Podcasts about Moderato

William Boyd is the author of eighteen novels, five short story collections and numerous screenplays. His first published novel, A Good Man in Africa, was inspired by his childhood in West Africa. He is well known for writing ‘whole life' novels including Any Human Heart which he adapted as a BAFTA-winning television series. He was born in Accra in Ghana where his Scottish father worked as a doctor, specialising in tropical medicine. In 1964 the family moved to Ibadan, Nigeria where he witnessed the Nigerian Civil War – the Biafran War – which had a profound effect on him both personally and professionally.He read English Literature and Philosophy at the University of Glasgow and became a lecturer in English at St Hilda's College, Oxford. During this period he wrote novels and short stories on the side until his breakthrough novel, A Good Man in Africa, was published in 1981. In 2005 he was appointed CBE for services to literature.William lives in London with his wife Susan and over 10,000 books.DISC ONE: Sunday - Mandy Patinkin (George), Sunday in the Park with George Original Broadway Cast Ensemble and Orchestra DISC TWO: Sorry Sorry - Femi Kuti DISC THREE: Away Down the River - Alison Krauss DISC FOUR: Que reste-t-il de nos amours - Charles Trenet DISC FIVE: Daniel - Elton John DISC SIX: Britten: Violin Concerto, Op. 15: 1. Moderato con moto. Performed by Janine Jansen (violin) London Symphony Orchestra, conducted by Paavo Järvi DISC SEVEN: Brahms: Horn Trio In E Flat, Op. 40 - 1. Andante - Poco più animato. Performed by György Sebök (piano) Arthur Grumiaux (violin), Francis Orval (horn) DISC EIGHT: Al Otro Lado del Río - Jorge DrexlerBOOK CHOICE: Pale Fire by Vladimir Nabokov LUXURY ITEM: A piano CASTAWAY'S FAVOURITE: Daniel - Elton JohnPresenter Lauren Laverne Producer Paula McGinley

Ferruccio Busoni (1866 – 1924) - Symphonìsce Suite n. 11.       Praeludium. Allegro giusto (0:00)2.       Gavotte. Moderato (10:12)3.       Gigue. Allegro vivace - Più vivo (15:52)4.       Langsames intermezzo. Adagio non troppo - Con moto - Tempo I (21:50)5.       Alla breve: Allegro fugato. Allegro energico (27:41)  Berlin Radio Symphony OrchestraArturo Tamayo, conductor

Aleksandr Konstantinovič Glazunov (1865 - 1936) - Rapsodia orientale, op. 29 1. Andante (0:00)2. Presto (6:07)3. Andante (11:15)4. Moderato: all Marcia (18:00)5. Finale: Allegro (20:50) USSR State Symphony OrchestraFyodorovich Svetlanov, conductor

Sergej Prokofiev (1891 - 1953) – Sinfonia Classica in re maggiore Op. 251. Allegro2. Larghetto  4:113. Gavotta: Non troppo allegro  8:064. Finale: Molto vivace  9:41 New York Philharmonic OrchestraLeonard Bernstein, conductor ***** Sergej Prokofiev (1891 - 1953) - Concerto n. 1 in re maggiore per violino e orchestra, op. 19I. Andantino 13:44II. Scherzo. Vivacissimo 23:25III. Moderato 27:18 David Oistrakh, violinoLondon Symphony OrchestraLovro von Matačić, conductor

Per approfondire gli argomenti della puntata: La nostra serie Imperatores, sugli imperatori romani : https://youtube.com/playlist?list=PLpMrMjMIcOkkIDocjNI3Q7gCk-4bOiVVO Le altre puntate sulla storia di Roma antica : https://youtube.com/playlist?list=PLpMrMjMIcOkkVlao9HeDl3jIHVKO3IcR_ Learn more about your ad choices. Visit megaphone.fm/adchoices

[✐3. Moderato] sound more natural : 〜んです --- “you see”-function, implying surprise, means of explanation“I'm going to participate in the demonstration(, you see).”[00:07]Hello everyone. Today we will practice making the conversation more natural.[00:14]Listen to this first.[00:17]A: Do you always take out coffee here (this shop)?B:  Yes, because here(this shop) is quick and (the coffee is) tasty.[00:24]Now, listen to the next conversation.[00:28]A: Do you always take out coffee here (this shop)?B: Yes, here (this shop) is quick and (the coffee is) tasty, you see.[00:35]It sounds more natural in every day conversation.[00:41]First, we start practicing making “〜n desu” as follows.[00:49]come [Masu form] > come [Dictionary form][you say]→ kuru n desuReady?[00:54]1.  go [Masu] > [Dictionary]2.  go home [Masu] > [Dictionary]3.  meet [Masu] > [Dictionary]4.  buy  [Masu] > [Dictionary]5.  give / present [Masu] > [Dictionary]6.  make/cook [Masu] > [Dictionary] > [Plain -present progressive]7.  contacted [Masu-past] > [Plain-past]So far so good?Repeat after me[01:59]1.  I'm going next month, not this week.2.  I'm meeting my old friends tomorrow.3.  This weekend, I'm going to participate in demonstration.4.  Do you buy so much toilet paper?5.  Are you going out so late at night?[03:11]There is a feeling of surprise in Nr.4 and Nr.5.[03:17]Please answer as follows.[03:20]When are you going back/home? Next week → I'm going back/home next week.Ready?=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*= 「デモに さんかするんです。」[00:07]みなさん、こんにちは。きょうは  かいわをもっとナチュラルにするれんしゅうをします。[00:14]まず、これをきいてください。[00:17]A;「いつも ここで コーヒーをテイクアウトしますか。」B:「ええ、ここは はやくて おいしいですから。」[00:24]では、つぎのかいわをきいてください。[00:28]A:「いつもここでコーヒーをテイクアウトするんですか。」B:「そう(です)、ここは はやくて おいしいんです。」[00:35]にちじょうかいわでは、こっちのほうがナチュラルなんです。[00:41]まず、つぎのように「〜んです」をつくるれんしゅうからはじめましょう。[00:49]きます＞くる[you say]→ くるんですいいですか。[00:54]1.  いきます＞いく→ いくんです2.  かえります＞かえる→ かえるんです3.  あいます＞あう→ あうんです4.  かいます＞かう→ かうんです5.  あげます＞あげる→ あげるんです6.  つくります＞つくる＞つくっている→ つくっているんです。7.  れんらくしました＞れんらくした→ れんらくしたんですここまでOKですね。Repeat after me[01:59]1.  こんしゅうじゃなくて、らいげついくんです。2.  あした、むかしの ともだちに あうんです。3.  しゅうまつ、デモに さんかするんです。4.  こんなに トイレットペーパーをかうんですか。5.  こんな よる おそくに でかけるんですか。[03:11]4ばんと5ばんは おどろきを あらわしていますね。[03:17]では、つぎにようにこたえてください。[03:20]いつ かえるんですか。らいしゅう→ らいしゅうかえるんです。いいですか。Support the show=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

Massimo Giannini, editorialista e opinionista di Repubblica, racconta dal lunedì al venerdì il suo punto di vista sullo scenario politico e sulle notizie di attualità, italiane e internazionali. “Circo Massimo - Lo spettacolo della politica“ lo puoi ascoltare sull’app di One Podcast, sull’app di Repubblica, e su tutte le principali piattaforme.See omnystudio.com/listener for privacy information.

