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Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This week, Emily features an interview with curator Ciara Ennis, director of the De Saisset Museum at Santa Clara University. Ciara discusses her evolution from painter to curator, her efforts to challenge traditional museum practices, and her initiatives aimed at fostering inclusivity and dialogue within the art community. Key programs highlighted include the Flat Files of Curiosity Initiative and the Project Room for South Bay artists. She shares insights into her curatorial philosophy, influenced by her studies and experiences, including her impactful first exhibition in London and admiration for artist Joseph Beuys. The episode underscores Ciara's commitment to making museums more accessible and dynamic spaces for diverse audiences.About Curator Ciara Ennis:As Director Professor of Practice in the Department of Art and Art History, Dr. Ennis is responsible for developing the vision, artistic direction, and strategic leadership for the museum including exhibitions, programming, permanent collection, academic integration, and public profile. Ennis oversees museum operations, staffing, finances, and fundraising, and serves as the primary liaison between the museum and Santa Clara University.Prior to directing the de Saisset Museum, Ennis served as Director and Curator of Pitzer College Art Galleries, transforming it into a significant center for contemporary art and discourse through intellectually provocative initiatives focused on diverse communities of artists exploring issues that define our times. A Museum Studies scholar, Ennis' research explores the appropriation of Wunderkammer strategies as a means for rethinking contemporary curatorial practice. Ennis has been a panelist and guest speaker for the College Arts Association, American Studies Association, the International Sculpture Conference, the Association of Academic Museums and Galleries, the California Community Foundation, the Rijksakademie Amsterdam, and the Victoria and Albert Museum. Ennis is a member of Prospect Art's Advisory Board and X-TRA Contemporary Art Quarterly's Advisory Council. She has an MA (RCA) in Contemporary Curatorial Practice from the Royal College of Art, and a PhD in Cultural Studies/Museum Studies from Claremont Graduate University.For more on the exhibit, Maya Gurantz: The Plague Archives CLICK HERE. Follow Ciara on Instagram: @CiaraEnnis5--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
“An artist is an ordinary person who can take ordinary things and make them special,” said San Francisco artist Ruth Asawa. From her studio in her home in Noe Valley, Asawa created crocheted wire sculptures whose shadows are just as evocative as the art itself. But as the mother of six, Asawa was also passionate about arts education and teaching. As a new retrospective of her work and life opens at SF MOMA, we talk about Asawa's legacy as an artist, teacher, and community member as part of our Bay Area Legends series. Guests: Janet Bishop, Thomas Weisel Family chief curator, SFMOMA; She co-curated the exhibition Ruth Asawa: Retrospective Terry Kochanski, executive director, SCRAP - a nonprofit education and creative reuse center based in the Bayview and founded in 1976 Andrea Jepson, close friend of Ruth Asawa; Jepson served as the model for the fountain "Andrea" in Ghiradelli Square, and also worked with Asawa on her public school education projects Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode Emily interviews artist and singer Mary Graham about her journey from drawing as a child, to painting in high school and eventually moving to the Bay Area to study at the California College of the Arts. Mary discusses her recent residencies in Maine and Colorado, and exhibitions at the Berkeley Art Center and Jonathan Carver Moore Gallery. She delves into her impactful 'brown paper bag' series, which explores themes of colorism inspired by her father's stories and broader research. Mary also reflects on influential works by artists like David Hammonds and Betty Saar, and shares her inspiration drawn from the streets of San Francisco. The episode highlights Mary's creative process, community experiences, and the significant role of the emerging artists program at the Museum of the African Diaspora in her career.About Artist Mary Graham :Mary W.D. Graham an interdisciplinary artist working in painting, sculpture, and vocal performance. Utilizing art-making methods rooted in traditional techniques, she studies the notion of “the ancestors” as a conceptual medium through which historical, interpersonal, and introspective insight might be gained.Her conceptual development originates from the veneration of her own lineage, an off-shoot of the African American spiritual tradition of ancestor worship. The work expands to encompass themes of generational love, collective human origin, our relationship to history, and our relationship to the future (the unknown). Working primarily in figuration and portraiture, she utilizes a level of precision in her representation. Her compositions are minimal; the subtlety of the substrate, or the intentional application of color intend for focus to be drawn to the subject. The subtlety of this approach is meant to provide a contemplative environment in which significance might be derived. These aesthetic philosophies of simplicity, stillness, and precision are applied to her performance work as well, which is rooted in her training as a classical vocalist. Here, the human voice is utilized as a kind of clarion. The haunting melodies are structured to slowly fill space and time, drawing viewers in so that they might share in what manifests from the collective experience of song.Mary was born in 2000 and grew up in Philadelphia, Pennsylvania amongst a family of artists. She attended California College of the Arts where she received her BFA in Individualized Studies in 2022. Her travels for arts and cultural exchange have taken her around the globe to Mexico, Japan, Kenya, South Africa, Peru, Morocco, Indonesia, and India.Graham has been exhibiting, collaborating and performing nationally since 2006. She was a commissioned artist for projects at Burning Man from 2019 through 2023, performed at the Institute of Contemporary Art + San Francisco in 2022, and in 2024, opened her first solo exhibition at Museum of the African Diaspora as part of their Emerging Artist's Program. Graham's work has been covered by CBS News, 48hills and the MoAD Journal. She has been awarded residencies with Black [Space] Residency in San Francisco, California; Haystack Mountain School of Craft in Deer Isle, Maine; and Anderson Ranch in Snowmass, Colorado.Visit Mary's Website: MaryDGraham.comFollow on Instagram: @Mary.Graham.ArtTo learn more about the Beatiful Scars Exhibit at Jonathan Carver Moore CLICK HERE.For more on Archives Yet To Come at the Berkeley Art Center, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
Katy Hays is the New York Times bestselling author of The Cloisters. She is an art history adjunct professor and holds an MA in art history from Williams College and pursued her PhD at UC Berkeley. Having previously worked at major art institutions, including the Clark Art Institute and SFMOMA, she now lives with her husband and their dog in Olympic Valley, California.Killer Women is copyrighted by Authors on the Air Global Radio Network#podcast #author #interview #authors #KillerWomen #KillerWomenPodcast #authorsontheair #podcast #podcaster #killerwomen #killerwomenpodcast #authors #authorsofig #authorsofinstagram #authorinterview #writingcommunity #authorsontheair #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers #writersinspiration #books #bookrecommendations #bookaddict #bookaddicted #bookaddiction #bibliophile #read #amreading #lovetoread #daniellegirard #daniellegirardbooks #ballantine #katyhays #newyorktimesbestseller
Katy Hays is the New York Times bestselling author of The Cloisters. She is an art history adjunct professor and holds an MA in art history from Williams College and pursued her PhD at UC Berkeley. Having previously worked at major art institutions, including the Clark Art Institute and SFMOMA, she now lives with her husband and their dog in Olympic Valley, California. Killer Women is copyrighted by Authors on the Air Global Radio Network #podcast #author #interview #authors #KillerWomen #KillerWomenPodcast #authorsontheair #podcast #podcaster #killerwomen #killerwomenpodcast #authors #authorsofig #authorsofinstagram #authorinterview #writingcommunity #authorsontheair #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers #writersinspiration #books #bookrecommendations #bookaddict #bookaddicted #bookaddiction #bibliophile #read #amreading #lovetoread #daniellegirard #daniellegirardbooks #ballantine #katyhays #newyorktimesbestseller
Katy Hays is the New York Times bestselling author of The Cloisters. She is an art history adjunct professor and holds an MA in art history from Williams College and pursued her PhD at UC Berkeley. Having previously worked at major art institutions, including the Clark Art Institute and SFMOMA, she now lives with her husband and their dog in Olympic Valley, California. Killer Women is copyrighted by Authors on the Air Global Radio Network #podcast #author #interview #authors #KillerWomen #KillerWomenPodcast #authorsontheair #podcast #podcaster #killerwomen #killerwomenpodcast #authors #authorsofig #authorsofinstagram #authorinterview #writingcommunity #authorsontheair #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers #writersinspiration #books #bookrecommendations #bookaddict #bookaddicted #bookaddiction #bibliophile #read #amreading #lovetoread #daniellegirard #daniellegirardbooks #ballantine #katyhays #newyorktimesbestseller
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This week on 'Art is Awesome,' host Emily Wilson chats with Stephanie Robison, a sculptor living in Oakland and the chair of City College of San Francisco's Art Department. The episode delves into Stephanie's background, from growing up in Oregon and being encouraged by a high school counselor to attend college, to falling in love with sculpture, particularly stone. Stephanie discusses her creative process, the resistance she enjoys from materials like marble, and how her grandmother inspired her love for making things. She also shares her experiences with exhibitions and her thoughts on teaching. About Artist Stephanie Robison:Originally from Oregon, Stephanie currently resides in California teaching sculpture and serving as Art Department Chair at the City College of San Francisco. Robison holds a Bachelor of Fine Arts from Marylhurst University and a Master of Fine Arts in Sculpture from the University of Oregon. Her work has been exhibited at Marrow Gallery, Marin Museum of Contemporary Art and Orange County Center for Contemporary Art in California, Robischon Gallery in Denver, Colorado, Houston Center for Contemporary Craft, Joseph A Cain Memorial Art Gallery and Greater Denton Arts Council in Texas, Yeiser Art Center in Kentucky, Site:Brooklyn Gallery in New York, Foster/White Gallery, Whatcom Museum and Tacoma Art Museum in Washington, and Peter Robertson Gallery in Alberta Canada.Stephanie is represented by Marrow Gallery in San Francisco, California and Foster/White Gallery in Seattle, Washington. Her work can also be found at Robischon Gallery in Denver, Colorado.The sculptures of Stephanie Robison plays with multiple oppositional relationships. Working with industrial fabrics and wood, she creates large-scale installations that examine relationships between culture, nature and the built environment. Her latest series of work combines traditional stone carving and the process of needle felting wool. By merging incongruous materials such as wool and marble, she works to synthesize and fuse: organic and geometric, natural and architectural, handmade and the uniform industrial. Focusing on materiality and color with this new work, Robison creates charming, often humorous or awkward forms referencing aspects of the body, relationships and the environment. Visit Stephanie's Website: StephanieRobison.comFollow Stephanie on Instagram: @SquishyStoneFor more about Stephanie's Exhibit, "Incantations for the Average Person" CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
