Podcasts about Antonia Bird

Ravenous directed by Antonia Bird and starring Guy Pearce, Robert Carlyle, and David Arquette. Episode Roundup: The Cowpunchers cook up a great discussion after watching this Halloween treat that gave them a lot to chew on! Amy draws a connection between MLMs and cannibalism. Stu makes that case that President Grant was a wendigo.

Eat to live, don't live to eat! Jack and Corey are joined by the cult movie loving, animated duo Harvey and Stiltskin aka SHRUGBUDS (twitch.tv/shrugbuds) to talk Antonia Bird's quirky cannibal cult classic RAVENOUS (1999)! The four talk cannibal movies, our first mailed Netflix DVDs, Rumpelstiltskin, good stew, licking in horror movies, urban legends, virility, Damon Albarn and Michael Nyman's incredible score, Jeremy Davies' most normal role, Guy Pearce snack daddy, manifest destiny, Jeffrey Jones commentaries, Saving Private Ryan paranoia, Wings Hauser, and Randy Quaid's sex tape.Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodTwitter (X): twitter.com/cinemapossessedEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Forrest, Conan Neutron, KT Baldassaro, and Kristina Oakes talk about Antonia Bird and Ted Griffin's 1999 Cannibal Western Satire Ravenous We welcome KT Baldassaro @MovieRuntime as a permanent co-host and this week we asked her to pick a horror movie that was important to her as a filmmaker and film fan! Ravenous is Guy Pearce's second Hollywood movie after 1997's L.A. Confidential and co-stars Jeffrey Jones, David Arquette, John Spencer in his last film role, the talented Native American actor/actress Joseph Running Fox and Sheila Tousey, Neal McDonough and Robert Carlyle. It is a movie that had three directors, two of them putting work into it before Robert Carlyle suggested Antonia Bird, making this a great little woman directed horror movie #ravenous #horrorstories #horrormoviepodcast #cannibalization #cannibalcuisine #cannibal #vampire #guypearce #davidarquette #horror #antoniabird Watch KT Baldassaro & Jared Skolnick's Girl in the Basement: https://www.youtube.com/watch?v=mcn2Q57VXEQ

On today's episode, we're fighting to stay alive at Fort Spencer, but still being super gay about it, while we cover the peculiar western horror comedy Ravenous (1999). This movie was written by Ted Griffin and directed by Antonia Bird.This movie stars Guy Pearce, Robert Carlyle, David Arquette and a whole host of other actors.Joining me for the episode is one of the hosts of the Men Who Like Men Who Like Movies podcast, Clayton Jones II!!! We talk all about how this film is super gay and just shoot the shit about this movie! You won't want to miss this!Follow Clayton on Instagram and LetterboxdIntro/Outro Music: "Phantom Fun" by Jonathan BoyleShow E-Mail: cultcinemacircle@gmail.comFollow Cult Cinema Circle on Instagram, Twitter, and Letterboxd Hosted on Acast. See acast.com/privacy for more information.

This episode, Luke, Mitchell, Vonn along with special guest Charity Slobod host High & Low's First Annual Academy Awards Adjacent Extravaganza! To commemorate the occasion, we're (tastefully) discussing a couple of movies involving snow cannibalism. First up, we're whetting our appetite with J.A. Bayona's  harrowing survival thriller Society of the Snow, 2023's Oscar nominee for Best International Feature Film and Hair and Makeup. Then to cleanse our palates, we'll talk Antonia Bird's 1999 horror comedy Ravenous, starring Guy Pearce, Robert Carlyle, and, uh... Jeffrey Jones...Join our intrepid  gang as we brave the elements and attempt to navigate our most troublesome content yet!

It is the end of our Winter Favorites Month and we hope you're hungry! Join Henrique & David was we travel to the Sierra Nevada's in 1847 for a slice of Western Horror good enough to sink your teeth into.The inhabitants of Fort Spencer have more to fear than the Winter conditions when a sadistic cannibal infiltrates their fort with a plan to never go hungry again in 1999s RAVENOUS!Directed by Antonia Bird and starring Guy Pearce, Robert Carlyle, & Neal McDonough. Hear about the legend of the Wendigo, our hosts first introduction into films with cannibalism, and so much more!Visit our website: DoYouEvenMovie.com Email us: doyouevenmoviepod@gmail.com LIKE us on Facebook: Do You Even Movie? - PodcastFollow Us on Instagram: @DoYouEvenMoviePod Twitter: https://x.com/dyempodTik Tok: @doyouevenmoviepod Buy RAVENOUS on Blu Ray:https://a.co/d/8kg3cCK

It is the end of our Winter Favorites Month and we hope you're hungry! Join Henrique & David was we travel to the Sierra Nevada's in 1847 for a slice of Western Horror good enough to sink your teeth into.The inhabitants of Fort Spencer have more to fear than the Winter conditions when a sadistic cannibal infiltrates their fort with a plan to never go hungry again in 1999s RAVENOUS!Directed by Antonia Bird and starring Guy Pearce, Robert Carlyle, & Neal McDonough. Hear about the legend of the Wendigo, our hosts first introduction into films with cannibalism, and so much more!Visit our website: DoYouEvenMovie.com Email us: doyouevenmoviepod@gmail.com LIKE us on Facebook: Do You Even Movie? - PodcastFollow Us on Instagram: @DoYouEvenMoviePod Twitter: https://x.com/dyempodTik Tok: @doyouevenmoviepod Buy RAVENOUS on Blu Ray:https://a.co/d/8kg3cCK

Antonia Bird's 1999 High Sierra Cannibal Calvary thriller, RAVENOUS, is our feature presentation this week. We discuss the film's troubled shoot ending up in two directors being fired, the film's mixing of genre, Manifest Destiny, the incredible ensemble cast including Guy Pearce, Robert Carlyle, Jeffrey Jones, Jeremy Davis, and much more! We also pick our TOP 7 CANNIBAL MOVIES in this week's SILVER SCREEN 7. Check out the show subscribe, and become a regular here at THE BROKEN VCR! To watch the LIVE VIDEO RECORDING of BVCR, sign up to the PATREON ($2.99/month) at theturnbuckletavern.com. You'll get the episodes in video form days/weeks early.

Be the food you want to eat! The Memento guy, the Trainspotting guy, the principle from Ferris Bueller, and a celebrity's husband star in this off-kilter delight that dares to ask the question: what if Dances with Wolves was a wendigo movie lightly sprinkled with a Mel Brooksian soundtrack? Turns out, you might get something like this. Show up for what was obviously Robert Carlyle's inspiration for Rumpelstiltskin, stay for the weird sense of human and overall high level of enjoyability of this episode of Loathsome Things: A Horror Movie Podcast that you haven't listened to yet!  

Ravenous is a 1999 horror Western cannibal film starring Guy Pearce, Robert Carlyle, Jeffrey Jones and David Arquette. The film, which is set in 1840s California, was directed by Antonia Bird and filmed in Europe. It was not a box office success and failed to recoup much of its $12 million budget. However, despite initial reception being mixed when released, it has since garnered a reputation as a cult film.

