Podcast appearances and mentions of Arthur Rubinstein

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐： 1.Xeuphoria - But You're Already Gone；2.John Lenehan - Dolce Droga；3.Karl Leister,Ferenc Bognár,Johannes Brahms - Sonata No. 2 for Clarinet and Piano in E-Flat Major, Op. 120, No. 2 III. Andante con moto - Allegro；4.V.A. - ロマンス ト長調；5.Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 19 in E Minor, Op. 72, No. 1。

Robert Schuman (1810 - 1856) - Quintetto in mi bemolle maggiore per pianoforte e archi, op. 441.       Allegro brillante2.       In modo di una marcia3.       Scherzo4.       Allegro ma non troppoArthur Rubinstein, pianoPaganini Quartet

APR. 15, 2025Become willing to change."You will grow as you learn to know God better and better." Col 1:10 NLTTo grow, you must dedicate yourself to the process. Whether it's in your career, your marriage, your ministry, or your walk with God, once you dedicate yourself to growth and development and a lifestyle of planned improvement, it becomes normal to you.  And you realize when you're not making progress. Something is missing! It's been reputed that the Polish American classical pianist Arthur Rubinstein refused to listen to recordings of his playing. Even only a few months afterward, he was unhappy with what he heard. Why? Because he had changed and improved-but his recordings had not. Stop and think about the non-negotiables in your life. What are you willing to live and die for?Write down what you want to hold on to at any cost, and fully explain why. After you have done that, everything else should be open to change. Here is how Paul prayed for the Christians in the Colossian church: "We ask God to give you complete knowledge of his will and...spiritual wisdom and understanding. Then the way you live will always honor and please the Lord, and your lives will produce every kind of good fruit. All the while, you will grow as you learn to know God better and better. We also pray that you will be strengthened with all his glorious power so you will have all the endurance and patience you need. May you be filled with joy, always thanking the Father. He has enabled you to share in the inheritance that belongs to his people, who live in the light" (vv. 9-12 NLT).Become willing to change To grow, you must dedicate yourself to the process.Share This DevotionalSend us a textSupport the showChanging Lives | Building Strong Family | Impacting Our Community For Jesus Christ!

durée : 01:28:56 - Henryk Szeryng, violoniste d'une élégance et d'une précision suprêmes - par : Aurélie Moreau - Violoniste d'origine polonaise naturalisé mexicain, Henryk Szeryng est l'un des grands interprètes du XXe siècle. Élève de Flesch et de Thibaud, encouragé par Arthur Rubinstein, il a marqué l'histoire du violon par son style et son raffinement.

Jed discusses recordings of Brahms' Ballades Op. 10. Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenLink to 1973 Lugano performance with Arturo Benedetti Michelangeli - https://www.youtube.com/watch?v=z7S19Ew-fv8Link to live performance with Emil Gilels - https://www.youtube.com/watch?v=VJwLU4EmZjELink to Ballade No. 4 with Arthur Rubinstein - https://www.youtube.com/watch?v=ky6HBfnrXS4Link to Jonathan Plowright's recording - https://www.prestomusic.com/classical/products/8261243--brahms-works-for-solo-piano-volume-4Link to Glenn Gould's complete recording sessions for the Ballades Op. 10 and Rhapsodies Op. 79 - https://www.youtube.com/watch?v=NOTsc-Z2BIE

Es riecht nach salzigem Wasser, nach Hafen und nach altem Holz. Aber auch nach frischem Gebäck und frisch gebrühtem Espresso. Die Kellner im Caffè Lavena haben alle Hände voll zu tun. Viele Touristen möchten unbedingt hier ihren Cappuccino trinken, wie so viele berühmte Personen vor ihnen: Arthur Rubinstein, Franz Liszt, und allen voran Richard Wagner. Unser ZOOM nimmt Sie mit nach Venedig - und begibt sich auf die Spuren von Richard Wagner.

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.三宅一徳 - 孤独(Sepia)；2.Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 6 in G Minor, Op. 15, No. 3；3.Steven Halpern - Comfort Zone (Delta)；4.Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 12 in G, Op. 37, No. 2；5.David Nevue - How Deep the Father's Love。

durée : 01:28:35 - Arthur Rubinstein, un fort tempérament et une grande dignité - par : Aurélie Moreau - "La musique reste une des plus grandes jouissances dont on soit autorisé à abuser… Je ne vous vois plus, je n'aperçois que des silhouettes, mais je possède l'immense bonheur d'entendre encore. C'est fantastique". Arthur Rubinstein (Le Figaro, 1983). - réalisé par : Doria Zénine

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.林有三 - やわらかな時間；2.杨瑾 - 小月儿高；3.Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 3 in B Major, Op. 9, No. 3；4.Endless Melancholy - Light；5.Isaac Stern - Piano Trio No. 1 Op. 99：Andante con moto；6.Pyotr Ilyich Tchaikovsky - Nocturne, for cello & small orchestra (or piano) in D minor, Op. 19／4；7.Rachel Portman - We Had Today。

durée : 01:59:23 - Witold Malcuzynski (1914-1977) et Adam Harasiewicz (1932), deux pianistes polonais oubliés - par : Philippe Cassard - Leur nom a été accolé à celui de Chopin, dont ils furent les infatigables hérauts, parallèlement à leur compatriote Arthur Rubinstein. - réalisé par : Philippe Petit

durée : 00:18:51 - Disques de légende du mardi 24 septembre 2024 - Arthur Rubinstein a eu plusieurs vies, et les grandes œuvres ont connu chez lui plusieurs versions. Avec Chopin, les amateurs peuvent ainsi comparer sans fin les versions, celles du jeune homme et celles de l'homme accompli.

durée : 00:18:51 - Disques de légende du mardi 24 septembre 2024 - Arthur Rubinstein a eu plusieurs vies, et les grandes œuvres ont connu chez lui plusieurs versions. Avec Chopin, les amateurs peuvent ainsi comparer sans fin les versions, celles du jeune homme et celles de l'homme accompli.

