Podcasts about Beneath

Beneath the soot and iron of England's industrial heart, a foundry lies silent. Its furnaces once roared for empire, but the men are gone, the machinery rusted, the sand floor undisturbed. When war comes and the living return to wake it, something else stirs too—something that remembers.In the stillness of metal and dust, the past is waiting to be poured once more. “Hawley Bank Foundry” was first published in L. T. C. Rolt's collection Sleep No More (1948), a landmark of twentieth-century British ghost fiction. L. T. C. Rolt (1910–1974) was an engineer, historian, and writer whose love of canals and craftsmanship gave his supernatural tales their distinctive sense of industrial melancholy and moral gravity. P S I've just had my Classic Detective Podcast demonetised by YouTube for some spurious reason, probably decided by a bot. So, if you're reading this and enjoying it please consider becoming a patreon https://patreon.com/barcud Learn more about your ad choices. Visit megaphone.fm/adchoices

Step inside the madness. In this episode, we descend into the twisted domain of Snuggles—a performer whose terrifying presence at Woods of Terror is only matched by the passion that drives him. Beneath the smeared paint and grotesque smile lies a heart dedicated to the art of the scare. Every scream, every lunge, every chilling stare has meaning. This is more than just a costume. It's a calling. We explore how he built his legacy one nightmarish step at a time, and how this craft became not just performance—but purpose. This isn't just another haunt actor. This is a master at work. Welcome to Snuggles' domain. You won't come out the same.

In this episode, Tony sits down with Brian Jeffrey of Black Mass Paranormal to unravel the chilling accounts behind his footage from East Tennessee's backcountry, a place where the woods hide more than shadows. What began as a routine investigation turned into a desperate flight through the forest as black, humanoid shapes closed in behind him. From dogman-like figures to the unnerving legends of feral people stalking the Appalachian caves, Brian describes encounters that blur the line between human and something far darker. Together, they explore the predator-like clicking sounds echoing through restricted federal land, the possibility of underground civilizations, and the horrifying question: Are these the same beings behind the missing people of East Tennessee? Please pray for Tony's wife, Lindsay, as she battles breast cancer. Your prayers make a difference! If you're able, consider helping the Merkel family with medical expenses by donating to Lindsay's GoFundMe: https://gofund.me/b8f76890 Become a member for ad-free listening, extra shows, and exclusive access to our social media app: theconfessionalspodcast.com/join The Confessionals Social Network App: Apple Store: https://apple.co/3UxhPrh Google Play: https://bit.ly/43mk8kZ Tony's Recommended Reads: slingshotlibrary.com If you want to learn about Jesus and what it means to be saved: Click Here My New YouTube Channel Merkel IRL: @merkelIRL My First Sermon: Unseen Battles The Meadow Project: Stream Here Merkel Media Apparel: merkmerch.com SPONSORS SIMPLISAFE TODAY: simplisafe.com/confessionals GHOSTBED: GhostBed.com/tony CONNECT WITH US Website: www.theconfessionalspodcast.com Email: contact@theconfessionalspodcast.com Black Mass Paranormal YouTube MAILING ADDRESS: Merkel Media 257 N. Calderwood St., #301 Alcoa, TN 37701 SOCIAL MEDIA Subscribe to our YouTube: https://bit.ly/2TlREaI Reddit: https://www.reddit.com/r/theconfessionals/ Discord: https://discord.gg/KDn4D2uw7h Show Instagram: theconfessionalspodcast Tony's Instagram: tonymerkelofficial Facebook: www.facebook.com/TheConfessionalsPodcas Twitter: @TConfessionals Tony's Twitter: @tony_merkel Produced by: @jack_theproducer OUTRO MUSIC Joel Thomas - ShutUp N Drive YouTube | Apple Music | Spotify

Imagine walking through the desert and suddenly uncovering a secret gateway buried for thousands of years beneath the sand… Sounds like a movie, right? Well, archaeologists in Egypt just made that a reality—by discovering a mysterious ancient entrance hidden deep below the surface! What lies behind it? A lost temple? A forgotten royal tomb? Or something no one's ever seen before? Join us as we dive into this jaw-dropping discovery and explore the secrets the desert has kept hidden for centuries! Learn more about your ad choices. Visit megaphone.fm/adchoices

The Miners Gate What They Found Beneath Pennsylvania is TERRIFYING Hosted on Acast. See acast.com/privacy for more information.

Beneath the endless prairie sky, where tradition meets cutting-edge technology, a new kind of leader is redefining what it means to grow. Cassandra Morari, COO of Rack Petroleum, isn't just cultivating crops; she's cultivating confidence in the future of farming.In this episode of Clarity Generates Confidence, host Gary Mottershead sits down with Cassandra to explore how she's blending family legacy, innovation, and people-first leadership to transform uncertainty into growth. From GPS-guided tractors to a culture rooted in authenticity, Cassandra shares how clarity, like good soil, is the foundation for lasting success.Also, don't miss What a Farmer Wants You to Know About Food by Dennis Bulani — a fourth-generation Saskatchewan farmer and founder of The Rack — offering an honest, insightful look into modern agriculture and the people who make it possible. Available on Amazon.

On this weeks episode of Beneath the Skin, we're joined by laser removal specialist and owner of JHB Removals, Jordan Butler to talk about how exactly laser removal works, and so much more. Follow Jordan on Instagram Buy our books here Get more Tattoo History on Instagram Production by Thomas O'Mahony Artwork by Joe Painter (jcp_art) Intro music by Dan McKenna If you would like to get in touch you can email the show on beneaththeskinpod@gmail.com

What if your purpose isn't what you've been told? Beneath the surface of ambition and achievement lies a deeper truth. One that's been buried by five deceptive lies. Join Kyle to uncover the hidden design of purpose that's not earned, chased or revealed in grandeur, but quietly lived from God's grace.

“Beneath this mask, there is more than flesh. Beneath this mask, there is an idea, Mr. Creedy. And ideas are bulletproof!"Join fantastic blogger, Dr. Anj (comicboxcommentary.blogspot.com) and Billy D., as we explore this incredible work by Alan Moore!

Send us a text Beneath the surface of history lies a chilling truth—some bodies never rested in peace. From the bizarre story of Elmer McCurdy, whose mummified corpse was mistaken for a carnival prop, to infamous grave robbers who sold corpses for medical study, this episode digs deep into the macabre trade of the dead. Explore real-life tales of theft from the grave, the dark origins of anatomy study, and the eerie fates of the stolen. Step inside the grim world of body snatching where greed, science, and superstition collide. These are the grave robbing stories you were never meant to hear.Watch the video version here: https://youtube.com/live/PXNeydj7pMsDon't forget, you can watch us live on Tuesday nights at 8PM CST - U.S. on YouTube and Facebook! Support the Show: Patreon (Bonus Content)Follow us on Social Media: YouTube ChannelFacebook Fan PageInstagram Fan Page X (formerly Twitter)TikTok Fan Page"After Dark with EVP" (Use code "AFTERDARK25" for 25% off an annual subscription)https://bit.ly/46GOmAzSubmit Your Story, Comments, or Questions: theevppod@gmail.com

Welcome back to Ditch the Labcoat. This week, host Dr. Mark Bonta sits down with Dr. Elliot Justin, emergency physician, innovator, and founder of FirmTech, for a conversation that's equal parts fascinating, funny, and paradigm-shifting. Together, they explore a topic that most people find awkward to talk about—but everyone is curious about: male sexual health.Dr. Justin shares how a personal injury and a deep curiosity about human physiology led him to develop an unexpected form of wearable technology—an erection ring that can not only enhance sexual performance but also collect valuable health data. Beneath the humor and candor lies something revolutionary: nocturnal erections, it turns out, may be one of the most powerful predictors of cardiovascular health we've been overlooking.In this episode, Dr. Bonta and Dr. Justin unpack what it means when men stop getting morning erections, how this can serve as an early warning sign for heart disease, and why the term “erectile dysfunction” might need to be retired altogether. They explore the complex interplay between vascular, neurological, and psychological factors that drive sexual performance; and how rebranding “dysfunction” into erectile fitness reframes the conversation around men's health, confidence, and relationships.From bedside humor to hard science, Dr. Justin reveals how FirmTech's technology has already identified hidden cardiac disease in users, improved relationships, and empowered men to take charge of their health in a completely new way. The discussion ranges from cardiovascular physiology to the social stigma surrounding male sexual health—and how technology might just be the bridge that makes it easier to talk about.If you've ever wondered what your body might be trying to tell you, why sex can be one of medicine's most underused diagnostic tools, or how innovation can transform intimacy and health alike, this episode is for you.Let's ditch the lab coat and get real about the science—and future—of erections.Dr. Elliot Justin, MD, FACeP, CEO of FirmTechhttps://myfirmtech.comEpisode Timestamps 01:00 Introduction to Health Metrics02:56 The Journey to Sexual Health Technology05:48 Understanding Nocturnal Erections09:13 The Role of Vascular Health11:57 Redefining Erectile Dysfunction14:54 The Impact of Technology on Sexual Health17:53 The Importance of Venous Return21:06 Patient Experiences and Relationship Dynamics24:02 The Power of Data in Sexual Health26:56 Safety and Usage of the Technology29:57 Future of Sexual Health Screening32:54 Concluding Thoughts on Sexual HealthEpisode TakeawaysNocturnal erections can serve as a leading indicator of cardiovascular health, offering a non-invasive way to monitor heart health.The technology developed by Elliot provides a dual-purpose solution: tracking nocturnal erections and serving as an erection ring to maintain sexual performance.Elliot's personal journey from emergency medicine to developing this technology highlights the importance of addressing sexual health as a vital component of overall well-being.The conversation challenges the stigma around erectile dysfunction, advocating for a shift towards discussing "erectile fitness" to promote a positive and proactive approach to sexual health.The data collected from the wearable technology can help differentiate between psychogenic and physiological causes of erectile issues, providing valuable insights for personalized treatment.Elliot emphasizes the need for a personalized approach to health, where individuals can use data to understand their unique health needs and make informed decisions.The episode underscores the potential of wearable technology to disrupt traditional medical practices by providing actionable insights and empowering individuals to take control of their health.Dr. Mark Bonta and Elliot discuss the broader implications of their work, suggesting that it could lead to new standards of care for men over 45 or those with specific health conditions.The conversation highlights the importance of open dialogue about sexual health, encouraging listeners to consider the benefits of integrating sexual health monitoring into their wellness routines.Elliot's innovative approach to sexual health technology is positioned as a tool for enhancing relationships and improving quality of life, beyond just addressing medical concerns.DISCLAMER >>>>>>    The Ditch Lab Coat podcast serves solely for general informational purposes and does not serve as a substitute for professional medical services such as medicine or nursing. It does not establish a doctor/patient relationship, and the use of information from the podcast or linked materials is at the user's own risk. The content does not aim to replace professional medical advice, diagnosis, or treatment, and users should promptly seek guidance from healthcare professionals for any medical conditions.   >>>>>> The expressed opinions belong solely to the hosts and guests, and they do not necessarily reflect the views or opinions of the Hospitals, Clinics, Universities, or any other organization associated with the host or guests.    Disclosures: Ditch The Lab Coat podcast is produced by (Podkind.co) and is independent of Dr. Bonta's teaching and research roles at McMaster University, Temerty Faculty of Medicine and Queens University. 

