debate whether modern songs are given enough time to become true classics.They also reveal how Jason Aldean and Luke Bryan's alternating stadium show works, explain why songwriters don't really “sell” individual songs, and discuss how streaming and shrinking attention spans have changed the way listeners experience music.Then things deteriorate—in the best possible way—with exhausted airport stories, Tully's confrontation on a plane, the dangers of flying with guitars, UPS losing a one-of-a-kind custom bass, Kelley mistaking his treadmill malfunction for an earthquake, and the strangest things fans throw onstage.Listen all the way through and remember the secret phrase: “Donk Toss.”______________________________________________________________________________________________SPONSORS: The Try That in a Small Town Podcast is powered by e|spaces!Redefining Coworking - Exceptional Office Space for Every BusinessBook a tour today at espaces.comFrom the Patriot Mobile studios:Don't get fooled by other cellular providers pretending to share your values or have the same coverage. They don't and they can't!Go to PATRIOTMOBILE.COM/SMALLTOWN or call 972-PATRIOTRight now, get a FREE MONTH when you use the offer code SMALLTOWN.Peacemaker Coffee CompanyFounded by retired police officer/chief Chris Morris, Peacemaker delivers clean, low-acidity coffee while supporting police, firefighters, EMS, military, veterans, teachers, dispatchers, and medical personnel through donations and programs.www.trythatinasmalltowncoffee.com________________________________________________________________________________________________Follow/Rate/Share at www.trythatinasmalltown.com -For advertising inquiries, email info@trythatinasmalltown.comProduced by Jim McCarthy and www.ItsYourShow.coSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Michael Amos Cody chats to Paul Burke about Avalon Moon, cultural mythology, education and young people, Walnut, North Carolina, the Appalachian mountains, saw mills and repurposing town, outsider/insider. In Avalon Moon, a local man has gone missing and then is soon found dead in a highland meadow, side-by-side with an unknown woman. When another man and woman go missing and a female deputy is found murdered, Gabriel Tanner, editor of Runion's weekly newspaper, and Plumer Reeves, a reclusive local hawkshaw working for the niece of the first dead man, suspect a monster is hunting in their western North Carolina mountains. Two extraordinary young women, the Avalon community's Ariel Anderson and Lonesome Mountain's Livvy Goforth, join Tanner and Reeves to lead the attempt to discover and stop the killer.MICHAEL AMOS CODY was born in Sumter, South Carolina, and grew up in the village of Walnut, jewel of Madison County, North Carolina, not far from the ruins of Runion, a place he has reimagined for stories appearing in Tampa Review, Yemassee, The Chaffin Journal, Still: The Journal, and other publications. He spent his formative twenties living and working as a songwriter in Nashville, Tennessee, where his songs were recorded by Glen Campbell, Gary Morris, and others, including himself. He is the author of Charles Brockden Brown and the Literary Magazine: Cultural Journalism in the Early American Republic (McFarland, 2004) and the novel Gabriel's Songbook (Pisgah Press, 2017). He is co-editor of The Literary Magazine and Other Writings, 1803-1807, volume three of The Collected Writings of Charles Brockden Brown (Bucknell UP, 2019). His collection of short stories, A Twilight Reel, was published in May 2021 by Pisgah Press and won the Short Story / Anthology category in the Feathered Quill Book Awards 2022. His new novel, Streets of Nashville, is scheduled for publication in April 2025 by Madville Publishing. Cody lives with his wife Leesa in Jonesborough, Tennessee, and teaches American literature before 1900, Native American literature, and mythology in the Department of Literature & Language at East Tennessee State University.Mentions: Leslie Marmon Silko Ceremony, Salman Rushdie Two Years Eight Months and Twenty Eight Nights, Peter James, Mark Billingham, Michael Connelly.recommend: Murderland Caroline Fraser Paul Burke is the editor of Crime Time FM. His first book, Spies on Screen, will be available later this year.Produced by Junkyard DogCrime TimeCrime Time FM is the official podcast ofGwyl Crime Cymru Festival 2023 & 2025CrimeFest 2023CWA Daggers 2023-2026 & National Crime Reading Month& Newcastle Noir 2023 and 20242024 Slaughterfest,  

How far south do you have to be for your nights to be southern? Covers by: Glen Campbell, Allen Toussaint & Chet Atkins, Swingadelic, Stanton Moore with Nicholas Payton & Wendell Pierce Tidal playlist here

On Part 6, the thrilling finale of Exclusively Van Halen on Johnny Beane TV, legendary guitar tech Zeke Clark wraps up this incredible series with an unforgettable collection of Prince memorabilia, rare rock collectibles, and amazing stories from his career working with some of music's biggest legends—all from his current Backstage Auctions event. The episode begins with more stories about the Dunlop Cry Baby Wah pedal that was personally gifted to Zeke by Eddie Van Halen, followed by 2012 Eddie Van Halen guitar picks, Taylor Swift Fearless-era guitar picks, Dunlop Taylor Swift picks, and Alex Lifeson's 2007 Rush Snakes & Arrows Tour guitar picks. The spotlight then turns to Zeke's years working with Prince, featuring an incredible collection of Love Symbol and Love God guitar picks, New Power Generation picks, rare backstage passes, VHS tapes, floppy disks, and personal items hand-stamped with Prince's famous Love Symbol stamp—something only Prince himself possessed. Zeke also shares the story behind creating the iconic silver foil Love Symbol guitar pick stickers, a detail Prince loved and personally approved. The Prince collection continues with New Power Generation European tour denim shorts, a matching denim jacket, and an extraordinary custom 1994 Monaco World Music Awards airbrushed jacket, featuring Prince's portrait and his famous microphone gun artwork—a true one-of-one piece of music history. The finale also explores an incredible variety of memorabilia from some of rock's biggest names, including Pearl Jam, Johnny Cash, Willie Nelson, Roy Orbison, Black Sabbath, Metallica, James Brown, Guns N' Roses, KISS, Mr. Big, Vixen, Great White, White Zombie, Korn, Linkin Park, Alter Bridge, Eric Clapton, Alice in Chains, ZZ Top, Cheap Trick, Ted Nugent, Jack White, Glen Campbell, and many more. Also featured is a rare 1990s Aerosmith Rocket Cargo Crew Nike fleece jacket—one of only 20 ever made—along with additional Aerosmith memorabilia, country music collectibles signed by artists including Faith Hill, Clint Black, Brad Paisley, Trace Adkins, and Dwight Yoakam, plus a special Eddie Money autographed collection gifted to Zeke by Eddie Money's estate. From Van Halen and Prince to rock, metal, country, and beyond, this finale showcases an incredible lifetime of memories and one-of-a-kind collectibles. Every item has a story, and Zeke Clark was there to live it. Don't miss the conclusion of this remarkable series, and be sure to check out the current Backstage Auctions event to see these amazing pieces of music history. #VanHalen #EddieVanHalen #Prince #BackstageAuctions

** PLEASE SUBSCRIBE ** Featured in Part 2 of a special two-part edition of TRUTH IN RHYTHM (Episode 352): Pop, soul and rock music artist, songwriter and producer Dennis Lambert. His songs have received 11 Grammy nominations and include The Four Tops' “Ain't No Woman (Like the One I've Got”),” Player's “Baby Come Back,” Tavares' “It Only Takes a Minute,” the Commodores' “Nightshift,” The Righteous Brothers' “Rock and Roll Heaven,” Glen Campbell's “Rhinestone Cowboy,” Coven's “One Tin Soldier” and Starship's “We Built This City.”  Others he's worked with include The Emotions, The Supremes, Jerry Butler, Tony Orlando & Dawn, Natalie Cole, Dave Koz, Little River Band, Dionne Warwick and dozens more. In all, he has more than 1,500 credits with some of the biggest hits of all time and fascinating stories behind them.  RECORDED JUNE 2026 Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― TRUTH IN RHYTHM is the interview show that gets DEEP into the pocket with contemporary music's foremost masters of the groove. LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

** PLEASE SUBSCRIBE ** Featured in Part 1 of a special two-part edition of TRUTH IN RHYTHM (Episode 352): Pop, soul and rock music artist, songwriter and producer Dennis Lambert. His songs have received 11 Grammy nominations and include The Four Tops' “Ain't No Woman (Like the One I've Got”),” Player's “Baby Come Back,” Tavares' “It Only Takes a Minute,” the Commodores' “Nightshift,” The Righteous Brothers' “Rock and Roll Heaven,” Glen Campbell's “Rhinestone Cowboy,” Coven's “One Tin Soldier” and Starship's “We Built This City.”  Others he's worked with include The Emotions, The Supremes, Jerry Butler, Tony Orlando & Dawn, Natalie Cole, Dave Koz, Little River Band, Dionne Warwick and dozens more. In all, he has more than 1,500 credits with some of the biggest hits of all time and fascinating stories behind them.  RECORDED JUNE 2026 Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― TRUTH IN RHYTHM is the interview show that gets DEEP into the pocket with contemporary music's foremost masters of the groove. LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