This week on The Sound Kitchen you'll hear the answer to the question about Léon. There's “The Listener's Corner”, great music,  and of course, the new quiz and bonus questions too, so click on the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week.Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all!Facebook: Be sure to send your photos to thesoundkitchen@rfi.fr for the RFI English Listeners Forum banner!More tech news: Did you know we have a YouTube channel? Just go to YouTube and write RFI English in the search bar, and there we are! Be sure to subscribe to see all our videos.Would you like to learn French? RFI is here to help you!Our website “Le Français facile avec RFI” has news broadcasts in slow, simple French, as well as bilingual radio dramas (with real actors!) and exercises to practice what you have heard.Go to our website and get started! At the top of the page, click on “Test level”. According to your score, you'll be counselled to the best-suited activities for your level.Do not give up! As Lidwien van Dixhoorn, the head of “Le Français facile” service told me: “Bathe your ears in the sound of the language, and eventually, you'll get it.” She should know – Lidwien is Dutch and came to France hardly able to say “bonjour” and now she heads this key RFI department – so stick with it!Be sure you check out our wonderful podcasts!In addition to the breaking news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more.There's Paris Perspective, Spotlight on France, Spotlight on Africa, and of course, The Sound Kitchen. We have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. And there is the excellent International Report, too.Remember, podcasts are radio, too! As you see, sound is still quite present in the RFI English service. Please keep checking our website for updates on the latest from our journalists. You never know what we'll surprise you with!To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone.To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show. Teachers take note!  I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below. Another idea for your students: Br. Gerald Muller, my beloved music teacher from St. Edward's University in Austin, Texas, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr. Martin Luther King, Jr., too. They are also a good way to help you improve your English - that's how I worked on my French, reading books that were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Br. Gerald's free books, click here.Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload!This week's quiz: On 24 August, I told you a story about a sign I saw on a French highway this summer. On most highways across France, there are illuminated signboards that tell you if there's an accident ahead, encourage you to take a break from driving, or remind you of the speed limit. The messages change according to what information is deemed necessary for drivers.During the Olympic games, the signs said: “Remember: 130 kilometres per hour ... speed is for Léon”. You were to write in and tell me who Léon is, and why the French said speed was OK for him.The answer is: Léon is that French human fish, Léon Marchand. He won four Gold Medals in swimming this year … the 200-meter medley, 200-metre breaststroke, the 200-metre butterfly, and the 400-metre medley. He became the sixth Olympic swimmer to win four gold medals at a single Games.Léon Marchand is the world record holder in the long course 400-metres individual medley; the Olympic record holder in the 200-metres butterfly, the 200-metres breaststroke, and the 200-metres individual medley; and the French record holder in the long course 200-metre individual medley, 200-metre butterfly and 200-metre breaststroke.The young man is fast – watching him swim was incredible. See why the French government would tell us to be careful with our speed, but Léon could go as fast as he wished?In addition to the quiz question, there was the bonus question, suggested by Hans Verner Lollike from Hedehusene, Denmark: “The Paris 24 Olympic Games are over, but if you had a chance to win a Gold Medal, in which sport would it have been?”Do you have a bonus question idea? Send it to us! The winners are: RFI Listeners Club member Alan Holder from the Isle of Wight, England. Alan is also this week's bonus question winner. Congratulations, Alan!Saleem Akhtar is a winner this week. Saleem is the president of the RFI Seven Stars Radio Listeners Club in District Chiniot, Pakistan.Pakistan! Congratulations on your amazing javelineer, Arshad Nadeem. Nadeem made history for Pakistan by becoming the first Pakistani to win an individual Olympic gold medal. Not only that, but he set an Olympic record with his throw of 92.97 meters… the sixth-longest throw in history. Mubarak, Arshad! Mubarak, Pakistan!Also on the list of lucky winners this week are RFI Listeners Club members Rodrigo Hunrichse from Ciudad de Concepción, Chile; Helmut Matt from Herbolzheim in Germany, and Father Steven Wara, who lives in the Cistercian Abbey in Bamenda, in Cameroon's North West Region.Congratulations winners!Here's the music you heard on this week's programme: “Imagine” by John Lennon; the waltz op. 64 No. 1 in D flat, the "Minute Waltz” by Frédéric Chopin, performed by Arthur Rubinstein; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer, and “Pocket Piano” by DJ Mehdi.Do you have a music request? Send it to thesoundkitchen@rfi.frThis week's question ... you must listen to the show to participate. After you've listened to the show, re-read our article “France's foreign ministry unveils two-year gender equality strategy”, which will help you with the answer.You have until 14 October to enter this week's quiz; the winners will be announced on the 19 October podcast. When you enter be sure to send your postal address with your answer, and if you have one, your RFI Listeners Club membership number.Send your answers to:english.service@rfi.frorSusan OwensbyRFI – The Sound Kitchen80, rue Camille Desmoulins92130 Issy-les-MoulineauxFranceorBy text … You can also send your quiz answers to The Sound Kitchen mobile phone. Dial your country's international access code, or “ + ”, then  33 6 31 12 96 82. Don't forget to include your mailing address in your text – and if you have one, your RFI Listeners Club membership number.Click here to learn how to win a special Sound Kitchen prize.Click here to find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club,  

Arthur Rubinstein donnait l'image d'un homme heureux, joyeux que rien ne pouvait ébranler... Merci pour votre écoute N'héistez pas à vous abonner également aux podcasts des séquences phares de MAtin Première: L'Invité Politique : https://audmns.com/LNCogwP L'édito politique « Les Coulisses du Pouvoir » : https://audmns.com/vXWPcqx L'humour de Matin Première : https://audmns.com/tbdbwoQ Retrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Retrouvez également notre offre info ci-dessous : Le Monde en Direct : https://audmns.com/TkxEWME Les Clés : https://audmns.com/DvbCVrH Le Tournant : https://audmns.com/moqIRoC 5 Minutes pour Comprendre : https://audmns.com/dHiHssr Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