Our first user suggested game for November is the cult classic Beneath a Steel Sky by Revolution Games! What secrets, jokes and references await us in this banger of a game? And, oh, by the way, did we mention it's completely free?? Check it out!Enjoying Light Gaming? Please consider rating, reviewing and sharing our goofy show with a friend!Check us out on our socials!Youtube: https://www.youtube.com/@LightGamingPodcastBluesky: https://bsky.app/profile/lightgamingpodcast.bsky.socialDiscord: https://discord.gg/FTvFDauuggProduced by Alex Hambrock and Jerome BarbatsisCover Art by Alex Hambrock and Kat HambrockSound and Editing by Jerome Barbatsis

Samantha (36) and Kevin (41) have been together for seven years, but their financial lives couldn't look more different. He's a high earner with $800,000 in investments and a paid-down mortgage. She's still carrying student loans, car payments, and lingering shame about being “behind.” While Kevin saves methodically for the future, Samantha prefers to spend on experiences—especially travel—leaving him questioning whether their financial priorities will ever align. Beneath the surface, neither of them has truly learned how to talk about money without shutting down. Can Ramit help them move from avoidance and resentment to shared goals and real plans for the future? A special thanks to Ultraspeaking, who worked with Samantha and Kevin to help them communicate more effectively as a couple. Ultraspeaking is the fastest and most effective way to become a great communicator. Learn more at https://ultraspeaking.com. In this episode we uncover: • Why Samantha believes she'll never be “financially good enough” for Kevin • How their shared avoidant tendencies have allowed them to avoid financial planning for years • How their unspoken expectations around “fairness” create tension • Samantha's logic for not paying rent or mortgage • How Kevin's quiet resentment built up after Samantha didn't use the housing savings to pay down debt • The real cost of their “guilt-free” spending, including $15,000/year on vacations • Why Samantha still feels broke, despite earning $148,000 a year • Samantha's fears about not meeting Kevin's expectations in retirement • The stark contrast between their savings: Samantha has one month of expenses, Kevin has six • How Samantha inherited a “spend it if you have it” mindset from her parents • Kevin's fear of loss from divorce and why he avoids fully committing financially • The role of therapy in helping them rebuild communication and trust Chapters: (00:00:00) “I'll never be financially good enough for Kevin” (00:13:39) “I feel like I have no say because he owns the house” (00:27:08) Ramit breaks down their numbers (00:37:44) “I still feel like I'm only making $50,000” (00:43:59) “Money burned a hole in my pocket” (01:03:09) “That's the bed I made and I will lie in it” (01:08:25) “Closing doors is hard…but staying stuck is harder” (01:15:59) “It's not about catching up — it's about building together” (01:37:50) Where are they now? Samantha and Kevin's follow-ups This episode is brought to you by: NetSuite | Download the CFO's Guide to AI and Machine Learning at https://netsuite.com/ramit Fabric by Gerber Life | Join the thousands of parents who trust Fabric to protect their family. Apply today in just minutes at https://meetfabric.com/ramit Gelt | Book a tax consultation with Gelt at https://joingelt.com/ramit. As a member of my community, you can skip the waitlist DeleteMe | If you want to get your personal information removed from the web, go to https://joindeleteme.com/ramit for 20% off Facet | Facet is waiving their $250 enrollment fee for new annual members, and for my audience, Facet is offering $300 into your brokerage account if you invest and maintain $5,000 within your first 90 days. Head to https://facet.com/ramit to learn more about which membership option is best for you Links mentioned in this episode • If you want help with your finances, join my Money Coaching program at https://iwt.com/moneycoaching Connect with Ramit • Get my new book, Money For Couples • Get Money Coaching with Ramit • Download the Conscious Spending Plan • Listen to my book—now on Audible • Get my New York Times best-selling book • Get my no-numbers journal • Other episodes • Instagram • Twitter • YouTube If you and your partner have a money issue and you want my help, I occasionally select a couple to work with, free of charge. Apply for my help here.

PJ talks to Opinion Line Producer Paul Byrne on his new book, co-authored by Ralph Riegel on one of Cork's biggest murder investigations Hosted on Acast. See acast.com/privacy for more information.

Earlier this year, Richard Satchwell was found guilty of the murder of his wife Tina in 2017.Journalists Ralph Riegel and Paul Byrne have released a new book called “Beneath the Stairs”, in which they explore the details surrounding Tina's disappearance and death, Richard's appearances in the media appealing for information and the court case that followed after her body was discovered.Ralph Riegel spoke to Ian Guider on Tuesday.Hit the ‘Play' button on this page to hear the piece.

Join host Beth Johnson and guest Dr. Sam Courville, lead author of a new study on Ceres, as they dive into the possibility that the dwarf planet may have had the energy needed to support habitability for much longer than once believed. Using data from NASA's Dawn mission, researchers uncovered evidence of persistent geologic activity, brine movement, and long-lived energy sources beneath Ceres' icy surface. Could this small world in the asteroid belt have been more habitable than we ever imagined? Press release: https://www.jpl.nasa.gov/news/nasa-ceres-may-have-had-long-standing-energy-to-fuel-habitability/  Paper: https://www.science.org/doi/10.1126/sciadv.adt3283 (Recorded live 2 October 2025.)

Today I'm joined by Kim Williams, founder of the Frequency Lab in Newtown, Sydney. Kim is an experienced wellness entrepreneur, aromatherapist, and sound medicine practitioner whose work bridges ancient healing and modern innovation.In this conversation, we explore the language of frequency — how rhythm, resonance, and light entrain the body toward coherence, release stored emotion, and help us return to our natural state of balance.Links: Website: https://frequencylab.com.au/Insta: https://www.instagram.com/frequency_lab_sydney?igsh=MTN5czdycmo1MjdrYQ%3D%3D&utm_source=qr

Richard Satchwell was found guilty of murdering his wife in May of this year after deliberately lying to Gardaí, investigators and journalists since the day she went missing. Ralph Riegel, who covered this case since the beginning and who is from Youghal in county Cork, the same town as Tina, has told the full story along with co-author Paul Byrne in their new book ‘Beneath The Stairs'. Ralph joined Pat in studio this morning.

Ghosts, gaslighting, and Harrison Ford like you've never seen him—Jackie and Danielle are pulling back the curtain on What Lies Beneath (2000) in this chillingly fun and nostalgic episode of the No More Late Fees podcast. Joined by their returning guest Ashley, the ladies dive into Robert Zemeckis's supernatural thriller with their signature blend of humor, trivia, and unfiltered pop-culture banter.They're breaking down everything from Michelle Pfeiffer's haunting performance to that unforgettable bathtub scene, mixing behind-the-scenes facts with hot takes that would make even Roger Ebert raise an eyebrow. Expect deep laughs, deep cuts, and deep water as they revisit one of the most stylish thrillers of the early 2000s.In this episode: • The real meaning behind Claire's ghostly visions and Norman's deadly secrets • Harrison Ford's rare villain turn and why it still shocks fans • Cinematic nods to Hitchcock and Zemeckis's visual storytelling • The film's feminist undertones and commentary on marriage • Box office performance, critical reception, and cultural legacy • Our favorite moments, plot holes, and wild “what if” theoriesIf you love eerie 2000s thrillers, movie trivia, and hilarious Blockbuster-era nostalgia, this episode will have you laughing, gasping, and questioning what really lies beneath.Don't forget to subscribe, rate, and leave a review—and tell us your favorite What Lies Beneath moment or theory in the comments!Keywords: What Lies Beneath podcast, Harrison Ford villain, Michelle Pfeiffer thriller, 2000s movies podcast, No More Late Fees, Robert Zemeckis, supernatural thriller review, film nostalgia podcast, movie trivia and commentary, Blockbuster nostalgia, early 2000s cinema, spooky movie discussion·Season 5 Episode 26·—No More Late Fees ⁠https://nomorelatefeespodcast.com⁠909-601-NMLF (6653)—Follow Us on Social:Instagramhttps://www.instagram.com/nomorelatefees TikTokhttps://www.tiktok.com/@nomorelatefees Facebookhttps://www.facebook.com/nomorelatefeesYoutubehttps://www.youtube.com/@nomorelatefees Twitterhttps://x.com/NoMoreLateFees —CONQUERing⁠⁠myconquering.com⁠⁠10% Off Code: JACKIE10—Ashley: Tik Tok https://www.tiktok.com/@smashleyboydInstagram https://www.instagram.com/smashleyboyd/Previous EpisodesHappily Ever After with Ashleyhttps://nomorelatefeespodcast.com/episode/happily-ever-after-with-ashleyEver After: A Cinderella Storyhttps://nomorelatefeespodcast.com/episode/ever-after-a-cinderella-storyBeyond the Claws: Ranking Guilty Pleasure Movies with Ashley Boydhttps://nomorelatefeespodcast.com/episode/beyond-the-claws-ranking-guilty-pleasure-movies-with-ashley-boydCatwomanhttps://nomorelatefeespodcast.com/episode/catwoman