So back in the day you could see vintage entertainers such as Dean Martin, Jackie Mason, Ed Sullivan, Glen Campbell, Elvis Presley and Frank Sinatra. Or you could just see John Byner and he would cover them all with spot-on impressions, combined with fine stand-up comedy. When young John offered up his version of Bing Crosby singing "Accentuate the Positive" at age 6 his path in life was clear. As an adult, his early gigs were supported by a day job at a swimming pool company but he soon found fans and became a regular opening act for jazz artists in NY and DC. Along with his nightclub work John was a sought after guest star on sitcom and talk/variety shows, landed a recurring role on Soap, and starred in a popular Canadian tv sketch show. Now 88, John maintains a fun website with highlights from his long career. As always, find extra clips below and thanks for sharing our shows! Want more John Byner? Here's a nice slice of John's stand-up from the Glen Campbell Goodtime Hour back in 1970. https://youtu.be/Ej3pZWwxTfE?si=pPcGXGTkipGK8nJx Byner was a favorite of Ed Sullivan and the feeling was mutual -- watch John imitate the master himself. https://youtu.be/hzE97Bov1kk?si=_uD12rTtzqFhzEkP An unusual project, The Ant and the Aardvark had 17 theatrical short episodes, and featured Byner voicing both characters -- using Dean Martin for the Ant and Jackie Mason for the Aardvark.https://youtu.be/lVXoXlqqxuk?si=4gp349eO7Chck0uE In 2020 John published an autobiography ("Five Minutes Mr. Byner") that covers his career, his favorite impersonation subjects, and how he approaches his craft. https://youtu.be/6CwKq6I-oZI?si=U4n_nuUMF59dBb_I

1976. You'd think that people would have had enough of silly love songs.Well, silly or not, the charts of this fascinating year were full of big, big hits. Crowdpleasers, I hear you cry? Well, whatever way you view 1976, and many so-called rock journos and hacks would do so rather disdainfully, the twelve months bookended by number ones by Queen and Johnny Mathis (!) were certainly colourful and (checks notes for suitable adjective) erm, eclectic. Whilst certain history threads (I'm looking at you again Channel 5) will tell you that everyone was embracing bondage trousers, safety pins and other overused punk stereotypes, the truth was that the cash registers at Woolworths were ringing to the sounds of everything from the Greek smock admirer Demis Roussos, Dutch fairground dwelling country swingers Pussycat and those loveable Rock and Roll revivalists and brothel creeper wearing funsters Showaddywaddy.And the biggest selling single of the year - well that would be the Brotherhood of Man's lip smacking shoe shuffler and Eurovision winning rocket.Yes, punk would no doubt influence the coming years of popular culture, but not whilst The Wurzels were ploughing the pop fields of '76.The world of compilations was shifting up a gear too as the album charts saw TV advertising become a major factor in changing the landscape of big sellers with huge number one sellers from the kids favourites Slim Whitman, Bert Weedon, Glen Campbell and The Beach Boys, who remained at number one for ten consecutive weeks through that Hot, Hot, Hot summer of 1976. Good vibrations indeed!And in the jet-pack future of the 21st Century, how much fun does 1976 look? Well, pop kids, let the Guardian's head rock and pop critic Alexis Petridis and author Ian Wade guide you through it courtesy of the spanking NOW Yearbook 1976.The emergence of the stadium rock, pop sound10cc inventing Paranoid AndroidGuilty Pleasures (or not!)The wonderfully weird world of FoxDisco - hello!And along the way, rediscover the shimmering sounds that kept us sane through the heatwave, explore how CB radio (and questionable radio 1 DJs, mate) became a real thing (but not by The Real Thing), consider what Cliff Richard and Lou Reed may have discussed in Studio 54, which single was Wadey's first, which artist's concert Alexis was joined by Johnny Trunk at, the story of Ruby Flipper and the Blue Peter garden, which acts not to get stuck in a lift with and why David Dundas is not struggling to find funds for his next pair of jeans.Confused? Lost? Over-stimulated? You're in great pop company then in 1976. And we wouldn't have it any other way.Whether you were there or are rediscovering this amazing pop year for the first time, grab a cool drink, and jump onboard. Hosted on Acast. See acast.com/privacy for more information.

Episode Description Welcome back to the Lonely Town Podcast, where Derek and Jimmy explore the music, stories, and world of Brandon Flowers and The Killers. With Brandon's upcoming solo album Thrasher just around the corner, Derek and Jimmy break down the newly released trailer, discuss its striking imagery, and explain why this project already feels different from anything Brandon has released before. From classic cars and dusty highways to small-town diners, county fairs, and the familiar backdrop of Mount Nebo, the trailer paints a picture of the Utah Brandon Flowers remembers growing up. Derek and Jimmy connect the visual callbacks to Pressure Machine, discuss Brandon's relationship with Nephi, and explore why Thrasher feels like an even more personal continuation of that story. The conversation then takes an unexpected but fascinating turn into the world of classic country music. Rather than simply reviewing the trailer, the guys share the artists, albums, and songs they believe helped shape Brandon's musical upbringing—including legends like Johnny Cash, Merle Haggard, George Jones, Glen Campbell, Waylon Jennings, Willie Nelson, and The Highwaymen. If you've never listened to traditional country music, this episode serves as a roadmap for understanding the storytelling, emotion, and authenticity that appear to be at the heart of Thrasher. Along the way, Derek shares stories from growing up in Nephi, working at a local truck stop, discovering country music, traveling throughout the Southwest with his father, and why experiencing different cultures makes both music—and life—more meaningful. Whether you've already embraced Brandon's new direction or you're still unsure what to expect, this episode is designed to prepare you for the journey before Thrasher arrives. Show Notes Featured Topic Brandon Flowers' Thrasher Trailer First reactions to Brandon's official trailer The symbolism behind the classic convertible Returning to Nephi after Pressure Machine Mount Nebo, backroads, diners, and county fairs Why the trailer feels deeply personal Visual callbacks to Pressure Machine The importance of place in Brandon's songwriting Inside Brandon's Musical Influences The guys discuss why understanding classic country music may help fans appreciate Thrasher. Artists discussed include: Johnny Cash Merle Haggard George Jones Waylon Jennings Willie Nelson Glen Campbell Dwight Yoakam Dolly Parton The Highwaymen Topics include: Storytelling through country music Why Brandon isn't "going country" Traditional country vs. modern country Songs that inspired generations How to prepare yourself for Thrasher A Road Trip Through Utah Memories of growing up in Nephi Local landmarks featured in the trailer El Bambi Café White Brothers Trailers Small-town carnivals Truck stops and discovering new music Why Beaver, Utah stands in for a different era of Nephi Behind the Album Session musicians in Nashville Why session players matter Brandon's songwriting process Why Thrasher feels like the next chapter after Pressure Machine The influence of Brandon's father Country music as memory and storytelling Discussion Highlights Music as a soundtrack to life Travel, empathy, and discovering new perspectives Why stories matter more than genres The beauty of small-town America Looking forward to Brandon's upcoming tour Why fans should approach Thrasher with an open mind

On the latest episode of Now, Appalachia, Eliot interviews author Michael Cody about his new Appalachian thriller novel AVALON MOON. Michael was born in Sumter, South Carolina, and grew up in the village of Walnut, jewel of Madison County, North Carolina, not far from the ruins of Runion, a place he has reimagined for stories appearing in Tampa Review, Yemassee, The Chaffin Journal, Still: The Journal, and other publications. He spent his formative twenties living and working as a songwriter in Nashville, Tennessee, where his songs were recorded by Glen Campbell, Gary Morris, and others, including himself. He is the author of Charles Brockden Brown and the Literary Magazine: Cultural Journalism in the Early American Republic (McFarland, 2004) and the novel Gabriel's Songbook (Pisgah Press, 2017). He is co-editor of The Literary Magazine and Other Writings, 1803-1807, volume three of The Collected Writings of Charles Brockden Brown (Bucknell UP, 2019). His collection of short stories, A Twilight Reel, was published in May 2021 by Pisgah Press and won the Short Story / Anthology category in the Feathered Quill Book Awards 2022. His new novel, Streets of Nashville, is scheduled for publication in April 2025 by Madville Publishing. Cody lives with his wife Leesa in Jonesborough, Tennessee, and teaches American literature before 1900, Native American literature, and mythology in the Department of Literature & Language at East Tennessee State University.