It's Hit Factory's third birthday, and you're invited to celebrate along with us! Join us as we count down our baker's Top Ten films from past episodes. Links To Episodes Mentioned Here:The Blair With ProjectRavenous feat. Matt MonagleLost Highway feat. Jonah KoslofskySafe feat. Catherine LiuThe Bridges of Madison County feat. Comrade YuiClose-Up feat. Roxana HadadiThe Game feat. Bilge EbiriSlacker feat. Robert RaymondThe Limey feat. Matt BelenkyIrma Vep feat. Brandon StreussnigCronos Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

Dinner is served.Pull up a chair with your hosts Chris D and author Joshua Millican as they serve up a dissection of Antonia Bird's Ravenous from 1999.☆Josh's book The Dreadful Years is now available on Amazon. ☆¤ Download and use Newsly today at www.newsly.me.¤ Use the promo code CULTF1LM for a FREE month of Newsly's premium service.♤ Visit all the fine creators over atwww.blindknowledge.com today!♡ Title Cards by paolino◇ Commissions available♧ Contact him at paolinoArtworks@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Dinner is served.Pull up a chair with your hosts Chris D and author Joshua Millican as they serve up a dissection of Antonia Bird's Ravenous from 1999.☆Josh's book The Dreadful Years is now available on Amazon. ☆¤ Download and use Newsly today at www.newsly.me.¤ Use the promo code CULTF1LM for a FREE month of Newsly's premium service.♤ Visit all the fine creators over atwww.blindknowledge.com today!♡ Title Cards by paolino◇ Commissions available♧ Contact him at paolinoArtworks@gmail.com Hosted on Acast. See acast.com/privacy for more information.

This week, Bri and Leah do something a little different: we're talking about cannibals! But these cannibals could definitely pass as vampires if they wanted to. We're looking at Ravenous (1999, dir. Antonia Bird) and Bones and All (2022, dir. Luca Guadagnino). While these films might seem like a weird double feature... hear us out!The articles Leah promises at the end of the episode:David Ehrlich for Rolling Stone on why Ravenous is the greatest cannibal Western ever made: https://www.rollingstone.com/tv-movies/tv-movie-news/to-serve-man-why-ravenous-is-the-greatest-cannibal-western-ever-43674/Walter Chaw on Ravenous for Decider (he sees the Bones and All connection, too!): https://decider.com/2022/09/20/walter-chaw-ravenous/And, maybe my favorite (which compares Ravenous and Hannibal), from Samantha McLaren for Gayly Dreadful: https://www.gaylydreadful.com/blog/pride-2021-its-lonely-being-a-cannibal-hungry-homoerotic-friendship-in-ravenous-and-hannibalSupport the showSound effects credits: “Creaking door.wav” by visualasylum of Freesound.org (https://freesound.org/s/322377/) "Door, Wooden, Close, A (H1).wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org (https://freesound.org/s/411791/)

1999's 180th-highest grossing film, Antonia Bird's Ravenous never finished higher than 18th at the domestic box office, earning just over 2 millions dollars on a 12 million dollar budget. And it was never released theatrically outside North America. Ravenous was also the recipient of decidedly (often wildly) mixed critics' reviews, all of whom seem to agree that the movie shifts tones so often and dramatically that it's hard to actually pin it to any one genre. But like our previous movie, Jawbreaker, it has since developed a loving cult following. So this week Joey and John invited back Logan Ashley-Kisner, who considers Ravenous one of his favorite movies, to help them with the intro, and then speaks to the hosts of the podcast Least Haunted, Cody and Garth, about the history and folklore that serves as the movie's inspiration, as well as a healthy debate about whether Guy Pearce is actually attractive. Logan is on Twitter @transhorrors and his Linktree is available here Check out Least Haunted at their website: https://www.leasthaunted.com/

What goes bump in the night giving Kyle a fright? This week it's Ravenous (1999) directed by Antonia Bird. This cannibal period piece has a group of military men beset by a hungry, tricky wendigo. What skills would you get by eating the boys? What beloved Nintendo character is a wendigo? Where were you in 1847? Ladle some of that stew as the Boo Boys break it all down.

This week we follow up our review of Antonia Bird's Ravenous (1999)  with a historical event that greatly influenced that tale--the story of the infamous Donner Party.  Eli takes Dave and John on a rhetorical roller coaster ride through the facts, fiction, folklore, and follies of the doomed group of pioneers as they succumb to the harsh realities of the wilderness.Come join us! BYOB, of course. To learn more about The Wicked Wild, visit www.thewickedwild.com and follow us on Twitter: @wickedwildweare. Please remember to subscribe to get notified as new episodes are published and rate and share within your favorite social media and podcasting apps

The curse of the Wendigo overtakes the Cinema Chance Cube as we talk Antonia Bird's Ravenous (1999, the benefits of cannibalism, whether eating David Arquette counts as taking an edible, and Shannon being on the cover of Sorkin Aficionado Magazine.

More women! More horror! Directors. And movies. We're right in the middle of a three-part series on horror movies directed by women! This episode features very strong evidence that sometimes dead is better, a young girl who dreams of creepy storybook characters while rabbits run wild in Australia, western expansion and cannibalism in the 19th-century, and a promising medical student driven to pursue an unconventional surgical career. Stephen King should be ashamed of himself. He gave a perfectly respectful graveyard honoring animals such a bad rap. It's a place where the dead speak. But you certainly do not want to go beyond, to the place where the dead walk! Director Mary Lambert takes us there and back again, in the first feature film adaptation of Pet Sematary (1989).Political tension, and rabbit panic are running wild in Australia in 1957. A young girl struggles with forbidden friendships, the death of her grandmother, the threat of her pet rabbit being taken away, and even her own imagination. Childhood proves to be a very challenging experience for Celia (1989), directed by Ann Turner.It's manifest destiny time in the United States. But some of these characters are definitely not who you would hope to encounter if you were heading west in the mid-1800s. Director Antonia Bird serves up a darkly comedic adventure of gruesome cannibalism, with some truly unsettling music setting the tone, in Ravenous (1999)!Ah, Katharine Isabelle is featured in the role of Mary Mason. A promising young medical student, who uses her skill to perform underground body modification surgeries.  But why would she leave medical school for such a pursuit? Well, money. And revenge. The Soska Sisters invite you to spend a little time under the knife, with American Mary (2012).

IT'S WRANGLERS VS. DINOSAURS, BUCKAROOS VS. WEREWOLVES, AND DISGRACED SOLDIERS VS. WESTWARD EXPANDING CANNIBALS!   Howdy, cowpoke, did you just hear a spooky coyote howl? Catch a glimpse of a ghostly cow, maybe? That's probably because Gabe and returning guest Luana Saitta are talking about westerns with a horror slant this month. Well, that was the idea, at least. We ended up covering classic dino “Weird Western,” The Valley of Gwangi (directed by Jim O'Connolly, 1969), an arty frontier bodice ripper with a werewolf twist in Martin Donovan's Mad at the Moon (1992), one gen-u-ine western horror classic – Antonia Bird's Ravenous (1999). Have you guys seen Ravenous? Because it's really good.   Note: I didn't notice that Luana's mic was a bit hot and that mine was echoing until I was in the process of editing. I tried to fix both issues to the best of my abilities. Please excuse our occasional crackle and echo.   00:00 – Intro 04:51 – The Valley of Gwangi 33:22 – Mad at the Moon 56:40 – Ravenous 1:30:09 – Final thoughts and outro   Listen to Luana and Travis Defend a Trash Movie: https://anchor.fm/trashmoviepod/episodes/The-Black-Cauldron-1985-e1iuube   Please consider donating to the following charities/fundraisers if you have any spare cash: Equality Texas (trans youth resources): https://www.equalitytexas.org/ Transgender Legal Defense & Education Fund: https://www.transgenderlegal.org/ New Voices for Reproductive Justice: https://newvoicesrj.org/about-us/

Jay and Zoë Rose Smith (@ZoboWithShotgun on Twitter) discuss the 1999 cult classic Ravenous. Directed by Antonia Bird, and starring Guy Pearce, Robert Carlyle and Jeremy Davies, the horror western cannibal film focuses on what happens when a Wendigo infiltrates a remote fort in the Sierra Nevada mountain range. In this episode, they talk about giant bear traps, Neal McDonough screaming at a river, and Damon Albarn's bananas score. Enjoy!