In this heartfelt conversation with bestselling author Mark Sullivan (Beneath a Scarlet Sky, The Last Green Valley,  All the Glimmering Stars), we explore what happens when both writing — and life — begin to flow from the heart instead of the mind. Mark shares how a personal crisis became the turning point that transformed his creative path and his way of being. Together, we talk about the thread that runs through all his books — the power of love, vision, forgiveness, and gratitude to lift the human spirit — and how these same forces shaped his own transformation. This episode is an invitation to live and create from the heart, where even stories born from suffering can become stories of light.Click here for the Gratitude Meditation Collection - Use GRATEFUL in the month of November for 50% off!!And here for the books Beneath a Scarlet Sky, The Last Green Valley & All the Glimmering Stars. And here to connect with Mark!    Website & FacebookConnect with Mesha Find Mesha on Instagram Check out Mesha's website Click here for a free mini meditation course with Mesha Click here for The Heart Sync Course with Mesha (where you learn heart coherence) Click here for a free heart meditation with Mesha Click here to learn about the power of your heart And you can always email Mesha at hello@myfriendmesha.com

We have gone rouge as we freestyle our way through a wide-ranging conversation on comic books that we have been reading including Imperial by Jonathan Hickman, Iban Coello & Frederick Vincentini, Garth Ennis comics including Preacher and The Boys, Beneath the Trees Where Nobody Sees, Invincible Universe: Battle Beast, Superman: the Kryptonite Spectrum, Shredder, Wonder Woman, Sleep and Kill All Immortals. Marvel Comics, DC Comics, Image Comics, IDW, Dark Horse Comics, Dynamite Entertainment.  You can follow us on Instagram: @comicsdiscourse114, Threads: @comicsdiscourse114, TikTok: https://www.tiktok.com/@comicsdiscourse114?_t=ZT-90qNuOHxG0L&_r=1 , Facebook: Facebook Comics Discourse 114 and X: https://x.com/comicsdiscourse?s=21 Also, please leave us a 5-star review at your favorite podcast platforms.  

Have you ever wondered why your soul feels restless—even when life looks full?

This week the ACP take on the gods themselves... in comics that is! From pantheons, mythologies, beliefs and the view of superheroes, its a fascinating look at a vast subject. Joining the trio this week is Sam Hardacre (Splorers) who also catches everyone up on his own prolific comic journey and recommend stuff you should be reading in the future! Great stuff to check out: Hellbreaker, Pat Mills, Ian Ashcroft, Ken Reynolds,  Vyper: Red Shadow, Killtopia: Phantoms, Beneath the Trees Where Nobody Sees, Big Shoulders, Robowolf, Jake Smith, Dead Gremlin Comix, Three Point Perspective, Otherkin, Mahoneys, Hardline Comics, Junked, Black Ink Comix, X-O Manowar, Alien Books, The Strange Tales of Oscar Zahn

Found guilty this year of the murder of his wife, Richard Satchwell remains a subject of major interest, not least because he is currently appealing against his conviction. Now, a new book details the campaign of coercive control waged against the late Tina Satchwell, and the deep extent of his manipulation.    Host: Fionnán Sheehan Guest: Ralph Riegel and Paul Byrne See omnystudio.com/listener for privacy information.

In Can't Hardly Wait, a graduating class gathers for one unforgettable night — a chaotic, emotional, and often hilarious collision of cliques, identities, and expectations. Beneath the 90s nostalgia and party anthems, the film poses a timeless question for educators: how do young people find belonging and purpose in a world so quick to label and divide them? Through characters like Preston, Amanda, and Denise, we see the tension between perception and authenticity — between who students think they should be and who they truly are. The movie reminds us that every learner is in their own process of discovery, and that connection and empathy can transform even the most uncertain transitions into opportunities for growth. On this episode of the Better Learning Podcast, host Carla Cummins and new co-host Jessica Westerduin sit down with Jay Doherty to unpack what Can't Hardly Wait reveals about identity, belonging, and the powerful role educators play in helping students write their next chapter with confidence and hope.   Takeaways: Every student carries a story beyond the surface — belonging starts when educators listen deeply. Transitional moments, like graduation, can spark reflection, growth, and the courage to reinvent oneself. Schools that embrace diversity of thought, emotion, and identity prepare students for more than success — they prepare them for life. When educators foster genuine connection, they help students see that they're already enough, just as they are.   About Jay Doherty: Jay Doherty is a K–12 Design Principal, Project Architect, and Certified Educational Planner (ALEP) at Lavallee Brensinger Architects in New England. He is passionate about designing educational and inspiring spaces that nurture the next generation of thinkers and doers. Jay's favorite place to be is at the intersection of art and science—a place where creativity and logic meet. He finds joy in the balance between these disciplines, whether it's expressed through thoughtful architecture, a well-composed piece of music, a carefully crafted beverage, or a beautifully made film. In addition to his work as an educational architect, Jay is a dedicated film enthusiast and critic. He served as Executive Director of the SNOB (Somewhat North Of Boston) Film Festival for over a decade.   Learn More About Jay Doherty: LinkedIn: linkedin.com/in/jpdoherty3/   Learn More About Lavallee Brensinger Architects: Website: lbpa.com/ LinkedIn: linkedin.com/company/lavallee-brensinger-architects Facebook: facebook.com/LavalleeBrensingerArchitects     Connect with host, Carla Cummins: LinkedIn: https://www.linkedin.com/in/carla-cummins-01449659/   Connect with co-host, Jessica Westerduin: LinkedIn: https://www.linkedin.com/in/jessica-westerduin-b75454267/     Learn More About Kay-Twelve: Website: https://kay-twelve.com/ LinkedIn: https://www.linkedin.com/company/kay-twelve-com/ Instagram: https://www.instagram.com/kay_twelve/     Episode 249 of the Better Learning Podcast Kevin Stoller is the host of the Better Learning Podcast and Co-Founder of Kay-Twelve, a national leader for educational furniture. Learn more about creating better learning environments at www.Kay-Twelve.com.     For more information on our partners: Association for Learning Environments (A4LE) - https://www.a4le.org/ Education Leaders' Organization - https://www.ed-leaders.org/ Second Class Foundation - https://secondclassfoundation.org/ EDmarket - https://www.edmarket.org/ Catapult @ Penn GSE - https://catapult.gse.upenn.edu/ Want to be a Guest Speaker? Request on our website

Fluent Fiction - Italian: Treasures of Time: An Adventure Beneath Piazza del Campo Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2025-11-03-23-34-02-it Story Transcript:It: Piazza del Campo era in festa.En: Piazza del Campo was in celebration.It: Foglie color arancio e oro cadevano leggere, sovrapponendosi al suolo ciottoloso.En: Leaves colored orange and gold fell lightly, overlapping on the cobbled ground.It: Il profumo delle caldarroste si mescolava ai suoni vivaci del festival medievale in corso.En: The scent of roasted chestnuts mingled with the lively sounds of the medieval festival underway.It: Luca, col cappello storto e lo sguardo pensieroso, osservava la piazza.En: Luca, with his hat askew and a thoughtful gaze, observed the square.It: Teneva tra le mani una scatola di legno.En: He held a wooden box in his hands.It: Dentro c'era il segreto che aveva scoperto di recente: frammenti di una mappa antica.En: Inside was the secret he had recently discovered: fragments of an ancient map.It: Gianna era al suo fianco, guardando con occhi sognanti le bancarelle e i bambini che giocavano.En: Gianna was by his side, looking dreamily at the stalls and the children playing.It: Dalla sua borsa spuntava un libro con strane scritte.En: From her bag peeked out a book with strange writings.It: "Sei sicuro che sia qui l'entrata?"En: "Are you sure the entrance is here?"It: chiese lei.En: she asked.It: Luca annuì, incerto.En: Luca nodded, uncertain.It: Il loro piano era rischioso, lo sapevano entrambi.En: Their plan was risky, they both knew it.It: La notte prima Luca aveva fatto una scelta coraggiosa.En: The night before, Luca had made a brave choice.It: Aveva mostrato la mappa a Gianna, sebbene inizialmente fosse titubante.En: He had shown the map to Gianna, although he was initially hesitant.It: Lei era brillante con i codici e le lingue antiche.En: She was brilliant with codes and ancient languages.It: Lui aveva bisogno del suo aiuto.En: He needed her help.It: "Devo scoprirlo prima degli altri," aveva detto.En: "I must find out before the others," he had said.It: E lei aveva sorriso, accettando la sfida.En: And she had smiled, accepting the challenge.It: Lavorarono sodo per giorni, cercando di decifrare quei simboli.En: They worked hard for days, trying to decipher those symbols.It: Ogni frammento era un enigma.En: Each fragment was an enigma.It: Sapevano che altri erano sulle loro tracce.En: They knew that others were on their trail.It: Cacciatori di tesori senza scrupoli avrebbero fatto di tutto per mettere le loro mani sulla mappa.En: Unscrupulous treasure hunters would do anything to get their hands on the map.It: Finalmente, in un piccolo caffè affacciato sulla piazza, trovarono la soluzione.En: Finally, in a small café overlooking the square, they found the solution.It: Il codice parlava di un ingresso nascosto sotto una vecchia fontana.En: The code spoke of a hidden entrance beneath an old fountain.It: Proprio quando Luca e Gianna capirono, i rivali scoprirono il loro segreto.En: Just as Luca and Gianna understood, their rivals discovered their secret.It: "Non lasceremo che ci fermino," disse Gianna.En: "We won't let them stop us," said Gianna.It: Il desiderio di trovare una nuova strada la guidava.En: The desire to find a new path guided her.It: Luca, al suo fianco, sentiva crescere la fiducia in se stesso.En: Luca, by her side, felt his self-confidence growing.It: Con astuzia e velocità, arrivarono alla fontana.En: With cunning and speed, they reached the fountain.It: Era lì l'entrata che conduceva alle catacombe.En: It was there, the entrance that led to the catacombs.It: Spostarono una pietra, lavorarono insieme per aprire il passaggio.En: They moved a stone, working together to open the passage.It: Il cuore batteva forte nei loro petti.En: Their hearts beat rapidly in their chests.It: Mentre scendevano, una paura dolce li avvolgeva.En: As they descended, a sweet fear enveloped them.It: Sotto terra, trovarono sale piene di tesori dimenticati.En: Underground, they found rooms full of forgotten treasures.It: Riflessi dorati danzavano sulle pareti.En: Golden reflections danced on the walls.It: Era una scoperta unica.En: It was a unique discovery.It: Luca e Gianna si guardarono, pieni di meraviglia.En: Luca and Gianna looked at each other, full of wonder.It: Avevano realizzato un sogno, svelato segreti sepolti nel tempo.En: They had realized a dream, unveiling secrets buried in time.It: Tornarono in superficie accolti dagli applausi del festival.En: They returned to the surface greeted by the applause of the festival.It: Erano diventati eroi, accolti dalla storia e dalla loro città.En: They had become heroes, embraced by history and their city.It: Luca aveva imparato il valore della collaborazione.En: Luca had learned the value of collaboration.It: Gianna aveva trovato la sua nuova passione e scopo nel mistero della storia.En: Gianna had found her new passion and purpose in the mystery of history.It: In quell'autunno dorato, tra le voci e le risate della piazza, si sentivano finalmente completi.En: In that golden autumn, among the voices and laughter of the square, they finally felt complete.It: Piazza del Campo rimase a celebrare, simbolo di un'avventura appena iniziata.En: Piazza del Campo remained celebrating, a symbol of an adventure just begun. Vocabulary Words:the square: la piazzacelebration: festacobbled: ciottolosoroasted: caldarrostelively: vivaciaskew: stortothoughtful: pensierosogaze: sguardoa box: una scatolafragments: frammentistall: bancarelladreamily: sognantirisky: rischiosohesitant: titubantescrupulous: scrupolidecipher: decifrarea trail: tracceconcealed: nascostoentrance: entratacunning: astuziaself-confidence: fiducia in se stessocatacombs: catacombepassage: passaggioa fear: una pauratreasures: tesorireflections: riflessiunique: unicawonder: meravigliaapplause: applausicollaboration: collaborazione