我们都应该听听古典音乐！音乐修养、生活品味和审美趣味，都是可以通过古典音乐来培养的；而且浩如烟海的作品，本身就充满了美的趣味和享受。很多人觉得古典乐的欣赏充满门槛，似乎不懂乐理就很难听懂。但其实不是，不懂乐理，并不妨碍我们欣赏，也不妨碍我们被它的美和独特所感动。今天这期节目，想跟你分享我是如何入门，以及如何去欣赏古典音乐。尽管我算不上骨灰级、学术型的厉害古典乐迷，但我非常愿意和你一起享受古典音乐的美。我将尽量不去说艰深晦涩的东西，并尽可能地播放好的作品与你来听，希望能让你产生一些些接触古典音乐的兴趣，通过这期节目也能入门~

A discussion of Arthur Rubinstein's three integral recorded versions of Chopin's Mazurkas. Here are download links for all three cycles: 1. https://www.prestomusic.com/classical/products/8079160--rubinstein-collection-vol-6-chopin-mazurkas-scherzos; 2. https://www.prestomusic.com/classical/products/8079130--rubinstein-collection-vol-27-chopin-mazurkas-impromptus; 3. https://www.prestomusic.com/classical/products/7933105--rubinstein-collection-vol-50-chopin-51-mazurkas

Arthur Rubinstein's historic Moscow recital on October 1st 1964. Video link: https://www.youtube.com/watch?v=8K4ZwA2nQqI&t=27s. Link to purchased the 1999 Rubinstein Edition release: https://www.amazon.com/Rubinstein-Collection-Vol-62-Recital/dp/B000031WC2/ref=sr_1_1?crid=1ZOTV6Z5C79SJ&dib=eyJ2IjoiMSJ9._CfJ8sm0Si00iHpCE7vvrXdt2qdxrGKteErXnQWVIanZ4ijr-L6X09ZushbsI78LrG18MB9-o23SgJsNusIHd8Gj3klzZk6Z2nt3olyd-86WFiRSqWbmNPIWm52GDXPqnO9gQFgGpz9JQ5NTi_LOuQ.Hq7Sj6yl_9mwjbtzA4sws7SuBMR6RkuFfRMSHtWrFig&dib_tag=se&keywords=moscow+rubinstein&qid=1717273386&s=music&sprefix=moscow+rubinstein%2Cpopular%2C83&sr=1-1

Works include: Nocturne in E flat, Fantaisie Impromptu, minute Waltz, Grand Valse Brilliante and Etude Op 10 No. 3. Pianists include: Arthur Rubinstein. Alfred Cortot, Claudio Arrau, Margarete Long, Sergi Rachmanioff and William Kapell. 

durée : 00:20:00 - Disques de légende du vendredi 14 juin 2024 - Arthur Rubinstein enregistrera trois versions des Mazurkas de Frédéric Chopin

====================================================SUSCRIBETEhttps://www.youtube.com/channel/UCNpffyr-7_zP1x1lS89ByaQ?sub_confirmation=1=======================================================================DECIDETE HOYDevoción Matutina para Jóvenes 2024Narrado por: Daniel RamosDesde: Connecticut, Estados Unidos===================|| www.drministries.org ||===================08 DE MAYOLA GRANDEZA DE LA HUMILDAD«El honrar al Señor instruye en la sabiduría; para recibir honores, primero hay que ser humilde» (Proverbios 15: 33). En cierta ocasión, el célebre pianista Arthur Rubinstein daba un concierto para 1 n grupo de músicos. Cuando comenzaron a aplaudirlo, exclamó: —        Les ruego que no aplaudan. Sus aplausos desvían mis pensamiento de la música hacia mí mismo, y entonces no puedo tocar. Los jóvenes piensan mucho en sí mismos. Sienten satisfacción cuando reciben elogios de otras personas. También les agrada ser el centro de atención de los demás. Estas actitudes son normales para su edad y contribuyen a reforzar o mejorar el concepto que tienen de sí mismos. Pero deben estar atentos para que esas muestras de aprecio y reconocimiento de sus habilidades o realizaciones no hagan surgir en ellos el egoísmo ni sentimientos de superioridad. Deben mantener siempre como modelo de sus vidas al humilde Maestro de Nazaret. Cuando se le preguntó a San Agustín cuál es el rasgo más importante de la religión, contestó: —La humildad. —¿Y cuál es el segundo? —se le preguntó. —        La humildad —contestó otra vez. —        ¿Y cuál es el tercero? —La humildad —dijo nuevamente Agustín. Mientras que para muchos la grandeza consiste en llamar la atención hacia nosotros mismos, nuestros talentos o personalidad carismática, Jesús apunta en otra dirección. Jesús «aunque era Dios, no consideró que el ser igual a Dios fuera algo a lo cual aferrarse. En cambio, renunció a sus privilegios divinos; adoptó la humilde posición de un esclavo y nació como un ser humano. Cuando apareció en forma de hombre, se humilló a sí mismo en obediencia a Dios y murió en una cruz como morían los criminales» (Filipenses 2: 6-8, NTV). Como resultado, «Dios lo elevó al lugar de máximo honor y le dio el nombre que está por encima de todos los demás nombres» (vers. 9, NTV). Por tanto, ¿quieres ser grande delante de Dios? Comienza a transitar por el camino de la humildad. Sigue el ejemplo de Jesús que fue «paciente y de corazón humilde» (Mateo 11: 29) y lograrás la verdadera grandeza. A jóvenes como tú, la Escritura aconseja: «Humíllense delante del Señor, y él los enaltecerá» (Santiago 4: 10). 