Martin Kessler returns with the perfect film to keep you warm during this brutal winter, 'Ravenous' (1999) from director Antonia Bird. Follow Martin Kessler on Twitter: https://twitter.com/MovieKessler Follow James Hancock on Twitter: https://twitter.com/WrongReel Wrong Reel Merchandise: https://teespring.com/stores/wrong-reel

Another Guilty Pleasure? Last one for the year. We thought we'd sneak this one in before midnight and give you all something to listen to while you're nursing your hangover. In a remote military outpost in the 19th century, Captain John Boyd and his regiment embark on a rescue mission that takes a dark turn when they are ambushed by a sadistic cannibal. Directed by Antonia Bird; Written by Ted Griffin; Stars Guy Pearce, Robert Carlyle and David Arquette Support the Podcast at our Patreon https://www.patreon.com/user?u=48337700 Follow us on Spotify (Link is in our Bio) https://open.spotify.com/show/7KtjnknNEcqsruuKg6heXs?si=P_1l0MFaQE-sIAjsLw-DHg Follow us on Twitter https://twitter.com/adamandcraig Follow us on Facebook https://www.facebook.com/Adam-Craigs-Guilty-Pleasure-Cinema-111932353863671/ #podcast #podcasts #podcasting #podcaster #podcastlife #podcastersofinstagram #podcasters #podcastshow #applepodcasts #newpodcast #podcastlove #podcastaddict #applepodcast #podcastinglife #podcasthost #comedypodcast #spotifypodcast #googlepodcasts #itunespodcast #podcastnetwork #podcastjunkie #horrorpodcast #podcastsofinstagram #film #movies #netflix #amazonmovies #adamandcraig 18NYnuFGiQwK954XcwhT --- Support this podcast: https://anchor.fm/guiltypleasurecinema/support

Awright, geezers!  Chris and Rob have gone all cockney and had a good old chin-wag over a cuppa Rosie Lee in Chris' lock-up about the 1997 gangster movie FACE.  We hope you'll be 'avin a larf by the end of it.  Erm ... you slaaaaaaags!WARNING: THIS PODCAST CONTAINS QUITE A BIT OF EFFIN' AND BLINDIN', PLUS SOME RATHER APPALLING COCKNEY ACCENTS."Still Any Good?" logo designed by Graham WoodCrap poster mock-ups by Chris WebbTheme music ("The Slide Of Time") by The Sonic Jewels, use with kind permission(c) 2021 Tiger Feet ProductionsFind us:Twitter @stillanygoodpodInstagram stillanygoodpodEmail stillanygood@gmail.comSupport the show (https://www.ko-fi.com/stillanygoodpod)

Twisted, funny, gross cannibal western packed with great, great actors at the top of their game. Directed by Antonia Bird. Screenplay by Ted Griffin. Starring Guy Pearce, Robert Carlyle, David Arquette, Jeremy Davies, Jeffrey Jones, David Arquette, Sheila Tousey and Neal McDonough. Music by Damon Albarn & Michael Nyman How is the world wrong about this movie? From Bryan: This film's release was such a misfire. Put in multiplexes in the Spring of 1999, it came and went quickly. This should've been a slow roll out release through film fests and art houses. This isn't a movie for everybody, but the ads made it seem like a regular horror flick. It is quite the opposite. A very unique genre-bending fun time to brighten up anyone's Halloween movie party! Find all of our episodes at www.theworldiswrongpodcast.com Follow us on Instagram @theworldiswrongpodcast Follow us on Twitter @worldiswrongpod Follow us on YouTube: https://www.youtube.com/channel/UCKE5tmbr-I_hLe_W9pUqXag The World Is Wrong theme written, produced and performed by Andras Jones Check out: The Director's Wall with Bryan Connolly & AJ Gonzalez & The Radio8Ball Show hosted by Andras Jones See omnystudio.com/listener for privacy information.

If you're starving for some 90's Movies goodness, Filmshake's full of forbidden delights. The main course this episode is Antonia Bird's slab of delicious 1999 cannibal goodness, Ravenous. Gorge yourself upon our dulcet tones, as we welcome Reel Talk's Wes Jones to our bacchanalian cinematic feast. Chew on the tender flesh of our opening segment appetizer, as we discuss Bird's misunderstood 1995 Drew Barrymore-starring drama, Mad Love. Take out your dentures so you can swallow our episode-ending trivia battle whole! We promise we used all of our food puns for this description. There are almost none in this episode--so feast your ears! Dammit...we used "feast" already...uh...let your ears chow down?...Nosh on our words?...Eat this episode?...Check out Wes on the awesome Reel Talk: A Movie Podcast: https://podcasts.apple.com/us/podcast/reel-talk-a-movie-podcast/id1507716542Music heard this episode:"Love Buzz" -- Nirvana"Trek to the Cave" -- Damon Albarn & Michael Nyman"Boyd's Journey" -- Damon Albarn & Michael NymanSupport the show (https://www.patreon.com/filmshake)

1847- A shell-shocked Captain in US Army is sent to a far flung fort in the Sierra Nevada Mountains where he is forced to participate in a rescue mission where his garrison is ambushed by a savage and manipulative cannibal. Tune in as Chris talks Wendigos, Antonia Bird, & Manifest Destiny as the LSCE screens the historical horror black comedy “Ravenous.” Join us! Promos: Videorama Podcast Bedknobs & Broomflicks Check us out at www.LSCEP.com Subscribe, Like, & Review. Follow Us on Twitter @LsceP & on Instagram @ lsce_podcast Did you know we are on Amazon Music Now? I KNOW! Awesome, right? Works Cited: Brod, Doug. “Ravenous.” Entertainment weekly, no. 504 (1999): 150. Clarke, Roger. Film: They Have All But Eaten Me Alive. The Independent, March 9, 1999. Accessed Online 10/7/2021. https://www.independent.co.uk/arts-entertainment/film-they-all-but-ate-me-alive-1115720.html DeSanti, Brady. “The Cannibal Talking Head: The Portrayal of the Windigo ‘Monster' in Popular Culture and Ojibwe Traditions.” Journal of religion and popular culture 27, no. 3 (2015): 186–201. DiMarco, Danette. “Going Wendigo: The Emergence of the Iconic Monster in Margaret Atwood's ‘Oryx and Crake' and Antonia Bird's ‘Ravenous.'” College literature 38, no. 4 (2011): 134–155. Ebert. Roger (March 19, 1999) “Ravenous.” Accessed 10/07/21. https://www.rogerebert.com/reviews/ravenous-1999 Kolan, Michalina, Leis, Kamil, Baska, Aleksandra, Kazik, Jakub and Gałązka, Przemysław. "Wendigo Psychosis" Current Problems of Psychiatry 20, no.3 (2019): 213-216. https://doi.org/10.2478/cpp-2019-0014 Lietz, Michelle. "Cannibalism in Contact Narratives and the Evolution of the Wendigo." Order No. 10130714, Eastern Michigan University, 2016. https://www.proquest.com/dissertations-theses/cannibalism-contact-narratives-evolution-wendigo/docview/1817912459/se-2?accountid=11578. McCARTHY, TODD. “RAVENOUS.” Variety 373, no. 11 (1999): 58–. McGovern, Joe. “Ravenous.” Entertainment weekly, no. 1315 (2014): 1–. --- Send in a voice message: https://anchor.fm/lsce/message