Giornata di mercati con l'inflazione americana in lieve aumento, come previsto. Milano chiude in rialzo, mentre STM e Leonardo sono tra i titoli più acquistati, con Campari e Iveco tra i più venduti. Learn more about your ad choices. Visit megaphone.fm/adchoices

[✐3. Moderato] できます be completed/built/finished, come into being“Dinner is ready(cooked).”[00:07]Hello everyone.There used to be no supermarket or anything in my neighbourhood, but recently various shops are built(opened) and it has become more convenient.Repeat after me[00:19]1.  A supermarket was built in my neighbourhood.2.  A drug store was built next to the super market.3.  An adult education center was built opposite the drug store.4.  A department store was built behind (in the back of) the culture centre.5.  A beer garden was built(open) on the roof of the department store.[01:38]What do you think should be built in your neighbourhood?Repeat after me[01:43]1.  It'd be convenient if a Kindergarten is built.2.  I hope a sports club will be built.3.  It'd be great if a sports club is built.4.  A convenience store would be convenient!5.  I'd like to go(attend) if a Japanese language school is built.[02:47]Construction is underway in front of the station.  I'm curious…  Let's ask somebody.Repeat after me[02:56]What will be built here?  Do you know?[03:08]Now, after ♪, please ask “What will be built here?  Do you know?” Then I will answer.1.  ♪→ Ask me: What will be built here?  Do you know?(Hmm, I don't know either.)2.  ♪→ What will be built here?  Do you know?(I've heard there will be a parking lot.)3.  ♪→ What will be built here?  Do you know?(It will be a shopping centre.)[03:49]It's your turn now.  I will ask you, and you answer.For example,What will be built here?  Do you know? / supermarket→ It will be a supermarket (A supermarket will be built).Ready?=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=「ゆうはん、できたよ」[00:07]みなさん、こんにちは。うちのそばには、いぜんは スーパーも なにも ありませんでしたが、さいきんはいろいろ おみせができて、べんりになりました。Repeat after me[00:19]1.  きんじょにスーパーが できました。2.  スーパーのとなりにドラッグストアが できました。3.  ドラッグストアのむかいに カルチャー センターができました。(カルチャーセンター = an adult education center, cultural centre)4.  カルチャーセンターのうしろに、デパートができました。5.  デパートのおくじょうにビアガーデンができました。[01:38]きんじょに なにが できたら いいと おもいますか。Repeat after me[01:43]1.  ようちえんが できたら べんりです。2.  びょういんが できたら いいと おもいます。3.  スポーツクラブが できたら いいです。4.  コンビニが できたら べんりです!5.  にほんごがっこうが できたらいきたい です。[02:47えきまえでこうじがはじまりました。きになりますねぇ。だれかにききましょう。Repeat after me[02:56]ここになにができるんですか。しって(い)ますか。[03:08]では、♪のあとに、「ここになにができるんですか。しっていますか」ときいて ください。わたしが こたえます。[03:18]1.  ♪→ Ask me:ここになにができるんですか。 しっていますか。(さあ、わたしも しりません。)2.  ♪→ ここになにができるんですか。 しっていますか。(ちゅうしゃじょうが できると ききました。)3.  ♪→ ここになにができるんですか。 しっていますか。(ショッピングセンターが できるんですよ。)[03:49]こんどはみなさんのばんです。わたしがききますから、こたえてください。たとえば、ここになにができるんですか。しっていますか。スーパー→(you answer)スーパーができるんです。いいですか。Support the show=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

Chaque mois de janvier, c'est le retour du Dry January : il s'agit de s'offrir une pause dans sa consommation d'alcool pendant une trentaine de jours. Au fil des ans, le défi se révèle moins difficile à tenir, car les boissons sans alcool tendent à devenir une catégorie à part entière, avec des substituts au vin, à la bière et aux spiritueux qui se distinguent des boissons sans alcool traditionnelles, que sont les jus de fruits, nectars, sirops et autres sodas. Vins ou spiritueux désalcoolisés, infusions ou macérations de plantes médicinales, boissons fermentées, désormais, les alternatives aux boissons alcoolisées sont très variées. Les consommateurs recherchent des boissons plus saines et naturelles, sans exclure la notion de plaisir, et cette demande est donc soutenue par une offre grandissante.Le Paon qui boit, une cave située 61, rue de Meaux, dans le 19ᵉ arrondissement de Paris, est la première cave entièrement sans alcool de France avec pas moins de 600 références. Pour l'anecdote, le paon a une relation particulière à la boisson, car chaque année, son plumage, conséquent, tombe. Alors, pour qu'il repousse, il lui faut s'abreuver sans cesse, et d'un breuvage de qualité.En ce Dry January, la cave parisienne propose des dégustations de ses produits. Thomas, un client, tient son verre par le pied et fait tournoyer le vin, le hume puis le boit.« On retrouve des sensations assez confuses parce qu'en fait, il y a de l'astringence et en même temps, vachement de légèreté, analyse-t-il. Donc, on ne sait pas très bien sur quoi on jongle... Toujours pas prêt, mais en tout cas, je pense qu'on est clairement sur la bonne voie. » Ce vin rouge Merlot, proposé à la dégustation par Andréa Douillard, a une particularité : « Ce sont des vins qui sont désalcoolisés, explique-t-elle. Nous, chez Moderato, nous utilisons la méthode de distillation sous vide, c'est-à-dire qu'en fait, on va faire chauffer les vins à basse température dans des cuves en inox sous vide entre 30 et 35 degrés, ce qui va permettre de créer une évaporation de l'alcool et finir sur des produits sans alcool. » Cette fois, c'est un pétillant blanc sans alcool qui est versé dans les verres. « C'est bien, surprenant, il est bien sec, c'est très intéressant, détaille Philippe, amateur de champagne. Moi, j'ai arrêté de boire il y a quatre ans. J'adore toujours, quand il y a un dîner festif, goûter chaque vin et là, de trouver quelque chose de complètement différent, original, ce n'est pas palliatif, c'est différent, avec un autre objectif. »« Des nouvelles boissons qui ne vont plus chercher à copier l'alcool »À la tête de la cave Le Paon qui boit, il y a un homme, passionné et raffiné. Augustin Laborde explique ce qui fait l'originalité de l'offre : « Vous avez d'un côté toutes les copies d'alcool sans alcool - donc évidemment les bières, les apéritifs, les vins, etc - qui cherchent à reproduire le plus possible l'alcool sans l'alcool, liste-t-il. Et puis surtout, à côté, c'est ce marché-là, cette demande-là que nous, on soutient beaucoup et qu'on trouve très intéressante : des nouvelles boissons qui ne vont plus chercher à copier l'alcool. On va sortir un peu de notre référentiel alcoolisé et ça va éviter de toujours comparer et donc potentiellement d'être déçu. Et ces boissons-là n'ont rien à envier à des boissons vraiment très complexes et sont servies maintenant dans des étoilés, dans de très belles tables. »Et elle est là la bonne idée, ne pas copier, mais proposer autre chose, une alternative à l'alcool. D'ailleurs, les abstinents ne sont pas les premiers clients. « Contrairement à ce qu'on pourrait penser, la très très grande majorité de notre clientèle, à peu près les deux tiers, sont des personnes qui continuent à boire de l'alcool, mais qui vont chercher des alternatives de temps en temps, indique Augustin Laborde, ce sont ceux que nous, on va appeler en mauvais français des flexi drinkers. Donc, voilà, des personnes qui continuent à boire de l'alcool, mais qui vont chercher des alternatives et qui, lorsqu'elles cherchent des alternatives justement, ne veulent pas être à l'eau, à l'eau plate ou autre, donc veulent quelque chose de complexe, pour adultes, raffiné, etc. »En ce jour de dégustation, Le Paon qui boit ne désemplit pas. Si les consommateurs recherchent le plaisir de boire dans la sobriété, ils revendiquent aussi les bienfaits des boissons sans alcool sur la santé.À écouter dans Priorité santéDéfi de janvier : un mois sans alcool

Tous les jours, du lundi au jeudi, la France Bouge prend des nouvelles d'entrepreneurs qui sont déjà passés dans l'émission.

Tous les jours, du lundi au jeudi, la France Bouge prend des nouvelles d'entrepreneurs qui sont déjà passés dans l'émission.