Today's podcast is all about tempo, and I have to start by saying that tempo is a funny thing. We define it with numbers or with the familiar Italian words, or less familiar French or German ones, and it still seems elusive. Much of the time we try to pin a piece of music down to a number, a mathematically precise ratio of beats per minute. Perhaps the composer put it there as a guide for the performer. Perhaps it was added by an editor, an arranger, or a teacher. But it still doesn't necessarily satisfy us. In fact, everything about this feels wrong. How is it possible to limit a piece of music, a creation that lives in a single moment, to one number?  I remember reading the liner notes to a CD recording by legendary pianist Arthur Rubinstein. This recording was made toward the end of his life. He was already in his 90's, but the producers of this recording wanted to preserve Rubinstein's interpretations of piano masterworks for generations to come who would not have heard him. The producer writes in the liner notes how he was moved to tears by Rubinstein's performance in the recording studio of the first movement of Beethoven's Moonlight Sonata. He felt he had witnessed a definitive performance.  The next morning, however, Rubinstein returned to the studio for that day's recording session and asked to re-record the Beethoven, saying it was too slow. The change in tempo was apparently barely discernible, if at all, to a listener, but it made a difference to Rubinstein.  What made the tempo difference important to Rubinstein? Clearly it wasn't the metronome mark. Beethoven didn't include one; the movement is only marked “Adagio sostenuto” and so a range of speeds would seem to be allowable. So from this we can conclude that tempo is more than a metronome marking. But what is it and how do we know what tempo is right or wrong?  Do we have to play a piece at the metronome marking, particularly if we can't play it at that speed or we don't think it sounds right at that speed? What do we do if there is no metronome marking? How do we know how fast or slow the piece should go? With so many recordings available to us, it is clear that harpists can play the same piece at very different speeds. Does that make some of the performances correct and the others not correct?  Okay, I just threw a bunch of difficult questions at you, but you don't have to come up with the answers; that's my job. I think it's important, though, that you have a clear idea of what the parameters are for finding your tempo for a piece, a tempo that you can play that sounds appropriate for the piece. In fact, that's the secret right there. But I have lots more ideas and practical advice for you on this topic so don't go anywhere. Links to things I think you might be interested in that were mentioned in the podcast episode:  Harp Mastery® Fall Retreat registration is open now! Related resource Tempo is Not a Number blog post Harpmastery.com Get involved in the show! Send your questions and suggestions for future podcast episodes to me at podcast@harpmastery.com LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-153  

Harvey Brownstone conducts an in-depth Interview with John Rubinstein, Iconic Stage, Movie & TV Star About Harvey's guests: Today's guest, John Rubinstein, is a highly acclaimed, multi-award winning actor, composer and director whose illustrious career and body of work have made him a respected and beloved icon.   He made his Broadway debut starring in “Pippin”, for which he won a Theatre World Award, followed by “Children of a Lesser God”, for which he won a whole slew of awards including a Tony and a Drama Desk Award.  He also starred in “The Caine Mutiny Court Martial”, for which he received a Drama Desk Award nomination, “M. Butterfly”, “Love Letters”, “Ragtime” and “Charlie and the Chocolate Factory”.  Off-Broadway, he starred in “Rosencrantz and Guildenstern are Dead” and “Counsellor at Law”, for which he received the Lucille Lortel Award for Best Lead Actor in a Play, as well as nominations for both the Outer Critics' and Drama League Awards.   He's appeared in over 200 movies, TV shows, made-for-TV movies and miniseries.  Some of his most popular feature films are “Getting Straight”, “The Boys From Brazil”, “Someone to Watch Over Me”, “Another Stakeout”, “21 Grams”, “The Candlelight Murders” and “Being the Ricardos”.  On TV you've seen him in dozens of TV shows including “Family”, for which he received an Emmy Award nomination, “Crazy Like a Fox”, “Bureau of Alien Detectors”, “Star Trek Enterprise”, “The Young and the Restless”, “Desperate Housewives”, “Dear White People”, “Claws” and many more.    His TV movies include “The American Clock”, for which he received a Cable Ace Award nomination for Best Supporting Actor, “M.A.D.D.: Mothers Against Drunk Drivers”, “The Gift of the Magi”, “Norma Jean and Marilyn”, and “Liberace”.   And some of his noteworthy miniseries are “The French Atlantic Affair”, “Roots: The Next Generations”, “The Two Mrs. Grenvilles”, “When we Rise”, “Feud”, and “Headless: A Sleepy Hollow Story”.   He's directed many stage productions, including “Les Liaisons Dangeureuses”, “Macbeth”, “Wait Until Dark”, “Brigadoon”, “Guys and Dolls” and many other shows.  Our guest is also a brilliant composer, which comes as no surprise, given that he's the son of the greatest pianist of all time, in my opinion, Arthur Rubinstein.  And he's the grandson of the renowned Polish violinist, conductor and composer Emil Młynarski.   He's written the music scores for a number of movies and TV shows including “Jeremiah Johnson”, “The Candidate”, “Family”, “The Ordeal of Patty Hearst”, “Johnny Belinda”, “China Beach” and “A Walton Wedding”.  And believe me, I'm just scratching the surface of this man's prodigious body of work. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To see more about John Rubinstein and the film, go to: https://www.imdb.com/name/nm0748270/https://www.playbill.com/person/john-rubinstein-vault-0000020233 #JohnRubinstein    #harveybrownstoneinterviews

durée : 00:58:33 - Heifetz, Rubinstein et Piatigorsky, un trio légendaire - par : Aurélie Moreau - Au cours des années 1949 et 1950, les très illustres Arthur Rubinstein, Jascha Heifetz et Gregor Piatigorsky ont formé un trio surnommé par un critique le « Million Dollar Trio ». Voici leurs enregistrements : Ravel, Tchaïkovski et Mendelssohn. - réalisé par : Laurent Lefrançois

 Peu de musiciens auront été aussi admirés et adulés qu'Arthur Rubinstein, qui fit de la quête du bonheur une règle de vie.    Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

Ganador de prestigiosos concursos como el Paloma O’Shea o el Arthur Rubinstein, Juan Pérez Floristán es uno de los pianistas más destacados de la escena actual. Tras su reciente paso por el Festival Eñe de Málaga, donde ofreció el pasado viernes 4 de noviembre el recital “Los lenguajes de la poesía al piano” junto al joven poeta Mario Obrero (Premio Loewe de Poesía 2021), el músico nos acerca su último trabajo: {Algo}ritmo. Un disco grabado en directo en la Sala Mozart del Auditorio de Zaragoza en un concierto en el que interpretó Música Ricercata de György Ligeti, las 3 Danzas Argentinas de Alberto Ginastera y los Cuadros de una Exposición de Modest Mussorgsky. Escuchar audio

