Podcasts about Szymanowski

Karol Szymanowski (1882-1937) - Stabat Mater, Op. 531.       Stała Matka bolejąca (Stabat mater dolorosa): 0:002.       I któż widział tak cierpiącą (Quis est homo qui non fleret) [7:49]3.       Matko Źródło Wszechmiłości (O, Eia, Mater, fons amoris) [10:54]4.       Spraw niech płaczę z Tobą razem (Fac me tecum pie flere) [15:49]5.       Panno słodka racz mozołem (Virgo virginum praeclara) [19:38]6.       Chrystus niech mi będzie grodem (Christe, cum sit hinc exire) [22:53] The Polish National Radio Symphony OrchestraThe Polish National Philharmonic ChorusKarol Stryja, conductor

"Malarze klawiatury. Chopin, Debussy, Szymanowski" – to hasło tegorocznej odsłony Festiwalu Polskiego Radia Chopin, który rozpoczyna się 8 kwietnia. Przez 6 dni publiczność będzie miała okazję usłyszeć muzykę, która nie tylko dotyka najgłębszych warstw ludzkiej emocji, ale także ukazuje piękno i zmysłowość fortepianowych pejzaży dźwiękowych.

durée : 01:28:15 - Alina Ibragimova, le violon incandescent et magnétique - par : Aurélie Moreau - La violoniste Alina Ibragimova aborde la musique avec une immense énergie et une intelligence aiguisée, dans un équilibre rare entre le respect des œuvres et la personnalité de son jeu. Aujourd'hui : Schubert, Szymanowski, Mozart, Mendelssohn…

durée : 01:28:07 - Edward Gardner, un chef au très vaste répertoire - par : Aurélie Moreau - Chef principal de l'Orchestre Philharmonique de Londres, Edward Gardner est directeur musical de l'Opéra et Ballet national de Norvège et chef honoraire du Philharmonique de Bergen. Aujourd'hui : Szymanowski, Schubert, Brahms, Lutosławski…

Myślę, że gdyby w przyszłości o azyl poprosił przedstawiciel obecnych polskich władz, rząd w Budapeszcie by go udzielił - mówi b. dyrektor Instytutu Współpracy Polsko-Węgierskiej im. W. Felczaka.

durée : 00:27:41 - Eva Zavaro, violoniste - Trois ans après sa nomination aux Victoires, la violoniste franco-polonaise Eva Zavaro sort, avec le pianiste Clément Lefebvre, son premier album "Notturno", dédié à deux compositeurs a priori éloignés : Fauré et Szymanowski. Rencontre avec une musicienne fougueuse, également membre du Trio Hélios.

durée : 02:04:33 - Musique matin du mercredi 27 novembre 2024 - par : Jean-Baptiste Urbain - Trois ans après sa nomination aux Victoires, la violoniste franco-polonaise Eva Zavaro sort, avec le pianiste Clément Lefebvre, son premier album "Notturno", dédié à deux compositeurs a priori éloignés : Fauré et Szymanowski. Rencontre avec une musicienne fougueuse, également membre du Trio Hélios. - réalisé par : Yassine Bouzar