Episode 506 - Lisa F Rosenberg - Author of Fine, I'm A Terrible Person - a funny, heart wrenching, adult mother daughter storyLisa F. Rosenberg has a B.A. from U.C. Berkeley in Art History, a M.A. in Graduate Humanities and a MFA in Creative Writing from Dominican University of California. Her early professional career was in the blue-chip retail art world as a Gallerist for several prominent San Francisco art dealers including Crown Point Press and John Berggruen Gallery.She was most recently a public guide at SFMOMA and Museum Educator on staff at the Contemporary Jewish Museum in San Francisco.Her writing up until now has been in her professional life, primarily non-fiction, essays for exhibition catalogs, art criticism, tours, and public talks. Her short story, Family Footnotes, was recently featured in the summer 2024 edition of Amaranth: a journal of food writing, art and design, and she was a quarterfinalist in the Driftwood Press in house short story contest for the Spring of 2024.Fine, I'm a Terrible Person is her debut novel. Her family heritage is Rhodeslis, Ladino speaking Sephardic Jews from the island of Rhodes. Her deep affection for her cultural legacy is reflected in the novel's historical accuracy of language, cultural authenticity, and descriptions of mouthwatering cuisine.About the BookFine, I'm a Terrible Person73-year-old, worn out, former beauty, Aurora Hmans Feldenburg, a hapless, perpetually broke, eccentric, divorcee living in the wealthy enclave of Tiburon in Marin County in Northern California, is wakened by a phone call informing her that her father's widow, has died. Her last chance at solvency, she decides to drive to Los Angeles to see if there is a will. Aurora is always ready for the next get rich scheme.Aurora's high-strung daughter, 43-year-old Leyla Feldenburg Rothstein, is a hypersensitive, insecure, perfectionist, insomniac, emotionally damaged from her father's lifelong abuse and rejection. She is married to a wealthy, Jewish prince charming, investment banker who specializes in the legal Cannabis industry.Aurora and Leyla's separate quests intersect and enmesh in Los Angeles over the course of a weekend, where they both end up staying with cousins, quirky, endearing, Sephardic Jews who speak Ladino, mostly in proverbs and cook prodigious quantities of delicacies from the old country, the island of Rhodes.When Aurora's meager inheritance is stolen, she drags Leyla into a ludicrous chase. Unable to resist the pull from the trauma bond she shares with her infuriating mother, Leyla fails to adhere to her boundaries, even after years of therapy. She risks losing everything to another one of Aurora's harebrained schemes.Their entangled journeys and the chaotic, catastrophic outcome are the last straw for Leyla who must break free from her mother's toxic dependency and destructive attachment to save herself, her marriage, and her young family.https://lisafrosenberg.com/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca
Today I talked to Lisa F. Rosenberg about Fine, I'm a Terrible Person (Sibylline Press, 2025). The pain of 73-year-old Aurora's divorce over thirty years before continues to reverberate – she's eccentric, filled with schemes, and only able to function with help from her daughter. Born in the 500-year-old Jewish community of Rhodes, she mixes Judeo-Espanol (Ladino) aphorisms into her speech and thinks she speaks Spanish, but few can understand her. With an expired license and an ancient car, she drives to Los Angeles hoping to find a treasure after the death of her father's last wife. Aurora's daughter Leyla is also affected by her father's abrupt departure and spends her life seeking perfection, trying not to let her mother make her crazy, and striving to fit into their wealthy San Francisco community. When she learns that her husband might be having an affair, she takes her two young sons for a madcap weekend in Los Angeles where she'll have to bend a few rules, grapple with her mother, sneak into her husband's conference, and learn a bit about going with the flow. This is a charming mother-daughter novel about immigrants, overcoming family dysfunction, the cuisine of the Jewish community of Rhodes, and learning to overcome obstacles. Lisa F. Rosenberg earned a B.A. from U.C. Berkeley in Art History, an M.A. in Graduate Humanities, and an MFA in Creative Writing from the Dominican University of California. Her early professional career was in the blue-chip retail art world as a Gallerist for several prominent San Francisco art dealers including Crown Point Press and John Berggruen Gallery. She was most recently a public guide at SFMOMA and a Museum Educator on staff at the Contemporary Jewish Museum in San Francisco. Her writing up until now has been primarily non-fiction essays for exhibition catalogs, art criticism, tours, and public talks. Her short story, Family Footnotes was recently featured in the summer 2024 edition of Amaranth: a journal of food writing, art, and design, and she was a quarterfinalist in the Driftwood Press in-house short story contest for the Spring of 2024. Her family heritage is “Rhodeslis,” Ladino-speaking Sephardic Jews from the island of Rhodes. Her deep affection for her cultural legacy is reflected in the novel's historical accuracy of language, cultural authenticity, and descriptions of mouthwatering cuisine. When she is not writing, she is reading, hiking, practicing yoga, or traveling with her husband of 35 years. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode, Emily features Daisy Nam, the director and chief curator at the Wattis Institute of Contemporary Arts. Daisy discusses her journey from growing up in Los Angeles to her roles at prestigious institutions like NYU, Columbia, Harvard, and Marfa Ballroom. She shares insights on the significance of art spaces in cities, her love for art books, and memorable exhibitions, particularly the current 'Steady' sculpture show involving artists Esther Partegas and Michelle Lopez. Daisy highlights the unique aspects and challenges of working in the contemporary art world, emphasizing the importance of maintaining art spaces and building partnerships within the art community. Daisy also shares her personal experiences and perspectives on art and nature in Northern California.About Curator Daisy Nam:Daisy Nam is the director and curator of CCA Wattis Institute of Contemporary Art in San Francisco, which opens their new galleries on the expanded campus in Fall of 2024. Previously, she was at Ballroom Marfa, a contemporary art space dedicated to supporting artists through residencies, commissions, and exhibitions, first as the curator in 2020 and then the director and curator in 2022. From 2015–19, she was the assistant director at the Carpenter Center for the Visual Arts, Harvard University, managing the administration and organizing programs, exhibitions, and publications. From 2008–2015, she produced seven seasons of talks, screenings, performances, and workshops as the assistant director of public programs at the School of the Arts, Columbia University.Curatorial residencies and fellowships include: Marcia Tucker Senior Research Fellow at the New Museum, New York (2020); Bellas Artes, Bataan, Philippines (2020); Surf Point in York, Maine (2019); Gwangju Biennale Foundation, Korea (2018). She holds a master's degree in Curatorial and Critical Studies from Columbia University and a bachelor's degree in Art History and Cinema Studies from New York University. She has taught at RISD, and lectured at Lesley University, Northeastern, SMFA/Tufts, SVA as a visiting critic. She co-edited a publication, Best! Letters from Asian Americans in the arts withPaper Monument in 2021.CLICK HERE to learn more about Daisy. CLICK HERE to connect to The Wattis InstituteCLICK HERE to get more info about the Wattis exhibition 'STEADY' --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
Today I talked to Lisa F. Rosenberg about Fine, I'm a Terrible Person (Sibylline Press, 2025). The pain of 73-year-old Aurora's divorce over thirty years before continues to reverberate – she's eccentric, filled with schemes, and only able to function with help from her daughter. Born in the 500-year-old Jewish community of Rhodes, she mixes Judeo-Espanol (Ladino) aphorisms into her speech and thinks she speaks Spanish, but few can understand her. With an expired license and an ancient car, she drives to Los Angeles hoping to find a treasure after the death of her father's last wife. Aurora's daughter Leyla is also affected by her father's abrupt departure and spends her life seeking perfection, trying not to let her mother make her crazy, and striving to fit into their wealthy San Francisco community. When she learns that her husband might be having an affair, she takes her two young sons for a madcap weekend in Los Angeles where she'll have to bend a few rules, grapple with her mother, sneak into her husband's conference, and learn a bit about going with the flow. This is a charming mother-daughter novel about immigrants, overcoming family dysfunction, the cuisine of the Jewish community of Rhodes, and learning to overcome obstacles. Lisa F. Rosenberg earned a B.A. from U.C. Berkeley in Art History, an M.A. in Graduate Humanities, and an MFA in Creative Writing from the Dominican University of California. Her early professional career was in the blue-chip retail art world as a Gallerist for several prominent San Francisco art dealers including Crown Point Press and John Berggruen Gallery. She was most recently a public guide at SFMOMA and a Museum Educator on staff at the Contemporary Jewish Museum in San Francisco. Her writing up until now has been primarily non-fiction essays for exhibition catalogs, art criticism, tours, and public talks. Her short story, Family Footnotes was recently featured in the summer 2024 edition of Amaranth: a journal of food writing, art, and design, and she was a quarterfinalist in the Driftwood Press in-house short story contest for the Spring of 2024. Her family heritage is “Rhodeslis,” Ladino-speaking Sephardic Jews from the island of Rhodes. Her deep affection for her cultural legacy is reflected in the novel's historical accuracy of language, cultural authenticity, and descriptions of mouthwatering cuisine. When she is not writing, she is reading, hiking, practicing yoga, or traveling with her husband of 35 years. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Episode No. 693 is a Presidents' Day weekend clips episode featuring artist John Edmonds. The Solomon R. Guggenheim Museum in New York recently announced the acquisition of Edmonds's complete 2018 Untitled (Hood) series. The work was included in last year's Guggenheim exhibition "Going Dark: The Contemporary Figure at the Edge of Visibility." Edmonds discussed his Untitled (Hood) series in detail when he came onto the program in 2020 on the occasion of an exhibition at the Brooklyn Museum. Among the institutions that have collected Edmonds' work are the Art Gallery of Ontario, Toronto, the Columbus Museum of Art, the Philadelphia Museum of Art, the Museum of Fine Arts, Houston, and SFMOMA. For images, see Episode No. 446. Instagram: John Edmonds, Tyler Green.