Ett vandringsdrama med sju stationer: 1. På alperna. 2. Vid väderkvarnarna. 3. I Eselsdorf. 4. En passage i staden. 5. I parken utanför krematoriet. 6. Vid sista grinden. 7. Mörka skogen. Lyssna på alla avsnitt i Sveriges Radio Play. Jägarn är på vandring uppför höga alper. Han har mist sin själ bland människorna och vill försöka återfinna den i en klarare och kyligare luft. I Lügenwald häpnas han över på vilket trovärdigt sätt folk kan ljuga. I en annan by är alla, utom skolläraren, dumma som åsnor.Stora landsvägen är August Strindbergs sista pjäs. Den är också en av de äldsta, bevarad i helhet av Radioteaterns Strindbergsuppsättningar.Stora landsvägenAv August StrindbergI rollerna: Jägarn – Lars Hanson, Eremiten – Hugo Björne, Vandrarn – Holger Löwenadler, Mjölnaren – Artur Cederborgh, Mjölnarhustrun – Elsa Ebbesen, Flickan – Maj-Britt Nilsson, Skolmästaren – Einar Axelsson, Smeden – Sven Bergvall, Fotografen – Henrik Strååt, Eufrosyne – Elsa Widborg, Gotthard – Gösta Ericsson, Klara – Elsa Carlsson, Japanen – Olof Widgren, Möller – John Ekman, Barnet – Berit Allvin, Kvinnan – Birgitta Valberg, Frestaren – Rune CarlstenRadioorkestern medverkar under ledning av dirigent Ivar Hellman.Kompositör: Hilding RosenbergDessutom spelas Nocturne C-moll op. 48 nr 1 av Arthur Rubinstein.Regi: Olof MolanderEtt samarbete med Dramaten som hade sin radioteaterpremiär 7 april 1949.

Polaco de nacimiento, Frédéric Chopin fue un niño prodigio del piano, lo que le llevó a abandonar el ducado de Varsovia siendo muy joven, con sólo 20 años, para instalarse en París. Allí se convirtió en una celebridad por su dominio absoluto del instrumento. En París entabló amistad con otros grandes pianistas como el húngaro Franz Liszt y tuvo una legión de admiradores en toda Europa entre los que se encontraban algunos de los mejores compositores. Pero no se dejaba ver demasiado. Huía de las grandes representaciones, prefería en su lugar los ambientes íntimos de los salones parisinos en los que ofrecía recitales para una selecta audiencia. Vendía también sus composiciones y daba clases de piano que eran muy demandadas. Pero Chopin no era una persona fácil. A lo largo de su vida padeció una tuberculosis recurrente y era de carácter retraído y extremadamente emocional. En su correspondencia personal, buena parte de la cual ha llegado hasta nosotros, descubrimos un hombre muy sensible, pero también orgulloso y en ocasiones terco, conocedor de su genialidad y propenso a las depresiones. Todo eso se refleja en su música, transida de melancolía y expresividad. También lo podemos ver en la compleja relación que mantuvo con el sexo opuesto, algo que marcó toda su vida adulta. Tuvo dos grandes amores. Primero la polaca Maria Wodzińska, con quien llegó a comprometerse y mantuvo una relación de más de tres años. Llegó incluso a pedirle matrimonio, pero la familia se oponía ya que consideraba que el joven pianista no era un buen partido para ella, que pertenecía a la nobleza polaca y que, por lo tanto, debía aspirar a más. Tras la ruptura, Wodzińska se casó con un aristócrata polaco pero el matrimonio duró muy poco, en unos pocos años la relación se tornó imposible y se divorciaron. El segundo fue con la escritora francesa Aurore Dupin, más conocida por su pseudónimo George Sand. Se conocieron en 1836 en París. Ella era seis años mayor que él, ya había estado casada, tenía dos hijos y había coleccionado las aventuras con escritores famosos como Prosper Mérimée y Alfred de Musset. Para entonces ya era muy conocida en los ambientes literarios parisinos y tenía fama de “femme fatale”. Chopin no pudo resistir el embrujo de una mujer tan inteligente que hacía gala de semejante independencia y libertad de criterio. No tardaron en convertirse en amantes y emprender juntos un viaje a Mallorca ya que creían que el clima de la isla sería beneficioso para la tuberculosis de Chopin. No fue así, aquel invierno mallorquín fue húmedo y frío. La vivencia de la pareja terminaría en las páginas de un libro que Sand dio a la imprenta cuatro años más tarde. El corto periodo en Mallorca resultó duro, pero extremadamente productivo. La relación con George Sand se mantendría hasta casi el final de su vida. Para entonces la tuberculosis apenas le dejaba trabajar y eso hizo descender su producción. A pesar de ello, era ya reconocido como uno de los mejores compositores de Europa y el pianista más reputado. Murió con sólo 39 años en París convertido en una leyenda. Nos dejó más de 230 obras y en todas ellas el piano es el protagonista. Hoy es uno de los compositores más interpretados y también de los más apreciados por el público. Para hablar de él y de su música nos acompaña hoy en La ContraHistoria María Valverde, una joven pianista española que acaba de regresar de Budapest y que interpretará las siguientes obras de Chopin: - Estudio Op. 25 nº1 - Nocturno Op. 27 nº2 - Vals Op. 64 nº8 - Nocturno Op. 62 nº1 - Polonaise fantasie op. 61 - Impromptu Op. 66 Discografía: - "Chopin: The Complete Recordings" por Martha Argerich - https://amzn.to/474xUtl - "Chopin: 24 Etudes Op.10 & Op.25" por Maurizio Pollini - https://amzn.to/473dUXX - "Chopin: The Complete Nocturnes" por Daniel Baremboim - https://amzn.to/3SdibE4 - "Rubinstein Plays Chopin" por Arthur Rubinstein - https://amzn.to/49172w6 · Canal de Telegram: https://t.me/lacontracronica · “Hispanos. Breve historia de los pueblos de habla hispana”… https://amzn.to/428js1G · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #piano #chopin Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽&云公子，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.Winter Garden - Evening Star；2.Xeuphoria - Carry On；3.Steve Barakatt - Cedars Of Lebanon；4.ForeverLive - Cold air；5.Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 2 in E Flat Major, Op. 9, No. 2；6.MANYO - カラー。