In the Jezreel Valley, a 6th-century synagogue floor reveals a people rooted in their land, inscribing faith into stone. This episode explores how archaeology affirms Jewish indigeneity, why the Binding of Isaac still unsettles us, and what these ancient treasures whisper about return and belonging. Links for Additional Reading:The Beit Alpha Synagoge at Wellesley CollegeThe Beit Alpha Synagogue National ParkJewish Worship, Pagan Symbols, Walter Zanger, Biblical Archeological SocietyFollow us on Facebook, Instagram, and LinkedIn!Find more at j2adventures.com Hosted on Acast. See acast.com/privacy for more information.

This week we open Brennan's Birthday Month with incessant giggles and George Lucas' blessing. Using combing technology to track our heroes, Col. Sanders clucking orders, and inhaling cans of Perri-Air, we once again delve into the mind of Mel Brooks and have an absolute blast. Erin may be put off (Erin feels much more strongly about this than what Brennan wrote) by Pizza the Hut, but between Mega Maids and stern parking attendants, there's plenty else to get hooked on. Beneath it all, it's about capitalism and MERCHANDISING! Spaceballs the lunchbox! Spaceballs the toilet paper! SPACEBALLS THE FLAME-THROWER! But we are dying to know what Mongo's review of Rocky 5000 is.We'll meet again next year for Spaceballs 2: The Search for More Money.

Max has been set the absolute enigma that is the debut LP from British artist King Krule. He's a little lost right from the get-go, but will he have anymore understanding by the end of the review?Listen back to "6 Feet Beneath the Moon" on Spotify or Apple MusicDiscover more new music and hear your favourite artists with 78 Amped on Instagram and TikTok.

In this powerful and transparent episode, we sit down with Dawna Allen — a wife, mother, military veteran, and woman of faith — to uncover the real story behind the uniform.Beneath the titles and achievements lies a woman who has faced sacrifice, transition, and growth — all while learning to balance purpose, motherhood, marriage, and identity. Dawna opens up about what it means to serve not only her country, but also her family and her calling as a woman evolving through every season of life.Together, we talk about:✨ Rediscovering yourself after the uniform comes off✨ The strength and surrender that faith requires✨ Finding balance between structure and softness✨ The lessons of leadership, love, and letting goThis episode is a reminder that behind every uniform is a heartbeat, a story, and a woman becoming her next version.

In this episode of Waiting on the Trade, we discuss Beneath the Trees Where Nobody Sees, a cozy-but-grisly anthropomorphic thriller from writer/artist Patrick Horvath and letterer Hassan Otsmane-Elhaou.

Ep. 336 Beneath Holy Ground | Rev. Sue MillerBorn From the Sunday Service at the Center for Spiritual Living in Redding on 11-1-25