Hoy nos acompaña Alexander Szymanowski, un invitado que ha podido vivir todas las caras de este maravilloso deporte. Consciente en todo momento de que llegar a la élite es muy difícil, Szyma ha ido aceptando todo lo que la vida le iba poniendo en su camino con naturalidad, tanto para bien, con su trabajada y meritoria llegada a Primera División con el Leganés; como para mal y esas malditas lesiones que aparecieron en su mejor momento. Experiencias vividas en equipos como Sanse, Alcalá, Recre, Leganés, Brondby... y muchos más que nos cuenta durante estas dos entretenidas horas. Una lección de vida de la que se puede sacar mucho aprendizaje. Muchas gracias por compartir tu historia con nosotros, Szyma! Puedes seguirnos y apoyarnos en: - YOUTUBE: https://www.youtube.com/@offsiders.project/playlists - Instagram: https://www.instagram.com/offsiders.podcast/ - TIK TOK: https://www.tiktok.com/@offsiders_podcast?_t=8aI0IbPe2Fi&_r=1 - X: https://x.com/Offsiders_PRJ - Contacto: comunicacion@offsiderspodcast.com MARCAS DE TIEMPO: 0:00 Intro 1:50 Sus inicios en Argentina 5:30 Apartado siendo un chaval 12:55 20 años y a punto de dejar el fútbol 17:10 Antequera, una decisión acertada 23:45 Segunda etapa en Sanse con ascenso 27:50 Un día que lo cambió todo 37:20 Recre, su llegada al fútbol profesional 48:40 Un cambio de nombre clave 54:10 Dinamarca, un año espectacular 1:02:45 Una actitud de la que se arrepiente 1:08:20 Leganés, la llamada de Garitano 1:12:10 Ascenso a Primera con el Lega 1:21:35 8 goles en Primera División 1:27:00 Ser capitán del Leganés 1:30:00 Un calvario de lesiones que marcó su carrera 1:57:15 Años de sufrir, estar "tocado mentalmente" 2:04:05 Final del episodio: La pregunta del millón Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 01:28:01 - En pistes ! du lundi 23 septembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Pour débuter cette semaine, les œuvres de Juan Formell y Los Van van, de Mozart, de Bach, de Chopin, de Szymanowski, d'Elgar, de Mahler, de Telemann et de Schmügel sont au programme. En pistes !

durée : 01:28:01 - En pistes ! du lundi 23 septembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Pour débuter cette semaine, les œuvres de Juan Formell y Los Van van, de Mozart, de Bach, de Chopin, de Szymanowski, d'Elgar, de Mahler, de Telemann et de Schmügel sont au programme. En pistes !

durée : 00:17:57 - Le Disque classique du jour du lundi 23 septembre 2024 - Après un premier récital Brahms qui a marqué les esprits (Alpha 851) et des concertos de Mozart (Alpha 1039) dont la presse a loué le « naturel » (Gramophone) et la « fluidité » (Le Monde).

durée : 00:17:57 - Le Disque classique du jour du lundi 23 septembre 2024 - Après un premier récital Brahms qui a marqué les esprits (Alpha 851) et des concertos de Mozart (Alpha 1039) dont la presse a loué le « naturel » (Gramophone) et la « fluidité » (Le Monde).

durée : 01:28:48 - Relax ! du lundi 23 septembre 2024 - par : Lionel Esparza - Des merveilles dans la musique, il en existe. Dans Relax aujourd'hui, Dvorak, Chopin, Couperin, Szymanowski et bien d'autres vont sublimer la journée.

durée : 01:28:48 - Relax ! du lundi 23 septembre 2024 - par : Lionel Esparza - Des merveilles dans la musique, il en existe. Dans Relax aujourd'hui, Dvorak, Chopin, Couperin, Szymanowski et bien d'autres vont sublimer la journée.

durée : 02:03:54 - Musique matin du mardi 03 septembre 2024 - par : Jean-Baptiste Urbain - Après un disque Brahms et un autre consacré à Mozart, le pianiste Jonathan Fournel, premier prix au Concours Reine Elisabeth en 2021, publie un nouvel album consacré aux Polonais Chopin et Szymanowski. Rencontre avec un musicien qui aborde les oeuvres en s'inventant des histoires. - réalisé par : Yassine Bouzar

Eine neue CD von Jonathan Fournel - vorgestellt auf NDR Kultur.

