Podcasts about modern japanese literature

In this episode, Michael K. Bourdaghs, Professor of Modern Japanese Literature and Culture at the University of Chicago, discusses his life and professional paths. His interest in Japanese literature and culture began when, out of the blue, he was given the chance to study for a year in Sendai, and the rest is history. He worked in the corporate world in Tokyo, then returned to the States to continue his studies and professional path. A professor at U Chicago since 2007, he describes a life filled with teaching, academic writing, and making time for his own fiction.

Edo-period Japan was a golden age for commercial literature. A host of new narrative genres cast their gaze across the social landscape, probed the realms of history and the fantastic, and breathed new life into literary tradition. But how to understand the politics of this body of literature remains contested, in part because the defining characteristics of much early modern fiction—formulaicness, reuse of narratives, stock characters, linguistic and intertextual play, and heavy allusion to literary canon—can seem to hold social and political realities at arm's length. David C. Atherton offers a new approach to understanding the relationship between the challenging formal features of early modern popular literature and the world beyond its pages. Focusing on depictions of violence—one of the most fraught topics for a peaceful polity ruled over by warriors—he connects concepts of form and formalization across the aesthetic and social spheres. Atherton shows how the formal features of early modern literature had the potential to alter the perception of time and space, make social and economic forces visible, defamiliarize conventions, give voice to the socially peripheral, and reshape the contours of community. Through careful readings of works by the major writers Asai Ryōi, Ihara Saikaku, Chikamatsu Monzaemon, Ueda Akinari, and Santō Kyōden, Writing Violence: The Politics of Form in Early Modern Japanese Literature (Columbia UP, 2023) reveals the essential role of literary form in constructing the world—and in seeing it anew. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Edo-period Japan was a golden age for commercial literature. A host of new narrative genres cast their gaze across the social landscape, probed the realms of history and the fantastic, and breathed new life into literary tradition. But how to understand the politics of this body of literature remains contested, in part because the defining characteristics of much early modern fiction—formulaicness, reuse of narratives, stock characters, linguistic and intertextual play, and heavy allusion to literary canon—can seem to hold social and political realities at arm's length. David C. Atherton offers a new approach to understanding the relationship between the challenging formal features of early modern popular literature and the world beyond its pages. Focusing on depictions of violence—one of the most fraught topics for a peaceful polity ruled over by warriors—he connects concepts of form and formalization across the aesthetic and social spheres. Atherton shows how the formal features of early modern literature had the potential to alter the perception of time and space, make social and economic forces visible, defamiliarize conventions, give voice to the socially peripheral, and reshape the contours of community. Through careful readings of works by the major writers Asai Ryōi, Ihara Saikaku, Chikamatsu Monzaemon, Ueda Akinari, and Santō Kyōden, Writing Violence: The Politics of Form in Early Modern Japanese Literature (Columbia UP, 2023) reveals the essential role of literary form in constructing the world—and in seeing it anew. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.

