Podcasts about Zulu

A drifter set to die in the gas chamber for a murder he didn't commit offers one last gift to the man who framed him — never imagining what that gift might carry.Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.tiny.us/OTRCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Second Sight” (February 27, 1978) ***WD00:46:14.838 = Origin of Superstition, “Three On A Match” (December 16, 1932) ***WD01:00:44.894 = Pat Novak For Hire, “Don't Tell Hilda” (February 27, 1949)01:29:14.739 = Peril, “Darkness Within” (1953) ***WD (LQ)01:58:15.099 = Mystery Playhouse, “Death is a Joker” (May 25, 1941) ***WD02:28:27.475 = Price of Fear, “Meeting In Athens” (July 07, 1973) ***WD02:55:48.036 = Ellery Queen, “Number Thirty-One” (September 07, 1947) ***WD03:24:14.186 = Quiet Please, “If I Should Die Before I Wake” (February 27, 1949)03:53:27.551 = Radio City Playhouse, “The Wind” (October 30, 1949) ***WD04:22:21.175 = Sam Spade, “Death of Dr. Denhoff Caper” (August 09, 1946) ***WD04:51:19.818 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.This episode of #RetroRadio — Old Time Radio in the Dark, hosted by Darren Marlar at WeirdDarkness.com, runs ten classic mystery, crime, and horror broadcasts back to back, from a condemned man who donates his eyes to the very person who framed him to Ray Bradbury's tale of a living, intelligent wind that hunts a man across the globe.CBS Radio Mystery Theater opens the night with "Second Sight," a February 27, 1978 drama hosted by E.G. Marshall in which drifter Larry Millard, condemned to die in the gas chamber for the shotgun murder of farmer Jason Hadley, volunteers his own eyes for an anonymous corneal transplant — handing his sight to Glen Plaxton, the businessman who actually pulled the trigger and framed him to protect a secret reservoir land-grab. After the surgery, Plaxton and his partner Tip Foster begin to suspect that the dead man's eyes may have carried more than vision.Next, Origin of Superstition traces the famous taboo against lighting three cigarettes from a single flame in "Three On A Match," a December 16, 1932 sketch that carries listeners back to 1899 and the Boer War in South Africa, where British officer Captain Frank Mattox laughs off the fire-reading warning of a Zulu medicine man named Grumbo, who reads ruin in the ashes and cautions of "danger in three."In "Don't Tell Hilda," the hard-boiled Pat Novak For Hire (February 27, 1949, starring Jack Webb) finds the San Francisco waterfront boat-for-hire man tangled in murder when a beautiful blonde claiming amnesia collapses dead in a coffee joint after a fatal dose of sleeping pills. Hounded by Inspector Hellman and helped by boozy ex-doctor Jocko Madigan, Novak traces her to a long-vanished heiress named Marcia Halpern and a fortune up on Pacific Heights.Peril offers the 1953 psychological case "Darkness Within," where Mrs. Diana Carson walks into the office of psychiatrist Dr. James Bancroft insisting that her mild-mannered stockbroker husband, Lionel Carson, seized the fireplace tongs and tried to murder her — then woke with no memory of the attack, much like the family cat she found poisoned in the basement. Bancroft must decide whether Lionel suffers a blackout-driven split personality or something far more deliberate.Mystery Playhouse, hosted by Peter Lorre, stages "Death is a Joker" (May 25, 1941), the courtroom confession of Charles Luther, a homely stage comedian on trial for his life who recounts strangling his friend Robert Langwell in a fit of jealousy over the beautiful Julie Wenthoff — and then, hour by terrible hour, is forced to think and act like the cunning criminal he never meant to become.The Price of Fear sends Vincent Price into the August heat of Athens for "Meeting In Athens," a July 7, 1973 chiller in which he befriends young English couple Mark Haxton and Gillian Gilroy on the Acropolis. When Mark vanishes after a late-night seaside villa party arranged by a heavyset stranger named Yannis, Price and Greek police officer Costas Polides uncover a black-market horror in which a man's rarest possession — his AB Rhesus-negative blood, recorded in the diary he kept on everything — can be worth killing for.Ellery Queen investigates "Number Thirty-One" (September 7, 1947), in which suspected international diamond smuggler George Arcaris always books Cabin 31 aboard the steamship Aegea, and a Park Avenue butler from Harlem named Arthur Prine — who liked to play the number 31 in the numbers game — turns up dead in the East River. Ellery and Inspector Queen connect the recurring number to a smuggling ring involving wealthy socialites Pip Istram and Susu Mounting, with guest armchair detective Kent Smith invited to solve it first.Quiet Please turns apocalyptic with "If I Should Wake Before I Die" (February 27, 1949), Wyllis Cooper's parable of Dr. Anderson, a coldly rational scientist who cares only for pure knowledge and never for its uses — even after his own brother Edward dies alone in an orbiting satellite rocket, and even as Project Phaeton, an atomic-fission projectile fired at the moon, sets loose consequences no equation predicted.Radio City Playhouse adapts Ray Bradbury's "The Wind" (October 30, 1949), in which Allen Henderson telephones his friend Herb Thompson again and again, convinced that a living, intelligent wind — one that has stalked him from a crash in the Himalayas across every typhoon and hurricane he survived — has finally surrounded his lonely stone house to claim him, while Herb's wife Jane dismisses the whole thing as madness.Sam Spade closes the night with the "Death of Dr. Denhoff Caper" (August 9, 1946), as Howard Duff's wisecracking detective is hired by psychoanalyst Dr. Gregory Denhoff to fend off a blackmailer named Nicolaitis — only for Denhoff to plunge from his penthouse window, the police to rule it suicide, and a stolen, microfilmed case history on actress Constance Brent to throw suspicion across the grieving widow, a Vienna-trained rival named Dr. Zoya, and Brent's hot-tempered husband.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0700

Send us Fan MailRyan is back on Ones Ready with Aaron and Peaches to talk drones, TACP, small unmanned aerial systems, one-way attack, and where small team warfare is headed.Ryan is a TACP officer, Guardsman, and founder of Aerial Employment Group, a company focused on SUAS training, red air support, counter-SUAS training, program development, and helping military and law enforcement teams figure out what drone systems actually work.In this episode, the crew talks about how small unmanned aerial systems are changing the fight, where drones actually make sense for small teams, how TACP units are using SUAS to support JTAC skills, why one-way attack is becoming a major focus, and why the military's drone approval and certification process has to move faster.They also get into the reported Zulu course ruck issue, heavy ruck standards, heat casualties, training risk, ownership, and what happens when events drift away from their original purpose. Ryan gives perspective from the TACP side, including how heavy rucks showed up in the TACP pipeline and why evaluated events need to be tied to real standards.Ryan's company:aerialemploymentgroup.comCheck out Tasty Gains:TastyGains.comGear from ATACLETE:OnesReady.comTrain with us:OperatorTrainingSummit.comChapters:00:00 - Ones Ready Intro01:00 - Tasty Gains, ATACLETE, and Operator Training Summit Updates03:24 - Disclaimer for Ryan's Personal Views04:06 - Welcome Ryan Back to Ones Ready05:24 - Ryan's Background and Move to the Guard06:14 - Aerial Employment Group and SUAS Services07:32 - Government Contracting and Expensive Gear08:15 - Low-Cost Drone Tech and Commercial Off-the-Shelf Equipment09:17 - Drone Warfare and Small Team Use Cases09:52 - Drones Are a Tool, Not the Answer to Everything10:37 - ISR, Team Support, and Who Should Fly Drones12:00 - Quadcopters vs. Larger Group Two and Group Three Drones13:01 - Transition to the Zulu Course Ruck Discussion15:13 - What Happened With the Zulu Course Ruck?16:10 - TACP Instructors and the Zulu Block Two Link17:00 - Reported 10-Mile Ruck Standard and Load18:49 - First Summer Class and Heat Casualty Reports19:23 - Medical Coverage and Student Paramedics20:46 - Heat Conditions, Uniforms, and Safety Decisions23:03 - What Dry Weight Means in Rucking23:39 - Ryan's TACP Schoolhouse Ruck Experience25:41 - Evaluations, Standards, and Protecting the Process27:22 - Training Drift and Leadership Decisions28:00 - What Do You Tell Students After an Incident?29:17 - Owning Bad Decisions as a Leader29:55 - When to Call Off a Training Event31:10 - Ranger School Rope Story and Extreme Ownership33:11 - Parents, Students, and Today's Connected Pipeline35:29 - Why TACP Did Heavy Rucks37:00 - Does This Standard Apply to Every AFSPECWAR Career Field?38:16 - Parent Involvement and Pipeline Communication41:26 - Time, Emotions, and Letting the Schoolhouse Respond43:47 - Accountability Without Cancel Culture46:27 - Medical Planning and After-Action Reviews49:17 - Back to SUAS and TACP Drone Use51:15 - TACP as ACC's One-Way Attack Lead52:00 - How TACP Units Are Using SUAS Now53:20 - ACC, AFSOC, and SUAS Program Ownership54:42 - SUAS Programmatics and Airframe Certification56:00 - Blue UAS, NDAA Systems, and FPV Drone Risk58:16 - Building and Flying Non-Standard Drone Systems59:08 - Frequencies, Jamming, and Ukraine Drone Lessons01:00:00 - Stop Being Platform Specific01:01:20 - Certification, Currency, and Drone Training Problems01:02:22 - Final Thoughts and Wrap-UpSupport the showJoin this channel to get access to perks: HEREBuzzsprout Subscription page:  HERERegister for our Operator Training Summit:  OperatorTrainingSummit.comFind an Air Force Recruiter: AirForce.comCollabs:Ones Ready - OnesReady.com 18A Fitness - Promo Code:  ONESREADY ATACLete - Follow the URL (no promo code):  ATACLeteDanger Close Apparel - Promo Code:  ONESREADYDFND Apparel...

This podcast is made possible by our listeners and viewers. If this show has brought you value, you can support it by becoming a member of The Way Forward, our platform designed to help you find the health and freedom community (people, practitioners, schools, farms, and more) near you. Your membership directly supports the podcast and the work we do.Your body is continuously recalling the trauma from your past.After ten years as a board-certified anesthesiologist, Dr. Richard Massey watched his sister-in-law reverse pre-eclampsia in three days by eating more eggs. That moment ended his career in conventional medicine.He now works with live blood microscopy, heart coherence biofeedback, recall healing, German New Medicine, and family constellations. What he keeps seeing under the microscope is not pathology, it's the body healing. It took him thirteen years to say that out loud.His patients include a nurse whose blood pressure doubled while trying to save her father, a boy whose growth stalled on an inherited memory, and a great-grandson born unable to breathe (a biological echo of a grandfather who fled a breathalyzer test).If you have ever wondered why the same struggle keeps showing up in your body, this episode reframes the question.You'll Learn:[0:00] Introduction[12:24] Why the diet that reverses preeclampsia 100% of the time was buried for 30 years[18:40] The hospice nurse who made Dr. Massey promise the peroxide IVs wouldn't extend her patient's life[26:58] Discovering human magnificence after 13 years of looking at blood the wrong way[31:56] Changing “I” to “we”: celiac disease as a love story for the family system[41:03] The rabbi who revealed the original fifth commandment and how it underwrites constellations[48:51] The boy whose body formed around his grandfather's fear of a breathalyzer test[1:01:27] The 55-year fantasy that ended when one excluded perpetrator was finally seen[1:46:11] Why Western culture won't raise its hand the way the Zulu villagers did[1:56:47] The ICU nurse whose blood pressure doubled, trying to save her father's life[2:03:13] Parenting kids under seven: how to remove inherited programs[2:10:07] Why every ultraviolet IV is secretly a family constellation in disguise[2:42:29] The 19-year autonomy timeline and why your injuries keep repeating on schedule[2:49:32] Reading leaky gut through Klinghardt's five levels, and the old woman in the shoeRelated The Way Forward Episodes:The Hidden Meaning of The Law of One: Densities, Love & Humanity's Evolution with Edmund Knighton | PodcastFamily Constellations & The Golden Spiral with Danica Apolline-Matić | PodcastHow Trauma & Emotions Cause Diseases: 4.5 Hour Masterclass on German New Medicine with Dr. Melissa Sell | PodcastThe Mechanics of Trauma, Suffering & God's Unconditional Love with Brandon Bozarth | PodcastBeyond Death's Door: Mediumship, Life, Death & the Nature of Existence with Suzanne Giesemann | PodcastThe New Frontier of Biology: Water, Fields & Consciousness with Carlos Millán | PodcastResources Mentioned:Pyramid of Health by Gilbert Renaud | BookFamily Constellations by Joy Manne, Ph.D. | BookI Am (Documentary) | IMDbFind more from Dr. Richard:Dr. Richard Massey | Instagram Find more from Alec:Alec Zeck | Instagram | XThe Way Forward | InstagramDonate to The Way Forward hereThe Way Forward is Sponsored By:Want more crypto insights and a community to back you up?Join the Crypto Freedom Academy today. It's 100% free and designed to help you master the markets.