– Uważam to za swoją misję, by przybliżać polską muzykę zagranicznej publiczności, także w Korei. Wiadomo, wszyscy Koreańczycy kochają Chopina, jego muzyka nie potrzebuje specjalnej promocji, ale Szymanowski też jest w mojej ojczyźnie znany – może nie tak często grywany jak tutaj, ale na pewno ceniony – mówiła w Dwójce skrzypaczka Bomsori Kim, która w czwartek (22.08) wystąpiła wraz z KBS Symphony Orchestra na festiwalu "Chopin i jego Europa".

I ten sam proces odbywa się w całej Europie i w USA - stwierdza dyrektor Instytutu Współpracy Polsko-Węgierskiej im. Wacława Felczaka.  Rozmówca Krzysztofa Skowrońskiego mówi o brutalizacji polityki oraz zwraca uwagę na obecne wydarzenia polityczne w różnych krajach, w tym próbę zamachu na Trumpa i sytuację polityczną w Polsce.

Dyrektor Instytutu Współpracy Polsko-Węgierskiej im. Wacława Felczaka analizuje wpływ wyników wyborów na premiera Orbana i opozycję węgierską.  Podkreśla, że nowy ruch polityczny pod przywództwem Pétera Magyara może zmienić dynamikę polityczną kraju. Rozmawia także o reprezentacji Fideszu w Parlamencie Europejskim i ich przyszłej przynależności do frakcji politycznej.

EARLY ADOPTER, 15min., USA Directed by Matt Szymanowski After a tech junkie's addictive research into a new technology that probes the deepest realms of consciousness nearly kills her, her partner decides to do something drastic to prove just how fragile their relationship and life really is. https://www.imdb.com/title/tt12937582/ https://www.instagram.com/mattszy Get to know the filmmaker: I was inspired by the question about whether the great answers of the universe are either outside of us or within us. Most often people look outside, and their pursuits are even noble and true. And looking outside leads to great discoveries. But paradoxically these discoveries could be external manifestations of the knowledge and wisdom that is also in us. And I wanted to convey this idea in two people who stand on opposite sides of the matter, and these two people are also lovers and partners, and they accept each other regardless of there differences, however difficult it is. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it's only $3.99 per month. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpo

Presented by Tom Service. This week, Tom talks to the American mezzo-soprano Joyce DiDonato about her life in music, and her creative mission to challenge the status quo. From her work in refugee camps, to her long relationship with the maximum security prison SingSing in New York State, as well as in concert halls and opera stages, DiDonato confounds expectations of an international classical artist. She talks about the joy of engaging differently with young audiences, and of recording and touring projects like Eden, which makes real connections with the natural world and includes the publishing of new music for anyone to sing.Conductor Edward Gardner and artist Ben Cullen Wiliams talk about their reimagining of Szymanowski's ballet Harnasie: a story of love, bandits, and how the robbers of the Tatra mountains in Poland win out over the civilisation below. Also featuring filmed choreography by Wayne MacGregor, the production has received its premiere in Katowice and comes to London this month, and uses human and digital intelligence to form a kinetic, sculptural video installation opening a portal to new worlds of dance.And Caroline Potter reveals the mission behind her new book, 'Pierre Boulez: Organised Delirium', which aims to change perceptions about the French composer. A leading figure of the musical avant-garde in the mid-20th century, Boulez is known for the mathematical and structural elements of his music, but Caroline Potter places just as much importance on the influences in his early career from the worlds of literature, magic, surrealism and the music of other cultures.

Węgry są pod dużą presją Komisji Europejskiej zwłaszcza za zaostrzanie przepisów skierowanych przeciwko pedofilom. To jest także tło konfliktu węgiersko-szwedzkiego. Dużo złego się stało w relacjach ukraińsko-węgierskich jeszcze przed wybuchem wojną. Twarda polityka Orbana wobec Ukrainy nie będzie wpływała na spadek jego poparcia.