Edo-period Japan was a golden age for commercial literature. A host of new narrative genres cast their gaze across the social landscape, probed the realms of history and the fantastic, and breathed new life into literary tradition. But how to understand the politics of this body of literature remains contested, in part because the defining characteristics of much early modern fiction—formulaicness, reuse of narratives, stock characters, linguistic and intertextual play, and heavy allusion to literary canon—can seem to hold social and political realities at arm's length. David C. Atherton offers a new approach to understanding the relationship between the challenging formal features of early modern popular literature and the world beyond its pages. Focusing on depictions of violence—one of the most fraught topics for a peaceful polity ruled over by warriors—he connects concepts of form and formalization across the aesthetic and social spheres. Atherton shows how the formal features of early modern literature had the potential to alter the perception of time and space, make social and economic forces visible, defamiliarize conventions, give voice to the socially peripheral, and reshape the contours of community. Through careful readings of works by the major writers Asai Ryōi, Ihara Saikaku, Chikamatsu Monzaemon, Ueda Akinari, and Santō Kyōden, Writing Violence: The Politics of Form in Early Modern Japanese Literature (Columbia UP, 2023) reveals the essential role of literary form in constructing the world—and in seeing it anew. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Edo-period Japan was a golden age for commercial literature. A host of new narrative genres cast their gaze across the social landscape, probed the realms of history and the fantastic, and breathed new life into literary tradition. But how to understand the politics of this body of literature remains contested, in part because the defining characteristics of much early modern fiction—formulaicness, reuse of narratives, stock characters, linguistic and intertextual play, and heavy allusion to literary canon—can seem to hold social and political realities at arm's length. David C. Atherton offers a new approach to understanding the relationship between the challenging formal features of early modern popular literature and the world beyond its pages. Focusing on depictions of violence—one of the most fraught topics for a peaceful polity ruled over by warriors—he connects concepts of form and formalization across the aesthetic and social spheres. Atherton shows how the formal features of early modern literature had the potential to alter the perception of time and space, make social and economic forces visible, defamiliarize conventions, give voice to the socially peripheral, and reshape the contours of community. Through careful readings of works by the major writers Asai Ryōi, Ihara Saikaku, Chikamatsu Monzaemon, Ueda Akinari, and Santō Kyōden, Writing Violence: The Politics of Form in Early Modern Japanese Literature (Columbia UP, 2023) reveals the essential role of literary form in constructing the world—and in seeing it anew. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Edo-period Japan was a golden age for commercial literature. A host of new narrative genres cast their gaze across the social landscape, probed the realms of history and the fantastic, and breathed new life into literary tradition. But how to understand the politics of this body of literature remains contested, in part because the defining characteristics of much early modern fiction—formulaicness, reuse of narratives, stock characters, linguistic and intertextual play, and heavy allusion to literary canon—can seem to hold social and political realities at arm's length. David C. Atherton offers a new approach to understanding the relationship between the challenging formal features of early modern popular literature and the world beyond its pages. Focusing on depictions of violence—one of the most fraught topics for a peaceful polity ruled over by warriors—he connects concepts of form and formalization across the aesthetic and social spheres. Atherton shows how the formal features of early modern literature had the potential to alter the perception of time and space, make social and economic forces visible, defamiliarize conventions, give voice to the socially peripheral, and reshape the contours of community. Through careful readings of works by the major writers Asai Ryōi, Ihara Saikaku, Chikamatsu Monzaemon, Ueda Akinari, and Santō Kyōden, Writing Violence: The Politics of Form in Early Modern Japanese Literature (Columbia UP, 2023) reveals the essential role of literary form in constructing the world—and in seeing it anew. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Edo-period Japan was a golden age for commercial literature. A host of new narrative genres cast their gaze across the social landscape, probed the realms of history and the fantastic, and breathed new life into literary tradition. But how to understand the politics of this body of literature remains contested, in part because the defining characteristics of much early modern fiction—formulaicness, reuse of narratives, stock characters, linguistic and intertextual play, and heavy allusion to literary canon—can seem to hold social and political realities at arm's length. David C. Atherton offers a new approach to understanding the relationship between the challenging formal features of early modern popular literature and the world beyond its pages. Focusing on depictions of violence—one of the most fraught topics for a peaceful polity ruled over by warriors—he connects concepts of form and formalization across the aesthetic and social spheres. Atherton shows how the formal features of early modern literature had the potential to alter the perception of time and space, make social and economic forces visible, defamiliarize conventions, give voice to the socially peripheral, and reshape the contours of community. Through careful readings of works by the major writers Asai Ryōi, Ihara Saikaku, Chikamatsu Monzaemon, Ueda Akinari, and Santō Kyōden, Writing Violence: The Politics of Form in Early Modern Japanese Literature (Columbia UP, 2023) reveals the essential role of literary form in constructing the world—and in seeing it anew. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Edo-period Japan was a golden age for commercial literature. A host of new narrative genres cast their gaze across the social landscape, probed the realms of history and the fantastic, and breathed new life into literary tradition. But how to understand the politics of this body of literature remains contested, in part because the defining characteristics of much early modern fiction—formulaicness, reuse of narratives, stock characters, linguistic and intertextual play, and heavy allusion to literary canon—can seem to hold social and political realities at arm's length. David C. Atherton offers a new approach to understanding the relationship between the challenging formal features of early modern popular literature and the world beyond its pages. Focusing on depictions of violence—one of the most fraught topics for a peaceful polity ruled over by warriors—he connects concepts of form and formalization across the aesthetic and social spheres. Atherton shows how the formal features of early modern literature had the potential to alter the perception of time and space, make social and economic forces visible, defamiliarize conventions, give voice to the socially peripheral, and reshape the contours of community. Through careful readings of works by the major writers Asai Ryōi, Ihara Saikaku, Chikamatsu Monzaemon, Ueda Akinari, and Santō Kyōden, Writing Violence: The Politics of Form in Early Modern Japanese Literature (Columbia UP, 2023) reveals the essential role of literary form in constructing the world—and in seeing it anew. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This episode starts out with Amy and Janine talking about Masaoka Shiki (1867-1902) and the poetic reforms that took place from 1868 during Japan's transition from the Edo to the Meiji period. It was a time when Shiki (and his friend Natsume Sōseki), was influenced by Western literary styles and culture. These effects are reflected in Shiki's haiku, tanka and prose. Beichman's literary biography Masaoka Shiki: His Life and Works (Cheng & Tsui Co, 2002) delves into Shiki's influence on poetry, his invention of the tanka series and the publication of his poetic diaries. Janine also discusses the differences between haiku and tanka (waka) and their variations.Janine then details her path to discovering feminist poet Yosano Akiko (1879-1942) and tells how she came to the decision to focus on this particular poet to write a literary biography. Embracing the Firebird: Yosano Akiko and the Birth of the Female Voice in Modern Japanese Poetry (Univ of Hawaii Press, 2002) is the result. Janine talks about Akiko and her relationship with nature in poetry and feminism. Beichman reads a poem from Yosano's collection "Tangled Hair" included in her book.See University of Hawaii Press for indexes for Embracing the Firebird:Introduction by the AuthorFirst Lines of PoemsNext, Janine charts her relationship with poet Makoto Ooka, and how she started writing for his magazine which later led to him asking her to translate a book of his poems. The book was originally published by Catydid Press and later Kurodohan released a second English edition called Beneath the Sleepless Tossing of the Planets. Read a review by Christopher Blasdel of Sleepless Tossing of the Planets here.Janine also discusses Makoto Ōoka, how she became involved translating his poetry and how she chose which to poems to include in the anthology Ori Ori no Uta.Lastly, Janine reveals who her favorite Japanese poets and poetry books are.Unfortunately, Janine's book wasn't near release at the time of the podcast recording, but her latest endeavor is the translation of Well-Versed: Exploring Modern Japanese Haiku (Japan Library/JPIC, March 25, 2021). Read an excerpt.The Books on Asia Podcast is sponsored by Stone Bridge Press, publisher of fine books on Asia for over 30 years.