More is becoming clear but the mayor of the neighbourhood where it happened says she and her constituents are still looking for answers. We'll also hear from a local rabbi who knew Michel Mizrahi -- a fixture of the city's Jewish community, who appears to have died trying to save others. Members of the Taliban were in Brussels today for talks with European officials. A former Afghan MP tells us that's a dangerous step towards normalizing Taliban rule. For weeks now, a Zulu architect has been walking across South Africa to raise money for housing -- and hopes for a more equitable society. An Oklahoma family goes viral after video captures their Golden Retriever helpfully bringing a live armadillo inside the house -- a guest they are very vocal about not wanting. An Alaska woman opens her home to some unhoused parakeets and winds up with a surprising number of them -- all of which you will hear. As It Happens, the Tuesday Edition. Radio that thinks that puts the "bird" in "burden."

KCAA: Justice Watch with Attorney Zulu Ali on Sun, 21 Jun, 2026

On the afternoon of 10th January 1883, King Cetshwayo kaMpande climbed off a skiff and onto the beach at Port Dunford, surviving the heavy and powerful surf. The British had been using this stretch of desolate sand as their transport hub into Zululand, which is south of the modern harbour of Richard's Bay. King Cetshwayo then stepped out of the wet boat onto the sand of Port Durnford, where he was formally met by British official Sir Theophilus Shepstone to begin his return to Zululand. Cetshwayo looked around — there was no welcoming committee of his people. Shepstone has purposely kept the date of the King's return a secret, this after 3 years in exile. It was just the sort of thing at which Theophilus excelled — a thoughtful deviousness. The British brought him back to lead a detachment of 6th Dragoons to greet the old Zulu king, and to escort Cetshwayo back to Mthonjaneni above the the emaKhosini valley. Which he did. Shortly after they arrived in early January, Mandlakazi leader Zibhebu came to Mthonjaneni, but not to pay respects to Cetshwayo, he made a grand point of greeting Shepstone, his patron, and ignoring the king. Zululand had been fractured, and Cetshwayo now led a broken people where the different regions were alienated from royal control. Cetshwayo had been restored, but their country was divided. The uSuthu regiment in particular were aghast they were forced to remain under Zibhebhu's rule — he was a tyrant and hated. For the previous 12 months, a game of smoke and mirrors had confounded the king. When he returned from visiting Queen Victoria in England in September 1882, he had been told he was to return home almost immediately. The actual boundaries of his kingdom were undefined. Natal officials were terrified of Cetshwayo, sure that he would invoke the spirits of Dingana and Shaka, and the Zulu would rise up once more. They wanted to confine Cetshwayo to the central portion of his former kingdom, where he would be managed by a Resident supervisor Henry Francis Fynn Junior. In the north, Zibhebhu, Cetshwayo's implacable enemy, would rule independently — the only independent chief out of the 13 selected by the British to rule over different territories in Zululand. Zibhebhu took control over the land north of the Black Mfolozi, land which was dominated by pro-Cetshwayo locals and Zibhebhu was distinctly anti-Cetshwayo. It was into this newly divvied up landscape that Cetshwayo returned in early 1883. Shepstone officiated over the handover of power, and once again, was forced to face a plethora of complaints delivered by the king's men, including Mnyamana's induna Hemulaana. The kings restoration, they said, was a disgrace. Ever the thin-skinned settler, Shepstone was outraged, he was merely a clerk, sent by the British to dot a few I's and cross a few T's, he had no power to alter any of the conditions. After the tongue lashing, he and the dragoons hurried back to the safety of Natal muttering about the insults they'd been forced to endure. With stuffy old Shepstone gone, the Zulu let their hair down == Let the party begin — but the reality of his situation was clear to Cetshwayo. While his homestead at oNdini had been reinstated east of the original town burned down by the British, it was smaller. Still, almost 1000 huts were built in the traditional stye of an ikhanda with the isigodlo at the top, all protocols observed. Well almost all. A large number of senior indunas and chiefs were absent. After Shepstone left, Zibhebhu left too. Hamu stayed aaway. Mfanawendlela did arrive, somewhat shamefaced, it was he who had committed a sacrilege of planting crops on King Mpande's Grave on Mahlabathini plain. But things had changed, when he walked into the isigodlo, he did not prostrate himself before the Zulu king, but idled up to one of the chairs and sat down as if he was Cetshwayo's equal.

On the afternoon of 10th January 1883, King Cetshwayo kaMpande climbed off a skiff and onto the beach at Port Dunford, surviving the heavy and powerful surf. The British had been using this stretch of desolate sand as their transport hub into Zululand, which is south of the modern harbour of Richard's Bay. King Cetshwayo then stepped out of the wet boat onto the sand of Port Durnford, where he was formally met by British official Sir Theophilus Shepstone to begin his return to Zululand. Cetshwayo looked around — there was no welcoming committee of his people. Shepstone has purposely kept the date of the King's return a secret, this after 3 years in exile. It was just the sort of thing at which Theophilus excelled — a thoughtful deviousness. The British brought him back to lead a detachment of 6th Dragoons to greet the old Zulu king, and to escort Cetshwayo back to Mthonjaneni above the the emaKhosini valley. Which he did. Shortly after they arrived in early January, Mandlakazi leader Zibhebu came to Mthonjaneni, but not to pay respects to Cetshwayo, he made a grand point of greeting Shepstone, his patron, and ignoring the king. Zululand had been fractured, and Cetshwayo now led a broken people where the different regions were alienated from royal control. Cetshwayo had been restored, but their country was divided. The uSuthu regiment in particular were aghast they were forced to remain under Zibhebhu's rule — he was a tyrant and hated. For the previous 12 months, a game of smoke and mirrors had confounded the king. When he returned from visiting Queen Victoria in England in September 1882, he had been told he was to return home almost immediately. The actual boundaries of his kingdom were undefined. Natal officials were terrified of Cetshwayo, sure that he would invoke the spirits of Dingana and Shaka, and the Zulu would rise up once more. They wanted to confine Cetshwayo to the central portion of his former kingdom, where he would be managed by a Resident supervisor Henry Francis Fynn Junior. In the north, Zibhebhu, Cetshwayo's implacable enemy, would rule independently — the only independent chief out of the 13 selected by the British to rule over different territories in Zululand. Zibhebhu took control over the land north of the Black Mfolozi, land which was dominated by pro-Cetshwayo locals and Zibhebhu was distinctly anti-Cetshwayo. It was into this newly divvied up landscape that Cetshwayo returned in early 1883. Shepstone officiated over the handover of power, and once again, was forced to face a plethora of complaints delivered by the king's men, including Mnyamana's induna Hemulaana. The kings restoration, they said, was a disgrace. Ever the thin-skinned settler, Shepstone was outraged, he was merely a clerk, sent by the British to dot a few I's and cross a few T's, he had no power to alter any of the conditions. After the tongue lashing, he and the dragoons hurried back to the safety of Natal muttering about the insults they'd been forced to endure. With stuffy old Shepstone gone, the Zulu let their hair down == Let the party begin — but the reality of his situation was clear to Cetshwayo. While his homestead at oNdini had been reinstated east of the original town burned down by the British, it was smaller. Still, almost 1000 huts were built in the traditional stye of an ikhanda with the isigodlo at the top, all protocols observed. Well almost all. A large number of senior indunas and chiefs were absent. After Shepstone left, Zibhebhu left too. Hamu stayed aaway. Mfanawendlela did arrive, somewhat shamefaced, it was he who had committed a sacrilege of planting crops on King Mpande's Grave on Mahlabathini plain. But things had changed, when he walked into the isigodlo, he did not prostrate himself before the Zulu king, but idled up to one of the chairs and sat down as if he was Cetshwayo's equal.

Send us Fan MailAaron jumps on solo for a serious episode about the reported Air Force Special Warfare Zulu course ruck event, why it matters, and what candidates need to understand right now.This episode focuses on reports of a heavy evaluated ruck in the Zulu course, including a 10-mile ruck with roughly 100+ pounds, a 15-minute pace standard, full uniform and equipment requirements, Texas heat and humidity, medical concerns, heat casualties, and the larger question of whether the event is operationally valid, properly risk-managed, and appropriately messaged to candidates before they arrive.Aaron also talks directly to future Air Force Special Warfare candidates: if this event exists in the pipeline, you need to prepare differently. Running still matters, but rucking, foot conditioning, equipment setup, hydration, recovery, pacing, boots, socks, and load management now matter even more.This is not about making the pipeline easy. This is about standards, safety, professionalism, validated training, instructor accountability, and making sure candidates are prepared for the events they are actually going to face.Train with us:OperatorTrainingSummit.comAFSOC prep programming:OnesReady.comCheck out Tasty Gains:TastyGains.comChapters:00:00 - Ones Ready Intro01:00 - Aaron Opens With a Serious Message01:30 - The Problem With the Zulu Course02:00 - Why Ones Ready Initially Supported Zulu02:58 - Calling Out a Failure at Chapman Training Annex03:30 - Messages From Parents, Students, and Sources04:10 - Don't Call Peaches, Talk to Aaron05:00 - Accountability for Leadership and Instructors06:00 - The Reported Zulu Ruck Standard06:45 - OFT and SOCOM Ruck Standards Compared07:47 - Block Two and Block Four Ruck Progression08:30 - Why Ones Ready Is Speaking Up09:15 - Helping Candidates When Official Messaging Fails10:12 - Is This Event Operationally Valid?11:00 - What Requirement Does This Ruck Actually Test?12:00 - Could the Instructors Pass Their Own Event?13:00 - Testing Events Before Students Do Them14:54 - Weather, Heat, and Texas Conditions16:00 - Instructor Responsibility and Professional Standards17:18 - Aaron Challenges Instructors to Prove Him Wrong18:00 - Candidate Warning: Your Ruck Volume Is Not High Enough18:45 - Rucking, Foot Conditioning, and Equipment Setup19:45 - What Candidates Need to Know About the Practice Ruck21:00 - Why the Practice Ruck Matters22:11 - The Human Performance Problem23:00 - Take the Practice Ruck Seriously24:00 - Straps, Socks, Boots, and Load Management25:30 - The Evaluated Ruck Event26:51 - Texas Heat, Humidity, and Full Uniform Concerns28:30 - Reported Heat Casualties and Medical Coverage Issues30:00 - Was the Event Worth the Risk?31:31 - Aaron's Open Challenge to the Training Wing32:15 - Medical Planning and Heat Injury Concerns33:00 - Refire Numbers and Course Attrition Concerns33:56 - When Someone Should Have Called Knock It Off35:00 - Safety Calls, Training Events, and Instructor Judgment36:17 - Training Deaths and Why This Matters37:00 - Safety Concerns Should Never Be Shamed39:00 - Respecting Knock-It-Off Calls40:15 - Candidates Must Hydrate and Recover Aggressively41:01 - No More Trash Recovery Habits42:15 - Refire Ruck and San Antonio Forecast43:22 - Heat Index and Refire Conditions45:00 - Why This Standard Does Not Match the Rest of the Force45:51 - What a Better Heavy Ruck Event Could Look Like47:00 - Ones Ready Supported Zulu, But This Has to Change48:14 - Accountability If Students Were Hospitalized49:00 - Why This Episode Had to Happen50:00 - Final Message to Instructors and Candidates50:42 - Sponsors and ClosingSupport the showJoin this channel to get access to perks: HEREBuzzsprout Subscription page:  HERERegister for our Operator Training Summit:  OperatorTrainingSummit.comFind an Air Force Recruiter: AirForce.comCollabs:Ones Ready - OnesReady.com 18A Fitness - Promo Code:  ONESREADY ATACLete - Follow the URL (no promo code):  ATACLeteDanger Close Apparel - Promo Code:  ONESREADYDFND Apparel...