Jean Sibelius - Five Christmas songs (Viisi joululaulua), Op. 11.       Nu står jul vid snöig port, Op.1, No.1                     2.       Nu så kommer julen!, Op.1, No.2                           [1:49] 3.       Det mörknar ute, Op.1, No.3                                    [4:54]4.       Giv mig ej glans, Op.1, No.4                                      [6:46]5.       On hanget korkeat, nietokset, Op.1, No.5          [10:35] Tom Krause, baritonoIrwin Gage, pianoforte*******[13:08]Arnold Schoenberg (1874-1951): WeihnachtsmusikTaverner Players (string trio, piano, harmonium)Andrew Parrot, director*******[18:20]Béla Bartók (1881-1945) - Romanian Christmas Carols, Sz.57 SERIES 1:1. "Pă cel plai de munte" (from the region of Várhely, in Hunyad). Allegro2. "Intreabă si-ntreabă" (from the region of Malomvíz, in Hunyad). Allegro                                       3. "Doi roagă să, roagă" (from the region of Malomvíz, in Hunyad). Allegro                                        4. "Ciucur verde de mătasă" (from the region of Temesmonostor, in Temes). Andante                              5. "Coborâto, coborâto" (from the region of Alsóvisó, in Máramaros). Allegro moderato                            6. "În patru cornuți de lume" (from the region of Görgényorsova, in Maros-Torda). Andante   7. "La lină fântână" (from the region of Sárafalva, in Torontál). Andante                                                             8. "Noi umblăm da corindare" (from the region of Sárafalva, in Torontál). Allegretto                     9. "Noi acum ortacilor" (from the region of Bisztra, in Torda-Aranyos). Allegro                                 10. "Trei crai de la Răsărit" (from the region of Rogos, in Bihar). Più allegro                                   SERIES 2:1."Colo-n jos la munte-n josu" (from the region of Körtekapu, in Maros-Torda). Molto moderato 2. "Deasupra pă răsăritu" (from the region of Várhely, in Hunyad). Moderato                                  3. "Creștemi, Doamne, creștiu" (from the region of Cserbel, in Hunyad). Andante 4. "Sculați, sculați boieri mari" (from the region of Felsőoroszi, in Maros-Torda). Andante 5. "Ăi, colo-n josu mai din josu" (from the region of Cserbel, in Hunyad). Moderato6. "Șio luat, luată" (from the region of Libánfalva, in Maros-Torda). Andante 7. "Colo sus mai susu" (from the region of Temesmonostor, in Temes). Variante della precedente 6b. XVIIb. "Șio luat, luată" (reprise). Andante8. "Colo sus pă după lună" (from the region of Gyalán, in Bihar). Allegro 9. "De cei domnul bunu" (from the region of Várhely, in Hunyad). Allegretto 10. "Hai cu toții să suimu" (from the region of Gyalár, in Hunyad). Allegro Zoltan Kocsis, pianoforte 

This Day in Legal History: Georgia Bans LynchingOn December 20, 1893, Georgia enacted the nation's first anti-lynching law, making lynching a felony punishable by up to four years in prison. The move marked an early, if largely symbolic, legislative response to the epidemic of racial violence that gripped the United States during the late 19th century. While Georgia's statute was groundbreaking, it was neither robustly enforced nor particularly effective at curbing mob violence, particularly against Black Americans. The systemic racism entrenched in law enforcement and the judiciary often allowed perpetrators of lynchings to escape accountability despite the new law.Ida B. Wells-Barnett, a prominent journalist and anti-lynching activist, highlighted the shortcomings of Georgia's legislation in her 1899 pamphlet Lynch Law in Georgia. She chronicled specific cases of mob violence in the state, exposing how the justice system failed to protect victims or prosecute offenders effectively. Wells-Barnett's work underscored the inadequacy of anti-lynching laws that lacked mechanisms for federal oversight or impartial enforcement.The Georgia law represented a small step in acknowledging lynching as a legal and moral wrong, but its impact was limited by the pervasive culture of white supremacy. Over the following decades, activists like Wells-Barnett continued to advocate for stronger federal anti-lynching measures, culminating in legislation like the Emmett Till Antilynching Act, signed into law in 2022. The 1893 Georgia statute remains a pivotal, though imperfect, historical moment in the struggle for racial justice and the rule of law.Starbucks Workers United, the union representing baristas at over 500 of Starbucks' 10,000 U.S. stores, has announced a five-day strike starting Friday after a breakdown in final-stage bargaining sessions with the company. The strike will initially affect unionized stores in Los Angeles, Chicago, and Seattle, with the union expecting the action to expand to hundreds of stores by Christmas Eve. The dispute centers on the company's failure to offer immediate pay raises for unionized baristas in its latest proposal. This marks the first strike since February, when both sides agreed to resume negotiations, and follows high-profile strikes like last year's Red Cup Day walkout. Starbucks claims the union prematurely ended the bargaining session and states it is ready to continue negotiations, highlighting agreements reached on over 30 worker-focused issues. The company also emphasized its average compensation package of $30 per hour for baristas working at least 20 hours weekly, while reaffirming its commitment to improving the worker experience.Starbucks Union to Strike Friday in LA, Chicago, Seattle (2)The U.S. government faces an impending shutdown as a Republican-backed funding proposal failed in the House, exposing deep divisions within the GOP. President-elect Donald Trump opposed a bipartisan funding deal, demanding debt ceiling changes, but his alternative plan failed to unify his party. Thirty-eight Republican lawmakers joined Democrats to reject the measure, highlighting challenges in advancing Trump's agenda despite Republican control of Congress and the presidency.House Speaker Mike Johnson, struggling to manage the crisis, vowed to propose a new solution but faced mounting criticism. Trump and ally Elon Musk condemned the bipartisan deal and pressured Republicans to hold firm, complicating efforts to pass even a stopgap measure. The shutdown threat could furlough federal workers and disrupt essential services during the holiday season.The discord underscored the GOP's internal fractures and Trump's polarizing influence as he pushes aggressive policy demands. While Trump framed the impasse as a fight against excessive government spending, Democrats criticized his demands as political maneuvers to advance tax cuts and other priorities. With the midnight deadline looming, no resolution was in sight, leaving federal agencies and workers bracing for a shutdown.Trump-Backed US Funding Plan's Failure Showcases GOP FissuresNine Palestinian Americans have filed a lawsuit against the U.S. government, accusing it of failing to evacuate them and their families from Gaza amid ongoing conflict and a severe humanitarian crisis. The plaintiffs allege discrimination by the State Department, claiming it neglected to offer the same evacuation efforts typically extended to Americans in other conflict zones, such as Afghanistan, Lebanon, and Sudan. The suit, filed in the U.S. District Court for the Northern District of Illinois, names President Joe Biden, Secretary of State Antony Blinken, and Defense Secretary Lloyd Austin as defendants.The lawsuit, supported by the Council on American-Islamic Relations and attorney Maria Kari, argues the U.S. violated the plaintiffs' constitutional right to equal protection. A State Department spokesperson declined to comment on the litigation but emphasized that ensuring the safety of U.S. citizens is a priority and noted prior evacuation efforts from Gaza.The conflict, which escalated after Hamas' October 2023 attack on Israel, has led to over 45,000 deaths in Gaza and displaced nearly all of its 2.3 million residents. Plaintiffs argue that the U.S. has failed to adequately address the safety of Palestinian Americans amid accusations of war crimes and genocide in the ongoing violence.Lawsuit alleges U.S. failed to evacuate Palestinian Americans trapped in Gaza | ReutersThis week's closing theme is by Béla Bartók.Our closing theme for this week is String Quartet No. 2, Op. 17 (Sz. 67) by the Hungarian composer Béla Bartók, a towering figure in 20th-century music. Born in 1881, Bartók was not only a celebrated composer but also a pioneering ethnomusicologist, deeply committed to collecting and incorporating the folk music traditions of Eastern Europe into his compositions. His work often fuses the rhythmic vitality and modal scales of these traditions with innovative harmonic language and formal structures, making him one of the most distinctive voices of his time.Composed between 1915 and 1917, Bartók's String Quartet No. 2 reflects both personal and historical turmoil. The piece emerged during World War I, a period of great upheaval, which undoubtedly shaped its emotional intensity. This three-movement work alternates between lyrical introspection and passionate turbulence, mirroring Bartók's exploration of the tension between Western classical forms and the folk influences he revered.The opening movement (Moderato) is contemplative and almost nostalgic, its long, flowing melodies underscored by a subtle tension. The second movement (Allegro molto capriccioso) bursts forth with ferocious energy, driven by dance-like rhythms and aggressive interplay between the instruments. Finally, the third movement (Lento) brings a return to introspection, its sparse and haunting textures evoking a sense of profound melancholy.Bartók's String Quartet No. 2 is both challenging and rewarding, offering a glimpse into the mind of a composer navigating a complex emotional and cultural landscape. Its raw expressiveness and structural ingenuity make it a fitting conclusion to our week, capturing both the struggles and the beauty of human creativity.Without further ado, Béla Bartók's String Quartet No. 2, Op. 17 - enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