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Ranu Mukherjee, a painter, textile, and film installation artist, who was recently appointed as Dean of the Film and Video School at CalArts in Los Angeles. Ranu discusses her background, her collaborative work with choreographers, and her latest project designing a curtain for the San Francisco Ballet's 'Cool Britannia'. She shares insights into her inspirations, including forests and their literary forms, and her early experiences that led her to become an artist. The episode concludes with Emily's regular segment, 'Three Questions', discussing influential works and inspiring places.About Artist Ranu Mukherjee:Ranu Mukherjee's work has been the subject of solo exhibitions at the 18th Street Arts Center, Los Angeles (2022-2023) de Young Museum, San Francisco (2018-2019); the Pennsylvania College of Art and Design (2017); the Asian Art Museum, San Francisco (2016); the Tarble Art Center, Charleston, IL (2016) and the San Jose Museum of Art, CA (2012), among others. Her most recent immersive video installations have been was presented in Natasha, Singapore Biennale 2022-2023, the 2019 Karachi Biennale (2019) and Los Angeles County Museum of Art (2016) as well as in numerous international group exhibitions. Mukherjee has been awarded a 2023 Artadia Award,a Pollock Krasner Grant (2020); a Lucas Visual Arts Fellowship at Montalvo Arts Center, Saratoga, CA (2019-2024); an 18th Street Arts Center Residency, Los Angeles (2022); Facebook Artist in Residence (2020); de Young Museum Artist Studio Program (2017); the Space 118 Residency, Mumbai (2014); and a Kala Fellowship Award and Residency, Berkeley (2009). Her work is in the permanent collection of the Asian Art Museum, San Francisco; de Young Museum, San Francisco; the Escallete Collection at Chapman University; the JP Morgan Chase Collection, New York; the Kadist Foundation, San Francisco and Paris; the Oakland Museum of California; the San Jose Museum of Art; and the San Francisco International Airport, among others. In 2021 Gallery Wendi Norris released Shadowtime, a major monograph on Mukherjee's work over the past decade featuring a conversation with author and climate activist Amitav Ghosh, and an essay by Jodi Throckmorton, curator of Mukherjee's first solo museum exhibition at the San Jose Museum of Art. Mukherjee co-created Orphan Drift, a London-based cyber-feminist collective and avatar making combined media works since 1994. They have participated in numerous exhibitions and screenings internationally including in London, Oslo, Berlin, Oberhausen, Glasgow, Istanbul, Vancouver, Santiago, Capetown, and the Bay Area.Mukherjee received her B.F.A. in Painting, from the Massachusetts College of Art, Boston, MA in 1988, and her MFA in Painting at the Royal College of Art, London, UK in 1993. She serves on the Board of Trustees at the San Jose Museum of Art, and the Board of Directors at Bridge Live Arts. She is a Professor and Chair of Film at California College of the Arts, San Francisco. Visit Ranu's Website: RanuMukherjee.comFollow on Instagram: @RanuMukherjeeFor more on 'Cool Britannia' at the San Francisco Ballet - CLICK HERE.For more on Ranu's book, 'Shadowtime' - CLICK HERE--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
It's another installment of Spirituality and Politics with Marielena Ferrer. Joining us today is... Lexa Walsh an artist, cultural worker and experience maker. Her upbringing as the only bad athlete in a family of fifteen in the Philadelphia suburbs, and coming of age in the Bay Area post punk cultural scene of the 1990's informs her interest in alternative lifestyles, economies and communities. With a background in both sculpture and social practice, Walsh makes site specific projects, exhibitions, publications and objects, using an array of materials including ceramics and textiles, employing social engagement, institutional critique, and radical hospitality to question hierarchies, power and value. She recently relocated from Oakland, CA to the Hudson Valley. The In Between: Tea Talks are series' of intimate facilitated discussions over home cooked meals that bring together conflicting populations of artists, activists, workers, Veterans, civilians, and others in a hospitable environment so each may share their positions in a safe yet open and critical dialogue. The goals of the project are to: Complicate the current good vs, evil/us vs. them narrative while eliciting understanding and extracting nuances from all sides. Engage in local micro politics while placing these issues in the larger current political landscape.Create a space for hospitable democracy.Share understanding about issues affecting our communities to a broader audience.Walsh founded the experimental music and performance venue the Heinz Afterworld Lounge, and co-founded and conceived of the all women, all toy instrument ensemble Toychestra. Walsh worked for many years as a curator and administrator at CESTA, an international art center in Czech republic, whose team created radical curatorial projects to foster cross-cultural understanding. She founded Oakland Stock & Soup for Social & Racial Justice, and the Bay Area Contemporary Art Archive. She is a graduate of Portland State University's Art & Social Practice MFA program and was Social Practice Artist in Residence in Portland Art Museum's Education department. She was a recipient of Southern Exposure's Alternative Exposure Award, the CEC Artslink Award, the Gunk Grant and was a de Young Artist Fellow. Walsh has participated in projects, exhibitions and performances at Apexart, di Rosa Center for Contemporary Art, FOR-SITE, Grand Central Art Center, Kala Art Institute, Marin Museum of Contemporary Art, NIAD, Oakland Museum of California, SFMOMA, Smack Mellon, Walker Art Center, Williams College Museum of Art, Yerba Buena Center for the Arts, and has done several international artist residencies, tours and projects in Europe and Asia.Lexa and Marielena are co-hosting a Tea Talk at Unison Arts on Saturday, March 1st from 3-5pm. There's also a Destroy to Create event happening at Unison this Saturday, February 15th. More info and to RSVP here!Here are your Full Moon Vibes!Today's show was engineered by Ian Seda from Radiokingston.org.Our show music is from Shana Falana!Feel free to email me, say hello: she@iwantwhatshehas.org** Please: SUBSCRIBE to the pod and leave a REVIEW wherever you are listening, it helps other users FIND IThttp://iwantwhatshehas.org/podcastITUNES | SPOTIFYITUNES: https://itunes.apple.com/us/podcast/i-want-what-she-has/id1451648361?mt=2SPOTIFY:https://open.spotify.com/show/77pmJwS2q9vTywz7Uhiyff?si=G2eYCjLjT3KltgdfA6XXCAFollow:INSTAGRAM * https://www.instagram.com/iwantwhatshehaspodcast/FACEBOOK * https://www.facebook.com/iwantwhatshehaspodcast
On this episode I'm joined by Taylor Renee Aldridge. Taylor Renee Aldridge is a writer and curator based in Detroit, Michigan. In 2014, with writer Jessica Lynne, she co-founded ARTS.BLACK, an online journal of art criticism from Black perspectives. In Fall 2024, she assumed the role of Executive Director at the Modern Ancient Brown Foundation. In the episode we discuss her return to her native Detroit, the importance of ancestral practice, why there's a lack of art criticism today, and what she's excited about for the future. Taylor has edited and contributed to numerous exhibition catalogs, including Enunciated Life (CAAM, 2021) and Mario Moore | Enshrined: Presence + Preservation (Charles H. Wright Museum, 2021). Her writing has appeared in Artforum, The Art Newspaper, Art21, ARTNews, CanadianArt, Contemporary&, Detroit Metro Times and SFMOMA's Open Space. She has organized exhibitions with the California African American Museum (CAAM), Detroit Institute of Arts, and Cranbrook Art Museum, including the critically acclaimed Simone Leigh (2024, CAAM & LACMA). Taylor is the recipient of the 2016 Creative Capital | Andy Warhol Foundation Arts Writers Grant for Short Form Writing and the 2019 Rabkin Foundation Award for Art Journalism. She holds an MLA from Harvard University with a concentration in Museum Studies and a BA from Howard University with a concentration in Art History.
Episode No. 691 features artists Kota Ezawa and Amy Pleasant. The Fort Mason Center for Arts & Culture is presenting "Kota Ezawa: Here and There - Now and Then," an investigation into the creation of memory in the Bay Area and nationally, through March 9. The exhibition, organized in collaboration with the San Francisco Museum of Modern Art, features Ezawa and Julian Brave NoiseCat's Alcatraz Is an Idea (2024), and Merzbau 1, 2, 3 (2021), and Ursonate (2022), which were among 11 Ezawas recently acquired by SFMOMA. "Ezawa" was curated by Frank Smigiel. Fort Mason will publish a catalogue on the closing weekend. SFMOMA is showing Ezawa's National Anthem (2018) in "Count Me In" through April 27. Ezawa's work has been featured in solo exhibitions at many museums, including the Baltimore Museum of Art, the Chrysler Museum of Art, Norfolk, VA; the Buffalo AKG Art Museum; the Vancouver Art Gallery, Canada; and the Saint Louis Art Museum. His work is in the collection most major US art museums, and in museums in seven other countries. Pleasant is included in "Synchronicities: Intersecting Figuration with Abstraction" at the Bemis Center for Contemporary Arts, Omaha. The exhibition examines some of the ways in which nine artists have recently navigated the space between abstraction and figuration. "Synchronicities" was curated by Rachel Adams, and is on view through May 4. Pleasant's work is also on view at The Carnegie, Covington, KY in "Southern Democratic" through February 15, and in "Vivid: A Fresh Take" at the Hunter Museum of American Art, Chattanooga, TN through June 1. Pleasant has been included in exhibitions at the Knoxville Museum of Art, the Montgomery (Ala.) Museum of Fine Arts, the Weatherspoon Museum of Art, University of North Carolina, Greensboro, and more. Instagram: Amy Pleasant, Tyler Green.
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with painter Kirstine Rainer Hansen, as they discusses her transition from design and illustration to becoming a self-taught artist specializing in 'Disrupted Realism.' Born in Denmark, Kirstine has lived across various countries, ultimately settling in Carmel, California. Her path to art was unconventional; due to financial and societal pressures, she initially studied design but shifted to painting after struggling to find work during a recession. Kirstine's work, influenced by artists like Rembrandt, Francis Bacon, and Lucian Freud, is currently on display at the Jack Fisher Gallery at the Minnesota Street Project in San Francisco. She talks about how moving to San Francisco shaped her artistic style, transitioning from classical realism to a more fragmented, collage-based approach. Kirstine also dives into "Three Questions" talking about her artistic identity, influential works, and inspiring locations in the Bay Area.About Artist Kirstine Reiner Hansen:Kirstine Reiner Hansen is an artist based on the Central Coast of California, US. Born in Odense, Denmark, she received a BA in Design and Illustration at Kolding School of Design. Her work has been exhibited in numerous galleries, most recently she had 2-person exhibition at Jack Fischer Gallery, San Francisco. In 2012 she received the Lillian Orlowsky and William Freed Foundation Grant and was twice a semi-finalist for the Outwin Boochever Portrait Competition. She has been featured in Juxtapoz Magazine, BloPop Magazine and the Asian Curator as well as in the book ‘Distrupted Realism' by John Seed, 2019. Her work is featured in the movie ‘Meaning of a Ritual' by Berlin director Natalie MacMahon, 2023.Visit Kirstine's Website: ReinerHansen.comFollow on Instagram: @ReinerHansenArtFor more about her current exhibit "Atmospheric Disruptions" at the Jack Fischer Gallery, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