Show Notes This week, we review and analyze Mobile Suit Gundam ZZ (機動戦士ガンダムΖΖ) episode 6 - "The Zssa Menace"/ズサの脅威 - discuss our first impressions, and provide commentary and research on the possible influence of the novel Don Quixote on the characters of Mashymre and Gottn. - Wikipedia pages for the novel Don Quixote, the full list of characters from the novel, and character-specific pages for Dulcinea del Toboso and Sancho Panza. - A discussion of "early novels." - The definition of "quixotic." - Britannica page for Don Quixote. - Sparknotes summary of the novel Don Quixote de La Mancha, and description of the Don Quixote character. - Japanese Wikipedia pages for the Don Quixote novel and for the anime ずっこけナイトドンデラマンチャ/Zukkoke Naito Don De Ra Mancha. - Anime News Network page for Sekita Osamu (関田 修). - Wikipedia page for the Don Quixote, aka Donki, chain of stores. - Article about Japanese translations and interpretations of Don Quixote. - An academic paper about the influence of Don Quixote in Japanese literature: Bantarō, Seiro, and Franz Prichard. “Modern Japanese Literature and ‘Don Quixote.’” Review of Japanese Culture and Society, vol. 18, 2006, pp. 132–146. JSTOR, www.jstor.org/stable/42800231. Accessed 4 Sept. 2020. Mobile Suit Breakdown is written, recorded, and produced within Lenapehoking, the ancestral and unceded homeland of the Lenape, or Delaware, people. Before European settlers forced them to move west, the Lenape lived in New York City, New Jersey, and portions of New York State, Pennsylvania, Delaware, and Connecticut. Lenapehoking is still the homeland of the Lenape diaspora, which includes communities living in Oklahoma, Wisconsin, and Ontario. You can learn more about Lenapehoking, the Lenape people, and ongoing efforts to honor the relationship between the land and indigenous peoples by visiting the websites of the Delaware Tribe and the Manhattan-based Lenape Center. Listeners in the Americas and Oceania can learn more about the indigenous people of your area at https://native-land.ca/. We would like to thank The Lenape Center for guiding us in creating this living land acknowledgment. You can subscribe to Mobile Suit Breakdown for free! on fine Podcast services everywhere and on YouTube, visit our website GundamPodcast.com, follow us on Twitter, Instagram, and Facebook, or email your questions, comments, and complaints to gundampodcast@gmail.com. Mobile Suit Breakdown wouldn't exist without the support of our fans and Patrons! You can join our Patreon to support the podcast and enjoy bonus episodes, extra out-takes, behind-the-scenes photos and video, MSB gear, and much more! The intro music is WASP by Misha Dioxin, and the outro is Long Way Home by Spinning Ratio, both licensed under Creative Commons CC BY 4.0 licenses. The recap music for Season 3 is New York City (instrumental) by spinningmerkaba, licensed under a Creative Commons Attribution (3.0) license.. All music used in the podcast has been edited to fit the text. Mobile Suit Breakdown provides critical commentary and is protected by the Fair Use clause of the United States Copyright law. Gundam content is copyright and/or trademark of Sunrise Inc., Bandai, Sotsu Agency, or its original creator. Mobile Suit Breakdown is in no way affiliated with or endorsed by Sunrise, Bandai, Sotsu, or any of their subsidiaries, employees, or associates and makes no claim to own Gundam or any of the copyrights or trademarks related to it. Copyrighted content used in Mobile Suit Breakdown is used in accordance with the Fair Use clause of the United States Copyright law. Any queries should be directed to gundampodcast@gmail.com Find out more at http://gundampodcast.com

