Popular music act featuring several young female singers
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Label: Satellite 107Year: 1961Condition: MPrice: $40.00One of the greatest Soul instrumentals of all time ? two incredible sides of a new sound that would eventually be labeled "funky soul." Satellite, by the way, shortly changed its name to Stax ... and the rest is history! Note: This beautiful copy has Mint labels and pristine sound.
Label: White Whale 244Year: 1967Condition: M-Last Price: $20.00. Not currently available for sale.Besides having one of this group's best-loved hits on the A side, I also treasure it for the lovely, tender, and unexpected folk number on the flip. The copy for sale has Mint labels, and comes in a White Whale vintage sleeve. The audio is very close to Mint. (This scan is a representative image from our archives.)
Label: Stardust 1215Year: 1989Condition: MPrice: $7.00Originally released on Mango 126. One of the most delightful dance tunes of 1989... with a reggae-style beat and horns that make it impossible to sit still. This copy is pressed on a marbelized colored vinyl. Like the original Mango 45, the B side is an instrumental version.
Label: Motown 1103Year: 1967Condition: M Price: $25.00It's clear that Diana Ross' spoken interlude in this underrated Supremes single was one of Michael Jackson's greatest vocal inspirations. His little hiccup surely started from late-night air-guitar sessions when Michael would sing along with Diana on this one. :-) The B side is another fine H-D-H tune. This single is also remarkable for the manic mastery of James Jamerson's bass playing. Right from the get-go, his bass starts running away behind the scenes and just doesn't stop for breath! Of course, it's much easier to hear and appreciate that instrument when the audio is as clear and the mix as perfect as on this original 45. (Note: Jamerson was inducted into the Rock'n'Roll Hall of Fame in 2000.) Collector Nerd Alert: The track time on the 45 shows 2:35, but my recording of the song is 2:45, about the same as the LP cut's 2:47. Note: This beautiful copy comes in a vintage Motown Records factory sleeve. The record has Mint audio and labels!
Label: Casablanca 884Year: 1977Condition: MPrice: $12.00From a warehouse find, this is a new, unplayed stock copy, in its original Casablanca factory sleeve. Listening to this, it's easy to see how Summer became the queen of the disco/tech in the late 1970s, helped enormously by great material and by Giorgio Moroder and Pete Bellotte's distinctive techno arrangements. The mp3 snippet is an edit from the middle of the track, trying to capture in 2 minutes or less the essence of the music; it's a compromise, though. If you don't have the full 5:53 music, be sure to get it! This is the second pressing, which shows "Side A" for "I Feel Love;" the single was originally released plugging "Can't We Just..." and showing "I Feel Love" as "Side B." The B side is edited from a 4:25 album track. Note: This copy has light storage wear that lowers the Label grade to Near Mint. The wax and audio are pristine.
Label: Decca 32846Year: 1971Condition: M-Price: $15.00Featuring one of the all-time greatest screams in rock 'n' roll. This is a major, terrific edit (3:37) from the 8-plus minutes on the "Who's Next" album. There are times when you want to hear the whole thing, but the single really does capture the song's essence in a much more compact form! The B side is a non-album cut. Note: This copy has a drillhole and comes in a vintage Decca Records factory sleeve. (This scan is a representative image from our archives; the drillhole on this copy is located on the right side of the label (doesn't obscure any text). The vinyl looks almost untouched, and the audio sounds pristine Mint.
Label: RCA 0368Year: 1970Condition: M-Price: $16.00This beautiful tune was Michael Nesmith's biggest post-Monkees hit, and one of my favorite songs of all time! :-) Note: This release is credited to "Michael Nesmith & the First National Band." Comes with a vintage RCA factory sleeve.
© Richard Buskin, 2025
Girl Groups & Acting Challenges – they're staples of Drag Race. Every girl knows they're coming, so how did the girls of UK S7 do? Nadine Coyle lets the girls know if they Ate That, where some queens killed it, while others struggled (and the runway was…Cuddly Wuddly?); then the girls show off for Jane Horrocks in the three-part “Mother Tuckers.” All this, plus an AbFab Runway, some big eliminations, and even more amazing wins, on an all new X Is For Show! X IS FOR SHOW is a talk show for your favorite media, the same way THE OFFICE was a documentary about a paper company. Every week, THE ACTION PACK gathers to discuss a wide range of entertainment media and news, from film & TV to comics to gaming, music, and beyond. Led by NICO (@NicoAction) and TK (@TKAccidental) with producer KEVO (@KevoReally), as well as a variety of friends and special guests, these LIVE discussions are not to be missed - so be sure to tune in and join us for all the fun!