Der polnische Pianist Piotr Anderszewski ist eher ein stiller Vertreter seiner Zunft, der am liebsten nur durch sein Klavierspiel zu uns spricht. Er liebt das Ungefähre, den Raum zwischen den Dingen, das Ungesagte, vielleicht auch Unsagbare, Ungehörte. Jetzt hat er ein Album vorgelegt, dessen Werke „durchdrungen von Rebellionsgeist“ sind, wie der Pianist selbst behauptet. SWR2-Musikkritiker Christoph Vratz überzeugt das nur selten.

durée : 00:10:50 - Le Disque classique du jour du vendredi 09 février 2024 - Le pianiste polonais Piotr Anderszewski juxtapose les œuvres, "imprégnées d'un sentiment de rébellion", de trois compositeurs qui ont affirmé et façonné l'identité musicale de leurs pays: Janáček, Szymanowski et Bartók

The great Polish pianist and conductor Krystian Zimerman came to London last October to collect his Gramophone Award, his seventh, for his latest DG album of music by Karol Szymanowki. James Jolly caught up with him on the morning of the ceremony, and their conversation ranged widely.

Lisa BatiashviliYannick Nezet-SeguinThe Philadelphia OrchestraSecret Love Letters“What would human life be like,” asks Lisa Batiashvili, “without this range of emotions and feelings which we feel cannot be shared with anyone?” Her new album celebrates the fine art of concealment, of holding private passions just beneath the surface until they erupt. In this, her first recording with a US orchestra, she is joined by The Philadelphia Orchestra and its inspirational Music Director Yannick Nézet-Séguin – with whom she has performed live many times – as well as by young Georgian pianist Giorgi Gigashvili. Together they embark on a journey that spans Szymanowski, Chausson, Franck, and Debussy. Tracklist:Franck: Violin Sonata in A Major, M. 8Szymanowski: Violin Concerto No. 1, Op. 35Chausson: Poeme, Op. 25Debussy: Beau soir, L. 6Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

durée : 00:11:58 - Szymanowski: Mythes, musique pour violon et piano - Sueye Park, Roland Pöntinen - La violoniste Sueye Park et le pianiste Roland Pontinen nous font voyager à travers la musique luxuriante, impressionniste, exotique, voire chargée d'érotisme, du compositeur polonais Karol Szymanowski

durée : 01:27:36 - En pistes ! du mercredi 29 novembre 2023 - par : Emilie Munera, Rodolphe Bruneau Boulmier - En ce mercredi matin, Emilie et Rodolphe vous ont concocté un programme mêlant la musique de Rameau, de Ravel, de Corelli, mais aussi celle de Graun, Myaskovsky, en passant par les œuvres de Chausson, Paul Puget et Cécile Chaminade. En pistes !

Throughout the history of Western Classical Music, folk music has imprinted itself as an invaluable resource for composers from all over the world. In fact, it's easier to make a list of composers who never used folk music in their compositions than it is to make a list of the composers who did! This tradition began long before the 20th century, but the work of composers like Bartok and a resurgence in the influence of nationalist music sparked a massive increase in composers using folk music throughout the 20th century and into the 21st. Bartok is thought of as the king of using folk music, as he was essentially the worlds first ethnomusicologist. But Stravinsky, who used dozens of uncredited folk tunes in his Rite of Spring, as well as Bernstein, Copland, Gershwin, Grainger, Vaughan Williams, Szymanowski, Dvorak, and so many others embraced folk music as an integral source for their music. This was in stark contrast to the second Viennese school composers like Schoenberg, Berg and Webern, and post World War II composers like Stockhausen, Boulez, and others who deliberately turned their backs on folk music. One composer who straddled both worlds during their lifetime was the Polish composer Witold Lutoslawski, a brilliant composer whose career started out in the folk music realm, though not entirely by choice, and ended up in music of aleatory, a kind of controlled chaos! One of his first major works, the Concerto for Orchestra is the topic for today's show, and it is heavily influenced by folk music from start to finish. It is a piece also inspired and might even be a bit of an homage to the great Bela Bartok and his own Concerto for Orchestra, which was written just ten years earlier. Lutoslawski, if you're not familiar with him, is one of those composers that once you learn about him, you can't get enough of him. I'll take you through this brilliant and utterly unique piece today from start to finish. Join us!