It's October and Schlock and Awe is getting into the Halloween Spirit.  And we are starting with a Feast.  Lindsay is joined by Film Theorist Ben Buckingham for a delicious Double Feature of Antonia Bird's Ravenous (1999) & Bill Gunn's Ganja and Hess (1973).  This is a wonderfully academic episode that really digs into who is eating who.  Let the Halloween Season Begin!!!   Listen to Ben on The Projection Booth Here   Follow Ben on Letterboxd @dissolvedpet/   Follow Schlock & Awe on Twitter @schlockandawe1 Follow Schlock & Awe on Instagram @schlockandawe1/ Follow Lindsay on Twitter @readandgeek   Please Rate and Review Schlock & Awe on Apple Podcasts   Original Music Composed and Performed by Anthony King

Best remembered for containing Damon Albarn's one film acting performance, as wet-behind-the-ears aspiring gangster Jason, this week's Pop Screen argues that Antonia Bird's 1997 movie Face deserves more credit. A British gangster movie made in that brief moment before Lock, Stock & Two Smoking Barrels inspired every screenwriter in the country to write a gangster movie, it's a brutal postmortem on eighteen years of Conservative government disguised as a brutal heist-gone-wrong thriller. Those unexpected political grace notes - including an eyebrow-raising opening cameo! - are among the topics discussed by Mark and Graham in this episode, along with the film's savvy use of genre icon Ray Winstone, the rise and fall of the Blair-era London gangland thriller, and the baptism of fire Albarn received at the hands of Quadrophenia's Phil Davis. We also praise the late, much-missed Bird and her writer Ronan Bennett, and if that sounds like we've not left much room for discussion of Blur... ...well, you're right, but that's a fine reason to donate to our Patreon where we're about to release an exclusive episode about the band's 1993 documentary Starshaped. It's the latest in our monthly Pop Screen bonuses; we've also just put out an episode of our other exclusive podcast Director's Lottery about Robert Wise, covering his films The Day the Earth Stood Still and Odds Against Tomorrow. For more information about these and other exclusives, follow us on Facebook, Twitter and Instagram. #popscreen #moviereviews #face #antoniabird #gangsterfilms #raywinstone #blur #damonalbarn #robertcarlyle #lenaheadey #phildavis #ronanbennett

Golden Globe-nominated Linus Roache discusses money, growing up in a family of actors, the celebrity of his father William Roache, fulfillment, happiness, and more. Guest Biography Linus Roache is a British actor, probably best known for his roles as Michael Cutter on Law and Order and Thomas Wayne in Batman Begins. In 1975, Roache appeared in Coronation Street playing Peter Barlow, the son of his father's character Ken Barlow. Roache is also a past member of the Royal Shakespeare Company. Roache was born in Manchester, Lancashire, the son of Coronation Street actor William Roache and actress Anna Cropper. Roache was educated at Bishop Luffa School in Chichester, West Sussex and at the independent Rydal School in Colwyn Bay, North Wales. He studied acting at the Central School of Speech and Drama. Beginning in the 1990s, Roache began a career in film while remaining active in television and stage. In 1994, he received acclaim for his leading role in Antonia Bird's Priest. He is best known to US audiences as Dr. Thomas Wayne, father of Batman, in Batman Begins (2005) or as Executive Assistant District Attorney Michael Cutter in the American TV series Law & Order (2008–2010) and Law & Order: Special Victims Unit (2011–2012). In June 2010, it was announced that he would return to play Laurence Cunningham, alongside his father William Roache, in Coronation Street. In July 2010, he was cast in the HBO pilot The Miraculous Year. In April 2011, Roache was cast as the lead in the ITV mini-series Titanic, airing March–April 2012 to coincide with the 100th anniversary of the sinking of the ship. In February 2014, Roache debuted in season two of the popular TV series Vikings as England's King Ecbert. He is currently filming season 7 of Homeland, where he plays White House Chief of Staff, David Wellington. Show notes: http://www.inspiredmoney.fm/007 Links Homeland Coronation Street Linus Roache (IMDb) In this episode, you will learn: How to prepare for a performance. We non-actors can event benefit by these insights and routines because life is a grand performance! How you should not tie your self-worth to your work. We'll explore all sorts of things like wealth, fulfillment, and happiness. Linus is not just a great actor but after hitting many of his professional goals by age 30, he began to wonder if this is it? He took a break and explored the spiritual aspect of life that included meditating for at least 2 hours a day! So we'll explore this too. I think it's totally relevant because being healthy includes physical health, mental health, spiritual health, and financial health. Thanks for Listening! To share your thoughts: Leave a note in the comment section below. Share this show on Twitter or Facebook. To help out the show: Leave an honest review on iTunes. Your ratings and reviews really help, and I read each one. Subscribe on iTunes. Special thanks to Jim Kimo West for the music. Until next time!

Emission grosses bébêtes, petit chien et destruction. On nous dit que, peut-être, on va voir, c'est probable, mais on sait jamais, les "lieux de culture" vont rouvrir à la mi-mai. On est peut-être bonne poire mais ce n'est pas à nous, bonnes gens, qu'on va apprendre à faire la grimace. C'est pas à nous qu'on apprend sur quelle patte il faut danser, il faut pas croire, on a connu la gloire des cinémas, et si ça passe, ça nous est égal, c'est déjà pas mal qu'elle soit passée.Egalement dispo sur le tube.Au programme cette semaine:- Godzilla vs. Kong, d'Adam Wingard. Enfin du bis et du pulp qui s'assument. ça casse pas trois pattes à un Mothra mais ça fait son office. KOOOOOOOOOOOOONG.- Apocalypse 2024 (aka A Boy and His Dog), unique réalisation de L.Q. Jones en 1975. Etonnant film post-apo réédité chez Artus Films.Coups de cœur:THOMAS: revoir Vorace (Ravenous - Antonia Bird) + dial H-I-S-T-O-R-Y (Johan Grimonprez) THIBAUT: RIP Marc FerroDOC ERWAN: Trains étroitement surveillés (Ostře sledované vlaky - Jiří Menzel)PLAYLISTPrégénérique / Extrait Congo (Frank Marshall)RAY VENTURA / Tching KongBOB DYLAN / If Dogs run free

Ravenous (1999) Review In one of our most spirited episodes in recent memory, the gang unites with guest Mike Worby to sing the praises of Antonia Bird’s gonzo 1999 cannibal shocker Ravenous. Is it a horror movie, a western, a cannibalism drama, a homoerotic fable, a survival story, a historical epic, a black comedy, or a satire? The answer is yes. Also: lots of talk about Michael Nyman and Damon Albarn’s oddball score, the brilliant cast, Robert Carlyle’s demonic antics, and how to sell your friends on this one-of-a-kind movie.