Label: Team 518Year: 1968Condition: M-Price: $22.00On this great Bubblegum record, the A side mines psych-rock for the fuzz guitar and frantic pace, while the flip sounds very much like something Tommy James & the Shondells would have recorded. (Check out the mp3 snippet.) This group made no albums, by the way, so this was a non-album single. Note: This beautiful copy comes in a vintage Buddah Records factory sleeve. It has Near Mint labels and, despite a few scuffs on the wax, very nearly Mint audio. (This scan is a representative image from our archives.)
Label: Def Jam 05665Year: 1985Condition: MPrice: $12.00This is a beautiful stock copy, in its original Def Jam factory sleeve. I'm so glad to have this one back in stock, at least for awhile! I just can't live without my L.L. Cool J! By the way, both sides of this 45 are specially edited from longer album tracks of 5:27 and 5:07, respectively. Note: This copy has light storage wear that lowers the Label grade to Near Mint. The wax and audio are pristine.Collector Nerd Alert: Here's another case where if one behaves like a man from Mars and looks at this record's labels with no other information about the record, one would conclude that "I Can Give You More" was the intended A side, and perhaps it was. But to persist in acting as if that's the record's "A" side in the face of overwhelming sales and airplay data that show "I Can't Live Without My Radio" was L.L. Cool J's first hit, reaching #15 on Billboard's Black/RnB Singles chart, and it's also the side that lands him at #550 on Dave Marsh's list of the 1,001 greatest 45s of Rock'n'Soul. Yes, the market-demoted "B" side is a fine piece of Rap/Hip-Hop, but the award for most significant side, and therefore the "A" side in our way of thinking, clearly goes to "...Radio". That's the side collectors will be seeking, and it should be placed rightfully as the "A" side of this particular 45, the label information notwithstanding. It behooves any discography to put each record in the context of its period in terms of chart data, airplay and sales data, and awards of various kinds from institutions and influential writers.
This week is the Battle of the Girl Groups and everything is Brat coded! The queens split into two teams and write original verses, rehearse group choreography, and attempt to serve party girl pop princess for Mother. Did she in fact eat that?? Ask the judges! Plus the runway category is ‘Cuddly Wuddly' but some of the girls are giving 'Saggly Waggly' or just plain sad…bear…zombie.Listen to Race Chaser Ad-Free on MOM PlusFollow us on IG at @racechaserpod and click the link in bio for a list of organizations you can donate to in support of Black Lives MatterFOLLOW ALASKAhttps://twitter.com/Alaska5000https://www.instagram.com/theonlyalaska5000https://www.facebook.com/AlaskaThunderhttps://www.youtube.com/channel/UC9vnKqhNky1BcWqXbDs0NAQFOLLOW WILLAMhttps://twitter.com/willamhttps://www.instagram.com/willamhttps://www.facebook.com/willamhttps://www.youtube.com/channel/UCrO9hj5VqGJufBlVJy-8D1gRACE CHASER IS A FOREVER DOG PODCASTSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In this episode of The Music in Me, I'm diving into the unforgettable world of R&B girl groups, the queens of harmony, style, and attitude. From the groundbreaking elegance of The Supremes to the fierce anthems of Destiny's Child, the edgy swagger of TLC, and the fresh vibes of Chloe x Halle, we're celebrating the voices that defined eras, broke records, and gave us songs we still can't stop singing. I'll share the history, the fashion, the cultural impact, and some fun, little-known facts that might surprise even the biggest fans. Whether you grew up dancing in your bedroom to 90s hits or are discovering these legendary groups for the first time, this episode is all about sisterhood, empowerment, and music that sticks with you for a lifetime.GROUPS AND SONGS MENTIONED...The Shirelles"Will You Still Love Me Tomorrow"The Ronettes"Be My Baby"Martha and the Vandellas"Dancing in the Street"The Supremes"Stop! In the Name of Love""You Can't Hurry Love"En Vogue"Free Your Mind""Don't Let Go (Love)"SVW - Sisters With Voices"Weak"TLC"Waterfalls""No Scrubs"Xscape"Just Kickin' It""Who Can I Run To"Destiny's Child"Say My Name""Survivor""Bootylicious"3LW"Playas Gon' Play""No More (Baby I'ma Do Right"Danity Kane"Show Stopper"Chloe x Halle"Do It"From Lullabies to Giggles: Songs for Little Ears Episode 86What did you think of this episode? Support the showKeep listening, keep grooving, and let the music in you continue to shine. Thank you, and see you soon!CONTACT TERI:Instagram: https://www.instagram.com/terirosborg/Facebook: https://www.facebook.com/teri.rosborgYouTube: The Music in MeTikTok: https://www.tiktok.com/@terirosborgPodcast Facebook Page: The Music in Me Podcast Facebook pageTHEME SONG BY: Hayley GremardINTRODUCTION BY: Gavin Bruno