Is it a bird, is it a plane? No, it's another anti tech book. In Against Platforms: Surviving Digital Utopia, digital activist Mike Pepi argues that major tech companies like Meta, Amazon, Tesla, and OpenAI are all driven by "platform logic" - a business model focused on creating intermediary layers that mediate human activities while collecting data and maintaining control. While different tech leaders may have different political views, Pepi contends they are all ultimately "prisoners of the platform" driven by growth imperatives. Pepi distinguishes his critique from other tech criticism by arguing that even proposed solutions often fall into the "digital utopian" trap - the belief that better technology can fix technology's problems. Instead, he advocates for strengthening traditional institutions rather than trying to replace them with platforms. He cites journalism as an example where platforms have weakened traditional institutions rather than improved them. While not exactly anti-technology, Pepi believes that unchecked platform capitalism is problematic. He suggests that technology should be developed within institutional frameworks rather than allowing platforms to operate with minimal constraints. Convinced? If not, it's probably because you, like everyone else, is a prisoner of platform capitalism. Mike Pepi writes about art, culture, and technology. MHiswork has appeared in frieze, e-flux, Flash Art, Art in America, DIS Magazine, The Straddler, The New Inquiry, Artforum, The Art Newspaper, this is tomorrow, 艺术界 LEAP, the Apollo Magazine Blog, Spike Art, The Brooklyn Rail, Rhizome, and The New Criterion. He organized Cloud-Based Institutional Critique (CBIC), a reading group focused on emerging digital technologies and their relationship to cultural institutions. In 2015 he guest edited the Data Issue of DIS Magazine with Marvin Jordan. In 2018, I guest-edited a special issue of Heavy Machinery at SFMoMA's Open Space. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode Emily chats with multimedia artist Tricia Rainwater. Tricia delves into her artistic journey, focusing on self-portrait photography and installations. Her work, seen in exhibitions like 'Allegedly the Worst is Behind Us' at San Jose's Institute for Contemporary Art, addresses themes of political innateness, erasure, and the importance of creating personal archives. She also shares her experiences from childhood photography to her impactful pieces that highlight missing Indigenous women and girls. Their conversation touches on the emotional power and societal responsibilities of art.About Artist Tricia Rainwater:Tricia Rainwater (she/her) is a mixed Choctaw Indigiqueer multimedia artist based on Ramaytush Ohlone land. Tricia's work ranges from self portraiture to large sculptural installations. Her work has been featured nationally and internationally through group shows and artist features. In her work, Tricia, focuses on creating pathways to a resilient and hopeful future by centering the process of grieving and healing. She is a recent recipient of the SF Artists Grant through the SF Arts Commission.Visit Tricia's Website: TriciaRainwater.comFollow Tricia on Instagram: @TriciaRainwaterArtLearn more about the exhibit, 'Allegedly The Worst Is Behind Us', currently at the ICA San Jose - CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
A 2025 preview: Georgina Adam, our editor-at-large, tells host Ben Luke what might lie ahead for the market. And Ben is joined by Jane Morris, editor-at-large, and Gareth Harris, chief contributing editor, to select the big museum openings, biennials and exhibitions.All shows discussed are in The Art Newspaper's The Year Ahead 2025, priced £14.99 or the equivalent in your currency. Buy it here.Exhibitions: Site Santa Fe International, Santa Fe, US, 28 Jun-13 Jan 2026; Liverpool Biennial, 7 Jun-14 Sep; Folkestone Triennial, 19 Jul-19 Oct; Ruth Asawa: A Retrospective, San Francisco Museum of Modern Art, 5 Apr-2 Sep; Museum of Modern Art (MoMA), New York, 19 Oct-7 Feb 2026; Gabriele Münter, Guggenheim Museum, New York, 7 Nov-26 Apr 2026; Musée d'Art Moderne de Paris, 4 Apr-24 Aug; Elizabeth Catlett: a Black Revolutionary Artist, Brooklyn Museum, New York, until 19 Jan; National Gallery of Art (NGA), Washington DC, 9 Mar-6 Jul; Art Institute of Chicago, US, 30 Aug-4 Jan 2026; Ithell Colquhoun, Tate Britain, London, 13 Jun-19 Oct; Abstract Erotic: Louise Bourgeois, Eva Hesse, Alice Adams, Courtauld Gallery, London, 20 Jun-14 Sep; Michaelina Wautier, Kunsthistorisches Museum, Vienna, 30 Sep-25 Jan 2026; Radical! Women Artists and Modernism, Belvedere, Vienna, 18 Jun-12 Oct; Dangerously Modern: Australian Women Artists in Europe, Art Gallery of South Australia, Adelaide, 24 May-7 Sep; Art Gallery of New South Wales, Sydney, 11 Oct-1 Feb 2026; Lorna Simpson: Source Notes, Metropolitan Museum of Art, New York, 19 May-2 Nov; Amy Sherald: American Sublime, SFMOMA, to 9 Mar; Whitney Museum of American Art, New York, 9 Apr-Aug; National Portrait Gallery, Washington DC, 19 Sep-22 Feb 2026; Shahzia Sikander: Collective Behavior, Cincinnati Art Museum, 14 Feb-4 May; Cleveland Museum of Art, US, 14 Feb-8 Jun; Cantor Arts Center, Stanford, US, 1 Oct-25 Jan 2026; Jenny Saville: The Anatomy of Painting, National Portrait Gallery, London, 20 Jun-7 Sep; Linder: Danger Came Smiling, Hayward Gallery, London, 11 Feb-5 May; Arpita Singh, Serpentine Galleries, London, 13 Mar-27 Jul; Vija Celmins, Beyeler Collection, Basel, 15 Jun-21 Sep; An Indigenous Present, ICA/Boston, US, 9 Oct-8 Mar 2026; The Stars We Do Not See, NGA, Washington, DC, 18 Oct-1 Mar 2026; Duane Linklater, Dia Chelsea, 12 Sep-24 Jan 2026; Camden Art Centre, London, 4 Jul-21 Sep; Vienna Secession, 29 Nov-22 Feb 2026; Emily Kam Kngwarray, Tate Modern, London, 10 Jul-13 Jan 2026; Archie Moore, Queensland Gallery of Modern Art, 30 Aug-23 Aug 2026; Histories of Ecology, MASP, Sao Paulo, 5 Sep-1 Feb 2026; Jack Whitten, Museum of Modern Art, New York, 23 Mar-2 Aug; Wifredo Lam, Museum of Modern Art, Rashid Johnson, Solomon R. Guggenheim Museum, New York, 18 Apr-18 Jan 2026; Adam Pendleton, Hirshhorn Museum and Sculpture Garden, Washington DC, 4 Apr-3 Jan 2027; Marie Antoinette Style, Victoria and Albert Museum, London, 20 Sep-22 Mar 2026; Leigh Bowery!, Tate Modern, 27 Feb- 31 Aug; Blitz: the Club That Shaped the 80s, Design Museum, London, 19 Sep-29 Mar 2026; Do Ho Suh, Tate Modern, 1 May-26 Oct; Picasso: the Three Dancers, Tate Modern, 25 Sep-1 Apr 2026; Ed Atkins, Tate Britain, London, 2 Apr-25 Aug; Turner and Constable, Tate Britain, 27 Nov-12 Apr 2026; British Museum: Hiroshige, 1 May-7 Sep; Watteau and Circle, 15 May-14 Sep; Ancient India, 22 May-12 Oct; Kerry James Marshall, Royal Academy of Arts, London, 20 Sep-18 Jan 2026; Kiefer/Van Gogh, Royal Academy, 28 Jun-26 Oct; Anselm Kiefer, Ashmolean Museum, Oxford, 14 Feb-15 Jun; Anselm Kiefer, Van Gogh Museum, Stedelijk Museum, Amsterdam, 7 Mar-9 Jun; Cimabue, Louvre, Paris, 22 Jan-12 May; Black Paris, Centre Pompidou, Paris, 19 Mar-30 Jun; Machine Love, Mori Art Museum, Tokyo, 13 Feb-8 Jun Hosted on Acast. See acast.com/privacy for more information.
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this week's Episode, Emily features artist Carrie Ann Plank. Originally inclined towards a medical career, Carrie Ann found her true calling in printmaking. Her work, which combines science and art, is showcased in multiple renowned collections, including the Fine Arts Museums of San Francisco and the Library of Congress. Her latest exhibition, 'Cacophony' at Jonathan Carver Moore, visualizes sound through layered prints. Carrie Ann discusses her process, inspiration from scientific data, and collaboration with scientists. About Artist Carrie Ann Plank:Carrie Ann Plank is a San Francisco based artist working in installation, printmaking, and painting. Focusing on layers of sophisticated geometry, Plank examines the space of intersecting patterns to describe new structures. The work utilizes mathematical equations to create multiple overlapping impressions that reveal additional distinct pattern formations. The resulting forms are space in between, the intercession, of concrete data.Carrie Ann's work is included in multiple collections including the Fine Art Archives of the Library of Congress, Fine Art Museums of San Francisco, Achenbach Foundation for Graphic Arts, the Guanlan Print Art Museum in China, Museum Meermanno in The Hague, Netherlands and Museo Nacional de Bellas Artes, Havana, Cuba. Residencies include Black Church Print in Dublin Ireland, KALA in Berkeley, CA, Konstnärernas Kollektiva Grafikverkstad in Malmö, Sweden, Local Language, Oakland, CA, Taller Experimental de Gráfica de La Habana in Havana, Cuba, the Íslensk Grafík in Reykjavik, Iceland, Edition/Basel in Basel, Switzerland, Mullowney Printing in San Francisco, CA, Haystack Mountain School of Craft in Deer Isle, ME, and Bullseye Glass in Emeryville, CA. Additionally, Plank has had a 20 year teaching career before devoting herself solely to her artist practice in 2018. Plank is active in the Bay Area arts community serving on boards and committees such as Root Division, California Society of Printmakers, and Art for AIDS. She is also a 2024 SECA nominee.Visit Carrie Ann's Website: CarrieAnnPlank.comFollow Carrie Ann on Instagram: @CarrieAnnPlankLearn more about Carrie Ann's exhibit "Cacophony" at Jonathan Carver Moore - CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
This week we talk about a big staff shake-up at SFMOMA. We also talk about gallery work annoyances, break-ins, and a couple thoughts for the new year.The music in this episode is from Mixtape for Palestine Hosted on Acast. See acast.com/privacy for more information.
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This week, we are replaying a conversation from December 2023, as our final drop of the year. It features Emily chatting with artist Rupi C. Tut, whose work focuses on capturing the stories of women like herself and her family. Rupy shares her journey from moving to the U.S. from India, studying pre-med at UCLA, to deciding to pursue art and successfully exhibiting her work in renowned museums, such as the De Young Open and the Institute of Contemporary Art in San Francisco. Rupy discusses her dedication to portraying everyday heroism, belonging, and cultural identity through her art, emphasizing the importance of representation and the significant influence of her background in her creative process. The episode also highlights her training in Pahati painting and her latest show, 'Out of Place,' reflecting on the broader impact of her work on diverse audiences.Rupy is a recent 2024 SECA Art Award recipient, and her work is currently being featured at the SFMOMA with other SECA Award winners. Art is Awesome will return on January 1st with brand new Episodes, featuring artists Carrie Ann Plank and Tricia Rainwater.About Artist Rupy C. Tut:Rupy C. Tut is a painter dissecting historical and contemporary displacement narratives around identity, belonging, and gender. As a descendant of refugees and a first generation immigrant, Rupy's family narrative of movement, loss, and resilience is foundational to her creative inquiries. Tut's artistic practice expands, innovates, and reframes the traditions of Indian miniature painting. She mixes her own pigments and turns to hemp paper and linen to contend and make visible one's place in the world. Rupy C. Tut lives and works in Oakland, California. Her work has been presented through exhibitions and talks at the de Young Museum, San Francisco; Asian Art Museum, San Francisco; London City Hall; Stanford University; The Peel Art Gallery and Museum Archives, Toronto; a solo exhibition Rupy C. Tut: A Recipe for Brown Skin at the Triton Museum of Art, Santa Clara; and a solo exhibition Rupy C. Tut: Search and Rescue at Jessica Silverman, San Francisco. Rupy C. Tut is represented by Jessica Silverman.Visit Rupy's Website: RupyCTut.comFollow Rupy on Social Media: @RupyCTutFor more on Rupy's SECA Art Award Exhibit at SFMOMA, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
In this episode we speak with Hypersonic Founder Bill Washabaugh. Hypersonic is a Brooklyn based studio that designs and creates groundbreaking new media sculptures and physical installations. We discuss the process of creating an installation for the SFMOMA, how he thinks AI will help artists, and what it takes to build a financially sustainable studio. You can view Hypersonic's work at https://www.hypersonic.cc/ If you like this episode, please subscribe. Reviewing the podcast also helps us get the word out to more people. You can provide feedback, ask questions, or provide guest suggestions at artrobotdeath@gmail.com