We got through this whole episode without a single Armie Hammer reference! Not sure whether to be proud or disappointed. Ravenous is a 1999 movie about cannibalism. Fun topic, really. Turns out when you eat people, strange things start happening in you. Guy Pierce, Jeffrey Jones, Robert Carlyle, David Arquette, Joseph Runningfox, Neil McDonough, and the unflappable Sheila Tousey star in this INSANE movie. See what we had to say about Ravenous.

And here we have our review of 1999’s insane cannibal period piece RAVENOUS! Is it a tasty morsel or a rotting corpse? Listen to find out! For early access to...

And here we have our review of 1999's insane cannibal period piece RAVENOUS! Is it a tasty morsel or a rotting corpse? Listen to find out! For early access to...

This week, Aaron and Derek start preparing for Thanksgiving by tackling 1999's Western horror cannibal tale "Ravenous" directed by Antonia Bird. They discuss the problematic production life, the balance of satire and horror, and the large amount of character actors in the cast, specifically Neal McDonough and David Arquette. They also dig into the dynamic between Guy Pearce and Robert Carlyle's characters and what makes Colqhoun specifically such a fantastic horror character. Aaron likes his steaks as rare as possible. Derek has super strength after eating that suspicious stew.We are on PodBean, Apple Podcasts, Podchaser, Amazon Music, Stitcher, Spotify, CastBox, and Google Play. Please rate, review, subscribe, and share our show. Our socials are on Facebook and Twitter @WatchIfYouDare Shop Nightmare Threads for all your horror clothing and merch needs. Use our referral link below! Enter coupon code “WatchIfYouDare” at checkout to save 10%! https://nightmarethreads.com/?ref=DareYou

This week on Bikini Drive-In, we discuss Antonia Bird's 1999 film, Ravenous. Manifest destiny, masculinity & the Wendingo myth. Listen every Sunday at 4:00 pm on CKUW 95.9 fm. Questions or suggestions? Email bikinidrivein@gmail.com

En este episodio de nuestro podcast de cine, conversamos sobre dos películas propuestas por Simón Arias: “Ravenous” (Voraz) de Antonia Bird y “Green Room” de Jeremy Saulnier. Para terminar, algunas recomendaciones personales de buenas películas para ver.

     OCTOBER HORROR WEEK 2! This week we celebrate women directors in the genre with a five pack of scary flicks.    The 1980s, trendy restaurants, shallow associates, the stress of keeping up appearances, and over the top murder. Life is difficult for Mary Harron's spree killing investment banker and all around American Psycho.    A coward sent to a post in exile will soon learn of new dietary regimen that grants remarkable powers and incredible health benefits but comes with a heavy price. The inhabitants of Antonia Bird's fort aren't just peckish but totally Ravenous.    A serial killing taxi driver takes in a new pet. As the years pass he decides to mold the child into being his protégée. Will Rabbit follow this dark path or will he find salvation from Jennifer Lynch's Chained nightmares?    Unfairly maligned on release but recently receiving a complete reassessment, Karyn Kusama's dark comedy in finding a very receptive cult. Taking initiative at a gig in a small town, a mediocre band sacrifices Needy's best friend to the legions of Hell. Things take a turn when she reappears with a craving for male classmates. What is Needy to do with Jennifer's Body?    One of the best vampire films ever made. Caleb discovers the night life when his too aggressive flirting gets him a small neck wound. Taken by a group of nomadic killers, with his father and younger sister on their trail, and forced to choose between love and eternal night or a worse fate. Kathryn Bigelow shows us what happens Near Dark.     All that and Kevin schemes, Tyler gets hyped, Dave has senile lapses, and Anna finally uncovers the true mystery hiding in this idyllic town. Join us, won't you?Episode 174- Hungry Captive Homicidal Sacrificed Vampire Women In The Celluloid Jungle

On this episode of More Deadly, we discuss the greatest (only?) anti-colonialist western cannibal flick ever made in our review of Ravenous, directed by Antonia Bird. So, did this movie satisfy or leave us hungry for more? Check out The More Deadly Podcast Episode 13 to find out! What to watch before the next episode: Honeymoon,... Read More The post The More Deadly Podcast Episode 13: Ravenous appeared first on The Zombie Grrlz Horror Podcast.

On this episode of More Deadly, we discuss the greatest (only?) anti-colonialist western cannibal flick ever made in our review of Ravenous, directed by Antonia Bird. So, did this movie satisfy or leave us hungry for more? Check out The More Deadly Podcast Episode 13 to find out! What to watch before the next episode: Honeymoon,... Read More The post The More Deadly Podcast Episode 13: Ravenous appeared first on The Zombie Grrlz Horror Podcast.

Hope you guys are hungry!   This week, Nathan and Brendan welcome first-time guest Moxie from Your Brain on Facts to discuss a movie near and dear to her heart - Ravenous. The discussion ranges from the studio's mishandling of the marketing campaign to Robert Carlyle's occasional crazed bug-eyed performance, the surprisingly accurate representation of a Wendigo, giant bear traps and much more.   The guys also drop a hint for next week's movie ("A bus?! Ahoy, matey!"). Check on Facebook or Twitter on Monday for the reveal!   Questions? Comments? Suggestions? You can always shoot us an e-mail at wwttpodcast@gmail.com    Patreon: www.patreon.com/wwttpodcast Facebook: www.facebook.com/wwttpodcast Twitter: www.twitter.com/wwttpodcast Instagram: www.instagram.com/wwttpodcast Theme Song recorded by Taylor Sheasgreen: www.facebook.com/themotorleague Logo designed by Mariah Lirette: www.instagram.com/mariahhx Montrose Monkington III: www.twitter.com/montrosethe3rd   What Were They Thinking is sponsored by GameItAll.com and HostGator (use the coupon code 'SCHLOCK' for 25% off your first purchase)   Ravenous stars Guy Pearce, Robert Carlyle, Jeremy Davies, Jeffrey Jones, David Arquette, Neal McDonough, Stephen Spinella and Sheila Tousey; directed by Antonia Bird.

Hello there! This week we explore Ravenous by Antonia Bird, a director who deserved more credit than they were given. We dive into this Western horror-comedy and discuss some incredible one liners along, what we liked and didn't like about the comedic tone, the films implications of Manifest Destiny and so much more. You can send us requests, comments or just say hello at codeunknownpod@gmail.com Click on the link for all our social media pages including our YouTube with easily digestible clips of our episodes: https://linktr.ee/CodeUnknownPod Artwork created by Gustavo Silva. Check out his Etsy shop here.