Send Mary and Kelsey a Message!In this episode, Mary and Kelsey chat with 3Quency, the three-woman group consisting of Brianna Mazzola, Nori Moore, and Wennely Quezada, who won Netflix's “Building The Band.” 3Quency scored a record deal with RECORDS/Columbia Records and is managed by music industry legend Johnny Wright who helped spark the careers of Backstreet Boys, *NSYNC, and Britney Spears. They share stories from filming the show that viewers at home didn't get to see, what it was like working with host of the show, Backstreet Boys' AJ McLean, and iconic panelists including Pussycat Dolls' Nicole Scherzinger, Destiny's Child's Kelly Rowland and the late Liam Payne of One Direction. They also share about their new single, Top Down, and what's to come in the upcoming Bandemonium Tour with Soulidified. Support the show Instagram: @whentheypoppedpodTikTok: @whentheypoppedpodEmail: whentheypoppedy2k@gmail.comWebsite: linktree.com/whentheypopped Subscribe to our Patreon: https://www.patreon.com/user?u=85610411
Label: Columbia 44232Year: 1967Condition: MPrice: $20.00Here's a beautiful Mint copy of this underrated single... The B side is a rare non-LP track. Collector Nerd Alert: The A-side track time shows as 2:74 on the label... The company was "fakin'" on the time, which is actually 3:14. Note: This 45 comes in a vintage Columbia Records factory sleeve. It has Mint labels and pristine sound.
Label: Rolling Stones 19100Year: 1971Condition: MLast Price: $18.00. Not currently available for sale.This is one of the greatest of the Stones two-sided monster hits. Well, the B side didn't actually chart, but it's so great it really should have. Presumably, radio just wasn't ready to play a song called "Bitch" yet... though they were prepared by 1975 when Elton John hit the Top 10 with "The Bitch Is Back." OK, trivia time again... "Brown Sugar" was one of eight #1 U.S. singles by the Stones. The group also had eight chart-toppers in their native England, though over there they garnered all of those hits during the 1960s. Here is the list of the Stones' #1 U.S. singles: (I Can't Get No) Satisfaction (1965) Get Off My Cloud (1965) Paint It, Black (1966) Ruby Tuesday (1967) Honky Tonk Women (1969) Brown Sugar (1971) Angie (1973), and Miss You (1978) For comparison's sake, here are their #1 U.K. hits. You'll notice that the group gained monster popularity about a year earlier than they did in the U.S., same as the Beatles. It's All Over Now (1964) Little Red Rooster (1964) The Last Time (1964) (I Can't Get No) Satisfaction (1965) Get Off My Cloud (1965) Paint It, Black (1966) Jumpin' Jack Flash (1968) Honky Tonk Women (1969) This is a second pressing with "Warner Communications" on the label. Note: This beautiful copy has no notable flaws, grading Mint across the board (Labels, Vinyl, Audio).
Today’s episode is a crash course in 90s pop culture Em never saw coming. After confessing a major entertainment knowledge gap when it comes to The Spice Girls, Laura decided it was time for an education. From the origins of the world’s biggest girl group to the scandals, the hits, and the drama that dominated headlines while Em was still learning to walk and talk - this is the brutally honest Spice Girls history lesson we all need to brush up on. Get ready for nostalgia, girl power, and a deep dive into the 90s lore everyone should be across.THE END BITSHear our episode of No Filter with Spice Girl Mel C. Our new podcast Watch Party is out now, listen on Apple or Spotify. Support independent women's media Follow us on TikTok, Instagram and Facebook. And subscribe to our brand new Youtube channel. Read all the latest entertainment news on Mamamia... here. Discover more Mamamia Podcasts here. Do you have feedback or a topic you want us to discuss on The Spill? Send us a voice message, or send us an email thespill@mamamia.com.au and we'll come back to you ASAP! CREDITS Hosts: Laura Brodnik and Em Vernem Executive Producer: Monisha Iswaran Audio Producer: Scott Stronach Mamamia studios are styled with furniture from Fenton and Fenton.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.
