Podcasts about annenberg fellowship

This week The Rock N Roll Archaeologist gets a Masters education in gender politics of modern music by LMU Associate Professor Evelyn McDonnell.Evelyn McDonnell is associate professor of English and director of journalism at Loyola Marymount University. She has been writing about popular culture and society for more than 30 years. She is the author of four books: Queens of Noise: The Real Story of the Runaways, Mamarama: A Memoir of Sex, Kids and Rock 'n' Roll, Army of She: Icelandic, Iconoclastic, Irrepressible Bjork and Rent by Jonathan Larson. She coedited the anthologies Rock She Wrote: Women Write About Rock, Pop and Rap and Stars Don't Stand Still in the Sky: Music and Myth. Her latest book, Women Who Rock: Bessie to Beyoncé. Girl Groups to Riot Grrrl, was released October 9, 2018. She is also editor of the Music Matters series published by the University of Texas Press.She has been the editorial director of www.MOLI.com, pop culture writer at The Miami Herald, senior editor at The Village Voice, and associate editor at SF Weekly. Her writing on music, poetry, theater, and culture has appeared in numerous publications and anthologies, including the Los Angeles Times, Ms., Rolling Stone, The New York Times, Spin, Travel & Leisure, Us, Billboard, Vibe, Interview, Black Book, and Option. She codirected the conference Stars Don't Stand Still in the Sky: Music and Myth at the Dia Center for the Arts in New York in 1998.She has won several fellowships and awards, including an Annenberg Fellowship at USC and a fellowship to the NEA Arts Journalism Institute in Theater and Musical Theater. Her 2004 Herald expose of hip-hop cops was awarded first place for enterprise reporting by the South Florida Black Journalists Association and second place in the Society of Professional Journalists' Sunshine State Awards. She earned her Master's in Specialized Journalism, the Arts, from USC, where she was chosen for the Phi Kappa Phi honor society. She earned her Bachelor's in American studies, graduating magna cum laude from Brown University.https://admission.lmu.edu/about/facultyprofiles/evelynmcdonnell/https://www.amazon.com/Evelyn-McDonnell/e/B000APS55C

This week The Rock N Roll Archaeologist gets a Masters education in gender politics of modern music by LMU Associate Professor Evelyn McDonnell.Evelyn McDonnell is associate professor of English and director of journalism at Loyola Marymount University. She has been writing about popular culture and society for more than 30 years. She is the author of four books: Queens of Noise: The Real Story of the Runaways, Mamarama: A Memoir of Sex, Kids and Rock 'n' Roll, Army of She: Icelandic, Iconoclastic, Irrepressible Bjork and Rent by Jonathan Larson. She coedited the anthologies Rock She Wrote: Women Write About Rock, Pop and Rap and Stars Don't Stand Still in the Sky: Music and Myth. Her latest book, Women Who Rock: Bessie to Beyoncé. Girl Groups to Riot Grrrl, was released October 9, 2018. She is also editor of the Music Matters series published by the University of Texas Press.She has been the editorial director of www.MOLI.com, pop culture writer at The Miami Herald, senior editor at The Village Voice, and associate editor at SF Weekly. Her writing on music, poetry, theater, and culture has appeared in numerous publications and anthologies, including the Los Angeles Times, Ms., Rolling Stone, The New York Times, Spin, Travel & Leisure, Us, Billboard, Vibe, Interview, Black Book, and Option. She codirected the conference Stars Don't Stand Still in the Sky: Music and Myth at the Dia Center for the Arts in New York in 1998.She has won several fellowships and awards, including an Annenberg Fellowship at USC and a fellowship to the NEA Arts Journalism Institute in Theater and Musical Theater. Her 2004 Herald expose of hip-hop cops was awarded first place for enterprise reporting by the South Florida Black Journalists Association and second place in the Society of Professional Journalists' Sunshine State Awards. She earned her Master's in Specialized Journalism, the Arts, from USC, where she was chosen for the Phi Kappa Phi honor society. She earned her Bachelor's in American studies, graduating magna cum laude from Brown University.https://admission.lmu.edu/about/facultyprofiles/evelynmcdonnell/https://www.amazon.com/Evelyn-McDonnell/e/B000APS55C