John Rubinstein was born the son of renowned pianist Arthur Rubinstein, and his early exposure to theater in the 8th grade ignited a passion that would shape the trajectory of extraordinary career. He catapulted to Broadway stardom originating the title role in Pippin, directed by Bob Fosse, and won a Tony Award for his compelling performance in Children of a Lesser God. A true renaissance man, John's artistic pursuits extend beyond the stage into television and film as well, both as an actor and composer, where he's written the scores or theme songs for several movies and TV shows. We also talk about his work as a director, and even touch on one my favorite topics: the art and craft of auditioning. Never one to rest on his laurels, John also shares the impetus behind his return to New York in the current off-Broadway play Eisenhower: This Piece of Ground, which adapts General Dwight Eisenhower's memoirs, speeches, and letters into a one-man stage play. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 01:58:39 - Arthur Rubinstein (1887-1982) en concert - par : Philippe Cassard - L'énergie, la joie de jouer, l'inspiration du moment, une sonorité reconnaissable entre toutes : tel est le Roi Arthur en concert, avec quelques archives rares. - réalisé par : Pierre Willer

Jess Gillam and pianist Karim Kamar share some of their favourite music. Karim has an amazing musical story - after loving playing as a kid but never studying properly, at 25 he decided to quit his job and learn the piano seriously to become a professional musician. He spent years painstakingly learning how to play - and has since released 6 albums and performed at some of the most iconic music venues from Ronnie Scott's to the Royal Albert Hall. He's also a bit of a star on social media with millions of fans who follow his adventures of him playing the many street pianos you find around the country. His music picks are all based around the piano - from the pure romance of Rachmaninov's Second Piano Concerto, to the video game imagination of Ryuichi Sakamoto and the latin funk of Stevie Wonder. Meanwhile Jess finds a new inspiration in Sibelius's Third Symphony, one of her teenage soundtracks in Massive Attack and an uneasy waltz by Shostakovich. Playlist: MILES DAVIS: Nardis [Bill Evans Trio] SHOSTAKOVICH: Jazz Suite no.2 – Waltz no 2 [Royal Concertgebouw Orchestra / Riccardo Chailly (conductor)] RUYICHI SAKAMOTO: Seven Samurai: Ending Theme RACHMANINOV: Piano Concerto no 2 – 2nd mvt Adagio sostenuto [Khatia Buniatishvilli (piano), Czech Philharmonic Orchestra, Paavo Jarvi (conductor)] MASSIVE ATTACK: Hymn of the Big Wheel CHOPIN: Waltz op.64 no.2 in C sharp minor [Arthur Rubinstein (piano)] SIBELIUS: Symphony no.3 – 2nd mvt Andantino [BBC Philharmonic /John Storgards (conductor)] STEVIE WONDER: Another Star

Harry Waters is a pianist/songwriter and composer. His piano style is influenced by the classical masters Vladimir Horowitz, Vladimir Ashkenazy, Arthur Rubinstein and New Orleans greats Dr John and Professor Longhair. ​ He toured in his father's band, Roger Waters, for 15 years, for The Wall and The Dark Side of the Moon tours, and most recently Desert Trip alongside The Rolling Stones, Bob Dylan and Neil Young. ​He has performed with numerous artists including: David Gilmour, Eddie Vedder, Tom Jones, Marianne Faithfull, Nick Cave, Ween, Ozric Tentacles ​Clients include: Rolex, Nintendo, Netflix, Downton Abbey, ITV, Procter and Gamble, Facebook, BMG, Freemantle Media, Amazon Prime, MTV, CBS

Works include:  Waltzes #3 &6, The Revolutionary Etude, Prelude #17, Scherzo #1, Nocturne #13 and Mazurka # 26. Pianists include: Alfred Cortot, Arthur Rubinstein, Sviatoslav Richter, Claudio Arrau, Dinu Lipatti and Wilhelm Backhaus. 

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽&云公子，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.David Davidson - Love Me Tender；2.Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 8 in D Flat Major, Op. 27, No. 2；3.Iver Kleive,Aage Kvalbein - Velt alle dine veie；4.V.A. - Sad Romance (Violin ver.)；5.Nelson Freire - Nocturne op. 9 no 2 Eb min；6.Iver Kleive,Aage Kvalbein - Velt alle dine veie。

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽&云公子，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 15 in F Minor, Op. 55, No. 1；2.Ludwig van Beethoven - 悲怆奏鸣曲；3.Jacques Loussier - Concerto in D Minor for Oboe： II. Adagio；4.Carl Orrje - Nocturne No.9 Op.32／1。

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽&云公子，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.MANYO - 棘；2.Xeuphoria - Listless；3.Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 2 in E Flat Major, Op. 9, No. 2；4.Aage Kvalbein - Sicilienne。

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽&云公子，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.Brad Jacobsen - Solitary Road；2.Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 6 in G Minor, Op. 15, No. 3；3.Steven Halpern - Sleep Soundly (Pt. 1)；4.Nunu - serce polska；5.Piano i - 보고싶다 친구야。

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽&云公子，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.The O'Neill Brothers - Canon In D (Piano)；2.Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 13 in C Minor, Op. 48, No. 1；3.Isaac Stern - Piano Trio No. 1 Op. 99：Andante con moto。

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽&云公子，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.Winter Garden - Evening Star；2.Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 2 in E Flat Major, Op. 9, No. 2；3.Johann Sebastian Bach - Air -Suite No. 3 In D Major, Bwv 1068。

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽&云公子，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：587586744 背景音乐：1.Ponyphonic - Starlight Waltz；2.Little Story - 곡 상세보기 그 자리엔 미소만 남아；3.Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 16 in E-Flat, Op. 55, No. 2；4.Maurice Jarre - Carpe Diem；5.Endless Melancholy - Leave。

In the feature documentary, PIANOFORTE director Jakub Piątek takes a deep dive into what is considered to be one of the most prestigious competitions in classical music, the International Chopin Piano Competition in Warsaw, Poland. Held every five years since 1927, the event has been a career launchpad for such piano virtuosos as Krystian Zimerman, Mitsuko Uchida, Kevin Kenner, and Vladimir Ashkenazy. The competition itself is a real roller coaster of a classical ride, with extremely tough qualifying rules, multiple stages, legendary jurors (Arthur Rubinstein), and a whole lot of pressure. Jakub Piątek's fly-on-the-philharmonic-wall documentary takes us behind the scenes of this fascinating contest. We meet some of the most talented young professional piano players from all over the world and watch them navigate this fever dream of a competition, along with its intense practices, new friendships, lots of drama, and even more nerves. “Sometimes I can only groan, and suffer, and pour out my despair at the piano!” said Chopin. Pianoforte is a testament to the power of remarkable music. Nearly two centuries later, it still inspires, excites, and, yes, causes some despair and suffering, too. Director Jakub Piątek (Prime Time, 2021) stops by to talk about the intensity and commitment each of the pianist brings to their craft, how he landed on following the wide variety musicians in the film and capturing the euphoria of an artist and music transcending the notes on a page. For more go to: sundance.org/program/Pianoforte Nominated, Grand Jury Prize / World Cinema - 2023 Sundance Film Festival

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽&云公子，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：587586744 背景音乐：1.Brambles - Such Owls As You；2.Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 9 in B Major, Op. 32, No. 1；3.Painless Destiny - Constellations of love；4.Iver Kleive,Aage Kvalbein - Tema fra Adagio。

durée : 01:27:28 - Arthur Rubinstein (5/5) - par : François-Xavier Szymczak - Nous passons une semaine en compagnie d'un des plus grands pianistes du XXe siècle, Arthur Rubinstein, à travers une grande partie de ses enregistrements, de Mozart au XXe siècle.

durée : 01:27:53 - Arthur Rubinstein (4/5) - par : François-Xavier Szymczak - Nous passons une semaine en compagnie d'un des plus grands pianistes du XXe siècle, Arthur Rubinstein, à travers une grande partie de ses enregistrements, de Mozart au XXe siècle.

durée : 01:28:48 - Arthur Rubinstein (3/5) - par : François-Xavier Szymczak - Nous passons une semaine en compagnie d'un des plus grands pianistes du XXe siècle, Arthur Rubinstein, à travers une grande partie de ses enregistrements, de Mozart au XXe siècle.

durée : 01:27:46 - Arthur Rubinstein (2/5) - par : François-Xavier Szymczak - .

مدرسهٔ آنلاین نزدیکتر حمایت من در سایت حامی ‌باش کانال یوتوب من برای آموزش زبان   ترجمه شفاهی : مصطفی شالچی Joe Dassin - L'été indien (1975)   II. TROIS ANS PLUS TARD À FORMENTERA   46. Jour J – 7 Casa Le Moult. Me voici à Formentera pour finir ce roman. Ce sera le dernier de la trilogie Marronnier (dans le premier, je tombais amoureux ; dans le second, je me mariais ; dans le troisième, je divorce et retombe amoureux. La boucle est bouclée). On a beau essayer d'innover dans la forme (mots étranges, anglicismes, tournures bizarroïdes, slogans publicitaires, etc.) comme dans le fond (nightclubbing, sexe, drogue, rock'n roll…) on se rend vite compte que tout ce qu'on voudrait, c'est écrire un roman d'amour avec des phrases très simples – bref, ce qu'il y a de plus difficile à faire. J'écoute le bruit de la mer. Je ralentis enfin. La vitesse empêche d'être soi. Ici les journées ont une durée lisible dans le ciel. Ma vie parisienne n'a pas de ciel. Pondre une accroche, faxer un article, répondre au téléphone, vite, courir de réunion en réunion, déjeuner sur le pouce, vite, vite, se grouiller en scooter pour arriver en retard à un cocktail. Mon existence absurde méritait bien un coup de frein. Se concentrer. Ne faire qu'une seule chose à la fois. Caresser la beauté du silence. Profiter de la lenteur. Entendre le parfum des couleurs. Tous ces trucs que le monde veut nous interdire. Tout est à refaire. Il faut tout réorganiser dans cette société. Aujourd'hui ceux qui ont de l'argent n'ont pas de temps, et ceux qui ont du temps n'ont pas d'argent. Échapper au travail est aussi difficile qu'échapper au chômage. L'oisif est l'ennemi public numéro un. On attache les gens avec l'argent : ils sacrifient leur liberté pour payer leurs impôts. Il devient de plus en plus évident que l'enjeu du siècle prochain sera de supprimer la dictature de l'entreprise. Formentera, petite île… Satellite d'Ibiza dans la constellation des Baléares. Formentera, c'est la Corse sans les bombes, Ibiza sans les boîtes, Moustique sans Mick Jagger, Capri sans Hervé Vilard, le Pays basque sans la pluie. Soleil blanc. Promenade en Vespa. Chaleur et poussière. Fleurs desséchées. Mer turquoise. Odeur des pins. Chant des grillons. Lézards trouillards. Moutons qui font mêêê. — Il n'y a pas de « mais », leur rétorque-je. Soleil rouge. Gambas a la plancha. Vamos a la playa. Lune orange. Gin con limon. Je cherchais l'apaisement, c'est ici, où il fait trop chaud pour écrire de longues phrases. On peut être en vacances ailleurs que dans le coma. La mer est remplie d'eau. Le ciel bouge sans cesse. Les étoiles filent. Respirer de l'air devrait toujours être une occupation à plein temps. C'est l'histoire d'un type qui s'enferme tout seul sur une île pour terminer un bouquin qui ne s'appelle pas Paludes. Le type mène une vie de dingue, cela lui fait tout drôle de se retrouver livré à lui-même, dans la nature, sans télévision, ni téléphone. À Paris, il est pressé, joue les dynamiques, ici ne bouge pas de la journée, se promène le soir, toujours seul. Barnabooth à Florence, Byron à Venise, le panda du zoo de Vincennes sont ses modèles. La seule personne à qui il dise bonjour est la serveuse de San Francesco. Le type porte une chemise noire, un Jean blanc, des Tod's. Boit des pastis et des gin-limon. Bouffe des chips et des tortillas. N'écoute qu'un seul disque : La Sonate à Kreutzer par Arthur Rubinstein. Hier on l'aurait même aperçu applaudir un but français dans le match France-Espagne, ce qui est de mauvais goût, mais courageux, quand on est le seul Français dans un bistrot, en Espagne, sur un port. Si vous croisiez ce type, vous penseriez sans doute : « Mais que fout ce con de Parisien à la Fonda Pepe hors saison ? » Cela me chagrine un peu, vu que le type en question, c'est moi. Alors, mettez-la un peu en veilleuse, merci. Je suis l'ermite qui sourit au vent tiède.   Dans une semaine cela fera trois ans que je vis avec Alice.     47.Jour J – 6 Bon, d'accord, quand Alice a quitté Antoine, puis quand nous avons déménagé pour vivre ensemble rue Mazarine (la rue où Antoine Blondin est mort), je ne vous cache pas qu'il m'arrivait d'être pris d'angoisse. Le bonheur est bien plus effrayant que le malheur. D'avoir obtenu ce que je désirais le plus au monde me combla de joie, et simultanément, me plongea dans le doute. Referais-je les mêmes erreurs ? N'étais-je qu'un romantique cyclique ? Maintenant qu'elle était là, en voulais-je vraiment ? Deviendrais-je trop tendre ? M'arrivait-il de m'ennuyer avec elle ? Quand est-ce que j'arrêterais de me prendre la tête, bordel de merde ? Antoine voulait me tuer, la tuer, se tuer. Notre couple se bâtissait sur les cendres d'un double divorce, comme s'il fallait se repaître de deux sacrifices humains pour construire un nouvel amour. Schumpeter appelait cela la « destruction créatrice », mais Schumpeter était économiste, et les économistes sont rarement des sentimentaux. Nous avons détruit deux mariages pour rester unis, tel le blob qui absorbe ses victimes pour s'agrandir. Le bonheur est une chose si monstrueuse que, si vous n'en crevez pas vous-même, il exigera de vous au moins quelques assassinats.   Jean-Georges est venu me rejoindre à Formentera. Ensemble, nous refaisons le monde, puis rendons visite aux poissons sous la mer. Il rédige une pièce de théâtre, et boit donc autant que moi.   Poème à lire en état d'ivresse : À Formentera Tu fermenteras.   Nous croisons de vieux couples de hippies défoncés, qui sont restés ensemble, ici, depuis les années soixante. Comment ont-ils fait pour tenir si longtemps ? J'en ai les larmes aux yeux. Je leur achète de l'herbe. Avec Jean-Georges, nous picolons dans les troquets, en jouant au billard. Il me raconte ses amours. Il vient de rencontrer la femme de sa vie, il est heureux, pour la première fois. — Aimer : nous ne vivons pour rien d'autre, dit-il. — Et faire des enfants ? — Pas question ! Donner naissance à quelqu'un dans un monde pareil ? Criminel ! Egoïste ! Narcissique ! — Moi, les femmes, je leur fais mieux qu'un enfant : je leur fais un livre, proclame-je en levant le doigt. Nous jetons des œillades à la serveuse. Elle est à croquer, porte un boléro, sa peau mate est légèrement duveteuse, grands yeux noirs, se tient cambrée, farouche comme une squaw. — Elle ressemble à Alice, dis-je. Si je couchais avec elle, je serais quand même fidèle. Alice est restée à Paris, et viendra me rejoindre ici dans une semaine.   Dans six jours cela fera trois ans que je vis avec elle.      