After graduating from Northumbria University with a degree in fashion design, Jill decided to refocus on costume design when an opportunity arose for her to relocate to London and join the pool of assistant designers within the highly respected and busy BBC costume department. It is well known that during the 1980’s and 90’s the working environment at the BBC (costume department) was considered the ultimate place to learn, gain experience and hone your craft.  During her time there, Jill went on to become a designer working on a number of the BBC’s Screen One and Screen Two prestigious series of one-off films, including Antonia Bird’s Priest.During this period of intense productivity, Jill forged great, life -  long associations with an amazing variety of co-designers, producers, directors and performers; enabling her, at the right point, to seamlessly  transition into the freelance sector. She went on to design three films for Woody Allen, Matchpoint, Scoop and Cassandra’s Dream. Her work on The Life and Death of Peter Sellers and My Week with Marilyn was acknowledged with multiple award recognitions from BAFTA, The Emmy’s and the US Costume Design Guild. Further credits include Johnny English, The Full Monty and Sliding Doors.When it comes to Jill deciding if a project is right for her, she explains that there are two prime considerations; the script and the director.   With those factors in place, the process of creating the costume narrative and her subsequent journey will fall into place resulting in many months of enjoyable and intense application and focus.www.angelsbehindtheseams.com 

Tonight we’re watching Antonia Bird’s 1999 (best year for cinema) dark-comedy, RAVENOUS! A hilarious take on the Donner Party, and personally, we’ll take any angle we can get - BIG FANS. We discuss how characters using lanterns immediately makes a movie better, DIY tips on surviving in a cave (spoiler: keep those leather shoes supple), endless queer reads, and masculinity in the time of boring fort life. Let’s all light a lantern for Antonia - RIP.

Michael findest du bei Twitter unter @DasABCdesFilms und bei Letterboxd. Patrick treibt sich ebenfalls bei Letterboxd herum. Seinen Podcast Bahnhofskino findest du unter @bahnhofskino. Musik: "Bad Ideas (distressed)" and "Dark Hallway (distressed)" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

This 1999 cannibal-horror-comedy film went through three directors in a troubled production. We discussed how it successfully critiques American consumption and Manifest Destiny despite its financial failure. Interested in the media we discussed this episode? Please support the show by purchasing it through our affiliate store: Ravenous Additional Resources: ''Creative differences'' shake up Hollywood Film: They all but ate me alive! FANGO Flashback: “RAVENOUS” Robert Carlyle Interview ANTONIA BIRD'S RAVENOUS IS A DARK CANNIBAL TALE - BUT WITH JOKES! To Serve Man: Why ‘Ravenous’ Is the Greatest Cannibal Western Ever Women in Film: The Tonal Balancing Act of Antonia Bird’s RAVENOUS Why You Should Chew On ‘Ravenous’ (1999) Forgotten Flick Ravenous Is the Best-Ever Manifest Destiny Cannibal Comedy Ravenous - 20th Anniversary DiMarco, D. (2011). Going Wendigo: The Emergence of the Iconic Monster in Margaret Atwood’s “Oryx and Crake” and Antonia Bird’s “Ravenous.” College Literature, 38(4), 134–155.

Aaron and Jordan review the 1999 cannibal film directed by Antonia Bird and starring Guy Pearce and Robert Carlyle.  Grab a bucket of popcorn or a handful of guts and join us in watching this rare cut from back in the day.  Let's get this dumpster fire started!!Music: Jump Into the Fire by Half CockedProvided under Creative Commons Attribution 4.0 Learn more about your ad choices. Visit megaphone.fm/adchoices

Connor and Riley are joined by Michelle Johnson this week as they talk about the hidden 90's horror film: Ravenous. Things get a little graphic when discussing cannibalism, but don't get too grossed out to miss Michelle's insight into the film industry and society's impact upon it.Follow Michelle on Instagram: JohnsonpersonFollow us:Facebook: https://www.facebook.com/rulesoftheframe/Instagram: https://www.instagram.com/rulesoftheframeTwitter: https://twitter.com/RulesOfTheFrameFilms mentioned in this episode:-------------------------------------Ravenous (1999) | Dir. Antonia BirdThe Revenant (2015) | Dir. Alejandro G. InarrituMemento (2000) | Dir. Christopher NolanL.A. Confidential (1997) | Dir. Curtis HansonTrainspotting (1996) | Dir. Danny BoyleFerris Bueller's Day Off (1986) | Dir. John HughesHoward the Duck (1986) | Dir. Willard HuyuckThe Hobbit: The Desolation of Smaug (2013) | Dir. Peter JacksonYou've Got Mail (1998) | Dir. Nora EphronWhen Harry Met Sally... (1989) | Dir. Rob ReinerPoint Break (1991) | Dir. Kathryn BigelowWayne's World (1992) | Dir. Penelope SpheerisDeliverance (1972) | Dir. John BoormanA Clockwork Orange (1971) | Dir. Stanley KubrickHome for the Holidays (1995) | Dir. Jodie FosterThe Descendants (2011) | Dir. Alexander Payne

This week, we discuss the 1999 film RAVENOUS, directed by Antonia Bird and written by Ted Griffin, a long ago crew that turned on each other as a means of survival (and inspired the new show "The Terror" on AMC), and why Robert Carlyle is gay AND European. You can follow the podcast on Twitter at @HorrorTimePod and the hosts at @dykemadden (formerly pansaralance) and @ellemdesigns! We also are on Facebook at facebook.com/stophorrortimepod, and our website is stophorrortime.wordpress.com. If you like what we do, you can rate, review, and subscribe to us on Apple Podcast, Stitcher, or wherever you listen to your favorites. Contact us at stophorrortime@gmail.com for any comments, questions, or movies you would like for us to cover!

Don’t eat strange soup! It might have been made with human flesh! This week your favorite ghouls discuss Antonia Bird’s 1999 film, Ravenous! The discussion includes but is not limited to: American Exceptionalism, Manifest Destiny, Wetiko disease, lost Europeans and gender studies! Thanks to Lily LeBlanc for our theme song: www.lilythecomposer.com Buy some coffee from our sponsors: www.recesscoffee.com Patreon Shout Out Music: www.purple-planet.com Resources: “Exceptional Zombie Cannibals” – Antonia Bird’s ‘Ravenous’ (1999) and the discourse of American exceptionalism by Olga Ackroyd http://www.baas.ac.uk/usso/exceptional-zombie-cannibals-antonia-birds-ravenous-1999-and-the-discourse-of-american-exceptionalism/ Ravenous Wikipedia https://en.wikipedia.org/wiki/Ravenous_(1999_film) Hungry? 'Ravenous' May Spoil Your Appetite by Dann Gire Monstrous Nature: Environment and Horror on the Big Screen By Robin L. Murray; Joseph K. Heumann Carnal Appetites: Foodsexidentities by Elspeth Probyn Roger Ebert Review of Ravenous https://www.rogerebert.com/reviews/ravenous-1999 Why You Should Chew on Ravenous by Luis H.C. https://bloody-disgusting.com/editorials/3460304/editorial-chew-ravenous/ Wendigo Wikipedia https://en.wikipedia.org/wiki/Wendigo Ravenous Featurette - Guy Pearce and Robert Carlyle https://www.youtube.com/watch?v=6QB2LY6hoXA Audio Commentary for Ravenous (1999) with Director: Antonia Bird Unsettling America: Wetiko by Paul Levy https://unsettlingamerica.wordpress.com/tag/wetiko/

Andrea and Alex head West to explore the notions of Manifest Destiny and the Frontier Myth in Antonia Bird’s Ravenous. Combining historical context through a modern gaze, Ravenous proves you are who you eat. REQUIRED READING Ravenous. Dir. Antonia Bird, 1999. EXTRA CREDIT Manifest Destiny – An overview of the philosophical American mandate to head West. Cannibal […]

It's 1997 and rising British talent Robert Carlyle, Ray Winstone and Lena Headey (plus channel favourite Phil Davis, in a scene-stealing turn) are starring in the obligatory cockney gangster film from Antonia Bird. It goes without saying, that we both attempt the accent. Bosh! 01:10 – Plot Synopsis 36:18 – Why We Chose This Film 38:30 – Analysis 01:02:04 – We Score The Film 01:25:05 – Next Month’s Film

Elizabeth and Emily discuss Antonia Bird's 1999 film, "Ravenous." A fantastic film that blends together the genres of horror, comedy, and the western.