Label: Epic 9115Year: 1955Condition: M-Last Price: $25.00. Not currently available for sale.Briggs was a white big-band singer... here she really rocks out in an RnB style, singing a Louis Jordan number from a couple of years before. Check out the mp3 "snippet" if you don't know the tune... Hope you love it as much as I do! By the way, this was a non-album single. Note: This beautiful copy comes in a vintage Epic Records factory sleeve. It has Mint labels and very nearly Mint vinyl and audio. (This scan is a representative image from our archives.)
Label: Maxwell 805Year: 1970Condition: MPrice: $8.00From a warehouse find, this is a new, unplayed stock copy, in its original Maxwell factory sleeve. "So Much Love" wasn't a huge hit, but have a listen to the mp3 "snippet" and see if you don't think it deserved better. Note: This beautiful 45 has no notable flaws, grading Mint across the board (Labels, Vinyl, Audio).
Label: Diamond 221Year: 1967Condition: MPrice: $25.00Note that both sides of this one were written by Neil Diamond, who also produced the A side. Great stuff... both have hooks to spare that just won't get out of your head once they get in! Note: This beautiful copy has Mint labels and pristine sound.
Label: Capitol 2068Year: 1967Condition: MPrice: $50.00This is a beautiful copy of a great Beach Boys single, featuring a B side that could have been an A side on its own, taken from the Pet Sounds LP. Chock full of Brian Wilson production surprises, like his best work. I've been seeking a nice copy of this single ever since the A side was featured on the "Big Bang Theory" TV show. I really love that line "You soften my life with your love, your precious love..." Note: This 45 record comes in a Near Mint picture sleeve. It has Mint labels and pristine sound.
Label: WB 5199Year: 1961Condition: MPrice: $40.00What a great single! Both sides hit the Billboard Top 10, and the B side (which was the slightly bigger hit) is an enduring classic written by Sonny Curtis, lead guitarist and vocalist for the post-Buddy Holly Crickets, who also penned the epic "I Fought The Law." Note: This beautiful copy has pristine Mint labels and untouched-looking vinyl; the audio is Mint as well. The picture sleeve is nearly flawless!
Label: Hunt 321Year: 1958Condition: M-Price: $40.00Besides the classic A side ballad, this great early Girl Group single has a terrific uptempo number on the flip. Note: This beautiful copy grades very close to Mint across the board (Labels, Vinyl, Audio).
Label: Big Tree 115Year: 1971Condition: M-Price: $14.00From a warehouse find, this is a new, unplayed stock copy, in its original Ampex factory sleeve. When this one came out, most radio programmers approached it as a novelty tune... which it was, of course... novel, that is. Today it's obviously just an incredibly great reggae track. The flip is an instrumental version of the song. Note: This beautiful 45 has some light storage wear on the vinyl, grading Near Mint. The audio and labels are pristine Mint and the factory sleeve is oh so crispy!
Label: Epic 9790Year: 1965Condition: M-Last Price: $40.00. Not currently available for sale.Here's a remarkably beautiful copy of this 1960s Rock classic, impossible to find in decent condition but a single I always try to keep in stock. This time I lucked out: This copy miraculously retains pristine audio -- so special I recorded it quickly to iTunes and then made an mp3 snippet so you can hear for yourself! "For Your Love" was this seminal Hard Rock group's first and biggest U.S. hit. If I'm not mistaken, this is the combination of Yardbirds that found Jeff Beck playing lead guitar. As I recall, Eric Clapton left the group earlier in 1965, sort of in protest to the other members' interest in abandoning pure Blues and RnB for a catchy pop song like "For Your Love." All I can say is, "For Your Love" may be a catchy pop song as done by some other band, but this Yardbirds manage to put a muscular, almost sinister cast to the number, making it a prime example of hard rock, in the style being hammered out by bands like the Rolling Stones and Animals at the time. Note: This copy comes in a vintage Epic Records factory sleeve. The labels are very close to Mint. The vinyl (styrene) grades Near Mint, reflecting a few very light scuff marks.
