Podcasts about b minor op

On this episode, Jed lists ten iconic piano works that he thinks have been recorded too many times:1. Bach – Goldberg Variations BWV 9882. Beethoven – Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 (“Moonlight)3. Schumann – Kreisleriana Op. 164. Chopin – Piano Sonata No. 3 in B Minor Op. 585. Liszt – Piano Sonata in B Minor6. Tchaikovsky – Piano Concerto No. 1 in B-flat Minor Op. 237. Stravinsky/Agosti – Suite from The Firebird8. Rachmaninov – Piano Sonata No. 2 Op. 369. Ravel – Gaspard de la nuit10. Philip Glass – Piano Etudes11. Honorable mention: John Adams – China Gates Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomaven

Tercer episodio de la serie dedicada a la carrera cinematográfica de Steven Spielberg, en este caso nos centraremos en los films estrenados entre 1989 y 1998. A medida que Spielberg maduraba como director seguía explorando temas complejos y diferentes en sus películas. Ya lo hizo con El color púrpura o El imperio del sol, y en esta década lo volvería a hacer con La lista de Schindler o Amistad, pero sin dejar de lado la ciencia ficción y la fantasía. En este episodio hablaremos de Indiana Jones y La Última Cruzada, Hook, Parque Jurásico, La Lista de Schindler, Amistad, El Mundo Perdido. - At Launch by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100539 Artist: http://incompetech.com/ Jurassic Park main theme [Epic Piano Cover] Rachmaninoff - Prelude in B Minor (Op. 32 No. 10) gracias a Magnus Baumgartl https://www.youtube.com/@MagnusBaumgartl

Why We Should Expose Our Kids To Classical Music https://ourtownlive.net #herbw79Yehudi Menuhin was born in New York City to a family of Lithuanian Jews. Through his father Moshe, he was descended from a distinguished rabbinical dynasty.[1] In late 1919, Moshe and his wife Marutha (née Sher) became American citizens, and changed the family name from Mnuchin to Menuhin.[2] Menuhin's sisters were concert pianist and human rights activist Hephzibah, and pianist, painter and poet Yaltah.Menuhin's first violin instruction was at age four by Sigmund Anker (1891–1958); his parents had wanted Louis Persinger to teach him, but Persinger refused. Menuhin displayed exceptional musical talent at an early age. His first public appearance, when he was seven years old, was as solo violinist with the San Francisco Symphony Orchestra in 1923. Persinger then agreed to teach him and accompanied him on the piano for his first few solo recordings in 1928–29.

Rachmaninoff's B minor prelude, Op. 32 no. 10, is known to be inspired by the Böcklin painting "The Return", depicting a man waiting outside a house before arriving. Rachmaninoff presents a rich inner life of emotions in his prelude, going between solemnity, pride and resignation. With pianist Henrik Kilhamn. Youtube video: https://youtu.be/6sXGdJ2VerU

The spectacular Cello concerto by Antonin Dvorak is one of the best examples of the genre. We tell about it, with some dives into Czech music of earlier and later times, a review of American economics in the the 19th century, and episodes of the Six-Day War in Israel! https://spoti.fi/3s7IWKI https://spoti.fi/3hYAzwq https://spoti.fi/3hW38dK https://spoti.fi/3ou0zSP  

This week we feature the Clarinet Quintet in B minor, Op. 115 by Johannes Brahms. This recording from 1996 is performed by clarinetist David Shifrin and the Emerson String Quartet.

Pianist Henrik Kilhamn presents Swedish composer Wilhelm Stenhammar's most famous piece, Fantasy no. 1 in B minor. It contains great power and adventure as well as beautiful lyrical sections, all the time employing a lot of mediant relationships and motivic development. Analysis and profrmance (17:51).