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode Emily features Lorraine Woodruff-Long, a textile artist from San Francisco who turned to quilting after losing her job during the pandemic. Lorraine's work, rich in cultural heritage and social commentary, gained recognition when her piece was featured in the deYoung Open. She discusses her inspiration, including the iconic 'Quilts of Gee's Bend,' her use of text in quilts, and her focus on issues like gun violence and climate change. Lorraine's journey to becoming a quilter and her passion for teaching are also highlighted. Lorraine also shares her thoughts on being an artist, influential works, and her favorite creative spot in San Francisco.About Artist Lorraine Woodruff-Long:Lorraine Woodruff-Long is a self-taught San Francisco quilter with a primary focus on color, improvisation, and recycled/repurposed fabrics. Raised in Houston, and educated at University of Texas/Austin, Lorraine served in Peace Corps Kenya and afterwards moved to California as a “bucket list” dream to temporarily experience living in a progressive urban city. She fell in love with San Francisco and never left. After a career in marketing and advertising, Lorraine later worked in the nonprofit sector while raising two city kids with her architect husband before spring boarding into a fiber art practice prompted by the pandemic.Lorraine's work has been juried into art exhibitions at the de Young Museum/San Francisco, the California Heritage Museum/Santa Monica, the Sanchez Art Center/Pacifica, Muzeo Museum & Cultural Center/Anaheim, TAG Gallery/Los Angeles the Drawing Room/San Francisco, and the San Francisco Women Artists Network Gallery. She has received numerous awards for her quilts at local, national and international quilt shows. Quilt exhibitions include the International Quilt Festival/Houston, QuiltCon, the Pacific International Quilt Festival, Visions in Cloth, and Quilt San Francisco among others. Lorraine is a member of the Modern Quilt Guild, San Francisco Quilt Guild, Studio Art Quilt Associates (SAQA), East Bay Heritage Quilters, ArtSpanSF, Northern California Women's Caucus for Art, and a volunteer with the Social Justice Sewing Academy Remembrance Project. Her work is included in the 2021 book, “Stitching Stolen Lives: The Social Justice Sewing Academy Remembrance Project.”She currently teaches quilting at City College of San Francisco Extension and SCRAP-SF and teaches quilting workshops online and to guilds around the country.Visit Lorraine's Website: QuiltingInTheFog.comFollow Lorraine on Instagram: @QuiltingInTheFogAnd for more on Lorraine's Exhibit at St Joseph's Arts Society, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
In this episode of Bad at Sports, we sit down with Chicago-based artist and sculptor Betsy Odom, whose work uniquely blends high craftsmanship with intentional moments when the craft fails. Odom's sculptures often serve as playful critiques of mass cultural phenomena, gendered objects, and sporting culture, creating pieces that are both visually stunning and conceptually layered. With a deep fascination for sports culture and the ways it intersects with identity and gender, Odom's work delights in crafting objects that are as charmingly imperfect as they are thoughtful. These "flawed" sculptures often act as queer-ed interpretations of familiar items, inviting us to question the norms surrounding them. We discuss Betsy's approach to materials, her exploration of identity through sculpture, and how humor and subversion play key roles in her work. https://www.sfmoma.org/exhibition/get-in-the-game/ https://www.betsyodom.com/
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Troy Lamarr Chew II, a talented painter with an ongoing exhibition at San Francisco's Altman Siegel gallery. Troy pursued his passion for art, eventually studying at the California College of the Arts and receiving a prestigious residency at the Headlands Center for the Arts. His recent work explores invisibility, inspired by his time as an Uber driver. His work can be seen in notable museums and galleries. Troy discusses his artistic journey, influences, and unique approach to language and representation in his art.About Artist Troy Lamarr Chew II :Troy Lamarr Chew II explores the legacy of the African Diaspora and its reverberations throughout American culture. His work looks methodically at systems of coded communication and how this is translated and mistranslated both within the Diaspora and the mainstream.Chew's rich artistic visual language draws inspiration largely from Black culture and its history. A highly skilled realist, inspired by European painting techniques, Chew uses these art historical traditions to reframe their exclusion of Blackness. In his Out the Mud series, hand dyed and sewn cloths from West Africa are replicated in a trompe l'oeil fashion, their patterns “torn” away to reveal portrayals of contemporary Black culture and resistance. In another series, Slanguage, the artist paints Flemish style vanitas picturing everyday objects, coded in hip-hop lexicon. His Three Crowns series explores the social history of cosmetic dentistry and the use of grills in hip-hop culture. The artist's lush and luminous oil paintings embody the energy of this infinitely re-mixed yet deeply rooted genre.In 2020, Chew was awarded the prestigious Tournesol Residency at Headlands Center for the Arts after becoming a Graduate Fellow from California College of the Arts, San Francisco in 2018. Solo exhibitions include The Roof is on Fire, Altman Siegel, San Francisco, CA (2022), Yadadamean, CULT Aimee Friberg Exhibitions, San Francisco, CA (2020); Fuck the King's Horses and all the King's Men, Parker Gallery, Los Angeles, CA (2020); WWJZD, Cushion Works, San Francisco, CA (2019) and Stunt 101, Guerrero Gallery, San Francisco, CA (2019). Recent group exhibitions include Walk Against the Wind, Micki Meng and Parker Gallery, New York, NY (2023); The Culture: Hip Hop and Contemporary Art in the 21st Century, The Baltimore Museum of Art, Baltimore, MD (2023); Imperfect Paradise, Barbati Gallery, Venice, Italy (2023); Continuum, presented by the Kinsey African American Art & History Collection and Residency Art Gallery at Sofi Stadium, Inglewood, CA (2022-2023); I Yield My Time. Fuck You!, Altman Siegel, San Francisco (2020); California Winter, organized in collaboration with Hannah Hoffman at Kristina Kite Gallery, Los Angeles, CA (2019), Vanguard Revisited, San Francisco Art Institute, San Francisco, CA (2019), Graduation, Good Mother Gallery, Oakland, CA (2019) and Black Now(here), Museum of the African Diaspora, San Francisco, CA (2018). His work is included in the collections of the Kadist Foundation and the San Francisco Museum of Modern Art.See more of Troy's work at the Altman Siegel Gallery HERE. Follow Troy on Instagram: @troylamarrchewthesecondTroy at the Parker Gallery CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
The Context of White Supremacy hosts live election night coverage of the tussle for the White House. Gus predicted the return of Donald J. Trump, but VP Kamala Harris may surprise Gus. We'll see if non-white listeners voted or if folks have read anything about violence related to the election in their part of the world. During the course of the broadcast, we learned that Florida rejected recreational cannabis. Governor Ron Desantis beamed with pride. Gus attempted to avoid the hoopla of the day by hiding out at the San Francisco Museum of Modern Art. Their 7 floors of paintings, sculptures and photographs includes dozens of works that deal directly with the System of White Supremacy. Gus was especially impressed with the brilliance of Ernie Barnes and Robert Colescott - two black male painters. However, Gus was stunned to learn that SFMOMA is an election voting center - probably because of its central location easy access. This made Gus a lot more anxious about being on the premises with the threat of White electoral violence. #SkylerPhilippi #FourMoreYearsOfTrump #TheCOWS15Years INVEST in The COWS – http://paypal.me/TheCOWS Cash App: https://cash.app/$TheCOWS CALL IN NUMBER: 605.313.5164 CODE: 564943#
Ep.220 Jake Troyli (b.1990, Boston, MA) received his BFA from Lincoln Memorial University, Harrogate, TN (2013), where he played Division 1 basketball, his MFA from the University of South Florida, Tampa(2019), and attended the Skowhegan School of Painting and Sculpture, ME (2019).Solo exhibitions include moniquemeloche. Chicago, IL (2024/2022); Tempus Projects, Tampa, FL (2018); and ArtsXchange, St. Petersburg, FL. (2018). Troyli's work has been featured in group exhibitions at Perrotin Gallery, New York, NY (2024); Galerie Droste, Düsseldorf, DE (2024);Milwaukee Art Museum, Milwaukee, WI (2023-24); Everson Museum, Syracuse, NY(2023); Galerie Droste, Paris, FR (2021); The Ringling Museum, Sarasota, FL(2021); Contemporary Art Museum, Tampa, FL (2019); San Francisco Art Institute, CA (2018). Troyli's work will be included in the group exhibition Get in the Game: Sports, Art, Culture, curated by Jennifer Dunlop Fletcher, Seph Rodney, and Katy Siegel, at SF MoMA, which travels to the Crystal Bridges Museum of American Art and the Pérez Art Museum Miami and will be accompanied by a scholarly publication. He will have his first solo museum exhibition at the Museum of Fine Arts, St. Petersburg, FL, in 2026. His work is in the permanent collections of the Tampa Art Museum, Tampa, FL; the Ringling Museum, Sarasota, FL; the Nerman Museum of Contemporary Art, Overland Park, KS; and Pierce and Hill Harper Arts Foundation, Detroit, MI. He is the recipient of the Provincetown Fine Arts Fellowship (2019 2020) and the Creative Pinellas Emerging Artist Grant, Largo, FL (2017). Troyli was a 2023 Visual Artist recipient of the Academy of Fine Arts x International City of Arts program in Paris, France. He is resident at Project for Empty Space in Newark, NJ. Photo courtesy of the artist and Monique Meloche Gallery. Photographer Raphael Lugassy Artist - https://www.jaketroyli.com/ moniquemeloche - https://www.moniquemeloche.com/artists/48-jake-troyli/biography/ Perrotin https://leaflet.perrotin.com/view/898/light-of-winter Galerie Droste https://www.galeriedroste.com/exhibitions/92-reading-the-language-of-images-jammie-holmes-andrew-schoultz-jake-troyli/overview/ Newcity https://art.newcity.com/2024/10/15/a-bloodline-through-the-histories-a-review-of-peter-and-jake-fagundo-at-m-leblanc/ NYTimes https://www.nytimes.com/2024/10/18/arts/sfmoma-exhibit-sports-art.html ARTnews https://www.artnews.com/art-news/news/for-freedoms-activates-art-installations-democratic-national-convention-chicago-1234714497/ WBEZ | NPR https://www.wbez.org/arts/2024/07/22/jake-troyli-artist-chicago-mural-dnc-democratic-national-convention-art Cité internationale des arts https://www.citedesartsparis.net/en/jake-troyli Chicago Sun Times https://chicago.suntimes.com/murals-mosaics/2024/07/26/chicago-murals-jake-troyli-dnc-democratic-national-convention-skyart-east-garfield-park Chicago Gallery News https://www.chicagogallerynews.com/news/2024/8/anticipating-a-season-of-art-five-to-talk-to-jake-troyli White House Magazine https://whitehotmagazine.com/articles/slow-clap-at-monique-meloche/5358It's Nice That https://www.itsnicethat.com/articles/jake-troyli-art-170222 Chicago Reader https://chicagoreader.com/arts-culture/jake-troyli-contains-multitudes/ Mana Contemporary https://www.manacontemporary.com/jake-troyli/ Kavi Gupta https://kavigupta.com/artworks/10328-jake-troyli-portrait-of-the-artist-with-hors-doeuvre-2020/ The Province Town Independenthttps://provincetownindependent.org/arts-minds/2020/03/12/show-and-tell-with-jake-troyli/ The TRiiBE https://thetriibe.com/2022/04/painter-jake-troyli-invites-us-into-the-spectacle-of-black-skin-at-expo-chicago/
