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Joaquin Turina - Cuentos de Espana: Miramar (Valencia)Jordi Maso, pianoMore info about today's track: Naxos 8.570370Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon
Joaquin Turina - Petite Suite: GamesJordi Maso, pianoMore info about today's track: Naxos 8.570026Courtesy of Naxos of America, Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon
This episode features a piano quartet from Fresno State, performing music by Joaquin Turina and Ernst Dohnanyi. They are Jackson Snead (violin), Melissa McGlumphy (viola), Emma Hill (cello), and Alina Xiong (piano).
durée : 00:25:12 - Anna Lisa et le moulin à vent - par : Anne-Charlotte Rémond - Analisa est toute petite, et pourtant, c'est elle seule qui va pouvoir sauver le moulin à vent... un conte inspiré par les musiques de Manuel de Falla, Isaac Albéniz, Enrique Granados, Amadeo Vives, et Joaquin Turina... (Texte d'Anne-Charlotte Rémond) - réalisé par : Philippe Petit
durée : 00:30:09 - Les Ensembles de guitares - par : Sébastien Llinares - "Les ensembles instrumentaux de cette émission sont formés majoritairement de guitares, de harpes, de mandolines, bref, de cordes pincées ! une idée qui paraît naturelle de réunir, des instruments de la même famille mais ça n'est pas évident, par la nature même de ces instruments" Sébastien Llinarès - réalisé par : Patrick Lérisset
Spanish and French music styles? They're a perfect match. Listen to how Turina blended these styles in this week's episode. Be sure to like and share with a friend! Music: https://imslp.org/wiki/Danzas_fant%C3%A1sticas%2C_Op.22_(Turina%2C_Joaqu%C3%ADn) https://creativecommons.org/licenses/by-nc-sa/3.0/legalcode
Simone Leitão é uma das maiores pianistas brasileiras da atualidade com carreira ativa em 3 continentes. Já se apresentou quatro vezes no Carnegie Hall, grava pelo selo americano MSR classics. Empreendedora cultural, a mineira é Diretora da Semana Internacional da Música de Câmara do Rio e Academia Jovem Concertante. Doutorado em Piano.Performance e História da Música pela Universidade de Miami, Mestrado em Piano pela Academia de Música da Noruega e Bacharelado em Educação Musical pela UniRio. Com essa agenda lotadasssssa, a Simone foi um amor e falou com a gente - e no final, você vai ouvir ela tocando do mestre espanhol Joaquin Turina a obra Quarteto com piano em Lá Menor op 67 - pena que o Eduardo não conseguiu participar, mas a conversa está aqui! Contados da Simone Leitão Email leitao.simone@gmail.com Instagran: @simoneleitaopiano Facebook: Simone Leitão YouTube: Simone Leitão Conversa de Câmara é apresentado por Aroldo Glomb com o Eduardo Masses na unibancada! Estamos também no programa Antigas Novidades! ESSE PROGRAMA É PRODUZIDO POR NA PAUTA PODCAST! _______________________________________________________ _ FAÇA PARTE DO CONVERSA DE CÂMARA COM O NOSSO PADRIM! Então entre na conversa! No Padrin.com.br você pode ajudar o Conversa de Câmara a crescer e seguir divulgando ainda mais a boa música da humanidade. Mostre que você tem um gosto refinado apoiando a gente no Padrim.coim.br https://www.padrim.com.br/conversadecamara
MOZART, BEETHOVEN Y MAS presents the last of our miniseries with spanish composers, with the music of JOAQUIN TURINA. Born in Sevilla, TURINA brings all the flavor of the flamenco themes into his music.