Beneath the Surface PODCAST - Hope by 2mfm

Why are the numbers 1, 2, and 3 across the top of a phone keypad but across the bottom of a calculator? It's not random — and once you hear the logic, you'll never look at a keypad the same way again. That's just one of three quirky mysteries I explain at the start of this episode, along with surprising insights about portholes and time. Source: Ivan Semeniuk, co-author of Why Don't Penguins' Feet Freeze? (https://amzn.to/3sf8muM) Achievement can be wonderful — until it starts defining your worth. When you believe you matter only because of what you accomplish, it can lead to burnout, anxiety, and even shame. Journalist and social commentator Jennifer Wallace, author of Never Enough: When Achievement Culture Becomes Toxic—And What We Can Do About It( https://amzn.to/49jkdIQ), reveals how modern “achievement culture” took hold, why it's making so many people miserable, and how to redefine success so it actually feels good. The ocean covers 70% of our planet, yet we've explored only a fraction of it. Beneath the surface lies an astonishing, interconnected system that shapes everything from our weather to our food. Physicist and oceanographer Helen Czerski, author of The Blue Machine: How the Ocean Works (https://amzn.to/3scCyXo), takes us on a fascinating deep dive into the hidden forces that drive the sea — and why there's really only one global ocean. According to one marriage expert, there's a remarkably simple thing any woman can do to motivate the man in her life — and it works every time. It's quick, it's easy, and the results may surprise you. Source: David Clarke, PhD, author of The Total Marriage Makeover (https://amzn.to/3QoIvZD). PLEASE SUPPORT OUR SPONSORS!!! QUINCE: Layer up this fall with pieces that feel as good as they look! Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://Quince.com/sysk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for free shipping on your order and 365 day returns! ON POINT: We love the On Point podcast! Listen wherever you get your podcasts! ⁠⁠https://www.wbur.org/radio/programs/onpoint⁠⁠ SHOPIFY: Shopify is the commerce platform for millions of businesses around the world! To start selling today, sign up for your $1 per month trial at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://Shopify.com/sysk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode we start to get more into the material culture of the period with court fashion, as we look at the court robes that went along with the updated court ranks.  Granted, we only have a few resources, but from those it does seem like we can construct at least a plausible idea of what the court may have looked like at this time. For more discussion, check out the blogpost:  https://sengokudaimyo.com/podcast/episode-137   Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is Episode 137:  Courtly Fashion. In the New Year's ceremony, the court officials lined up in front of the Kiyomihara Palace, arranged by their relative court rank, dressed in their assigned court robes.  The effect was impressive—the rows of officials painting the courtyard like the bands of color in a rainbow, albeit one with only a couple of hues.  The fact that they were all wearing the same style of dress and black, stiffened gauze hats only added to the effect.  The individual officers were all but lost in what was, at least in outward form, a single, homogenous machine of government, just waiting for the command of their monarch to attend to the important matters of state. We are covering the reign of Ohoama no Ohokimi, aka Ama no Nunahara oki no mabito no Sumera no Mikoto, aka Temmu Tennou.  Last episode we went over the changes he had made to the family titles—the kabane—as well as to the courtly rank system.  For the former, he had consolidated the myriad kabane and traditional titles across Yamato into a series of eight—the Yakusa no Kabane.   These were, from highest to lowest: Mabito, Asomi, Sukune, Imiki, Michinoshi, Omi, Muraji, and Inaki.  By the way, you might notice that "Mabito" actually occurs in Ohoama's posthumous name:  Ama no Nunahara oki no mabito, which lends more credence to the idea that that kabane was for those with a special connection to the royal lineage. Besides simplifying and restructuring the kabane, Ohoama also reformed the court rank system.  He divided the Princely ranks into two categories:  Myou, or Bright, and Jou, or Pure.  For the court nobles the categories were:                Shou – Upright                Jiki – Straight                Gon – Diligent                Mu – Earnest                Tsui – Pursue                Shin – Advancement Each category was further divided into four grades (except for the very first princely category, Myou, which was only two).  Each grade was then further divided into large, "dai", or broad, "kou". And this brings us to our topic today. Along with this new rank system, Ohoama's administration also instituted a new set of court sumptuary laws. Some are vague in the record—we can just make assumptions for what is going on based on what we know from later fashion choices.  Others are a little more clear.  We'll take a look at those sumptuary laws, particularly those that were directly associated with the new court rank system, but we'll also look at the clothing styles more generally. To start with, let's talk about what we know about clothing in the archipelago in general.  Unfortunately, fabric doesn't tend to survive very well in the generally acidic soils of the Japanese archipelago.  Cloth tends to break down pretty quickly.  That said, we have fragments here and there and impressions in pottery, so we have some idea that there was some kind of woven fabric from which to make clothing out of. And before I go too far I want to give a shout out to the amazing people at the Kyoto Costume Museum.  They have a tremendous website and I will link to it in the comments.  While there may be some debate over particular interpretations of historical clothing, it is an excellent resource to get a feel for what we know of the fashion of the various periods.  I'll also plug our own website, SengokuDaimyo.com, which has a "Clothing and Accessory" section that, while more geared towards Heian and later periods, may still be of some use in looking up particular terms and getting to know the clothing and outfits. At the farthest reaches of pre-history, we really don't have a lot of information for clothing.  There is evidence of woven goods in the Jomon period, and we have Yayoi burials with bits of cloth here and there, but these are all scraps.  So at best we have some conjecture as to what people were wearing, and possibly some ability to look across the Korean peninsula and see what people had, there. There are scant to no reliable records from early on in Japanese history, and most of those don't really do a great job of describing the clothing.  Even where we do get something, like the Weizhi, one has to wonder given how they tended to crib notes from other entries. There is at least one picture scroll of interest: Portraits of Periodical Offering of Liang, or Liáng -Zhígòngtú.  It is said to have been painted by Xiao Yi in the early 6th century, and while the original no longer exists there is an 11th century copy from the time of the Song Dynasty.  The scroll shows  various ambassadors to the Liang court, including one from Wa.  The Wa ambassador is shown with what appears to be a wide piece of cloth around his hips and legs, tied in front.  His lower legs are covered in what we might call kyahan today: a rather simple wrap around leg from below the knee to the foot.  He has another, blue piece of cloth around his shoulders, almost like a shawl, and it is also tied in front.  Then there is a cloth wrapped and tied around his head. It's hard to know how much of this depiction is accurate and how much the artist was drawing on memory and descriptions from things like the Weizhi or Wei Chronicles, which stated that the Wa people wore wide cloths wrapped around and seamlessly tied As such, it may be more helpful to look at depictions actually from the archipelago: specifically, some of the human-figured haniwa, those clay cylinders and statues that adorned the burial mounds which gave the kofun period its name.  Some of these haniwa are fairly detailed, and we can see ties, collars, and similar features of clothing. These haniwa primarily seem to cluster towards the end of the Kofun period, in the later 6th century, so it is hard to say how much they can be used for earlier periods, though that is exactly what you will typically see for periods where we have little to know evidence.  I'm also not sure how regional certain fashions might have been, and we could very much be suffering from survivorship bias—that is we only know what survived and assume that was everything, or even the majority. Still, it is something. Much of what we see in these figures is some kind of upper garment that has relatively tight sleeves, like a modern shirt or jacket might have, with the front pieces overlapping create a V-shaped neckline.  The garment hem often hangs down to just above the knee, flaring out away from the body, and it's held closed with ties and some kind of belt, possibly leather in some cases, and in others it looks like a tied loop of cloth.  There is evidence of a kind of trouser, with two legs, and we see ties around the knee.  In some cases, they even have small bells hanging from the ties.  Presumably the trousers might have ties up towards the waist, but we cannot see that in the examples we have. We also see individuals who have no evidence of any kind of bifurcated lower garment.  That may indicate an underskirt of some kind, or possibly what's called a "mo"—but it could also be just a simplification for stability, since a haniwa has a cylindrical base anyway.  It is not always obvious when you are looking at a haniwa figure whether it depicts a man or woman: in some cases there are two dots on the chest that seem to make it obvious, but the haniwa do come from different artisans in different regions, so there is a lot of variability. We also see evidence of what seem to be decorative sashes that are worn across the body, though not in all cases.  There are various types of headgear and hairstyles.  Wide-brimmed and domed hats are not uncommon, and we also see combs and elaborate hairstyles depicted.  On some occasions we can even see that they had closed toed shoes.  For accessories, we see haniwa wearing jewelry, including necklaces (worn by both men and women), bracelets, and earrings.  In terms of actual human jewelry, early shell bracelets demonstrate trade routes, and the distinctive magatama, or comma shaped jewel, can be found in the archipelago and on the Korean peninsula, where it is known as "gogok".  Based on lines or even colored pigment on the haniwa, it appears that many of these outfits were actually quite heavily decorated.  Paint on the outfits is sometimes also placed on the face, suggesting that they either painted or tattooed themselves, something mentioned in the Wei Chronicles.  We also have archaeological examples of dyed cloth, so it is interesting that people are often depicted in undyed clothing.  There is one haniwa that I find particularly interesting, because they appear to be wearing more of a round-necked garment, and they have a hat that is reminiscent of the phrygian cap: a conical cap with the top bent forward.  These are traits common to some of the Sogdians and other Persian merchants along the silk road, raising the possibility that it is meant to depict a foreigner, though it is also possible that it was just another local style. If we compare this to the continent, we can see some immediate difference.  In the contemporaneous Sui dynasty, we can see long flowing robes, with large sleeves for men and women.  The shoes often had an upturned placket that appears to have been useful to prevent one from tripping on long, flowing garments.  Many of these outfits were also of the v-neck variety, with two overlapping pieces, though it is often shown held together with a fabric belt that is tied in front.  The hats appear to either be a kind of loose piece of fabric, often described as a turban, wrapped around the head, the ends where it ties together trailing behind, or black lacquered crowns—though there were also some fairly elaborate pieces for the sovereign. As Yamato started to import continental philosophy, governance, and religion, they would also start to pick up on continental fashion.  This seems particularly true as they adopted the continental concept of "cap rank" or "kan-i". Let's go over what we know about this system, from its first mention in the Chronicles up to where we are in Ohoama's reign. As a caveat, there is a lot we don't know about the details of these garments, but we can make some guesses. The first twelve cap-ranks, theoretically established in 603, are somewhat questionable in their historicity, as are so many things related to Shotoku Taishi.  And their names are clearly based on Confucian values:  Virtue, Humanity, Propriety, Faith, Justice, and Wisdom, or Toku, Nin, Rei, Shin, Gi, and Chi.  The five values and then just "Virtue", itself. The existence of this system does seem to be confirmed by the Sui Shu, the Book of Sui, which includes a note in the section on the country of Wa that they used a 12 rank system based on the Confucian values, but those values were given in the traditional Confucian order vice the order given in the Nihon Shoki.   The rank system of the contemporaneous Sui and Tang dynasties was different from these 12 ranks, suggesting that the Yamato system either came from older dynasties—perhaps from works on the Han dynasty or the Northern and Southern Dynasty, periods—or they got it from their neighbors, Baekje, Silla, and Goguryeo.  There does seem to be a common thread, though, that court rank was identifiable in one's clothes. As for the caps themselves, what did they look like?  One would assume that the Yamato court just adopted a continental style cap, and yet, which one? It isn't fully described, and there are a number of types of headwear that we see in the various continental courts. Given that, we aren't entirely sure exactly what it looked like, but we do have a couple of sources that we can look at and use to make some assumptions.  These sources l ead us to the idea of a round, colored cap made of fabric, around the brim that was probably the fabric or image prescribed for that rank.  It is also often depicted with a bulbous top, likely for the wearer's hair, and may have been tied to their top knot.     Our main source for this is the Tenjukoku Mandala Embroidery (Tenjukoku-mandara-shuuchou) at Chuuguuji temple, which was a temple built for the mother of Prince Umayado, aka Shotoku Taishi.    This embroidery was created in 622, so 19 years after the 12 ranks would have been implemented. It depicts individuals in round-necked jackets that appear to have a part straight down the center.  Beneath the jacket one can see a pleated hem, possibly something like a "hirami", a wrapped skirt that is still found in some ceremonial imperial robes.  It strikes me that this could also be the hem of something like the hanpi, which was kind of like a vest with a pleated lower edge.  Below that we see trousers—hakama—with a red colored hem—at least on one figure that we can see.  He also appears to be wearing a kind of slipper-like shoe. As for the women, there are a few that appear to be in the mandala, but it is hard to say for certain as the embroidery has been damaged over the years. That said, from what we can tell, women probably would have worn something similar to the men in terms of the jacket and the pleated under-skirt, but then, instead of hakama, we see a pleated full-length skirt, or mo.  We also don't have a lot of evidence for them wearing hats or anything like that. The round necked jacket is interesting as it appears to be similar to the hou that was common from northern China across the Silk Road, especially amongst foreigners.  This garment  came to displace the traditional robes of the Tang court and would become the basis for much of the court clothing from that period, onwards.  The round necked garment had central panels that overlapped, and small ties or fastenings at either side of the neck to allow for an entirely enclosed neckline.  This was more intricate than just two, straight collars, and so may have taken time to adopt, fully. The next change to the cap-rank system was made in 647, two years into the Taika Reform.  The ranks then were more directly named for the caps, or crowns—kanmuri—and their materials and colors.  The ranks translate to Woven, Embroidered, Purple, Brocade, Blue, Black, and finally "Establish Valor" for the entry level rank. The system gets updated two years later, but only slightly.  We still see a reference to Woven stuff, Embroidery, and Purple, but then the next several ranks change to Flower, Mountain, and Tiger—or possibly Kingfisher.  These were a little more removed from the cap color and material, and may have had something to do with designs that were meant to be embroidered on the cap or on the robes in some way, though that is just speculation based on later Ming and Qing court outfits. Naka no Ohoye then updates it again in 664, but again only a little.  He seems to add back in the "brocade" category, swapping out the "flower", and otherwise just adds extra grades within each category to expand to 26 total rank grades. And that brings us to the reforms of 685, mentioned last episode.  This new system was built around what appear to be moral exhortations—Upright, Straight, Diligent, Earnest, etc.  And that is great and all, but how does that match up with the official robes? What color goes with each rank category?  Fortunately, this time around, the Chronicle lays it out for us pretty clearly. First off we are given the color red for the Princely ranks—not purple as one might have thought.  Specifically, it is "Vermillion Flower", hanezu-iro, which Bentley translates as the color of the "Oriental bush" or salmon.  In the blogpost we'll link to a table of colors that the founder of Sengoku Daimyo, Anthony Bryant, had put together, with some explanation of how to apply it.  I would note that there is often no way to know exactly what a given color was like or what shades were considered an acceptable range.  Everything was hand-dyed, and leaving fabric in the dye a little longer, changing the proportions, or just fading over time could create slightly different variants in the hue, but we think we can get pretty close. From there we have the six "common" ranks for the nobility.  Starting with the first rank, Upright, we have "Dark Purple".  Then we have "Light Purple".  This pattern continues with Dark and Light Green and then Dark and Light Grape or Lilac.  Purple in this case is Murasaki, and green here is specifically Midori, which is more specifically green than the larger category of "Aoi", which covers a spectrum of blue to green.  The grape or lilac is specifically "suou", and based on Bentley's colors it would be a kind of purple or violet. The idea is that the official court outfits for each rank would be the proper color.  And yes, that means if you get promoted in rank, your first paycheck—or rice stipend—is probably going to pay for a new set of official clothes.  Fortunately for the existing court nobles at the time, in the last month of 685, the Queen provided court clothing for 55 Princes and Ministers, so they could all look the part. And the look at court was important.  In fact, several of the edicts from this time focus specifically on who was allowed—or expected—to wear what.  For instance, in the 4th month of 681, they established 92 articles of the law code, and among those were various sumptuary laws—that is to say, laws as to what you could wear.  We are told that they applied to everyone from Princes of the blood down to the common person, and it regulated the wearing of precious metals, pearls, and jewels; the type of fabric one could use, whether purple, brocade, embroidery, or fine silks; and it also regulated woollen carpets, caps, belts, and the colors of various things. And here I'd like to pause and give some brief thought to how this played into the goals of the court, generally, which is to say the goal of creating and establishing this new system of governance in the cultural psyche of the people of the archipelago.  From the continental style palaces, to the temples, and right down to the clothing that people were wearing, this was all orchestrated, consciously or otherwise, to emphasize and even normalize the changes that were being introduced.  When everything around you is conforming to the new rules, it makes it quite easy for others to get on board. The court had surrounded themselves with monumental architecture that was designed along continental models and could best be explained through continental reasoning.  Even if they weren't Confucian or Daoist, those lines of reasoning ran through the various cultural and material changes that they were taking up.  Sure, they put their own stamp on it, but at the same time, when everything is right in front of you, it would become that much harder to deny or push back against it. And when you participated in the important rituals of the state, the clothing itself became a part of the pageantry.  It reinforced the notion that this was something new and different, and yet also emphasized that pushing against it would be going against the majority.  So court uniforms were another arm of the state's propaganda machine, all designed to reinforce the idea that the heavenly sovereign—the Tennou—was the right and just center of political life and deserving of their position.  Getting back to the sumptuary laws and rank based regulations: It is unfortunate that the record in the Nihon Shoki doesn't tell us exactly how things were regulated, only that they were, at least in some cases.  So for anything more we can only make assumptions based on later rules and traditions.  A few things we can see right away, though.  First is the restriction of the color purple.  Much as in Europe and elsewhere in the world, getting a dark purple was something that was not as easy as one might think, and so it tended to be an expensive dye and thus it would be restricted to the upper classes—in this case the princely and ministerial rank, no doubt.  Similarly brocade and fine silks were also expensive items that were likely restricted to people of a particular social station for that reason. The mention of woolen rugs is particularly intriguing.  Bentley translates this as woven mattresses, but I think that woolen rugs makes sense, as we do have examples of woolen "rugs" in Japan in at least the 8th century, stored in the famous Shousouin repository at Toudaiji temple, in Nara.  These are all imported from the continent and are actually made of felt, rather than woven.  As an imported item, out of a material that you could not get in the archipelago, due to a notable lack of sheep, they would have no doubt been expensive. The funny thing is that the carpets in the Shousouin may not have been meant as carpets.  For the most part they are of a similar size and rectangular shape, and one could see how they may have been used as sleeping mattresses or floor coverings.  However, there is some conjecture that they came from the Silk Road and may have been originally meant as felt doors for the tents used by the nomadic steppe peoples.  This is only conjecture, as I do not believe any of these rugs have survived in the lands where they would have been made, but given the size and shape and the modern yurt, it is not hard to see how that may have been the case.  Either way, I tend to trust that this could very well have meant woolen rugs, as Aston and the kanji themselves suggest, though I would understand if there was confusion or if it meant something else as wool was not exactly common in the archipelago at that time or in the centuries following. The last section of the regulations talks about the use of caps and belts.  The caps here were probably of continental origin:  The kanmuri, or official cap of state of the court nobles, or the more relaxed eboshi—though at this time, they were no doubt closely related. In fact, a year later, we have the most specific mention to-date of what people were actually wearing on their heads: there is a mention of men tying up their hair and wearing caps of varnished gauze.  Earlier caps related to the cap rank system are often thought to be something like a simple hemisphere  that was placed upon the head, with a bulbous top where the wearer's hair could be pulled up as in a bun. The kanmuri seems to have evolved from the soft black headcloth that was worn on the continent, which would have tied around the head, leaving two ends hanging down behind.  Hairstyles of the time often meant that men had a small bun or similar gathering of hair towards the back of their head, and tying a cloth around the head gave the effect of a small bump.  This is probably what we see in depictions of the early caps of state.  Sometimes this topknot could be covered with a small crown or other decoration, or wrapped with a cloth, often referred to as a "Tokin" in Japanese.  But over time we see the development of hardened forms to be worn under a hat to provide the appropriate silhouette, whether or not you actually had a topknot (possibly helpful for gentlemen suffering from hair loss).  And then the hat becomes less of a piece of cloth and more just a hat of black, lacquered gauze made on a form, which was much easier to wear.  At this point in the Chronicle, the cap was likely still somewhat malleable, and would made to tie or be pinned to that bun or queue of hair.  This explains the mention of men wearing their hair up.  This pin would become important for several different types of headgear, but ties were also used for those who did not have hair to hold the hat on properly. Two years after the edict on hats, we get another edict on clothing, further suggesting that the court were wearing Tang inspired clothing.  In 685 we see that individuals are given leave to wear their outer robe either open or tied closed. This is a clue that this outer robe might something akin to the round-necked hou that we see in the Tenjukoku Mandala, where the neck seems to close with a small tie or button.  However, we do see some examples, later, of v-necked garments with a tie in the center of the neck, so that may be the reference..  Opening the collar of the formal robes was somewhat akin to loosening a necktie, or unbuttoning the top button of a shirt.  It provided a more relaxed and comfortable feeling.  It could also be a boon in the warm days of summer.  Leaving it closed could create a more formal appearance. The courtiers also had the option of whether or not to wear the "Susotsuki", which Bentley translates as "skirt-band".  I believe this refers to the nai'i, or inner garment.  This would often have a pleated hem—a suso or ran—which would show below the main robe as just a slight hem.  Again, this is something that many would dispense with in the summer, or just when dressing a bit more casually, but it was required at court, as well as making sure that the tassles were tied so that they hung down.  This was the uniform of the court.  We are also told that they would have trousers that could be tied up, which sounds like later sashinuki, though it may have referred to something slightly different.  We are also given some regulations specifically for women, such as the fact that women over 40 years of age were allowed the discretion on whether or not to tie up their hair, as well as whether they would ride horses astride or side-saddle.  Presumably, younger women did not get a choice in the matter.  Female shrine attendants and functionaries were likewise given some leeway with their hairstyles. A year later, in 686, they do seem to have relaxed the hairstyles a bit more: women were allowed to let their hair down to their backs as they had before, so it seems that, for at least a couple of years, women under the age of 40 were expected to wear their hair tied up in one fashion or another. In that same edict, men were then allowed to wear "habakimo".  Aston translates this as "leggings" while Bentley suggests it is a "waist skirt".  There are an example of extant habakimo in the Shousouin, once again, and they appear to be wrappings for the lower leg.  It actually seems very closely related to the "kyahan" depicted all the way back in the 6th century painting of the Wo ambassador to Liang. Even though these edicts give a lot more references to clothing, there is still plenty that is missing.  It isn't like the Chroniclers were giving a red carpet style stitch-by-stitch critique of what was being worn at court.  Fortunately, there is a rather remarkable archaeological discovery from about this time. Takamatsuzuka is a kofun, or ancient burial mound, found in Asuka and dated to the late 7th or early 8th century.  Compared to the keyhole shaped tombs of previous centuries, this tomb is quite simple: a two-tiered circular tomb nestled in the quiet hills.  What makes it remarkable is that the inside of the stone burial chamber was elaborately painted.  There are depictions of the four guardian animals, as well as the sun and the moon, as well as common constellations.  More importantly, though, are the intricate pictures of men and women dressed in elaborate clothing. The burial chamber of Takamatsuzuka is rectangular in shape.  There are images on the four vertical sides as well as on the ceiling.  The chamber is oriented north-south, with genbu, the black tortoise, on the north wall and presumably Suzaku, the vermillion bird, on the south wall—though that had been broken at some point and it is hard to make out exactly what is there. The east and west walls are about three times as long as the north and south walls.  In the center of each is a guardian animal—byakko, the white tiger, on the west wall and seiryuu, the blue—or green—dragon on the east.  All of these images are faded, and since opening of the tomb have faded even more, so while photos can help, it may require a bit more investigation and some extrapolation to understand all of what we are looking at. On the northern side of both the east and west wall we see groups of four women.  We can make out green, yellow, and red or vermillion outer robes with thin fabric belt sashes, or obi, tied loosely and low around the waist.  There is another, lightly colored—possibly white, cream or pink—that is so faded it is hard to make out, and I don't know if that is the original color.  These are v-necked robes, with what appear to be ties at the bottom of the "v".  Around the belt-sash we see a strip of white peaking out from between the two sides of the robe—most likely showing the lining on an edge that has turned back slightly.  The cuffs of the robe are folded back, showing a contrasting color—either the sleeves of an underrobe or a lining of some kind.  Below the outer robe is a white, pleated hem—possibly a hirami or similar, though where we can make it out, it seems to be the same or similar color as the sleeves.  Under all of that, they then have a relatively simple mo, or pleated skirt.  The ones in the foreground are vertically striped in alternating white, green, red, and blue stripes.  There is one that may just be red and blue stripes, but I'm not sure.  In the background we see a dark blue—and possibly a dark green—mo.  At the base of each mo is a pleated fringe that appears to be connected to the bottom of the skirt.  The toe of a shoe seems to peek out from underneath in at least one instance.  They don't have any obvious hair ornaments, and their hair appears to be swept back and tied in such a way that it actually comes back up in the back, slightly.  They appear to be holding fans and something that might be a fly swatter—a pole with what looks like tassels on the end. In comparison, at the southern end of the tomb we have two groups of men.  These are much more damaged and harder to make out clearly.  They have robes of green, yellow, grey, blue, and what looks like dark blue, purple, or even black.  The neckline appears to be a v-necked, but tied closed, similar to what we see on the women.  We also see a contrasting color at the cuff, where it looks like the sleeves have turned back, slightly.  They have belt-sashes similar to the women, made of contrasting fabric to the robe itself.  Below that we see white trousers, or hakama, and shallow, black shoes.  On some of the others it is suggested that maybe they have a kind of woven sandal, but that is hard to make out in the current image.  On their heads are hats or headgear of black, stiffened—probably lacquered—gauze.  They have a bump in the back, which is probably the wearer's hair, and there is evidence of small ties on top and larger ties in the back, hanging down.  Some interpretations also show a couple with chin straps, as well, or at least a black cord that goes down to the chin.  They carry a variety of implements, suggesting they are attendants, with an umbrella, a folding chair, a pouch worn around the neck, a pole or cane of some kind, and a bag with some kind of long thing—possibly a sword or similar. The tomb was originally found by farmers in 1962, but wasn't fully examined until 1970, with an excavation starting in 1972.  The stone at the entryway was broken, probably from graverobbers, who are thought to have looted the tomb in the Kamakura period.  Fortunately, along with the bones of the deceased and a few scattered grave goods that the robbers must have missed, the murals also survived, and somehow they remained largely intact through the centuries.  They have not been entirely safe, and many of the images are damaged or faded, but you can still make out a remarkable amount of detail, which is extremely helpful in determining what clothing might have looked like at this time—assuming it is depicting local individuals. And there is the rub, since we don't know exactly whom the tomb was for.  Furthermore, in style it has been compared with Goguryeo tombs from the peninsula, much as nearby Kitora kofun is.  Kitora had images as well, but just of the guardian animals and the constellations, not of human figures. There are three theories as to who might have been buried at Takamatsuzuka.  One theory is that it was one of Ohoama's sons.  Prince Osakabe is one theory, based on the time of his death and his age.  Others have suggested Prince Takechi.  Based on the teeth of the deceased, they were probably in their 40s to 60s when they passed away. Some scholars believe that it may be a later, Nara period vassal—possibly, Isonokami no Maro.  That would certainly place it later than the Asuka period. The third theory is that it is the tomb of a member of one of the royal families from the Korean peninsula—possibly someone who had taken up refuge in the archipelago as Silla came to dominate the entire peninsula.  This last theory matches with the fact that Takamatsuzuka appears to be similar to tombs found in Goguryeo, though that could just have to do with where the tomb builders were coming from, or what they had learned. That does bring up the question of the figures in the tomb.  Were they contemporary figures, indicating people and dress of the court at the time, or were they meant to depict people from the continent?  Without any other examples, we may never know, but even if was indicative of continental styles, those were the very styles that Yamato was importing, so it may not matter, in the long run.     One other garment that isn't mentioned here is the hire, a scarf that is typically associated with women.  It is unclear if it has any relationship to the sashes we see in the Kofun period, though there is at least one mention of a woman with a hire during one of the campaigns on the Korean peninsula.  Later we see it depicted as a fairly gauzy piece of silk, that is worn somewhat like a shawl.  It is ubiquitous in Sui and Tang paintings of women, indicating a wide-ranging fashion trend.  The hire is a fairly simple piece of clothing, and yet it creates a very distinctive look which we certainly see, later. Finally, I want to take a moment to acknowledge that almost everything we have discussed here has to do with the elites of society—the nobles of the court.  For most people, working the land, we can assume that they were probably not immediately adopting the latest continental fashions, and they probably weren't dressing in silk very much.  Instead, it is likely that they continued to wear some version of the same outfits we see in the haniwa figures of the kofun period.  This goes along with the fact that even as the elite are moving into palaces built to stand well above the ground, we still have evidence of common people building and living in pit dwellings, as they had been for centuries.  This would eventually change, but overall they stuck around for quite some time.  However, farmers and common people are often ignored by various sources—they aren't often written about, they often aren't shown in paintings or statues, and they did often not get specialized burials.  Nonetheless, they were the most populous group in the archipelago, supporting all of the rest. And with that, I think we will stop for now.  Still plenty more to cover this reign.  We are definitely into the more historical period, where we have more faith in the dates—though we should remember that this is also one of the reigns that our sources were specifically designed to prop up, so we can't necessarily take everything without at least a hint of salt and speculation, even if the dates themselves are more likely to be accurate. Until then, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.  