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily features a conversation with writer and art historian Bridget Quinn. Bridget discusses her latest book 'Portrait of a Woman,' which delves into the life of Adelaide Le Béliard, a pioneering 18th-century artist. She shares her journey of discovering Adelaide's work, her challenges in a male-dominated Royal Academy, and her rivalry with Marie Antoinette's painter, Elisabeth Vigée Le Brun. The episode also includes an exploration of how art and letters were used to reconstruct Adelaide's story and a touching discussion of how Bridget's own experiences shaped her writing. This episode highlights essential themes of art, feminism, rivalry, and the force of Adelaide's will against significant odds.About Author Bridget Quinn:Bridget Quinn is author of the books She Votes: How U.S. Women Won Suffrage, and What Happened Next, an Amazon Editors' pick for Best History books 2020, and the award-winning Broad Strokes: 15 Women Who Made Art and Made History (in That Order), an Amazon pick for Best Art & Photography Books 2017 and a 2018 Amelia Bloomer List selection of recommended feminist literature from the American Library Association. Translated into four languages, in 2018 Broad Strokes was a national finalist for best art book of the year in Ukraine. NPR's Susan Stamberg calls it “a terrific essay collection” with “spunky attitudinal, SMART writing,” marking the second time “attitudinal” has been used about her work (first: Kirkus 1996). Her current book is Portrait of a Woman: Art, Rivalry & Revolution in the Life of Adélaïde Labille-Guiard, more than thirty years in the making.Raised on the high plains of Montana with six brothers, two sisters, a devout and sporty mother and a WWII Marine-turned-lawyer father, in a home surrounded by cows and nuclear missile silos, she's lived since in Norway, New York, Oregon and California. She's taught art history, history and writing for more than two decades; worked in museums and for galleries and private collections; worked at climbing gyms on both coasts, and was a researcher for the first several ESPN X Games, covering rock climbing, ice climbing, BMX freestyle and downhill mountain biking.A graduate of New York University's Institute of Fine Arts and a regular contributor to online arts magazine Hyperallergic, she's a nationally sought-after speaker on women and art. She is a contributing editor to On the Seawall, and the former co-host of The GrottoPod: Writers on Writing. An avid sports fan and Iron(wo)man triathlete, her Narrative magazine essay “At Swim, Two Girls” was included in The Best American Sports Writing 2013. She lives in the San Francisco Bay Area with her family, dogs, and hella bikes.Visit Bridget's Website: BridgetQuinnAuthor.comFollow on Instagram: @BQuinnterestLearn more about and purchase Portrait of a Woman - CLICK HERE--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This week, Emily features photographer Chloe Sherman, who shares her journey from Portland to San Francisco and her role in capturing the queer community of the 90s. Chloe's work, which portrays a time when the city's rents were affordable and its social spots thriving, has been exhibited internationally and highlighted in a well-received book. The episode also details how Chloe's daughter's social media efforts during the pandemic brought greater visibility to her art. The conversation delves into Chloe's inspirations, daily routines, and creative influences, with a mention of her show 'Renegades' at the Leica store in San Francisco. About Artist Chloe Sherman:Chloe Sherman (b. 1969, New York) is a San Francisco-based fine art photographer known for her vibrant portraits of queer life in San Francisco during the 1990s. As a vehement visual chronicler, Sherman captures an intimacy and vibrancy that brings a unique subculture to life, even decades later. Sherman received her degree in fine art photography from the San Francisco Art Institute in 1999, during which time she began documenting a generation of young self-identified Queers. The community became family, and she reveled in their collective creativity, support, pride, and their strident defiance of cultural norms. This was the catalyst for an entire body of work that would go on to be recognized and shown internationally. Sherman's photographs, all shot on 35mm film, offer a window into an era of defiance, freedom, resilience, and tenderness, shedding light on the energy of San Francisco at a time when it was brimming with possibility. Her images are a throughline, anchoring viewers to a moment in Queer history and immortalizing moments of gender experimentation and joy.Her work has been exhibited internationally, including at F³ Freiraum für Fotografie (Berlin), Schlomer Haus Gallery (San Francisco), Kunsthalle Nürnberg (Nuremberg), Leica San Francisco, and The Diego Rivera Gallery (San Francisco). She has been published extensively in Nothing But the Girl (ed. Susie Bright and Jill Posner; 1996), RESEARCH: Angry Women in Rock (Juno Books; 1996), Out In America (Viking Press; 1994), Rolling Stone Magazine, Interview Magazine, Deneuve, the Advocate, and the New Yorker. Sherman's work is a part of the permanent collections at The National Gallery of Art, SF MOMA, and those of private collectors. In 2023, Hatje Cantz Verlag published a monograph of her work, Renegades: San Francisco – 1990s. Visit Chloe's Website: ChloeShermanStudio.comFollow Chloe on Instagram: @ChloeDShermanLearn more about her Renegades exhibit at Leica Store San Francisco, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
San Francisco author/former Chief of Police Brian Brady talks about his latest release “Hiding in Plain Sight” opening at a school playground where a serial killer shadows a girl he wants to abduct, but when the body is discovered it's a race against time as the SF Homicide is split into two squads before the killer strikes again! Brian served 40+ years in the security field with 4 police departments, 3 private sectors including VP of Security, Chief Security Officer at NBC Universal Media, and Dir. Of Security at SF Museum of Modern Art, and is the author of the SFPD Homicide Inspector Series including “Ohh, What a Tangled Web” plus talks about why TV homicide shows get it wrong, how they stopped a serial killer after his first kill, and the various serial killers including the Zebra Killer, Night Stalker, Zodiac Killer and The L.A. Strangler! Check out the amazing Brian Brady and his latest release on all major platforms including Amazon! #brianbrady #sanfrancisco #chiefofpolice #author #hidinginplainsight #SFhomicide #nbcuniversalmedia #security #SFMOMA #ohhwhaatatangledweb #serialkiller #zebrakiller #zodiackiller #nightstalker #lastrangler #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnerbrianbrady #themikewagnershowbrianbrady --- Support this podcast: https://podcasters.spotify.com/pod/show/themikewagnershow/support
San Francisco author/former Chief of Police Brian Brady talks about his latest release “Hiding in Plain Sight” opening at a school playground where a serial killer shadows a girl he wants to abduct, but when the body is discovered it's a race against time as the SF Homicide is split into two squads before the killer strikes again! Brian served 40+ years in the security field with 4 police departments, 3 private sectors including VP of Security, Chief Security Officer at NBC Universal Media, and Dir. Of Security at SF Museum of Modern Art, and is the author of the SFPD Homicide Inspector Series including “Ohh, What a Tangled Web” plus talks about why TV homicide shows get it wrong, how they stopped a serial killer after his first kill, and the various serial killers including the Zebra Killer, Night Stalker, Zodiac Killer and The L.A. Strangler! Check out the amazing Brian Brady and his latest release on all major platforms including Amazon! #brianbrady #sanfrancisco #chiefofpolice #author #hidinginplainsight #SFhomicide #nbcuniversalmedia #security #SFMOMA #ohhwhaatatangledweb #serialkiller #zebrakiller #zodiackiller #nightstalker #lastrangler #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnerbrianbrady #themikewagnershowbrianbrady --- Support this podcast: https://podcasters.spotify.com/pod/show/themikewagnershow/support
San Francisco author/former Chief of Police Brian Brady talks about his latest release “Hiding in Plain Sight” opening at a school playground where a serial killer shadows a girl he wants to abduct, but when the body is discovered it's a race against time as the SF Homicide is split into two squads before the killer strikes again! Brian served 40+ years in the security field with 4 police departments, 3 private sectors including VP of Security, Chief Security Officer at NBC Universal Media, and Dir. Of Security at SF Museum of Modern Art, and is the author of the SFPD Homicide Inspector Series including “Ohh, What a Tangled Web” plus talks about why TV homicide shows get it wrong, how they stopped a serial killer after his first kill, and the various serial killers including the Zebra Killer, Night Stalker, Zodiac Killer and The L.A. Strangler! Check out the amazing Brian Brady and his latest release on all major platforms including Amazon! #brianbrady #sanfrancisco #chiefofpolice #author #hidinginplainsight #SFhomicide #nbcuniversalmedia #security #SFMOMA #ohhwhaatatangledweb #serialkiller #zebrakiller #zodiackiller #nightstalker #lastrangler #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnerbrianbrady #themikewagnershowbrianbradyBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-mike-wagner-show--3140147/support.
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with painter Amrita Singhal, known for her vibrant oil paintings and the Rama Prayer mural in Berkeley. Amrita discusses her background, growing up in a culturally rich city in India, and how her former career as a tax lawyer enriched her artistic practice. After leaving law due to health issues, Amrita pursued painting, finding her voice in oil paints. Her work often explores themes of spirituality, with influences from Giotto and Matisse, and she creates immersive virtual reality experiences based on spiritual practices. Amrita also shares her inspirations and favorite places in the Bay Area. About Artist Amrita Singal:Amrita Singhal is based in Berkeley, California. She had the good fortune to study drawing and art history with the brilliant and reclusive painter Louise Smith who was a contemporary of the Bay Area Abstract Expressionists (Diebenkorn, Park, Bischoff et al.) and a one time student of Hans Hoffman, Erle Loran and Margaret Peterson O'Hagan. Two of Amrita's paintings are in the permanent collection of the UC Berkeley Art Museum (BAM). She has painted a Berkeley Public Works Art mural for Meyer Sound and regularly exhibits her work in solo and juried group shows. Amrita is currently producing one of her painting series in virtual reality and as an immersive exhibit.Visit Amrita's Website: AmritaSinghal.comFollow on Instagram: @AmritaSinghalStudioCLICK HERE to check out the Rama Mural in Berkeley. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
On this episode of Below the Radar, we're joined by Miwa Matreyek, an animator, designer, performer and Assistant Professor in Theatre Production and Design at SFU's School for the Contemporary Arts. Am and Miwa discuss how she got into making interdisciplinary artwork and some of her recent projects that combine animation and live performance. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/252-miwa-matreyek.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/252-miwa-matreyek.html Resources: Miwa Matreyek: https://miwamatreyek.com/ SFU Theatre Production and Design: https://www.sfu.ca/sca/programs/theatre-production---design.html Infinitely Yours: https://miwamatreyek.com/#/infinitelyyours/ Cloud Eye Control: https://www.latimes.com/entertainment/arts/la-et-cloud-eye13-2009oct13-story.html Bio: Miwa Matreyek is an animator, designer, and performer. Coming from a background in animation, Matreyek creates live, interdisciplinary performances that integrate projected animations at the intersection of cinematic and theatrical, fantastical and physical, and the hand-made and digital. Her work exists in a dreamlike visual space that makes invisible worlds visible, often weaving surreal and poetic narratives of conflict between humanity and nature as embodied performed experiences. She has presented her work internationally, including animation/film festivals, theater/performance festivals, art museums, science museums, tech conferences, and universities. A few past presenters include TED, MOMA, SFMOMA, New Frontier at Sundance Film Festival, PUSH festival, Lincoln Center, Walker Art Center, and many more. Her newest solo piece, Infinitely Yours, was awarded the grand prize for Prix Arts Electronica's Computer Animation category. She is a 2013 Creative Capital award recipient. She is the co-founder and core collaborator of Cloud Eye Control. Cite this episode: Chicago Style Johal, Am. “Infinitely Yours — with Miwa Matreyek.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, October 1, 2024. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/252-miwa-matreyek.html.