This week The Rock N Roll Archaeologist gets a Masters education in gender politics of modern music by LMU Associate Professor Evelyn McDonnell. Evelyn McDonnell is associate professor of English and director of journalism at Loyola Marymount University. She has been writing about popular culture and society for more than 30 years. She is the author of four books: Queens of Noise: The Real Story of the Runaways, Mamarama: A Memoir of Sex, Kids and Rock 'n' Roll, Army of She: Icelandic, Iconoclastic, Irrepressible Bjork and Rent by Jonathan Larson. She coedited the anthologies Rock She Wrote: Women Write About Rock, Pop and Rap and Stars Don't Stand Still in the Sky: Music and Myth. Her latest book, Women Who Rock: Bessie to Beyoncé. Girl Groups to Riot Grrrl, was released October 9, 2018. She is also editor of the Music Matters series published by the University of Texas Press. She has been the editorial director of www.MOLI.com, pop culture writer at The Miami Herald, senior editor at The Village Voice, and associate editor at SF Weekly. Her writing on music, poetry, theater, and culture has appeared in numerous publications and anthologies, including the Los Angeles Times, Ms., Rolling Stone, The New York Times, Spin, Travel & Leisure, Us, Billboard, Vibe, Interview, Black Book, and Option. She codirected the conference Stars Don't Stand Still in the Sky: Music and Myth at the Dia Center for the Arts in New York in 1998. She has won several fellowships and awards, including an Annenberg Fellowship at USC and a fellowship to the NEA Arts Journalism Institute in Theater and Musical Theater. Her 2004 Herald expose of hip-hop cops was awarded first place for enterprise reporting by the South Florida Black Journalists Association and second place in the Society of Professional Journalists' Sunshine State Awards. She earned her Master's in Specialized Journalism, the Arts, from USC, where she was chosen for the Phi Kappa Phi honor society. She earned her Bachelor's in American studies, graduating magna cum laude from Brown University. https://admission.lmu.edu/about/facultyprofiles/evelynmcdonnell/ https://www.amazon.com/Evelyn-McDonnell/e/B000APS55C

This week The Rock N Roll Archaeologist gets a Masters education in gender politics of modern music by LMU Associate Professor Evelyn McDonnell. Evelyn McDonnell is associate professor of English and director of journalism at Loyola Marymount University. She has been writing about popular culture and society for more than 30 years. She is the author of four books: Queens of Noise: The Real Story of the Runaways, Mamarama: A Memoir of Sex, Kids and Rock 'n' Roll, Army of She: Icelandic, Iconoclastic, Irrepressible Bjork and Rent by Jonathan Larson. She coedited the anthologies Rock She Wrote: Women Write About Rock, Pop and Rap and Stars Don't Stand Still in the Sky: Music and Myth. Her latest book, Women Who Rock: Bessie to Beyoncé. Girl Groups to Riot Grrrl, was released October 9, 2018. She is also editor of the Music Matters series published by the University of Texas Press. She has been the editorial director of www.MOLI.com, pop culture writer at The Miami Herald, senior editor at The Village Voice, and associate editor at SF Weekly. Her writing on music, poetry, theater, and culture has appeared in numerous publications and anthologies, including the Los Angeles Times, Ms., Rolling Stone, The New York Times, Spin, Travel & Leisure, Us, Billboard, Vibe, Interview, Black Book, and Option. She codirected the conference Stars Don't Stand Still in the Sky: Music and Myth at the Dia Center for the Arts in New York in 1998. She has won several fellowships and awards, including an Annenberg Fellowship at USC and a fellowship to the NEA Arts Journalism Institute in Theater and Musical Theater. Her 2004 Herald expose of hip-hop cops was awarded first place for enterprise reporting by the South Florida Black Journalists Association and second place in the Society of Professional Journalists' Sunshine State Awards. She earned her Master's in Specialized Journalism, the Arts, from USC, where she was chosen for the Phi Kappa Phi honor society. She earned her Bachelor's in American studies, graduating magna cum laude from Brown University. https://admission.lmu.edu/about/facultyprofiles/evelynmcdonnell/ https://www.amazon.com/Evelyn-McDonnell/e/B000APS55C

