Podcasts about artspan

In Part 2, we pick up where we left off in Part 1. Although it made all kinds of sense for Shrey to move halfway around the world to go to art school, he says it was "an uphill battle” convincing his parents of the plan. Still, his mom was and is a champion of her son and his art. It was 2018 and Shrey was 20. We talk about his experience of arriving in San Francisco, a city that was “such a beacon of hope” for him. He dedicated himself to his studies at CCA. He also paid serious attention to the news, and even attempted political art. When that didn't pan out financially, a professor at CCA strongly encouraged Shrey to stay with painting, that it was his lane. This was just before the pandemic. When he got his first stimulus check, Shrey bought an easel and began going out and painting en plein air. He did this so much and promoted his art so well that, by the time he graduated, he had started getting commissions. He was able to become a full-time artist—a dream of his. Shrey is such an artist, through and through, that he even has an art job. Like, a job-job. Four days a week, Shrey works for ArtSpan—a local arts nonprofit possibly best-known for Open Studios. Shrey shares the history of ArtSpan and OpenStudios. What began in 1975 in South of Market as a way for artists shunned by galleries to show their art and sell it today sees around 600 artists opening their studio doors all over The City. Shrey manages the Arts and Neighborhoods program for ArtSpan. That group helps organize exhibitions during Open Studios at non-studio locations. Mission Bowling Club is one such location. In fact, Shrey got his first art show after graduation through help from ArtSpan. It's a beautiful full-circle story. That first show led to other shows. And Shrey credits his entrepreneurial brain for recognizing an opportunity in all of this—if a cafe has suitable walls, you can talk with the owner about hanging art by local artists, promote an opening, and make things happen. And so that's what he did. Partly because putting on one art show, not to mention doing multiple shows at the same, is what the kids refer to as a lot, Shrey focussed his efforts at one location. Ballast Coffee on West Portal became the home of Ingleside Gallery. The first art show at his gallery brought in more than $10,000 in sales. I have to insert some editorial here, so thanks for indulging me. Shrey and I recorded this podcast before our Every Kinda People show. I won't pretend that my own art curation is anywhere close to the level that he (and my friend Anita of KnownSF and countless others around SF, The Bay, and the world) operates on. But Shrey does speak to the nature of both the volume and the intensity of the work that goes into putting on an art show. In my own way, I relate. Back to my and Shrey's conversation, I ask him to talk about how our lives intersected. It was earlier this year after I recorded with Ellen Lo of Ask Me SF. I needed to drop off a Storied: SF hoodie for Ellen, so she asked me to meet her one Saturday morning on Ocean Avenue. She and some friends and community members would be out there painting a mural over a dilapidated street wall in front of a PG&E substation. Sign me up! After politely declining to add my own (attempted) artistic touch to their creation that day, Ellen introduced me to a friend of hers. Right away, I got a sense of that exuberance Shrey embodies, a trait I am now very familiar with. We end the episode with thoughts about the Every Kinda People show, up at Mini Bar through October 19. Follow Shrey on Instagram @shreypurohit and @inglesidegallery.

Today, we hear from a group helping neighbors prepare for future wildfires. Then, a new anthology of love letters to San Francisco. And, ArtSpan's Open Studios celebrates 50 years.

"It's all about partnering artists with small businesses to create site specific installations and that way create more exposure both for the business and for the artists and also to revitalize those corridors" - Vanessa WilsonThis is our second episode from the co-production with Arts for a Better Bay Area of the re-launch of the State of the Arts Summit "Rebuilding Our Communities," on June 28th, 2023.The COVID-19 pandemic shined a spotlight on the importance of arts and culture and its impact on our communities and economy, as well as the under-funding and fragility of our sector. Our second episode is focused on how governmental support, funding, artists, and audiences have changed and what arts and cultural organizations are doing to support, reinvent, and invigorate the sector. Join us to learn about various angles of this work and how you can get engaged.This episode features Julie Baker, CEO - of Californians for the Arts; Vanessa Wilson, Deputy Director - of ArtSpan; Lauren Macmadu, Head of External Relations - of YBCA;  Jenny Cohn, Client Success Manager - of TRG Arts along with Cary McClelland, Chief Operating Officer - of YBCA.You can watch this episode as part of our television show with our friends at BAVC Media. To receive more information on the State of the Arts Series please Sign Up for our Newsletter to find out more about each episode as well as to participate in our next live show.We hope that you enjoyed episode three of our new six-part series highlighting the issues and solutions of our arts and culture organizations and their workforce as they innovate to come back from the pandemic along with addressing the systemic racism in our performing arts ecosystem. Please consider donating to Voices of the Community - Voices of the Community is fiscally sponsored by Intersection for the Arts, a 501(c)(3) nonprofit organization, that allows us to offer you tax deductions for your contributions. Please consider making a donation to help us provide future shows just like this one.If you've been enjoying the show please leave us a rating and review on the podcast platform of your choice and we'd love to hear from you with feedback and show ideas, so send us an email to george@georgekoster.com