Architect and theorist Jimenez Lai was born in Taiwan, grew up in Canada, and lives in Los Angeles. He holds the Robert Gwathmey chair at Cooper Union, and is the director of architecture agency Bureau Spectacular. Before establishing Bureau Spectacular, Lai lived in a desert shelter at Taliesin and resided in a shipping container at Atelier Van Lieshout on the piers of Rotterdam. Lai's first book, Citizens of No Place: An Architectural Graphic Novel, was published by Princeton Architectural Press with a grant from the Graham Foundation. Lai has won various awards, including the Architectural League Prize for Young Architects, the Debut Award at the Lisbon Triennale, and the Designer of the Future at Art Basel. Lai represented Taiwan at the 14th Venice Architecture Biennale. Lai's work is in the permanent collection of MoMA, SFMOMA, Art Institute of Chicago, and LACMA.Jimenez Lai's Instagram (look at his great hair!) https://www.instagram.com/0super/Bureau Spectacular https://bureau-spectacular.net/Wikipedia https://en.wikipedia.org/wiki/Jimenez_Lai This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit theclusterftheory.substack.com
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Sculptor & Fiberworks Center founder Gyöngy Laky...Ging shares her incredible journey from being a refugee from Hungary to becoming a pivotal figure in textile arts. She talks about her initial inspiration, work at Fiberworks Center, and a teaching stint at UC Davis. Ging also discusses how her experiences and background influenced her unique approach to textiles, incorporating natural materials and cultural anthropology insights. The episode concludes with Ging reflecting on her artistic milestones and the significant impact of the Bay Area's creative environment.About Artist Gyöngy Laky:Gyöngy Laky's sculptural forms are exhibited in museums and galleries throughout the United States. Internationally, her work has been included in exhibitions in Canada, Denmark, Sweden, England, Holland, Spain, Germany, Hungary, Poland, Lithuania, Switzerland, France, Belgium, Italy, Columbia, Philippines, Japan and China. Laky has participated in the US Federal Art in Embassies Program in Bangkok, Thailand; NATO, Brussels, Belgium; and Poland. In addition to one-person exhibitions in the U.S., she has had solo exhibitions in England, Denmark, Hungary and Spain. She is also known for her outdoor site-specific installations which have occurred in the US, Canada, England, France, Austria, Bulgaria and Italy.A past recipient of a National Endowment for the Arts grant, Award of Distinction, 11th International Triennial of Tapestry, Central Museum of Textiles, Lodz, Poland; and Award for Artistic Excellence, Women in the Arts, The Women's Foundation, San Francisco, CA, Laky was also one of the first textile artists to be commissioned by the Federal Art-in-Architecture Program. Her work is in many permanent collections including the San Francisco MOMA, The Smithsonian's Renwick Museum of American Art, the Philadelphia Museum of Art, the Oakland Museum, the Contemporary Museum in Honolulu and others (see “Collections”). In 2002-03, she was one of a team of three to develop a comprehensive Arts Master Plan for the new state-of-the-art, US Federal Food and Drug Administration campus being built in Maryland. In 2003, a book, “Portfolio Series: Gyöngy Laky,” was published by Telos Arts Publishing, UK, and the Bancroft Library at UC, Berkeley, released her oral history. Her personal papers are in the Smithsonian Institution‘s Archives of American Art, Washington, DC. Laky's art has appeared in numerous books, magazines and catalogs in the US and abroad. April 2008, the New York Times Magazine commissioned her to create titles for its environmental issue (the titles received an award from the Type Directors Club).Laky was born in Budapest, Hungary, in 1944 and emigrated to the United States as a small child. She graduated from Carmel High School and completed undergraduate and graduate studies at the University of California, Berkeley (1967-1971). Postgraduate work followed with the UC Professional Studies Program in India. Upon her return, she founded the internationally recognized Fiberworks, Center for the Textile Arts, in Berkeley, with accredited undergraduate and graduate programs. As of 2005, Laky is Professor Emeritus of UC, Davis, (chair, Dept of Art mid-1990s). She joined the faculty at UCD in 1978 and soon after initiated establishing the independent Department of Environmental Design. In the early 1990's she developed a graduate program.Visit Gyöngy's Website: GyongyLaky.comFollow on Instagram: @Gyongy.LakyFor more about Fiberworks Center for Textile Arts, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Ceramic Sculptor Wanxin Zhang...Wanxin discusses his journey from studying art in China, his move to America, and the influence of prominent Bay Area artists on his work. He shares how artists like Robert Arneson and Viola Frey helped shift his perception of ceramics from craft to fine art. Wanxin's sculptures, which blend historical references with contemporary culture, are showcased in several prestigious museums and galleries. He recounts his early inspiration from his mother and the pivotal moment he decided to move to the U.S. Wanxin also talks about how changing his medium from metal to clay allowed him to express his identity and cultural heritage more profoundly.About Artist Wanxin Zhang:Wanxin Zhang was born and educated in China. He graduated from the prestigious LuXun Academy of Fine Art in Sculpture in 1985. In 1992, after Zhang established his art career as a sculptor in China, he relocated to San Francisco with his family and received his Master in Fine Arts from the Academy of Art University. Zhang had been on the faculty of the Academy of Art University, Department of Art Practice at University of California, Berkeley and California College of The Art in Oakland, and the San Francisco Art Institute. Zhang's sculptures represent a marriage between historical references and a contemporary cultural context; they carry messages of social and political commentary. His work is deeply influenced by the Bay Area figurative movement and artists such at Peter Voulkos and Stephen De Staebler. As a studio sculptor and educator, Zhang was the first place recipient of the Virginia A. Groot Foundation Grant in 2006 and the Joan Mitchell Grant in 2004. His sculptures have been shown in San Francisco, Santa Fe, Miami, Seattle, Palm Desert and New York City. In 2007, his pieces were part of the 22nd UBE Sculpture Biennial in Japan; in 2008, his sculpture was selected by the Taipei Ceramics Biennial in Taiwan; and in 2013, he was part of the Da Tong's 2nd International Sculpture Biennial in China. Zhang had his first solo art museum show at the University of Wyoming Art Museum in 2006, with solo museum exhibitions following at the Arizona State University Art Museum, Boise Art Museum in Idaho, Fresno Art Museum in California, The Alden B. Dow Museum of Science & Art in Michigan, Bellevue Arts Museum in Washington, and Holter Museum of Art in Montana. His works have been selected to be included in Confrontational Ceramics by Judith Schwartz, and can be found in major art magazines such as "Art News," "Art in America," "Sculpture," and "American Ceramics." Zhang has many public collections, and his private collectors are located both nationally and internationally. In 2012, the San Francisco Chronicle picked Zhang's exhibition at the Richmond Art Center to be one of the Top 10 Exhibitions in the San Francisco Bay Area.Visit Wanxin's Website: WanxinZhang.comFollow Wanxin on Instagram: @WxZhang25For more about M is for Water at the di Rosa Center for Contemporary Art in Napa, CLICK HERE. For more about the Spirit House exhibition at Stanford University, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This week, we're taking an end of Summer break and revisitng a 2022 interview with Oakland painter Esteban Samayoa. Esteban shares his artistic journey starting from childhood, his growth in Oakland, and his diverse body of work. The discussion covers exhibitions featuring outdoor charcoal drawings, vibrant color paintings reflecting his Mexican and Guatemalan heritage, and installations exploring his recent conversion to Islam. Esteban emphasizes breaking barriers for artists of color, portraying community life, and highlighting the beauty of family and friends in his art. Emily also mentions the upcoming episodes and exhibitions featuring various artists.About Artist Esteban Samayoa:Esteban Raheem Abdul Raheem Samayoa grew up in Sacramento and started drawing when he was three years old. His only formal art class was at Sacramento City College, where a teacher showed him how to use charcoal, which became his favorite medium. A few years ago, to push himself, Esteban moved to Oakland. One gallery offered him a show, then another, and now he has a solo show at Pt 2 gallery, Ain't No Dogs in Heaven. Visit Esteban's Work and Pt.2 Gallery by CLICKING HERE. Follow Esteban on Instagram: @wulffvnkyFollow Pt.2 Gallery on Instagram: @pt.2gallery--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with BAMPFA Chief Curator Margot Norton. In this Episode, Margot discusses her background, including her move from New York to Berkeley and her previous roles at the Whitney Museum and the New Museum. She describes an upcoming exhibition titled 'To Exalt the Ephemeral,' which focuses on impermanent art. She shares the transformative potential of museums, her inspiration from artists like Pepón Osorio and Eva Hesse, and her experience working with UC Berkeley students. The exhibition highlights experimental materials, memory, photography, and ends with a video installation by Joan Jonas. Then of course, "Three Questions" with Margot sharing her curatorial career and inspirations.About Curator Margot Norton:Margot Norton is the Chief Curator at the Berkeley Art Museum and Pacific Film Archive (BAMPFA). She is formerly the Allen and Lola Goldring Senior Curator at the New Museum, New York. She organized the 2021 New Museum Triennial Soft Water Hard Stone, co-curated with Jamillah James. Norton joined the New Museum in 2011 and has worked on a number of exhibitions, curating and cocurating presentations by Carmen Argote, Diedrick Brackens, Sarah Lucas, Lynn Hershman Leeson, Pipilotti Rist, Mika Rottenberg, Bárbara Wagner and Benjamin de Burca, and Kaari Upson, among others. In 2017, she curated the Eighth Sequences Real Time Art Festival in Reykjavik, Iceland, and the Georgian Pavillion at the 2019 Venice Biennale with artist Anna K.E.. Before she joined the New Museum in 2011, Norton worked as a curatorial assistant at the Whitney Museum, New York. She has contributed to and edited numerous publications and exhibition catalogues, and regularly lectures on contemporary art and curating. She holds an MA in Curatorial Studies from Columbia University, New York.Find more from Margot HERE. Follow Margot on Instagram: @MargotNortonTo learn more about BAMPFA's Exhibit, "To Exalt the Ephemeral" CLICK HERE. --About Podcast Host Emily Wilson:Emily is a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
Caroline A. Jones is Professor in the History, Theory, and Criticism section, Department of Architecture, MIT. She studies modern and contemporary art, focusing on its technological modes of production, distribution, and reception, and on its interface with science. She has also worked as a curator, including three exhibitions at MIT's List Visual Arts Center: Hans Haaken, Video Trajectories, and Sensorium. Her exhibitions and/or films have been shown at NY MoMA, SF MoMA, the Hirshhorn DC, and the Hara Museum Tokyo, among other venues. Publications include Machine in the Studio (1996/98), Picturing Science, Producing Art (co-editor, 1998), Sensorium (editor2006), Eyesight Alone (2005/08), Experience (co-editor, 2016) and The Global Work of Art(2016).Caroline is currently working on the most important and radically original project on Symbiontics. Caroline's faculty page: https://architecture.mit.edu/people/caroline-jonesMore on Symbiontics: https://brooklynrail.org/2020/07/criticspage/Symbiontics-a-view-of-present-conditions-from-a-place-of-entanglementhttps://listart.mit.edu/exhibitions/symbionts-contemporary-artists-biospherehttps://mitpress.mit.edu/9780262544481/symbionts/The Cluster F Theory Podcast is edited by Julian Mayers at Yada Yada https://www.yada-yada.net/. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit theclusterftheory.substack.com
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. On this Episode, Emily chats with Alma Landeta, an artist whose work centers on queer and trans representation. Alma shares their background, including their education at the Maryland Institute, their move to Oakland, and current residency at the Palo Alto Art Center. They discuss their unique approach to portraiture, aiming to build a reflective relationship with their subjects. The episode also highlights Alma's involvement in the LGBTQAI+ community through various projects, including a mural at the San Francisco LGBT center and a show at the Bakersfield Museum of Art. Alma reflects on their inspirations, upbringing, and the significant impact of an influential college teacher. Alma also shares insights on their journey towards embracing their identity as an artist and how they aim to provide hope and comfort to marginalized communities through their work.About Artist Alma Landeta:Alma Landeta (they/them) is a mixed-race, Cuban American, queer multidisciplinary artist and educator whose work seeks to build community through the exploration of intersectional identities. They make art about the importance of bodily autonomy for queer and trans people through drawings, paintings, and installations.Landeta received a Masters of Arts from MICA. They have shown work nationally and internationally through solo exhibitions, group shows, and artist residencies. Alma was the 2022 Homebody Fellow at Ma's House, and 2020-2022 Latinx Teaching Artist Fellow at Root Division. They sit on the Board of Directors as Studio Artist Representative for Root Division.Visit Alma's Website: StudioLandeta.comFollow Alma on Instagram: @Alma.LandetaFor more info on Alma's exhibits: Resonantly Me and the 2024 King Artist Residency--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode, Emily chats with south asian multidisciplinary artist Suchitra Mattai. Suchitra, born in Guyana and now based in Los Angeles, discusses her journey and the influences behind her artwork. She details her move from a background in statistics to a career in art, highlighting how her work addresses themes of memory, labor, migration, and colonization. Suchitra shares insights about her solo exhibit, 'She Walked in Reverse and Found Their Songs' at ICA San Francisco, which explores her ancestors' forced migration and personal history through installations made of used saris. The episode also includes discussion about how she combines different materials to tell stories and reconcile her multicultural experiences. Additionally, Suchitra talks about the impactful art pieces and places that inspire her creative process.About Artist Suchitra Mattai:Suchitra is a multi-disciplinary Guyanese American artist of South Asian descent. She received an MFA in painting and drawing and an MA in South Asian art from the University of Pennsylvania, Philadelphia. Recent projects include group exhibitions at the MCA Chicago, Crystal Bridges Museum of Art, the Art Gallery of Ontario, the MCA Denver, the John Michael Kohler Arts Center and the Sharjah Biennial 14 and solo exhibitions at the Boise Museum of Art , Roberts Projects, and Kavi Gupta Gallery. Upcoming projects include solo exhibitions at the ICA San Francisco (San Francisco), the Tampa Museum of Art (Tampa, FL) , the National Museum for Women in the Arts (Washington, DC) and Socrates Sculpture Park (NYC, NY). Her works are represented in collections which include Crystal Bridges Museum of Art, the Nasher Museum of Art, the Denver Art Museum, the Tampa Museum of Art, the Joselyn Museum, the Tia Collection, the Perez Collection, the Shah Garg collection, and the University of Michigan Museum of Art. Visit Suchitra's Website: SuchitraMattaiArt.comFollow on Instagram: @SuchitraMattaiStudioFor more about her exhibit, "She Walked In Reverse And Found Their Songs" at the ICA San Francisco, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
Artist Kara Walker has investigated race, gender, sexuality, and violence through her installations, paintings, silhouettes, and films. Walker's art has won awards and is collected by museums around the world. Her work with stereotypes and the history of racial violence has pushed viewers to confront the continuing violence against Black people in America. With beloved writer Jamaica Kincaid, winner of the American Book Award, Walker is publishing An Encyclopedia of Gardening for Colored Children, a brilliant collection of essays and illustrations revealing the beauty of the natural world and the terrible history of colonialism. In July 2024, SFMOMA is releasing a site-specific installation by Walker, focusing on the global loss due to COVID-19, trauma, and technology. On June 6, 2024, Kara Walker came to the Sydney Goldstein Theater in San Francisco to be interviewed on stage by New Yorker staff writer Doreen St. Félix.