The String Quartet in B Minor (Op. 33, No. 1) was the first of six quartets composed in 1781 by Franz Josef Haydn and popularly known as the "Russian" quartets. By this point in his career Haydn was a master of his craft, and with that confidence he began to experiment with the sonata form. This quartet is one of two that Haydn set in the key of B minor, a rare key for both Haydn and the string repertoire, and it has an uncharacteristically adventurous, questing quality. It moves from B minor through several keys, restlessly exploring rhythms, melodies, and modulations before "landing" back upon its home key in the breathless, virtuosic final movement. This piece amply demonstrates why Mozart held Haydn in high esteem. Series: "La Jolla Music Society: SummerFest" [Arts and Music] [Show ID: 33220]

The String Quartet in B Minor (Op. 33, No. 1) was the first of six quartets composed in 1781 by Franz Josef Haydn and popularly known as the "Russian" quartets. By this point in his career Haydn was a master of his craft, and with that confidence he began to experiment with the sonata form. This quartet is one of two that Haydn set in the key of B minor, a rare key for both Haydn and the string repertoire, and it has an uncharacteristically adventurous, questing quality. It moves from B minor through several keys, restlessly exploring rhythms, melodies, and modulations before "landing" back upon its home key in the breathless, virtuosic final movement. This piece amply demonstrates why Mozart held Haydn in high esteem. Series: "La Jolla Music Society: SummerFest" [Arts and Music] [Show ID: 33220]

The String Quartet in B Minor (Op. 33, No. 1) was the first of six quartets composed in 1781 by Franz Josef Haydn and popularly known as the "Russian" quartets. By this point in his career Haydn was a master of his craft, and with that confidence he began to experiment with the sonata form. This quartet is one of two that Haydn set in the key of B minor, a rare key for both Haydn and the string repertoire, and it has an uncharacteristically adventurous, questing quality. It moves from B minor through several keys, restlessly exploring rhythms, melodies, and modulations before "landing" back upon its home key in the breathless, virtuosic final movement. This piece amply demonstrates why Mozart held Haydn in high esteem. Series: "La Jolla Music Society: SummerFest" [Arts and Music] [Show ID: 33220]

The String Quartet in B Minor (Op. 33, No. 1) was the first of six quartets composed in 1781 by Franz Josef Haydn and popularly known as the "Russian" quartets. By this point in his career Haydn was a master of his craft, and with that confidence he began to experiment with the sonata form. This quartet is one of two that Haydn set in the key of B minor, a rare key for both Haydn and the string repertoire, and it has an uncharacteristically adventurous, questing quality. It moves from B minor through several keys, restlessly exploring rhythms, melodies, and modulations before "landing" back upon its home key in the breathless, virtuosic final movement. This piece amply demonstrates why Mozart held Haydn in high esteem. Series: "La Jolla Music Society: SummerFest" [Arts and Music] [Show ID: 33220]

Conductor Fabien Gabel came to Houston to conduct the Symphony in a program of pieces by Mendelssohn and Tchaikovsky. In this episode, he gives a primer on Mendelssohn, talks about what a “Fingal’s Cave” is, and gives the world’s first audible eye roll at the use of the term “Suicide Symphony” (re: Tchaikovsky’s Pathetique). Also discussed: the difference between love and obsession with regard to Mexican food. Music in this episode: Mendelssohn, The Hebrides, Op. 26 “Fingal’s Cave,” Slovak Philharmonic Orchestra Mendelssohn, Piano Concerto No. 1 in G Minor, Rudolf Serkin Tchaikovsky, Symphony No. 6 in B Minor Op. 74, TH.30 (Pathetique), Czech Philharmonic  Audio production by Todd “Todd’s Cave” Hulslander with Indiana Jones-ing by Dacia Clay and assistance from Mark DiClaudio. 

original music: Karol Szymanowski free score: http://imslp.org/wiki/Category:Szymanowski,_Karol piano: Carlos Márquez from "Chopin, Szymanowski: Preludes" https://www.amazon.com/gp/product/B00NTWIBZM https://itunes.apple.com/us/album/chopin-szymanowski-preludes/id920586887 image: http://www.flickr.com/photos/zoutedrop/2313345496

As a soloist, Paganini used to purposefully break two or three of his violin strings during performances, playing an entire piece on just one or two strings and wowing his audience. It’s awe-inspiring to imagine the Italian composer playing “La Campanella” with one string—most violinists find the piece challenging even with unbroken violins! Youtube: http://www.youtube.com/watch?v=lWaOnqmtr9U&NR=1&feature=fvwp Local virtuosi in Seattle: http://seattlevirtuosi.org/content.php Exploring Music On-Demand: http://filesource.abacast.com/king/music/exploringmusic/3133625.mp3

Lior Shambadal leads the Banff Festival Orchestra in Tchaikovsky's last work. Host: Kimberly Lamontagne. Engineers: Etienne Decreuse, Daniel Keinath, and Ian Dobie.