This week on The Side Woo, we talk with Adobe Books Director, former SECA Coordinator, and long-time Bay Area native Heather Holt. The conversation looks at what it means to be queen of a scene, and what it was like on the outside after Heather left her former husband for a married man. Plus, bonus shout out to Valley Girl culture. About Heather Holt Heather Holt graduated from the School of the Art Institute of Chicago with an emphasis in photography and performance. She currently oversees all aspects of Adobe Books organizational systems including volunteer scheduling, operating all aspects of business management, community relations, book scouting, curating, conflict management, grant writing and PR. Heather was formerly the ED of ArtSpan, the producers of SF Open Studios where she reversed a three year budget deficit and launched a strategic planning process with the staff, community served and BOD to strengthen and enrich the impact the organization has on sustaining local and regional California artists. Prior to ArtSpan, Heather worked at the SFMOMA from 2004-2010 as the SECA Coordinator - supporting the museum's art award and exhibition program for local, Bay Area artists. Heather volunteered as a Summer Teachers Assistant at Lilydale Spiritualist Community in Upstate NY and has participated as SEVA for the Spirit Weavers Gathering in Southern Oregon. She enjoys tarot, astral travel, meditation and writing. When she is not working, you will find her dancing midweek at the clubs, cooking and hanging out with her family. She lives part time in San Francisco, Sonoma Valley and Upstate NY. Show Notes Adobe Books SECA Award with SFMOMA About The Side Woo Host & Creator: Sarah Thibault Host: Elizabeth Bernstein Sound & Content editing: Sarah Thibault & Elizabeth Bernstein Intro and outro music: LewisP-Audio found on Audio Jungle, Sound Effect from Pixabay The Side Woo is a podcast created through The Side Woo Collective. To learn more go to thesidewoo.com For questions, comments, press, or sponsorships you can email thesidewoo@gmail.com --- Send in a voice message: https://anchor.fm/thesidewoopodcast/message Support this podcast: https://anchor.fm/thesidewoopodcast/support

Nicole Mueller is a San Francisco, CA based visual artist. Her work includes large-scale paintings, murals, and installations that mimic the effects of stained glass. Driven by process, her abstract works are highly saturated, built with layers of collage-like shapes. Her work explores the complexity of color, states of flux, dichotomies within painting, the transitional nature of being, and the threshold between interior and exterior, the tangible and intangible. Mueller earned her BFA in Painting at the Maryland Institute College of Art in Baltimore, MD in 2011. Her work has been exhibited in California, New York, and Maryland. She has been an artist-in-residence at ArtPoint (Fine Arts Museums of San Francisco), the Vermont Studio Center, and Proyecto 'ace in Argentina. She has completed public projects in collaboration with the City of Alameda, California Arts Council and Downtown Alameda Business Association, ArtSpan and the Salesforce Transit Center in San Francisco, as well as commercial businesses throughout San Francisco. In 2017 she was the recipient of the Mark M. Glickman and Lanette M. McClure Artist Award for emerging artists in California. Mueller is also co-host of Beyond the Studio, a podcast that interviews working contemporary artists about their career paths and aims to increase transparency in the art world by hosting candid conversations about their business practices, time management, financial planning, and how they're navigating the unique challenges of making a living, creatively. The podcast received an Alternative Exposure grant in 2017 from Southern Exposure in San Francisco, with support from Facebook's Artist-in-Residence Program and the Andy Warhol Foundation. Beyond the Studio is a cultural partner of Art World Conference, and a fiscally sponsored project of Independent Arts & Media. In this episode, we discuss... How Nicole became an artist Methods she uses for pricing her different kinds of works How she gets projects booked with big budgets How to break down the costs that go into a big budget of a project All the steps that went into creating the biggest commissioned painting of her career And so much more! Social Media & Links: www.nicolemariemueller.com www.beyondthe.studio @nicolemariemueller (Instagram) @devonastimpson devonastimpson.com artbydevona.com  