[✐3.Moderato]〜といっていました：report what someone said“(My wife said) we never seem to be able to save any money.[00:09]Hello everyone. How're you doing? Let's study hard today as well.  Today, we practice "〜to itte imashita(someone said〜)".[00:20]Hamada san called Matsumoto san;“Sorry, I may be a bit late.”[00:28]Then Matsumoto san report this message to everyone. “well, I've just got a call from Hamada san.  He said he might be late.”Repeat after me[00:40]1.  He said he overslept.2.  He said he had a hangover.3.  He said the train was running late.4.  He said he made a mistake in changing trains.5.  He said he lost his wallet.6.  He said he would come after he stopped by Koban(police box).[01:49]Hamada san is still taking a long time to be here.[01:56]Let's practice how to ask.[01:59]For example,Tom san→How did Tom san say?Ready?[02:08]1.  your parents→ What did your parents say?2.  teacher→ What did the teacher say?3.  commentator→ What did the commentator say?[03:06]Now, let's tell others what you heard from Tom san. Please repeat after listening to [Key Words].[03:17]1.  [KW ] Japanese university→ He said he studied at a Japanese Uni.2.  [KW] Osaka dialect→ He said he could speak Osaka dialect.3.  [KW] Kabuki→ He said he was familiar with Kabuki.4.  [KW] Karate, black belt→ He said he‘s got a black belt Karate.5.  Meeting, in Japanese→ He said the meeting was fine in Japanese (he could cope with the meeting in Japanese).[04:47]Tom san is quite a Japanese expert, isn't he?=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*= 「(つまは)おかねが ぜんぜん たまらないといっていました」[00:09]みなさん、こんにちは。おげんきですか。 さあ、きょうもがんばりましょう。きょうは 「〜といっていました。」をれんしゅうします。[00:20]はまださんは まつもとさんに でんわを しました。「ああ、ごめん、ちょっと、おくれるかも しれません。」[00:28]まつもとさんは、みんなに ほうこくします。 ｢ええと、いま、はまださんから でんわがありまして、おくれるかもしれないと いって いました。｣Repeat after me[00:40]1.  ねぼうしたと いって(い)ました。2.  ふつかよいだと いって(い)ました。3.  でんしゃがおくれていると いって(い)ました。4.  (でんしゃの)のりかえを まちがえたといって(い) ました。5.  さいふをなくしたといって(い)ました。6.  こうばんによってからくるといって(い)ました。*(い)is often dropped in conversation.[01:49]はまださん、なかなか きませんね。[01:56]では、しつもんのしかたも  れんしゅう しましょう。[01:59]たとえば、トムさん→トムさんは なんといっていましたか。いいですか。[02:08]1.  ごりょうしん→ごりょうしんは なんといっていましたか。2.  せんせい→せんせいはなんといっていましたか。3.  コメンテーター→コメンテーターはなんといっていましたか。[03:06]では、トムさんに きいたはなし をほかのひとにつたえましょう。キーワード[KW]をきいてから、リピートしてください。[03:17]1.  [KW] にほんのだいがく→にほんのだいがくでべんきょうしたといっていました。2.  [KW] おおさかべん→おおさかべんがはなせるといっていました。3.  [KW]かぶき→かぶきにくわしいといっていました。4.  [KW]からて、くろおび→からてはくろおびだといっていました。5.  [KW]かいぎ、にほんご→かいぎはにほんごでだいじょうぶだといっていました。[04:47]トムさん、かなりのにほんつうですね。Support the show=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

Dmitri Shostakovich (1906 - 1975) -  Sinfonia n. 7 in do maggiore "Leningrado", op. 601.       Allegretto2.       Moderato (poco allegretto)3.       Adagio4.       Allegro non troppo hr-Sinfonieorchester – Frankfurt Radio Symphony ∙Klaus Mäkelä, conductor About Sinfonia n. 7 in do maggiore "Leningrado", op. 60

[✐3-Moderato,4-Allegretto] ask for a reply, intention to confirm (excl. past tense)“You don't like sushi, right?”[00 07]Hello, everyone.[00:09]Let's think about the situation. You are invited to a party on Saturday.  Well, you think it's next Saturday, but not sure.  So, you'd like to confirm it's really next Saturday, you'd ask “The party is next Saturday, right?” The nuance of this “right?” can be expressed by "〜dakke?".[00:30]In masu-form, ending particle ”yone”  is added to double check something.[00:39]In fact, in casual conversations, “〜dakke”  is used quite frequently.Note: You know how to construct “ 〜n desu“. Now just add “dakke?” after “n”.[00:46]Anyway, let's practice.For example,go? [masu form] > [〜n desu ka]You go (you are going), right?Ready?[00:57]1.  [masu form] > [〜n desu ka] → You buy (it), right?2.  → You read (it), right?3.  → You do (it), right?4.  → You come, right?5.  → There is, right?Repeat after me[01:45]1.  You have a friend in Calfornia, right?2.  I copy this, right?3.  You don't have time today, right?4.  You don't eat meat, right?5.  You don't drink alcohol, right?6.  You don't like Sushi, right?[02:51]Now, make a sentence as follows.For example,[02:55]Do you have a car?→ You have a car, right?Ready?=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=「すしが すきじゃない んだっけ？」[00: 07]みなさん、こんにちは。[00:09]Let's imagine the following situation. You are invited to a party on Saturday.  Well, you think it is Saturday next week, but you are not sure.  So, you'd ask: “The party is next Saturday, right?” The nuance of this “right?” can be expressed by 「〜だっけ？」.[00:30]In masu-form, ending particleよね is added to double check something, or to seek for an agreement.[00:39]In fact, in casual conversations,  ｢〜だっけ?｣ is often used.Note: You know how to construct “ 〜んです“。Now just add ｢だっけ？｣, after  「ん」。[00:46]とにかく、れんしゅうしましょう。たとえば、いきますか＞いくんですよね→いくんだっけ？いいですか[00:57]1.  かいます＞かうんですよね→かうんだっけ？2.  よみます＞よむんですよね→よむんだっけ？3.  します＞するんですよね→するんだっけ？4.  きます＞くるんですよね→くるんだっけ？5.  あります＞あるんですよね→あるんだっけ？Repeat after me[01:45]1.  カリフォルニアに ともだちが いるんだっけ？2.  これを コピーするんだっけ？3.  きょう じかんがないんだっけ？4.  にくを たべないんだっけ？5.  おさけを のまないんだっけ？6.  すしが すきじゃないんだっけ？[02:51]では、つぎのようにぶんをつくります。たとえば、[02:55]くるまを もっていますよね→ くるまを もっているんだっけ？いいですかSupport the Show.=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

[✐3. Moderato] 〜が〜ています[00:07]Hello everyone. Today we practice usingてte-form to describe the ongoing state of things. For example, somebody or you locked a door and the door is still locked. Then you say, “Doa ga shimatte imasu.”[00:29]Firstly, make a sentence as follows.For example,electricity, off→ The electricity is off.Ready?[00:42]1.  door, open→ The door is open.2.  key, locked→ It(key) is locked.3.  car lights, off→ The car lights are off.4.  screen of smartphone, dirty→ The screen of the smartphone is dirty.5.  copy machine, broken→ The copy machine is broken/out of order.6.  glasses, foggy→ My glasses are foggy.[02:27]When you eat ramen, your glasses get foggy, right?Repeat after me[02:35]1.  Oh, there is a hole in a T-Shirts.2.  There is a price tag on the sweter.(nefuda = Price tag)3.  The car door is not closed properly.(ちゃんと = properly)4.  The folk is dirty, so let's have it replaced.5.  Your trouser zipper is open.03:50]Now, imagine you came back from work and found that your house has been burgled. The police came and asked some questions how it was when you got home. So, you answer with te-form and past tense.[04:08]For example,How was the door? Open→ The door was open.When you got home, the door was open.[04:18]Hereドアdoor is  introduced as a topic, so ドアis followed by the topic particle はwa。ドアはあいていました。OK?=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=「メガネがくもっています」[00: 0 7]みなさん、こんにちは。Today we practice usingてte-term to describe the ongoing state of things. For example, somebody or you locked a door and the door is still locked. Then you say, ドアがしまっています。[00:29]まず、つぎのようにぶんをつくってください。たとえば、[00:33]でんき、きえる→ でんきがきえています。いいですか。[00:42]1.  ドア、あく→ドアがあいています。2.  かぎ、かかる→かぎがかかっています。3.  くるまのライト、きえる→ くるまのライトがきえています。4.    スマホのスクリーン、よごれる→ スマホのスクリーンがよごれています。5.  コピーき、こわれる→ コピーきがこわれています。6.  めがね、くもる→ めがねがくもっています。[02:27]ラーメンをたべると、めがねがくもりますよね。Repeat after me[02:35]1.  あれ、Tシャツにあながあいていますね。2.  セーターにねふだがついていますよ。(ねふだ = Price tag)3.  くるまのドアがちゃんとしまっていませんよ。(ちゃんと = properly)4.  フォークがよごれていますから、とりかえてもらいましょう。5.  ズボンのチャックがあいていますよ。[03:50]Now, imagine you came back from work and found that your house has been burgled. The police came and asked some questions how it was when you got home. So, you answer with te-form and past tense.[04:08]For example,ドアは？ あく→ ドアはあいていました。When you got home, the door was open.[04:18]Hereドアdoor is  introduced as a topic, so ドアis followed by the topic particle はwa。ドアはあいていました。いいですか。Support the Show.=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

[✐3. Moderato] [00:08]Hello everyone.  Today we will learn“〜nagara”. Let's start.Repeat after me[00:16]1.  While jogging, I listen to music.2.  While listening to  music, I cook.3.  While cooking, I hum (a tune).(hanauta wo utau = hum (a tune))4.  While humming, I drive my car.5.  While driving a car, don't use the phone.[01:24]Now, make a sentence as follows.[01:28]Drink coffee, read a book→ While drinking coffee, I read a book.Ready?[01:38]1.  I watch a film,  I cried→ While watching a film, I cried.2.  children imitate adults, grew up→ While(by) imitating adults, children grow up.3.  look at a recipe, baked bread→While looking at a recipe, I baked bread.4.  nod off (doze off), was watching TV→ While feeling drowsy, I was watching TV.5.  play golf, let's talk about business→ While playing golf, let's talk about business.[03:35]Next, listen to [Keywords] first, and then repeat the sentence.[03:42]1.  [K: my office desk, work, lunch]→ While working at the desk in the office, I have lunch.2.  [K: Museum, audio guide, see paintings]→ In this museum, you can see paintings while listening to the audio guide.3.  [K: my dream, world travel, internet]→ My dream is to work on the internet while traveling around the world.4.  [K: company, my parents' store, help]→ While working at a company, I help my parents' store.5.  [K: something to talk, drink, speak]→ There is something I want to talk about. Can we talk while drinking?=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=「ゴルフをしながら、ビジネスのはなしをしましょう。」[00:08]みなさん、こんにちは。きょうは  「〜ながら」です。では、はじめましょう。Repeat after me[00:16]1.  ジョギングを しながら、おんがくを ききます。2.  おんがくを ききながら、りょうりを します。3.  りょうりをしながら、はなうたを うたいます。(はなうたをうたう = hum a tune)4.  はなうたを うたいながら、くるまをうんてんします。5.  くるまを うんてんしながら、でんわを してはいけません。[01:24]では、つぎのように ぶんを つくってください。[01:28]コーヒーを のみます、ほんを よみます。→ コーヒーを のみながら、ほんを よみます。いいですか。[01:38]1.  えいがを みます、なきました→えいがを みながら、なきました。2.  こどもは おとなのまねを します、おおきくなります。→こどもは おとなのまねを しながら、おおきくなります。3.  レシピを みます、パンを やきました。→レシピを みながら、パンを やきました。4.  うとうとします、テレビをみていました→うとうとしながら、テレビをみていました。5.  ゴルフをします、ビジネスのはなしを しましょう→ ゴルフをしながら、ビジネスのはなしをしましょう。[03:35]つぎは、まずキーワード[Keywords]をきいて、それから ぶんを リピートしてください。[03:42]1 [K: オフィスのデスク、しごと、ランチ]→ オフィスのデスクで しごとを しながら、ランチをたべます。2 [K: びじゅつかん、オーディオガイド、えをみる]→ このびじゅつかんは、オーディオガイドを ききながら、えを みることができます。3 [K: わたしのゆめ、せかいりょこう、インターネット]→ わたしのゆめは、せかいりょこうをしながら、インターネットでしごとをすることです。4 [K: かいしゃ、りょうしんのみせ、てつだう]→ かいしゃで はたらきながら、りょうしん  のみせを てつだっています。5  [K: そうだん、のみます、はなします]→ ちょっと  そうだんが あります。のみながら はなしませんか。Support the Show.=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

'Largo' es el tempo musical más lento en la música clásica, de entre 40 y 60 beats por minuto. Subiendo en la escala de rapidez, después irían Adagio, Andante, Moderato, Allegro y Presto. El 'Largo' más famoso lo escribiría el maestro Händel, y esa es precisamente la primera canción que Alejandro Pelayo ha elegido para su sección. Además, trae al piano un recopilatorio de canciones que son tan largas como interesantes de escuchar. 

Composiciones con cualidades narrativas, que nos cuentan historias únicas. De Lang Lang y la magia de Debussy, a Julian Lage y su música "íntima en el tono y amplia en la intención". Un jazz-gospel-blues-rural, que continuamos con las evocadoras composiciones de otros guitarristas, como Salinas, Amaia Miranda o Carlos Coronado.I. En bateau (Andantino) + II. Cortège (Moderato)+ III. Menuet (Moderato) Petite Suite (Debussy)VII. In paradisum Réquiem, Op. 48 (Fauré, Arr. Naoumoff para piano)Lakmé: Flower Duet (Léo Delibes, Arr. Naoumoff para piano) Lang Lang Saint-SaënsSuite del Tiempo Ausente: IV. Cristalino       Horacio Salinas Fragments of a dream: John C. Williams, Paco Peña, Inti-IllimaniHymnal + Serenade + As It Were + Speak to me      Julian Lage Speak to meEpitafio de Seikilos + Mientras viva brillas+ Será mejor       Amaia Miranda Mientras vivas brillaTema de amor + Ànima Carlos Coronado Flamenco MediterráneoEscuchar audio

Comment je suis passé d'un produit raté à un bootcamp générant plus de 6 chiffres de chiffre d'affaires ? Je te raconte tout dans cette mini-série collector dans les coulisses du bootcamp de l'Incubateur Solopreneur. Au programme : Comment trouver la bonne idée pour ton bootcamp ? Comment construire ton programme de cohorte pour qu'il soit rentable ? Comment vendre et remplir ton bootcamp ? Comment être rentable ? Combien de temps ça prend de créer et animer un bootcamp ? Pourquoi c'est stratégique d'avoir un programme en cohorte dans tes offres ? Plus tous mes tips secrets pour réussir à créer, lancer et faire décoller ton bootcamp !

[✐3. Moderato  :｢おかねもないし、じかんもないし｣]：「〜shi(し)」adds information to a statement implying that something is among others. In colloquial Japanese, you can make your point by ending the sentence with 「shi(し)」.[00:07]Hello everyone.First, we practice “adj. + shi”.Repeat after me[00:15]i-adjective1.  hot2.  many3.  old4.  cheap5.  heavyna-adjective6.  quiet7.  cheerful/energetic8.  anxious/uneasy9.  free/vacant10.  dislikeRepeat after me[01:14]1.  This restaurant is delicious and cheap so I recommend.2.  This hotel is quiet and clean so I'd like to come again.3.  I don't feel well today and it's cold outside so I stay at home.4.  This PC is old and (runs) slow so I want a new one.5.  He is good at cooking and handsome, and affable.6.  It's already late and I am up early tomorrow so I'd better get going soon.[03:06]Let's practice “iru” and “aru” next.Repeat after me[03:11]1.  to be/existpresent positive [masu > plain > +shi]past positive [masu > plain > +shi]present negative [masu > plain > +shi]past negative [masu > plain > +shi]2.  to be/havepresent positive [masu > plain > +shi]past positive [masu > plain > +shi]present negative [masu > plain > +shi]past negative [masu > plain > +shi]3.  There's no one and there is a TV so I'm going to chill by myself.4.  There are giraffes and lions so the trip to Kenya was awesome.5.  There was no annoncement and no station staff so I didn't know about the train accident.****「おかねもないし、じかんもないし…」[00:07]みなさん、こんにちは。まず、「adjective+し」のれんしゅうです。Repeat after me[00:15]い-adject.1.  あつい＞あついし2.  おおい＞おおいし3.  ふるい＞ふるいし4.  やすい＞やすいし5.  おもい＞おもいしな-adject.6.  しずかな＞しずかだし7.  げんきな＞げんきだし8.  むりな＞むりだし9.  ひまな＞ひまだし10.  きらいな＞きらいだしRepeat after me[01:14]1.  このレストランはおいしいし、やすいし、おすすめです。2.  このホテルはしずかだし、きれいだし、またきたいです。3.  きょうはたいちょうがわるいし、そとはさむいし、うちですごします。4.  このパソコンはふるいし、おそいし、あたらしいのがほしいです。5.  かれは。りょうりがじょうずだし、ハンサムだし、それからし んせつなんです。6.  もうおそいし、あしたはやいし、そろそろかえります。[03:06]つぎは、「いる」と「ある」を れんしゅうしましょう。Repeat after me[03:11]1.  います＞いる＞いるしいません＞いない＞いないしいました＞いた＞いたしいませんでした＞いなかった＞いなかったし2.  あります＞ある＞あるしありません＞ない＞ないしありました＞あった＞あったしありませんでした＞なかった＞なかったし3.  だれもいないし、テレビもあるし、ひとりでゆっくりします。4.  キリンもいたし、ライオンもいたし、ケニアりょこうは さいこうでした。5.  アナウンスもなかったし、えきいんもいなかったし、でんしゃのじこをしりませんでした。Support the show=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