Label: Atlantic 2518Year: 1968Condition: M-Price: $24.00Here's a beautiful copy of one of Aretha's very best -- and hardest-to-find -- singles. This copy has such great audio I had to celebrate by making an mp3 "snippet" of it... Enjoy! Note: This 45 record comes in a vintage Atlantic Records factory sleeve. The labels grade Near Mint with a drillhole (not shown in the scan). The vinyl looks almost untouched, and the audio sounds very close to Mint. (This scan is a representative image from our archives.)
Label: I.R.S. 9912Year: 1983Condition: MLast Price: $24.00. Not currently available for sale.This is one of the absolute best Techno singles of the 1980s... and its impossible to find! Besides the knockout A side, the flip is another 6:00 tour-de-force that will not disappoint. The picture sleeve is Near Mint with age-appropriate top-edge wear, particularly on the higher side of the sleeve. No notable ringwear.
Label: A&M 3014Year: 1988Condition: MPrice: $10.00From a warehouse find, this is a new, unplayed stock copy, in its original picture sleeve. This terrific number is labeled the "Straight Edit" of the album cut, but it's about the same length, so I believe this is a remix. Check out the mp3 "snippet" of it. The flip, also worth seeking out, is a non-album tune. Note: This copy has light storage wear that lowers the Label grade to Near Mint. The wax and audio are pristine. The picture sleeve grades Near Mint and has some corner and top-edge wear from storage
Label: Duke 375Year: 1964Condition: M-Price: $30.00In my humble opinion, Dave Marsh is right on in making this the highest-ranking Bobby Bland record in his list of the 1001 greatest singles ever made. Take a listen to the snippet and see if you don't agree. Perhaps not coincidentally, it was also Bland's biggest hit on the pop charts. Note: This beautiful copy grades close to Mint in appearance (Labels, Vinyl) and has pristine Mint sound.
Label: RCA 8382Year: 1964Condition: MPrice: $20.00This one deserved much more airplay than it got at the time... I guess Sedaka seemed kind of anachronistic in the summer of the Beatles. This would have been a great hit for the Four Seasons, clearly... a really wonderful uptempo Sedaka classic with a great B side too. Check out the mp3 "snippet" to hear for yourself! By the way, this was a non-album single. Note: This beautiful copy comes in a vintage RCA Victor Records factory sleeve. It has no notable flaws, grading Mint across the board (Labels, Vinyl, Audio).
Label: Laurie 3195Year: 1963Condition: M-Price: $25.00This single struggled to reach the Top 40, though it should have been a much bigger hit. We know that today, of course, as it's one of three of their 45s to be included in Dave Marsh's classic 1,001 list. This is why I keep a copy it in the jukebox ? it's that good!
Label: Philles 117Year: 1963Condition: M-Last Price: $35.00. Not currently available for sale.Not for nothing is this one of the top-rated Phil Spector productions in Dave Marsh's list of the 1001 greatest singles ever made. Gives me goose bumps! Note: This beautiful copy grades Near Mint across the board (Labels, Vinyl, Audio). (This scan is a representative image from our archives.)
Label: WB 29974Year: 1982Condition: MPrice: $14.00This is a nearly new stock copy, in its original Warner/Reprise factory sleeve. The A side is one of the best hits of the neo-Rockabilly wave that swept the U.S. and England in the early 1980's. With his note-perfect first album and great songwriting (produced by Richard Gottehrer, who served up so much great rock'n'roll froth in the 1960's with such acts as the Angels and McCoys), Crenshaw seemed like a new Buddy Holly. The non-LP B side, which Bette Midler later took up the charts, is credited to 'Marshall Crenshaw and the Handsome, Ruthless and Stupid Band.' Collector Nerd Alert: This is the rare first pressing that credits Richard Gottehrer as well as Crenshaw as B-side producer. This beautiful 45 has pristine Mint labels and audio!
Label: Mercury 76085Year: 1980Condition: MPrice: $11.00From a warehouse find, this is a new, unplayed stock copy. Here's a sneaky slice of Disco Funk that your collection definitely doesn't want to be without! Have a listen to the mp3 "snippet" to hear why. The A side is specially edited from a 7:49 album track... concentrated goodness! Note: This beautiful 45 has no notable flaws, grading Mint across the board (Labels, Vinyl, Audio).