In this episode Broken Boxes gets into conversation with writer and director Sterlin Harjo. We hear about Sterlin's journey to becoming a filmmaker and he shares memories of growing up in rural Oklahoma as 'that weird artist kid'. Sterlin talks about being a founding member of renown Native comedy group the 1491s and reflects on the beginning project that catapulted the group to what it is today. Sterlin also talks about Standing Rock as an Indigenous led global movement and we get his perspective regarding the film works that have come since. Sterlin also offers his insight for existing in a world consumed by social media and offers advice on how to approach creating film work in today's accessible media platforms. Sterlin Harjo belongs to the Seminole and Creek Nations, and is a native of Holdenville, Oklahoma. Interested from an early age in visual art and film, Harjo studied painting at the University of Oklahoma before writing his first feature-length script. Since then Harjo was a participant in the Sundance Institute's Feature Film Program. In 2004, Sundance Institute selected Harjo to receive an Annenberg Fellowship, which provided extended support over a two-year period to facilitate the creation of his feature project. In 2006 Harjo was in the inaugural class of United States Artists award recipients. He was also the youngest recipient. Sterlin Harjo completed a year of development on his feature film script FOUR SHEETS TO THE WIND through the Sundance Institute's Filmmaker Labs where he worked under the guidance of industry veterans such as Robert Redford, Stanley Tucci, Joan Tewkesbury, Susan Shilliday, Frank Pierson, Walter Mosley, and Antonia Bird. Sterlin's project was one of 12 projects chosen from a pool of almost 2,500 based on the uniqueness of his voice, the originality of his story and the promise of this feature film offering something poignant to American cinema. Harjo's short film GOOD NIGHT IRENE premiered at the Sundance Film Festival 05 and has went on to play festivals around the world. The short film has garnered Harjo awards including Special Jury Recognition at the Aspen Shorts Festival and Best Oklahoma Film at the Dead Center film festival in Oklahoma City. In 2007 Harjo's first feature film, FOUR SHEETS TO THE WIND, premiered at the Sundance Film Festival. The film garnered warm responses from both audience's and critics. Tamara Podemski won a Special Jury Prize for outstanding performance for her role in the film as Miri Smallhill. Podemski was also nominated for an Independent Spirit Award for her performance. Harjo's film BARKING WATER had a successful premiere at the 2009 Sundance Film Festival, and it screened as a part of the highly acclaimed New Directors/New Film series in New York City. Barking Water was the only American film that played in the Venice Days section of the 2009 Venice Film Festival. Harjo's first documentary THIS MAY BE THE LAST TIME premiered at the 2014 Sundance Film Festival. Harjo's film Mekko premiered at The Los Angeles Film Festival in 2015. Mekko also screened at the Toronto International Film Festival and the Stockholm International Film Festival. It won best film at the ImagineNative Film Festival in Toronto. Harjo is a founding member of the all Native comedy group the 1491s.

In this episode Broken Boxes gets into conversation with writer and director Sterlin Harjo. We hear about Sterlin's journey to becoming a filmmaker and he shares memories of growing up in rural Oklahoma as 'that weird artist kid'. Sterlin talks about being a founding member of renown Native comedy group the 1491s and reflects on the beginning project that catapulted the group to what it is today. Sterlin also talks about Standing Rock as an Indigenous led global movement and we get his perspective regarding the film works that have come since. Sterlin also offers his insight for existing in a world consumed by social media and offers advice on how to approach creating film work in today's accessible media platforms. Sterlin Harjo belongs to the Seminole and Creek Nations, and is a native of Holdenville, Oklahoma. Interested from an early age in visual art and film, Harjo studied painting at the University of Oklahoma before writing his first feature-length script. Since then Harjo was a participant in the Sundance Institute’s Feature Film Program. In 2004, Sundance Institute selected Harjo to receive an Annenberg Fellowship, which provided extended support over a two-year period to facilitate the creation of his feature project. In 2006 Harjo was in the inaugural class of United States Artists award recipients. He was also the youngest recipient. Sterlin Harjo completed a year of development on his feature film script FOUR SHEETS TO THE WIND through the Sundance Institute’s Filmmaker Labs where he worked under the guidance of industry veterans such as Robert Redford, Stanley Tucci, Joan Tewkesbury, Susan Shilliday, Frank Pierson, Walter Mosley, and Antonia Bird. Sterlin’s project was one of 12 projects chosen from a pool of almost 2,500 based on the uniqueness of his voice, the originality of his story and the promise of this feature film offering something poignant to American cinema. Harjo’s short film GOOD NIGHT IRENE premiered at the Sundance Film Festival 05 and has went on to play festivals around the world. The short film has garnered Harjo awards including Special Jury Recognition at the Aspen Shorts Festival and Best Oklahoma Film at the Dead Center film festival in Oklahoma City. In 2007 Harjo’s first feature film, FOUR SHEETS TO THE WIND, premiered at the Sundance Film Festival. The film garnered warm responses from both audience’s and critics. Tamara Podemski won a Special Jury Prize for outstanding performance for her role in the film as Miri Smallhill. Podemski was also nominated for an Independent Spirit Award for her performance. Harjo’s film BARKING WATER had a successful premiere at the 2009 Sundance Film Festival, and it screened as a part of the highly acclaimed New Directors/New Film series in New York City. Barking Water was the only American film that played in the Venice Days section of the 2009 Venice Film Festival. Harjo’s first documentary THIS MAY BE THE LAST TIME premiered at the 2014 Sundance Film Festival. Harjo’s film Mekko premiered at The Los Angeles Film Festival in 2015. Mekko also screened at the Toronto International Film Festival and the Stockholm International Film Festival. It won best film at the ImagineNative Film Festival in Toronto. Harjo is a founding member of the all Native comedy group the 1491s.