SOMM RECORDINGS announces the first volume of Prokofiev Milestones, featuring three characterful sonatas and a sparkling arrangement of music from Romeo and Juliet performed by violinist Lana Trotovšek and flutist Boris Bizjak accompanied by Maria Canyigueral on piano.Prokofiev Milestones revealingly turns the focus away from the prolific composer's famed orchestral works and celebrated ballets to his rich and varied chamber music.First performed in 1943, the Sonata for Flute and Piano (Op.94) is, as Robert Matthew-Walker comments in his notes, “music not of war, but of peace”; a pastoral escape laced with wit and mischief vouchsafed within a pristine neo-classical frame.It is heard again, transformed, in Prokofiev's transcription for Violin and Piano (Op.94a). Composed soon after, it lays claim to being “one of the finest 20th-century works in the genre and a genuine masterpiece”.The Sonata for Two Violins (Op.56) is heard in a new arrangement by Boris Bizjak that eloquently makes much of its sentimentality, drama, and vitality.A characterful suite drawn from Romeo and Juliet, and arranged for violin and piano by Lidia Baich and Matthias Fletzberger, revels in Shakespeare's great romance and Prokofiev's ardent response to it.TracksSonata for Flute and Piano in D Major, Op. 94 (24:15) I. Moderato (8:06) II. Scherzo: Presto (5:09) III. Andante (3:49) IV. Allegro con brio (7:10) Sonata for Two Violins in C Major, Op. 56 (arr. Boris Bizjak for flute and violin) (14:40) I. Andante cantabile (2:22) II. Allegro (3:15) III. Commodo (quasi allegro) (3:32) IV. Allegro con brio (5:29) Suite from Romeo and Juliet (arr. Lidia Baich and Matthias Fletzberger for violin and piano) (15:45) I. Introduction (1:29) II. Juliet (1:31) III. Dance of the Knights (3:03) IV. Balcony Scene (4:47) V. Dance of the Couples (1:27) VI. Mercutio – Fight – Tybalt's Death (3:25) Sonata No. 2 for Violin and Piano in D Major, Op. 94a (24:35)* I. Moderato (7:52) II. Scherzo: Presto (5:13) III. Andante (4:14) IV. Allegro con brio (7:14) Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Sean Dacy from Rosebrook Media.

Deze week in Europa Draait Door uitgebreid aandacht voor Rusland, samen met Helga Salemon. Poetin stelde al aan het begin van de oorlog in Oekraïne dat de Westerse eenheid niet oneindig zou zijn. En de eerste barsten lijken inmiddels inderdaad duidelijk zichtbaar. De militaire steun aan Oekraïne stokt, Oekraïne wint nauwelijks nog terrein terug, en ook Europese lidstaten liggen hopeloos overhoop over eventuele EU-toetreding van Oekraïne. Maar Poetin zelf wordt inmiddels ook geconfronteerd met onvrede in eigen land. Steeds vaker wordt er openlijk kritiek geuit door het Russische volk. Wat zegt dat? Dat, en véél meer in een nieuwe aflevering van Europa Draait Door. Fragmenten in aflevering: - Boris Johnson bij de coronacommissie (https://www.youtube.com/watch?v=FcLrNEHVPIc) - Ook in de Oekraïense politiek lijken de eerste scheurtjes zichtbaar (https://carnegieendowment.org/politika/91182) - Geert Wilders in 2018 over Vladimir Poetin (https://twitter.com/jellebc/status/1731945372564521259?s=20) - Wat wil Orban bereiken richting de Europese uitbreidingstop? (https://www.faz.net/aktuell/politik/ausland/viktor-orban-deutet-veto-an-eu-verhandlungen-mit-ukraine-19362830.html) - Haydn: Piano Sonata in G Minor, Hob.XVI: 44 - 1. Moderato (https://www.youtube.com/watch?v=4ruKPCmWNEI)

For the first time, four classic Prokofiev recordings by towering virtuoso Sviatoslav Richter are available, newly remastered by Paul Arden-Taylor.TracksPiano Sonata No. 2 in D Minor, Op. 14 I. Allegro ma non troppo (6:13) II. Scherzo: Allegro marcato (1:47) III. Andante (4:58) IV. Vivace – Moderato – Vivace (4:17) Piano Sonata No. 9 in C Major, Op. 103 I. Allegretto (7:38) II. Allegro strepitozo (2:54) III. Andante tranquillo (8:28) IV. Allegro con brio ma non troppo presto (5:19) Piano Concerto No. 1 in D-Flat Major, Op. 10 I. Allegro brioso (6:32) II. Andante assai (3:27) III. Allegro scherzando (4:02) Piano Concerto No. 5 in G Major, Op. 55 I. Allegro con brio (5:03) II. Moderato ben accentuato (4:01) III. Toccata (1:54) IV. Larghetto (6:42) V. Vivo (5:04) Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcast with the permission of Sean Dacy from Rosebrook Media.

As well as exceptional performances, this recording offers phenomenal sound. The recording was made on 3-5 April 2023 at the Fazioli Concert Hall in Sacile, Italy in 5-channel Dolby Atmos high-definition audio and is available as hybrid multichannel SACD as well as a range of digital formats.TracksDisc 1Johann Sebastian BachPartita No. 2 in C Minor, BWV 826 I. Sinfonia (4:31) II. Allemande (4:48) III. Courante (2:33) IV. Sarabande (2:55) V. Rondeau (1:23) VI. Capriccio (3:54) Italian Concerto, BWV 971 I. [Allegro] (3:58) II. Andante (4:06) III. Presto giocoso (4:04) Chromatic Fantasia and Fugue in D Minor, BWV 903 I. Fantasia (6:57) II. Fugue (4:57) Felix MendelssohnVariations sérieuses, Op. 54 I. Andante sostenuto (0:48) II. Variation 1 (0:38) III. Variation 2: Un poco più animato (0:34) IV. Variation 3: Più animato (0:23) V. Variation 4 (0:22) VI. Variation 5: Agitato (0:24) VII. Variation 6: A tempo (0:22) VIII. Variation 7: Con fuoco (0:24) IX. Variation 8: Allegro vivace (0:20) X. Variation 9 (0:26) XI. Variation 10: Moderato (0:43) XII. Variation 11: Cantabile (0:42) XIII. Variation 12: Tempo del Tema (0:34) XIV. Variation 13: Sempre assai leggiero (0:49) XV. Variation 14: Adagio (1:04) XVI. Variation 15: Poco a poco più agitato (0:26) XVII. Variation 16: Allegro vivace (0:21) XVIII. Variation 17 (1:13) XIX. Finale-Presto (1:10) Disc 2Robert SchumannFantasie in C Major, Op. 17 I. Durchaus fantastisch und leidenschaftlich vorzutragen (12:45) II. Mäßig. Durchaus energisch (8:09) III. Langsam getragen. Durchweg leise zu halten (8:18) Frèdèric Chopin Valse in C sharp minor, Op. 64 No. 2 – Tempo giusto (3:56)Two EncoresRobert Schumann Carnaval, Op. 9 – XII. Chopin (1:30) Fantasiestücke, Op. 12 – III. Warum? (2:52) Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) This album is broadcast with the permission of Sean Dacy from Rosebrook Media.