Label: Columbia 45133Year: 1970Condition: M-Last Price: $12.00. Not currently available for sale.Found one! This is a beautiful, Near Mint copy of the duo's second big hit from their best and, sadly, final album, Bridge Over Troubled Water. What the heck is that rhythm section doing, by the way? Anybody ever figure it out (without looking at the session notes)? By the way, it's not your imagination -- the 45 rpm version of "Cecilia" is speeded up from the LP version, which probably explains why the track is only 2:40 on the 45 but 2:55 on the LP. (!) I actually measured it by recording a snippet of the 45 (have a listen!). That segment is 2 seconds shorter from the 45 (1:43:66) than from the LP (1:45:713). Another reason why collecting 45s is so rewarding. Maybe you wondered if the LP version of "Cecilia" sounded slow all these years, but couldn't figure out why. Now you know... and you weren't imagining it! The B side, also from the album, is sublime itself in so many ways, and it's a privilege to hear it in pristine Mint audio on the original 45 record; don't forget, this song is so quiet it makes "Bridge" sound loud (!), so finding this styrene pressing with sound like this is cause for celebration! It's also worth noting that "Cecilia" was really the first recording that showed how much in love with complex rhythms Paul Simon had become. (And what a master producer as well!) Many of his solo releases demonstrate that passion, starting with his first single, "Mother And Child Reunion," which was one of the first hits with a reggae/ska rhythm by someone not from Jamaica. But in particular I think of his great single Late In The Evening (from the failed album/movie, One Trick Pony), and his entire Graceland and Rhythm of the Saints albums.?Note: This copy comes in a vintage Columbia Records factory sleeve. The audio sounds pristine Mint. The labels and vinyl (styrene) both grade Near Mint with faint storage wear and signs of possible light use.
Morning Tea is your weekday hit of celebrity news, pop culture drama and internet chaos, all in the time it takes to drink your morning coffee (or tea!) Today’s headlines: ☕ Destiny’s Child shocked the crowd by reuniting at Beyoncé’s Cowboy Carter tour finale, with a slew of VIPs in the audience. ☕ Gwyneth Paltrow has inserted herself into that Coldplay cheating scandal…by voicing a viral ad for the tech company at the centre of the drama. ☕ Selling Sunset star Crishell Stause and Aussie muso G Flip have tied the knot (again!)... and yes, there were swords. ☕ Ed Sheeran has opened up about fame, fatherhood, and why he’s extra cautious about his kids' safety as he prepares to tour Australia.Once you’ve devoured this morning’s celeb stories, get your daily news headlines from The Quicky here.THE END BITSSupport independent women's media The Spill podcast is on TikTok here and on Instagram here. Read all the latest entertainment news on Mamamia... here. Do you have feedback or a topic you want us to discuss on The Spill? Send us a voice message, or send us an email thespill@mamamia.com.au and we'll come back to you ASAP! CREDITSHosts: Ash London Executive Producer: Monisha IswaranAudio Producer: Scott Stronach Mamamia studios are styled with furniture from Fenton and Fenton. Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.
Label: Sire 29840Year: 1982Condition: M-Last Price: $13.50. Not currently available for sale.Terrific, almost-retro, power pop hit, backed with the very dark but beautiful 'My City Was Gone,' which incidentally places at #949 in Marsh's top 1001. That B side is an edited version of the 5:14 album cut. The picture sleeve is a weak Near Mint with a small tear in the lower left corner, and light age staining. (This scan is a representative image from our archives.)
Label: WB 7728Year: 1973Condition: M-Price: $15.00It's hard to find Mint or Near Mint copies of this 1973 classic these days, but I did! Note: This beautiful copy comes in a vintage Warner/Reprise Records factory sleeve. It has Mint labels and Near Mint vinyl and audio.
Label: Chrysalis 2104 djYear: 1975Condition: M-Price: $15.00Stereo/Mono promo copy. Brilliant, strange, and wonderful... if you don't know it yet, you're missing out. This promo copy grades very close to Mint across the board (Labels, Vinyl, Audio).
Girl groups are having a renaissance and I wanna talk ALL about it with you. Brew up some tea & come chat with me!
