Podcasts about chichewa

A new MP3 sermon from Frontline Fellowship is now available on SermonAudio with the following details: Title: 6 Kanyama Free Baptist Community School Assembly (English-Chichewa) Speaker: Peter Hammond Broadcaster: Frontline Fellowship Event: Special Meeting Date: 10/11/2024 Length: 38 min.

A new MP3 sermon from Frontline Fellowship is now available on SermonAudio with the following details: Title: The Greatness of the Great Commission Sunday Morning Service (English-Chichewa) Speaker: Peter Hammond Broadcaster: Frontline Fellowship Event: Special Meeting Date: 10/11/2024 Length: 61 min.

A new MP3 sermon from Frontline Fellowship is now available on SermonAudio with the following details: Title: The Fruit of Revival ( English-Chichewa ) Speaker: Peter Hammond Broadcaster: Frontline Fellowship Event: Special Meeting Date: 10/11/2024 Length: 77 min.

A new MP3 sermon from Frontline Fellowship is now available on SermonAudio with the following details: Title: Zambia Prison Testimony ( English-Chichewa ) Speaker: Peter Hammond Broadcaster: Frontline Fellowship Event: Special Meeting Date: 10/11/2024 Length: 68 min.

A new MP3 sermon from Frontline Fellowship is now available on SermonAudio with the following details: Title: The Kingdom of God is at Hand Repent and Believe in the Gospel ( English-Chichewa ) Speaker: Peter Hammond Broadcaster: Frontline Fellowship Event: Special Meeting Date: 10/11/2024 Length: 74 min.

A new MP3 sermon from Frontline Fellowship is now available on SermonAudio with the following details: Title: Pastors Fraternal Chongwe Reformation ( English - Chichewa ) Speaker: Peter Hammond Broadcaster: Frontline Fellowship Event: Special Meeting Date: 10/10/2024 Length: 96 min.

Luigi RizziLinguistique généraleCollège de FranceAnnée 2023-2024Colloque - Syntactic Cartography and African Languages : The View from CiCewa (Bantu): Towards a Cartography of Passive Voice(s) and Developing TerralingColloque organisé par Luigi Rizzi, Professeur du Collège de France, chaire linguistique généraleAvec le soutien de la Fondation du Collège de France.Hilda Koopman, UCLAIn this talk, I will establish a cartography of Passive (and passive-like) Voice(s) for Chichewa (Bantu), use it to explore the observed crosslinguistic variation in passive constructions across languages, and implement the findings in a (pilot) comparative Terraling dataset for passive constructions that can serve as the basis for further current or future theoretical investigations.Like many Bantu languages, Chichewa has extensive verbal morphology, with both a postverbal applicative morpheme and two passive(-like) morphemes (Alsina & Mchombo (1990) [1], Alsina (1999) [2], Dubinsky & Simango (1996) [3]). The applicative morpheme -ir adds a variety of arguments/adjuncts to the verbal stem, not only goals or benefactives, but also instruments, or locative adjuncts. The stative morpheme (-ik) occurs in middles and potentials. The passive morpheme -idw occurs not only with canonical (agent-theme) and low oblique applicative passives, but also with non-canonical passive applicative constructions (instrumental, locative, ...). Applicative and statives/passive can co-ocur in different orders V-stat-Appl, but V-Appl-Pass, or V Pass Appl the latter restricted to Instrumental and locative applicatives. Various interactions determine the cartography of Passive-(like) Voice(s) in Chichewa. Passive Voice(s) and Applicative interact with the argument structure ("little" vP) and the hierarchy of "obliques"/ PPs/applicatives (Schweikert (2005) [4]; morpheme orders reflect the syntactic derivation and give insight into the order of operations; stative and passives occur in different regions in Cinque's functional hierarchy (Cinque (1999) [5]) etc. Taken together, this leads to a general cartography of Passive Voice(s), and the conclusion that not only stative, but also passive voice(s) in Chichewa can be merged at different heights in the hierarchical structure. Because Passive can be merged above Locative, Locative can be passivized. Because Passive can be merged below APPL, passive voice can be merged below Instrumental and Locative, and only themes can be passivized in this order. This investigation provides important insights into some fundamental theoretical questions. What is the element that introduces the external argument a (light)verb: little v? ("yes") or (Kratzerian) Voice ("no"), and where is it located (above locative adjuncts or below) ("both are attested")? What are the formal properties of Passive Voice: is (Passive) Voice ever involved in argument structure (assigning or reducing argument structure?). Or is it simply a vehicle, devoid of any semantic properties, that serves to map arguments on their syntactic positions ? We briefly explore how variation in height of Merge further leads to a new typology of passive-like constructions crosslinguistically, and show how to concretely implement the findings in the open crosslinguistic Terraling-dataset for passive-like constructions https://terraling.com/groups/13.Références[1] Alsina, Alex & Sam Mchombo. 1990. The syntax of applicatives in Chichewa: problems for a theta theoretic asymmetry. Natural Language and Linguistic Theory 8(4). 493–506.[2] Alsina, Alex. 1999. Where's the Mirror Principle? The Linguistic Review 16(1). 1–42.[3] Dubinsky, Stanley & Silvester Ron Simango. 1996. Passive and Stative in Chichewa: Evidence for Modular Distinctions in Grammar. Language 72(4). 749–793.[4] Schweikert, Walter. 2005. The order of prepositional phrases in the structure of the clause, vol. 83. John Benjamins Publishing.[5] Cinque, Guglielmo. 1999. Adverbs and functional heads: a cross-linguistic perspective. New York: Oxford University Press.