On the latest episode of Now, Appalachia, Eliot interviews author Michael Cody about his new Appalachian thriller novel AVALON MOON. Michael was born in Sumter, South Carolina, and grew up in the village of Walnut, jewel of Madison County, North Carolina, not far from the ruins of Runion, a place he has reimagined for stories appearing in Tampa Review, Yemassee, The Chaffin Journal, Still: The Journal, and other publications. He spent his formative twenties living and working as a songwriter in Nashville, Tennessee, where his songs were recorded by Glen Campbell, Gary Morris, and others, including himself. He is the author of Charles Brockden Brown and the Literary Magazine: Cultural Journalism in the Early American Republic (McFarland, 2004) and the novel Gabriel's Songbook (Pisgah Press, 2017). He is co-editor of The Literary Magazine and Other Writings, 1803-1807, volume three of The Collected Writings of Charles Brockden Brown (Bucknell UP, 2019). His collection of short stories, A Twilight Reel, was published in May 2021 by Pisgah Press and won the Short Story / Anthology category in the Feathered Quill Book Awards 2022. His new novel, Streets of Nashville, is scheduled for publication in April 2025 by Madville Publishing. Cody lives with his wife Leesa in Jonesborough, Tennessee, and teaches American literature before 1900, Native American literature, and mythology in the Department of Literature & Language at East Tennessee State University.

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KEN COOKE (all the way from Australia!)  joins Rob on the podcast today to talk about the great WRECKING CREW The Wrecking Crew was a group of session musicians who performed on some of the biggest music hits in America .. mainly in the 1960s and 1970s. In 2008 a great documentary came out revealing members of the wrecking crew and their contributions to music Rob and Ken go through some of the members and tell you what songs they were on along with the history of the wrecking crew into the 70s and how things all of a sudden changed for session musicians.  Also some of the bands and artists who used the Wrecking Crew on many of their songs. We find out how they got their name and which member absolutely hates that name (a person Ken and Rob has slight run in with) Rob and Ken also go over the documentary and what it covers and some of the bonus material that is on the 2-disc DVD edition. Prominent members that are covered on this podcast are: CAROL KANE (only female member of the Wrecking Crew), EARL PALMER, GLEN CAMPBELL, HAL BLAINE (who was on over 140 top 40 hits)  and ... TOMMY TEDESCO!   Ken actually owns one of tommy's instruments (that was used in some of the music for an Indiana Jones movie). If you go on youtube you can see the video from the podcast of Ken showing Tommy's "Laud". **** KNOW GOOD MUSIC can be found on Podbean (host site), Spotify, Apple Podcasts, Iheart Radio, Pandora, YouTube  and almost anywhere you listen to podcasts. Links to more sources at Link Tree - www.linktr.ee/knowgoodmusic Visit our YouTube Channel where you can see video segments from all of our interviews.  Just search "know good music" Please follow / subscribe & review Follow our Instagram & Facebook pages for info on upcoming podcasts and sometimes extra content Email Rob at: knowgoodmusicpodcast@gmail.com Know Good Music T-Shirts, Drink Coasters and Embroidered dad hats and winter hats now available.  Email Rob for all the info. Remember to TURN OFF THE TV and TURN UP THE MUSIC!

Send us Fan MailWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!......Intro song: Keep the Faith by Bon Jovi (1992)Song 1: Somebody That I Used to Know by Gotye (2011)Song 2: Bittersweet Symphony by The Verve (1997)Song 3: Rhinestone Cowboy by Glen Campbell (1975)Song 4: You Can't Hurry Love by The Supremes (1966)Song 5: One More Time by Daft Punk (2000)Song 6: Purple Rain by Prince & the Revolution (1984)Song 7: Groove Is In the Heart by Deee-Lite (1990)Song 8: One, Two Step by Ciara (feat. Missy Elliott) (2004)Song 9: My Heart Will Go On by Celine Dion (1997)Song 10: Body Like a Back Road by Sam Hunt (2017)

On this episode of Reelin'... The Featured Five Theme is A Backyard Barbeque... Also, a 90s hit song that was inspired by the disappearance of Lela & Raymond Howard... A tune that went from a love song to one of the creepiest songs ever thanks to alcohol... One of three Pink Floyd tunes to feature a guest lead vocalist. Cigar, anyone?... That time when the Stone Temple Pilots recorded with the legendary Glen Campbell... New music from Red Stray Clays, Stella Lefty, and Blues musician - Amani Burnham... Deep cuts from Flo & Eddie, Tyler Childers, and many more! For more information on the show, visit reelinwithryan.com

On this episode of Songs of Our Lives, it's Bob Holmes! I had a great time chatting with Bob about the new incredible new SUSS record, “Counting Sunsets,” a staple in my listening the last couple months. We talked all things Across the Horizon as well before getting into Glen Campbell, Brian Eno, The Monkees, Walt McClemenets, Springsteen, Yes, and plenty more!Listen to all of Bob's picks HERE“Counting Sunsets”Across the Horizon (label)Across the Horizon (podcast)Songs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramThe Jewel GardenSong ListDoris Day “Que Sera Sera”Brian Eno “Becalmed”Pink Floyd “Comfortably Numb”Glen Campbell “Wichita Lineman”Yes “Roundabout”The Monkees “Porpoise Song”Harry Nilsson “Everybody's Talkin'”Bruce Springsteen “Nebraska”Brian Eno “Baby's On Fire”Walt McClemenets “Billows, like a shore”The Go-Go's “Our Lips Are Sealed”Johnny Cash “Hurt”Lucinda Williams “Righteously”David Bowie “Heroes”Patsy Cline “Walkin' After Midnight”

Dusty roads stretch west, the speaker crackles, and Bianca and Julian saddle up for an unexpected detour - Anything But Toto goes country. In this episode, they put their long-held assumptions about the genre to the test with a blind review of the five biggest country songs currently dominating the charts. For two self-professed skeptics of Nashville's clichés, political baggage, and bro-country stereotypes, it's an experiment in open-minded listening. Will they strike gold... or just more rhinestones in the rough? Before riding west, they catch up on some current events: the release of The Lemon Twigs' new album Look For Your Mind! and their bizarre Toronto concert experience, which sparks a broader conversation about concert etiquette and social awareness. They also discuss the backlash surrounding Harry Styles' Together Together tour controversy, and celebrate the ongoing Canadiana cinema renaissance, with love for films like Nirvanna the Band the Show the Movie, Mile End Kicks, and Blue Heron. Then it's onto country. Bianca and Julian unpack their history with the genre, from observing the suburban millennial migration away from hip-hop and toward country, to the political and cultural forces that may have shaped that shift. Along the way, they revisit some of their favourite country-adjacent songs and trace the genre's many stylistic branches - from California country to polished pop-country crossovers, with stops at everyone from Glen Campbell and Eagles to Shaboozey and Taylor Swift. And then comes the main event: the Billboard Top 5. What begins as a broad review quickly becomes an unofficial review of Ella Langley's singles, with appearances from Stella Lefty, Luke Combs, and Kacey Musgraves along the way. Do they find the needle in the haystack? The diamond in the dust? You'll have to listen to find out. Share your favourite country songs at anythingbuttoto@gmail.com Theme music by: Daniel Konikoff

In this episode we're joined by a legend of '60s pop journalism to discuss her days at Rave magazine and her friendships with the stars of that swinging decade. Maureen O'Grady talks about the lucky break that brought her to Boyfriend magazine and her long friendship with the great Penny Valentine. She recalls her early interviews with the Beatles and the Rolling Stones before we digress into the role the UK played in hailing the Beach Boys' Pet Sounds as a game-changing masterpiece. Plus we ask our guest about Rave and its groundbreaking 1967 issue featuring Jimi Hendrix on its over. The conversation concludes with Maureen's reminiscences of the '70s, a decade in which she worked as a publicist for — among many other artists — Gladys Knight, Glen Campbell and, erm, Gary Glitter. We then celebrate Miles Davis' 100th birthday by listening to clips from the late Richard Cook's 1985 audio interview with that dark magus of avant-garde jazz. Jasper and William talk us out with their thoughts on pieces about the importance (or otherwise) of pop lyrics (2001) and the abuse meted out to female partners — from Yoko Ono to Courtney Love — of male rock stars (2025). Many thanks to special guest Maureen O'Grady. Pieces discussed: The Who did you say?, The Flower Game, The Beach Boys Visit the Animals, The Beach Boys: Complex and Intricate, Brian Wilson Remembers Pet Sounds on the Album's 50th Anniversary, Miles Davis audio, No Language, Just Sound — Looking Well Beyond the Lyric Sheet and Yoko Ono is now getting acclaim, but why do rock stars' female partners get so much abuse?.

This week, Justin and Bec put on their dancing shoes and boogie back to the week of June 5, 1976 (just a hair under 50 years ago) to see what was happening in the world of American music and where Elvis' latest single "Hurt/For the Heart" ranked on the pop, easy listening and rock charts, before delving into what surrounded "Hurt" as it reached its highest peak at #6 on the Country chart - and RCA's Elvis compilation "Sun Sessions" was nearing the top of the country LP chart, too! What they're surprised to find is not only a popular culture swept up in both disco and 1950s nostalgia, but a snapshot of a time when connections to Elvis seep into most of the rest of the genre of country music, with songs like "Suspicious Minds" and and artists who ALSO once recorded at Sun Records like Johnny Cash, Conway Twitty and Narvel Felts or have other Elvis connections (Elvis movie demo singer Glen Campbell shows up too!) bringing their own stylistic throwbacks to the Top 10. For Song of the Week, Justin solves a mini-mystery surrounding what 1962 movie scene specifically inspired Hank Cochran to write the country classic "Make the World Go Away," which featured prominently on "Elvis Country" and Elvis was filmed performing during the making of "That's The Way It Is" in 1970. Then finally, Bec touches briefly on Elvis' studio and live versions of Kris Kristofferson's "For The Good Times."  If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

Writer, Michael Elias, talks about growing up in the Catskills, where you had to make your money in the summer to survive the winter, and how that created a lot of tension. He also talks about taking acting classes, dealing with being an actor, and how acting helped him build scenes and characters. He talks about working for Glen Campbell without realizing how talented he was. He discusses his book Benders, L.A. and talks about going to Plato's Retreat and not scoring. He talks about Steve Martin and how The Frisco Kid was not what he originally thought it would be. It was originally supposed to be directed by Mike Nichols and star John Wayne. Carl Reiner may have made The Jerk better. Garry Marshall made Young Doctors in Love better, but some movies simply don't turn out the way you want them to. Michael wants people to know that Jews were all over the West and that minorities helped build this country. He says there was always a hangout somewhere. Mel Brooks was an egalitarian. Michael talks about having many writing partners, including Arnie Kogen, Rich Eustis, and Frank Shaw. He talks about getting kicked off The Ed Sullivan Show, writing for The Tonight Show, and learning from Neil Simon and Ed Weinberger.  He wishes he could tell his mother what's going on in his life now and imagines writing letters to her today. He also talks about giving yourself permission to stop reading books halfway through. He remembers me playing with the microphone at my bar mitzvah. He talks about paying rent at forty-two dollars a month while working as a substitute teacher. His father, a doctor, never really understood what he did until he saw the pilot of Head of the Class. Howard Hesseman had demands even though he was about to be fired. Bio: Michael Elias grew up in the Catskill Mountains, a Red Diaper Borscht Belt Baby in a world of artists, intellectuals, tumlers, folk singers, boxers, and Jewish gangsters, some of whom sleep at the bottom of Loch Sheldrake. His childhood heroes were Jerry Lewis, Harry Belafonte, Rocky Marciano, and Abe ‘Kid Twist' Reles. Educated in the classics at St. John's College, Elias took his knowledge of ancient Greek and philosophy to New York, trained at the Actors Studio, acted in The Living Theatre, La MaMa and the Judson Poets Theatre. From there Elias and Frank Shaw dove into the world of stand-up comedy, playing coffee shops, night clubs, with five stints on The Tonight Show. Fired from Ed Sullivan they abandoned the act and came to Hollywood where he and Shaw wrote sit-coms, variety shows, and The Frisco Kid. After parting ways, Elias participated in the anti-Vietnam War movement, earned a subpoena from a Nixon grand jury, and teamed up with Rich Eustis and created Head of the Class. Elias continues to write novels and screenplays in Los Angeles, where he lives with his wife Bianca Roberts and their dachshund Mabel. Learn more about your ad choices. Visit megaphone.fm/adchoices

Americana, Roots, Folk, Blues and Country Music. BOB DYLAN COVERS.Episode includes Emma Swift, Martin Simpson, Bryan Ferry, Joan Osborne and Glen Campbell.

What happens when you rescue a forgotten studio that once shaped American music history - and bring it roaring back to life?This week, I sat down with Teresa Knox, the powerhouse entrepreneur and preservationist behind the rebirth of The Church Studio in Tulsa, Oklahoma - the legendary home of Leon Russell, the early Shelter Records family, and the roots of what became known as the Tulsa Sound. Teresa shares the entire arc of this wild journey: from collecting Leon Russell Slurpee cups as an 8-year-old kid, to buying the abandoned church sight unseen, to rebuilding it from the ground up and restoring it as a world-class studio, museum, archive, and engineering school. We talk about the stunning history embedded in the building - the 1915 hand-built sanctuary, the 1972 Leon-era renovations, and what it really takes to preserve a place where so many iconic recordings were born.We dig deep into the music: Leon's time in the Wrecking Crew, his explosion after Mad Dogs & Englishmen, recording with George Harrison at the Concert for Bangladesh, and his early influence on players like Elton John and Glen Campbell. Teresa shares stories from the Shelter Records years - Tom Petty and the Heartbreakers arriving as Mudcrutch, J.J. Cale, The Gap Band, Phoebe Snow, Willis Alan Ramsey, Freddie King, and even Bob Marley & The Wailers turning the place into a Jamaican party. She walks us through the official Church Studio playlist, the discovery of original artifacts inside the walls, and why preserving the stories of these musicians matters just as much as preserving the building itself.Finally, we talk about the reconstruction: shoring up a collapsing foundation, solving electrical noise and RF issues, preserving historic architecture while building a modern studio, restoring a Neve 8068, installing two EMT 140 plates, and designing a hybrid analog/digital workflow. Teresa also explains how The Church Studio now trains new engineers through its hands-on vocational school, hosts sessions with top artists, runs a nonprofit to support musicians, and continues the legacy of Leon and the Tulsa Sound through events like CarniFest. Her passion for preservation, community, and world-class sound makes this one of the most inspiring studio stories I've ever heard.Get access to FREE mixing mini-course: https://MixMasterBundle.comTHANKS TO OUR SPONSORS!http://UltimateMixingMasterclass.comhttps://usa.sae.edu/ The next program starts May 11, 2026 https://www.izotope.com Use code ROCK10 to get 10% off!https://www.native-instruments.com Use code ROCK30 to get 1 month free of NI 360!https://www.spectra1964.comhttps://gracedesign.com/https://pickrmusic.com https://RecordingStudioRockstars.com/Academyhttps://www.thetoyboxstudio.com/Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusicListen to this guest's discography on Spotify:https://open.spotify.com/playlist/6BLaSUX1juRYH6jHHTfa6k?si=nZtNPzHDSXi0bVQnpSU43AIf you love the podcast, then please leave a review: https://RSRockstars.com/ReviewCLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/557

Welcome to PTBN Pop's Movie Review of The Day! Every weekday we will be reviewing a movie whether it be currently in theaters, featured on streaming or just a film that we hold near and dear to us. On today's episode, Steve Riddle is reviewing “Rock-A-Doodle” from 1991 starring Glen Campbell, Christopher Plummer, Sorrell Brooke, Eddie Deezen & Sandy Duncan.

Join LaTangela as she chats with Stephanie Spruill, Vocal and Dialect Coach of Lionsgate/Universal Pictures biopic MICHAEL. Legendary Grammy Award-winning vocal coach, singer, author and producer brings decades of experience to the big screen as the vocal coach behind the voices of Lionsgate/Universal Pictures biopic MICHAEL. Spruill's role was pivotal, coaching the film's cast to authentically capture the vocal tone, phrasing, and performance style that defined Michael Jackson's global legacy. Her expertise helped shape performances that honor not just the music but the emotional and artistic depth of one of the greatest entertainers of all time. The film features an all-star cast. Spruill is one of the most recorded background vocalists in music history, contributing to thousands of albums and performing before global dignitaries including the Emperor of Japan, the Queen of England, and the King of Spain. Her unmatched career includes collaborations and tours with icons such as Whitney Houston, Aretha Franklin, John Legend, Mary J. Blige, Tina Turner, Julio Iglesias, Donald Byrd, Glen Campbell, Donna Summer, Barbra Streisand, Elton John, Quincy Jones, Ricky Martin, David Bowie and more - along with performing and recording with Michael Jackson himself. Beyond performance, Spruill has dedicated her life to developing the next generation of artists through being the founder of Spruill House Music, Inc., School of Voice & Arts Development, and as the author of "17 Points to Longevity in Show Business." Watch full episode HERE Chime in: www.LaTangela.com RADIO - WEMX- Baton Rouge, La. Mon-Fri 10a.m.-3p.m.CST KTCX - Beaumont, Tx. Mon-Fri 3-8 CST KMEZ - New Orleans, La. Mon-Fri 7p.m. - mid WEMX Sundays 6a.m. KSMB Sundays 6a.m .WWO - YouTube - #LaTangelaFay Podcast - ALL digital platforms - #iTunes #Spotify #WEMX www.LaTangela.com www.TanTune.com Special Thank You - Gordon McKernan Injury Attorney - Official Partner #GordonGives #TanCares #225BulletinBoard TanTune #POOF POWER OVER OBSTACLES FOREVER GT Legacy Auto The Fiery Crab Reliable Auto Paint & Body Hair Queen Beauty Super CenterSee omnystudio.com/listener for privacy information.

National Jelly Bean day. Entertainment from 1977.Europeans find Brazil, Guadalajara sewers explode, Chemical weapons used for 1st time. Todays birthdays - Eddie Albert, Aaron Spelling, Charlotte Rae, Estelle Harris, Glen Campbell, Jack Nicholson, Peter Frampton, Ryan Stiles. Richar Nixon died.Intro - God did good - Dianna Corcoran    https://diannacorcoran.com/Jelly Beans song - Children love to singDon't give up on us - David SoulShe's got you - Loretta LynnBirthdays - In da club - 50 Cent     http://50cent.com/Rhinestone cowboy - Glen CampbellShow me the way - Peter FramptonExit -  Small Towns - Donny Lee    https://www.donnyleemusic.com/ History & Factoids about today Playlist on SpotifyHistory & Factoids about today webpagecooolmedia.comcountryundergroundradio.com

This episode explores the surprising Ukrainian origins and remarkable cultural journey of Hava Nagila, one of the most recognizable songs in the world. The story begins with the melody itself — a nigun, a wordless Hassidic prayer tune sung since the mid‑1800s — which originated in a shtetl in Ukraine before becoming a global Jewish folk standard.The episode traces Pawlina's personal connection to Hava Nagila, from early encounters on television to the enduring emotional resonance the melody continues to hold. A chance conversation in Lviv with a Ukrainian man who identified as a born‑again Hassidic Jew sparked deeper curiosity about the song's Ukrainian roots and led to further research.That search culminated in discovering Hava Nagila: The Movie, a documentary by award‑winning American filmmaker Roberta Grossman. The film investigates the song's beginnings in Sadagora, Bukovina, where Grossman interviewed Ukrainian‑speaking locals, searched for traces of the Jewish community, and visited the ruins of a once‑great synagogue connected to the melody's origins. The documentary then follows the song's path to Palestine, where its lyrics were written, and through the upheavals of the world wars, the Holocaust, and the evolving identity of the Jewish people.Featuring interviews with cultural figures including Harry Belafonte, Connie Francis, Glen Campbell, and Leonard Nimoy, the film presents the song's spiritual and cultural layers with humor and depth. It also highlights the song's modern presence, from global pop culture to contemporary performances across Ukraine.Many of these performances can be found on YouTube, along with links on the Nash Holos website to additional videos and to places where Hava Nagila: The Movie can be purchased or rented. Hosted on Acast. See acast.com/privacy for more information.

On this week's show, we spend quality time with new records from Johnny Blue Skies & The Dark Clouds, Adeem The Artist, Courtney Barnett, and The Long Ryders, and spin fresh tracks from Bruce Springsteen, U2, Low Cut Connie, and Michael Stipe. All this & much, much less!Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

We have local Los Angeles comedy, music, and red head legend Mr. Brandon Beck on this week's episode to talk about guitar shredders Jerry Reed and Glen Campbell! The Country Brothers also discuss his love of big head women, Phish THE BAND, being neighbors with a buncha comedians and The Muppets! It's doozy and a delight! Give it a listen and be somebody's baby!!!Follow The Country Brothers on Instagram @CountryBrothersPod @Polecat_Supreme @TheDomJohnsonCheck out Duwaun's letterboxd: https://letterboxd.com/blackdalecooper/Follow Brandon @hellyesbrandon on everything

Country music can feel like it's changing every week, but the best nights are when the stories all connect. We kick things off with a surprisingly fun rabbit hole: country singers who rode into Western movies and TV, from Kenny Rogers and Glen Campbell to the Yellowstone universe and “1883.” It's not just nostalgia, it's proof that country has always been built for characters, scenes, and big emotions.Then we hit a tight country music news rundown with the stuff you actually want to know: Jelly Roll reaching a new milestone at the Grand Ole Opry, tour and festival updates, country artists popping up on-screen, and why Morgan Wallen's vocal rest is a reminder that your voice is your livelihood. After that, we throw it to the crew with the question of the day: who is the most talented up-and-coming artist? The comment section turns into a discovery feed, and we add our own rising-artist picks before running through the latest mainstream chart and indie chart highlights.The mailbag is where we get real about the Nashville music industry. We talk about overproduced records, the brutal math of streaming royalties, why touring and merch still carry so much weight, and the new version of gatekeeping through playlist culture. If you're an aspiring artist, we also share the biggest career killers we see early on, and a smarter way to study great records by following producers like Dan Huff, Bob Bullock, and Jay Joyce.Subscribe for more country music news, music business talk, and artist discovery, then share this with a friend and leave us a review so more listeners can find the show.Episode LinksBob Bullock: https://jayfranze.com/episode28/MacKenzie Leigh: https://jayfranze.com/episode153/Mary Kutter: https://jayfranze.com/episode197/Lee Newton: https://jayfranze.com/episode198/Send a text Support the showLinksJay Franze: https://jayfranze.com/JFS Country Countdown: https://jayfranze.com/countdown/ContactContact: https://jayfranze.com/contact/SocialsInstagram: https://www.instagram.com/jayfranzeTikTok: https://www.tiktok.com/@jayfranzeX: https://x.com/jayfranzeYouTube: https://youtube.com/@jayfranzeServicesServices: https://jayfranze.com/services/BooksBooks: https://jayfranze.com/books/MerchandiseMerchandise: https://jayfranze.com/merchandise/SupportSupport: https://jayfranze.com/support/Sponsor the Show: https://jayfranze.com/sponsor/

Michael Rapaport, comedian, actor, director, producer, and New Yorker, starts the show off with Seth to discuss his upcoming appearances at Desert Ridge Improv in Phoenix starting this March 13th. Tickets can be found at: https://www.michaelrapaportcomedy.com/. He also talks about the crazy political situation in New York City with radical democratic socialist mayor Zohran Mamdani (D) and the foiled terror attack this past weekend. We're joined by John Dombroski, founder and president of Grand Canyon Planning Associates. Seth dishes on Daylight Savings Time while Producer David Doll discusses how actions have consequences.See omnystudio.com/listener for privacy information.

Discograffiti is the deep-dive podcast for music obsessives. In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series: it's Chuck's chat with legendary songwriter/singer Jimmy Webb.  This beautiful little interview serves as the perfect palate cleanser before Discograffiti launches into our unprecedented 21-episode Love Series, which kicks off next week. Winning the Grammy Award for Song of the Year at the age of 21, Webb has written multiple platinum-selling songs, including ”Up, Up and Away”, “By The Time I Get to Phoenix”, “MacArthur Park”, “Wichita Lineman”, “Worst That Could Happen”, “Galveston”, and “All I Know”. He had successful collaborations with Glen Campbell, Michael Feinstein, Linda Ronstadt, The 5th Dimension, country supergroup The Highwaymen, The Supremes, Art Garfunkel, Richard Harris, and Carly Simon. He's the only artist ever to receive Grammy Awards for music, lyrics and orchestration. Here's just a few of the many things that Jimmy discusses with Discograffiti in this podcast: What George Martin had told Jimmy about Pet Sounds; The importance of multi-track recording for works like Pet Sounds to even exist; Magic Alex and the freeing possibilities of recording potential during the 1960s, which we now take for granted; Jimmy's favorite song off Pet Sounds; And the fascinating story about Jimmy's prospective project with Frank Sinatra, which unfortunately never got off the ground. The Free Teaser: linktr.ee/discograffiti For the full, ad-free, 39-minute podcast, either subscribe to Discograffiti's Patreon at the Private Tier or higher, or just grab the episode as a one-off at the same link. The Full Podcast: Patreon.com/Discograffiti

A wild ride through Houston nostalgia, streaking stories from the ’70s, legendary strip‑club history on I‑45, weather‑freeze prep tips, and callers sharing unforgettable childhood memories. Plus, deep love for Glen Campbell, Wichita Lineman, and the roots of real Texas culture.See omnystudio.com/listener for privacy information.

This week on The Songwriter Connection, we're pulling up a chair at the dining room table with Jeff Dayton—a true songwriter's songwriter and one of the most respected musical voices around.Jeff is a songwriter, producer, podcaster, and beloved Trop Rock favorite whose career spans some of the biggest stages in music. He served as bandleader for Glen Campbell, and his legendary resume also includes touring and playing with Lee Greenwood and Kenny Chesney.In this intimate and engaging episode, Jeff talks about his new album, shares incredible behind-the-scenes stories from the road, and performs songs played the way they were written—stripped down and full of heart, gathered around the dining room table.We also dive into Jeff's role as host of the wildly popular Count It Off Podcast, where he continues celebrating songwriters and musicians. This is a relaxed, insightful conversation packed with great music, great memories, and great songwriting wisdom—don't miss it.

Interview with Brad Conyers (aka Brad Ziggen ) of The Ziggens. Brad is a drummer, singer, and songwriter who has an incredibly diverse musical career from playing with the Ziggens to working with Glen Campbell. Brad shares stories that span from the basement beginnings, encounters with KISS, playing with sublime, all the way up to the Ziggens last release Well Qualified to Represent the L.B. SEA vol 1, and 2.   Order a copy of Well Qualified to Represent the L.B. Sea vol 1 on vinyl here : https://dongiovannirecords.com/collections/preorders/products/bert-susanka-well-qualified-to-represent-the-l-b-sea-2x12   A bit on The Ziggens : The Ziggens are an American band based out of Huntington Beach, California, United States, whose self-described style of "cowpunksurfabilly" combines elements of cowpunk, surf, rockabilly, punk, ska, and country. The Ziggens were led by Bert Susanka who sang and played rhythm guitar. Other members include Dickie Little on lead guitar, Jon Poutney on bass, and Brad Conyers who plays the drums and provides background vocals.[3] The Ziggens have been playing since the early 1990s and have developed a strong following in Southern California. The Ziggens were contemporaries with Sublime and were originally signed to their label Skunk Records. Their song "Big Salty Tears" was covered and popularized by Bradley Nowell on the Sublime acoustic album. The Ziggens, and more specifically Susanka, were also mentioned in the Sublime song "Greatest Hits". Also, their song "Outside" is sampled in the Sublime song "Smoke Two Joints" for the line "Smoked cigarettes 'til the day she died!".

Americana, Roots, Folk, Blues and Country music. A SPECIAL ON SONGS ABOUT TIME  Episode includes Glen Campbell,  Miranda Lambert, Jim Croce and Jason Isbell.

Discograffiti is the deep-dive podcast for music obsessives. In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series: it's Part 2 of Chuck's chat with his close friend, legendary bassist Carol Kaye. This time around, they're joined by Chuck's bassist buddy, Ammo. Carol is one of the most prolific bass guitarists in rock and pop music, playing on an estimated 10,000 recordings during a career spanning over 65 years. She actually started doing session work in 1957 on guitar, and after a bassist failed to turn up to a session in 1963, she switched to that instrument, quickly making a name for herself as one of the most in-demand session players of the 1960s. She's appeared on sessions by Frank Sinatra, Simon & Garfunkel, Stevie Wonder, The Supremes, The Temptations, The Four Tops, and The Monkees. The intro on Glen Campbell's “Wichita Lineman”? She came up with that. Of course, that's also Carol plucking away on The Beach Boys albums Today!, Summer Days (And Summer Nights!!), Pet Sounds, and Smile. Most famously, Kaye's bass lines are the driving force behind “Good Vibrations”, one of her many number 1 hits.  Here's just a few of the many things that Carol discusses with Discograffiti in this podcast: What Murry Wilson was like at that time; The love that Chuck Britz had for Brian, especially during his dark time in the 1970s; Carol's views on Paul McCartney's bass playing; Her nightmare story of working with producer Joe Thomas; And Carol's absolutely brilliant way of explaining why Brian's music connected with people in such a big way. Sneak Peek: linktr.ee/discograffiti For the full, ad-free, 54-minute podcast, either subscribe to Discograffiti's Patreon at the Private Tier or higher, or just grab the episode as a one-off at the same link. The Full Podcast: Patreon.com/Discograffiti

Discograffiti is the deep-dive podcast for music obsessives. In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series: it's Part 2 of Chuck's chat with his close friend, legendary bassist Carol Kaye. This time around, they're joined by Chuck's bassist buddy, Ammo. Carol is one of the most prolific bass guitarists in rock and pop music, playing on an estimated 10,000 recordings during a career spanning over 65 years. She actually started doing session work in 1957 on guitar, and after a bassist failed to turn up to a session in 1963, she switched to that instrument, quickly making a name for herself as one of the most in-demand session players of the 1960s. She's appeared on sessions by Frank Sinatra, Simon & Garfunkel, Stevie Wonder, The Supremes, The Temptations, The Four Tops, and The Monkees. The intro on Glen Campbell's “Wichita Lineman”? She came up with that. Of course, that's also Carol plucking away on The Beach Boys albums Today!, Summer Days (And Summer Nights!!), Pet Sounds, and Smile. Most famously, Kaye's bass lines are the driving force behind “Good Vibrations”, one of her many number 1 hits.  Here's just a few of the many things that Carol discusses with Discograffiti in this podcast: Brian's psychological difficulties; A nerd's fantasy: a rundown of her equipment; The corruption she experienced firsthand while working for Motown; The music she liked and didn't like playing; The particularities of the legendary studios in which she recorded; And just setting the record straight in general, about absolutely everything. Sneak Peek: linktr.ee/discograffiti For the full, ad-free, 43-minute bonus podcast, either subscribe to Discograffiti's Patreon at the Major Tier or higher, or just grab the episode as a one-off at the same link. The Full Podcast: Patreon.com/Discograffiti

Musical Journey Through the Final Week of December: This Week in Music History As the calendar year draws to a close, the week of December 22nd through December 28th stands as a powerful reminder that music history never sleeps—not even during the holidays. In this captivating episode of “This Week in Music History,” hosts Buzz Knight and Harry Jacobs take listeners on an extraordinary journey through decades of musical milestones, tragic losses, and triumphant achievements that have shaped the soundtrack of our lives. The conversation opens with a poignant reflection on the end of another year of exploring music’s rich tapestry. Buzz muses on how, despite covering similar calendar dates year after year, they continue to uncover new stories and perspectives. “When you think about it, you would think, well, if you do it year after year, you’re going to be talking about the same things,” Buzz observes. “And the truth is, we continue to uncover new and different things.” This sentiment perfectly captures the infinite depth of music history and the endless stories waiting to be told. The Clash’s Revolutionary Voice Falls Silent December 22nd marks the anniversary of one of punk rock’s most devastating losses—the death of Joe Strummer in 2002. Born John Meller, the Clash frontman passed away from pneumonia at a time when his influence on music and culture was still reverberating through generations of artists. The Clash represented more than just a band; they were a political and social force that challenged conventions and inspired countless musicians to use their platform for more than entertainment. Strummer’s legacy as a voice for the disenfranchised and his commitment to authentic, passionate rock and roll continues to inspire artists today. A Candle in the Wind That Lost Its Luster The hosts touch on Elton John’s iconic “Candle in the Wind,” originally written about Marilyn Monroe in 1967. While the song initially resonated as a beautiful tribute, its later reworking for Princess Diana’s funeral created what Buzz describes as “overkill.” The constant repetition following Diana’s tragic death in 1997 caused the song to lose some of its original emotional impact for many listeners. This phenomenon speaks to how even the most beautiful pieces of music can become dulled through overexposure, demonstrating the delicate balance between honoring memory and respecting the power of restraint. Cheap Trick’s Complex Family Dynamics A fascinating deep dive into the internal dynamics of Cheap Trick reveals the complicated nature of band relationships and business structures. Rick Nielsen, the legendary guitar player known for his collection of hundreds of guitars—including his famous five-neck Hamer guitar—represents the performative and creative heart of Cheap Trick. The band’s 2016 Rock and Roll Hall of Fame induction marked a peak moment, but beneath the surface lay complex tensions. The departure of bassist Bunny Carlos and the subsequent addition of Rick Nielsen’s son, Dax, initially appeared to follow the pattern of other famous rock family transitions, like Michael Anthony’s replacement by Wolfgang Van Halen in Van Halen. However, the reality proved far more nuanced. Buzz’s research uncovered ongoing strife within the band, though Carlos remains part of the Cheap Trick corporation—a business structure similar to Journey’s arrangement with Steve Perry. This setup ensures that founding members maintain ownership stakes even when they’re no longer actively touring, though it can also create lasting tension and legal complications. The hosts explore the darker side of band politics, touching on stories of sabotage and ego clashes. There are tales of Journey band members allegedly pulling on Steve Perry’s microphone cord during performances to make him trip—petty acts of revenge that reveal the intense pressures and personalities at play in successful rock bands. Yet they also note that time can heal wounds, pointing to Perry and Neal Schon’s apparently warm relationship at the Rock and Roll Hall of Fame induction, despite whatever conflicts may have existed in their past. The Therapeutic Approach: A New Model for Band Longevity In a refreshing counterpoint to tales of band dysfunction, Buzz shares insights from his conversation with The Head and the Heart on his “Music Saved Me” podcast. This indie pop alternative band has taken an innovative approach to managing interpersonal relationships: group therapy. Band members openly discuss how they’ve used professional counseling to navigate the challenges of creative collaboration, life on the road, and the inevitable conflicts that arise when passionate artists work together for years. This revelation prompts fascinating speculation about how many legendary bands might have avoided breakups, lawsuits, and lasting bitterness if they’d embraced therapy earlier. The deeply personal nature of musical creation—leaving your heart exposed in every performance, every recording—makes these relationships particularly vulnerable to conflict. As Harry notes, “even if it’s a drummer or a bass player, it’s still your piece of that performance of that song you left your heart out there.” The music exists forever as a testament to that vulnerability, creating permanent emotional stakes that can intensify disagreements and hurt feelings. Joe Cocker: A Voice That Couldn’t Be Contained The passing of Joe Cocker at age 70 in 2014 brings reflection on an artist whose expressive, explosive performances made him unforgettable. While 70 might not seem particularly old from our current vantage point—as Buzz and Harry, approaching 60 and 70 respectively, can attest—Cocker’s hard-living lifestyle took its toll. His performances were legendary, inspiring John Belushi’s spot-on “Saturday Night Live” impersonation that Cocker himself found hilarious. Cocker’s career highlights include his cover of The Beatles’ “With a Little Help from My Friends,” which became the theme for the television series “The Wonder Years,” and “Up Where We Belong,” his duet with Jennifer Warnes from the film “An Officer and a Gentleman.” The latter song became inextricably linked with that powerful film starring Richard Gere and Lou Gossett Jr., whose portrayal of a drill instructor was genuinely frightening and contributed to one of cinema’s most memorable moments—Gere’s character’s desperate declaration: “I got nowhere else to go.” Eddie Vedder: The Humble Superstar December 23rd celebrates the birthday of Eddie Vedder, born in 1964, whose appreciation for musical history and those who came before him sets him apart in an industry often dominated by ego. The hosts draw parallels to Dave Grohl, noting how both artists exhibit genuine humility and respect for their influences. Vedder’s collaborations with Neil Young, particularly their version of “Rockin’ in the Free World,” helped establish his credibility beyond Pearl Jam circles, while his passionate renditions of The Who’s classics—especially “Love, Reign o’er Me”—have become legendary in their own right. Vedder’s versatility shines through in his cover work, from The Waiting by Tom Petty and the Heartbreakers to The English Beat’s “Save It for Later,” featured in the television series “The Bear.” His interpretation of Tom Petty’s “Room at the Top” particularly resonates, described as “so beautiful” in its delicate handling of Petty’s original composition. The discussion of “The Bear” opens a tangent about the show’s exceptional soundtrack curation, featuring all Tom Petty covers including a barn-burning version of “Runnin’ Down the Dream” by Larkin Poe. Despite Pearl Jam’s reputation for deep cuts and extensive catalogs—which might intimidate casual fans—the hosts acknowledge being captivated whenever they hear Vedder sing anything. His voice and interpretive skills transcend the barrier of familiarity, making even unknown material compelling. The Unsung Guitar Legends of Country Music The conversation shifts to Glen Campbell, whose passing on December 24th prompts reflection on his extraordinary but often underappreciated guitar skills. Campbell represents a generation of country musicians whose technical prowess gets overshadowed by genre stereotypes. Like Roy Clark, Campbell could do virtually anything on guitar, yet many people don’t associate country music with virtuoso instrumentalists. Campbell’s session work tells the story of his versatility—he played on albums by The Monkees, The Beach Boys, Frank Sinatra, and soundtracks for Elvis films and Phil Spector productions. This breadth demonstrates how the Nashville studio system produced some of the most skilled musicians in any genre, even if they didn’t always receive recognition outside country music circles. The discussion of Campbell also touches on Brian Wilson’s 1964 breakdown, a tragic moment that had long-lasting consequences for the Beach Boys and Wilson himself. The psychological damage inflicted by Wilson’s abusive father Murry Wilson—compared to Joe Jackson’s treatment of his children—demonstrates how family trauma can derail even the most talented artists. Brian’s struggles with touring and performing were just the beginning of severe mental health challenges that would plague him throughout his career. The Police: Reunion Done Right In 2007, The Police earned recognition as the year’s highest-grossing tour, thirty years after the band’s inception and 24-25 years after their previous collaboration. The reunion tour, which Buzz witnessed in Las Vegas, comprised over 150 shows worldwide and generated nearly $400 million—not a bad payday for a comeback. This success demonstrated the enduring appeal of Sting, Andy Summers, and Stewart Copeland’s unique blend of rock, reggae, and new wave, proving that some artistic chemistry remains potent even after decades apart.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Discograffiti is the deep-dive podcast for music obsessives. In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series. Chuck and legendary bassist Carol Kaye are close friends, so this exceptional interview goes incredibly deep in its search for the truth. Carol is one of the most prolific bass guitarists in rock and pop music, playing on an estimated 10,000 recordings during a career spanning over 65 years. She actually started doing session work in 1957 on guitar, and after a bassist failed to turn up to a session in 1963, she switched to that instrument, quickly making a name for herself as one of the most in-demand session players of the 1960s. She's appeared on sessions by Frank Sinatra, Simon & Garfunkel, Stevie Wonder, The Supremes, The Temptations, The Four Tops, and The Monkees. The intro on Glen Campbell's “Wichita Lineman”? She came up with that. Of course, that's also Carol plucking away on The Beach Boys albums Today!, Summer Days (And Summer Nights!!), Pet Sounds, and Smile. Most famously, Kaye's bass lines are the driving force behind “Good Vibrations”, one of her many number 1 hits.  Here's just a few of the many things that Carol discusses with Discograffiti in this podcast: The truth about Mike Love; The first time she crossed paths with Brian Wilson; Working with Murry Wilson; The three times that Carol had Brian and Marilyn over to her house. There'll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti's Patreon. Don't miss it, or you'll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we'll all have world peace. Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up) Free Sneak Peek: linktr.ee/discograffiti Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It's completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti's weekly bonus episodes and access to our entire Patreon episode archive. There are now over 300 Patreon episodes.

How better to ring in the start of the holiday season than with two of my favorite music film obsessives, musician Chaki (The Funk Wizard) & comedy writer/artist/filmmaker Rachel Lichtman of Programme 4, who brought to my attention the 1970 TV spectacular The 5th Dimension Special: An Odyssey In The Cosmic Universe Of Peter Max.We discuss how this special got on Rachel's radar, Chaki seeing a restored version of this in a theater with the members of The 5th Dimension in atttendance, what's the story behind The Glass Industries sponsorship of this special and how they created a ‘real band,' The Glass Bottle, the PBS ‘fake band' Mulligan Stew, what it was like being a groovy extra in tv/movies during the hippie days, hippies in advertising, Dickie Goodman of Mr. Shark fame writing the music for The Glass Bottle, Rachel's The 5th Dimension crime show on Programme 4, Dionne Warwick, the obsession within The 5th Dimension to get their vocal harmonies absolutely right, Marilyn McCoo & Solid Gold, the Bee Gee's Idea TV Special, the steady hand of director John Moffitt (who also directed Mr. Show episodes), how the special was shot in studio 8H in NYC and not in Burbank, Peter Max's brand of psychedelic art--where art and commerce meet, the weird vibe of Peter Max's acting in this special, how the Laugh-In writers did not hit the psychedelic needs of this special, Artie Johnson's problematic and offensive comedy characters in this special, Glen Campbell and Flip Wilson's much needed energetic turns in this special, the song and the performance of 'Puppet Man', why the children in this special freak us out, the haunting littering commercials made for this special, Chris's first time seeing the musical Hair, the legendary arrangement of 'Aquarius' banging into 'Let The Sun Shine In. Also, Rachel gives a massive update regarding the future of Programme 4, and Chaki hints at his new collaboration with El Vez entitled “Fuck Ice”. THE 5th DIMENSION SPECIAL:Obsolete Video: https://www.youtube.com/watch?v=mjC3xB7egmY&t=3292sRACHEL LICHTMAN:https://www.programme4.tv/contactCHAKI:https://chaki.bandcamp.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. Hosted on Acast. See acast.com/privacy for more information.

We take a deep dive into the world of AI and music with artists Dylan Heidt and Jeff Dayton.Jeff Dayton is an American musician, singer, producer and songwriter best known as being the bandleader for Glen Campbell and the Jeff Dayton Band for 15 years, plus touring with Kenny Chesney and Lee Greenwood.Dayton performed with club bands in the upper Midwest, including a year with the KO Band, which was fronted by Bob Dylan studio musician Kevin Odegard. Their producer was David Z and their drummer a young Bobby "Z" Rivkin.Dayton moved to Fountain Hills, Arizona and formed the Dayton-Privett Band with Mark Prentice, Tom Sawyer and Ron Privett. After 2 years, Privett left the band, and was replaced with Dave Watson; the band was renamed High Noon Band and continued until the band went their separate ways. Dayton then formed the Jeff Dayton Band, and over time about 100 different musicians performed under that name with Dayton, notably steel guitarist Ed Black, guitarist Bob "Willard" Henke, Grammy award winner producer Michael B (aka Mike Broening), drummer Mickey McGee, banjo player Bruce Leland, drummer Merel Bregante, bassist Doug Haywood, etc.[1][15]High Noon won the Wrangler Country Showdown and the Jeff Dayton Band won the Marlboro Talent Roundup. The JDB was named New Times' Best of the Decade's Best Award.[4] In addition, Dayton wrote and recorded That Lady Can Love which became his first #1 record at KNIX-FM and another song earned a platinum songwriting award for George Strait with "Any Old Time." The song was also released as the "B" side of Strait's single "The Cowboy Rides Away."Dayton and band opened for Merle Haggard, The Judds and Alabama in 1987. After a chance meeting with Glen Campbell that evening and an impromptu jam session at the grand opening of Jack Nicklaus' Desert Mountain golf course, Dayton and his group were hired to tour with Campbell.[5][6]For the next 15 years the Jeff Dayton band performed on worldwide tours, TV and record dates, celebrity events and many concerts.[7][8] While Glen Campbell's' musical director, he conducted many symphony orchestras and even Les Brown and His Band of Renown. Highlights included shows at the White House, NBC's The Today Show and the Grand Ole Opry stage. Campbell and the Jeff Dayton Band also played with Gene Autry, Willie Nelson, Bob Hope, Vince Gill and dozens more."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of THE STORY SONG PODCAST, your hosts review the 1968 country/pop classic, “Wichita Lineman” by Glen Campbell, written by Jimmy Webb.  “Wichita Lineman” by Glen Campbell (from the album Wichita Lineman) is available on Apple Music, YouTube Music, Amazon Music, Tidal, Pandora, Spotify, or wherever you listen to music. Continue the conversation; follow THE STORY SONG PODCAST on social media. Follow us on Bluesky (@storysongpodcast.bsky.social), Instagram (storysongpodcast), Facebook (thestorysongpodcast), Threads (storysongpodcast), GoodPods, and Podchaser. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textMulti-instrumentalist Maia Sharp has written songs for the likes of Cher, Bonnie Raitt, Trisha Yearwood, Keb' Mo', Taj Mahal and Art Garfunkel, just to name a few. Hailing from L.A., Maia is currently based in Nashville, often collaborating with many musicians and songwriters in that creative community. She also collaborates often with her dad, three-time Grammy Award winning singer/songwriter and guitarist Randy Sharp. Randy's songs have been recorded by artists including Linda Ronstadt, Delaney Bramlett, Glen Campbell, Tanya Tucker, Edgar Winter, the Dixie Chicks, Emmylou Harris, and of course, Maia. Tomboy is Maia Sharp's 10th solo album and her musical talent is on full display. In addition to her wonderful vocals and guitar, Maia, who's played saxophone for years, supplied a very cool sax solo on “Edge of the Weatherline”, one of many great tracks on the record. Stay tuned for my talk with the very talented Maia Sharp.You can find out more about Maia Sharp and also purchase music at maiasharp.comPhoto by Emma Lee. Check out her work here.Save on Certified Pre-Owned ElectronicsPlug has great prices on refurbished electronics. Up to 70% off with a 30-day money back guarantee!Euclid Records – Buy and sell records.A gigantic selection of vinyl & CDs. We're in St. Louis & New Orleans, but are loved worldwide!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Thanks for listening to Frets with DJ Fey. You can follow or subscribe for FREE at most podcast platforms.And now, Frets is available on YouTube. There are a lot of fun extras like videos and shorts and audio of all episodes. Subscribing for FREE at YouTube helps support the show tremendously, so hit that subscribe button! https://www.youtube.com/@DJFey39 You can also find information about guitarists, bands and more at the Frets with DJ Fey Facebook page. Give it a like! And – stay tuned… Contact Dave Fey at davefey@me.com or call 314-229-8033

This week on Friends Talking Nerdy, Professor Aubrey and Tim the Nerd dust off the record player and go head-to-head once again in The Musicwed Game — the game where friendship meets finely tuned musical instincts. Each picks five songs they believe the other will love, and whoever racks up the most correct guesses earns bragging rights as the reigning music whisperer.The playlist this round is as eclectic as ever — a sonic road trip through dusty border towns, cosmic dance floors, and smoky backroom stages. You'll hear talk of the swaggering “Canción del Mariachi” from Antonio Banderas and Los Lobos, the bittersweet twang of Glen Campbell's “Galveston,” and the glitter-soaked groove of Ace Frehley's “New York Groove.” From the haunting “This Mess We're In” (PJ Harvey featuring Thom Yorke) to the gospel fire of Sister Rosetta Tharpe's “Strange Things Happening Every Day,” every track sparks stories, laughter, and passionate debate.Rounding out the mix are Orville Peck's outlaw spin on “Born This Way (The Country Road Version),” the late-90s alt-pop gem “F.N.T.” by Semisonic, the heartfelt lift of Patty Griffin's “Top of the World,” the fiery “Malagueña Salerosa” by CHINGÓN, and the introspective “Just By Myself” from Greg Brown.Whether you're a die-hard music nerd or just love hearing two friends geek out with gusto, this episode hits all the right notes — nostalgia, discovery, and a few good-natured arguments about what makes a song perfectly Tim or undeniably Aubrey.

Find Mick:https://metalmongrol.bigcartel.comFind us:https://www.vh-us.com 

In this 2013 interview the country/bluegrass legend talks about his book Kentucky Traveler. Get your copy of Kentucky Traveler by Ricky SkaggsAs an Amazon Associate, Now I've Heard Everything earns from qualifying purchases.You may also enjoy my interviews with Glen Campbell and Loretta Lynn For more vintage interviews with celebrities, leaders, and influencers, subscribe to Now I've Heard Everything on Spotify, Apple Podcasts. and now on YouTube#Bluegrass # Country Music # Kentucky # memoirCome on over to AI After 40 on YouTube

Fire up the Time Machine, people—Dave and Milt are going full throttle back to '75, and it's a funky, feathered-hair free-for-all. On this Past Tens episode, your fearless hosts trash-talk, gush, and generally geek out over Billboard's Top 10 from September 27, 1975. Bad Company growls, Sweet glitters, and somewhere in there Dave derails the whole thing with a personal “I almost died in a hospital gown” story. Milt, ever the Chartmeister historian, connects the dots between these jams and the cultural circus of the mid-'70s, while Dave sprinkles in snarky asides, dad jokes, and a rant or two about sandwiches. They bounce between rock, funk, country, and schmaltz, drop a few under-the-radar nuggets, and even debate whether Glen Campbell's Broadway references were about, y'know… actual Broadway. Then it's Playdate time: Dave throws down a Generation X Rock Hall challenge that makes Milt sweat. By the end, they're arguing about whether this whole lineup deserves a permanent plaque in the Time Machine Hall of Fame—or just a polite golf clap. Timestamps for your nostalgic pleasure: 00:00 – Past Tens roll call 00:25 – Sandwich rambling commences 01:34 – Dave's hospital misadventure 06:05 – Time Machine ignition 07:06 – Top 10 countdown starts 13:52 – Bad Company brings the thunder 20:59 – Sweet turns the glam up to 11 28:56 – Freddie Fender's tear-stained road trip 34:52 – Famous Freds ranked (because why not?) 35:12 – Fender deep dive 36:01 – Janis Ian breaks every heart in the room 40:23 – Seventeen-year-old angst songs dissected 48:31 – Barry Manilow achieves… let's call it a musical climax 54:09 – Gen X Rock Hall face-off 01:04:19 – “Run Joey Run” and the tragedy of teen melodrama 01:12:22 – The Isley Brothers get funky 01:14:19 – Disney, algorithms, and mild outrage 01:14:53 – Tragic news + media gripes 01:19:10 – Glen Campbell mysteries solved (or not) 01:22:54 – Bowie goes funky chic 01:29:06 – John Denver's swan song 01:33:12 – Wrap-up, wisecracks, and reflection

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