Ep.206 David Huffman (b. 1963, Berkeley, CA) has work in the collections of SFMOMA, San Francisco; LACMA, Los Angeles; Berkeley Art Museum, CA; Studio Museum, Harlem; Minneapolis Institute of Art, MN; Oakland Museum of California; Crocker Art Museum, Sacramento, CA; San José Museum of Art, CA; Palo Alto Art Center, CA; Eileen Norton Collection, Los Angeles; Birmingham Museum of Art, AL; Frederick R. Weisman Art Museum, Minneapolis, MN, Arkansas Art Center; ASU Art Museum, Tempe, AZ; Lodeveans Collection, London; and the Embassy of the United States of America, Dakar, Senegal, among others. Huffman enjoyed a recent solo exhibition at the Museum of the African Diaspora, San Francisco and has been included in recent group exhibitions at the de Young Museum, San Francisco; Everson Museum of Art, NY; Weatherspoon Museum of Art, NC; and The Write Museum, MI. He is the recipient of numerous awards and residencies including the Eureka Fellowship, ARTADIA San Francisco, Palo Alto Public Arts Commission, and the Barclay Simpson Award. He studied at the New York Studio School and received his MFA at California College of the Arts & Crafts, San Francisco. Huffman lives and works in Oakland, CA; he is currently on the board at SFMOMA. Huffman is represented by Jessica Silverman, San Francisco and Casey Kaplan, New York. Photo credit: Francis Baker Artist http://david-huffman.com/ Casey Kaplan https://caseykaplangallery.com/artists/david-huffman/ | https://caseykaplangallery.com/?exhibitions=david-huffman Jessica Silverman https://jessicasilvermangallery.com/online-shows/david-huffman-odyssey/ SFMOMA https://www.sfmoma.org/artist/David_Huffman/ BAMPFA https://bampfa.org/event/artists-curatorial-gallery-talks-david-huffman MOAD SF https://www.moadsf.org/exhibitions/david-huffman-terra-incognita KQED https://www.kqed.org/arts/13911456/at-moad-david-huffmans-terra-incognita-explores-black-trauma-among-the-stars Studio Museum in Harlem https://www.studiomuseum.org/artists/david-huffman PAFA https://www.pafa.org/museum/collection-artist/david-huffman Hyperallergic https://hyperallergic.com/678893/david-huffman-afro-hippie-berkeley-art-center/ Berkeley Side https://www.berkeleyside.org/2021/08/13/david-huffman-berkeley-art-center U.S. Dept of State https://art.state.gov/personnel/david_huffman/ California College of the Arts https://www.cca.edu/newsroom/faculty-spotlight-david-huffman-paintingdrawing-fine-arts/ Open-Editions https://open-editions.com/collections/david-huffman Miles McEnery https://www.milesmcenery.com/exhibitions/david-huffman Templon https://www.templon.com/exhibitions/cosmography/ Artforum https://www.artforum.com/events/david-huffman-3-250228/ ARTnews https://www.artnews.com/art-in-america/aia-reviews/david-huffman-protest-paintings-casey-kaplan-1234707187/ Daily Art Fair https://dailyartfair.com/exhibition/18000/david-huffman-casey-kaplan
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This Episode, Emily chats with Los Angeles based sculptor & printmaker, Alison Saar. She was visiting the Bay Area recently working with Arion Press on their recent production of Octavia Butler's Kindred. They dive Alison's artistic journey, influences, and her recent project illustrating Octavia Butler's 'Kindred' for Arian Press. Alison reflects on her upbringing in a creatively rich environment, heavily influenced by her artist parents, Betty and Richard Saar. She discusses her techniques, particularly her affinity for woodcuts and linoleum blocks, and the importance of texture in her work. The conversation also touches on Saar's interest in African and Indigenous art, her spiritual connections, and significant influences such as Elizabeth Catlett. The episode concludes with insights into Saar's favorite creatively inspiring places in Los Angeles and her experience of continuously making art from a young age.About Artist Alison Saar:Alison credits her mother, acclaimed collagist and assemblage artist Betye Saar, with exposing her to metaphysical and spiritual traditions. Assisting her father, Richard Saar, a painter and art conservator, in his restoration shop inspired her learning and curiosity about other cultures.Saar studied studio art and art history at Scripps College in Claremont, California, receiving a BA in art history in 1978. In 1981 she earned her MFA from the Otis Art Institute in Los Angeles. In 1983, Saar became an artist-in-residence at the Studio Museum in Harlem, incorporating found objects from the city environment. Saar completed another residency in Roswell, New Mexico, in 1985, which augmented her urban style with Southwest Native American and Mexican influences.Saar's style encompasses a multitude of personal, artistic, and cultural references that reflect the plurality of her own experiences. Her sculptures, installations, and prints incorporate found objects including rough-hewn wood, old tin ceiling panels, nails, shards of pottery, glass, and urban detritus. The resulting figures and objects become powerful totems exploring issues of gender, race, heritage, and history. Saar's art is included in museums and private collections across the U.S.Visit Alison on the web by CLICKING HERE. Follow Alison on Instagram: @Alison_SaarLearn more about her Kindred project with Arion Press HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
Shana Lopes, PhD, Assistant Curator of Photography at SFMOMA, joins me to talk about how being a curator perfectly combined her love of photography and art history. We talk about working with both historical and contemporary artists and the questions that need to be answered in order to provide proper context for the work whether done posthumously or with a current artist. We mention some past, current, and upcoming show during our conversation and three of those shows are linked below. https://www.instagram.com/lopesshana/ | https://www.sfmoma.org/exhibition/a-living-for-us-all/ | https://www.sfmoma.org/exhibition/zanele-muholi-eye-me/ | https://www.sfmoma.org/exhibition/constellations/ This podcast is sponsored by the Charcoal Book Club Begin Building your dream photobook library today at https://charcoalbookclub.com | https://www.chicoreview.com/2025-coming-soon Shana Lopes, PhD, is an Assistant Curator of Photography at SFMOMA. Born and raised in San Francisco, she has curated or co-curated exhibitions such as: Constellations: Photographs in Dialogue, Sightlines: Photographs from the Collection, A Living for Us All: Artists and the WPA, Sea Change, Zanele Muholi: Eye Me, and the upcoming 2024 SECA Art Award. Over the past fourteen years, she has gained curatorial experience at the Center for Creative Photography in Tucson, Arizona, and the Metropolitan Museum of Art in New York. Support Real Photo Show with Michael Chovan-Dalton by contributing to their tip jar: https://tips.pinecast.com/jar/real-photo-show
Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily features a conversation with Oakland based painter Héctor Muñoz-Guzmán. Hector discusses his life and artistic journey, including his upbringing in Berkeley, education at Parsons School of Design and Rhode Island School of Design, and the challenges he faced with his health. He shares insights into his artwork, including his first solo show 'Tocando Tierra' in Los Angeles, which represents men in his life and himself at different stages. Hector also talks about his experiences teaching at Creative Growth in Oakland, working on a mural with artist William Scott at SFMOMA, and his forthcoming studies in the MFA program at UC Berkeley. The episode highlights Hector's deep connection to his culture and community, and how these influences shape his artwork.About Artist Héctor Muñoz-Guzmán:Hector spent his foundation year at The Parsons School of Design and a year in The Rhode Island School of Design's painting department. He was a finalist for the Tournesol Award at The Headlands Art Center and has received the Berkeley Individual Artist Grant. His work has been exhibited at Fall River MoCA, Bureau Gallery, Movimiento De Arte y Cultura Latino Americana (MACLA), Good Mother Studio, and Part 2 Gallery. He published an art book with Sming Sming Books. He works as an artist instructor for William E. Scott. He currently lives in Oakland, CA.Héctor's work has been published in Juxtapoz, 48 Hills, Mousse Magazine and Graphite Journal “POCKET” at the Hammer Museum.To learn more about and purchase his book, Brown Eyes From Russell Street, CLICK HERE. For more about his exhibit in Los Angeles, Tocando Tierra, CLICK HERE. Follow on Instagram: @HectorFMunoz--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
If you go to the SFMOMA right now, it'll be hard to miss the massive, 32-foot wide mural depicting a utopian, fantastical and hopeful version of San Francisco. The mural is the opening to a historic exhibition, “The House that Art Built,” which showcases eleven artists with developmental disabilities who are associated with Oakland-based nonprofit Creative Growth. In addition to the exhibition, SFMOMA has also permanently acquired more than 100 works created by artists with developmental disabilities. We'll talk about the stunning exhibition, the acquisition and the future for artists with disabilities in the Bay Area. Guests: Joseph Alef, artist, Creative Growth; Alef has a painting in the SFMOMA Susan Janow, artist, Creative Growth; Janow has a video piece in the SFMOMA; her work was previously acquired by the SFMOMA in 2018 William Scott, artist, Creative Growth; Scott has a mural in the SFMOMA; his work was previously acquired by the SFMOMA in 2017 Chris Bedford, director, San Francisco Museum of Modern Art (SFMOMA) Tom Di Maria, executive director, Creative Growth Art Center
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