You might be thinking, "Why on earth would anyone want to devote an entire podcast to etudes?" For most instrumentalists, etudes are the bane of our existence. They are studies, meant to develop technique on an instrument. Etudes are an essential part of any instrumentalists work, but they had never been known for their musical content. As a violinist, I had practiced dozens of etudes by Kreutzer, Rodé, Dancla, Sevcik, Schraideck, Kayser, Mazas, and more, lamenting the day I chose the violin as my instrument. But pianists have the same dreaded names, like Czerny for example. Chopin changed all of that. Chopin was the first composer to integrate musical content into his etudes, which meant that Chopin's etudes were both extremely difficult technical exercises, but they also were musically interesting enough to be performed live. LIke everything Chopin did on the piano, this was revolutionary, and Chopin's 27 etudes have been part of the piano repertoire ever since. We'll discuss some of these etudes today, along with the nature of virtuosity itself. We'll also spend a lot of time talking about Leopold Godowsky. Leopold Godowsky is not a name you've probably heard very often. But he was one of the great pianists of the end of the 19th century and the beginning of the 20th century, with legions of admirers including legendary pianists like Josef Hoffman, Arthur Rubinstein, Sergei Rachmaninoff, Claudio Arrau, and the composer Ferrucio Busoni. Godowsky's pianistic gifts were well known, but what about his compositional ones? Well, to speak of one is to speak of the other. During the 1890s, when Godowsky was in his late 20s, he began making arrangements of famous piano works of Chopin and other composers music. Over the next 20 years, he became engrossed with Chopin's legendary etudes, or studies, and began writing his own arrangements of them. Now Chopin's etudes are extremely difficult just on their own, but Godowsky's studies are on another level of difficulty.  In fact, Godowsky's transcriptions are so difficult that many pianists don't even dare to play them, though some, like the great Marc-Andre Hamelin, have made them an integral part of their repertoire. So today on the show, we'll take a look at some of the studies on Chopin's etudes, analyzing both the original Chopin etudes and then the changes that Godowsky makes to them. This will be a show as much about Chopin as it is about Godowsky, because you can't understand Godowsky's achievement without understanding the Chopin first. Join us!

As sharp pangs of hunger twisted his guts and his brains, all he wished for was death because it seemed that was the only way out. On his quest for the everlasting sleep, his attempt failed and somehow, life suddenly made sense to him. The life that awaited him would be more than he could've ever dreamed. Tune in for the rest of the story!https://en.wikipedia.org/wiki/Arthur_Rubinstein

durée : 01:58:17 - Le Bach du dimanche - par : Corinne Schneider - Au programme de cette 224e émission : pianistes légendaires et enregistrements historiques (Claudio Arrau, Clara Haskil, Marcelle Meyer, Sviatoslav Richter et Arthur Rubinstein) ; la fête de la Réforme (31 octobre) ; et la 24e édition du Festival Bach de Lausanne « All Bach ! » (4-25 novembre). - réalisé par : Anne-Lise Assada