Oliver is joined by Dr. Hannah Osborne, Senior Lecturer in Japanese Literature at the University of East Anglia, who explores with us the diverse, powerful and increasingly international field of modern Japanese literature. Hannah Osborne is Lecturer in Japanese Literature at the School of Literature, Drama and Creative Writing and the Centre for Japanese Studies at the University of East Anglia. She completed her doctoral thesis, Gender, Love and Text in the Early Writings of Kanai Mieko at the University of Leeds in 2015. Before taking up her current post, she taught courses in modern Japanese literature at SOAS, University of London, the University of Oxford and the University of Cambridge. Her research interests include: intersections between text, illustration and the avant-garde arts; gender and the body; and women's writing and translation in modern Japanese literature. She is currently working on her book manuscript The Intermedial Text: Kanai Mieko and the Japanese Avant Garde. She is also Editor for Literature at Japan Forum. If this episode has awoken your inner bookworm, check out our new MA where you can discuss your favourite titles with Hannah herself on our Modern Japanese Literature module. Find out more on the SISJAC website. See Hannah's research profile here. ARTICLES: 'The Ai-Novel: Ai no seikatsu and Its Challenge to the Japanese Literary Establishment' 'The Transgressive Figure of the Dancing-Girl-in-Pain and Kanai Mieko's Corporeal Text' Copyright © 2020 Oliver Moxham, ℗ 2020 Oliver Moxham. May be freely distributed in a classroom setting. --- Send in a voice message: https://anchor.fm/beyond-japan/message

Seth Jacobowitzs new book opens with a balloon ride and closes with a record-scratching cat, and in between it offers a fascinating history of Meiji media focused on technologies of writing and script. Inspired, in part, by the work of Friedrich Kittler, Writing Technology in Meiji Japan: A Media History of Modern Japanese Literature and Visual Culture (Harvard University Asia Center, 2015) traces the story of shorthand in Japan. First introduced for recording political speeches and the conduct of the state, by the mid-1880s shorthand was used to transcribe popular theatrical storytelling and enabled a kind of unvarnished vernacular writing that was the forerunner of genbun itchi, the unification of speech and writing, or the unified style. Its history interweaves in important ways with the histories of standardization movements, script reform, the rise of communications systems like telegraphy and the postal system, and the development of new literary styles of realism. (Also, in case you missed it above: there’s a record-scratching cat.) Jacobowitzs study spans fiction, photography, visual art, and more, and its highly recommended for anyone interested in the histories of writing and literature in Japan and beyond. Learn more about your ad choices. Visit megaphone.fm/adchoices