Join the talking terror crew for a tasty episode! The Demonic Doctor Dave has got one hell of a meal for the hosts of Talking Terror! For the appetizer, we have horror related news and for the main course? The 1999 film "Ravenous" directed by Antonia Bird. The dessert will be the thoughts regarding this film where you are who you eat! Bon Appetite screamlings!

Phillip Iscove, Kenneth Neibart and Lyndie Greenwood (Sleepy Hollow, Nikita) kindly request the pleasure of your company as they devour Antonia Bird’s delicious western “Ravenous.” Drink in the analysis of the films place in 1999. Chew on the discussion of the film’s unique production history. Let the aural aromas of the crew’s passion for this film fill your senses. Salty banter, tasty one-liners and generous helpings of savory insights on the delectable performances of Guy Pearce and Robert Carlyle will be served. As well as people. People will be served. And eaten. So many bloody people will be eaten. Bon Appetit!

We hoped you saved room for a helping of more 99 FROM 99. This time we turn back to failed film in 1999 that had all the makings of a cult classic upon its release, and RAVENOUS does not disappoint as we follow Guy Pearce and Robert Carlyle in this strange cannibal buddy comedy from Antonia Bird. So hopefully you are not listening to this on your lunch break, but we thank you for your support which you can continue to do so at all the links below: Support what we do with bonus content and early episodes on Patreon Listen iTunes/Podbean Facebook/Instagram/Twitter: @99from99

Aaron and Jordan review the 1999 cannibal film directed by Antonia Bird and starring Guy Pearce and Robert Carlyle.  Grab a bucket of popcorn or a handful of guts and join us in watching this rare cut from back in the day.  Let's get this dumpster fire started!! Music: Jump Into the Fire by Half Cocked Provided under Creative Commons Attribution 4.0

Join us this week for our Watch & Review. This week we bring you a Flesh Eating Double Feature with Ravenous, starring Guy Pearce, Robert Carlyle and, David Arquette, directed by Antonia Bird, and written by Ted Griffin. Then we continue with Cannibal! The Musical, starring Trey Parker, Dian Bachar, and Stephen Blackpool, directed by Trey Parker, and written by Trey Parker.Feel free to comment a movie to us that you think we should watch and review, or if you have anything to add to our current film review, through one of our many social contacts, or tweet it to us at #fcwatchnreview. #fearcentral #horror

Join us this week for our Watch & Review. This week we bring you a Flesh Eating Double Feature with Ravenous, starring Guy Pearce, Robert Carlyle and, David Arquette, directed by Antonia Bird, and written by Ted Griffin. Then we continue with Cannibal! The Musical, starring Trey Parker, Dian Bachar, and Stephen Blackpool, directed by Trey Parker, and written by Trey Parker.Feel free to comment a movie to us that you think we should watch and review, or if you have anything to add to our current film review, through one of our many social contacts, or tweet it to us at #fcwatchnreview. #fearcentral #horror

Welcome the newest episode of Dark Discussions, your place for the discussion of horror film, fiction, and all that’s fantastic. Sometimes a troubled production can lead to, if not a great film, a cult film. Ravenous is one of those pictures. Released in 1999, the film changed directors in pre-production and had strong executive overwatch. When it was first released it received mixed reviews and did little at the box office making it seem like a film that would disappear and be forgotten. But due to a number of factors it has gained a cult following. When Lieutenant Boyd becomes a hero in the Mexican-American War, he is awarded a medal and promotion, but is then sent packing to a remote garrison because it is found his heroics occurred because of a cowardly deed. At his new location, a stranger named Colquoun appears claiming that his group of settlers had been trapped in a snowstorm and resorted to cannibalism. The garrison’s colonel decides to lead an expedition to see if they can retrieve any survivors. Unfortunately for the scouting party, things turn horribly wrong. Starring Guy Pearce and Robert Carlyle at the time they were considered up-and-coming leading men, the films cast, the film’s quirky humor and shocking violence brought it attention years later when it hit the video and disc market. Also, being directed by a woman, Antonia Bird, has given it more visibility. Dark Discussions takes a look at this film and gives their opinion. As always we welcome your comments: darkdiscussions@aol.com (written email or attached mp3 files) WWW.DARKDISCUSSIONS.COM

In this episode Broken Boxes gets into conversation with writer and director Sterlin Harjo. We hear about Sterlin's journey to becoming a filmmaker and he shares memories of growing up in rural Oklahoma as 'that weird artist kid'. Sterlin talks about being a founding member of renown Native comedy group the 1491s and reflects on the beginning project that catapulted the group to what it is today. Sterlin also talks about Standing Rock as an Indigenous led global movement and we get his perspective regarding the film works that have come since. Sterlin also offers his insight for existing in a world consumed by social media and offers advice on how to approach creating film work in today's accessible media platforms. Sterlin Harjo belongs to the Seminole and Creek Nations, and is a native of Holdenville, Oklahoma. Interested from an early age in visual art and film, Harjo studied painting at the University of Oklahoma before writing his first feature-length script. Since then Harjo was a participant in the Sundance Institute's Feature Film Program. In 2004, Sundance Institute selected Harjo to receive an Annenberg Fellowship, which provided extended support over a two-year period to facilitate the creation of his feature project. In 2006 Harjo was in the inaugural class of United States Artists award recipients. He was also the youngest recipient. Sterlin Harjo completed a year of development on his feature film script FOUR SHEETS TO THE WIND through the Sundance Institute's Filmmaker Labs where he worked under the guidance of industry veterans such as Robert Redford, Stanley Tucci, Joan Tewkesbury, Susan Shilliday, Frank Pierson, Walter Mosley, and Antonia Bird. Sterlin's project was one of 12 projects chosen from a pool of almost 2,500 based on the uniqueness of his voice, the originality of his story and the promise of this feature film offering something poignant to American cinema. Harjo's short film GOOD NIGHT IRENE premiered at the Sundance Film Festival 05 and has went on to play festivals around the world. The short film has garnered Harjo awards including Special Jury Recognition at the Aspen Shorts Festival and Best Oklahoma Film at the Dead Center film festival in Oklahoma City. In 2007 Harjo's first feature film, FOUR SHEETS TO THE WIND, premiered at the Sundance Film Festival. The film garnered warm responses from both audience's and critics. Tamara Podemski won a Special Jury Prize for outstanding performance for her role in the film as Miri Smallhill. Podemski was also nominated for an Independent Spirit Award for her performance. Harjo's film BARKING WATER had a successful premiere at the 2009 Sundance Film Festival, and it screened as a part of the highly acclaimed New Directors/New Film series in New York City. Barking Water was the only American film that played in the Venice Days section of the 2009 Venice Film Festival. Harjo's first documentary THIS MAY BE THE LAST TIME premiered at the 2014 Sundance Film Festival. Harjo's film Mekko premiered at The Los Angeles Film Festival in 2015. Mekko also screened at the Toronto International Film Festival and the Stockholm International Film Festival. It won best film at the ImagineNative Film Festival in Toronto. Harjo is a founding member of the all Native comedy group the 1491s.