A panorama of ancient pagan rituals, Stravinsky's The Rite of Spring put modernism squarely on the map. Experience the swaggering and suspenseful ballet score that drove Parisian audiences to riot at its 1913 premiere. Leonidas Kavakos brings an “intense, silken, mercurial” sound (The Guardian) to his rendition of Szymanowski's folk-inspired Second Violin Concerto. Mussorgsky's fiery depiction of a witches' sabbath opens the program. Learn more: cso.org/performances/23-24/cso-classical/the-rite-of-spring-and-kavakos

Leo Ornstein is as well known for his extraordinary longevity as for his music: he was born in Ukraine in 1893 and died in Wisconsin in 2002, aged at least 108. His generous output of music, much of it for the piano, his own instrument, remains poorly known, although it can stand shoulder to shoulder with that of many better-known names. Some of the pieces here – which cover a span of over 60 years – have their roots in Debussy, Skryabin, and Szymanowski, but Ornstein welds those influences into an edgy, energetic language very much his own. The Three Moods of c. 1914 are anger, grief, and joy, but there is strength of feeling in all the music to be heard here. Indeed, the Nine Vignettes bear a misleading title: they are substantial and powerful virtuoso essays that can flare up into moments of startling power and violence; hitherto unknown, they constitute a major contribution to the piano literature.TracksNine Vignettes, s380 (1977) (34:39) No. 1 Moderato (4:49) No. 2 Con Moto (3:08) No. 3 Moderato (3:21) No. 4 Animato (4:26) No. 5 Moderato (2:09) No. 6 Allegro (3:30) No. 7 Animato (4:15) No. 8 Moderato (3:15) No. 9 Moderato con moto (5:46) Bagatelle, s100 (1952) (1:30) A Moment of Retrospect, s156 (?1950s) (4:45) The Cathedral, s73 (1916) (2:50) Nocturne, No. 1, s153 (c. 1922) (8:47) Three Moods, s5 (c. 1914)* (11:13) No. 1 Anger: Agitato (2:38) No. 2 Grief (5:32) No. 3 Joy: Presto (3:03) All Except * First Recordings*First Digital RecordingHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcast with the permission of Sean Dacy from Rosebrook Media.

durée : 00:24:59 - Karol Szymanowski, Symphonie n°3 " Le Chant de la Nuit " - par : Anne-Charlotte Rémond - En 1928, le compositeur polonais Karol Szymanowski assiste enfin à la création de sa 3ème symphonie avec son effectif complet (ténor, chœur et orchestre). Dans Musicopolis, Anne-Charlotte Rémond déroule l'histoire de cette œuvre, de sa composition à sa création ! - réalisé par : Claire Lagarde