Text us a pool question!In this bone-chilling Halloween episode, host Rudy Stankowitz dives headfirst into the haunted side of the pool world—where the ripples in the water might not be from your circulation pump. Beneath the calm shimmer of moonlit pools lies a darker current: ghost stories soaked in chlorine and mystery.Rudy takes listeners on a guided ghost tour through some of the most notoriously haunted swimming pools on Earth—the Queen Mary's first-class plunge, McCarren Park Pool's eerie echoes, The Rave's waterlogged concert hall in Milwaukee, and the Baker Hotel's decaying spa in Mineral Wells, Texas. Each haunted tale blends the supernatural with the mechanical—the hiss of an old centrifugal pump, the slow groan of a corroded valve, and the whisper of gravity-fed drains that might still be pulling something from the other side.But before the goosebumps get too deep, Rudy grounds the chills in cold, hard chemistry. He pulls back the cover on one of the pool world's biggest myths—the “10x rule” for breakpoint chlorination—and exposes why the dosing instructions printed on your calcium hypochlorite bucket might be dead wrong. You'll learn the truth about shocking a pool: when it's needed, when it's not, and how misreading combined chlorine levels can turn your wallet into the real victim.Then, things get even stranger. A listener calls in with a question about Jack's Magic products that takes an unexpected turn. Rudy shares his latest paranormal investigation findings—because of course he's the only guy who can go from breakpoint chlorination to EVP recordings without missing a beat. Add in the PHTA's latest initiative to help member businesses, and wrap it all up with a ghost story that'll have every pool pro double-checking their filter room after dark.From haunted hydraulics to myth-busting chemistry, this episode proves one thing: in the pool world, even the dead don't always rest at the bottom.Highlights:

Jeffrey Epstein didn't just commit crimes — he engineered a system built to enable them. He created an infrastructure that blended wealth, real estate, aviation, and power into a self-sustaining operation of exploitation. His vast network of properties — from the Manhattan mansion wired with hidden cameras to the Zorro Ranch in New Mexico and the private islands of Little Saint James and Great Saint James in the U.S. Virgin Islands — served as hubs for trafficking, coercion, and control. His fleet of private aircraft, including the infamous Boeing 727 nicknamed the Lolita Express, allowed him to move victims and powerful associates across jurisdictions under the guise of philanthropy or business. Beneath it all was a web of shell companies, offshore trusts, and foundations such as the Jeffrey Epstein VI Foundation, which he used to launder reputation, attract scientists, and fund elite academic programs that bought him credibility and access. Every element of his life was deliberately structured to make his crimes invisible and his victims disposable.But the most disturbing part of Epstein's infrastructure was human, not material. His “assistants,” “recruiters,” and legal fixers formed an ecosystem that blurred the lines between employee and accomplice. Some were former victims turned groomers; others were accountants, lawyers, and estate managers who ensured money flowed smoothly while scrutiny was diverted. Epstein's connections with elite universities, financiers, royals, and politicians gave him protection that few criminals could dream of — a shield built out of favors, influence, and blackmail potential. His empire ran like a corporation of abuse, complete with logistics, finance, HR, and crisis management. Long after his death, the remnants of that infrastructure — from sealed documents to estate managers still under investigation — show that Epstein's power didn't end with him. It was a system by design, not accident — a case study in how money and manipulation can industrialize human exploitation.to contact  me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

The betrayals continue...   Gain access to an exclusive campaign, Shroud Over Saltmarsh, over on Patreon: https://legendsofavantris.com/patreon The Crooked Moon, a folk horror supplement for 5e, is available for preorder! Get the Crooked Moon at: https://thecrookedmoon.com/ Watch more D&D adventures in the world of Avantris live on Twitch: https://www.twitch.tv/legendsofavantris Check out our merch store: https://shop.legendsofavantris.com  Join our community on Discord: https://legendsofavantris.com/discord Watch our many campaigns on YouTube: https://legendsofavantris.com/youtube  All other links: https://linktr.ee/legendsofavantris   Watch the full episode here: https://youtu.be/zdT90PC3UtQ?si=0EfiCc1Z3C8xQQGa

The entire 5-part tale of Milo Sharproot. #dungeonsanddragons #dnd #ttrpg #epicfantasy #fantasystory  #indiepodcasts #MysteryInTheWoods #DarkFantasy #FantasyLore Music: Epic Emotional inspirational Artist: LobsangKarma   Listen on Spotify and Apple Podcasts. Free Your Geek's Social Media Twitter Instagram YouTube Facebook J-Free's Social Media Instagram

TV & Film - Steve Cubine & Nan McNamara

For generations, one family's 18th-century farmhouse has been the heart of every gathering — and the source of countless ghost stories. Beneath its whitewashed beams and slanted floors, something unseen lingers. The house carries the weight of history: a rumor of an infant buried in the basement, a cold corner no one dares enter, and whispers of footsteps from a time long gone. Even the family dog reacts to the sound of phantom engines — a spectral pickup rolling up the gravel drive, a door slamming shut, and then silence. Inside, the hauntings are subtle but constant. A ball rolling across the upstairs hallway. The soft patter of small feet chasing after it. A faceless Amish doll that appeared at the top of the stairs one day and began changing positions when no one was watching. No one has ever been harmed by the house. Yet its presence is undeniable, as if the walls themselves remember. Some homes hold memories. Others remember us. This is the story of one farmhouse that refuses to let go — where love, loss, and time all blur into one long haunting. #TrueGhostStory #HauntedFarmhouse #ParanormalActivity #GhostStories #RealHaunting #FamilyHistory #HauntedHouse #SupernaturalEncounters #SpiritEnergy #UnexplainedMysteries #CreepyStory #HauntedPlaces Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

On a cold December night in 1962, two men were led through the echoing halls of Toronto's Don Jail. Beneath their feet, a trapdoor waited. Minutes later, Arthur Lucas and Ronald Turpin became the last people ever executed in Canadian history.In this special Halloween episode, we step back into that chilling night — and the crimes that brought both men to the gallows.Through archival records, press accounts, and historical context, we explore how Lucas and Turpin's deaths marked not only the end of two lives, but the end of capital punishment in Canada.This is the story of justice, mercy, and the night the noose fell for the last time.--This podcast is recorded on the territories of the Coast Salish people.Music Composed by: Sayer Roberts - https://soundcloud.com/user-135673977 // shorturl.at/mFPZ0Subscribe to TNTC+ on Apple Podcasts: https://apple.co/TNTCJoin our Patreon: www.patreon.com/tntcpodMerch: https://www.teepublic.com/stores/true-north-true-crime?ref_id=24376Follow us on Instagram: https://www.instagram.com/tntcpod/Follow us on Facebook: https://www.facebook.com/truenorthtruecrime Hosted on Acast. See acast.com/privacy for more information.