I'm super excited to get into the nitty gritty of navigating large-scale projects: from building the right portfolio and going after opportunities, to the process itself. This is all of particular interest for me because I've found that, beyond selling paintings to collectors, this aspect of being a working artist can seem especially mysterious. I couldn't have asked for a better guest to bring such honest and practical wisdom in this department than Nicole Mueller. I was introduced to Nicole by listening to the podcast that she co-hosts, Beyond the Studio (highly recommend) and have since admired her passion for open discussion about being a working artist and her vibrant paintings. She didn't hold back any details! This is a highly informative conversation that I got a *ton* out of. We talked about… -- The ins and outs of portfolio building -- Getting opportunities for commissions, site specific installations and murals -- The importance of being proactive and building relationships -- What art consultants do, the benefits of connecting with them and how to find them BIO Nicole Mueller is a San Francisco, CA based visual artist. Her work includes large-scale paintings, murals, and installations that mimic the effects of stained glass. Driven by process, her abstract works are highly saturated, built with layers of collage-like shapes. Her work explores the complexity of color, states of flux, dichotomies within painting, the transitional nature of being, and the threshold between interior and exterior, the tangible and intangible. Mueller earned her BFA in Painting at the Maryland Institute College of Art in Baltimore, MD in 2011. Her work has been exhibited in California, New York, and Maryland. She has been an artist-in-residence at ArtPoint (Fine Arts Museums of San Francisco), the Vermont Studio Center, and Proyecto'ace in Argentina. She has completed public projects in collaboration with the City of Alameda, California Arts Council and Downtown Alameda Business Association, ArtSpan and the Salesforce Transit Center in San Francisco, as well as commercial businesses throughout San Francisco. In 2017 she was the recipient of the Mark M. Glickman and Lanette M. McClure Artist Award for emerging artists in California. Mueller is also co-host of Beyond the Studio, a podcast that interviews working contemporary artists about their professional practices. The podcast received an Alternative Exposure grant in 2017 from Southern Exposure in San Francisco, with support from Facebook's Artist-in-Residence Program and the Andy Warhol Foundation. Beyond the Studio is a cultural partner of Art World Conference, and a fiscally sponsored project of Independent Arts & Media. FOLLOW NICOLE www.nicolemariemueller.com IG: @nicolemariemueller SUPPORT THE SHOW Visit patreon.com/devonwalz for exclusive bonus episodes each month FOLLOW THE SHOW @artandmagicpodcast @devonwalzart www.devonwalz.com To get started with the Frame It Easy App and claim $100 off sample frames head to frameiteasy.com/artmagic

This episode of the DFE podcast finds Shane in conversation with ArtSpan Executive Director Joen Madonna. ArtSpan hosts San Francisco Open Studios every year, among other events and workshops around SF! Joen is also a 10+ year Creative Agent, who gives professional advice to artists.The theme song "Show the Fuck Up" was written and recorded by Shane Izykowski.Sponsors:Dianne Hoffman’s WebsiteDianne Hoffman’s InstagramDianne Hoffman’s FacebookThe Return at 111 Minna GalleryArtSpanArtSpan Open StudiosShow Notes:Marcos C. Daunte’s PatreonMartin Darkside’s PatreonPaul MadonnaSF (Open) Studios: Rose EventSF (Open) Studios: Gray EventSF (Open) Studios: Teal EventSF (Open) Studios: Gold EventThe Tinlings

SPEAKERS Matt McKinley Vice President of the Board, ArtSpan; Member, the Art for AIDS Auction; Jury Panelist, SOMArts Curatorial Residency; Program Director, ArtSpan’s Journal Building Studio Residency Debra Reabock Visual Artist, Photo Philanthropist Michael F. Shea LICSW, Integrative Psychotherapist, Consultant; Faculty Member, the Center for Mind-Body Medicine; Board Member, Doctors of the World USA Robert Melton Outreach Coordinator and Curator, de Young College Arts Program; Freelance Curator; Community Events Art Organizer; Founder and Executive Director, Nexus ArtReach Art Collective—Moderator This program was recorded in front of a live audience at The Commonwealth Club of California in San Francisco on January 6th, 2020.

B.O.S.S. is an acronym for the 4 goals you should have for your art marketing website: Beautiful, Organized, Salable, and Sexy.

Finishing up the 3-part introduction, this podcast argues that you can take the same approach to marketing that you take to making art: thinking about your message through visuals, the experience of the viewer, and words.

My take on the heart of social networking and marketing online and an overview of what our upcoming podcasts will cover, including: -how to get a website -how to get a blog -how to get the word out -taking notes online -how to do advanced online marketing -how to spend minimal time online -how to write a compelling blog -facebook, digg...sharable content -vertical communities