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"The repertoire will always have some sort of example of something that you're talking about in music theory, and it helps really build that connection between the studying of music and the doing of music. The more and more I teach theory, the more little leaves I uncover, and I'm able to help students make that connection more and more every year."John Guarente is Professor of Choral Ensembles and Music Theory at South Puget Sound Community College. He leads the SPSCC Choirs and teaches courses in music theory, popular music, and music appreciation.Dr. Guarente previously served on the faculty at Lakeland University in Wisconsin and the College of Central Florida. He has held teaching and conducting positions with schools and organizations including the University of Miami, Miami Choral Academy, Marion Civic Chorale, the Civic Chorale of Greater Miami, and Highland Park Community Chorus.An active composer and arranger, John has fulfilled commissions for colleges and universities including Florida International University and Hawai'i Pacific University. In 2020, he wrote the music and lyrics for SPSCC's Alma Mater, "The Waves of South Puget Sound." John has prepared and conducted choirs for groundbreaking recording artists such as Passion Pit and Juanes. In working with adult and collegiate choirs, Dr. Guarente has conducted numerous major works including Handel's Judas Maccabaeus, Saint-Saëns's Oratorio de Noël, Mozart's "Coronation" Mass, Faure's Requiem, and Vivaldi's Gloria. As a baritone soloist, his singing engagements have included such choral-orchestral literature as Orff's Carmina Burana, Handel's Messiah, Dvorak's Te Deum, and Szymanowski's Stabat Mater.John received his doctor of musical arts degree from the University of Miami, and holds a master of music in choral conducting and a bachelor of arts degree in music from Rutgers University. He is an inductee of Pi Kappa Lambda: The National Music Honor Society, and is an active member of the American Choral Directors Association, the National Collegiate Choral Organization, the College Music Society, and the National Association for Music Education.To get in touch with John, you can find him on Facebook (@johnguarente), Twitter ( @johnguarente), or Instagram (@johnguarente). You can also email him at jguarente@spscc.edu.Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us. Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Krystian Zimerman marks Szymanowski's 140th anniversary by completing a journey through his solo piano music that began in 1994. His new album reveals the multifaceted nature of the composer's pianistic language.Purchase the music (without talk) at:Karol Szymanowski: Piano Works (classicalmusicdiscoveries.store)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Profesor Maciej Szymanowski tłumaczy, z czego wynika zwłoka parlamentu Węgier w przeprowadzeniu ratyfikacji wejścia Szwecji i Finlandii do NATO. Wskazuje na to, że wakacje parlamentarne na Węgrzech są długie. Zapewnia, że Budapeszt w końcu zaakceptuje rozszerzenie Sojuszu. Dyrektor Instytutu Współpracy Polsko-Węgierskiej im. Wacława Felczaka relacjonuje, że Węgrzy przygotowują się na bardzo poważne perturbacje gospodarcze. --- Send in a voice message: https://anchor.fm/radiownet/message

Prof. Maciej Szymanowski mówi o decyzji Komisji Europejskiej o zablokowaniu europejskich funduszy dla Węgier. Jest to związane ze sprawami korupcyjnymi i zarzutami KE, co do przejrzystości tego sektora. Tłumaczy jaka jest reakcja Budapesztu na postawione zarzuty. Zdaniem gościa "Poranka Wnet" KE pragnie wymusić na Węgrzech zmianę ustaw, a także zmienić politykę wobec Rosji. Zauważa, że to może zbliżyć Budapeszt i Kreml jeszcze bardziej. --- Send in a voice message: https://anchor.fm/radiownet/message

Profesor Maciej Szymanowski ocenia, że relacje polsko-węgierskie nie powinny być oceniane jedynie przez pryzmat wojny na Ukrainie. Opowiada o tym, jak wyglądają kontakty polskiej i węgierskiej młodzieży. --- Send in a voice message: https://anchor.fm/radiownet/message

Lisa Batiashvili und Yannick Nézet-Séguin ergänzen sich perfekt in den beiden spätromantischen Violinkonzerten von Chausson und Szymanowski. Ihr aktuelles Album "Secret Love Letters" vermittelt mit raffiniert schillernden Klängen geheime Botschaften aus einer schönheitstrunkenen, versunkenen Welt.

Sometimes Jay indulges in hyperbole—but the hyperbole is not far off. In this episode, he calls Dawn Upshaw's 1989 recording of “No word from Tom” (Stravinsky) “just about the best thing ever.” You may well agree. He begins the episode with another “just about the best thing ever”: Leontyne Price in “Summertime” (Gershwin), live in Munich, 1968. Also on the menu are Mozart, Bridge, Medtner, and Szymanowski. A winning line-up. Gershwin, “Summertime” from “Porgy and Bess” Mozart, String Quartet No. 2 in D major, K. 155 Medtner, Fairy Tale No. 3 Bridge, “Allegro appassionato” Szymanowski, Violin Concerto No. 2 Stravinsky, “No word from Tom” from “The Rake's Progress”