Leo Ornstein is as well known for his extraordinary longevity as for his music: he was born in Ukraine in 1893 and died in Wisconsin in 2002, aged at least 108. His generous output of music, much of it for the piano, his own instrument, remains poorly known, although it can stand shoulder to shoulder with that of many better-known names. Some of the pieces here – which cover a span of over 60 years – have their roots in Debussy, Skryabin, and Szymanowski, but Ornstein welds those influences into an edgy, energetic language very much his own. The Three Moods of c. 1914 are anger, grief, and joy, but there is strength of feeling in all the music to be heard here. Indeed, the Nine Vignettes bear a misleading title: they are substantial and powerful virtuoso essays that can flare up into moments of startling power and violence; hitherto unknown, they constitute a major contribution to the piano literature.TracksNine Vignettes, s380 (1977) (34:39) No. 1 Moderato (4:49) No. 2 Con Moto (3:08) No. 3 Moderato (3:21) No. 4 Animato (4:26) No. 5 Moderato (2:09) No. 6 Allegro (3:30) No. 7 Animato (4:15) No. 8 Moderato (3:15) No. 9 Moderato con moto (5:46) Bagatelle, s100 (1952) (1:30) A Moment of Retrospect, s156 (?1950s) (4:45) The Cathedral, s73 (1916) (2:50) Nocturne, No. 1, s153 (c. 1922) (8:47) Three Moods, s5 (c. 1914)* (11:13) No. 1 Anger: Agitato (2:38) No. 2 Grief (5:32) No. 3 Joy: Presto (3:03) All Except * First Recordings*First Digital RecordingHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcast with the permission of Sean Dacy from Rosebrook Media.

Sophie Daneman, Tristan Hambleton, Paul Agnew, Andrew Foster-Williams -- Les Arts Florissants - Conductor: William Christie Theatre des Champs Elysees, Paris - 30 April 2005 - Broadcast

[✐3.Moderato] [00:08]Hello, everyone.  Now, we start.Repeataafter me[00:12]1.  You'd better walk a lot everyday.2.  You'd better wash your hands frequently.3.  You'd better eat lots of vegetables.4.  You'd better learn Kanji.5.  You'd better buy it online.6.  You'd better take a rest a bit.7.  You'd better go to bed soon.8.  You'd better do it tomorrow.9.  You'd better report to your boss.10.  You'd better eat Rahmen before the noodles become too soft.[02:13]You've done well.  We continue.Repeataafter me[02:17]1.  You'd better not  eat sweets too much.2.  You'd better not walk alone at night.3.  You'd better not talk about politics.4.  You'd better not call in the early morning.5.  You'd better not wear sunglases while driving at night.6.  You'd better not drink alcohol.7.  You'd better not open the window.8.  You'd better not put the valuables here.9.  You'd better not take underground/subway while rush-hour.10.  As it's just freshly cooked and hot, you'd better not to eat yet.(dekitate = freshly cooked, fresh from the oven)[04:36]Now, answer as follwos;For example,[04:40]You'd better call it a day.Yes → I see/agree (I wil)No → Yeah, but…Are you ready?[04:52]1.  You are still there. You'd better go home soon.→ Yes, you're right.  I will.2.  You'd better not to use smartphone while walking.→  Yes, you're right.(*aruki sumaho=texting/using smart phone while walking)3.  You'd better book a hotel soon.→  I see, I will.4.  Typhoon is coming tomorrow.  You'd better not go out.→ I see, but…5.  You'd better go to the hospital(to see the doctor) immediately.→ I see, but…[05:48]Next, we give advice to Abe san.For example;[05:53]Abe san has fever;medicine, take→ You'd better take the medicine.Here we go.Support the show=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

Con la primera de las seis sonatas Württemberg para piano compuestas por Carl Philipp Emanuel Bach, uno de los hijos de Johann Sebastian Bach, escritas en 1765 e interpretada por el pianista Keith Jarrett. abrimos un programa de regresos lentos. Una pieza del concierto de Colonia, sus revisiones de "I Loves You, Porgy"o "Someone to Watch Over Me" de The Melody At Night, With You son algunas de las piezas del programa de hoy en el que Brad Mehldau Plays The Beatles Württemberg Sonatas Sonata No. 1 in A Minor, H. 30 I. Moderato. Köln, January 24, 1975, Pt. II B - Live. I Loves You Porgy. Someone To Watch Over Me Keith Jarrett Bye Bye Blackbird Keith Jarrett Trio Life On Mars Brad Mehldau Someone To Watch Over Life On Mars Brad Mehldau Escuchar audio

Today on the Oh-My-Geekers podcast, Zeek introduces you to a composer whose music has been forgotten, yet has influenced the most significant musical pieces of the modern era. Meet Gustav Holst, who inspired the movie soundtracks of John Williams and Hans Zimmer. The music in this episode includes: Chopin Mazurka No. 5 in B-Flat Major, Op. 7/1, B.61: No.1 in B-Flat Major Performed by Louis Lortie   Stravinsky: Le Sacre du Printemps, K15: I. Introduction Performed by the Los Angeles Philharmonic R. Strauss: Also sprach Zarathustra, Op. 30, TfV 176: I. Also Sprach Zarathustra. Sonnenaufgang Performed by the London Symphony Orchestra   R. Wagner: Die Walküre, WWV86b: Hojotoho! Heiaha! (Remastered 2022) Performed by the Vienna Philharmonic R. Vaughan Williams: Symphony No. 3: III. Moderato pesante Performed by Sir Mark Elder, Hallé   G. Holst: Hymns from the Rig Veda, H90, Op. 24: II. Hymn to the Waters Performed by the Toronto Children's Chorus  G. Holst: St Paul's Suite, H118, Op. 29/2: IV. Finale (The Dargason). Performed by the Royal Philharmonic Orchestra  G. Holst: The Planets, H125, Op. 32: I. Mars Performed by the London Philharmonic Orchestra   J. Williams: Star Wars Episode 4: A New Hope: Imperial Attack The Return Home Performed by the London Symphony Orchestra  H. Zimmer: Gladiator: The Battle Performed by the Lyndhurst Orchestra --- Send in a voice message: https://podcasters.spotify.com/pod/show/oh-my-geekers/message

接续第99期，咱们继续深入聊聊古典音乐欣赏入门的话题。本期节目主体框架同样成型于2年前发表于个人公众号的文章。启发信息from：中央音乐学院 周海宏教授。包含曲目：6:17- Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato 7:37- Lyric Pieces, Op.43. No.6 - To Spring10:25- Concerto For Violin In E Major,“Spring”：I Allegro13:15- Sonate No. 2 in B-Flat Major: Funeral March (Horowitz)14:53- 二泉映月 (高韶青二胡独奏)16:32- 脚夫调/王向荣陕北歌王18:18- Internationale21:34- Lyric Pieces, Op.43. No.4-Little Bird22:02- Flight of the Bumblebee 23:16- La Marseillaise24:20- (片段)1812 Overture, Op. 4927:08- Vltava (沃尔塔瓦河) / Berliner Philharmoniker-Wilhelm Furtwangler44:42- Finlandia, Op. 26 (芬兰颂，作品26) / Herbert von Karajan /Berliner Philharmoniker1:01:33- Zigeunerweisen, Op. 20 / Michael Rabin

夜到底承载了人类多少古往今来不为人知的情绪呢？聊聊肖邦，聊聊“夜曲之父”约翰菲尔德，聊聊夜曲这个以“夜”为主要意象载体的古典音乐题材。曲目列表：0:26- Chopin: Nocturne Op. 27, No. 26:56- Mozart: Serenade No. 13 in G Major, K. 525 "A Little Night Music": I. Allegro9:00- Nocturnes of John Field：Nocturne No. 1 in E-Flat Major. Molto moderato14:16- Nocturnes of John Field：Nocturne No. 2 in C Minor. Moderato e molto espressivo19:26- Nocturnes of John Field：Nocturne No. 10 in E Minor. Adagio25:45- Nocturnes of John Field：Nocturne No. 5 in B-Flat Major. Andantino28:56- Chopin: Nocturne No.2 in E-flat, Op.9, No.234:48- Chopin: Nocturne No.20 In C Sharp Minor,Op.Posth 40:20- Chopin: Nocturne in C Minor, Op. 48 No. 1 (Live)48:07- Tchaikovsky：Nocturne in C-Sharp Minor, Op. 19, No. 4 (Live)

A bonus episode that will most likely self-destruct within 24 hours about the events of this week and weaponized concern trolling.Bartók: Dance Suite, Sz. 77 - 1. Moderato. London Philharmonic. 1965 Decca Music Group Limited.