MOZART, BEETHOVEN Y MAS presents the last of our miniserieswith spanish composers, with the music of JOAQUIN TURINA.Born in Sevilla, TURINA brings all the flavor of the flamenco themes into his music.
durée : 00:30:09 - Guitare, guitares - par : Sébastien Llinares - Sébastien LLinarès évoque Joaquin Turina qui a vécu l'âge d'or de l'art ibérique et interprète Los Dos Miedosde de ce génial compositeur. [Rediffusion] - réalisé par : Patrick Lérisset
Bitgenstein’s Table, the Crypto Philosophy Podcast: Exploring the Future of Blockchain
This week it's my pleasure to have Manuel Martin Marquez, of CERN and Orvium, on the podcast. A full transcript (with pictures!) of this interview is available at https://media.icoalert.com/podcast-bitgenstein-cern-blockchain. Academic publishing in scientific and medical fields is central to much of society. Legislation, corporate policy, litigation, ethics, research direction, guidebooks and textbooks of all kinds all rest on the foundation of peer-reviewed academic studies. But the ancient peer-review system is opaque, clunky and perhaps even prone to error. How can transparent, decentralized networks revolutionize the way we as humanity know things? *** This episode is not sponsored by Orvium or any other entity. Find out more about Orvium at https://orvium.io Try Orvium's beta product at https://beta.orvium.io Join the Orvium Telegram at https://t.me/orvium Follow Bitgenstein's Table, the Crypto Philosophy Podcast, at https://anchor.fm/bitgenstein For music credits, see the notes to episode 3, with Ryan Dennis. Other piano solo music is performed by me and composed by Spanish composer Joaquin Turina. --- Support this podcast: https://anchor.fm/bitgenstein/support
Lestin flytur meðal annars í dag rúmlega hundrað ára gamla Draugasögu sem rekja má til Páls Jónssonar, fyrrum innheimtumanns hjá Tollskrifstofunni. Þórbergur Þórðarsson, rithöfundur, skrásetti sögu hans árið 1946 og las í útvarpinu á 70 ára afmælisdegi sínum, þann 12. Mars 1959. Við heyrum draugasöguna í þætti dagsins, en við sögu koma huldumenn í lest. Davíð Roach Gunnarsson fjallar um írska raftónlistar-dúettinn Bicep, Karl Ólafur Hallbjörnsson beinir sjónum sínum í dag að ofurgreind og sýndarvíti. Og Björk Níelsdóttir sópransöngkona segir frá tónleikum undir yfirskriftinni Ballöður fyrir brjálæðinga sem fram fara í Norðurljósasal Hörpu um helgina, en þar flytur tónlistarhópurinn Stirni Ensemble suðræn og seiðandi verk sem fá hjörtun til að slá örar, meðal annars eftir Astor Piazolla og Joaquín Turina. Umsjón: Anna Gyða Sigurgísladóttir og Eiríkur Guðmundsson
durée : 01:53:01 - Quatuor Eclisses ; Jean-Michel Dubé ; Brieuc Vourch et Ingmar Lazar - par : Gaëlle Le Gallic - [Quatuor Eclisses](http://www.quatuoreclisses.com/) Gabriel Bianco, Arkaïtz Chambonnet, Pierre Lelièvre et Benjamin Valette, guitares {% image 9b92a668-9349-45a6-9e41-1db97ffab8ab %} [Jean-Michel Dubé](https://www.jeanmicheldube.com/), piano {% image e4df6c8f-b149-459e-b46d-50ef399b6c1b %} [Ingmar Lazar](http://ingmarlazar.com/), piano [Brieuc Vourch](https://www.brieucvourch.com/), violon {% image 4b035f15-3b6e-4947-ad96-2602bb796429 %} ## Programme musical **Joaquin Turina / arrangement Quatuor Eclisses** _Danzas Fantasticas op. 22 I. Exaltacion / II. Ensueno / III. Orgia_ Quatuor Eclisses **Sergio Assad** _One 4 All 4 One_ Quatuor Eclisses **Karol Beffa** _Les Météores (extraits) : II. et III._ Quatuor Eclisses **Ludwig van Beethoven** _Sonate n° 27 en mi mineur op. 90 I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck II. Nicht zu geschwind und sehr singbar vorzutragen_ Jean-Michel Dubé **Franz Liszt** _La Vallée d’Obermann (Les Années de pèlerinage, Première Année : la Suisse)_ Jean-Michel Dubé **André Mathieu** _Prélude n° 5 « Romantique »_ Jean-Michel Dubé **Franz Schubert** _Sonate pour piano et violon en la majeur D. 574 « Grand Duo » I. Allegro moderato / II. Scherzo : Presto – Trio / III. Andantino / IV. Allegro vivace_ Ingmar Lazar et Brieuc Vourch **Wolfgang Amadeus Mozart** _Sonate pour piano et violon n° 40 en si bémol majeur K. 454 (extrait) : III. Allegretto_ Ingmar Lazar et Brieuc Vourch ## Au disque {% image 269e3d8f-10ed-4017-8022-40e72a0d6ef3 %} Ingmar Lazar joue Schubert : _Wanderer Fantasie en ut majeur D. 760_ et _Sonate en la majeur D. 959_, et Schubert/Liszt : _Der Wanderer_ ([Lyrinx](https://fr-fr.facebook.com/Lyrinx/)) ## Entrée dans la cour des grands **Lauréats du [4ème Concours International de Chant Georges Enesco](http://www.enesco.org/index.php?lang=fr)** Grand Prix Georges Enesco : Ex-æquo Héloïse Köempgen-Bramy, soprano (France) et Liga Yi, soprano (Chine) Grand Prix Opéra : Florentina Soare, mezzo-soprano (Roumanie) Prix Rôle à l'Opéra de Cluj : Ex-æquo Florentina Soare, mezzo-soprano (Roumanie) et Bae Heera, soprano (Corée du Sud) Grand Prix de la mélodie contemporaine : Yto Myako-Tournadre, soprano (Japon) **[Concours Musical International de Montréal : Chant 2018](https://www.concoursmontreal.ca/fr/) Inscriptions jusqu'au 15 décembre** ## Agenda **Le Ban des Arts de Gadagne propose [Les Musicales de l'Orangerie](http://lebandesartscdg.wixsite.com/leban-2) : 2ème saison En partenariat avec Génération jeunes interprètes 7 concerts d'octobre 2017 à avril 2018 Dimanche 29 octobre - 16 h : Shuichi Okada, violon, et Clément Lefebvre, piano Robert et Clara Schumann, Brahms Domaine de Blanche Fleur, 84470 Châteauneuf de Gadagne** ## Réseaux sociaux [La page facebook du Fan club de Génération jeunes interprètes](https://fr-fr.facebook.com/generationjeunesinterpretes/) - réalisé par : Jean-Pierre Collard
How did classical guitar – and therefore, all guitar as we know it – almost become extinct? Who was the hero who saved it from the brink of doom? Why aren’t guitars an orchestral instrument? And why are guitarists nails so shiny? Classical guitarist Valerie Hartzell – member of the Presti Trio and director of the Classical Minds Guitar Institute – answers all of these burning questions and more in the big 5-0 episode of Classical Classroom. Audio production by Todd “Terrific” Hulslander with “helpful” input from Dacia Clay. Music in this episode: – Oud music by Said Chraibi – Spanish guitar in the Renaissance and Baroque by José Miguel Moreno – “Be M’An Perdut, chanson de troubadour” by Bernart De Ventadorn (c.1140-c.1200) – Recuerdos de la Alhambra by Francisco Tarrega, from Ex Tenebris…Lux, performed by Valerie Hartzell – Danzas Gitanas, Op. 55: I. Zambra by Joaquin Turina from the self-titled CD by Presti Trio For more about Valerie Hartzell: www.valeriehartzell.com For information about the Classical Minds Guitar Institute: www.uh.edu To see video of Valerie performing in our studio, go here. To hear St. John Flynn’s interview with her about the Classical Minds Guitar Institute and Competition, go here. Photo from the Anchorage Daily News.