Label: Viva 604Year: 1966Condition: M-Price: $20.00Here's a beautiful copy of this rare 1966 single, whose A side is clearly Sunshine Pop but whose B side crosses genres with a stompin' Northern Soul beat with Sunshine Pop harmonies. I was so taken by it I quickly made an mp3 "snippet" for you to hear. Enjoy! Note: This copy comes in a vintage Viva Records factory sleeve. It grades Near Mint across the board (Labels, Vinyl, Audio).
Label: Deram 85038Year: 1969Condition: M-Price: $50.00In case you've never heard the flip side of this northern soul classic, you're missing out...! It's at least as tasty, if not more so, than the main course. That's why we keep a snippet of the song in the Classic 45s "jukebox." This is one of the nicest copies of Deram 85038 I've ever seen, with flawless sound. Note: This copy comes in a vintage Deram Records factory sleeve. The vinyl (styrene) looks untouched, and the audio sounds pristine Mint. (This scan is a representative image from our archives; this copy has no writing on the labels.)
Italian journalist Marianna Baroli joins me to discuss K-pop, fan culture, parasocial love, and how Korean music is reshaping global identity, especially in Italy. But at what cost? And where do we go next? Find Marianna online Instagram: https://www.instagram.com/countingstars/ Panorama: https://www.panorama.it/author/mariannabaroli Discussion Outline 0:00 Introductions 4:55 Fan girling 2PM 7:35 Why K-pop Beat the West? 9:25 The Current State of K-pop 14:20 GOT7 17:50 Girl Groups 20:25 Italian Reactions to K-pop 25:00 Airbnb and SEVENTEEN 28:35 Toxicity in K-pop Online 32:00 Parasocial Relationships 36:00 Objectivity in Music Reviews 40:00 The Producers of K-pop 43:30 Jay Park 45:40 DPR IAN 48:22 How Big Is Hallyu in Italy? 53:46 K-Beauty 57:00 Being in Korea 1:01:40 Italian and Korean Culture 1:04:10 Where Is the Modern World Going? 1:14:40 Recommendations David A. Tizzard has a PhD in Korean Studies and lectures at Seoul Women's University and Hanyang University. He writes a weekly column in the Korea Times, is a social-cultural commentator, and a musician who has lived in Korea for nearly two decades. He can be reached at datizzard@swu.ac.kr. Watch this video next: https://youtu.be/vIbpLfWJoZM?si=srRVQ1vRkLvCV076 Subscribe to the channel: @DavidTizzard/videos Thanks to Patreon members: Hee Ji Jacobs, Bhavya, Roxanne Murrell Join Patreon: https://www.patreon.com/c/user?u=62047873 Music by Jocelyn Clark Connect with us: ▶ Get in touch: datizzard@swu.ac.kr ▶ David's Insta: @datizzard ▶ KD Insta: @koreadeconstructed ▶ Listen on iTunes: https://podcasts.apple.com/kr/podcast/korea-deconstructed/id1587269128 ▶Listen on Spotify: https://open.spotify.com/show/5zdXkG0aAAHnDwOvd0jXEE ▶ Listen on podcasts: https://koreadeconstructed.libsyn.com
Label: Casino 102Year: 1958Condition: M-Price: $30.00This is one of the all-time greatest uptempo Doo Wop numbers. This is a beautiful copy of one of the later issues on the black/silver Casino label, with the label name in six playing cards and no text indicating national distribution by Gone Records. Note: The labels grade Near Mint with a small mar on the A label. The vinyl grades Near Mint with some surface scuffs, and the audio is pristine Mint (have a listen to the mp3 "snippet"). (This scan is a representative image from our archives; this copy does not have the label flaws shown.)
Label: Tetragrammaton 1508Year: 1968Condition: M-Last Price: $25.00. Not currently available for sale.This is an awesome, psych-rock cover of Neil Diamond's hit from the previous year. This 3:57 track is an edited version of the 4:44 album cut. Note: This beautiful copy comes in a vintage Tetragrammaton Records factory sleeve. It has pristine Mint labels and audio. (This scan is a representative image from our archives.)
There's a long-held belief that after the death of Buddy Holly rock & roll lost its way until the arrival of the Beatles. Early '60s rock was still growing in popularity, but the airwaves were ruled by teen idols, girl groups and novelty songs. However, that's not the full story. This could be seen as a time of innocence and tremendous creativity which shattered with the assassination of President Kennedy.