SHOW NOTES Award-winning marketer, agency executive, critically-acclaimed author and columnist, Andrew has helped launch more than four dozen technology companies and hundreds of products and services over the past 25 years. Tech companies of all sizes rely on Andrew to help shape their narratives, re-position their brand and steal share from better-known competitors. A crisp thinker who weaves compelling and impactful stories, Andrew is highly respected for his passion, intellect, foresight and humor. As the CMO of SharpSpring, Andrew, leads the marketing and business development teams of this fast-growing marketing automation company. His responsibilities include crafting and executing the strategy to grow the company's agency market share (currently #2 to HubSpot), including branding, design, content marketing, lead generation, digital marketing, event marketing, external relations, affiliate marketing, and partner enablement initiatives. Andrew is the co-author of Richard Nixon: A Psychobiography (Columbia University Press, 1997). He was the ghost author of Driving Business Performance Through Strategic Sourcing, (Vanity Press, 2005), and has authored several hundred articles and thought leadership pieces for various clients and executives. In addition, he has been a contributing editor to various marketing, brand and communications publications, and blogs, including Marketing Talent, Business to Business Magazine, Catalyst Magazine and Small Business Matters. A lively speaker, Andrew has presented at dozens of industry events, including some of the largest trade shows in the technology industry. He is a magna cum laude graduate in Politics from Princeton University and the recipient of the Annenberg Fellowship at Eton College in England where he taught American Politics and Economics. TO LEARN MORE ABOUT SHARP SPRING, CLICK HERE. TO FIND ANDREW ON LINKEDIN, CLICK HERE.

Two-time Peabody Award-winning, three time DuPont Award winner and seven-time Emmy winner, filmmaker New York by Ric Burns and the youngest female principal dancer currently on The American Ballet Theatre's roster, 28 year old Isabella Boylston join Halli at her table on The Halli Casser-Jayne Show, to talk about the 75th anniversary of The American Ballet Theatre and Burns' new film The American Ballet Theatre : A History.Best known for his series, New York: A Documentary Film, which premiered nationally on PBS, @Ric BurnsRic Burns has been writing, directing and producing historical documentaries for over 20 years, since his collaboration on the celebrated PBS series The Civil War, which he produced with his brother Ken and co-wrote with Geoffrey C. Ward. Since founding Steeplechase Films in 1989, he has directed some of the most distinguished programs in the award-winning public television series, American Experience, including Coney Island, The Donner Party, The Way West, and Ansel Adam.Isabella Boylston was born in Sun Valley, Idaho and started taking dance classes at the age of 3. She studied ballet at the Academy of Colorado Ballet and at Harid Conservatory. When she was 14, she won the gold medal at the Youth American Grand Prix competition. At the age of 17, she was spotted by the director of the prestigious ABT studio company and invited to come to New York City and begin a career at American Ballet Theatre. She was promoted to soloist in 2011 and principal dancer in 2014. She is the recipient of the Clive Barnes Award, the Princess Grace Award, and the Annenberg Fellowship. She has appeared as a guest star with companies around the world including the National Ballet of China.A look at The American Ballet Theatre: A History through the lens of award-winning filmmaker Ric Burns and prima ballerina Isabella Boylston on The Halli Casser-Jayne Show. For more informations visit http://goo.gl/tMuVJc