On today's new episode the guys talk Beneath the Trees Where Nobody Sees Beneath the Trees Where Nobody Sees is an original graphic novel written and drawn by Patrick Horvath and published by IDW about Samantha Strong, a serial killer who is also a beloved member of her small, anthropomorphic animal town. When a rival killer begins murdering locals, Samantha must hunt them down to protect her secret and prevent the town from self-destructing. The story is known for its dark, violent plot juxtaposed with a cute, Richard Scarry-style art style. But first did Cody make sure the military wasn't at New York Comic Con? Was this one of the best books of 2024? Does this comic have Dexter vibes? What do we call watching movies with William Hurt? Does this book take place in the 80s? Is Cody aging like fine wine? How does Samantha Strong feel about her community? Did we guess the killer? What's going on in the next volume of this series? How cold is Samantha? Is Good Luck Chuck the Casablanca of our generation? What is scary and creepy about the first murder that draws you in? What does Anthony tell us about DC KO? What other crossovers are happening in comics recently? Who would win between Samantha Strong and Scorpion from Mortal Kombat? Who would we be in this comic? Did Satan tempt Eve to smoke from an apple? Find out the answer to these and more on the newest issue of Comics and Chronic!Check out the Kickstarter pre-launch page for Superguy issue #2 ⁠⁠⁠⁠https://www.kickstarter.com/projects/mrtonynacho/superguy-2-my-date-with-the-presidents-daughter?ref=creator_tab⁠New episodes every THURSDAYFollow us on social media! Bluesky // Instagram // Twitter // TikTok :⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@comicsnchronic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.youtube.com/channel/UC45vP6pBHZk9rZi_2X3VkzQ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠E-mail: comicsnchronicpodcast@gmail.comCodyInstagram // Bluesky:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@codycannoncomedy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: @Cody_CannonTikTok: @codywalakacannonJakeInstagram // Bluesky:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@jakefhaha⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AnthonyBluesky // Instagram // Threads // Twitter // TikTok:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@mrtonynacho⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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This episode takes us to a graveyard for Halloween and explores one of the most canonical poems in the English language, poised between two huge eras of poetry as it meditates on how "the paths of glory lead but to the grave." The whole poem can be found below. The image is of Thomas Gray's monument in Stoke Poges, inscribed with his elegy. Photo by UKgeofan at English Wikipedia, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=10552507 For more on Thomas Gray, see The Poetry Foundation (https://www.poetryfoundation.org/poets/thomas-gray). Elegy Written in a Country Churchyard By Thomas Gray The curfew tolls the knell of parting day, The lowing herd wind slowly o'er the lea, The plowman homeward plods his weary way, And leaves the world to darkness and to me. Now fades the glimm'ring landscape on the sight, And all the air a solemn stillness holds, Save where the beetle wheels his droning flight, And drowsy tinklings lull the distant folds; Save that from yonder ivy-mantled tow'r The moping owl does to the moon complain Of such, as wand'ring near her secret bow'r, Molest her ancient solitary reign. Beneath those rugged elms, that yew-tree's shade, Where heaves the turf in many a mould'ring heap, Each in his narrow cell for ever laid, The rude forefathers of the hamlet sleep. The breezy call of incense-breathing Morn, The swallow twitt'ring from the straw-built shed, The cock's shrill clarion, or the echoing horn, No more shall rouse them from their lowly bed. For them no more the blazing hearth shall burn, Or busy housewife ply her evening care: No children run to lisp their sire's return, Or climb his knees the envied kiss to share. Oft did the harvest to their sickle yield, Their furrow oft the stubborn glebe has broke; How jocund did they drive their team afield! How bow'd the woods beneath their sturdy stroke! Let not Ambition mock their useful toil, Their homely joys, and destiny obscure; Nor Grandeur hear with a disdainful smile The short and simple annals of the poor. The boast of heraldry, the pomp of pow'r, And all that beauty, all that wealth e'er gave, Awaits alike th' inevitable hour. The paths of glory lead but to the grave. Nor you, ye proud, impute to these the fault, If Mem'ry o'er their tomb no trophies raise, Where thro' the long-drawn aisle and fretted vault The pealing anthem swells the note of praise. Can storied urn or animated bust Back to its mansion call the fleeting breath? Can Honour's voice provoke the silent dust, Or Flatt'ry soothe the dull cold ear of Death? Perhaps in this neglected spot is laid Some heart once pregnant with celestial fire; Hands, that the rod of empire might have sway'd, Or wak'd to ecstasy the living lyre. But Knowledge to their eyes her ample page Rich with the spoils of time did ne'er unroll; Chill Penury repress'd their noble rage, And froze the genial current of the soul. Full many a gem of purest ray serene, The dark unfathom'd caves of ocean bear: Full many a flow'r is born to blush unseen, And waste its sweetness on the desert air. Some village-Hampden, that with dauntless breast The little tyrant of his fields withstood; Some mute inglorious Milton here may rest, Some Cromwell guiltless of his country's blood. Th' applause of list'ning senates to command, The threats of pain and ruin to despise, To scatter plenty o'er a smiling land, And read their hist'ry in a nation's eyes, Their lot forbade: nor circumscrib'd alone Their growing virtues, but their crimes confin'd; Forbade to wade through slaughter to a throne, And shut the gates of mercy on mankind, The struggling pangs of conscious truth to hide, To quench the blushes of ingenuous shame, Or heap the shrine of Luxury and Pride With incense kindled at the Muse's flame. Far from the madding crowd's ignoble strife, Their sober wishes never learn'd to stray; Along the cool sequester'd vale of life They kept the noiseless tenor of their way. Yet ev'n these bones from insult to protect, Some frail memorial still erected nigh, With uncouth rhymes and shapeless sculpture deck'd, Implores the passing tribute of a sigh. Their name, their years, spelt by th' unletter'd muse, The place of fame and elegy supply: And many a holy text around she strews, That teach the rustic moralist to die. For who to dumb Forgetfulness a prey, This pleasing anxious being e'er resign'd, Left the warm precincts of the cheerful day, Nor cast one longing, ling'ring look behind? On some fond breast the parting soul relies, Some pious drops the closing eye requires; Ev'n from the tomb the voice of Nature cries, Ev'n in our ashes live their wonted fires. For thee, who mindful of th' unhonour'd Dead Dost in these lines their artless tale relate; If chance, by lonely contemplation led, Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say, "Oft have we seen him at the peep of dawn Brushing with hasty steps the dews away To meet the sun upon the upland lawn. "There at the foot of yonder nodding beech That wreathes its old fantastic roots so high, His listless length at noontide would he stretch, And pore upon the brook that babbles by. "Hard by yon wood, now smiling as in scorn, Mutt'ring his wayward fancies he would rove, Now drooping, woeful wan, like one forlorn, Or craz'd with care, or cross'd in hopeless love. "One morn I miss'd him on the custom'd hill, Along the heath and near his fav'rite tree; Another came; nor yet beside the rill, Nor up the lawn, nor at the wood was he; "The next with dirges due in sad array Slow thro' the church-way path we saw him borne. Approach and read (for thou canst read) the lay, Grav'd on the stone beneath yon aged thorn." THE EPITAPH Here rests his head upon the lap of Earth A youth to Fortune and to Fame unknown. Fair Science frown'd not on his humble birth, And Melancholy mark'd him for her own. Large was his bounty, and his soul sincere, Heav'n did a recompense as largely send: He gave to Mis'ry all he had, a tear, He gain'd from Heav'n ('twas all he wish'd) a friend. No farther seek his merits to disclose, Or draw his frailties from their dread abode, (There they alike in trembling hope repose) The bosom of his Father and his God.

Danny, Paloma, and Nick chat about comics on their radar for the best of 2025!Timestamps:00:00:00 - Start/Last Week in Comics00:01:44 - Rin-Ne Vol 100:07:57 - We're Taking Everyone Down With Us #1-300:10:04 - Nick actually starts talking about comic books00:21:35 - Marian Heretic #100:31:38 - Cannon00:33:40 - Out of Alcatraz00:40:14 - Drome00:41:27 - Absolute Batman00:43:53 - Witchcraft00:45:36 - Beneath the Trees Where Nobody Sees: Rites of Spring01:00:09 - WrapMusic provided by Infinity Shred. Find them on Bandcamp.IRCB Avatars by @ICELEVELIRCB Logo by Kyle RoseProducer: Mike RapinProoflistener: Brian MurrayEditor: Zander Riggs Support us on Patreon to get access to our Patreon-only series: IRCB Movie Club, Saga of Saga, Giant Days of Our Lives, A Better Batmobile, and more! patreon.com/ircbpodcastEmail: ircbpodcast@gmail.comTwitter: @ircbpodcastInstagram: @ircbpodcastDiscord: discordapp.com/invite/E8JUB9sReddit: ireadcomicbooks.reddit.comIRCB GoodreadsMerch: ircbpodcast.com/shop

Hosted by Raven RollinsTulsa's infamous Hex House wasn't just a haunted legend—it was real. Beneath the surface of an ordinary duplex at 10 East 21st Street lay a story of control, psychological manipulation, and hidden abuse that gripped the city in the 1940s. Two women were found living in a cold, dark basement—isolated, exploited, and convinced they were earning salvation under the direction of a woman named Carol Ann Smith.In this episode, Raven unearths the true history behind the Hex House. It's a story of power, belief, and the dangerous ways devotion can be twisted.Mentioned in this episode:Get Allegedly Today!Find Allegedly at your favorite online retailer or library app today!

On this week's episode of Beneath the Skin, we're discussing the history of tattoo schools. Buy our books here Get more Tattoo History on Instagram Production by Thomas O'Mahony Artwork by Joe Painter (jcp_art) Intro music by Dan McKenna If you would like to get in touch you can email the show on beneaththeskinpod@gmail.com

In the UK oil and gas sector, the record on major accidents looks encouraging. Serious incidents are very rare, and the industry appears to be operating safely. Beneath the surface, the data tell a different story. One-third of safety inspections fall below the legal standard, and more than half of process-safety professionals are expected to retire within the next decade. At the same time, ageing assets, shrinking budgets, and weaker regulatory oversight are straining existing  safety systems. Operators must sustain high safety performance when experience is walking out the door, equipment is ageing, and new technologies are flooding the scene faster than they can be tested.  In this episode I speak with David Jamieson of Salus Technical, on making process safety straightforward. We explore why process safety remains an invisible threat, how AI can capture the wisdom of the best engineers, and what it takes to keep legacy assets safe as they wind down.