In this episode Broken Boxes gets into conversation with writer and director Sterlin Harjo. We hear about Sterlin's journey to becoming a filmmaker and he shares memories of growing up in rural Oklahoma as 'that weird artist kid'. Sterlin talks about being a founding member of renown Native comedy group the 1491s and reflects on the beginning project that catapulted the group to what it is today. Sterlin also talks about Standing Rock as an Indigenous led global movement and we get his perspective regarding the film works that have come since. Sterlin also offers his insight for existing in a world consumed by social media and offers advice on how to approach creating film work in today's accessible media platforms. Sterlin Harjo belongs to the Seminole and Creek Nations, and is a native of Holdenville, Oklahoma. Interested from an early age in visual art and film, Harjo studied painting at the University of Oklahoma before writing his first feature-length script. Since then Harjo was a participant in the Sundance Institute’s Feature Film Program. In 2004, Sundance Institute selected Harjo to receive an Annenberg Fellowship, which provided extended support over a two-year period to facilitate the creation of his feature project. In 2006 Harjo was in the inaugural class of United States Artists award recipients. He was also the youngest recipient. Sterlin Harjo completed a year of development on his feature film script FOUR SHEETS TO THE WIND through the Sundance Institute’s Filmmaker Labs where he worked under the guidance of industry veterans such as Robert Redford, Stanley Tucci, Joan Tewkesbury, Susan Shilliday, Frank Pierson, Walter Mosley, and Antonia Bird. Sterlin’s project was one of 12 projects chosen from a pool of almost 2,500 based on the uniqueness of his voice, the originality of his story and the promise of this feature film offering something poignant to American cinema. Harjo’s short film GOOD NIGHT IRENE premiered at the Sundance Film Festival 05 and has went on to play festivals around the world. The short film has garnered Harjo awards including Special Jury Recognition at the Aspen Shorts Festival and Best Oklahoma Film at the Dead Center film festival in Oklahoma City. In 2007 Harjo’s first feature film, FOUR SHEETS TO THE WIND, premiered at the Sundance Film Festival. The film garnered warm responses from both audience’s and critics. Tamara Podemski won a Special Jury Prize for outstanding performance for her role in the film as Miri Smallhill. Podemski was also nominated for an Independent Spirit Award for her performance. Harjo’s film BARKING WATER had a successful premiere at the 2009 Sundance Film Festival, and it screened as a part of the highly acclaimed New Directors/New Film series in New York City. Barking Water was the only American film that played in the Venice Days section of the 2009 Venice Film Festival. Harjo’s first documentary THIS MAY BE THE LAST TIME premiered at the 2014 Sundance Film Festival. Harjo’s film Mekko premiered at The Los Angeles Film Festival in 2015. Mekko also screened at the Toronto International Film Festival and the Stockholm International Film Festival. It won best film at the ImagineNative Film Festival in Toronto. Harjo is a founding member of the all Native comedy group the 1491s.

Anti-Joke. Anti-Hero. Anti-Podcast. We discuss the most underrated cannibal western horror in cinema TO DATE: the incredibly entertaining, criminally unseen RAVENOUS (1999) starring Guy Pearce and Robert Carlyle. The best music in a cannibal film since Cannibal The Musical. We talk about the history of the horror western, how important bad-taste jokes are in todays PC society, and make fools of ourselves and our podcast.

In the spirit of the season, in this episode CJ reviews the 1999 film Ravenous, a horror movie about cannibalism on the American frontier in the heyday of Manifest Destiny in the mid-nineteenth century.  This film was directed by Antonia Bird and stars Guy Pearce, Robert Carlyle, and Jeffrey Jones. Join CJ as he discusses: […] Learn more about your ad choices. Visit megaphone.fm/adchoices

With Francine Stock Director Antonia Bird, one of the few female directors to carve out a career in the British film industry, is remembered by friends and colleagues Ronan Bennett, Mark Cousins and Kate Hardie. The only female director to be nominated for a feature film in this year's Oscars, Deniz Gamze Ergüven, discusses Mustang, her controversial drama about the treatment of young girls in rural Turkey. Critic Tim Robey and film buyer Clare Binns reveal what they're looking forward to in this year's Cannes film festival.

Ahead of Radio 3's International Women's Day celebration this Tuesday Matthew Sweet presents music from films made by female directors, from Hollywood big hitters Kathryn Bigelow and Jane Campion, to European auteurs Agnieszka Holland and Antonia Bird. He also talks to composer Olga Neuwirth, who writes concert works as well as hybrids of film, theatre and performance art, and who has written the score for Goodnight Mommy, an Austrian horror film released in the UK this week.

CriterionCast co-host and all-around cinephile, JAMES MCCORMICK, returns to the show to talk Antonia Bird's 1999 horror-western-comedy, Ravenous. We discuss the troubled production, the excellent ensemble cast, the Spaghetti western influences, the indelible music, and how in the world this film doesn't have a bigger following. Great talk with one of my favorite people!James on twitterThe McCormick Chronicles - One man's journey through mundane life, one crazy story at a time.Many thanks to Parker for doing the show intro!The show intro uses audio produced by PhreaKsAccount and posted on freesound.orgMusic on this podcast:Artist: Damon AlbarnSong: Colquhoun's StoryArtist: Michael Nyman & Damon AlbarnSong: End TitlesCopyrights are owned by the artists and their labels. No money is made from this podcast.

Lee Russell and Daniel Harper review Antonia Bird's "Ravenous".

Howdy, pardners! Nos vamos al oeste para finalizar la década de los 90 con una película que, al menos para Víctor, pasó totalmente desapercibida y que vista con el tiempo ha ganado mucho. Esta historia de canibalismo en la frontera del viejo oeste, mitología india y humor muy negro tiene en su haber grandes actores(Un Robert Carlyle en la cumbre de su popularidad, un Jeffrey Jones con su rareza habitual y un Guy Pearce cuando molaba) y una estupenda ambientación, amén de la peculiar música compuesta por Damon Albarn de Blur, ahí es nada. Mañana más!

Vi spænder hagesmækken på og går i kødet på Antonia Bird´s offbeat hybrid western RAVENOUS. Vi tager også et kig på den nu afdøde Bird´s film og tvbedrifter. Top 3´en byder på frækt filmmusik fra den alternative skuffe. Gå ikke glip af dette fantastiske afsnit hvor fluen snakker om tis i foden, og CK ter sig som en 16 årrig!! Yderligere film: GRAVITY, TETSUO:THE BULLET MAN, SHIELD OF STRAW, MACHETE KILLS, THE THING, THE BAYTOWN OUTLAWS, ELYSIUM, THOR:THE DARK WORLD, BROOKLYN NINE-NINE og mange flere