Send us Fan MailGoeiedag al ons VARS-vriende. Ek is Jokkie Gauché en hier is VARSVANDAG se Tweede Nuusbrief vir Junie.Dis altyd vir ons 'n groot bederf om deur hierdie nuusbrief by jou in te loer. Ons wil hê jy moet vandag weet hoe opreg ons jou waardeer. Jy is nie net 'n intekenaar op 'n lys nie; jy is 'n noodsaaklike vennoot in God se Koninkryk.  Wanneer ons praat van jou vennootskap in 'n wêreldwye bediening, praat ons van getroue dissipelmakers soos Berni se Poolse vriend, Henryk Dedo. Henryk vertaal die FRESH-boodskappe in Pools — 'n land waar slegs 0.4% van die bevolking Protestantse Christene is. Hy deel dit tans op sosiale media en 39 radiostasies dwarsoor Pole.Henryk is prakties en vindingryk, en die boodskappe wat hy deel sny reg deur tot op die been. Hy hou daarvan om alledaagse dinge te gebruik om mense tot selfondersoek te dwing. Hier is 'n situasie wat hy onlangs gedeel het:Jy is régtig lus vir 'n lekker koppie koffie. Jy stap by jou gunsteling-koffiewinkel in en bestel 'n cappuccino. Terwyl jy rustig sit en rondkyk en jou eerste slukkie neem, sien jy hoe die kelner die gebruikte koppie van die tafel langs jou wegvat. Sonder om twee keer te dink, gebruik hy dieselfde vuil koppie om die volgende persoon se koffie in te skink. Hoe sou dit jou laat voel?Dit is presies waaroor Jesus in Matteus 23:26 waarsku: “Blinde Fariseër, maak eers die binnekant van die beker skoon, dan sal sy buitekant ook skoon wees.”Bid asseblief saam met ons:o  Vir Henryk in Pole: Dat die Here sy werk sal seën en 'n groot oes vir die Koninkryk sal inbring.o  Vir ons plaaslike radiostasies: Vir geseënde uitsendings op ons vennoot-radiostasies in Suid-Afrika en Namibië. Bid vir elke omroeper wat daagliks VARS en Izwi EliFresh (in Zulu) uitsaai.o  Vir die luisteraars: Dat die Here hierdie daaglikse boodskappe sal gebruik om mense se harte aan te raak en hulle verhouding met Hom te versterk.Ons hoor baie graag van jou! As VARS jou lewe op een of ander manier aangeraak het, deel asseblief ‘n kort getuienis by die skakel hieronder: https://forms.gle/47qNnqQ8HnnhFVrY6 Elke gebed bring hoop. Elke getuienis verander ‘n lewe. Seënwense en mooi loop.Van Jokkie, Annelie en die VARS-spanSupport the showEnjoying The Content?For the price of a cup of coffee each month, you can enable Christianityworks to reach 10,000+ people with a message about the love of Jesus!DONATE R50 MONTHLY

Send us Fan MailAaron, Trent, and Peaches are back in the team room, and this one starts with Tasty Gains, UFC at the White House, soccer, Nitro Circus, sketchy bungee jumping, and somehow ends exactly where it needed to: Air Force Special Warfare pipeline standards.The crew gets into a reported Zulu course ruck event involving a 12-mile ruck at a 15-minute pace with a ruck weighing well over the standard 45 pounds. That turns into a bigger conversation about assessment and selection, training standards, instructional drift, normalized deviance, and why “war is hard” is not a good enough reason to create dumb training events.They also talk about the difference between expectations and standards, why evaluated events need to have a real purpose, why students should not be crushed just because previous generations got crushed, and how pipeline events can drift away from their original intent over time.Also covered: UFC 250, America's 250th, US soccer, Travis Pastrana, Dwayne Hackney's Air Force Cross story, Weapon School patch night, fighter pilot culture, and why Peaches probably does not need to do a 117-pound ruck to prove anything.If you are training for Air Force Special Warfare, waiting to ship, currently in development, or just interested in how military training standards should actually work, this episode matters.Check out Tasty Gains:TastyGains.comTrain with Modern Athlete Strength Systems:OnesReady.comOperator Training Summit:OperatorTrainingSummit.comJoin the Ones Ready membership for early access, members-only episodes, and exclusive merch.Chapters:00:00 - Ones Ready Intro01:05 - Tasty Gains Nootropics and Creatine Gummies02:42 - Modern Athlete Strength Systems and AFSOC Prep04:03 - Ones Ready Membership and MBRS-Only Episodes05:21 - Welcome Back With Aaron, Trent, and Peaches05:30 - UFC 250, the White House, and Fat People07:28 - US Soccer, Paraguay, and World Cup Energy10:58 - Nitro Circus at the White House11:11 - UFC Weather Rumors and Fight Delays12:25 - Drunk UFC Weigh-Ins and Bit or Real?14:24 - Getting Fooled by Satire Online15:34 - Trent Threatens Aaron's Tattoos16:02 - Bungee Jumping Disaster and Vacation Risk18:21 - Show and Tell Goes Off the Rails20:00 - Faces of Death, LiveLeak, and Old Internet Trauma22:19 - Air Force A&S and Zulu Course Updates22:50 - The Reported 117-Pound Zulu Ruck24:20 - Why Exceeding the Standard Is Not the Standard26:39 - Weapon School Patch Night and Fighter Pilot Culture28:24 - What It Means to Be a Weapons Patch30:20 - American Pie and Fighter Pilot Roll Call Chaos33:10 - Institutional Drift in the Pipeline34:48 - Dry Weight, Helmets, and Student Gear35:10 - Zulu Is Training, Not Selection36:17 - Why 100-Pound Rucks Are Not Smart Training37:53 - When Heavy Rucks Might Make Sense39:11 - This Is Not a Normal Pipeline Standard41:19 - What Should Candidates Train For?42:27 - AFSPECWAR Wait Times and IFT Scores43:14 - Travis Pastrana and Red Bull Madness44:33 - What If You Jump Without a Parachute?46:39 - Dwayne Hackney's Air Force Cross Story48:24 - Vietnam-Era Pararescue Stories49:31 - Weapon School Graduation and Space Force PSD51:19 - Evaluated Events Need a Real Purpose52:07 - Buddy Breathing and Operational Relevance52:30 - OFT Ruck Standard vs. Zulu Course Ruck54:25 - Normalized Deviance and the Monkey Story57:29 - Training Wing, Please Fix This58:31 - Final Thoughts and Wrap-UpSupport the showJoin this channel to get access to perks: HEREBuzzsprout Subscription page:  HERERegister for our Operator Training Summit:  OperatorTrainingSummit.comFind an Air Force Recruiter: AirForce.comCollabs:Ones Ready - OnesReady.com 18A Fitness - Promo Code:  ONESREADY ATACLete - Follow the URL (no promo code):  ATACLeteDanger Close Apparel - Promo Code:  ONESREADYDFND Apparel...

KCAA: Justice Watch with Attorney Zulu Ali on Sun, 14 Jun, 2026

Welcome to the Art Life Faith Podcast, and I’m your host, Roger Lowther. We are recording live from the JCAMM conference in downtown Tokyo with the theme of “The Beauty of Japan・The Beauty of Heaven.” It’s a week-long conference from Friday, May 22 to Wednesday, May 27, 2026, where we are talking about the arts of Japan, the beauty of Japan, and how that helps us worship God. We’ve had so many amazing guests this week, and now I have the privilege of sitting down with one of our key presenters, a band like no other I’ve ever seen in the world called IziBongo. They sing not only in the various languages of the world, but they use the various instruments of the world and the various styles and genres of the world so people can see what it looks like for the nations to praise God and how that can lead us all in praise of God. So I wanted to sit down with them and have a conversation. I’ve also asked Akira Mori to sit down with us. He is our MC for the conference, and he’s a longtime friend and partner. We got to know each other very well through the 2011 earthquake, tsunami, and nuclear disaster. He’s the pastor of Global Mission Chapel in Iwaki, Japan, not too far south of the nuclear power plants in Fukushima. And his amazing church was one of the key centers for relief work for all of Tohoku. Through the years, we’ve gotten to know each other better, and I’ve so appreciated not just his encouragement and the way he leads especially movements of prayer in Japan but the way he’s encouraged me personally and for his friendship. And so I invited him to be the MC for this conference and also to be with us for this podcast episode. So thank you, all of you, for being here. Why don’t we start with a quick introduction? Please tell me who are you and where this name IziBongo came from. It’s kind of an interesting name. Cory Sure, Izibongo is a Zulu word which means praises intoned in honor of a person. It’s a kind of praise poetry. This is a second generation of the group itself, originally called the Wycliffe World Music Band, which came from Wycliffe Bible Translators. Roger Not as catchy… Cory Yeah…, which came from Wycliffe Bible Translators. Roger Okay, so what do you do? Why did you form IziBongo? Cory Originally, the Wycliffe World Music Band was meant to be an illustrative form of the music of the world and to promote Bible translation. That was one of the hopes for the people who organized it. We would go to Christian music festivals and perform there to show how the nations would worship or do their songs. Paul I might add that originally it was an ad hoc group of students in a particular class learning about some of these principles of music and worship around the world. The leader of that class was our mentor, Tom Avery. He would gather the students and throw instruments at them and say, “Sing this and let’s play this.” And so it was just to appreciate the worship around the world. This developed out of that educational starting point to more of a worship focus and whatever it is today. Cathy Another point that Tom would make when teaching us these songs was that music is not a universal language, it’s a universal phenomenon. But different peoples have different ways of singing. We think we might understand what they’re singing about. We might make a judgment if we hear another culture’s music and say, “That’s demonic,” or, “You could not praise God with that music.” But he was teaching us that we need to understand when we go into cultures their music systems. We can’t just go in and say, “No, you have to sing it this way.” Mary And to follow up on that is the focus of outsider-insider, an outsider trying to understand from the insiders, “What does this mean to you? What is the content?” because as outsiders, we can really miss it and not understand what’s actually being expressed. So we have terms. We say etic and emic, outsider/insider perspectives, that we talk about in our courses and our learning. Roger Help us to see what this looks like a little bit more concretely. What countries, what groups are you representing, and what kinds of instruments are you playing? Paul Well, I’m playing about 3 or 4 instruments here. One is a charango from Bolivia, which I bought on the River Walk in San Antonio from a real live player. I’m also playing a Moroccan oud, which we use for other instruments as well. We don’t carry 50 instruments, we carry about 10. And I’m playing a Greek bouzouki, but I’m using that to represent music from other parts of the world as well if the instrument sounds similar to the sounds. So again, we’re approximating all these. We’re never being exactly authentic. We are just Americans. We’re not trying to pretend that we’re something else. But we love the sounds of the world and the praises that they lift up. So we want to approximate those sounds so that you will learn to appreciate their music. As for the countries that we actually sing songs from, we could give a list if you’d like. Cory We do some from South America, so there’s Brazil, Venezuela, Bolivia…Ghana, Democratic Republic of Congo… Cathy Nigeria… Cory Egypt… Paul Tunisia, Papua New Guinea, Bhutan, South Korea…We don’t have a Japanese song yet. Roger Okay, well, we’ll have to fix that. Paul Exactly! We’re working on it. Roger So tell me more about why you do this. What is your purpose in singing these different styles—using different instruments, different languages, representing different countries? Paul Well, for myself, and I think for my wife as well, we were worship leaders in a local church and trying to find the most relevant ways to help people worship in our culture. It was mostly not a mixed culture. It was mostly just a normal American church in Texas, but still we had to wrestle with contemporary versus older styles and who was there and what kind of music they liked. In the South it’s a little more Baptist hymnal kind of songs, which I wasn’t that familiar with. So you always have to learn and find out from the congregation that you’re worshiping with, what helps them express their heart, because that’s really what a worship leader is trying to do, just help the people worship from their heart. So that was where we started, and when we ran into Tom and he was doing that in the jungles of Brazil, it sounded radically different, of course. So we learned from him how to approximate that sound so that we could present it. Cathy So the first time we performed this kind of music, we thought we were just going to give people an educational experience and say, this is what your brothers and sisters sound like over in Africa, or this is what they say to God in their songs. The people that heard us in Memphis, Tennessee, on that very first trip were crying. They said, “This is a kind of worship that we’ve never experienced before.” It wasn’t necessarily something they could participate in, but it was like when you look up at the stars and go, “Wow, God, that’s amazing.” And you get a glimpse of the worship that God is preparing for himself across the world. And it does increase your love for your brothers and sisters. So we wanted to give more people that kind of understanding and that kind of love for brothers and sisters that they’ve never met, maybe an experience that would have them want to pray for those brothers and sisters. And so when we go to a mission conference, we hope, too, that it opens people’s eyes to understand that we want to encourage authentic ethnic worship and not just press our Western songs onto others. Mary I was just going to say one word, beauty. Well, I’ll say a few more words than just that. We have a colleague who decades ago said, why would God have created birds that only sing one song? And so we think about the diversity of artistic communication and think about the beauty of how we can all be different and have different artistic expression, but that it can be unified in the worship of our Creator, and to learn to appreciate that, but also know that it’s perfectly great to have those styles and songs and ways that you can sing and worship that come really from a deep place in your heart. So, we want to get into what that is in each culture to lead people to that place of beauty. Paul It makes me think also the necessity that we feel of presenting things with authentic instrumentation as much as possible and with some costuming. It’s not like we’re not trying to appropriate someone else’s culture. We’re trying to represent so that you will have a deeper appreciation of those—the beauty, not just the sound, but the beauty of those cultures in their expression of worship. Roger I’m glad you all are talking about this because that was one of my next questions is like, why is this important? You know, when I first came to Japan, the first thing that people wanted me and my wife to do is, as musicians, help with worship. And there’s basically two choices you can do. Contemporary or you can do traditional. One or the other. If you play organ and piano, well that’s traditional. If you use the guitar, well then that’s going to be contemporary. Those are the only two choices, so choose. If you go back and forth between the two, then that’s blended, a little of both. So to hear what you all do is so far outside people’s expectations of what worship can be. And that message, I feel, is especially needed in Japan. I would love Mori-Sensei to comment on that. Have you heard anything like this in Japan, this group? Mori No. That’s it. Roger And is it important then for Japan? Mori Absolutely. Japanese people like to feel safe, I guess, and don’t want to be criticized. Therefore, they try to conform to whatever is the mainstream, whether it’s a small group of 3, 4, 5 or a bigger group of 50–100. But that’s what I sense, and that’s what I find in myself from the past. So, especially when you think about the Christian church. The gospel was brought by typically Caucasian Western missionaries, and I don’t think they had any other way than to just do what they were used to. And without being intentional, I believe a kind of very clear line between Christians and non-Christian Japanese was drawn. When I was a teenager and a church member, the pastor said secular songs shouldn’t be sung, not even for yourself when you’re alone. So there was a very clear line, and I think in every church it was the same. And if you dare to play jazz or, rock was not so much in Japan in those days, then you were looked at as unspiritual, not a good Christian. So naturally, for those reasons, the Japanese ethnic or original music was separated from the church. It is still very much the same, I think. Therefore, it’s very difficult to take different styles of music and even ethnic music into the church. We don’t have any group like IziBongo. I don’t know if any other countries do either, but it is great riches brought to the church. Roger You know, when I first came to Japan, I was in language school that first year. We made friends with a clarinetist, and she was feeling turmoil about being in the church because the church told her she couldn’t play. She was a professional clarinet player, but they would not allow her to play clarinet in church because that was not appropriate for Christian worship. But, they said, you can play the piano because we need someone to play the piano. She was like, but I’m not a keyboardist and don’t play the piano very well, and it was hard for her to worship while playing the piano. When we came in, they asked us as missionaries to come give a concert, and we invited her to join us. There were tears in her eyes because that was the first time anyone in the church had ever heard her play the clarinet, which was her heart language. And I was like, wow, well, maybe it’s just this church. Well, then we went and were helping to plant another church out in Chiba, where we met a pastor whose son played the saxophone. And it was the same story. He invited his son to play saxophone once in worship, and the church members got so upset. Saxophone is not appropriate for worship, they said. It sounds worldly. It sounds like jazz, you know. And we’ve come across stories like that over and over again. And I want to tell you one more. Sorry I’m talking so much! But there’s this other story when we met this koto player. She was featured in one of our videos during the conference. I think I’ve shared this in a past podcast episode, but we invited her to come and play koto in worship. That’s a traditional Japanese harp, and it was so beautiful. We loved it, but there were so many people upset afterwards. And there were so many meetings afterwards, not the kind of meetings that you really want to have happen, you know, like with the pastor and the elders. Okay, this person’s upset, and they felt like it was connecting to the non-Christian culture in Japan. They said, “You can’t use the koto in worship. You were distracting me from worship. I was not able to worship God because you had the koto there.” And, you know, the way—I’ve shared this with some of you before—the way that we were able to bring healing to that situation is when they realized how she was able to worship God through her heart language, through the koto, it drew them in and they were able to worship God by seeing how she was worshiping God. It wasn’t a gimmick, you know, it wasn’t like we’re trying to force something on the church, but that this is how she worshiped, and they were able to worship through her. It was that relational key that made all the difference. Mori Um, can I ask you a question? Roger Sure. Mori That was your experience in the beginning. Is that still very much the same in the Japanese churches? Roger I do sometimes continue to hear stories, yeah… Mori This is my subjective, biased opinion, but around 20 years ago, God raised a young man and gave him song after song. An authentic Japanese young man, producing Japanese praise songs, worship songs, and they did some gatherings using yukatas and guitars on the stage, dancing and singing. And those worship songs created by those people, they have quite rapidly spread all across Japan. Roger Oh, wow. I’d like to hear them. Mori Yes. Oh, you know him. Taka. His songs, I believe, have changed the atmosphere of Japanese churches. Nagasawa Takafumi wrote that famous song, “Sono Hi Zen Sekai Ga” (“On That Day”). He started out as a worship leader in his father’s church. Now, he’s the senior pastor. But he was invited as a worship leader to a church in a different place, totally different place, and the pastor, as the congregation sang that song, proudly said to Taka, “Don’t you think this is an awesome song?” He didn’t know that Taka wrote that song, and Taka did not tell him. But today, more instruments are naturally taken into church services. Different styles are tolerated. Not every church, but, by and large, so many churches are resembling Western American churches, worship band in front and leading songs with guitars and drums and bass guitars and keyboard. And it’s spreading. And I just think that change has been happening. But still though, not Japanese authentic instruments or styles. Roger Yeah, that's still pretty rare. Mori Yeah, because of the schism that happened, right in the beginning, the Christians somehow feel that those instruments are not theirs. And to me, that’s okay if Christians don’t play any koto or shakuhachi. Of course, they’re greatly considered by Christians to be a special genre of instrument. Roger Generally. Yeah, Cathy? Cathy That’s one thing that seems to happen when we play. We had an experience in Singapore. A Japanese gal came up and talked to me afterwards and said, “This makes me want to go home and find what is unique from my culture that I can offer to God. It makes me want to go home and find or make something unique from my culture. And so, I think that IziBongo sometimes has that effect when we show what other cultures are doing. Roger Yeah, I also wanted to ask you all, I know that like sometimes I hear this word “appropriation” in the States, because you are not from those cultures, because you are Americans doing that music. If someone was to come at you and say, “Hey, that’s not appropriate for you to be doing that,” how would you respond to them? Paul Well, it depends who it’s coming from, I think, is where we start. We have never had anyone come to us from those nations with a problem with us. In fact, all we’ve ever heard is appreciation that we at least attempted to sing in their language. And again, we don’t do it perfectly. We had one experience up at Prairie Bible College where we played a First Nations song, a Native American song, and there was one young gentleman there who was a young man from the First Nations, and he was so excited. He wanted to sing the song. It was very simple, so he wanted to lead it. It was so amazing to him that he could do that. And almost immediately, we got strong pushback from a missionary couple who’d been there for 30 years working with First Nations peoples who felt like that was very inappropriate for the church. So let me say it this way: What we do is not try to impose on the church what you should do. What we’re doing is saying praise is happening all over the world, not always on Sunday morning. In fact, most of this wouldn’t be in Sunday morning worship, but it’s worship. Some of it’s on the streets of Brazil, a samba. And it was a Christian song sung on the streets of Carnaval. I mean, that’s not Sunday morning. So again, what we’re presenting is just the various expressions of praise. Whether they fit on Sunday morning in the church, your pastor and your worship leaders need to work that out. And we shouldn’t be judging them. They’re the ones who are to guide and guard the flock. So pray for your pastors that they might have vision even when they have reservations. Cathy I would say it’s also not only praise, but Scripture memory songs, storytelling, telling of Bible stories, and historical things. So there are other ways to use the music. Cory And the use of the music that we do when we perform are based on relationships that we have with the communities themselves, either through a Bible translation project or actual one-on-one. So, we have gotten permission to do these songs according to the communities that we’ve come in contact with. Mary And I’ll say that coming back to the U.S. from West Africa and starting to hear this word appropriation, I was a little bit shocked because I was like, oh, what does that mean? You know, I had to say, what does that actually mean? Because to be in West Africa or in that particular culture, you dress with the cloth and you learn their songs and they are thrilled that you are learning their language and wearing their clothes. So appropriation is not about using these things for our own benefit, but it’s about lifting up and respecting that culture. Roger We are almost out of time, but I want to give Mori Sensei the last word. So, think about what you’re going to say. Let me just say that I’ve been moved by talking with all of you, you know, outside this interview, the stories you’ve told me about how people respond saying, wow, I had no idea I could worship God in that way through my culture, through my art, and how it’s encouraging them, empowering them really. You are empowering the nations to say, God has given you these gifts to worship him, and it’s just such an important message. Thank you so much for the time and money you’ve spent to come all the way to Japan to share this with us. We really appreciate it. Mori Sensei, do you have any final comments? Mori Well, thank you very much. I’m so honored. Change is happening in the Japanese churches. It’s not only negative. In one church, 45 minutes away from Tokyo, they started using enka. Enka is very secular, many love songs. They were the songs church members' husbands especially loved. So they invited the husbands and did a couples' night. They served beer and they sang enka. And the people loved it. Actually, the wives loved it too. So, some changes are happening. Also, Japanese instruments—koto, shakuhachi, shamisen—are not widely used in the churches. I think that’s because nowadays Japanese people have grown up without those instruments nearby. But those who have, they should be invited to the churches to perform and make them feel at home. Still, the Japanese churches are very much under the control of pastors. So these gatherings would be excellent for the Japanese pastors to know and come attend, listen to, hear the stories. That’s probably the challenge for the near future. Roger Thank you. Thank you so much, all of you. I really appreciate it. God bless you. You've been listening to the Art Life Faith Podcast. To watch the video of this podcast or many other videos from the conference, please go to our website: www.communityarts.jp. As we say in Japan, “Ja, mata ne.” We'll see you next time.

What if saving wildlife starts with school lunches, backpacks, and bush walks? In Part 2 of the Wild Tomorrow series, community leader Aphiwe Notshaya joins Dr. Diane to share how a community partnership approach to conservation in rural South Africa is feeding preschoolers, supporting orphaned and vulnerable children, opening doors to university, and building real climate resilience—one partnership at a time.SummaryIn this episode, Dr. Diane continues the Wild Tomorrow series with community conservation manager Aphiwe Notshaya. Aphiwe describes her path from aspiring accountant to environmental manager and how Wild Tomorrow lets her merge people-centered work with habitat protection. Aphiwe shares how the Early Childhood Development (ECD) program supports preschools with teacher training, toys, and monthly food so young children receive two meals a day and learn to love school, and how a partner community center provides uniforms, stationery, backpacks, and academic support for orphaned and vulnerable children. Aphiwe highlights a local mentor helping graduates apply for university, learnerships, and internships in a rural area with limited digital access, and explains how environmental education days bring children into the reserve for bush walks, outdoor journals, and close-up encounters with insects, birds, and habitats, not just the “big five.” She talks about choosing strategic partnerships with traditional leaders, women's climate‑smart agriculture projects, and Zulu cultural practices tied to healthy rivers, all while avoiding conservation models that fence people out. Looking ahead, Aphiwe shares her dream of deeper climate resilience work, seed banks, and disaster centers—and why her love of snakes surprises people. What keeps her hopeful is simple -- communities that are still willing to listen, learn, and change.Chapters[00:01] Welcome & Meet Aphiwe: Part 2 of the Wild Tomorrow series and the woman leading community partnerships.[01:11] Discovering Conservation as a Career: From “future accountant” to environmental management and Wild Tomorrow.[04:34] Community-Centered Conservation: Why Wild Tomorrow centers local needs alongside wildlife.[04:58] Preschools, Food, and Early Childhood Development: Supporting ECD centers with teacher training, resources, and monthly meals.[08:10] Orphaned and Vulnerable Children: Uniforms, stationery, backpacks, and extra classes for kids who need it most.[09:50] Helping Youth Reach University and Jobs: Backing a local mentor who guides applications for university, learnerships, and internships.[12:16] Game Drives, Bush Walks, and Outdoor Journals: Bringing local kids into the reserve to notice insects, birds, and habitats.[15:35] Partnerships with Chiefs, Culture, and Climate-Smart Farmers: Working with traditional leaders, Zulu maidens, and women's agriculture groups.[20:40] Breaking Down Fences: Making the reserve feel like “our future” for neighboring communities.[23:55] Aphiwe's Practical Wish List: Fire extinguishers, first-aid kits, and basic school supplies with big impact.[25:36] Dreaming of Climate Resilience and Disaster Centers: Teaching about wetlands, floods, and planning for a changing climate.[28:49] Favorite Animal: The Dramatic Rinkhals: Why a snake that plays dead has her heart.[29:51] What Brings Aphiwe Hope: Communities that listen, adapt, and choose sustainable paths.Links:Episode 189 – Part 1 of the Wild Tomorrow series with co-founders John Seward and Wendy HapgoodWild Tomorrow Community Programs and opportunities to supportFollow Aphiwe and Wild Tomorrow on InstagramFollow Aphiwe and Wild Tomorrow on LinkedInSupport the showShare this episodeIf this conversation sparked wonder, gave you a helpful strategy, or offered a needed reminder of hope, please share it with a friend or colleague.Subscribe • Download • Review • Tell a friendStay updated with our latest episodes and follow us on Instagram, LinkedIn, and the Adventures in Learning website. Don't forget to subscribe on Apple Podcasts, Spotify, or wherever you get your podcasts! *Disclosure: I am a Bookshop.org. affiliate.

Nicholas Lorimer and Chris Hattingh discuss the latest GDP figures for the 1st quarter of 2026. They also discuss the mining department's failure to implement new systems, and they discuss the DA's visit to the Zulu king. Website · Facebook · Instagram · Twitter

Bill Roggio and Jonathan Sayeh analyze Iran's strategic focus on Lebanon and Hezbollah as a "crown jewel." They discuss Iran's preemptive missile strikes against Israel and their efforts to create diplomatic rifts. (3)1883 ZULU

Au sommaire de cette spéciale Michael Caine : Retour sur Zulu (1964) de Cy Enfield disponible chez Rimini éditions ainsi que sur le coffret Michael Caine en 7 films édité par Elephant Films – comprenant Ipcress danger immédiat (Sidney J. Furie – 1965), Un hold-up extraordinaire (Ronald Neame – 1966), Contre une poignée de diamants (Don Siegel – 1974), L'Aigle s'est envolé (John Sturges – 1976), L'Île sanglante (Michael Ritchie – 1980), Élémentaire, mon cher… Lock Holmes (Thom Eberhardt – 1988) et Business oblige (Jan Egleson – 1990) ; Rencontre avec Michael Caine. Bonne écoute à toutes et tous !

KCAA: Justice Watch with Attorney Zulu Ali on Sun, 7 Jun, 2026

Have you ever wondered what it's really like within the walls of the CIA? What about the stories from the women who actually lived and worked within the walls from the 60's through today? And just how much of it is like James Bond? On today's episode of the podcast, former CIA Agent Christina Hillsberg stops by the show to discuss her book "Agents of Change: The women who transformed the CIA". It's a fascinating look into the world of the agency through the eyes of the women who directly effected change. Enjoy! About Christina Hillsberg Christina Hillsberg is a former CIA intelligence officer, keynote speaker, and USA Today bestselling author of Agents of Change: The Women Who Transformed the CIA and License to Parent: How My Career as a Spy Helped Me Raise Resourceful, Self-Sufficient Kids. She brings audiences inside the high-stakes world of espionage to reveal what it takes to break barriers, drive change, and redefine who gets to succeed. At the CIA, she wrote intelligence assessments for U.S. presidents and senior policymakers and later served in the Directorate of Operations, clandestinely collecting intelligence in the field. One of the Intelligence Community's few Swahili and Zulu linguists, she received multiple CIA Exceptional Performance Awards for her work. After her government service, she worked at Amazon before transitioning to writing and speaking full-time. Today, Christina translates these experiences into powerful, real-world insights on leadership, inclusion, and performance, showing organizations how diverse perspectives don't just strengthen culture, but drive better outcomes. Her writing has been featured in The Washington Post, The Seattle Times, Harvard Business Review, People Magazine, and more. About "Agents of Change" Years after her successful and impactful career at the CIA, Christina Hillsberg became enthralled with the stories of the trailblazing women who forged new paths within the Agency long before she began her career there in the aughts. These were women who sacrificed their personal lives, risked their safety, defied expectations, and boldly navigated the male-dominated spy organization. Through exclusive interviews with current and former female CIA officers, many of whom have never spoken publicly, Agents of Change tells an enthralling and, at times, disturbing story set against the backdrop of the evolving women's movement. It was the 1960s, a "secretarial" era, when women first gained a foothold and pushed against the one-dimensional, pop-culture trope of the sexy Cold War Bond Girl. Underestimated but undaunted, they fought their way, decade-by-decade, through adversity to the top of the spy game. Seamlessly weaving together the individual stories of these exceptional women, Hillsberg deftly tackles not just the fight for gender equality at the CIA, but the current dilemma the Agency faces when dealing with the culmination of a decades-long culture of sexual harassment and assault. Each chapter sheds a light on women's issues during that decade before bringing to life the stories of female CIA operations officers whose experiences were emblematic of that given era. In this fascinating and empowering chronicle, Hillsberg takes readers inside the Agency in a way that's never been done before, paying long overdue tribute to the survivors and thrivers, the indispensable groundbreakers, and defiant rabble-rousers who made the choice to change their lives and in turn, changed history.   Make sure to check out the Dtalkspodcast.com website! Thanks to Empire Toys for this episode of the podcast! Nostalgia is something everyone loves and Empire Toys in Keller Texas is on nostalgia overload.   With toys and action figures from the 70's, 80's, 90's, and today, Empire Toys is a one-stop-shop for a trip down memory lane and a chance to reclaim what was once yours (but likely sold at a garage sale)   Check out Empire Toys on Facebook, Instagram, or at TheEmpireToys.com AND Thanks to Self Unbound for this episode of the podcast: Your quality of life: physically, emotionally, mentally, and spiritually, is a direct reflection of the level of abundant energy, ease, and connection your nervous system has to experience your life!    At Self Unbound, your nervous system takes center stage as we help unbind your limited healing potential through NetworkSpinal Care.    Access the first steps to your Unbound journey by following us on Facebook, Instagram, or at www.selfunbound.com  

Business Day journalist Nompilo Zulu unpacks allegations of VAT fraud and accounting irregularities at Spar's Bloed Street Tops store, after a BDO due-diligence report flagged unreliable financials, alleged tax underdeclarations and stock-related concerns. Spar strongly disputes the claims, saying the matter relates to one store and follows a failed bid by businessman Amaan Sayed to rejoin the Spar network. With complaints now before regulators including the JSE, Saica and CIPC, Zulu explains what the report found, how Spar has responded, and what could come next.

KCAA: Justice Watch with Attorney Zulu Ali on Sun, 31 May, 2026

When Cetshwayo kaMpande was captured after the Anglo-Zulu War, he was ferried to Cape Town and on to Robben Island. His countenance was one of dignity but that is difficult to maintain in the face of terrible sea-sickness. The Zulu king had made it be known that he was afraid of the sea, and his nervousness compounded the queasiness. He was also terribly sea-sick on the five day voyage from Port Durnford, modern day Richards' Bay, and Simons Town. He and his five wives who'd joined him in captivity were ensconced in a hut that had been erected for him on the poop deck, from where he watched the activities on the shore for almost a week before he disembarked. As he observed all the ships, the developments on the coast, it became apparent that his attempt at fighting the powerful British empire had always been doomed. When he eventually stepped onto Cape turf, his appointed custodian Captain J Ruscombe Poole of the Royal Navy escorted the Zulu King from Simon's Town. Like Nelson Mandela's minders much later, Captain Ruscombe-Poole was a sympathetic jailer, so too the king's interpreter, Henry Longcast. Henry was an Irish orphan who'd been brought up at the KwaMagwaza Mission station and had known Cetshwayo since he was a child. An odd relationship developed between these two men, Longcast was a straighforward honourable man, and became Cetshwayo's advisor - never betraying the Zulu King's trust. Joining Cetshwayo in exile was Mkhosana kaZangqana, formely one of Mpande's counsillors. Three other attendants were at hand, including the royal hairdresser, four young women of royal standing, and a female servant. They were first to spend time in the Flagstaff Bastion of the 17th Century Castle in Cape Town, where they were alloted a suite of apartments and a parapet for daily walks. Throngs of what they called daytrippers in Victorian times, we would describe them as tourists, gathered to catch a glimpse of the Zulu King on the heights of the Castle. Back in Zululand, Sir Garnet Wolseley had been fashioning together a new Zulu system. Believe it or not, it resembled the system resembled what the British were trying to impose on Afrghanistan. There Lord Lytton was trying to secure the North West Frontier of India, what is now Pakistan, by breaking Afghanistan into a number of impotent principalities. There local princes who were sympathetic to British control would be handed the levers of power. Wolseley wanted to secure the safety of Natal and the Transvaal by fragmenting the Zulu kingdom. Sir Theophilus Shepstone was the go-to once more, along with ex-Cape Native Affairs Secretary Charles Brownlee and Natal commissioner, Sir Henry Bulwer. Shepstone's main aim was to destroy the power of the Zulu royal family, and believed it was fragile anyway. This was a miscalculation on numerous fronts. Cetshwayo may have been in exile, but the concept of political power in Zululand was well and truly in the hands of the extended Royal Family. Thirteen chiefs should be nominated, said Shepstone, each independent of the other but utterly dependent on the British. Much much further north, in Afghanistan, Lord Lytton the British Viceroy of India, envisaged Kandahar province as the bulwark against the rebellious tribes of Afghanistan and the wild mountains of north western India. The British defeated Sher Ali Khan in the war between 1878 and 1880. Lytton's vision involved separating key regions and strengthening frontier zones that could be more easily influenced from India. In this thinking, Kandahar mattered enormously. It sat astride the routes connecting southern Afghanistan to the approaches toward the Indian subcontinent, linking trade and military corridors running west toward Persia and north toward central Afghanistan. By now, Cetshwayo kaMpande was technically free to return from exile once these arrangements had been made, but he first requesting a meeting with Queen Victoria.

When Cetshwayo kaMpande was captured after the Anglo-Zulu War, he was ferried to Cape Town and on to Robben Island. His countenance was one of dignity but that is difficult to maintain in the face of terrible sea-sickness. The Zulu king had made it be known that he was afraid of the sea, and his nervousness compounded the queasiness. He was also terribly sea-sick on the five day voyage from Port Durnford, modern day Richards' Bay, and Simons Town. He and his five wives who'd joined him in captivity were ensconced in a hut that had been erected for him on the poop deck, from where he watched the activities on the shore for almost a week before he disembarked. As he observed all the ships, the developments on the coast, it became apparent that his attempt at fighting the powerful British empire had always been doomed. When he eventually stepped onto Cape turf, his appointed custodian Captain J Ruscombe Poole of the Royal Navy escorted the Zulu King from Simon's Town. Like Nelson Mandela's minders much later, Captain Ruscombe-Poole was a sympathetic jailer, so too the king's interpreter, Henry Longcast. Henry was an Irish orphan who'd been brought up at the KwaMagwaza Mission station and had known Cetshwayo since he was a child. An odd relationship developed between these two men, Longcast was a straighforward honourable man, and became Cetshwayo's advisor - never betraying the Zulu King's trust. Joining Cetshwayo in exile was Mkhosana kaZangqana, formely one of Mpande's counsillors. Three other attendants were at hand, including the royal hairdresser, four young women of royal standing, and a female servant. They were first to spend time in the Flagstaff Bastion of the 17th Century Castle in Cape Town, where they were alloted a suite of apartments and a parapet for daily walks. Throngs of what they called daytrippers in Victorian times, we would describe them as tourists, gathered to catch a glimpse of the Zulu King on the heights of the Castle. Back in Zululand, Sir Garnet Wolseley had been fashioning together a new Zulu system. Believe it or not, it resembled the system resembled what the British were trying to impose on Afrghanistan. There Lord Lytton was trying to secure the North West Frontier of India, what is now Pakistan, by breaking Afghanistan into a number of impotent principalities. There local princes who were sympathetic to British control would be handed the levers of power. Wolseley wanted to secure the safety of Natal and the Transvaal by fragmenting the Zulu kingdom. Sir Theophilus Shepstone was the go-to once more, along with ex-Cape Native Affairs Secretary Charles Brownlee and Natal commissioner, Sir Henry Bulwer. Shepstone's main aim was to destroy the power of the Zulu royal family, and believed it was fragile anyway. This was a miscalculation on numerous fronts. Cetshwayo may have been in exile, but the concept of political power in Zululand was well and truly in the hands of the extended Royal Family. Thirteen chiefs should be nominated, said Shepstone, each independent of the other but utterly dependent on the British. Much much further north, in Afghanistan, Lord Lytton the British Viceroy of India, envisaged Kandahar province as the bulwark against the rebellious tribes of Afghanistan and the wild mountains of north western India. The British defeated Sher Ali Khan in the war between 1878 and 1880. Lytton's vision involved separating key regions and strengthening frontier zones that could be more easily influenced from India. In this thinking, Kandahar mattered enormously. It sat astride the routes connecting southern Afghanistan to the approaches toward the Indian subcontinent, linking trade and military corridors running west toward Persia and north toward central Afghanistan. By now, Cetshwayo kaMpande was technically free to return from exile once these arrangements had been made, but he first requesting a meeting with Queen Victoria.

Mix Name: DJ El Nino – Afrika Bambaataa Mix Website: https://www.iamlmp.com/ Join Our Discord: https://discord.com/invite/iamlmp Join Us DJs New Remixes & Blends: https://www.iamlmp.com/recordpool Instagram: https://www.instagram.com/iamlmp/ DJ Instagram: https://www.instagram.com/djelninolmp Download our DJ Music App Daily Mixes: https://linktr.ee/iamlmp —— 1. Afrika Bambaataa & The Soulsonic Force – Planet Rock (Vocal) (1982) 2. Afrika Bambaataa & The Soulsonic Force – Looking For The Perfect Beat (Vocal) (1983) 3. Afrika Bambaataa & The Soulsonic Force – Renegades Of Funk (12″ Vocal Version) (1984) 4. Afrika Bambaataa & The Soulsonic Force + Shango – Frantic Situation (1984) 5. Afrika Bambaataa, Afrika Islam & Jazzy Jay – Fusion Beats (1980) 6. Afrika Bambaataa & The Jazzy 5 – Jazzy Sensation (12″ Bronx Version) (1981) 7. Afrika Bambaataa Presents Time Zone – What’s The Name Of This Nation?…Zulu! (Groove Mix) (1993) 8. Afrika Bambaataa Presents Time Zone – Zulu War Chant (The Funky Remix (1993) #hiphop #iamlmp #rap

KCAA: Justice Watch with Attorney Zulu Ali on Sun, 24 May, 2026

KCAA: Justice Watch with Attorney Zulu Ali on Sun, 17 May, 2026

KCAA: Justice Watch with Attorney Zulu Ali on Sun, 10 May, 2026

KCAA: Justice Watch with Attorney Zulu Ali on Sun, 3 May, 2026

KCAA: Justice Watch with Attorney Zulu Ali on Sun, 26 Apr, 2026

Aubrey Masango speaks to Prof Musa Xulu, Cultural Expert about Zulu traditional wear and they further unpack when it is worn from ceremonies to public events to everyday life. Tags: 702, Aubrey Masango show. Aubrey Masango, Bra Aubrey, Kwantu Feature, Prof Musa Xulu, Zulu traditional wear, Imvunulo, Leopard skin, Calf skin, Ibheshu The Aubrey Masango Show is presented by late night radio broadcaster Aubrey Masango. Aubrey hosts in-depth interviews on controversial political issues and chats to experts offering life advice and guidance in areas of psychology, personal finance and more. All Aubrey’s interviews are podcasted for you to catch-up and listen. Thank you for listening to this podcast from The Aubrey Masango Show. Listen live on weekdays between 20:00 and 24:00 (SA Time) to The Aubrey Masango Show broadcast on 702 https://buff.ly/gk3y0Kj and on CapeTalk between 20:00 and 21:00 (SA Time) https://buff.ly/NnFM3Nk Find out more about the show here https://buff.ly/lzyKCv0 and get all the catch-up podcasts https://buff.ly/rT6znsn Subscribe to the 702 and CapeTalk Daily and Weekly Newsletters https://buff.ly/v5mfet Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567See omnystudio.com/listener for privacy information.

KCAA: Justice Watch with Attorney Zulu Ali on Sun, 19 Apr, 2026

Join Mike and Bill as Mike tries to figure out how to get things to work on the new computer and we manage to talk about Recent Purchases, Pooh Bear Adventures #1, Zwanna, Son of Zulu #1, Tigress Island #1, Hanna and the Hells vs. The Beatles #1, Nectar #1, Maid Cafe #1, Black Kiss […] The post Geek Brunch 461 – Mike learns computers first appeared on DC Noise.

KCAA: Justice Watch with Attorney Zulu Ali on Sun, 12 Apr, 2026

Ever felt like there's something blocking you in love — something you can't quite name, but keeps showing up? Maybe you've got anxious, avoidant, or disorganized attachment traits, or you've sacrificed your needs for others or struggled to own your sexual attraction.It's easy to feel like our issues in our sex or loves lives are all our fault, and all ours to fix. But what if something bigger is going on?Here we explore one of the most fascinating -- and still somewhat underground -- healing modalities out there: Constellations (aka Family Constellations).Constellations is the practice of looking at the broader system you come from — your family, your lineage, generations back — to understand why you might be stuck in patterns that don't make sense given your own life experience alone.Here Violet breaks down how blocks to love, intimacy, and connection are often not about you at all, but about grief, trauma, or exclusion that happened long before you arrived. Think: your grandfather came back from war a different man, and somehow, decades later, you can't quite open your heart. Or as one participant put it, "I had no idea that what I was holding onto wasn't even mine."The really cool part? You don't have to do anything. As the client, you get to watch the healing unfold. We share where this practice comes from (rooted in Zulu tradition, brought to the West by German therapist Bert Hellinger), how it interfaces with epigenetics, and what it actually feels like to receive a constellation. Plus — if you're intrigued, we're doing a live constellations event on April 18th focused on healing your relationship with the feminine. Details below."The Field has its own intelligence. There's no one clear leader. And it will show us what we need to see — the next important step for your healing and for your growth."---Work with usReady to go deeper than the podcast and take action? Jason and I will help you break old patterns and transform your sex & love life for good. To see if you're a fit for our flagship program, Pillars of Presence, book a call here. Start anytime. (https://evolutionary.men/apply/)---Mentioned on this episode:Healing Your Relationship With the Feminine: our workshop April 18th 10a-3p---Memorable quotes from this episode:"I feel like I have a broken picker!""Survival was dependent on not being seen.""We are more than an individual self.""The system itself wants to be fully expressed.""I leave the grief with you.""Trauma is something that happens that our nervous system can't metabolize and then it stays locked in our bodies and locked in the system.""Once our suffering is seen, what's left is the love.""The blocks are not our own inner system — it's not just 'I have this thing with anger.'""We, as human beings, are part of a greater story.""It's about letting the system reorganize.""You lost a child and you closed your heart.""Secrets were kept.""Systems seek wholeness.""Ideally humanity is moving as one, and growing as one.""When you bring the light of consciousness to bear on something, it changes that thing. There's no separation between consciousness and change."

This is peak clown world absurdity -- comedian Learnmore Jonasi is getting slammed with a $27 million lawsuit from Lebo M, the Grammy-winning South African who actually wrote and sang the iconic Zulu opening chant in The Lion King's Circle of Life, because Jonasi went viral on a podcast and in his stand-up deadpanning a literal mistranslation as "Look, there's a lion. Oh my god!" instead of the real ceremonial "All hail the king." Lebo M claims the joke trashed his life's work, cultural legacy, and Disney royalties. Watch the podcast episodes on YouTube and all major podcast hosts including Spotify. CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. Get more news, views and reviews on Clownfish TV News - https://more.clownfishtv.com/ On YouTube - https://www.youtube.com/c/ClownfishTV On Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvg On Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629 MORE CLOWNFISH TV - Official Merch Store: http://ClownfishMinus.com Facebook - https://facebook.com/ClownfishTV X - https://x.com/ClownfishTVcom Clownfish TV subreddit: https://www.reddit.com/r/ClownfishTVOfficial/ Disclaimer: This series is produced by Clownfish Studios and WebReef Media, and is part of ClownfishTV.com. Opinions expressed by our contributors do not necessarily reflect the views of our guests, affiliates, sponsors, or advertisers. ClownfishTV.com is an unofficial news source and has no connection to any company that we may cover. This channel and website and the content made available through this site are for educational, entertainment and informational purposes only. These so-called “fair uses” are permitted even if the use of the work would otherwise be infringing. #News #Podcast #FYP #Shorts #LionKing #CircleOfLife #LeboM #LearnmoreJonasi #LionKingLawsuit #ComedianSued #DisneyDrama #ComedyLawsuit Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

I greet you in Jesus' precious name! It is Thursday morning, the 9th of April, 2026, and this is your friend, Angus Buchan, with a thought for today. We start in that very well-known scripture found in Philippians 3:10: “…that I may know Him and the power of His resurrection, and the fellowship of His sufferings, being conformed to His death,…” Then the other one, Colossians 1:27: “…which is Christ in you, the hope of glory.” We are talking this morning about our lifestyle, a way of life. Being a Christian is not like belonging to a certain club or organisation. No, it's a relationship with Jesus Christ, the practice of the presence of God, twenty-four/seven, night and day. The more time we spend with Jesus, the more time we get to know Him.William Duma was a Zulu pastor from the Umkomaas Valley in KwaZulu-Natal. A small little man, but what an incredible servant of the Lord! He prayed for the sick, he preached the Gospel without any kind of fear, and people used to flock to his services. But he had an intimate relationship with Jesus. Once there was an organisation that invited him to go to Israel as a gift for all his hard work, not only him, but a few other ministers as well. All of them accepted immediately, but he said, “Can I let you know tomorrow morning? I just want to ask my Lord if I can go.” Of course, he did go. That is the relationship that you and I need with Jesus.That Yorkshire plumber, Smith Wigglesworth, the evangelist, he said, “I never pray for half an hour, but I never let half an hour go by without praying” - a man who had a relationship with God. You see, it is a lifestyle. When we fall down, we say sorry, we repent, and we get up and we keep going again. We need to keep on keeping on. This is a lifetime to achieve. Matthew 6:33: “But seek first the kingdom of God and His righteousness, and all these things shall be added to you.” In closing, we need to stop trying to please God and start to be a child of God. We need to seek the Lord and then the peace and the contentment follow.Jesus bless you and have a wonderful day as you walk with Him today.Goodbye.

The Bapedi have a rich and textured history, as with most of South Africa's past, where religion and tradition are entwined to create a consciousness of life that is attractive to the naturally curious. Today, part of Limpopo Province bushveld contains private game parks with Bapedi and other African names — including Moya which has three meanings. It is used for wind, or breath, or the soul, roughly translated. It is something they say which cannot be seen, but can be heard. When a sick person wheezes, you know they're alive, because you can hear their soul, it has not departed. At night, when there is stillness, and you pick up the faint sounds of someone speaking, and upon investigation you find noone, then you know it is the soul of a dead person. Parts of your body are Moya, the lungs, blood, heart, liver, kidneys, and sex organs, your head and your hair. It is also these parts which are mostly associated with or susceptible to, disease. Your Moya is like your iris, or your fingerprint, there is noone else who has a copy of your Moya. While humans cannot live without Moya, sometimes it can live without their seriti, your shadow and reflection but this is the supernatural representation. The Bapedi word for shadow and a reflection in water or a mirror is Moriti. Your Seriti is created at birth, when you cast your first shadow. For extremely traditional Bapedi, it is bad manners to step on anothers shadow, or allow your shadow to fall on someone else. Traditional healers therefore won't work at midday when the sun is directly overhead, because it is said, the spirits of the dead are sleeping. Chief Sekhukhune of the Bapedi knew this when he built his fortress in a steep sided narrow valley south of the Olifants River at what was called his Stat. While the British were focusing on the Zulu's in 1879, Sekhukhune was sparring with other English authorities along the Olifants, and the towns of Lydenburg and Middelburg were reinforced. The Bapedi Chief wanted to expand his territory across the Steelpoort River and his raiding parties were bothering the Boers there. His position was further strengthened by a drought which meant British and Boer commandos could not take to the field, there wasn't enough grass and water for their oxen and horses. The dreaded horse sickness had also broken out, further complicating the Transvaal Government's plans.According to the blueprint for the Transvaal that had been devised by administrator Theophilos Shepstone and Cape Governor Sir Bartle Frere, the defeat of the Bapedi would be proof to the Boers of the British good faith. It would demonstrate that British rule was a blessing. To their considerable astonishment, this act actually put the final nail in the coffin of confederation as the Cambridge History of South Africa puts it. Since the British took control of the Cape in 1805, their policy had been grounded in the belief that once the won allegiance of the Dutch and Huguenot settler population, peace and prosperity would be guaranteed.

Dayton Webber, a quadruple amputee and former professional cornhole star, has been charged with first‑ and second‑degree murder after police say he fatally shot a friend during an argument in Maryland. Once celebrated for overcoming a life‑threatening infection that cost him all four limbs and becoming the first quadruple amputee in the American Cornhole League, Webber now faces accusations that he shot the victim inside his car and fled with the body still inside before being arrested hours later. A comedian is facing a £21 million (about $27 million) lawsuit after joking that the Zulu chant opening The Lion King simply translates to “Look, there’s a lion.” Composer Lebo M alleges the remark misrepresented the lyrics, mocked their cultural significance, and damaged his professional reputation, while the comedian argues he’s being sued for making a joke that went viral. Please Like, Comment and Follow 'Philip Teresi on KMJ' on all platforms: --- Philip Teresi on KMJ is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. -- Philip Teresi on KMJ Weekdays 2-6 PM Pacific on News/Talk 580 AM & 105.9 FM KMJ | Website | Facebook | Instagram | X | Podcast | Amazon | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

Dayton Webber, a quadruple amputee and former professional cornhole star, has been charged with first‑ and second‑degree murder after police say he fatally shot a friend during an argument in Maryland. Once celebrated for overcoming a life‑threatening infection that cost him all four limbs and becoming the first quadruple amputee in the American Cornhole League, Webber now faces accusations that he shot the victim inside his car and fled with the body still inside before being arrested hours later. A comedian is facing a £21 million (about $27 million) lawsuit after joking that the Zulu chant opening The Lion King simply translates to “Look, there’s a lion.” Composer Lebo M alleges the remark misrepresented the lyrics, mocked their cultural significance, and damaged his professional reputation, while the comedian argues he’s being sued for making a joke that went viral. Please Like, Comment and Follow 'Philip Teresi on KMJ' on all platforms: --- Philip Teresi on KMJ is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. -- Philip Teresi on KMJ Weekdays 2-6 PM Pacific on News/Talk 580 AM & 105.9 FM KMJ | Website | Facebook | Instagram | X | Podcast | Amazon | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

Send Us A Message or Ask Us A Question? DeAngelo on Spirituality, People-Pleasing, and Becoming a Triple-Threat PerformerHost Savia Rocks opens season seven of the Us People Podcast with reflections on legacy, peeling away cultural conditioning and trauma, and using hardship to create something beautiful, then interviews South African performer DeAngelo, a theater actor, singer, and dancer. DeAngelo shares being raised in Northwest Mafikeng and later in Gauteng, guided by a spiritual great-grandmother and church life in the Zion Christian Church, and describes separating religion from spirituality after witnessing contradictions in practiced Christianity. He defines himself as ambitious, loving, and anxious, discusses therapy, childhood-rooted people-pleasing and lack of boundaries, and learning that professionalism doesn't require being liked. He explains how his father pushed him toward passion, how he discovered singing through university productions and choirs with vocal training, and how judgment made him diminish himself; his life song is Sia's “Bird Set Free.” He names best advice as choosing passion, living without regret, and being a vessel for others' stories, recalls finding peace through a hymn, mentions losing a friend on New Year's Eve, and shares where to find him: performing in the Zulu musical “Inala” at the House of St. Sisters, plus social handles @DeAngelo_RSA.00:00 Legacy And Trauma01:10 Meet DeAngelo02:55 Growing Up In Church05:17 Spirituality Over Religion06:57 Family Lessons And Positivity10:14 Mirror Identity And Purpose13:02 People Pleasing And Boundaries19:54 Owning Your Ambition23:51 Why Performing Matters26:17 Finding His Voice30:48 Learning Leads Fast31:56 Audition And Training33:17 Triple Threat Identity37:41 Life Without Judgment41:25 Soundtrack Of Freedom43:06 Desert Island Choices48:36 Advice And Purpose52:00 Finding Peace And Gratitude57:27 Where To Find DeAngelo59:08 Final Thanks And Outro01:01:26 Closing Song LyricsInstagram: @deangelo_rsaTiktok: @deangelo_rsaTwitter: @deangelo_rsaThank you so much DeAngelo for questioning everything you see and know about life - Savia RocksSupport the show

What if the brain fog isn't a breakdown? What if it's your breakthrough?In this soul-led conversation, I am sitting down with the incredible Dr. Makhunga-Stevenson to flip the script on what it actually means to move through menopause. We are dropping the "silent suffering" and stepping into a reality where you are more magnetic, more certain, and more powerful than you have ever been.Dr. Makhunga-Stevenson shares the wild story of having a "brain fog" moment right in the middle of her TED Talk and how she chose to lead through it with total grace. Drawing from her Zulu roots and her medical expertise, she reveals why this season is actually your coronation.You aren't being put out to pasture. You are being invited to the Big People Table where the real power lives.This is your initiation. This is your promotion. This is your time to stop doing it all and start receiving the support, the reverence, and the empire you have built.Elevate Your LifeI help high-achieving women maintain their edge so they remain as powerful as the empires they've built.Book Your Menopause Strategy Session ($250): Stop the struggle. Let's look at your labs and your life to build your personalized power roadmap. Secure Your Session HereAccess the Essential Menopause Roadmap: Your definitive resource for navigating this transition with total confidence. Access the Guide HereConnect with Our GuestFollow Dr. Makhunga-Stevenson and her journey in executive leadership here.

In this episode, I explore An Ungentlemanly Act—the BBC's understated dramatization of the opening hours of the Falklands War—and what it reveals about Britain at a turning point in its history. Moving beyond a simple retelling, I examine the political tensions in both Britain and Argentina in 1982, and how those pressures led to a conflict neither side fully anticipated.We place the film within the wider tradition of British imperial cinema, from Zulu to The Four Feathers, and consider how it both draws from and quietly questions those narratives. At its core, the film presents a familiar British story: a small group facing overwhelming odds with restraint, professionalism, and a sense of duty—but here, that story ends in surrender rather than victory.Subscribe here

Cornelius Vijn had made a few bad decisions in his life as we all do at some point. Born in Holland in 1856, he made his way to Natal in 1874 where he rapidly learned both English and isiZulu. That wasn't necessarily a bad decision. During his childhood, however, he'd suffered an accident, he was run over by a wagon — the wheel shattered his leg, it healed badly and from then on he walked with a limp. He had lived in Natal for over 4 years before setting out from New Guelderland with six Zulu drivers and assistants, sixteen oxen, and a wagon loaded with woollen, baize and cotton blankets, picks, knives, saddles bridles and beads. Just to put his location into perspective, New Guelderland is a few kilometers north of KwaDukuza aka Stanger. Cornelius Vijn's destination — Zululand. This was a miscalculation because his journey began October 1879 on the eve of the Anglo-Zulu war. Tension had been rising for months, and most whites had fled the territory. Vijn was determined to go the other way. He sensed he could make some extra money without any competition from the other Natal Traders. Vijn was 23 years and six months old. After being held up by rainy weather and a border check to make sure he wasn't carrying guns, he crossed the Thukela on November 1st. We know all of this because Cornelius' journal was published by Bishop Colenso in 1880 — and you can find a copy online at the University of Cape Town archives. It's called Cetshwayo's Dutchman, and what a fascinating read it is. His plan was to travel to meet King Cetshwayo kaMpande and sell him all the goods in the wagon in exchange for cattle. The king had good reason to treat Vijn well, he needed someone who could function as a translator and letter writer because Cetshwayo would spend most of the coming months repeatedly sending emissaries to Lord Chelmsford, asking for negotiations. In May, word arrived that the Boers were at Cetshwayo's home, they were working together to defeat the English. Later Cetshwayo was to tell Cornelius that “No doubt the Boers are better than the English, for Mpande was setup as king by the Boers and died as King, whereas I, Cetshwayo, was crowned by the English and now my country is taken from me…” Following the British disaster at Isandlwana and the agonizingly slow progress of the second invasion of Zululand, the British government lost confidence in Lord Chelmsford's strategic capabilities. In May 1879, Sir Garnet Wolseley was appointed as Supreme Commander in South Africa, effectively superseding Chelmsford.When word reached him deep in Zululand his reaction was one of desperate urgency rather than resignation. Knowing his reputation was on the line, Chelmsford took several decisive actions including what you may call a race for Ondini.

As the British tried to wrap up their war against the Zulu in South Africa, further afield the happy sound of a baby being born could be heard in Germany. Not just any baby. Albert Einstein was born at 11.30 in the morning on March 14, 1879 in Ulm. His birth was not without drama; his family initially worried about his development because the back of his head was unusually large, and his grandmother feared he would have delayed development based on the sound of his cry.  His mother Pauline was deeply concerned when Albert didn't start talking until he was three. Then when he started speaking, he had a habit of repeating sentences to himself, which led the family maid to nickname him "Der Depperte" (the dopey one). When Albert was five and sick in bed, his father Hermann gave him a magnetic compass. This invisible force fascinated Albert and is often cited as the spark for his lifelong obsession with physics. A compass is what the British surveyors carried, so too did some Boers of the Wakkerstroom District. The area wasn't as stable as British Army Lieutenant Colonel Evelyn Wood had supposed. Sure, the hyena of Phongola chief Mbilini — had been killed but the abaQulusi still lurked about their mountains undefeated. While the British had gone about their war against the Zulu with some zeal in 1879, the Boers of the Transvaal were seething about their territory being summarily annexed by the Empire only two years earlier. The Boers of Wakkerstroom, east of Volksrus, lived on a frontier and a ledge. The escarpment along this north eastern line intersects with places like Luneburg, Paulpietersburg, Bilanyoni with Swazi territory further towards the rising sun. June mornings are cold — as cold as the relations between the Boers of Wakkerstroom and local Englishmen. Luneburg was a Lutheran mission station and on the 4th June, the pastor's son Heinrich Filter was killed there along with six black border policemen. Large groups of Qulisi warriors swept back into the northern Zululand region, scooping up hundreds of cattle and other livestock. So it was with fury that commander Chelmsford and Wood heard what was going on between the Boers and the Zulu along the Mkhondo River. The two nations were in league against their common imperial enemy. Zulu deputations had visited the bughers and some Boers had even travelled to go and see king Cetshwayo kaMpande. By June reports circulated the there were even more Boers than usual wintering along the border, below the icy escarpment amongst the Zulu imizi of the Phongola. The fact that they were safe confirmed all suspicions that there was Zulu-Boer collusion. Suspicions were further confirmed when the British found out that the Boers were even acting as guides leading the Zulu impis in their June raids that had been so destructive. Chelmsford had been putting together a potent column for his return to Zululand after he had relieved Eshowe, and in May he began a slow moving march to Ondini. Ranging in front of his force as it gathered close to Rorke's Drift for the second major invasion, were his reconnaissance units, scouts and observers. And one of these observers was the enthusiastic but reckless twenty three year-old Prince Imperial of France, Louis Napoleon. The last hope of the Bonapartist dynasty, serving on Chelmsford's staff. He was the only son of Emperor Napoleon the Third, great-nephew of Napoleon Bonaparte. In his first 14 years he had lived the pampered life of a monarch-in-waiting, but that changed in 1870 when his father was deposed after a string of defeats in the Franco-Prussian war. Louis fled to England with his mother Empress Eugenie. Queen Victoria gave them a warm welcome — in 1871 his father was released by the Prussians and joined Eugenie and Louis at a rented mansion in Chislehurst in Kent. A failed attempt to remove a gallstone killed the Emperor n 1873, and Louis ended up in the Royal Military Academy at Woolwich.

The #1 question I get after reviewing both the HDX and HDX Pro versions of the Sig Sauer Zulu 6 binoculars is: “Which pair should I actually buy?” In this video, I break down all 7 models in the Zulu 6 lineup — both HDX and HDX Pro — and help you decide which model fits your hunting needs. I've spent months using these optics in real-world hunts. No fluff, no paid endorsements — just hard-earned insights from the field. If you want the clearest, most honest buyer's guide on these binos anywhere online, you're in the right place.

The last quarter of the 19th Century was in some ways, like the first quarter of the 21st Century - full of tone-deaf business barons gambling building vast riches — financing politicians and in accelerating the planet towards world wars. There are ripples in the timeverse, all the way to now, because the latest empire has started a war that it cannot end. The infinite rule of war is do not start a war you cannot finish — British back in 1879 set off a whole host of pain for itself by invading Zululand because the Boers of the Transvaal were flexing. First, however, was the small matter of trying to Crush the Zulu empire. Not only had the British suffered sharp reverses at Hlobane and, most dramatically, at Isandlwana, but Lieutenant-Colonel Pearson's column had now been shut up in Eshowe for nearly two months. At first the invasion had been greeted in Britain with confidence and patriotic support, yet that mood began to shift as the scale of the setbacks became clear and questions were asked about Lord Chelmsford's conduct of the campaign. Confidence gave way to unease as news filtered home that the war was proving far more difficult than anyone had expected. So it is to Eshowe we go. At the end of March 1879 Zulu warriors were spotted hiking down the hills near the Eshowe garrison, heading towards Nyezane near Gingindlovu on the coastal flats. They were led by Somopho of the emaNgweni ikhanda, Cetshwayo's chief armourer — and the army he led towards the Thukela was an interesting bunch. They included 3000 Tsonga from St Lucia Bay, along with 1500 from the kwaGingindlovu ikhanda, joined by Dabulamanzi, Cetshwayo's headstrong son who lived at eNtumeni near Eshowe and who commandedd 1000 men. There were 3000 men of the iNgobamakhosi, uNokhenke, the uMbonambi and uMcijo, joined by 1500 of the iNdluyengwe. Chief Sigcwelegcwele led these amabutho, along with Phalane kaMdinwa of the Mphukunyoni — Phalane was of royal blood and set an imposing figure amongst his troops. He wore brass ornaments on his ankles and neck, and had grown his fingernails five centimeters long, they were apparently as white as ivory and gave him a dangerous cat-like appearance, he was tall, a Marvel Superhero of the Zulu. This force of about 11 000 was in Lord Chelmsford's way, and he was about to cross the Thukela River to relieve Pearson in Eshowe. Cetshwayo's was aware that the English Zulu chief, had turned his coat, John Dunn who had initially fled Zululand, then tried to remain neutral, had now openly thrown in his lot with Chelmsford's relief column. He had observed the British response to the defeat at Isandhlwana and realised that the Zulu could not win this war, nor even draw it. Chelmsford's response was to turn to John Dunn, and with him came something the British had lacked until then — a practical understanding of African warfare. Dunn encouraged constant forward reconnaissance, understood the rhythms and tactics of Zulu fighting, and insisted on the discipline of laagering, measures that addressed many of the army's earlier weaknesses. He was placed in charge of 244 men and effectively made chief of intelligence — a somewhat unusual appointment. Until then such responsibilities had normally fallen to regular British officers. Dunn, however, was no officer of the Crown. What he brought instead were deep personal ties within the Zulu kingdom, along with a network of scouts and informants. In Chelmsford's camp he would operate not only as an intelligence gatherer, but also as a crucial intermediary between the British command and the African world beyond their lines.

The twenty thousand strong Zulu army was camped near Nseka Mountain south of the British camp at Khambula hill — north west of modern day Vryheid. After defeating Lieutenant Colonel Evelyn Wood's Number 4 column at Hlobane, Zulu commanders Ntshingwayo and Mnyamana stopped to rest their men on the banks of the White Mfolozi. about twenty kilometers from the British camp. Wood's column had retreated to the base at Khambula Garrison — along with the cavalry led by Redverse Buller after the thrashing they'd received at the Battle of Hlobane. You heard about that in episode 262. Perhaps it made sense to wait, the British had already been reinforcing Kambula for weeks and the position that Evelyn held was strong. They had spent weeks digging elongated earthworks, a redoubt on a narrow ridge of tableland on the summit of Khambula. There were two guns here, and it was connected to the main wagon-laager which lay 20 meters below and 280 metres away by the four other guns placed at regular intervals. These were significant weapons. The wheels of the wagons were lashed together, and each wagon-pole or tied tightly to the wagon ahead, sods of earth had been thrown up under the wagons to form ramparts, and bags of provisions run along the outside of the buckrails of the wagons with firing slits every few yards. Below this defensive structure was another smaller laager of wagons, connected by a palisade — into which 2000 cattle were crammed. On the right side of both laagers lay a rocky ravine, no-one would be climbing up this access point and through which the stream of Selandlovu rushed. To the left, the ground sloped away more gently, and provided an excellent field of fire. Wood had 2 086 officers and men, including eight companies of the 90th Light Infantry — and seven companies of the 1/13th Light infantry totaling 1240 troops. The mounted squadron included 99 from the Mounted Infantry, four troops of the Frontier light horse of 165 men, two troops of Raaff's Transvaal Rangers, almost a hundred of Baker's Horse, 40 more from the Kaffrarian Rifles, bolstered by a Mounted Basotho group of 74, they'd come all the way from Basotholand, from further south, joined by 16 men of the Border Horse, along with 41 Boers from a local northern Zululand commando. 58 black support troops were also camped at Kambula, along with 11 Royal Engineers, and 110 men of the number 11 Battery, Royal Artillery and their six 7 pounders. This was a well balanced column, but still about ten percent the size of the nearby Zulu army. The British had a major advantage, they were defending a well constructed and armed with the latest weapons of war. Unlike the other battles, the British had measured out range markers and setup stone cairns painted white. The Zulu would not be able to easily charge Khambula over the open ground, nor climb quickly enough in numbers to attack over the steep eastern edge. Dawn broke on the 29th March 1879 and the Zulu commanders gathered their men. The youngsters demanded the army launch a straightforward charge up the slope to smash the English once and for all, but Chiefs Mnyamana and Ntshingwayo were smarter than that. Both had strict orders from Cetshwayo about tactics, and he'd made it clear there would be no more direct full frontal attack on well dug-in British camps. Mnyamana was more of a diplomat than soldier, if you remember it had been Ntshingwayo who led the men in their victory at Isandhlwana, but Mnyamana was technically the senior commander - so it was he who formed the amabutho into their traditional circle. As the sun lifted over the hills, mist coiled along the White Mfolozi, and thousands of Zulu warriors formed in their regiments on the riverbank. They stood shoulder to shoulder while their commanders strode before them, voices rising, calling them to courage and endurance.

By mid-March 1879, Cetshwayo kaMpande made another attempt to open talks with Chelmsford, sending his indunas to negotiate for peace — but the British had no appetite for compromise. On the 22nd March two emissaries arrived at Middle Drift, a central crossing between Natal and Zululand, but Chelmsford had already laid out rules that any Zulu representatives should communicate directly with him. Captain Frank Cherry who was He commanding officer of the 3rd Regiment, Natal Native Contingent (NNC), was stationed at Middle Drift. His job was primarily defensive—guarding that specific crossing point against a potential Zulu counter-invasion of Natal. Alongside him, F.B. Fynney - the Border Agent for the Lower Tugela. Fynney was a crucial figure because he was one of the few British officials who was fluent in Zulu and understood the nuances of Zulu diplomacy. The two messengers used their Christian names, Johannes and Klaas. They brought a message from King Cetshwayo that essentially said: "What have I done? I want peace. Let the fighting stop.” They were frigidly received and sent back with a reminder about the terms of the ultimatum before war began. The British were also fully aware that Cetshwayo had called a general muster of his army at oNdini, and believed the two messengers were actually spies. A day later, on the 23rd March, two other messengers arrived in Eshowe but Lieutenant Colonel Pearson ordered them to be clapped into irons — they were spies he said and could not be accorded the traditional sanctity they enjoyed at royal emissaries. Not to be denied, Cetshwayo, who by now had been joined by his main army and he was pondering where to send them. Unfortunately for Colonel Evelyn Wood, the Zulu King decided they should attack his column. After the largely inconsequential but shocking massacre at the Ntombe River we covered last episode, Colonel Wood was in a bit of a bind. He'd lost over 70 men on the 12th March. Still, he had something positive to report to Lord Chelmsford, Cetshwayo's eldest brother prince Hamu had decided to switch sides and support the British. Many of the men of his amaButho had fought the British at Isandlwana, and Wood promptly recruited these very same men into his column as irregular troops, despite the fact that their spears had been so recently washed by imperial British blood. It is hard to explain how the military works to most people, but battles are not carried out with the hot headedness of hate. So when a soldier wants to swap sides, usually they are debriefed, given a quick training update, checked to ensure they're not lunatics, and then given their new uniforms and weapons and signed on. They are very useful when it comes to intelligence gathering. Chelmsford was over the moon about Hamu's move, and believed what he called the “important event” would ‘spread doubt and distrust in Zululand'. Partly to alleviate the pressure on Pearson in Eshowe, and partly because he hoped to capitalise on Hamu's arrival, Chelmsford gave Wood carte blanche to make an attack on the Zulu. “If you are in a position to make any forward movement about the 27th March, so that the news may reach the neighbourhood of Eshowe about the 29th, I think it might have a good effect…” A relief column was on it's way from Natal and would soon cross the lower Thukela on its way to Eshowe. Perhaps some kind of victory to the north where Wood was operating would draw Zulu amabutho away. Wood was nothing if not a quick operator. A few days after receiving the order, on the 28th March, he launched a two-pronged attack on the abaQulusi stronghold of Hlobane Mountain. It was risky, not only did he have no idea of how many Zulu warriors faced him, he also had no idea about what lay in store on the summit.

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Send us a textThis episode is a masterclass in why bad arguments rot organizations from the inside. Aaron, Trent, and Peaches dig into the Special Warfare pipeline drama, the Zulu course outrage, and the lazy take that “students won't retain anything.” Here's the problem: that argument only works if students are stupid, instructors are stupid, or leadership is stupid—and none of those are true. They break down logistics, attrition, training progression, risk tolerance, and why waiting for data matters more than internet yelling. Add in OTS growth, influencer nonsense, fraud headlines, and team-room humor, and you get a classic Ones Ready reality check. If you care about the community, this one's for you.⏱️ Timestamps: 00:00 Ones Ready intro and no plan, as usual 02:15 Good Airmen doing real-world rescues 05:00 Why “students won't retain anything” is a bad argument 09:30 Zulu course outrage explained 14:40 Who you're actually calling stupid 19:30 Logistics, basing, and why change is slow 24:50 Risk tolerance vs risk avoidance 30:35 Forgetting skills—and why that's normal 36:50 Why waiting for data matters 42:55 Influencers, hype videos, and misinformation 48:30 OTS growth, feedback, and next steps 55:10 Predictions, humor, and community reality