Esta semana el Haus of Mala se traslada a Stagecooch con pases de prensa a ver que papelón nos tiene este All Stars 10. Claramente se nota la preferencia VIP de algunas. Mientras otras solo pueden pedir hablar con la gerente. Axel regresa con su bandita de meet and greet pa' darnos un "wrecking ball" de opiniones de este episodio. Mala Patreonhttps://patreon.com/DragaMalaLinkTreehttps://linktr.ee/dragamalaBrock by Joséhttps://www.instagram.com/brockbyjose/https://www.tiktok.com/@brockbyjoseMala VoiceMailhttps://www.speakpipe.com/dragamalaBlue Skyhttps://bsky.app/profile/dragamalapod.bsky.socialInstagramDraga Mala
This week in the After Party, Jake is thinking about the connection between psychopathy, artistry, and trauma. So many great artists are also undeniably damaged people. Is their trauma at the root of both their artistry and their disgraceful behavior? Plus, we hear more from you on great girl groups! Next week, we're bringing you the terrifying story of Bjork and an obsessed fan , and Jake wants to know: What is the most wild and deranged story of obsessive fandom in music history? Tell Jake at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod. For more great Disgraceland episodes, dive into our extensive archive, including such episodes as: Episode 12 - James Brown Episode 155 and 215 - Sean "Diddy" Combs To hear an extended version of the After Party and unlock access to a monthly exclusive episode and ad free listening, become a Disgraceland All Access member at disgracelandpod.com/membership. Visit www.disgracelandpod.com/merch to see the latest Disgraceland merch! Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter) To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
Mysteriös lächelnde K-Pop-Stars flimmern auf riesigen digitalen Werbetafeln, der mitreißende Sound schallt durch Metrogänge und Einkaufszentren: die südkoreanischen Großstädte wie Busan und Seoul sind von der Popmusik der Boy und Girl-Groups geprägt. Christine Siebert ist mit ihrer 23-jährigen Tochter Magdalena, einem K-Pop-Fan, in der südkoreanischen Pop-Szene unterwegs. Die beiden shoppen in den zahlreichen K-Pop-Läden und geraten sogar auf die Geburtstagsparty des K-Pop-Idols Yuna, einem Star von Magdalenas Lieblingsgruppe Itzy! Yuna ist auf dem Event zwar nicht persönlich anwesend, aber ihre Fans verteilen jede Menge Fotokarten, Sticker und andere Goodies: überall Yuna wie sie ein Victory-Zeichen macht, sich die Haare aus dem Gesicht streicht oder eine Brille aufprobiert. Auf dieser Reise durch die K-Pop-Welt erfahren die beiden: K-Pop ist Gute-Laune-Musik, kann aber auch gesellschaftskritisch daherkommen. Und so cool sich die Stars auch in Videoclips und auf Postern geben, ihr Alltag ist alles andere als lässig: die Konkurrenz zwischen den Gruppen ist knallhart, und die Idols müssen perfekt in enge Moral- und Schönheitsvorstellungen passen. Die koreanische Jugend liebt aber nicht nur Pop, sondern auch uralte Traditionen: Junge Männer mit hohen antiken Hüten, junge Frauen in Reifröcken und Spitzenstolas wandeln durch die Gärten der alten Königspaläste. Der Kostümverleih boomt rund um die ehrwürdigen Gemäuer. Traditionen und Jahrtausende alte Geschichte sind in diesem supermodernen Land allgegenwärtig.
This week in the After Party, Jake ponders the greatest girl groups of all time and wonders about our AI-driven future if AI doesn't even have the Go-Gos on its radar as one of the all time great girl groups. Next week, we're presenting our episode on Marilyn Manson, and Jake wants to know: Who was the most subversive artist of the 1990s? Tell Jake at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod. For more great Disgraceland episodes, dive into our extensive archive, including such episodes as: Episode 93 - Taylor Swift Episode 105 and 106 - Britney Spears Episode 40 - Motown Records To hear an extended version of the After Party and unlock access to a monthly exclusive episode and ad free listening, become a Disgraceland All Access member at disgracelandpod.com/membership. Visit www.disgracelandpod.com/merch to see the latest Disgraceland merch! Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter) To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices