Podcast appearances and mentions of camille saint saens

The American Revolution continues with Part 2 of our conversation with Ranger Rick Lawson. Rick recounts the pivotal Battle of Bunker Hill, fought outside Boston on June 17, 1775. Although the battle ended in a British victory, it demonstrated the determination and resilience of the Patriot forces while foreshadowing the tremendous human and financial costs of the Revolutionary War. Rick also shares insights from his years as an interpretive ranger at Boston National Historical Park, including his experience interpreting the history of the Bunker Hill Monument.THANKS TO OUR TO PATREON SUBSCRIBERS! We couldn't do this without you.Become an official Morbuddy: patreon.com/themorbidmuseumFollow us on IG: @themorbidmuseumSubscribe to our Youtube Channel : https://www.youtube.com/@themorbidmuseumEmail us at themorbidmuseum@gmail.comArtwork: Brittany Schall Music: "Danse Macabre" by Camille Saint-Saens, performed by Kevin MacLeod

Camille Saint-Saens: Tarentelle, Op. 6Marc Grauwels, flute Joris van den Hauwe, clarinet Brussels PhilharmonicAndré Vandernoot, conductorMore info about today's track: Naxos 8.555977Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Join Katie and Luke in conversation with retired National Park Service Ranger Rick Lawson for an in-depth exploration of the Battles of Lexington and Concord on April 19, 1775. Against the backdrop of mounting tensions over British taxation, the occupation of Boston, and the erosion of self-government in Massachusetts, colonial militia and minute companies confronted British regulars marching to Concord to seize military supplies. The fighting marked the opening of the American Revolution, with the "shot heard round the world" at the North Bridge becoming an enduring symbol of the conflict's beginning. Rick also reflects on his years interpreting this history at Minute Man National Historical Park, where this sacred ground is preserved and its history commemorated.Minute Man National Historical Parkhttps://nps.gov/mima/index.htmBoston National Historical Parkhttps://nps.gov/bost/index.htmBoston 1775 blog - historian and author J.L. Bellhttps://boston1775.blogspot.com/Historical Nerdery - Living Historian, and author Alexander Cainhttps://www.historicalnerdery.com/Rev 250https://www.revolution250.org/THANKS TO OUR TO PATREON SUBSCRIBERS! We couldn't do this without you.Become an official Morbuddy: patreon.com/themorbidmuseumFollow us on IG: @themorbidmuseumSubscribe to our Youtube Channel : https://www.youtube.com/@themorbidmuseumEmail us at themorbidmuseum@gmail.comArtwork: Brittany Schall Music: "Danse Macabre" by Camille Saint-Saens, performed by Kevin MacLeod

In 1906, New York found itself in the grips of one of the worst outbreaks of typhoid fever in its history. After an extensive investigation, the outbreak would ultimately be traced to an Irish cook by the name of Mary Mallon, an asymptomatic carrier and super spreader of of the germ Salmonella Typhi. Mary Mallon's case represents an ongoing ethical dilemma with no clear answer to the question: Are one individual's personal freedoms more important than the safety of others?"THE CURIOUS CAREER OF TYPHOID MARY" - GEORGE A. SOPER | Bulletin of the New York Academy of Medicine Typhoid Mary - Anthony Bourdain Typhoid Mary : Captive to the Public's Health - Judith Walzer Leavitt"Why New York's North Brother Island is Totally Forbidden" | IT'S HISTORY - Weekly Tales of American Urban Decay as presented by your host Ryan Socash. NOVA | The Most Dangerous Woman in America | In Her Own Words | PBSTyphoid Mary: Villain or Victim? by Judith Walzer Leavitt. PBS NOVATHANKS TO OUR TO PATREON SUBSCRIBERS! We couldn't do this without you.Become an official Morbuddy: patreon.com/themorbidmuseumFollow us on IG: @themorbidmuseumSubscribe to our Youtube Channel : https://www.youtube.com/@themorbidmuseumEmail us at themorbidmuseum@gmail.comArtwork: Brittany Schall Music: "Danse Macabre" by Camille Saint-Saens, performed by Kevin MacLeod

In this preview of a Patreon exclusive episode, Katie & Luke discuss the film that launched Mel Gibson as cinema historian, "Braveheart". Enter the world of late stage 90's mullets, anachronistic costumes, and a blatant disregard for the real story of William Wallace. They can take our lives, but they can never take our freedom to nitpick.THANKS TO OUR TO PATREON SUBSCRIBERS! We couldn't do this without you.Become an official Morbuddy: patreon.com/themorbidmuseumFollow us on IG: @themorbidmuseumSubscribe to our Youtube Channel : https://www.youtube.com/@themorbidmuseumEmail us at themorbidmuseum@gmail.comArtwork: Brittany Schall Music: "Danse Macabre" by Camille Saint-Saens, performed by Kevin MacLeod

Jahrelang ignoriert – dann der Triumph: 1849 feiert Louise Farrenc mit ihrer 3. Sinfonie in Paris einen Sensationserfolg. Und plötzlich kommt niemand mehr an ihr vorbei. Von Michael Lohse.

Today ON VINYL VIBRATIONS I FEATURE THE MUSIC OF the MULTI-TALENTED, Camille Saint-Saens. M1 Saint-Saens: Symphony No.1 in E Flat, Op 2, III Adagio, (Saint-Saens 1853), Capitol Records/Angel, 1973 (10:00)  M2 SAINT-SAENS: Symphony No.2 in A Minor, Op 55, II Adagio, (Saint-Saens 1859), Capitol Records/Angel, 1973 (3:59)  M3 Symphony No.2 in A Minor, Op 55, IV Prestissimo, (Saint-Saens 1859), Capitol Records/Angel, 1973 (7:19)  M4 Saint-Saens: Symphony No.3 in C Minor Op 78 (Organ Symphony), Philadelphia Orchestra, I Allegro Moderato, Poco adagio, (Saint-Saens 1886) Columbia Records, 1963 (9:00) M5 Saint-Saens: Symphony No.3 in C Minor Op 78 (Organ Symphony), Philadelphia Orchestra, II Maestoso, Allegro, (Saint-Saens 1886) Columbia Records, 1963 (7:20) M6 The Swan – The Carnival of the Animals XIII, (Saint-Saens 1886), Silhouettes -Virgil Fox/Organ” Capitol Records, 1960 (2:39)  Saint-Saens lived from 1835 to 1921, and was born in PARIS. He was a composer, organist, conductor and pianist of the Romantic Era, that's music that was featured throughout the 19th century. He was a musical prodigy, of course. He had perfect pitch. A grand aunt taught him some piano basics at three, and he was a music pupil at the age of 7. He gave informal performances at the age of 5, and his public debut was at age 10 performing the music of Mozart and Beethoven. He and studied at the Paris Conservatoire starting at age 13 to age 18. His first “job” was a ORGANIST at the Saint Merri Church – 26,000 parishioners. That sounds like a typical trajectory for a young musical prodigy. But, unlike other music students, Saint-Saens had a broad focus. He was a multi-tracker of the day, with varying and distinguished interests such as the study of Latin, Greek, Divinity and Mathematics. He was talented amateur Astronomer throughout his adult life.   In today's podcast I review portions of 4 SAINT-SAENS COMPOSITIONS, pieces composed between 1853 and 1886, or when Saint-Saens was from the age of 17 to 50. We will hear 6 movements from 4 works – those 4 works are Symphony No. 1 Symphony No. 2 Symphony No. 3 Carnival of the Animals

Camille Saint-Saens - Allegro AppassionatoMaria Kliegel, celloBournemouth Sinfonietta Jean-Francois Monnard, conductorMore info about today's track: Naxos 8.553039Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Camille Saint-Saens - Introduction et Rondo CapricciosoDong-Suk Kang, violinPolish National Radio Symphony Orchestra Antoni Wit, conductorMore info about today's track: Naxos 8.553509Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

In 1995 Rev. Jim Mitulski became HIV positive -- what's known as seroconversion. It was 14 years into the epidemic and people knew what HIV/AIDS was, how you got it, and how you could prevent it. And when Jim got sick, he got very sick. What was it like to become ill so publicly? How would the church and the community respond? And what could Jim possibly preach about on his first Sunday back? “My Soul Doth Magnify” is from Camille Saint-Saens' Christmas Oratorio, Op. 12, 1858. “The 23rd Psalm (Dedicated to My Mother)” is by Bobby McFerrin.  The biblical story of the death of the prophet Elijah is in Second Kings, chapter 2.    For images and links about this episode visit https://www.heavenpodcast.org/episode-8. When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  Thanks to Ed Wolf and Frank DePelisi for talking us through the issues around HIV status and sero-sorting in the mid-1990s.  And thanks to Bobby McFerrin and Linda Goldstein for use of “The 23rd Psalm (Dedicated to My Mother).” You can see McFerrin conducting his VOCAbuLarieS singers singing the piece here.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: National Resource Center on HIV and Aging – resources for older adults living with HIV.  Surviving Voices – an oral history documentary project on how different communities have experienced HIV and AIDS. The most recent focuses on lifelong and long-term HIV survivors.  Let's Kick Ass – AIDS Survivors Syndrome – support for long-term HIV survivors.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1995 Rev. Jim Mitulski became HIV positive -- what's known as seroconversion. It was 14 years into the epidemic and people knew what HIV/AIDS was, how you got it, and how you could prevent it. And when Jim got sick, he got very sick. What was it like to become ill so publicly? How would the church and the community respond? And what could Jim possibly preach about on his first Sunday back? “My Soul Doth Magnify” is from Camille Saint-Saens' Christmas Oratorio, Op. 12, 1858. “The 23rd Psalm (Dedicated to My Mother)” is by Bobby McFerrin.  The biblical story of the death of the prophet Elijah is in Second Kings, chapter 2.    For images and links about this episode visit https://www.heavenpodcast.org/episode-8. When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  Thanks to Ed Wolf and Frank DePelisi for talking us through the issues around HIV status and sero-sorting in the mid-1990s.  And thanks to Bobby McFerrin and Linda Goldstein for use of “The 23rd Psalm (Dedicated to My Mother).” You can see McFerrin conducting his VOCAbuLarieS singers singing the piece here.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: National Resource Center on HIV and Aging – resources for older adults living with HIV.  Surviving Voices – an oral history documentary project on how different communities have experienced HIV and AIDS. The most recent focuses on lifelong and long-term HIV survivors.  Let's Kick Ass – AIDS Survivors Syndrome – support for long-term HIV survivors.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1995 Rev. Jim Mitulski became HIV positive -- what's known as seroconversion. It was 14 years into the epidemic and people knew what HIV/AIDS was, how you got it, and how you could prevent it. And when Jim got sick, he got very sick. What was it like to become ill so publicly? How would the church and the community respond? And what could Jim possibly preach about on his first Sunday back? “My Soul Doth Magnify” is from Camille Saint-Saens' Christmas Oratorio, Op. 12, 1858. “The 23rd Psalm (Dedicated to My Mother)” is by Bobby McFerrin.  The biblical story of the death of the prophet Elijah is in Second Kings, chapter 2.    For images and links about this episode visit https://www.heavenpodcast.org/episode-8. When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  Thanks to Ed Wolf and Frank DePelisi for talking us through the issues around HIV status and sero-sorting in the mid-1990s.  And thanks to Bobby McFerrin and Linda Goldstein for use of “The 23rd Psalm (Dedicated to My Mother).” You can see McFerrin conducting his VOCAbuLarieS singers singing the piece here.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: National Resource Center on HIV and Aging – resources for older adults living with HIV.  Surviving Voices – an oral history documentary project on how different communities have experienced HIV and AIDS. The most recent focuses on lifelong and long-term HIV survivors.  Let's Kick Ass – AIDS Survivors Syndrome – support for long-term HIV survivors.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Le récit commentaire de la musicologue Viera Polakovicova sur la premiere de l'opéra Samson et Dalila de Camille Saint-Saens. Au Musée de Ludovit Stur.

On this special episode of "Sounds from the Snow," Maddie Jones plays Detective Evelyn Hawke as she investigates a group of students for murder. Could they be the killer or could it be someone else? Maybe it's Professor Harper, who pops in and out later in the story, maybe the victim faked their death. Who knows, but Detective Evelyn Hawke needs help solving the mystery and you are her team. There are several twists and turns accompanied by pieces like “Carnival of the Animals” and “Danse Macabre” by Camille Saint-Saens as well as “Night on Bald Mountain” by Modest Mussorgsky. The music is played by BYU-Idaho musicians.

Camille Saint-Saens - Etienne Marcel: ValseResidentie Orchestra, The HagueJun Markl, conductorMore info about today's track: Naxos 8.574463Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Ein Buchstabe macht den Unterschied: Wahrscheinlich wäre die Karriere der französischen Komponistin Louise Farrenc als Louis Farrenc steiler verlaufen. Doch als Frau kämpft Louise Farrenc gegen Windmühlen ... Von Michael Lohse.

Camille Saint-Saens - Caprice-Valse “Wedding Cake”Romain Descharmes, piano Malmo Symphony Orchestra Marc Soustrot, conductorMore info about today's track: Naxos 8.573477Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Camille Saint-Saëns - Andromaque: OvertureMalmo Symphony OrchestraJun Markl, conductorMore info about today's track: Naxos 8.574033Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Camille Saint-Saëns: RomanceGabriel Schwabe, celloMalmo Symphony Orchestra Marc Soustrot, conductorMore info about today's track: Naxos 8.573737Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon