Podcasts about how we'll win them back

In this episode, we feature insights from writer and activist Cory Doctorow, who along with Rebecca Giblin, a professor at Melbourne Law School, co-authored the book ‘Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back.' It's a story about the stranglehold megacorporations have on their respective industries. For artists and creators, it means they're receiving fewer and fewer percentages of overall profits, despite their work enriching our corporate overlords.  “The reason creative workers are receiving a declining share of the wealth generated by their work is the same reason all workers are receiving a smaller share—we have structured society to make rich people richer at everyone else's expense,” Doctorow and his co-author Rebecca Giblin write. News Beat is a Morey Creative Studios production, in association with Manny Faces Media. Sign up for our free newsletter at newsbeat.substack.com Producer/Audio Editor: Michael "Manny Faces" ConfortiEditor-In-Chief: Chris TwarowskiManaging Editor: Rashed MianEpisode Art: Jeff MainExecutive Producer: Jed Morey  Support the show: https://www.paypal.com/donate/?token=EYkdQRkbZ6vNTGfNSGWZjx7_15orqqDl8vkmrAg3TkxLprft1OguFwxlheC3tAkNd-KVPG&country.x=US&locale.x=USSee omnystudio.com/listener for privacy information.

In the last season we sat down with Cory Doctorow, co-author of Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back, to find out how the music industry has become dominated by monopoly power. In this bonus episode, we're bringing you Arshy's full interview with Cory, complete with all the nitty gritty details around how and why musicians continue to get screwed by Spotify, music labels, ticketmaster and more.To learn more: Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back by ​​Rebecca Giblin and Cory DoctorowSponsors: Canva, Douglas, Truth TellingIf you value this podcast, support us! You'll get premium access to all our shows ad free, including early releases and bonus content. You'll also get our exclusive newsletter, discounts on merch, tickets to our live and virtual events, and more than anything, you'll be a part of the solution to Canada's journalism crisis, you'll be keeping our work free and accessible to everybody.You can listen ad-free on Amazon Music—included with Prime. Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

Biden will get a new Chief of Staff, the U.S. Attorney has questions for Amazon, and Elon takes the stand. Over at Netflix: strong subscriber growth, and Reed Hastings is out as Co-CEO. And of course, more layoffs. Then we're joined by Friend of Pivot Cory Doctorow on his new book, “Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back.” Cory is on Twitter at @doctorow and you can find his book here. Send us your questions! Call 855-51-PIVOT or go to nymag.com/pivot. Learn more about your ad choices. Visit podcastchoices.com/adchoices

♩♪ A long, long time ago, I can still rememberHow the music used to pay my billsI knew that if I got my breakThat I could be as big as DrakeAnd then I could stop shopping at No Frills ♩♪♩♪ But Spotify, it's nearly killed usTicketmaster's ground us to dustThe companies got too largeNow monopolies are in charge ♩♪♩♪ And the record labels I fear the mostHave all just merged and so now we're toastDon't you think it's just so gross?The way, the music, died ♩♪Featured in this episode: Simon Outhit, Cory DoctorowTo learn moreChokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back by Rebecca Giblin & Cory Doctorow“'A public relations nightmare': Ticketmaster recruits pros for secret scalper program” in CBC News by Dave Seglins, Rachel Houlihan & Laura Clementson “We went undercover as ticket scalpers — and Ticketmaster offered to help us do business” in Toronto Star by Robert Cribb & Marco Chown Oved“Is Live Music Broken? It's Not Just Ticketmaster, It's Everything” in The Ringer by Nate RogersA Statement From Live Nation EntertainmentCredits: Arshy Mann (Host and Producer), Jordan Cornish (Producer), Noor Azrieh (Associate Producer), André Proulx (Production Coordinator)Sponsors: Douglas, Athletic Greens If you value this podcast, Support us! You'll get premium access to all our shows ad free, including early releases and bonus content. You'll also get our exclusive newsletter, discounts on merch, tickets to our live and virtual events, and more than anything, you'll be a part of the solution to Canada's journalism crisis, you'll be keeping our work free and accessible to everybody.You can listen ad-free on Amazon Music—included with Prime. Hosted on Acast. See acast.com/privacy for more information.

Sam hosts author Cory Doctorow to discuss his recent book Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back, co-written with Rebecca Giblin. First, Sam runs through updates on Kevin McCarthy finally overcoming his Freedom Caucus brethren to attain the speakership, the Brazilian coup attempt this weekend as well as the hardline responses to it, NYC's nurses' strike, and the striking down of more gun control measures, before diving into the Mike Rogers v. Matt Gaetz matchup from this weekend. Cory Doctorow then joins as he dives right into his examples of chokepoint capitalism, first looking to the wildly exploitative contracts of the 20th Century music industry, with mass monopolies by studios forcing artists into exploitative and debt-riddled contracts, only for the digital age and rise of Spotify to push the industry towards a monopsony, with Spotify as the primary purchaser of music, allowing them to force similarly exploitative deals on the same debt-riddled artists. They then shift to the monopsonistic scam run by Audible, as Amazon's audiobook offshoot took Spotify's blueprint and added internal lies and scams to bluff authors out of hundreds of millions in earnings, and wrap up that portion of the interview with the advertising monopolies of social media tyrants like Meta and Google. Cory then shifts the conversation to weakening the power of these capitalist chokepoints, where corporations can use the lack of competition to force horrendous contracts and conditions on laborers, focusing on the obvious elements of anti-trust and broader crackdown on anti-competitive practices, as well as pushing big tech interoperability to improve access for consumers and laborers, before concluding the interview with a discussion on the other massive project required: completely overhauling the US system of copyright laws. And in the Fun Half: Sam talks with Jack from New Jersey about the difference between backlash to the “Never Kevvers” of the Freedom Caucus and the theoretical backlash to the Forced-Vote that never was, Marcus the Brazilian dives into the impact of Bolsonaro's ambiguous concession speech and the following (lack of) coverage of it, as well as the vast differences to Biden's response to 1/6 and Lula's response to 1/8. Kowalski from NB gives major weather updates on California and Europe, and Sam dives into Larry Summer's recent broadcast from paradise to tout his influence in cementing austerity as a tool of capitalism. Rachel from SF reflects on some good ol' fasc-ioned racist San-Fran housing discrimination, @Indrid.Cold27 discusses the TikTok scene, and Sam and the crew tackle updates on Matt Schlapp's alleged harassment, plus, your calls and IMs! Become a member at JoinTheMajorityReport.com: https://fans.fm/majority/join Subscribe to the ESVN YouTube channel here: https://www.youtube.com/esvnshow Subscribe to the AMQuickie newsletter here: https://am-quickie.ghost.io/ Join the Majority Report Discord! http://majoritydiscord.com/ Get all your MR merch at our store: https://shop.majorityreportradio.com/ Get the free Majority Report App!: http://majority.fm/app Check out today's sponsors: ExpressVPN: We all take risks every day when we go online, whether we think about it or not. And using the internet without ExpressVPN? That's like driving without car insurance! ExpressVPN acts as online insurance. It creates a secure, encrypted tunnel between your device and the internet so hackers can't steal your personal data. It'd take a hacker with a supercomputer over a billion years to get past ExpressVPN's encryption. And ExpressVPN is simple to use on all your devices! Just fire up the app and click one button to get protected. Secure your online data TODAY by visiting https://www.expressvpn.com/majority That's https://www.expressvpn.com/majority and you can get an extra three months FREE. Ritual: We deserve to know what we're putting in our bodies and why. Ritual's clean, vegan-friendly multivitamin is formulated with high-quality nutrients in bioavailable forms your body can actually use. Get key nutrients without the B.S. Ritual is offering my listeners ten percent off during your first three months. Visit https://ritual.com/majority to start your Ritual today. Blinkist: Go to https://Blinkist.com/MAJORITYREPORT to start your 7-day free trial and get 25% off of a Blinkist Premium membership. Follow the Majority Report crew on Twitter: @SamSeder @EmmaVigeland @MattBinder @MattLech @BF1nn @BradKAlsop Check out Matt's show, Left Reckoning, on Youtube, and subscribe on Patreon! https://www.patreon.com/leftreckoning Subscribe to Discourse Blog, a newsletter and website for progressive essays and related fun partly run by AM Quickie writer Jack Crosbie. https://discourseblog.com/ Check out Ava Raiza's music here! https://avaraiza.bandcamp.com/ The Majority Report with Sam Seder - https://majorityreportradio.com/

Read the transcript of this podcast: https://therealnews.com/big-tech-has-rigged-the-game-against-artists-heres-how-we-can-fight-backTRNN Editor-in-Chief Maximillian Alvarez joins Rebecca Giblin and Cory Doctorow for the launch of their new book, Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back. This event was hosted by The Peale Museum in Baltimore.Rebecca Giblin is an ARC Future Fellow and Professor at Melbourne Law School. She is director of the Intellectual Property Research Institute of Australia (IPRIA) and heads up the Author's Interest and eLending projects, as well as Untapped: the Australian Literary Heritage Project. Chokepoint Capitalism is her latest book.Cory Doctorow is a science fiction author, activist and journalist. He is the author of many books. Chokepoint Capitalism is his most recent non-fiction work. In 2020, he was inducted into the Canadian Science Fiction and Fantasy Hall of Fame.Pre-Production/Studio/Post-Production: Cameron GranadinoHelp us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer: Donate: https://therealnews.com/donate-podSign up for our newsletter: https://therealnews.com/newsletter-podLike us on Facebook: https://facebook.com/therealnewsFollow us on Twitter: https://twitter.com/therealnews

Every time you download a song, buy a book online or watch a favorite show on a streaming service, the artist who created that content has to share their paycheck with the big tech companies who deliver it. You've heard about monopolies, where sellers hold power over buyers. Now mammoth online retailers and digital entertainment services are creating monopsonies, where the buyers hold power over sellers. And this is killing creative industries say author Cory Doctorow and law professor Rebecca Giblin. They offer creative ways for consumers to help the artists we love get a fair share for their work. Their new book is called "Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back."

Corporate concentration has breached the stratosphere, as have corporate profits. An ever-expanding constellation of industries are now monopolies (where sellers have excessive power over buyers) or monopsonies (where buyers hold the whip hand over sellers)—or both. In Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back (Beacon, 2022), scholar Dr. Rebecca Giblin and writer and activist Cory Doctorow argue we're in a new era of “chokepoint capitalism,” with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. All workers are weakened by this, but the problem is especially well-illustrated by the plight of creative workers. From Amazon's use of digital rights management and bundling to radically change the economics of book publishing, to Google and Facebook's siphoning away of ad revenues from news media, and the Big Three record labels' use of inordinately long contracts to up their own margins at the cost of artists, chokepoints are everywhere. By analyzing book publishing and news, live music and music streaming, screenwriting, radio and more, Giblin and Doctorow deftly show how powerful corporations construct “anti-competitive flywheels” designed to lock in users and suppliers, make their markets hostile to new entrants, and then force workers and suppliers to accept unfairly low prices. In the book's second half, Giblin and Doctorow then explain how to batter through those chokepoints, with tools ranging from transparency rights to collective action and ownership, radical interoperability, contract terminations, job guarantees, and minimum wages for creative work. Chokepoint Capitalism is a call to workers of all sectors to unite to help smash these chokepoints and take back the power and profit that's being heisted away—before it's too late. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Corporate concentration has breached the stratosphere, as have corporate profits. An ever-expanding constellation of industries are now monopolies (where sellers have excessive power over buyers) or monopsonies (where buyers hold the whip hand over sellers)—or both. In Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back (Beacon, 2022), scholar Dr. Rebecca Giblin and writer and activist Cory Doctorow argue we're in a new era of “chokepoint capitalism,” with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. All workers are weakened by this, but the problem is especially well-illustrated by the plight of creative workers. From Amazon's use of digital rights management and bundling to radically change the economics of book publishing, to Google and Facebook's siphoning away of ad revenues from news media, and the Big Three record labels' use of inordinately long contracts to up their own margins at the cost of artists, chokepoints are everywhere. By analyzing book publishing and news, live music and music streaming, screenwriting, radio and more, Giblin and Doctorow deftly show how powerful corporations construct “anti-competitive flywheels” designed to lock in users and suppliers, make their markets hostile to new entrants, and then force workers and suppliers to accept unfairly low prices. In the book's second half, Giblin and Doctorow then explain how to batter through those chokepoints, with tools ranging from transparency rights to collective action and ownership, radical interoperability, contract terminations, job guarantees, and minimum wages for creative work. Chokepoint Capitalism is a call to workers of all sectors to unite to help smash these chokepoints and take back the power and profit that's being heisted away—before it's too late. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Corporate concentration has breached the stratosphere, as have corporate profits. An ever-expanding constellation of industries are now monopolies (where sellers have excessive power over buyers) or monopsonies (where buyers hold the whip hand over sellers)—or both. In Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back (Beacon, 2022), scholar Dr. Rebecca Giblin and writer and activist Cory Doctorow argue we're in a new era of “chokepoint capitalism,” with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. All workers are weakened by this, but the problem is especially well-illustrated by the plight of creative workers. From Amazon's use of digital rights management and bundling to radically change the economics of book publishing, to Google and Facebook's siphoning away of ad revenues from news media, and the Big Three record labels' use of inordinately long contracts to up their own margins at the cost of artists, chokepoints are everywhere. By analyzing book publishing and news, live music and music streaming, screenwriting, radio and more, Giblin and Doctorow deftly show how powerful corporations construct “anti-competitive flywheels” designed to lock in users and suppliers, make their markets hostile to new entrants, and then force workers and suppliers to accept unfairly low prices. In the book's second half, Giblin and Doctorow then explain how to batter through those chokepoints, with tools ranging from transparency rights to collective action and ownership, radical interoperability, contract terminations, job guarantees, and minimum wages for creative work. Chokepoint Capitalism is a call to workers of all sectors to unite to help smash these chokepoints and take back the power and profit that's being heisted away—before it's too late. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Corporate concentration has breached the stratosphere, as have corporate profits. An ever-expanding constellation of industries are now monopolies (where sellers have excessive power over buyers) or monopsonies (where buyers hold the whip hand over sellers)—or both. In Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back (Beacon, 2022), scholar Dr. Rebecca Giblin and writer and activist Cory Doctorow argue we're in a new era of “chokepoint capitalism,” with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. All workers are weakened by this, but the problem is especially well-illustrated by the plight of creative workers. From Amazon's use of digital rights management and bundling to radically change the economics of book publishing, to Google and Facebook's siphoning away of ad revenues from news media, and the Big Three record labels' use of inordinately long contracts to up their own margins at the cost of artists, chokepoints are everywhere. By analyzing book publishing and news, live music and music streaming, screenwriting, radio and more, Giblin and Doctorow deftly show how powerful corporations construct “anti-competitive flywheels” designed to lock in users and suppliers, make their markets hostile to new entrants, and then force workers and suppliers to accept unfairly low prices. In the book's second half, Giblin and Doctorow then explain how to batter through those chokepoints, with tools ranging from transparency rights to collective action and ownership, radical interoperability, contract terminations, job guarantees, and minimum wages for creative work. Chokepoint Capitalism is a call to workers of all sectors to unite to help smash these chokepoints and take back the power and profit that's being heisted away—before it's too late. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

Corporate concentration has breached the stratosphere, as have corporate profits. An ever-expanding constellation of industries are now monopolies (where sellers have excessive power over buyers) or monopsonies (where buyers hold the whip hand over sellers)—or both. In Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back (Beacon, 2022), scholar Dr. Rebecca Giblin and writer and activist Cory Doctorow argue we're in a new era of “chokepoint capitalism,” with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. All workers are weakened by this, but the problem is especially well-illustrated by the plight of creative workers. From Amazon's use of digital rights management and bundling to radically change the economics of book publishing, to Google and Facebook's siphoning away of ad revenues from news media, and the Big Three record labels' use of inordinately long contracts to up their own margins at the cost of artists, chokepoints are everywhere. By analyzing book publishing and news, live music and music streaming, screenwriting, radio and more, Giblin and Doctorow deftly show how powerful corporations construct “anti-competitive flywheels” designed to lock in users and suppliers, make their markets hostile to new entrants, and then force workers and suppliers to accept unfairly low prices. In the book's second half, Giblin and Doctorow then explain how to batter through those chokepoints, with tools ranging from transparency rights to collective action and ownership, radical interoperability, contract terminations, job guarantees, and minimum wages for creative work. Chokepoint Capitalism is a call to workers of all sectors to unite to help smash these chokepoints and take back the power and profit that's being heisted away—before it's too late. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

Corporate concentration has breached the stratosphere, as have corporate profits. An ever-expanding constellation of industries are now monopolies (where sellers have excessive power over buyers) or monopsonies (where buyers hold the whip hand over sellers)—or both. In Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back (Beacon, 2022), scholar Dr. Rebecca Giblin and writer and activist Cory Doctorow argue we're in a new era of “chokepoint capitalism,” with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. All workers are weakened by this, but the problem is especially well-illustrated by the plight of creative workers. From Amazon's use of digital rights management and bundling to radically change the economics of book publishing, to Google and Facebook's siphoning away of ad revenues from news media, and the Big Three record labels' use of inordinately long contracts to up their own margins at the cost of artists, chokepoints are everywhere. By analyzing book publishing and news, live music and music streaming, screenwriting, radio and more, Giblin and Doctorow deftly show how powerful corporations construct “anti-competitive flywheels” designed to lock in users and suppliers, make their markets hostile to new entrants, and then force workers and suppliers to accept unfairly low prices. In the book's second half, Giblin and Doctorow then explain how to batter through those chokepoints, with tools ranging from transparency rights to collective action and ownership, radical interoperability, contract terminations, job guarantees, and minimum wages for creative work. Chokepoint Capitalism is a call to workers of all sectors to unite to help smash these chokepoints and take back the power and profit that's being heisted away—before it's too late. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Corporate concentration has breached the stratosphere, as have corporate profits. An ever-expanding constellation of industries are now monopolies (where sellers have excessive power over buyers) or monopsonies (where buyers hold the whip hand over sellers)—or both. In Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back (Beacon, 2022), scholar Dr. Rebecca Giblin and writer and activist Cory Doctorow argue we're in a new era of “chokepoint capitalism,” with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. All workers are weakened by this, but the problem is especially well-illustrated by the plight of creative workers. From Amazon's use of digital rights management and bundling to radically change the economics of book publishing, to Google and Facebook's siphoning away of ad revenues from news media, and the Big Three record labels' use of inordinately long contracts to up their own margins at the cost of artists, chokepoints are everywhere. By analyzing book publishing and news, live music and music streaming, screenwriting, radio and more, Giblin and Doctorow deftly show how powerful corporations construct “anti-competitive flywheels” designed to lock in users and suppliers, make their markets hostile to new entrants, and then force workers and suppliers to accept unfairly low prices. In the book's second half, Giblin and Doctorow then explain how to batter through those chokepoints, with tools ranging from transparency rights to collective action and ownership, radical interoperability, contract terminations, job guarantees, and minimum wages for creative work. Chokepoint Capitalism is a call to workers of all sectors to unite to help smash these chokepoints and take back the power and profit that's being heisted away—before it's too late. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Corporate concentration has breached the stratosphere, as have corporate profits. An ever-expanding constellation of industries are now monopolies (where sellers have excessive power over buyers) or monopsonies (where buyers hold the whip hand over sellers)—or both. In Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back (Beacon, 2022), scholar Dr. Rebecca Giblin and writer and activist Cory Doctorow argue we're in a new era of “chokepoint capitalism,” with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. All workers are weakened by this, but the problem is especially well-illustrated by the plight of creative workers. From Amazon's use of digital rights management and bundling to radically change the economics of book publishing, to Google and Facebook's siphoning away of ad revenues from news media, and the Big Three record labels' use of inordinately long contracts to up their own margins at the cost of artists, chokepoints are everywhere. By analyzing book publishing and news, live music and music streaming, screenwriting, radio and more, Giblin and Doctorow deftly show how powerful corporations construct “anti-competitive flywheels” designed to lock in users and suppliers, make their markets hostile to new entrants, and then force workers and suppliers to accept unfairly low prices. In the book's second half, Giblin and Doctorow then explain how to batter through those chokepoints, with tools ranging from transparency rights to collective action and ownership, radical interoperability, contract terminations, job guarantees, and minimum wages for creative work. Chokepoint Capitalism is a call to workers of all sectors to unite to help smash these chokepoints and take back the power and profit that's being heisted away—before it's too late. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Corporate concentration has breached the stratosphere, as have corporate profits. An ever-expanding constellation of industries are now monopolies (where sellers have excessive power over buyers) or monopsonies (where buyers hold the whip hand over sellers)—or both. In Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back (Beacon, 2022), scholar Dr. Rebecca Giblin and writer and activist Cory Doctorow argue we're in a new era of “chokepoint capitalism,” with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. All workers are weakened by this, but the problem is especially well-illustrated by the plight of creative workers. From Amazon's use of digital rights management and bundling to radically change the economics of book publishing, to Google and Facebook's siphoning away of ad revenues from news media, and the Big Three record labels' use of inordinately long contracts to up their own margins at the cost of artists, chokepoints are everywhere. By analyzing book publishing and news, live music and music streaming, screenwriting, radio and more, Giblin and Doctorow deftly show how powerful corporations construct “anti-competitive flywheels” designed to lock in users and suppliers, make their markets hostile to new entrants, and then force workers and suppliers to accept unfairly low prices. In the book's second half, Giblin and Doctorow then explain how to batter through those chokepoints, with tools ranging from transparency rights to collective action and ownership, radical interoperability, contract terminations, job guarantees, and minimum wages for creative work. Chokepoint Capitalism is a call to workers of all sectors to unite to help smash these chokepoints and take back the power and profit that's being heisted away—before it's too late. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Corporate concentration has breached the stratosphere, as have corporate profits. An ever-expanding constellation of industries are now monopolies (where sellers have excessive power over buyers) or monopsonies (where buyers hold the whip hand over sellers)—or both. In Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back (Beacon, 2022), scholar Dr. Rebecca Giblin and writer and activist Cory Doctorow argue we're in a new era of “chokepoint capitalism,” with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. All workers are weakened by this, but the problem is especially well-illustrated by the plight of creative workers. From Amazon's use of digital rights management and bundling to radically change the economics of book publishing, to Google and Facebook's siphoning away of ad revenues from news media, and the Big Three record labels' use of inordinately long contracts to up their own margins at the cost of artists, chokepoints are everywhere. By analyzing book publishing and news, live music and music streaming, screenwriting, radio and more, Giblin and Doctorow deftly show how powerful corporations construct “anti-competitive flywheels” designed to lock in users and suppliers, make their markets hostile to new entrants, and then force workers and suppliers to accept unfairly low prices. In the book's second half, Giblin and Doctorow then explain how to batter through those chokepoints, with tools ranging from transparency rights to collective action and ownership, radical interoperability, contract terminations, job guarantees, and minimum wages for creative work. Chokepoint Capitalism is a call to workers of all sectors to unite to help smash these chokepoints and take back the power and profit that's being heisted away—before it's too late. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Journalist and author of Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back , Cory Doctorow shares his latest thoughts on the ways the economy and creativity are being hacked by the perpetrators of chokepoint capitalism.

Douglas Rushkoff joins Cory Doctorow and Rebecca Giblin, authors of Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back, for a special panel recorded live from Ottawa International Writers Festival on October 24, 2022.

Rebecca Giblin is a professor at the University of Melbourne and the co-author (with Cory Doctorow) of Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back. The book is about how corporations that act as gatekeepers between the creators of creative work and the public are able to use their power to extract huge amounts of wealth from workers. From YouTube to Amazon to LiveNation concerts to news conglomerates to Spotify, Giblin and Doctorow look at how corporations that own the means of accessing content are able to keep musicians, artists, and writers from reaping the full value of their work. But Chokepoint Capitalism isn't just a critique of how these institutions hoard wealth and keep creative workers poor. It's also filled with clear and workable solutions that can change the situation and give those who produce creative work a fairer share of the value they produce. In this conversation, we discuss:How Amazon locks in its customers and uses its size to dictate extortionate terms to its suppliersWhy Prince was right about the music industryHow even Peter Thiel has admitted that it's monopolists, not innovators, who make moneyWhy copyright law as it exists doesn't actually protect the creators of intellectual propertyWhether monopolies and market concentration are actually the most important issue, or whether the real problem is that for-profit corporations are the ones with the power.Why Rebecca and Cory think they can make the terms "monopsony" and "oligopsony" sexyHow collective action by creative workers can be effective and why corporate power looks imposing but is actually quite fragileThe Peter Thiel lecture is called "Competition is For Losers." Listen to Cory Doctorow's interview with Current Affairs, which also touches on some of the themes in the book, here. The thumbnail for this episode is a nod to Amazon's infamous "Gazelle project" which tried to prey on book publishers the way a cheetah would prey on a "sickly gazelle.""Let's make interventions that directly support more power to creative workers rather than rights-holders." — Rebecca Giblin

Corporate concentration has strained the labor market for virtually all workers, but the resulting lack of competition has caused unique harm to the creative economy. Increasingly exploitative monopolies have rendered artists, authors, musicians, and other creative workers all but powerless. Novelist Cory Doctorow and intellectual property expert Rebecca Giblin discuss their new book, Chokepoint Capitalism, which documents the increasing tensions between extractive corporations and creative laborers, and offers solutions to help fight back against the devaluation of creativity. Cory Doctorow is a science fiction writer and activist, as well as a special advisor to the Electronic Frontier Foundation, a visiting professor of computer science at the Open University and of library science at the University of North Carolina, and an MIT Media Lab research affiliate. Rebecca Giblin is an ARC Future Fellow and Professor at Melbourne Law School. She is Director of the Intellectual Property Research Institute of Australia and heads up the Author's Interest and eLending projects. Twitter: @doctorow, @rgibli Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back http://www.beacon.org/Chokepoint-Capitalism-P1856.aspx  Website: http://pitchforkeconomics.com Twitter: @PitchforkEcon Instagram: @pitchforkeconomics Nick's twitter: @NickHanauer

On today's episode of The Literary Life, Mitchell Kaplan is joined by Cory Doctorow to discuss his latest book, Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back, out now from Beacon Press. Cory Doctorow is a bestselling science fiction writer and activist. He is a special advisor to the Electronic Frontier Foundation, with whom he has worked for 20 years. He is also a visiting professor of computer science at the Open University (UK) and of library science at the University of North Carolina. He is also a MIT Media Lab research affiliate. He co-founded the UK Open Rights Group and co-owns the website Boing Boing. He is the author of more than 20 books, including novels for adults and young adults, graphic novels for middle-grade readers, picture books, nonfiction books on technology and politics, and collections of essays. Learn more about your ad choices. Visit megaphone.fm/adchoices

Writer/activist Cory Doctorow and scholar Rebecca Giblin join Leo Laporte to talk about their latest book Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back. They argue that we're in a new era of "chokepoint capitalism," with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. Get "Chokepoint Capitalism": https://chokepointcapitalism.com Host: Leo Laporte Guests: Cory Doctorow and Rebecca Giblin Download or subscribe to this show at https://twit.tv/shows/twit-events. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit

Writer/activist Cory Doctorow and scholar Rebecca Giblin join Leo Laporte to talk about their latest book Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back. They argue that we're in a new era of "chokepoint capitalism," with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. Get "Chokepoint Capitalism": https://chokepointcapitalism.com Host: Leo Laporte Guests: Cory Doctorow and Rebecca Giblin Download or subscribe to this show at https://twit.tv/shows/triangulation.

Writer/activist Cory Doctorow and scholar Rebecca Giblin join Leo Laporte to talk about their latest book Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back. They argue that we're in a new era of "chokepoint capitalism," with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. Get "Chokepoint Capitalism": https://chokepointcapitalism.com Watch the full TWiT Events interview: https://twit.tv/shows/twit-events/episodes/13 Host: Leo Laporte Guests: Rebecca Giblin and Cory Doctorow You can find more about TWiT and subscribe to our podcasts at https://podcasts.twit.tv/

Writer/activist Cory Doctorow and scholar Rebecca Giblin join Leo Laporte to talk about their latest book Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back. They argue that we're in a new era of "chokepoint capitalism," with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. Get "Chokepoint Capitalism": https://chokepointcapitalism.com Host: Leo Laporte Guests: Cory Doctorow and Rebecca Giblin Download or subscribe to this show at https://twit.tv/shows/triangulation.

Writer/activist Cory Doctorow and scholar Rebecca Giblin join Leo Laporte to talk about their latest book Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back. They argue that we're in a new era of "chokepoint capitalism," with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. Get "Chokepoint Capitalism": https://chokepointcapitalism.com Watch the full TWiT Events interview: https://twit.tv/shows/twit-events/episodes/13 Host: Leo Laporte Guests: Rebecca Giblin and Cory Doctorow You can find more about TWiT and subscribe to our podcasts at https://podcasts.twit.tv/

Writer/activist Cory Doctorow and scholar Rebecca Giblin join Leo Laporte to talk about their latest book Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back. They argue that we're in a new era of "chokepoint capitalism," with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. Get "Chokepoint Capitalism": https://chokepointcapitalism.com Watch the full TWiT Events interview: https://twit.tv/shows/twit-events/episodes/13 Host: Leo Laporte Guests: Rebecca Giblin and Cory Doctorow You can find more about TWiT and subscribe to our podcasts at https://podcasts.twit.tv/

Writer/activist Cory Doctorow and scholar Rebecca Giblin join Leo Laporte to talk about their latest book Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back. They argue that we're in a new era of "chokepoint capitalism," with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. Get "Chokepoint Capitalism": https://chokepointcapitalism.com Host: Leo Laporte Guests: Cory Doctorow and Rebecca Giblin Download or subscribe to this show at https://twit.tv/shows/triangulation.

Writer/activist Cory Doctorow and scholar Rebecca Giblin join Leo Laporte to talk about their latest book Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back. They argue that we're in a new era of "chokepoint capitalism," with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. Get "Chokepoint Capitalism": https://chokepointcapitalism.com Host: Leo Laporte Guests: Cory Doctorow and Rebecca Giblin Download or subscribe to this show at https://twit.tv/shows/triangulation.

Writer/activist Cory Doctorow and scholar Rebecca Giblin join Leo Laporte to talk about their latest book Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back. They argue that we're in a new era of "chokepoint capitalism," with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. Get "Chokepoint Capitalism": https://chokepointcapitalism.com Host: Leo Laporte Guests: Cory Doctorow and Rebecca Giblin Download or subscribe to this show at https://twit.tv/shows/triangulation.

Painters, musicians, writers — artists in virtually every medium — often struggle to make enough revenue to create their art because there are so many layers between them and the people who buy their work. We’re talking gallery commissions, record label contracts, even bookstore overhead costs. Increasingly, tech companies add another layer. And many argue that’s bad for the arts. Activist-journalist Cory Doctorow and law professor Rebecca Giblin addressed these issues in their book, “Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back.” It will be out Tuesday. Marketplace’s Kimberly Adams speaks with Doctorow about what chokepoint capitalism entails.

It's one of the banes of my existence! And I'm not living completely on the creative side of the line. But living life as a creative artist in a capitalistic society is akin to constantly swimming upstream during a tidal wave. Well, it often feels that way. Consumers are ingesting content more than ever, but the artists aren't reaping the benefits. A few behemoths who've swallowed up other producers along the way are living quite large, while the struggling artist just struggles harder. For those of us who thought the rise of the internet would give everyone an even chance to be seen and heard, the opposite seems to have triumphed and the giant companies are rolling in the riches. Today I'm joined by activist, author and defender of artists rights Cory Doctorow. He's joined by his co-authoor of the new book, "Checkpoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back," Rebecca Giblin.

Painters, musicians, writers — artists in virtually every medium — often struggle to make enough revenue to create their art because there are so many layers between them and the people who buy their work. We’re talking gallery commissions, record label contracts, even bookstore overhead costs. Increasingly, tech companies add another layer. And many argue that’s bad for the arts. Activist-journalist Cory Doctorow and law professor Rebecca Giblin addressed these issues in their book, “Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back.” It will be out Tuesday. Marketplace’s Kimberly Adams speaks with Doctorow about what chokepoint capitalism entails.