In this episode Gyles and Aphra Brandreth speak to Tendai Shaba, a renowned Malawian poet and activist.Tendai shares how he has used poetry to campaign on issues including gender based violence, climate change and advocating for safe motherhood. Poems this episode include a poem in Chichewa language addressing a relationship that has ended; Oh God Bless our Land of Malawi by Michael-Fredrick Paul Sauka, adopted as the National anthem for Malawi; and I am a Strong Woman Still by Tendai Shaba from his collection A Lady in a Yellow Dress.

Kacou 160 CHICHEWA VERSION by Prophète Kacou Philippe

Kacou 159 CHICHEWA VERSION by Prophète Kacou Philippe

Kacou 48_VERSION CHICHEWA by Prophète Kacou Philippe

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Kacou_49_VERSION CHICHEWA by Prophète Kacou Philippe

Kacou_35_VERSION CHICHEWA by Prophète Kacou Philippe

Kacou 34: VERSION CHICHEWA by Prophète Kacou Philippe

Kacou 38 VERSION CHICHEWA by Prophète Kacou Philippe

Kacou 40 VERSION CHICHEWA by Prophète Kacou Philippe

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Kacou 19 VERSION CHICHEWA by Prophète Kacou Philippe

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Kacou 17 Version Chichewa by Prophète Kacou Philippe

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Kacou 46 Version Chichewa by Prophète Kacou Philippe

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Kacou 10 VERSION CHICHEWA by Prophète Kacou Philippe

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Kacou_12_VERSION CHICHEWA by Prophète Kacou Philippe

Kacou 24 VERSION CHICHEWA by Prophète Kacou Philippe

In this fast-paced, wide-ranging conversation—in English and Chichewa—Kennedy Gondwe and Tim Martin of CFAR discuss the real and growing threat of cultic groups in Malawi and offer solutions based in God's unchanging Word.Originally broadcast via Blantyre Synod Radio.

Co-director of the Rhode Island Black Storytellers and absolutely incredible storyteller Valerie Tutson is back to show us how wisdom tales can help in a time of grief and loss, and how the power of a good story, poem or song can provide us with enough distance for grief to sit beside us without consuming us. Valerie begins with the practice of singing a Malawian song in Chichewa saying “I See You” to help you check in, see others, and see yourself. She then tells the story of The Cowtail Switch, a tale from Liberia about why the storytellers are considered to be the most important people in the community. Listen to experience the absolute joy of listening to Valerie tell as story and to learn that no one is truly dead until they are forgotten. To learn more about Valerie you can find her here Enjoying the podcast? Support our production costs by donating here Receive your Free Grief Guidebook and find Jenn's work here Music by Daniel Plane: www.reelcello.com Podcast production by Caitlin Epstein