Johanna Müller-Hermann once held a significant place as a composer and teacher in Vienna, yet has been largely forgotten over the decades since her death in 1941. Radio 3 has been working to unearth her music and story through its Forgotten Women Composers project, in collaboration with the Arts and Humanities Research Council and Dr Carola Darwin. This week, Dr Darwin and Professor Robert Evans join Donald Macleod to explore this fascinating composer and her times. Their series includes many specially recorded works by Müller-Hermann that have sat neglected in dusty archives for decades. Müller-Hermann was greatly celebrated in her own lifetime and moved in eminent musical circles. She studied with Zemlinsky, befriended Alma Mahler, and also corresponded with Arnold Schoenberg. She went on to teach at Austria's New Vienna Conservatory where students travelled from as far away as America and the UK to study with her. She became a pivotal figure in Vienna's cultural scene and her music was regularly performed and published during her lifetime. Music Featured: String Quintet in A minor, Op 7 (excerpt) Piano Sonata, Op 8 (Allegro enérgico) Herbst, Op 20 No 3 (Vier Lieder) Wie eine Vollmondnacht, Op 20 No 4 (Vier Lieder) Zwei dreistimmige Frauenchöre, Op 10 Piano Sonata, Opus 8 (excerpt) Cello Sonata, Op 17 (Moderato) String Quartet in E flat, Op 6 (Moderato) Intermezzo in D, Op 3 No 4 (Fünf Klavierstücke) Vier Lieder, Op 2 Violin Sonata in D minor, Op 5 (Moderato serioso) UK Broadcast Premiere String Quartet in E flat, Op 6 (excerpt) Die stille Stadt, Op 4 No 1 Heroic Overture, Op 21 (excerpt) Alle die wachsenden Schatten, Op 9 No 3 (Drei Chöre) Violin Sonata in D minor, Op 5 (excerpt) UK Broadcast Premiere Heroic Overture, Op 21 String Quintet in A minor, Op 7 (Adagio con expressione) Piano Quintet in G minor, Op 31 (excerpt) Zwei Lieder, Op 11 Cello Sonata, Op 17 (excerpt) Epilog zur einer Tragodie 'Brand‘ – symphonic fantasy, Op 25 Intermezzo in D minor, Op 3 No 3 (Fünf Klavierstücke) Impromptu in D minor, Op 3 No 5 (Fünf Klavierstücke) In Memoriam, Op 28 No 5 (Herbstlieder) Novelette in A flat, Op 3 No 2 (Fünf Klavierstücke) Violin Sonata in D minor, Op 5 (Allegretto amabile) UK Broadcast Premiere Piano Quintet in G minor, Op 31 (Adagio sostenuto) Drei Gesange, Op 33 String Quartet in E flat, Op 6 (Allegro con spirito) Presented by Donald Macleod Produced by Luke Whitlock For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Johanna Müller-Hermann (1868-1941) https://www.bbc.co.uk/programmes/m001h57j And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Dubbed a “national treasure” and nicknamed the “Mother of Black Hollywood,” she's starred in over 400 episodic TV shows, 68 movies, and four Broadway shows. During her prolific screen career, she's most notably known as Zelma Bullock in Tina Turner biopic "What's Love Got to Do With It" and as Ruby Johnson in the socially-conscious sitcom "Black-ish." She's an award-winning actress who steals every scene she's in, and yet her “real work” is off stage and off camera as an activist and a mental health advocate. She's a whirlwind of energy who has no time to waste. Her latest book and riveting work, “Walking in My Joy: In These Streets” touches the soul, makes you laugh out loud, while imparting ways on how to love yourself and keep negative energy at bay, while being beautifully transparent about her epic journey. She is a lover of life who is larger than life. Buckle up!! In this fiery conversation, they talk about the importance of loving yourself, her road to her authentic joy, making self-care a priority, how you can be in your joy, her latest book, and so much more. Here's to the one and only, Jenifer Lewis. CREDITS:Guest:  Jenifer LewisHost and Producer:  Tori ReidExecutive Producer:  Patrick A. HowellWriter:  Tori Reid Post Production:  We Edit PodcastsAdd'l Post Production:  Brian K. Jackson at Maven Soundz  Add'l Editing:  Cutting Edge Editing Post Production Assistant:  Alana Coleman Music Supervision:  Another Place in Time Music  Voiceover Artist:  Vïntóry Blake MoorePremier Advertising Sponsor:  Vivreau Water SystemsAdvertising Sponsor:  Hilton Sacramento Arden WestAd Voiceover Artist:  Ginger LevertLogo Photography:  Bobby Holland / MPTV ImagesPhoto credit for Jenifer Lewis:  UnknownVery special thanks to Terry Marsh, Ph.D.  Music:"Piano Concerto No. 2 in C Minor, Op. 18 - I, Moderato" (Rachmaninoff) by Skidmore College Orchestraa Victory & Noble production@ 2023 Victory & Noble LLC  All Rights Reserved.Connect with the Guest:Jenifer Lewis on InstagramWalking in My Joy: In These Streets

Mel Bonis's name may not be a familiar one these days, but she produced somewhere in the region of three hundred compositions. There's no doubt that she was sensitive to gender discrimination. It's why she chose to publish her music under the name of Mel rather than her birth name Mélanie. She was born in 1858 to parents of modest means. Her father worked for the watch company Breguet, still in business today, and her mother worked in the haberdashery trade. Neither of them held any particular interest in music, so it was down to young Mélanie to teach herself the play the family's piano. Her talent was recognised by a visiting friend who facilitated a meeting with one of the leading lights of the day, César Franck, an esteemed professor of organ at Paris's prestigious Conservatoire. Mélanie enrolled and showed great promise as a student, winning several end of year prizes. Her studies came to an abrupt end when her parents refused to give their consent to her marriage to a fellow student there, a poet, critic and singer, Amédée Hettich. Her life took a sharp turn two years later when, at the instigation of her parents, she married a twice widowed man of comfortable means. Thereafter her life as a composer had to take a back seat to the demands of raising five step-children and three of her own children with her husband, Albert Domange. Even so, she managed to continue to compose, producing music for her own instrument, the piano, and in almost every other genre as well. Étiolles, Op 2 Ophélie, Op 165 Piano Quartet No 1 in B flat major, Op 69 - II. Intermezzo. Allegretto tranquillo Impromptu pour piano, Op 1 5 pièces pour piano No 1: Gai Printemps, Op 11 No 2: Romance sans paroles, Op 29 No 3: Menuet, Op 14 No 4: Églogue, Op 12 No 5: Papillons, Op 28 Cello sonata in F major, Op 67 – III. Très lent Fantaisie, Op 72 "Septuor" Près de ruisseau, Op 9 Pensées d'automne, Op 19 Piano Quartet No 1, Op 69 – I. Moderato and IV. Final. Allegro ma non troppo Villanelle, Op 4 Dès l'aube, Op 18 Marionnettes, Op 42 Sonata for Flute and Piano Suite Orientale, Op 48 No 2 Valses-caprice, Op 87 Elève toi mon âme L'Oiseau Bleu, Op 74 Cello sonata in F major, Op 67 – I. Moderato quasi andante Suite en forme de valses, Op 35 to 39 La chanson de Rouet, Op 24 Carillon mystique, Op 31 Les Gitanos, Op 15 No 2 Suite en Trio, Op 59 Salomé, Op 100 Mazurka-ballet, Op 181 Trois melodies, Op 91 Soir et Matin, Op 76 Scènes de la Forêt La Cathédrale Blessée, Op 107 Sonate pour violon et piano, Opus 112 – IV. Finale Finale, Op 187 Miocheries, Op 126, No 13, La toute petite s'endort Regina coeli, Op 45 Piano quartet No 2 in D major, Op 124 Cantique de Jean Racine, Op 144 Le songe de Cléopatre, Op 180 Presented by Donald Macleod Produced by Johannah Smith For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Mel Bonis (1858 – 1937) https://www.bbc.co.uk/programmes/m001h57j And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

#Moderato como grupo nacido para tocar en bodas y eventos sociales, y que venían de otro importante grupo del rock de los 80s, #Fobia en donde no tuvieron buenos tratos, pero que al ingresar a Moderato, hicieron un pacto que evitaría tener los mismos problemas que con su anterior banda y al grito de #DetectorDeMetal hoy se consolidan como una de las bandas más reconocidas de Rock Pop.