Seth Jacobowitzs new book opens with a balloon ride and closes with a record-scratching cat, and in between it offers a fascinating history of Meiji media focused on technologies of writing and script. Inspired, in part, by the work of Friedrich Kittler, Writing Technology in Meiji Japan: A Media History of Modern Japanese Literature and Visual Culture (Harvard University Asia Center, 2015) traces the story of shorthand in Japan. First introduced for recording political speeches and the conduct of the state, by the mid-1880s shorthand was used to transcribe popular theatrical storytelling and enabled a kind of unvarnished vernacular writing that was the forerunner of genbun itchi, the unification of speech and writing, or the unified style. Its history interweaves in important ways with the histories of standardization movements, script reform, the rise of communications systems like telegraphy and the postal system, and the development of new literary styles of realism. (Also, in case you missed it above: there’s a record-scratching cat.) Jacobowitzs study spans fiction, photography, visual art, and more, and its highly recommended for anyone interested in the histories of writing and literature in Japan and beyond. Learn more about your ad choices. Visit megaphone.fm/adchoices

Seth Jacobowitzs new book opens with a balloon ride and closes with a record-scratching cat, and in between it offers a fascinating history of Meiji media focused on technologies of writing and script. Inspired, in part, by the work of Friedrich Kittler, Writing Technology in Meiji Japan: A Media History of Modern Japanese Literature and Visual Culture (Harvard University Asia Center, 2015) traces the story of shorthand in Japan. First introduced for recording political speeches and the conduct of the state, by the mid-1880s shorthand was used to transcribe popular theatrical storytelling and enabled a kind of unvarnished vernacular writing that was the forerunner of genbun itchi, the unification of speech and writing, or the unified style. Its history interweaves in important ways with the histories of standardization movements, script reform, the rise of communications systems like telegraphy and the postal system, and the development of new literary styles of realism. (Also, in case you missed it above: there’s a record-scratching cat.) Jacobowitzs study spans fiction, photography, visual art, and more, and its highly recommended for anyone interested in the histories of writing and literature in Japan and beyond. Learn more about your ad choices. Visit megaphone.fm/adchoices

Seth Jacobowitzs new book opens with a balloon ride and closes with a record-scratching cat, and in between it offers a fascinating history of Meiji media focused on technologies of writing and script. Inspired, in part, by the work of Friedrich Kittler, Writing Technology in Meiji Japan: A Media History of Modern Japanese Literature and Visual Culture (Harvard University Asia Center, 2015) traces the story of shorthand in Japan. First introduced for recording political speeches and the conduct of the state, by the mid-1880s shorthand was used to transcribe popular theatrical storytelling and enabled a kind of unvarnished vernacular writing that was the forerunner of genbun itchi, the unification of speech and writing, or the unified style. Its history interweaves in important ways with the histories of standardization movements, script reform, the rise of communications systems like telegraphy and the postal system, and the development of new literary styles of realism. (Also, in case you missed it above: there’s a record-scratching cat.) Jacobowitzs study spans fiction, photography, visual art, and more, and its highly recommended for anyone interested in the histories of writing and literature in Japan and beyond. Learn more about your ad choices. Visit megaphone.fm/adchoices

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. On March 4, 2010 Kenzaburo Oe, recipient of the 1994 Nobel Prize in Literature, returned to the University of Chicago's Center for East Asian Studies to deliver this year's Tetsuo Najita Distinguished Lecture. Oe's lecture, "A Novelist Re-Reads 'Kaitokudo,'" discussed the contemporary relevance of Tetsuo Najita's approach to intellectual history.The talk was presented in Japanese, with English translation provided by Michael Bourdaghs, Associate Professor of Modern Japanese Literature in the Department of East Asian Languages and Civilizations.Oe's most recent novel, Suishi (Death by Drowning), was published in Japan to great acclaim in late 2009. His works have been translated into many languages, and in 1994 he became the second Japanese writer to win the Nobel Prize in Literature.For more information about the Najita Distinguished Lecture Series, visit the Center for East Asian Studies website at http://ceas.uchicago.edu/events.

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. On March 4, 2010 Kenzaburo Oe, recipient of the 1994 Nobel Prize in Literature, returned to the University of Chicago's Center for East Asian Studies to deliver this year's Tetsuo Najita Distinguished Lecture. Oe's lecture, "A Novelist Re-Reads 'Kaitokudo,'" discussed the contemporary relevance of Tetsuo Najita's approach to intellectual history.The talk was presented in Japanese, with English translation provided by Michael Bourdaghs, Associate Professor of Modern Japanese Literature in the Department of East Asian Languages and Civilizations.Oe's most recent novel, Suishi (Death by Drowning), was published in Japan to great acclaim in late 2009. His works have been translated into many languages, and in 1994 he became the second Japanese writer to win the Nobel Prize in Literature.For more information about the Najita Distinguished Lecture Series, visit the Center for East Asian Studies website at http://ceas.uchicago.edu/events.