Prof. Maciej Szymanowski ocenia, że stosunki polsko-węgierskie nadal są dobre. Tłumaczy politykę Budapesztu wobec wojny na Ukrainie. --- Send in a voice message: https://anchor.fm/radiownet/message

Prof. Maciej Szymanowski podsumowuje wizytę nowej prezydent Węgier Katalin Novak w Warszawie. Omawia kwestię antyrosyjskich sankcji i położenia energetycznego Węgier. Prof. Maciej #Szymanowski w #PoranekWnet: kluczowe dla Węgier jest połączenie gazowe z południa #RadioWnet— RadioWnet (@RadioWNET) May 18, 2022 --- Send in a voice message: https://anchor.fm/radiownet/message

Profesor Maciej Szymanowski opowiada o aktualnej sytuacji politycznej na Węgrzech. Mówi o tym, jak stosunek rządu węgierskiego do działań Rosji wpływa na relację Budapesztu z Warszawą. --- Send in a voice message: https://anchor.fm/radiownet/message

durée : 00:09:57 - Godowsky - Szymanowski: Valses Impressions - Dmitri Makhtin, Muza Rubackyte - La talentueuse pianiste lituanienne, Mūza Rubackytė, est de retour avec un nouveau disque consacré à deux compositeurs : Szymanowsky et Godowsky. Elle est accompagnée du violoniste Dmitri Makhtin et c'est notre disque du jour !

For Christians, this week is probably the most central to the theology of their faith, focusing as it does on the story of the Passion of the Christ. My dear friend, the choral conductor and singer Kristina Boerger posted a fascinating meditation this week about her “complicated” relationship with this theology, and how the performance of music for Holy Week over the years has given her insight into some universal tenets about human nature and behavior. She very kindly agreed to read her essay for me to use as the basis of this week's podcast, which features music written for, and associated with, the Passion. Composers featured include, from the Baroque era, Couperin, Schütz, Handel, and Bach (with Pergolesi right on the cusp); from the 19th century, Beethoven, Schubert, and Wolf; and from the 20th century, Hindemith, Szymanowski, Poulenc, Penderecki, Frank Martin, and Arvo Pärt. Featured singers include Régine Crespin, Irmgard Seefried, Peter Schreier, Gundula Janowitz, Richard Lewis, Florence Quivar, Andrzej Hiolski, Judith Raskin, Jorma Hynninen, Margaret Marshall, Benjamin Luxon, Muriel Smith, Walter Berry, Edda Moser, and Adele Addison, plus further encounters with several of the Swiss singers we explored last week (Hugues Cuénod, Maria Stader, Eric Tappy, Pierre Mollet, and Ernst Haefliger). Whether you are Christian, agnostic, atheist, Muslim, Jew, or fall into a different category altogether, there will be something here for you of value in this episode. The Countermelody podcast is devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Prof. Maciej Szymanowski o uruchomieniu mechanizmu warunkowości wobec Węgier. --- Send in a voice message: https://anchor.fm/radiownet/message

Damon Szymanowski of Szymanowski Orthodontics makes the job of straightening teeth FUN. Just ask his patients, especially the kids. Turn on the music and roll out the Candy Cart when a young patient arrives at the day of getting their braces off. It all happens at his offices located on 99 Scripps Drive in Sacramento. The word that Szymanowski uses repeatedly is "EXPERIENCE." It's all about the EXPERIENCE. Sound familiar?In today's episode of Experience the Buzz, Host Steve Buzzard explores the world of orthodontics with Dr. Damon. "I have always been fascinated with individuals who will go beyond college and do schooling for 4-7 additional years. Damon is so well respected in the community and it's great that what he loves to do, he gets to do in his hometown of Sacramento."  Our conversation hits THREE areas: Segment ONE